CAPITA

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C A P I TA



C A P I TA February 23 - March 24, 2018 curated by Brent Auxier

Including work by Don Bachardy Romare Bearden Nancy Burson Matthew Craven Anthony Cudahy John Edmonds

Emily Eveleth Jeff Grant Elizabeth King Sarah Peters William Tucker Martha Wilson

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Don Bachardy, UNTITLED V, 17 NOVEMBER 1985, 1985 acrylic on paper, 30.125 x 22.125 in.


Don Bachardy, UNTITLED IV, 17 NOVEMBER 1985, 1985 acrylic on paper, 30.25 x 22.25 in.



Romare Bearden, 110th Street Harlem Blues, c.1972 collage on paper, 17 x 14 in.


Nancy Burson, Mankind (The images used are from a 19th-century book of racial sterotypes and were weighted to reflect current world population statistics), 1983-1985 gelatin silver print from computer-generated negative, 14 x 11 in. (sheet), ed.15/15


Nancy Burson, Businessman (10 Businessmen from Goldman Sachs), 1982 gelatin silver print from computer-generated negative, 14 x 11 in. (sheet), ed. 1/15


Matthew Craven, Triiiplets, 2015, found image and ink on found paper, 51 x 40 in.


Matthew Craven, GODDESS, 2017, ink and found images on found poster, 60 x 40 in.


Anthony Cudahy top left: EatF_3_3, 2016; top right: EatF_3_21, 2017; bottom left: EatF_3_20, 2017; bottom right: EatF_3_18, 2017 each: oil on canvas, 15 x 19 in.


Anthony Cudahy top left: EatF_3_14, 2016; top right: EatF_3_10, 2016; bottom left: EatF_3_6, 2016; bottom right: EatF_3_2, 2016 each: oil on canvas, 15 x 19 in.



John Edmonds, Marchello, 2017 archival pigment print, 50 x 40 in., ed. 1/3



Emily Eveleth, Trace I, 2001 oil on canvas, 26 x 32 in.



Jeff Grant, Round nose, 2016 graphite and colored pencil on paper, 24 x 18 in.


Elizabeth King, Shutter (from series “Eight Views of a Sculpture”), 2008 Archival giclée print on Ilford Gold Fibre Silk paper, 34 x 43 in., ed. of 5, 2 AP


Elizabeth King, Myself with Other Eyes, 1987-88 low-fired porcelain, glass eyes, 5.5 x 3.25 x 3.75 in.


Sarah Peters, Head of a Boy Vessel, 2013 bronze, 8 x 6 x 10 in., ed. of 5, 2 AP


Sarah Peters, Portrait of a Bearded Man, 2014 bronze, 8 x 9 x 14 in., ed. of 5, 2 AP


William Tucker, The Good Soldier, 1998 charcoal on paper, 42.25 x 36 in.


William Tucker, The Good Soldier, 1997 bronze, 10 x 20.5 x 9 in., ed. 2/6


Martha Wilson, I Make Up the Image of My Perfection/I Make Up the Image of My Deformity, 1974/2008 color photographs, text, 19 x 25 in., ed. 2/4


Martha Wilson, new wrinkles on the subject, 2014, pigmented ink print on Canson rag photographique, 25 1/2 x 17 1/2 in., ed. 3/5


CHECKLIST Cover

Emily Eveleth, Trace I, 2001, oil on canvas, 26 x 32 in. (detail)

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Don Bachardy, UNTITLED V, 17 NOVEMBER 1985, 1985, acrylic on paper, 30.125 x 22.125 in. [Photo Courtesy Cheim & Read, New York]

Pages 3 Don Bachardy, UNTITLED IV, 17 NOVEMBER 1985, 1985, acrylic on paper, 30.25 x 22.25 in. [Photo Courtesy Cheim & Read, New York] Pages 5 Romare Bearden, 110th Street Harlem Blues, c.1972, collage on paper, 17 x 14 in. [Courtesy of DC Moore Gallery, New York] Page 6

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Nancy Burson, Mankind (The images used are from a 19th-century book of racial sterotypes and were weighted to reflect current world population statistics), 1983-1985, gelatin silver print from computer-generated negative, 14 x 11 in. (sheet), ed. 15/15 Nancy Burson, Businessman (10 Businessmen from Goldman Sachs), 1982, gelatin silver print from computer-generated negative, 14 x 11 in. (sheet), ed. 1/15 Matthew Craven, Triiiplets, 2015, found image and ink on found paper, 51 x 40 in. [Courtesy Asya Geisberg Gallery, New York] Matthew Craven, GODDESS, 2017, ink and found images on found poster, 60 x 40 in. [Courtesy Asya Geisberg Gallery, New York]

Page 10 Anthony Cudahy, EATF_3_3, 2016, oil on canvas, 15 x 19 in. EatF_3_21, 2017, oil on canvas, 15 x 19 in. EatF_3_20, 2017, oil on canvas, 15 x 19 in EatF_3_18, 2017, oil on canvas, 15 x 19 in. Page 11 Anthony Cudahy, EatF_3_14, 2016, oil on canvas, 15 x 19 in. EatF_3_10, 2016, oil on canvas, 15 x 19 in. EatF_3_6, 2016, oil on canvas, 15 x 19 in. EatF_3_2, 2016, oil on canvas, 15 X 19 in.

Pages 13 John Edmonds, Marchello, 2017, archival pigment print, 50 x 40 in., ed. 1/3 [Courtesy of the artist and ltd los angeles] Page 15 Emily Eveleth, Trace I, 2001, oil on canvas, 26 x 32 in. Page 17 Jeff Grant, Round nose, 2016, graphite and colored pencil on paper, 24 x 18 in. Page 18 Elizabeth King, Shutter (from series “Eight Views of a Sculpture”), 2008, archival giclée print on Ilford Gold Fibre Silk paper, 34 x 43 in., ed. of 5, 2 AP [Photograph: Lynton Gardiner; Master printer: Lauren Kylie Wright] Page 19 Elizabeth King, Myself with Other Eyes, 1987-88, lowfired porcelain, glass eyes, 5.5 x 3.25 x 3.75 in., Page 20 Sarah Peters, Head of a Boy Vessel, 2013, bronze, 8 x 6 x 10 in., ed. of 5, 2 AP Page 21 Sarah Peters, Portrait of a Bearded Man, 2014, bronze, 8 x 9 x 14 in., ed. of 5, 2 AP Page 22 William Tucker, Good Soldier, 1998, charcoal on paper, 42.25 x 36 in. Page 23 William Tucker, The Good Soldier, 1997, bronze, 10 x 20.5 x 9 in., ed. 2/6 Pages 24 Martha Wilson, I Make Up the Image of My Perfection / I Make Up the Image of My Deformity, 1974/2008, color photographs, text, 19 x 25 in., ed. 2/4 [Courtesy of the Artist and P.P.O.W.] Page 25 Martha Wilson, new wrinkles on the subject, 2014, pigmented ink print on Canson rag photographique, 25 1/2 x 17 1/2 in., ed. 3/5 [Courtesy of the Artist and P.P.O.W.]



Published in conjunction with the exhibition

CAPITA

February 23 - March 24, 2018

Catalogue © 2018 Danese/Corey, New York Works of art © 1972-2017 the artists

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D A N E S E C O R E Y