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Intuition & Memory Mixed media and Photography by John Fraser and Robert Treat January 13 – February 24, 2018


Opening reception Saturday January 13th, 2018 | 6-8pm Click here for more info

4107 Hillsboro Circle, Nashville, TN 37215 www.cumberlandgallery.com

Please call for prices 615 297 0296 or info@cumberlandgallery.com


John Fraser


Both Sides of the Argument (2013), graphite, acrylic, mixed media collage on wood panel construction, 30” x 32” x 2”


Room with a View (2013), graphite, acrylic, mixed media collage on wood panel construction, 30” x 30” x 2”


Scaled Relief (revised) (2008-2012), graphite, acrylic, mixed media collage on wood panel construction with found objects, 27 ½” x 27 ½” x 2”


Measured Relief in Soft Green (revised) (2008-2012), graphite, acrylic, mixed media collage on wood panel construction with found objects, 27 ½” x 27 ½” x 1 ½ ”


Meditation Object III (2015), graphite, acrylic, graphite wash, and mixed media collage on wood panel, 20 ¼:” x 4 ½” x 1 ¼”


Composition in Grey & Black (2011), graphite, acrylic, and mixed media collage on wood panel construction, 13 ½ x 13 ¾ x 1 ¾”


Composition with Burgundy vertical (2011), graphite, acrylic, mixed media collage on wood panel construction 13” x 13” x 2”


Composite in Grey and White with Cavity (Miami), A/P (2011), archival pigment print, 22 ½ ” x 30”


Composite in White (London), A/P (2014), edition of 25, archival pigment print, 7� x 11�


Composite of Rectangles: Grey (Reykjavik), A/P (2013), edition of 25, archival pigment print, 7” x 11”


No Title (ES) (Phoenix), A/P (2013), edition of 25, archival pigment print, 8 ½ ” x 10”


White Stripes (Phoenix), A/P (2013), edition of 25, archival pigment print, 7” x 11”


Window / Wall: Pink / Azure (Oaxaca), A/P (2010), edition of 25, archival pigment print, 7” x 10”


“There is economy, rigor and clarity in Fraser’s gathering planes and overlapping geometric grids, but the art also exists as a dynamic location of push and pull, its reductive, linear impulses forever stymied by its subterranean transcendent trajectory” Polly Ullrich in “Mapping the Contemporary Sublime”, pp. 6-9, Restraining Order: John Fraser Works in Mixed Media 1991-2010 (2010).


Robert Treat


Double Vessel (2016), mixed media and encaustic on panel, 40” x 30”


Half Vessel (2016), mixed media and encaustic on panel, 40� x 30�


Small Vessel, Large Vessel (2016), mixed media and encaustic on panel, 40� x 30�


Three Hooked Vessel (2016), mixed media and encaustic on panel, 40” x 30”


Tight Vessel (2016), mixed media and encaustic on panel, 40” x 30”


Vessel Lid (2016), mixed media and encaustic on panel, 40� x 30�


Animistic Ground #18, 1/10, (2017), Archival ink on acidfree paper, 11� x 11�.


Animistic Ground #45, 1/10, (2017), Archival ink on acidfree paper, 11� x 11�.


One Eyed Woods #5, 1/10, (2017), Archival ink on acidfree paper, 11” x 11”.


One Eyed Woods #12, 1/10, (2017), Archival ink on acidfree paper, 11” x 11”.


One Eyed Woods #14, 1/10, (2017), Archival ink on acidfree paper, 11” x 11”.


One Eyed Woods #18, 1/10, (2017), Archival ink on acidfree paper, 11” x 11”.


“The structured image is often obscured by gestural, often violent strokes of wax/paint. This process is a search for order while, at the same time, recognizing the need for inevitable chaos.� Robert Treat

Intuition & Memory: Mixed Media and Photography by John Fraser and Robert Treat  
Intuition & Memory: Mixed Media and Photography by John Fraser and Robert Treat  

January 13th - February 24th, 2018 at Cumberland Gallery, Nashville (TN)

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