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C.P.SEIBT  OBJECTS  53 objects, different materials, dimensions, years  I am permanently challenged by the process of creating objects. It offers one dimension more, which multiplies the invitations to follow the opportunities of materials, colors, rhythm, risks, existence. Â

objects 1 / C.P.Seibt

objects 2 / The Fast Ship of Odysseas / C.P.Seibt

objects 3 / Troy, the Horse / C.P.Seibt

objects 4 / 5 / C.P.Seibt

objects 6 / C.P.Seibt

6 / C.P.Seibt „All My Forgotten Masks, Said Dionysos“, 135objects x 135 cm, 53.1 in x 53.1 in oil on shipwood, 2010-2012, C.P.Seibt

objects 7 / C.P.Seibt

objects 8 / C.P.Seibt

objects 9 / 10 / 11 / 12 / C.P.Seibt

objects 14 / C.P.Seibt

objects 15 / C.P.Seibt

objects 16 / C.P.Seibt

objects 17 / C.P.Seibt

objects 19 / C.P.Seibt

objects 20 / C.P.Seibt

objects 21 / C.P.Seibt

objects 22 / C.P.Seibt

objects  1  /  C.P.Seibt    

objects 23 / C.P.Seibt

objects 24 / C.P.Seibt

objects 25 / C.P.Seibt

objects 26 / C.P.Seibt

objects 27 / C.P.Seibt

objects 28 / C.P.Seibt

objects 29 / C.P.Seibt

objects  1  /  C.P.Seibt    

objects 30 / C.P.Seibt

objects 31 / C.P.Seibt

objects 32 / C.P.Seibt

objects 33 / C.P.Seibt

objects 34 / C.P.Seibt

objects 35 / C.P.Seibt

objects 36 / C.P.Seibt

objects 37 / C.P.Seibt

objects 38 / C.P.Seibt

objects 39 / C.P.Seibt

objects 40 / C.P.Seibt

Objects 41 / C.P.Seibt

objects 42 / C.P.Seibt

objects 43 / C.P.Seibt

objects 45, 46 / C.P.Seibt

objects 47 / C.P.Seibt

objects 48, 49, 50, 51 / C.P.Seibt

objects 52 / C.P.Seibt

objects 53 / C.P.Seibt

Painting is my earliest memory of my second year. Now I am seventy-seven and I continue working daily and intensively. After having lived in many places of different countries, in various cultures am I a Swiss resident of the Greek island of Paros where I have worked for many years. By biographic coincidences, the combination of different talents, interests and chances I worked in various projects, in different areas of life. The center is always my creative work as an artist. I develop my awareness, understanding and doing. Usual learning, usual institutes, usual teachers have been always not a fit for me. For all techniques, knowledge and abilities I found in each case the optimal teachers and institutions. I learned most by the pictures of all the great painters before me and by my constant intensive working. Off about 1986 I gave up most of my technical skills, methods, effects and my work became autonomously, relevant, singular. I found always sequences in simultaneous motions, directions (or they discovered myself, of course) to my own transreal work. My topics, my projects, my painting develops permanently.    

My attitude is constant: I do not arrive, I continue. I do not create a rigid brand label. I am responsible for my work, but neither their constructor nor controller, but part of these developing processes. And I work incessantly. Models I do not have. I feel relationships however. Of the width of my interests and upbringings out I am a distant cousin of the Renaissance artists, by the daily intensity of my work and my constant developing rather a relative of the creatoholics of modern art, absolutely, passionate. My position in the art of the present: I do not work according to the rules of the art market. Therefore I create my own area from classical conditions, demands on me and my attentiveness of the present. My work does not fit into the raster of the usual classifications. It is transreal: on the way, not at the end of a frozen style, connecting different realities and inviting to others, abundance. My work points over itself outside, because it is created out of our old, deep dwells and common understandings, inviting to subjective experiencing, from which new common realities develops. C.P.Seibt Â

Objects of Time  

53 objects, different materials, dimensions, years :I am permanently challenged by the process of creating objects.It offers one dimension...

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