The New York Design Guide 2026

INTERIOR DESIGN

ARCHITECTURE

OUTDOOR LIVING + SHOPPING IN STYLE

Create Where

New York’s Resource for Interior Design

PAULA MCDONALD DESIGN BUILD & INTERIORS

212.633.0594 | pmddllc.com | paula_nycdb

Discovering one’s true passion and then sharing it is the key to personal and professional success that has a profound influence on other people’s lives. Enter Paula McDonald. As the owner of Paula McDonald Design Build & Interiors, she brings her artistic talents and enduring business skills to the award-winning firm she founded in 2009. “My philosophy of integrating the separate disciplines of design, architecture and construction is at the heart of my firm’s holistic “one-stop-shop” approach to Manhattan residential renovations,” Paula says. Based in the Flatiron District, Paula and her expert team work in close collaboration with their clients to transform the look, feel and function of their apartments, while removing logistical headaches. “My mission is to design and create beautiful, innovative living spaces that save time and money and elevate my clients’ lives for years to come.”

“We are a full-service design-build firm with wide-ranging expertise that guides projects from conception to completion.”

PURSUING PASSION

“My initial desire was to pursue a career in art, but life had other plans and I pivoted from the creative to the analytical path as a CPA, then onto Wall Street and advertising,” Paula shares. “As someone with a creative soul who’s always enjoyed renovating my own homes, I had an ‘a-ha’ moment mid-career and realized that this is what I most wanted to do. So, I jumped back into the city and, against all odds, established my firm. Today, I am happily doing what I love best—designing and building homes and environments for my clients with my amazing team.”

A FORWARD-LOOKING INFLUENCER

When asked what her major goals are moving forward, Paula McDonald shared, “To become consistent in business revenues so that I can nearly double the size of my firm to 10 employees. Doing this will allow us to take on more large projects, yet stay small enough to remain scrappy, strategic and completely hands-on.”

Top Amongst many elegant details, this open space renovation includes tandem pocket doors that open to the guest room and new rift and quartered white oak floors throughout.

Left PMD transformed this pre-war gem into a contemporary classic with an open kitchen/ dining/living space, custom built-ins, a stunning fireplace surround, Odegard and Stark carpeting, a Baker sectional and a Circa chandelier and sconces.

Right This serious cook’s kitchen includes an induction cooktop, Bosch and Liebherr appliances, PMD’s custom cabinetry and wood flooring refinished to match.

Photography Greg Morris

NYC Home Renovations & Interiors

From Concept to Completion. Elegant Simplicity. Timeless. Contemporary Sensibilities. Fused with Your Vision. Integrated, Seamless Process. Innovation in Design. Finished Interiors. Passionate Pursuit of Excellence in Every Aspect.

Paula McDonald Design Build & Interiors

THE NEW YORK DESIGN GUIDE 2026

16 LETTER FROM THE EDITOR

18 LETTER FROM THE CEO

22 CHAPTER 1 HOME SWEET HOME

From zhush to complete overhaul, our design experts have all the answers.

54 CHAPTER 2 YOUR DREAM HOUSE

Our region’s top real estate pros share their tips and tricks for navigating an everchanging market.

68 CHAPTER 3 OUTDOOR LIVING

From plant specifics to full-tilt garden design, make your world a greener place.

82 CHAPTER 4 SHOPPING IN STYLE

Our annual guide to regional shops and showrooms provides a source for everything.

92 THE LIST

A compilation of industry professionals whose work has graced the pages of NYC&G in the past year

ON THE COVER

PHOTOGRAPH: NICOLE FRANZEN

STYLING: KATJA GREEFF

DESIGN: CRYSTAL SINCLAIR

FROM HOUSE TO HOME

IN ADDITION TO THE INVALUABLE EXPERTISE PROVIDED BY OUR PANEL of designers and architects in this special issue, there were a handful of trends that expressed themselves on our pages over the last year—design moments we’re sure you’ll be seeing more of in 2026! As au courant as these ideas are, we’re certain they’ll serve you well for years to come.

Natural Materials Wood, stone, wool, linen, rattan, and jute (among others), bring warmth, authenticity, and tactile richness to a space. Cozy up!

Powerful Palettes So many paint companies chose a darker, warmer hue for their “colors of the year” for 2026 (left). Check out Little Greene’s Adventurer, Behr’s Hidden Gem, Glidden’s Warm Mahogany, Sherwin-Williams’ Universal Khaki, and Benjamin Moore’s Silhouette.

Artisanal Touches These are the unique things that make a house a home, including antiques and vintage finds, collections, and one-of-a-kind custom furnishings.

Statement Lighting Lighting today is about bold, eye-catching light fixtures that serve as a focal point in a room, blending function with dramatic design. Instead of just providing illumination, these pieces act almost like sculptural art, defining the mood and style of a space.

Green Things Whether it’s an assortment of potted plants indoors, a verdant terrace with lush containers, or a proper garden filled with annuals and perennials, a touch of nature will enliven your spaces—indoors or out—and lift your spirits.

Clinton Smith Editor in Chief csmith@candg.com

2026 Colors of the Year

THE POWER OF COLLABORATION

EVERY YEAR, AS WE PUT TOGETHER THE NEW YORK DESIGN GUIDE, a truth quietly reveals itself: the most extraordinary homes are never the work of one brilliant mind. They are the product of many—aligned early, listening to one another, solving problems before they exist.

Time and again, the architects, landscape architects, interior designers, builders, and craftspeople we spoke with echoed the same sentiment: Start together. When the full team is gathered from the beginning, something magical happens. The architect imagines a wall of glass—and the landscape architect already knows which trees will dapple the light. The designer considers the silk on the sofa while the contractor is making sure the ceiling height allows the room to breathe. There is no tug of war. There is momentum, shared purpose—and a kind of creative generosity that you can feel in the finished home.

In New York City for example, where space is tight, rules are many, and dreams are large, collaboration isn’t just ideal—it’s essential. The projects in this guide are proof. They aren’t just beautifully designed, they are beautifully orchestrated.

What I love most is the spirit behind it all: respect. Trust between professionals, trust from the client, and a collective belief that the best work happens when everyone is in the room from the start. The result? Homes that don’t simply function or impress—but feel whole, as if they’ve always been exactly this way.

Marianne Howatson CEO/Publication Director mhowatson@candg.com

THE NEW YORK DESIGN GUIDE 2026

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perfection inside & out

Interior: Sara Story Design

HOME SWEET HOME HOME SWEET HOME

New York is a tapestry of innovative architecture— from historic homes to contemporary marvels. Now that you’ve landed the house of your dreams—be it city apartment high in the sky or charming historic getaway deep in the country—it’s time to start decorating. We’ve consulted some of the industry’s top experts to help guide you down the path.

PHOTOGRAPH: NICOLE FRANZEN; STYLED BY KATJA GREEFF. DESIGN: CRYSTAL SINCLAIR.

ARCHITECTURE

Are there any certain spaces in a home that have historically been underused that you have been rethinking on how to maximize their potential?

“The first space that comes to mind is a large dining room in a New York City apartment. We often think of using this space as a family living area, too, and not just as a dining room. We include an expandable table there but also create a seating area.” — Gordon Kahn

“We have seen an increasing call to take advantage of the attic space in our houses. Examples of finding room in the upper reaches of the house includes nautical-themed bunk rooms, discreet woodlined studies, and billiard rooms hunkered under the slope of the roof.” — Tom Kligerman

“In particular we’ve been rethinking the primary closet, evolving the space into a place of respite and wellness instead of just utility or storage. In some ways it’s a return to the old-fashioned dressing room, which served as a private living area and retreat.”

— Andrew Kotchen

“I am always going say it’s the dining room. We strive to integrate this room into unusual locations, whether it be part of a larger living room, part of the entry or even as part of a combination library/dining room.” — Ray Booth

How do you successfully connect a house with its site?

OUR PANEL OF EXPERTS

Ray Booth McAlpine

Gordon Kahn

Gordon Kahn & Associates

Tom Kligerman

Kligerman Architecture & Design

Andrew Kotchen

Founding Principal, Workshop/APD

“Context is so critical for a house to have a sense of place and resonance with the site. It is imperative that we understand the solar path of the sun to ensure abundant light and luminosity. Likewise, understanding the views available allows us to determine room placement and even the location of furniture in that room to engage with the site.” — Ray Booth

“Every site has a voice—we see them as a series of questions. Where is the view? Where does the sun come up and go down? Are there neighbors nearby that you don’t want to see? What is the architectural history of the area? Where does the wind come from?” — Tom Kligerman

“We start by working to understand the context—whether it’s Westchester, the Hamptons, Martha’s Vineyard, or Jackson Hole—since each site is completely unique. I look into environmental conditions, orientation, sunlight, views, topography, vegetation, and zoning. The goal is to triangulate the project’s fixed conditions so the design is woven into the place and expresses its character. We also really focus on creating indooroutdoor connections, creating a more permeable barrier between interior and exterior living spaces, and layering the arrival and outdoor spaces to enhance livability.” — Andrew Kotchen

What are some examples of the types of amenities that clients are requesting now?

“The big focus is wellness. Gyms have gotten bigger, and we get more specifications from trainers and other kinds of coaches on types of equipment and exercise gear. We are finding a demand for more specialized spaces, including massage rooms (often with a view), steam rooms and saunas (traditional, infrared, salt lined), hot tubs and cold plunges, and enough space for Cadillac Reformers, Bosu balls, custom-fabricated stretching devices and, of course, a wide range of free weights. Wellness awareness also spreads to the kitchen where fresh vegetable storage and different ways of healthy cooking are considered.” — Tom Kligerman

“Today, client requests remain varied, and it all depends on the homeowner. Some of our clients are avid sports players and request rooms, buildings, and landscapes that accommodate this. It is our job to fully vet each client’s needs and wants to help edit them down to the essentials. A tighter program allows for a better project. I will say that golf simulators seem to be on the rise!” — Ray Booth

“Wellness features aren’t new, but they continue to be huge. We’ve done every wellness feature you can imagine, and they now get pride of place. They’re on the main floor, they are beautifully designed and used daily, they’re no longer hidden in a corner of the basement. The second kitchen—the back-of-house kitchen—has become another popular feature. The former pantry is now a functional space for appliances and everyday cooking. Caterers or private chefs may utilize the second kitchen for prep and cooking without disrupting the main living areas—or being disrupted while they work while the main kitchen is a sort of show kitchen and gathering space.” — Andrew Kotchen

“We continue to get requests for large, spa-like bathrooms. We recently installed a wood soaking tub that is heated in one project. In a penthouse, we recently provided a door from the indoor shower leading to an outdoor shower.” — Gordon Kahn

ARE YOU STILL SEEING THE REQUEST FOR OPEN FLOOR PLANS? IF SO, HOW HAS IT EVOLVED?

“We do often get requests for open floor plans, but when we create them we try to maintain individually articulated spaces. For example, very wide and tall door frames between a kitchen and an eating area (or family living area), leave the space open to one another but not without definition.” — Gordon Kahn

“Yes. The question for me is always how much openness is appropriate. Do you really want to see dirty dishes in the kitchen while you’re having dinner? We have created open spaces that can be easily divided by folding louvered screens or pocket doors so that families have a choice, depending on activities, on just how open spaces need to be.” — Tom Kligerman

“Right now, I’m seeing less demand for fully open floor plans. Instead, clients want more intimate, humanscaled spaces. The basic ideas of layout—which are based on functionality and the way clients want to live—haven’t changed, but the way we create a division between them is always evolving. While kitchens still connect to informal dining and living areas, there’s a greater need for compartmentalized spaces including work areas, media rooms, and places to retreat. I think that rising construction costs have also made clients more intentional about the scale, size, and program of their homes.” — Andrew Kotchen

“Yes, I think this is the way we live today. Open plans allow for rooms to be multi-functional on many levels. This continues to allow us to avoid those ‘dead’ rooms that are only reserved for one function.” — Ray Booth

What difference does it make to the building process when the architect, designer, landscape designer, and builder/contractor teams are all on board from the very beginning?

“Success in our business really is a team sport. It is only those projects where we have all of these professionals on board from the get-go that we are sure we’re going to have a beautiful result. When any piece of the puzzle is missing, it is always evident in the end result.” — Ray Booth

“The sooner the whole team—architect, interior designer, landscape architect, and builder—are hired, the better. Great frustration can arise when, after nine months of working on a plan, the interior designer is brought in with his or her ideas on door opening location, room size and, especially, window treatments. Having the builder on board allows for guidance on budget well before the drawings are completed. That helps to avoid sticker shock late in the design process when making significant value engineering changes becomes costly and time-consuming.” — Tom Kligerman

“Without a doubt, the project benefits from this approach. Collaboration from the beginning among a team of experts will always create a more seamless process. We also like to include the lighting designer as early in the process as possible.” — Gordon Kahn

“It makes all the difference. Getting the whole team involved early leads to better outcomes, with a shared vision and thoughtful collaboration. When everyone knows their role and works together at the right time, the project benefits from balanced skills and expertise. Building strong relationships with team members makes early integration easier and more successful.” — Andrew Kotchen

HOW CAN CLIENTS AND ARCHITECTS HAVE THE BEST POSSIBLE RELATIONSHIP?

“Open, honest discussions. I always tell my clients that our feelings are never hurt if they don’t like a design idea. Please tell us what you like, as well as what you don’t like. There’s always a solution that everyone will like.” — Tom Kligerman

“Honesty, openness, and transparency are key. Consistent communication is essential, and clients need to be present and willing to correspond. It’s important for them to share anything that might affect the project promptly too—whether it’s personal, family, or financial issues—so we can address challenges early. Our relationship with our clients is a very intimate one, and needs to be built on mutual trust and understanding.” — Andrew Kotchen

“Each needs to have respect for each other and the process it takes for each to get to the right solution. The next greatest gift that each can bring to the table is faith and trust that the job will end up fulfilling the requirements.” — Ray Booth

“I have no doubt that the answer to this is fact-based clear communication. As an architect it is my job to establish expectations and to communicate using both words and drawings. Explaining everything to a client is essential and avoids surprises in terms of design, pricing, and timing. Also, it is important to understand that design is a fluid process and although a client and architect might have an idea of the design solution at the beginning of the process, allowing for the evolution of the design as the architect draws and the client reacts will make for the best possible relationship.” — Gordon Kahn

Sometimes, clients are hesitant to make certain decisions—both big and small—for fear of making the wrong decision. And, of course, time is money. How do you facilitate those impasses or moments of uncertainty?

“No decision is often worse than a bad one. Make your best choice— even a best guess. Doing so allows work to continue and will quickly reveal if it is the right one. A decision allows you to move to the next step. It allows you to make a correction. It gives you something to look at and sleep on. It reveals what needs to be done next.” — Tom Kligerman

“I draw on my experience, guiding clients through similar decisions I’ve faced before. Sharing what others have done and how we’ve navigated from start to finish helps untangle uncertainty. Every project is different, but I’ve found that recalling and referring to past outcomes helps clients make informed choices and avoid regret. We try to balance gentle guidance with confidence in our expertise. Sometimes, as the expert though, you have to just go in and say “you HAVE to do this” when you know it’s the right choice.” — Andrew Kotchen

“We always show two or three options and clearly explain the pros and cons of each, patiently working with our client through communication to reach the best design solution.” — Gordon Kahn

“Understanding their realistic budget and establishing a list of rooms and appointments that are important to them. Also, inspiration photos are always helpful.” — Gordon Kahn

“Clients don’t need to know everything, but they must be committed to the process and open to new ideas. We thrive in relationships where the clients are confident in what they like and don’t like, even if they’re not sure what they want yet. But also we thrive in relationships where the clients don’t have many pre-conceived notions at all, as long as they are willing to trust that they have engaged the right experts to guide them.”

— Andrew Kotchen

What preparation is necessary for the client to do before meeting with

an architect?

“Lots of things, including being certain of the number of bedrooms and the rest of the program, supplying a proper site plan, and some sense of budget. But most importantly for us, we ask for images—photographs, pages torn from magazines, even faded Kodachrome slides—to illustrate our clients’ vision. We all have our own vocabularies and jargon. Architects have their own words for things, and we don’t expect our clients to know them. Photos (or drawings) are the project’s Rosetta Stone.” — Tom Kligerman

“I always think a written program where the client has taken the time to truly think about the needs that they have for the project is a great start. Likewise, images of things they have seen that inspire their vision for the project are great. This can be in the form of specific buildings, but it can also be environments, places they’ve vacationed, and places that have meant something to them in the past. All of this can be fuel for the architectural design so that we as designers ensure that the project reflects our client’s visions and dreams.” — Ray Booth

INTERIOR DESIGN

How do you create a productive client/designer relationship from the very beginning? Clients can sometimes come into the design process with certain assumptions that might be askew or unrealistic.

“We think it’s important to start with as much transparency as possible. What are the firms’ strengths? What specialties do we typically outsource to other vendors (ie: closet designers or millwork detail drawings)?

— Erick Espinoza

“We’re interviewing potential clients just as much as they’re interviewing us. We love a client with vision and good taste, but trust is essential to let the creative process unfold. Before entering an agreement, we always meet twice, first on a discovery call, then in person at our studio. We walk them through our design process and emphasize the value of starting with a relatively blank slate. Ideally, a client comes to us because they connect with our aesthetic, which is when the process is most rewarding and beautiful.”

— Joan Enger

OUR PANEL OF EXPERTS

Isabel Brewster

Isabel Brewster Interiors

Brittany Bromley

Brittany Bromley Interiors

Joan Enger

J. Patryce Design

Erick Espinoza

Anthony Baratta, Inc.

Michelle Gerson

Michelle Gerson Interiors

James (Ford) Huniford

Huniford Design Studio

Kyle O’Donnell and Christopher Sale

Gramercy Design

Jordan Ross

PCD Studios

Alexander D. Wilson

“I think it’s important to have a very detailed discussion surrounding the design process and the steps involved in that process. I also think it’s important to manage a client’s expectations around timelines, and for the client to have a very firm understanding of price structure and goods. From there, it’s always helpful to have an understanding of how the client views the space and how they’ll use it—form versus function. And, finally, anything that we can do on the design side to give the client a very good understanding of what the product will look like so as to inform their decision process. For specific items, it is extremely helpful. CAD space planning, elevations, and even renderings give the client an understanding of what the finished product will entail.”

— Brittany Bromley

“From day one, it’s about establishing clear boundaries, goals, and realistic expectations. The foundation of any productive client–designer relationship starts with transparency—through both the initial conversations and a well-structured contract. These early steps define the scope, deliverables, timelines, and communication channels, which prevents misunderstandings later on and creates a framework for accountability. It is really important to be as realistic as possible so you can under-promise and over-deliver—that way everyone is happy.” — Isabel Brewster

(THIS PAGE) PHOTOGRAPH: TREVOR PARKER; DESIGN: CHRIS MCGOVERN; ARCHITECT: EUGENE KHANANOV. (OPPOSITE) PHOTOGRAPH: NICOLE FRANZEN; STYLED BY KATJA GREEFF; DESIGN: CRYSTAL SINCLAIR.

Sometimes designers curate art collections in tandem with the interior design process. Other times, clients have a passion for collecting and have pieces (both good and bad), that need to be integrated. How do you approach each scenario?

“We love a thoughtful collection! If it’s something we can work with, we often design rooms to hold the collection or pieces of furniture for display. We try to be honest about whether a collection will work with the overall vision but rarely say no.”

— Erick Espinoza

“We’ve worked with both types of clients. When someone already has a thoughtful collection, that’s wonderful, but art is deeply personal, and I’m particular about what we include. For most projects, we source at least half of the artwork, and often more. We’re constantly on the lookout for new and vintage pieces with our clients in mind. If a client has an existing collection, we site-measure and photograph each piece early on, then map everything out, as art can influence the furniture layout and overall scheme. When we’re sourcing the art internally, we determine wall locations and sizes early on but finalize selections a bit later in the process.” — Joan Enger

“One of the first questions we ask clients is what art they’re bringing with them. It’s one of the most revealing insights into a client’s world. We’ve designed whole rooms around a piece of art or with space for a future key piece of art in mind. When we curate collections in tandem with the design process, we can ensure that acquisitions are going to be the appropriate scale and completely cohesive with the story we are telling. If a client is collecting on their own and a piece legitimately won’t work, we’re upfront about it. More often than not, however, we’re pleasantly surprised by the dialog the art creates with the spaces we’re designing.”

— Kyle O’Donnell and Christopher Sale

Avoiding the word “trends,” what shifts or movements are you seeing for interior design in 2026? Or what do you want to see?

“I understand why trends are an interesting concept in interior design, but I myself find trends to be troubling because they’re both limiting in the sense that they are timespecific if they are ‘in’ versus ‘out.’ Design should really be about the client’s needs and not replicating something that is trending at any given moment.” — Brittany Bromley

“We want to see people pushing it and taking it to the next level. Less homogeneity and more individuality.”

— Kyle O’Donnell and Christopher Sale

“We’re seeing a renewed appreciation for artistry. Investment pieces—whether vintage finds or works by contemporary artisans—are in high demand and we expect this to continue in 2026. What excites us most is the embrace of specialty finishes and materiality: straw marquetry, jewel tones with a softened edge, and colors that feel deep, yet dusted down. For example, navy with a touch of smoke or an emerald that reads lush but mellow. It’s less about high saturation and more about richness with restraint. Lighting is also evolving, and we expect to continue seeing a shift away from purely architectural lighting and toward more expressive, decorative fixtures that double as art. We’re currently experimenting with straw marquetry for lamps and continuing to lean into chandeliers that feel moody, jewelry-like, and sculptural.” — Michelle Gerson

“I think it’s important to keep design timeless— something that can last a lifetime and outlast trends. While I appreciate the excitement of introducing color or experimenting with new ideas, I always encourage choosing elements you know you won’t tire of over time. For me, inspiration often comes from older homes and classic design details. There’s a certain integrity and longevity in spaces that have stood the test of time— they remind us that good design doesn’t need to chase what’s current. It’s about creating environments that feel authentic, enduring, and personal.” — Isabel Brewster

I’d like to see bold pattern coming back! I think we have seen large volumes of solid interiors in the past couple of years, and it’s always fun to see how designers can interpret patterns in a modern way.”

— Erick Espinoza

Although each of your projects is different, what is your approach to window treatments? Where do you begin?

“It all depends on the windows. If they are off the ground, we usually keep our treatments high and close to the ceiling to help elongate that window. If the windows are floor to ceiling, we’ll do drapes to soften the elevation.” — Erick Espinoza

“Every project begins with understanding the purpose of the space and how the light interacts with it. Window treatments are not just decorative, they’re functional elements that affect the mood, comfort, and overall flow of a room. I always start by considering what the space needs: privacy, light control, softness, or architectural emphasis. From there, I look at texture and layering. I love combining materials—pairing something structured like a woven shade with a softer drapery—to create depth and balance. Fabric choice is key; it sets the tone for the entire room and usually this is one of the fabrics you see the most in a space. The fabric selected for window treatments is key and is one of the foundations for the rest of the room design.”

— Isabel Brewster

“We start with function. Does the window treatment need to provide blackout functionality, diffuse light, frame a view, or block a view?”

— Kyle O’Donnell and Christopher Sale

“More often than not, the architecture of a space dictates the window treatment application, so I defer to the window casings and architectural details and let them be the guide. Another important but secondary factor is how the space will be used—is it a bedroom that needs blackout lining or is it a space where privacy and natural light are needed? As Louis Sullivan said, ‘form follows function.’” — Alexander D. Wilson

“We plan for them up front, both in budgeting and during scheming, because window treatments complete a space! Some clients see them as dated or unnecessary, but we’ve transformed rooms with window coverings. Custom romans, wovens, drapes, café curtains, etc., make a huge impact and really warm up a space.” — Joan Enger

What

are some of the most special or unique design details you have incorporated into your upholstery?

“I have enjoyed adding ‘bands’ of color to some upholstery as of late to bring in another color from the design scheme. Whether it’s a vertical racing stripe up the back of a chair or a solid band around the lower deck, it gives another layer of design to the piece and has a powerful effect in the room.” — Erick Espinoza

“We like creating interesting forms with our upholstery. We recently designed a sofa that looks like an assemblage of Jenga blocks and a three-dimensional upholstered headboard that is shaped like a hatch shell.”

— Kyle O’Donnell and Christopher Sale

“When it comes to upholstery, I focus on details that elevate both aesthetics and longevity. One of my favorite approaches is combining unexpected textures or materials—pairing a luxurious velvet with a subtle leather trim or introducing handstitched accents that add craftsmanship. I have also added unique metal details to sofas as well as some interesting wood details, making the upholstery pieces feel like art in the room from both the front and back.” — Isabel Brewster

(TOP) PHOTOGRAPH: KYLE KNODELL; DESIGN: CARRIER & CO.; ARCHITECTURE: ELIZABETH VERGARA. (BOTTOM) PHOTOGRAPH: PETER MURDOCK; DESIGN: DAVID KLEINBERG DESIGN ASSOCIATES. (OPPOSITE) PHOTOGRAPH: NICOLE FRANZEN; STYLING: KATJA GREEFF; DESIGN: CRYSTAL SINCLAIR.

KITCHENS+BATHS:

FINISHES: Are we mixing and matching

or

sticking to one style for consistency?

“I’m always a mix-and-match kind of girl—my jewelry, navy and black together, but especially finishes! I think when every single thing in the room is exactly the same finish, it all feels as though it were done at once. To me, things should feel as though they were collected and layered over time; therefore, different materials tend to lend themselves to this ethos.” — Brittany Bromley

“I prefer adhering to one finish in a bathroom to unify the space and always polished nickel, never chrome. In a kitchen or other living space with hardware, mixing finishes in a thoughtful way, like polished unlacquered brass and oil-rubbed bronze, can be interesting and mix things up.”

— Alexander D. Wilson

“We have been mixing it up a bit! Right now we are working on a project in Westchester and the kitchen will have delft, painted cabinets, lacquered pantry, wood beams, wood island, and lots of wallpaper. But we believe each project deserves its own approach!” — Erick Espinoza

“Definitely mixing and matching!” — Michelle Gerson

“I think mixing and matching when done well can add a lot of personality to a kitchen or bathroom, but it needs to be done thoughtfully. For example, brass and polished nickel can be paired well. I also love to mix wood islands with painted cabinet surrounds—this makes the island feel more like a furniture piece. Everything just needs to feel like it was done on purpose with intention.” — Isabel Brewster

MATERIALS: Is there a flooring, countertop, or backsplash material that’s inspiring you now? Or one that you’re eager to use on a future project?

“I recently saw a kitchen with old limestone flooring and would love to incorporate this into one of my upcoming projects!” — Isabel Brewster

“I’m inspired by natural, tactile materials right now. I love cork floors in kitchens—they’re soft underfoot and add warmth—and painted wood floors in bathrooms for their charm and character. I’ve also been drawn to green verde marble for kitchen countertops that continue up the wall as the backsplash. It creates a seamless, sculptural look.” — James Huniford

“We’ve recently been liking ceramic tiles on floors again. They come in and out of our work and after using marble and marble mosaics for the past few years, it’s nice to come back to a softer and more approachable look that ceramics offer. They can be combined to create a checkerboard or gingham, which is always fun and cheeky!” — Erick Espinoza

“I love all natural stone. Particularly interesting to me are the organic repetitive nature of materials, like agate or onyx, where you have repeating color blocks. They are organic in the shape in which they take form, so the eye can travel through a single piece of material and it gives it pattern!” — Brittany Bromley

IN THE ZONE

Designers are increasingly incorporating smart zoning: using islands, lighting, or furniture to define kitchen, dining, and living zones without erecting walls.

PHOTOGRAPH: GIEVES ANDERSON; DESIGN: EDDIE LEE

LIGHTING: What are the most common pitfalls people make with lighting that can easily be avoided?

“Lighting is essential to a room’s success—it sets the mood and defines the architecture. The most common mistake people make is not layering their light sources. I always combine table lamps, wall sconces, recessed lighting, art lights, and decorative ceiling fixtures, all on dimmers. That flexibility allows the space to function beautifully throughout the day and evening.” — James Huniford

“Scale! Particularly as it relates to ceiling fixtures, the scale of a light fixture can make or break its effect in a room, especially if it is too small. You want your fixture to be in proportion to the space, but I’d rather a fixture be a little too big than too small.” — Alexander D. Wilson

“One of the most common mistakes is relying on a single source of light. Overhead fixtures alone often leave a space feeling flat or harsh. A well-designed room always includes layers: ambient, task, and accent lighting, each serving a specific purpose.” — Isabel Brewster

SURFACES:

“Most people think lighting is just about being able to see. Flip a switch, light the room, move on. But that’s where everything goes wrong in design. Relying only on recessed fixtures flattens a space and kills the mood before it even begins. A kitchen should have layers that breathe. Pendants that hang like jewelry over the island, pulling your eyes down into conversation. Task lights that whisper across the counter when you’re slicing limes for a cocktail at dusk. Sconces that frame a range like candlelight in a familiar café. Lighting should be in rhythm with the architecture of your kitchen, not fighting it. The best rooms have light that moves with you and changes as the day does. Mornings should feel alive and forgiving; take for example soft light bouncing off porcelain and brass. Whereas evening should slow everything down, finding warmth settling into the corners like it knows the stories that live there. When lighting is done wrong, you see it. When it’s done right, you feel it.” — Jordan Ross

“Too much recessed lighting! Decorative fixtures really add warmth and personality to a space. Without them, spaces can start to feel a bit sterile.” — Erick Espinoza

Any unique applications you’re using? Waterfall countertops on islands, unique countertop edge profiles, etc?

“I’m loving a flush countertop with a half-inch reveal these days. It’s a slightly more contemporary style but oh-so-clean and sexy!” — Erick Espinoza

“Most people settle for what’s easy, and that’s understandable. Straight lines, clean cuts, quick work, or a waterfall look. We prefer the kind of challenge that asks for precision and a little bit of soul. A radius island is a different language entirely, but we speak it fluently. The way the metal bends to meet the cabinetry, it’s a conversation between craft and intuition. What we love most is the juxtaposition: how a material as strong as metal can be coaxed into something that feels soft, almost fluid. It bends where it shouldn’t, wrapping the cabinetry with an effortlessness that conceals the work beneath. The result is something ethereal, where strength and subtlety can live side by side in harmony.”

— Jordan Ross

(THIS PAGE) PHOTOGRAPH: KIRSTEN FRANCIS; DESIGN: JDK INTERIORS. (OPPOSITE) PHOTOGRAPH: NICOLE FRANZEN. STYLING: KATJA GREEFF; DESIGN: CRYSTAL SINCLAIR.

CEILINGS: Often

overlooked, how do you approach them?

“Ceilings are one of the most overlooked elements in a space, yet they hold remarkable potential as what we like to call the fifth wall. Tiled ceilings, in particular, have always spoken to us, carrying a rich architectural lineage drawn from old European workshops and historic estates where craftsmanship reached upward with the same care and conviction as it did outward. They bring a depth and character that traditional ceilings rarely achieve, reflecting light in subtle ways, softening sound, and giving the room a cocooned, almost embracing quality. There’s something comfortingly grounding about that kind of detail, even when it lives above you.” — Jordan Ross

“Ceilings are important to us. If the budget allows, we prefer to treat them with as much thought as the walls. In my own home, I recently added ceiling details as a final layer, and the impact was even greater than I anticipated.”

— Joan Enger

“We love wallpapered ceilings. It automatically pulls a ceiling down— often seen as a bad thing—but in many spaces, it actually helps to make you feel enveloped and has a much cozier effect.”

“We almost always treat the ceiling as though it were the fifth wall, particularly when there are eaves involved or any sort of tray ceiling. In the past, we may have tried to disguise these transitions, but having the entire ceiling considered as though it were the fifth wall allows us to use it as an opportunity for upping the overall design value!” — Brittany Bromley

— Erick Espinoza “Ceilings are the ‘fifth wall’ of any room, and when appropriate, should always be considered. Paint (other than white!) is an easy and simple approach. but a wallpaper is my go-to solution for a ceiling to round out the design of a space. The world is truly your oyster—you could carry the wallpaper used on the walls onto the ceiling or go with something contrasting but complementary.”

— Alexander D. Wilson

WALLS: Anything new for 2026?

“It is not new, but Venetian plaster and lime wash paint are the perfect way to add texture without overwhelming a room. Also, I was recently in Mallorca to get design inspiration and saw a room with a tile wainscot and loved it! It was unique and unexpected to see outside of a bathroom and really made a lasting impression.” — Isabel Brewster

“We’ve been experimenting with several types of textured wall finishes, including plaster, limewash, and sand-paint, in addition to handpainted murals and wallcoverings.”

— Joan Enger

“We’re leaning heavily into textures. We eschew accent walls and always favor completely wrapping a room in a finish.” — Kyle O’Donnell and Christopher Sale

“I love using wax plaster for both ceilings and walls—it gives a subtle sheen and depth. I often paint ceilings the same color as the walls to create an enveloping feel. Whatever finish I use on the ceiling, I tend to carry it onto the walls for a cohesive effect. I’m also continuing to explore full-height tiled walls—they feel fresh, modern, and architectural. They also work beautifully with natural finishes and textures elsewhere in the room.”

— James Huniford

“Fabric! I’d like to see more fabric used on walls. There’s something so special about how light reacts on a fabric wall that immediately sets you at ease.” — Erick Espinoza

“We love a good powder room! We typically start with an interesting stone, and layer in handsome architectural details such as wall paneling, interesting flooring, and ceiling treatments. This is a place to have a bit more fun with live finishes, a cool mirror, and vintage lighting. The space should feel a bit moodier.” — Joan Enger

“The notion that powder rooms are an ideal space to incorporate a bold design is not a new one, but it is true. They are often smaller in scale. which makes them the perfect opportunity to experiment with a color, pattern, texture, or finish that might otherwise be outside the client’s comfort zone.” — Alexander D. Wilson

How do you make a powerful statement in a powder room?

“Use a very saturated color palette and make the vanity extra special! Whether it be an antique that has been retrofitted or a totally custom little masterpiece.” — Erick Espinoza

“Powder rooms are a lot of fun to design, because the little things make huge impacts—you can really notice small details in a small space! This is the perfect example of ‘design in the details.’ The small hardware for the hand towel, the little knobs, faucets, marble sinks, paneling all create such impact.”

— Isabel Brewster

“I love using exotic or unexpected materials. Recently, we designed one with blue parchment walls paired with white faucets and a white mirror. It turned out beautifully. They’re also a great opportunity to experiment with unusual wallpapers or finishes that might feel too daring elsewhere.” — James Huniford

(LEFT) PHOTOGRAPH: KYLE KNODELL; DESIGN: CARRIER & CO.; ARCHITECTURE: ELIZABETH VERGARA. (RIGHT) PHOTOGRAPH: KATE S. JORDAN; STYLING: BRITTANY ALBERT; DESIGN: WHITE ARROW. (OPPOSITE) PHOTOGRAPH: KIRSTEN FRANCIS; DESIGN: JDK INTERIORS.

LOOKING AHEAD: What goes around comes around. Are there any design eras enjoying a renaissance?

“I think a looser approach to design will make a comeback very soon, particularly rooms that evoke coziness and a sense of home. Family time will be very much cherished in a way that feels lived in and collected. Plaids, florals, and yummy textures like corduroy.”

— Erick Espinoza

“The 1970s are enjoying a renaissance, but with a modern twist—think brutalist architecture, warm, earthy colors, richly layered textures, bold geometric patterns, and builtin architectural features like conversation pits.”

— Kyle O’Donnell and Christopher Sale

People have a lot of stuff. How do you approach storage concepts for a home?

“I am a big believer in less is more, but people do tend to have overflowing items in their homes. Under-stair storage is often a great space to add a door and hide things away. However, if you do not use it after a few months, it is time to donate it!”

— Isabel Brewster

“We often start with a revision of space planning if the scope allows. We try to see how spaces can be better proportioned or where we can add closets or built-ins. Then we tackle the furniture plan to make sure there are plenty of case pieces, where appropriate.”

— Erick Espinoza

“I believe storage should be integrated seamlessly into a room’s design. I often use side tables with hidden compartments, box springs with pull-out drawers, and flush-mounted doors that conceal storage within wall planes. It’s about keeping the space functional without sacrificing aesthetics.” — James Huniford

FINALLY!

Every room should have…

“A personal item. A piece of art, an accessory, a family heirloom, or even just a photograph. These personal elements give a subtle nod to the people who end up living in these beautiful spaces that our industry creates.” — Erick Espinoza

“Character! Houses should be a reflection of the people who live there. Personal collections and family heirlooms, grand or not, imbue a sense of character that makes a house feel like a home.”

— Alexander D. Wilson

“An interior designer!” — Michelle Gerson

“Personality.”

— Kyle O’Donnell and Christopher Sale

“Flattering lighting and a comfortable perch. And laughter. Any room with laughter is instantly more beautiful!”

— Brittany Bromley

“A point of view.” — James Huniford

“Every room should have personality, originality, and authenticity!”

— Isabel Brewster

“Thoughtful artwork and objects or ceramics.” — Joan Enger

FLETCHER WAKEFIELD

Fletcher Wakefield is a trade-only interior design showroom built on lasting relationships, deep expertise, and a genuine love of beautifully crafted spaces. Founded in 1998, the Stamford, Connecticut–based showroom partners with over 120 luxury brands, offering designers exclusive access to fine furnishings, lighting, fabrics, and accessories.

Rooted in collaboration, Fletcher Wakefield’s team works closely with interior designers from concept to installation, providing guidance on sourcing, vendor communication, logistics, and project support. With nearly three decades in the industry, they’ve created a showroom experience that feels curated, not crowded, with staged vignettes that let designers see how every piece lives together in a real space. Their intuitive design software brings the same ease online, allowing designers to explore collections, organize projects, and place orders, all in one seamless online portal.

More than simply a sourcing destination, Fletcher Wakefield defines itself as a community, a resource for designers seeking elevated craft, thoughtful curation, and project-level support.

Design made simple. Explore collections, personalize details, and manage projects from anywhere. Fletcher Wakefield’s Designer Portal makes it easy to bring inspired interiors to life through one seamless, beautifully organized digital space.

HOBBS, INC.

Hobbs, Inc. is a third-generation family run business that has been building distinctive custom homes for 70 years. The company was built on the core values of integrity, quality, and customer service which are still at the forefront of their business. Hobbs, Inc. works with renowned architects and discerning homeowners in Connecticut, Westchester County, New York City, the Hamptons, and New Jersey. Their employees constitute the most professional collection of knowledge and talent in the high-end residential construction business. Hobbs, Inc. is committed to transparency with their clients in every aspect of the planning and building process in order to minimize your stress and maximize your peace of mind. Their goal is to exceed your expectations while making your dream home a reality.

LICHTEN ARCHITECTS

A farmhouse renovation allowed for modern needs to be met without compromising the charm and warmth of the original structure (left and right bottom). A car barn with a guest suite above respects the local Cape Cod vernacular (right top).

For nearly thirty years, Lichten Architects has created exceptional environments that combine beauty, functionality, and enduring quality. Known for their attention to detail, the firm meets the highest standards of visual quality of work, craftsmanship of execution, practicality, and value.

Working exclusively with private clients and social organizations, the firm has designed and built distinguished homes across New York City, the tristate area, New England, Florida, and even as far as Brazil. It has also completed numerous projects for private city and country clubs throughout the United States, in both urban and suburban settings.

A deep respect for architectural history informs much of the firm’s work. The firm brings particular sensitivity to historic structures, seamlessly blending restoration with thoughtful, modern updates.

The practice was founded by Kevin Lichten, who continues to lead the firm alongside partners Marita Alfonso and Andrew Friedman. Their combined expertise drives a collaborative, hands-on approach to each project. Together with a team of talented architects, designers, and administrators, they ensure that every commission receives focused, personal attention from start to finish.

With a commitment to excellence and a passion for timeless design, Lichten Architects remains a trusted partner for clients seeking spaces that are both elegant and deeply functional.

MAJESTIC KITCHENS & BATH

Majestic Kitchens & Bath is a family business who has been offering design services for your kitchen and bathrooms since 1961.

When you are looking for that dream kitchen or bathroom, remember the essentials: unquestionable integrity, superior design experience, current product selection and personalized customer service. You can have it all with Majestic Kitchens & Bath!

Designs by Scott Weinlein with Majestic Kitchens and ND Interiors.

NUKITCHENS

Complete kitchen design and renovation company offering everything from concept and design to installation and remodeling.

At Nukitchens, their talented designers specialize in bringing dream kitchens to life. They pride themselves on fostering an honest and open exchange of ideas to achieve the best results. As a family-owned company, they embrace a unique, team-oriented approach to every project.

Nukitchens is a one-stop solution, providing full remodeling services in addition to space-planning, cabinetry, appliances, and accessories. Their dedicated

team handles every step of the process, saving you the time and hassle of managing multiple resources. When you partner with Nukitchens, you can trust that every detail will be expertly managed.

Their designers collaborate closely with one another and with their clients to ensure outstanding results. They uphold high standards and believe in fostering innovative ideas to create a kitchen that perfectly suits your lifestyle. Let them help you design a space that truly feels like home.

SHOPE RENO WHARTON

Shope Reno Wharton (SRW) is a nationallyacclaimed architectural firm that enriches the lives of their clients through designs that are beautiful, functional, and enduring. Renowned for refined residential architecture, SRW is also known for specialized commercial and hospitality projects that are informed by the firm’s residential philosophy and expertise. Energy efficiency, care for the environment, enjoyment, and dependability over the course of many generations guide the design process regardless of style, location, or scope. Every SRW project results from intentional, mindful collaboration and sensibilities derived from a true love of the craft.

Shope Reno Wharton was established in 1981 and

is led by five partners: Jerry Hupy, Michael McClung, Don Aitken, Jose Goncalves, and David Boettcher. Their longtime dedication to the firm and a collective method of working has attracted and retained a staff of talented architects and administrators. Together, the company offers attentive service and an inspiring portfolio of homes, estates, equestrian facilities, and hospitality projects that are located across the country. Reflected in each commission is the firm’s commitment to architectural character and an understanding of how people aspire to live their lives. Appreciation for SRW’s practical and humanist approach is underscored by a significant number of clients who return for additional projects.

YANKEE BARN HOMES

Set against the rolling landscape of the Hudson River Valley, the Annandale stands as one of Yankee Barn Homes’ most impressive recent builds. At 7,482 square feet, it ranks among the company’s largest projects and showcases the refined architectural vision of Auver Architects of New York City. Together, the teams created a residence where modern design and classic barninspired details coexist seamlessly.

While the home is organized around three clean rectangular shells, the execution is anything but simple. Along the western elevation, expansive accordion-style glass doors dissolve the boundary between indoors and the surrounding scenery. Inside, the main living area rises dramatically with two-story vaulted ceilings, anchored by a Douglas fir timber frame that brings warmth, scale, and authenticity to the space.

Yankee Barn Homes approaches every project with the belief that a home should be a reflection of the people who live in it. Their proprietary TruePanel System allows for a high level of customization and architectural flexibility, whether clients envision a modern sanctuary, a timeless New England classic, or something in between.

Thoughtful layouts, abundant natural light, and energyforward construction are hallmarks of every YBH home. For more than 50 years, the company has partnered with architects, builders, and homeowners nationwide to craft distinctive residences designed to last for generations.

The Annandale is a testament to what happens when craftsmanship, technology, and client vision align. Annandale is another inspiring example of Yankee Barn Homes’ commitment to quality and design excellence.

YANKEE CUSTOM BUILDERS

Yankee Custom Builders specializes in extraordinary custom homes and renovations in the tri-state area. Based in Greenwich, Connecticut, the company is on the rise and is known for its ability to make the complexities of homebuilding a positive experience for all involved. Founder Justin Meneguzzo established Yankee Custom Builders in 2015 as a precision management firm that promotes forward thinking, excels in communication, and provides comprehensive professional services. Yankee Custom’s craftsmanship, quality materials, clear budgeting and scheduling, and knowledge of refined products culminate in homes that capture the imagination of clients and architects alike.

Yankee Custom Builders is dedicated to the craft of building fine residences that endure for generations. Their expertise in managing and building custom projects—working in tandem with the client, highly regarded architects, engineers, designers, and allied trades—is becoming well known in the Northeast. Meneguzzo notes, “It was always my goal to have my own company. I wanted to bring the best industry practices to be on par with the craft of construction. Everything I love about building and working with good people has completely shaped Yankee Custom Builders and our growing reputation. We are all about service, quality, and attention to the client.”

YOUR DREAM HOUSE YOUR DREAM HOUSE

The real estate market can be a confusing place, whether you’re looking for a smart rental, a starter apartment, or a longtime family home. Make the experience a smooth one by following the advice, hints, and tips from some of our region’s most knowledgeable pros. Happy hunting!

PHOTOGRAPH: JACOB SNAVELY; DESIGN: CURATED NEST.

READY TO BUY?

Pointers to keep in mind:

“Buyers should know their numbers, their musthaves, and their timing. Getting pre-approved, understanding all costs, and acting decisively when the right home appears are key to success.” — Ben Jacobs

1. “Define your priorities—decide which features are ‘must-haves’ and where you can be flexible.

2. Be ready to move quickly when the right property appears. Have your REBNY financial statement prepared, get preapproved for a mortgage, line up a real estate attorney, and review your finances to ensure you’re qualified, especially for a co-op.

3. Avoid trying to ‘time’ the market. Many buyers wait for rates to fall, but when they do, prices and competition tend to rise.

4. Keep an open mind. Don’t be discouraged by dated décor—focus on the layout, light, proportions, and potential.”

— Deanna Kory

“First, know your numbers. Get pre-approved if you need a mortgage, understand your budget, and factor in taxes and maintenance. Second, be clear on your nonnegotiables: location, layout, and amenities. And finally, move with intention. In New York, hesitation can cost you the deal.” — Steve Gold

“Preparation is everything. Have your team and documents ready before viewing properties. In New York, the buyers who are most organized move the fastest and win.” — Jessica Chestler

OUR PANEL OF EXPERTS

Carl Gambino Compass

Steve Gold

The Corcoran Group

Ben Jacobs and Jessica Chestler

Chestler Jacobs Team, Douglas Elliman

Deanna Kory

Douglas Elliman

BIDDING WAR: Best Strategy

1. “Be flexible with terms. Cash offers are strongest, but, if financing, consider waiving the financing contingency. Offer a large down payment, close at the seller’s convenience, and be ready to sign the contract quickly.

2. Be cooperative. Sellers prefer buyers who are easy to work with— avoid being overly demanding or picky.

3. Connect personally. Write a short letter to the seller expressing enthusiasm for their home; many sellers appreciate the emotional connection.

4. Build rapport with the listing agent. A good impression can influence how your offer is presented.

5. Stay engaged. If you don’t win the first round, ask to remain as a backup offer—deals sometimes fall through, and persistence can pay off.” — Deanna Kory

“Sellers value certainty. A complete, well-presented offer package with proof of funds and an attorney ready to go shows serious intent.” — Jessica Chestler

“Stay calm, stay strategic. It’s easy to let emotions take control and they can lead to regret down the road. Know the comps, understand the seller’s priorities, and lead with a strong, clean offer. Sometimes it’s not just about price—it’s about terms, timing, and projecting the right confidence. I’ve won bidding wars for clients by being smart, not just aggressive.” — Steve Gold

“Focus on more than price. A strong deposit, clean offer, and flexible closing timeline can make the difference.” — Ben Jacobs

How do you advise clients on whether to take the leap?

“I always say: trust your instincts, but back them up with data. If the property checks your boxes and you can see yourself living—or investing—in it for years, don’t wait. The right time is when the right opportunity presents itself.” — Steve Gold

“The decision should align with life plans and financial comfort. If the home fits your lifestyle for the next several years and the monthly payment feels sustainable, it is likely the right move.” — Ben Jacobs

“We look at different financial scenarios and market data so clients can make informed decisions. When the numbers make sense and the property supports long-term goals, it is time to move forward.” — Jessica Chestler

What is the best part about NY real estate?

“There’s so much I love about New York real estate, but what excites me most is the city’s rich history and the incredibly diverse range of buyers and sellers we get to interact with. We have the privilege of working with some of the most interesting people in the world.” — Carl Gambino

“The market is resilient and consistently attracts global interest, which keeps opportunities alive in every cycle.” — Ben Jacobs

“It’s iconic. Every building tells a story, and every neighborhood has its own unique feel. Whether it’s a Tribeca loft or a Fifth Avenue co-op, New York has properties that work for any lifestyle. My job is to find my clients the best fit for their unique wants and needs.”

— Steve Gold

“Every neighborhood has its own energy and identity. Buying in New York is as much about lifestyle as it is about property.”

— Jessica Chestler

(OPPOSITE LEFT) PHOTOGRAPH: MAX BURKHALTER. STYLING BY MIEKE TEN HAVE.

DESIGN: ELLEN HAMILTON; ARCHITECTURE: GORDON KAHN. (OPPOSITE RIGHT) PHOTOGRAPH: TREVOR PARKER; DESIGN: CHRIS MCGOVERN.

“Today’s buyers value flexible, functional layouts that can adapt to modern living. Space that can easily convert into a home office, laundry area, or extra bedroom adds significant appeal. In post-war apartments, a dining area can often be made into a home office or small bedroom. A prewar Classic Six offers tremendous flexibility, with a dining room and staff room that can be used as bedrooms or home offices as needed.”

— Deanna Kory

What kind of layout do clients want right now?

“Clients prefer open living spaces with defined private areas for work or relaxation. Smart flow and natural light are priorities.”

— Ben Jacobs

“Open, flexible, and functional. Postpandemic, people want space that adapts as life changes. Home offices and areas dedicated to wellness are huge, and private outdoor space is always a plus. Many times, flow matters more than square footage. Light-filled spaces that offer seamless transitions and smart storage solutions are always desirable from a practical perspective.” — Steve Gold

“Updated kitchens, organized storage, and outdoor access continue to drive demand. A sense of calm and functionality matters more than size.”

— Jessica Chestler

FIRST LOOK

When staging, highlight key spaces first and prioritize the “money rooms”:

• Living room

• Kitchen

• Primary bedroom

• Entryway

These spaces create the biggest emotional impact and influence buyer perception.

PHOTOGRAPH: PETER MURDOCK; DESIGN: ALEX REID

When is the best time to make an offer?

“When you feel that spark and the numbers make sense, don’t wait. If it’s priced right and you love it, act fast. The best properties don’t sit on the market long. Timing is everything, and ‘hesitation’ is often the enemy of opportunity.” — Steve Gold

“Once you have completed diligence and feel confident, act quickly. Momentum counts in competitive markets.”

—Ben Jacobs

“Timing can be seasonal, but readiness matters more. The best time to make an offer is when you are fully prepared and the property aligns with your goals.”

— Jessica Chestler

What are the components for a successful flip?

“Focus on layout, light, and functionality. Cosmetic updates work best when the bones of the home already make sense.”

— Ben Jacobs

“Vision, precision, and market knowledge. You need to buy smart, renovate with taste—don’t chase trends—and know your buyer. High-end finishes, thoughtful layouts, and a strong design narrative are key. And always, always know your exit strategy.” — Steve Gold

“Keep a tight scope and a clear exit plan. Spend where buyers see value—kitchens, bathrooms, and lighting—and choose finishes with broad appeal.” — Jessica Chestler

(TOP) PHOTOGRAPH: PETER MURDOCK; DESIGN: ALEX REID; (BOTTOM) PHOTOGRAPH: KYLE KNODELL; DESIGN: CARRIER & CO., ARCHITECTURE: ELIZABETH VERGARA.

HOT MARKETS:

“Brooklyn Heights, Cobble Hill, Park Slope, and Downtown Manhattan remain strong. The Upper East Side offers value in well-run co-ops.” — Ben Jacobs

“New York has so many incredible emerging and historic neighborhoods that continue to see high demand. Lately, I’ve seen an influx of clients looking in Brooklyn, specifically Brooklyn Heights, Cobble Hill, Carroll Gardens, Boerum Hill, and Fort Greene. We also always have strong demand for prime West Village, the northwest pocket of Tribeca, the Upper East and West Sides near the park, and West Chelsea. Dimes Square downtown is another emerging area that I’m getting a lot of requests for.” — Carl Gambino

“Long Island City, Nolita, and the West Village are drawing attention from buyers looking for lifestyle and character.”

— Jessica Chestler

“The Downtown Manhattan neighborhoods like Chelsea, The Village, and FiDi are still buzzing. Downtown is known for its more neighborhood feel and access to many of the latest restaurants, stores, and nightlife. However, it is important to note that we are seeing serious activity across the city. Midtown and the Upper East and West Sides are also desirable for many. These areas offer proximity to Central Park and many iconic landmarks and museums.”

— Steve Gold

What should a client know before starting the search?

“Know your budget, your musthaves, and your deal-breakers. Be ready to move fast and trust your agent. The search can be emotional, but it’s also strategic. The more prepared you are, the smoother the journey.” — Steve Gold

“Clients should be ready to move quickly once they find a property that fits their needs. In a competitive market, preparation and decisiveness can make all the difference.” — Carl Gambino

“Understanding the difference between condos and co-ops is essential. The structure determines financing, board approval, and resale flexibility.” — Ben Jacobs

“Know your full monthly carrying costs and have your financial statement prepared. Being ready allows you to move quickly when the right listing appears.” — Jessica Chestler

(THIS PAGE) PHOTOGRAPH: PETER MURDOCK; DESIGN: ALEX REID. (OPPOSITE) PHOTOGRAPH: GIEVES ANDERSON; DESIGN: EDDIE LEE.

How

can you get the most out of renting your apartment, condo, or co-op?

“Present the property like a sale listing. Professional photos and flexible showing times make a difference.” — Ben Jacobs

“Presentation is everything. Stage it, photograph it professionally, and price it right. Highlight unique features like views, amenities, location. And work with someone who knows how to market luxury. You’re not just renting a space—you’re selling a lifestyle.” — Steve Gold

“Price accurately based on current comps and respond quickly to inquiries. Small incentives, such as storage or cleaning credits, help close the deal.” —Jessica Chestler

MORTGAGE RATES ARE HIGHER NOW THAN IN THE PAST 20 YEARS: IS IT STILL A GOOD TIME TO BUY?

“If the payment fits your budget, it can still be a good time. Market conditions rarely line up perfectly, so focusing on long-term value is key.”

— Ben Jacobs

“Records are still being broken, and prime properties are selling quickly even though some pricing has dipped. I’m personally buying for investment right now. I like to purchase in a high-rate environment to target better pricing and then refinance when rates drop. Real estate has always been, and continues to be, one of the best hard assets to hedge against inflation.”

— Carl Gambino

“The right time depends on your situation. Buyers can explore options like seller credits or adjustable loans and refinance when rates improve.”

— Jessica Chestler

“Yes. Although mortgage rates remain higher than in the past decade, they’ve stabilized and even dipped to a 10-month low. With 30-year fixed rates hovering near six percent—well below the nearly eight percent peak—many lenders are offering creative financing and incentives. The fall market remains active, but relatively short, offering a window of opportunity before competition intensifies again.”

— Deanna Kory

“Yes, if you’re buying for the long term. Rates fluctuate, but real estate in New York holds value. You can always refinance later, but you can’t always find the perfect property again. Focus on the asset, not just the rate.” — Steve Gold

How do you best prepare for a showing?

“I make sure to know the data inside and out—from recent comps and neighborhood trends to key details that set the property apart. I also take the time to understand what matters most to my clients, ensuring the process is as enjoyable as possible for them.” — Carl Gambino

“First impressions matter. The home should be spotless—beds made, surfaces cleared, and lights on. Brokers should arrive early to open shades, adjust the temperature, and eliminate odors. Small touches—fresh flowers, a light breeze, or soft background music—create warmth and make the space more inviting.” — Deanna Kory

“Keep the space clean, bright, and neutral. Small touches like music or fresh air create an inviting feel.” — Ben Jacobs

“Declutter, stage for flow, and highlight recent upgrades. Presentation and lighting are everything.”

— Jessica Chestler

“Create an experience. Lighting, scent, even music—it all matters. Declutter, depersonalize, and let the space breathe. Buyers need to envision their life there, not yours. And make sure your agent knows how to tell the story of the home.”

— Steve Gold

When is the sweet spot for shopping for New York real estate?

“Fall and early spring are prime. Inventory refreshes, sellers are motivated, and competition is balanced. But honestly? The sweet spot is when the right property hits the market. In New York, timing is personal and opportunity doesn’t wait.” — Steve Gold

“The best moments are often early in the year, after the holidays, and again in midsummer when fewer buyers are active.”

— Ben Jacobs

“While spring (late February through May), is traditionally the busiest season with the most inventory, it also brings the most competition. End-of-season periods— late spring, fall, and yearend—often present better opportunities as motivated sellers become more negotiable and buyer traffic slows.” — Deanna Kory

“Great opportunities also appear when deals fall through. Staying alert and maintaining communication with your agent can uncover hidden value.” — Jessica Chestler

OUTDOOR LIVING

From a couple of planters to a patio filled with pots to a multiacre plot, it’s easy to go green even if you’ve never gotten your hands in the dirt before. Just follow the expert advice from our region’s top landscape designers, and your garden, large or small, will thrive.

PHOTOGRAPH: NEIL LANDINO, JR.; DESIGN: ROSALIA SANNI; ARCHITECTURE: SANIEE ARCHITECTS.

What do clients want now?

“Clients have shifted focus toward a more sustainable, and conscious landscape. Interest in chemical-free landscapes that are both healthy for the environment, as well as their families, has become particularly sought after.” — Stephen Eich

“We are putting in lots of lowmaintenance gardens with local and native species that have an immense impact on local biodiversity and bird and insect populations. They also look great!”

— Ahmad Sardar-Afkhami

“Clients increasingly see their gardens as an extension of their interiors. They want outdoor spaces that feel personal and cohesive with the overall design of their property. At the same time, there’s strong interest in gardens that are sustainable and thoughtfully adapted to the site.” — Damien and Jacqueline Harrison

“Every client has unique aesthetics and wants, so I don’t want to generalize too much. Our clients are often busy and on the move, so low maintenance landscapes are popular. Loose, flowing, romantic, native, and a feeling of not being overly designed is very much in vogue. Then again, we have many clients who love a proper garden and are not shy about seeing where the design process takes them. Funny, the more something is in style the more people are ready for a change.” — John Beitel

OUR PANEL OF EXPERTS

John Beitel

Land Space Inc.

Stephen Eich

Hollander Design

Damien and Jacqueline Harrison

Harrison Green

Ahmad Sardar-Afkhami

Sardar Design Studio

What’s your best advice for first-time gardeners?

“Do your research, avoid invasive plants and plants that are prone to insect or disease damage, prepare your soil, and then just sort of go for it. A garden is an extension of one’s personality, so in that sense it’s not much different than decorating your home. You’ll find yourself moving things around, falling in and out of love with plants, and sometimes being wonderfully surprised by your mistakes. Take your time and build in stages. The temptation to overplant is always strong, but gardens flourish when you allow space for balance, rhythm, and maturity. Most of all, keep it fun, enjoy the fresh air, and don’t go too big too quickly.”

— John Beitel

Which plants are demanding but absolutely worth the effort?

“Honestly, and I feel very strongly about this: I don’t think any plant that requires excessive labor or chemicals is worth the damage it does to the soil, animals, and the environment. The adage, ‘the right plant in the right place,’ should be true both in the individual garden and regionally. For me, most nonnative hydrangeas are out, for example. Roses have to be adapted to the situation, and there are many variations in habit and needs that fill the niches of each individual garden. Again, look around, snoop around, go on garden tours, and visit botanic gardens with a notebook and camera to take notes.”

— Ahmad Sardar-Afkhami

“Plants are generally not too demanding if you plant what wants to grow there. Research and find plants that are appropriate for the light conditions, soil moisture levels, and hardiness zone of your garden. In general, if you look toward native plants, they have adapted over time to grow in your particular environment.” — Stephen Eich

“Heirloom roses. In our opinion, nothing compares to their fragrance, beauty, and the sense of sophistication they bring to a garden. They do require care, but the reward is worth the effort.”

— Damien and Jacqueline Harrison

“Look around the neighborhood and speak to local gardeners and visit local nurseries. Local advice is the most valuable type of advice for any gardener! Trust your taste and judgment, and don’t be sentimental about plants. If they fail, give them a chance—replant them once or twice, then try something new. We learn from our failures. Also: Consider a no-mow mix of native wildflower and grasses to replace your lawn!”

—Ahmad Sardar-Afkhami

“Understanding the environmental conditions of your garden is essential. Take the time to learn about your soil type and pH, the number of sunlight hours your garden receives, and your USDA Plant Hardiness Zone—these three factors form the foundation for successful plant selection. Beyond that, enriching the soil with compost and mulch is always beneficial. Healthy soil is the starting point for a thriving garden.”

—

Damien and Jacqueline Harrison

“I shy away from high-maintenance plants, so for me, a better question would be: ‘what plants are worth the wait?’ There are many beautiful plants that are slow growers or take a few seasons to bloom. Trees like Tupelo and Katsura take time to get going, but once they do, they are a delight. Yellowwood sometimes takes ten years to bloom after it’s planted, then provides years of beautiful fragrant blooms every June—a true summer flowering tree. Climbing hydrangea is famous for not doing much for a year or two after planting, then you walk by it a few years later and think, ‘when did that reach the top of my chimney?’ On the opposite end of the spectrum, one of my favorite garden plants is Astrantia with its papery blooms. It’s low maintenance, but in my experience, short lived (although the literature disagrees with me). I happily buy a few more every year.” — John Beitel

ASTRANTIA

Which plants are great low-maintenance choices but still add character to a landscape?

“Native grasses, late-season natives such as Boltonia, Aronia, and overlooked natives such as Amorpha, Amsonia, and Monarda, create happy all-season garden spaces with additional winter interest. Nonnatives like Vitex and Buddleja also work well.” — Ahmad Sardar-Afkhami

“Tall grasses and hedges really help to animate a garden as they gently move with the summer breeze. Two particular favorites are Calamagrostis brachytricha (sun) and Carex pennsylvanica (shade).”

— Stephen Eich

“Witch Hazel, Beard Tongue, Bowmans Root, Agastache, Echinacea, Heuchera, Hardy Geranium, Boston Ivy, Virgina Creeper.” — Damien and Jacqueline Harrison

“There are so many to choose from, but I have to say every spring I fall for magnolias. They’re easy to grow and mature into beautiful stately characters. Just give them plenty of room, a little dressing of compost in the fall and enjoy the show for years to come.” — John Beitel

Do you have a go-to perennial or annual that you like to use?

“Hellebores are a particular favorite of mine. They are a wonderful shade garden plant that is semi-evergreen and blooms in the late winter, often in mid-February to early March in New York.” — Stephen Eich

“Cosmos. When it’s spring and you’re exhausted with planning a flower border, just scatter a bag of seeds and take in the glory all year long.” — Ahmad Sardar-Afkhami

“Gosh, I’d like to think that I don’t repeat myself, but we probably use the very common and popular Perovskia more than any other perennial. Somehow, it’s light, airy, and bold at the same time. It plays well with other plants and provides a long summer bloom, after which the flowers turn a shimmering silvery gray and white. Sometimes the standards are just the best choice.” — John Beitel

AGASTACHE

COSMOS

Are there any native plants that you tend to incorporate into your work?

“Yes! Serviceberry (Amelanchier) is a wonderful small tree that offers multiple seasons of interest, from flowers

and berries to fall foliage. In terms of perennials, the Liatris family is very valuable.”

— Ahmad Sardar-Afkhami

“Native plants play a big role in our work, so the list is long. A few of my favorites are: Amelanchier, Cornus mas, Cercis (Redbud), and native Magnolias for spring flowering trees. Tupelo, Yellowwood, Yellow birch, and native Oaks for larger trees. Bayberry, Inkberry, and Spicebush for shrubs. Bluestem, Panicum, and Sporobolus for grasses. Bonesets, native Asters, Asclepius, and some of the mountain mints for perennials. Natives are versatile and usually easy to grow and require no chemicals. They are good for wildlife and the environment. We try to go native as often as we can.” — John Beitel

“Yes—many of our go-to perennials, such as Echinacea, Agastache, and Bowman’s Root, are native species that thrive in our region and support pollinators throughout the growing season.” — Damien and Jacqueline Harrison

“Wherever possible, we use native plants on all of our projects. Typically, both Asclepias (Milkweed) and Eupatorium (Joe Pye Weed) are found on most of our projects. These are primary food sources for Monarch butterflies, and necessary along the eastern migratory path which travels over the New York region. River Birch is a great native tree for the region. They are fast growing, have wonderful exfoliating bark, a nice golden fall color, and make a great container tree for terraces.” — Stephen Eich

Magnolias for spring flowering trees. Tupelo, Yellowwood, Yellow birch, and native oaks for larger trees. Bayberry, Inkberry, and Spicebush for shrubs. Bluestem, Panicum, and Sporobolus for grasses. Bonesets, native Asters, Asclepius, and some of the mountain mints for perennials. Natives are versatile and usually easy to grow and require no chemicals. They are good for wildlife and the environment. We try to go native as often as we can.” — John Beitel

MILKWEED

ECHINACEA

BUILT TO LAST

Investing in all-weather, low-maintenance features means your outdoor space stays useful and appealing for longer. Color palettes outdoors are more grounded these days: think sandy beiges, olive greens, terracotta, deep forest tones, charcoal, and bespoke metal finishes.

PHOTOGRAPH: GIEVES ANDERSON; DESIGN: EDDIE LEE

“Deer pressure has really limited the use of evergreens in many gardens. Boxwood are irreplaceable for that reason, but also because they are so dynamic. Very few plants can be constantly clipped but still have a soft look (when clipped properly by hand).

European Hornbeam is another timeless plant that can play many roles: an elegant hedge, clipped topiary, or lovely shade tree. Of course they are deciduous, but they hold on to their leaves late into winter to offer steady form and structure.” — John Beitel

Are there any evergreens or other plants that you like to use for year-round interest?

“It’s no surprise, but boxwood (Buxus sempervirens) remains our go-to evergreen. We use it as hedging, in containers, or as sculptural accents. Whether planted singly or en masse as a cloudlike form, it provides lasting structure and texture. It’s also remarkably tough and adaptable to the challenging urban conditions where we often work.” — Damien and Jacqueline Harrison

“In the city, I prefer small evergreens like inkberry (Ilex glabra) and boxwood (Buxus). I also like to combine evergreens with the architectural forms of deciduous shrubs and trees. This creates a pleasing visual dynamic in the winter when the evergreens provide structure, and the deciduous plants reveal their unique shapes.”

— Ahmad Sardar-Afkhami

“In addition to the juniper and Cryptomerias, Inkberry is a great evergreen native choice as an alternative to boxwood. It has a slightly softer leaf texture than boxwood and pairs really well with grasses and small flowering perennials.” — Stephen Eich

BOXWOOD

INKBERRY

What plants do you

Vegetables and herb gardens are popular. Any tips?

“Start small! I’m still amazed at how much a small patch of vegetables can produce. Pick a sunny spot, make sure the animals can’t get in, amend your soil with compost and manure and you’re off to the races. We have a small garden filled with herbs, some vegetables, and some flowering plants. We have something on the table from the garden every night. It’s a true joy.” — John Beitel

“Grow what you love and will actually use. If you’re planting in containers, make sure the scale of the container suits the plant—both for root depth and overall growth. Beautiful but appropriately sized containers make all the difference.” — Damien and Jacqueline Harrison

“Herbs like oregano and rosemary are very happy in a small patch and don’t need much, just sun and good drainage. For vegetables, try one or two things you truly love to eat and focus on making them successful. Also concentrate on the vegetables that can’t be found in commerce such as cardoons, which have a bonus of being highly decorative.” — Ahmad Sardar-Afkhami

prefer

for a terrace?

“When it comes to terraces, we focus on four important elements: movement, fragrance, structure, and scale. We mix plants like grasses and soft perennials that move with the breeze. We use classics like boxwood and juniper for structure, scented perennials and roses for fragrance, and dwarf or slow growing trees for scale.” —John Beitel

“Many of our clients’ gardens are terraces or urban backyards directly connected to interior living spaces. We often start with a foundation of evergreens to provide yearround structure and color, then layer in seasonal flowering shrubs and perennials for changing interest throughout the year. This approach creates a garden that feels alive in every season and visually extends the interior space outward.”

— Damien and Jacqueline Harrison

“Anything that can take the wind and sun. Many native grasses and perennials, if watered regularly, can thrive on a terrace, creating a happy, healthy green space that provides habitat. You need to concentrate on tough plants that can withstand cold feet in the winter and heat in the summer.” — Ahmad Sardar-Afkhami

“Terraces, when located off a primary living room should have a robust palette of evergreen plants so it looks good all year. I really like to use a combination of Dwarf, sculptural conifers like Cryptomerias and Torulosa Junipers for a little more whimsical, wind-swept planting design.” — Stephen Eich

Container

gardens are popular. How do you incorporate them into your designs?

“They are a great way to introduce color and interest, especially in urban environments. We often use them to delineate spaces, define entryways, or add a focal point. They are also excellent for growing herbs and smaller vegetables close to a kitchen. I prefer to use annuals in pots and containers so that the colors and textures can be changed each year.” —

Ahmad Sardar-Afkhami

“Most of our gardens on roofs and terraces are often completely planted in containers of various types and forms. We use a mix of materials, shapes, and sizes to create layers and depth, combining evergreen structure with seasonal color to make the space feel lush and dynamic.” — Damien and Jacqueline Harrison

“Container gardens are really fun to do. I love finding interesting pots in secondhand shops and yard sales. Every planter is its own little world so mixing plants with different watering needs or soil types is easy. We’ll have a pot full of lavender next to a tub of Swiss chard next to some grasses next to a big pot of basil next to a flowering sumac, next to oregano alongside some alliums next to bluestem and Russian sage, a tomato under planted with parsley and some little pots of succulents here and there or, maybe, just four pots of lavender or boxwood on the corners of a pool. Containers are where horticulture meets whimsy.” — John Beitel

“Inherently, most terraces are container gardens. I like to use containers as part of the furniture groupings. Generally, I think of container gardens in two stages. The first stage is the backdrop. Using rectangular planters, a backdrop of evergreen shrubs or small trees are used to screen undesirable views, or ornamental trees are used to frame vistas. Then small round pots can be added at prime sightlines from the interior or highly visible from the seating areas on the terrace. This level can include flowering shrubs or annuals that are changed out seasonally. It creates a terrace that works for all four seasons and limits the amount of re-planting necessary.”

— Stephen Eich

(OPPOSITE) PHOTOGRAPH: NEIL LANDINO, JR., DESIGN: ROSALIA SANNI.

What is something that can be done in the garden right now that will pay off big dividends in the future?

“Compost and mulch to help protect root systems over the winter months.”

— Damien and Jacqueline Harrison

“Add organic matter to your soil. Healthy soil is the foundation of a thriving garden and building it up now will dramatically improve plant health and resilience for years to come. Do not overwork the soil in order to preserve its structure. Also: I have planted a grove of PawPaw trees and am waiting for the first harvest in a few years. My brother has also developed a mixture of soil bacteria and fungi that has had an astounding effect on plant growth.” — Ahmad Sardar-Afkhami

“It always starts with the soil and drainage. That’s your foundation and the biggest factor in how successful a garden will be. Most garden plants like deep, rich, welldrained soil, so amending your soil with organic compost is a good start, but it depends on what you’re planting. Many native plants like infertile sandy soils, so that’s a consideration when you’re in the planning stage. Poor drainage and soil compaction are the two most difficult challenges in a garden and should be addressed in the early stages of one’s project.” — John Beitel

“Plant a tree and underplant with a soft tall grass meadow. A mature tree adds property value, can decrease the strain on your air conditioner in the hottest summer months, and provide a great refuge in your yard. The tall grasses below offer soft landing zones for our juvenile pollinator caterpillars as they develop and fall from the trees.”

— Stephen Eich

MORANO GROUP

Morano Group is a family-owned and operated, premier full-service exterior company based in Mamaroneck, NY. They offer superior products and services such as design, development, maintenance, masonry, interior plantscapes, organic tree and shrub care, mature tree installation and holiday décor for commercial and residential properties in Westchester, NYC, West Palm Beach and Greenwich.

Your goals for your space are their starting point. During your consultation, they will discuss all

components of your project; the current condition of your landscape, your ideas, your budget and their suggestions. From there, they interpret your ideas and bring them to life. Part of the ‘Morano Advantage’ is having a dedicated Landscape Account Manager that will make scheduled visits to your property to asses the state of your landscape. The full ‘Morano Advantage’ allows their customers peace of mind and ease of project. Contact them to set up your complimentary consultation with a project manager.

SHOPPING IN STYLE

Whether you are looking for a dependable lamp or a spirited wallpaper, chances are good it has been So follow our lead and go straight to the source: Our region’s top stores, showrooms, and online purveyors.

FARR CLOTH

A new collection featured a collaboration with renowned French embroidery artist Véronique de Soultrait. Inspired by the 1930s and 'Art Brut,' she brings a sophisticated, yet playful, naïveté to her work. christopherfarrcloth.com

The After series arm chair is a new introduction from the Danish company. fritzhansen.com

Europa Alabaster Pendant. hectorfinch.com

FRITZ HANSEN

HECTOR FINCH

ÉLITIS

The Comporta wallcovering is printed on 100% raffia. elitis.fr

JOSH GREENE

Chroma fabric collection for Kufri. kufrilifefabrics.com

TARA SHAW

Maximilian Daybed for Century Furniture. centuryfurniture.com

LIAIGRE

The new Bloc Bookshelf. studioliaigre.com

ARTISTIC TILE

Collaboration with Donghia, translating a textile pattern (below) into mosaic tile (left). artistictile.com

PHILLIP JEFFRIES

Handcrafted by artisans, the Modern Muse design is comprised of a contemporary wood veneer wallcovering. phillipjeffries.com

POLLACK

Open Studio is a showstopping digital print on cotton velvet. pollackassociates.com

KASTHALL

Feather rug, made in Sweden. kasthall.com

LIGNE ROSET

Asata candle holders in a satinbrass finish from the French furniture manufacturer. ligne-roset.com

BEVOLO

Billiards Fixture. bevolo.com

GREENE

The company’s line of exterior paint colors are stylish and transcendent. littlegreene.us

SAMUEL & SONS Corsica Seashell Border. samuelandsons.com

PIERRE FREY

The multicolored Tanami fabric is part of the new Déserts collection. pierrefrey.com

LITTLE

RUBELLI

Zigzag is a contemporary embroidery that reinterprets traditional workmanship techniques. rubelli.com

VAUGHAN Ibthorpe Lantern. vaughandesigns.com

HARLEQUIN

Warm tones, rustic textures, and age-old techniques inspire the new Kasuri collection. harlequin. sandersondesigngroup.com

The Spring 2025 Collection is a tribute to the delicate beauty of feathers and the thrill of flight. hollyhunt.com

HOLLY HUNT

MAYA ROMANOFF

Inspired by the structural integrity of a beehive, Ajiro Honeycomb wallcovering features multihued hexagonal shapes of paulownia wood. mayaromanoff.com

VISUAL COMFORT

Grace 65 Chandelier. visualcomfort.com

ROSEMARY HALLGARTEN

The Wonderland Collection is a playful and sophisticated mix of warm, soft neutrals and delicate hues inspired by Parisian whimsy. rosemaryhallgarten. com

DEDAR

Beowulf is an abstract geometric tapestry, a fantastic artifact deriving from a parallel and imaginary art history, executed on a bulky textural weave. dedar.com

NYC&G’S ULTIMATE SHOPPING GUIDE

YOUR GO-TO RESOURCE FOR DESIGNER SHOWROOMS AND SHOPS

SHOWROOMS

ARCHITECTS & DESIGNERS BUILDING

(A&D), 150 E. 58th St., 212644-2766, adbuilding.com

Artistic Tile, Ste. 904, 212-838-3222, artistictile. com

Bilotta Kitchens, Ste. 935, 212-486-6338, bilotta.com

Dacor Kitchen Theater, Ste. 602, 646-756-4629, dacor.com

Drummonds, Ste. 862, 212-794-0157, drummonds-uk.com

Eggersmann Kitchens | Home Living, Ste. 1001, 212-688-4910, eggersmannusa.com

Fantini, Ste. 801, 212-3088833, fantiniusa.com

Ferguson Bath, Kitchen & Lighting Gallery, Ste. 400, 212-688-5990, ferguson.com

Fisher & Paykel, Ste. 361, 646-647-4330, fisherpaykel.com

Holly Hunt, Ste.104, 212891-2500, hollyhunt.com Poggenpohl, Ste.115, 212-228-3334, poggenpohl. com

Smeg, Ste.762, 212-2655378, smegusa.com

Snaidero USA, Ste. 817, 212-980-6026, snaiderousa.com

Sub-Zero, Wolf, and Cove, Ste. 503, 800-6916122, subzero-wolf.com

Thermador | Bosch | Gaggenau Design Center, Ste. 700, 212-588-0950, thermador.com, boschhome.com, gaggenau.com

DECORATION & DESIGN BUILDING (D&D), 979 Third Ave., 212-759-5408, ddbuilding.com

Armani Casa, Ste. 1424, 212-334-1271, armanicasa. com

Baumann Dekor, Ste. 518, 212-258-0688, baumanndekorusa.com

Brunschwig & Fils, Ste. 234, 212-838-7878, brunschwig.com

Chesneys, Ste. 1119, 646840-0609, chesneys.com

Clarence House, Ste. 205, 212-752-2890, clarencehouse.com

Cowtan & Tout, Ste. 1022, 212-753-4488, cowtan.com

David Sutherland, Ste. 401, 212-871-9717, sutherlandfurniture.com

Dedar, Ste.1009, 646-8700799, dedar.com

Dedon, Ste. 720, 212-3343345, dedon.de

Donghia, Ste.1005, 212753-1539, donghia.com

Fabricut, Ste. 915, 212838-5253, fabricut.com

Farrow & Ball, Ste. 1519, 212-752-5544, farrow-ball. com

Forbes & Lomax, Ste. 1207, 212-486-9700, forbesandlomax.com

George Smith, Ste. 1615, 212-759-7888, georgesmith. com

Gloster, Ste. 1601, 212380-1493, gloster.com

Gracie, Ste. 1411, 212924-6816, graciestudio.com

Hines & Company, Ste. 1010, 212-754-5880, hinescompany.com

Holland & Sherry, Ste. 1402, 212-355-6241, hollandandsherry.com

Holly Hunt, Ste. 503/605, 212-755-6555, hollyhunt. com

Jab Anstoetz, Ste. 102, 212-486-1500, jab.de John Boone Inc., Ste. 711, 212-758-0012, johnbooneinc.com

John Rosselli & Associates, Ste. 1800, 212- 593-2060, johnrosselli. com

Kravet, Ste. 1202, 212421-6363, kravet.com

Lee Jofa, Ste. 234, 212688-0444, leejofa.com Maharam, Ste. 1701, 212319-4789, maharam.com

Marc Phillips Decorative Rugs, Ste. 211, 212-7524275, marcphillipsrugs .com

Maya Romanoff, Ste. 922, 212-588-9707, mayaromanoff.com

Michael Taylor | Jim Thompson, Ste. 1640, 646-497-1502, michaeltaylordesigns.com, jimthompsonfabrics.com

Nella Vetrina, Ste. 805, 646-415-9150, nellavetrina. com

Osborne & Little, Ste. 520, 212-751-3333, osborneandlittle.com

Patterson Flynn, Ste. 632, 212-688-7700, pattersonflynn.com

Phoenix Gallery, 979 3rd Ave., Ste. 134, 212-7591153, phoenixgalleryny .com

Pierre Frey, Ste. 1611, 212-421-0534, pierrefrey. com

Pollack | Weitzner, Ste. 1722, 212-421-8755, pollackassociates.com, weitznerlimited.com

Ressource House of Paints, Ste. 1507, 646677-5336, ressourcepeintures.com

Robert Allen, Ste. 620, 212-752-4040, robertallendesign.com

Romo, Ste. 808, 212319- 7666, romo.com

Sanderson Design Group, Ste. 905, 212- 319-7220, sandersondesigngroup .com

Scalamandré, Ste. 1002, 212-355-7186, scalamandre.com

Schumacher, Ste. 832, 212-415-3900, fschumacher.com

Stark, Ste. 1102, 212752- 9000, starkcarpet.com

The Vale London (see Fabricut, thevalelondon. co.uk)

Vaughan, Ste. 1511, 212319-7070, vaughandesigns. com

Walters, Ste. 538, 212-7580472, waltersnyc.com

FINE ARTS BUILDING (FAB), 232 E. 59th St. C&C Milano, 646-8769000, cec-milano.com

Chelsea Textiles, 212-7580005, chelseatextiles.com

INTERIOR ARTS BUILDING (IAB), 306 E. 61st St., interiorartsbuilding. com

Bunny Williams Home, 5th fl., 212-935-5930, bunnywilliamshome.com

Doris Leslie Blau, 7th fl., 212-586-5511, dorisleslieblau.com

James, 4th fl., 212-7310838, jamesshowroom.com

Liz O’Brien, ground fl., 212-755-3800, lizobrien. com

NEW YORK DESIGN CENTER (NYDC), 200 Lexington Ave., 212-6799500, nydc.com

Aero, Ste. 1500, 212-9664700, aerostudios.com

Arteriors, Ste. 202, 646797-3620, arteriorshome. com

Baker, Ste. 300, 212-7798810, bakerfurniture .com

Century Furniture, Ste. 200, 212-479-0107, centuryfurniture.com

Currey & Company, Ste. 506, 212-213-4900, curreyandcompany.com

De Le Cuona, Ste. 1616, 646-293-6634, delecuona. com

Dennis Miller Associates, Ste. 1210, 212-684-0070, dennismiller.com

Designlush, Ste. 415, 212532-5450, designlush.com

Desiron, Ste. 611, 212-3532600, desiron.com

Dune, Ste. 100, 212-9256171, dune-ny.com

Fair, Ste. 1601, 212-3529615, fair-design.com

Fermob, Ste. 414, 212651-4389, fermobusa.com

Fiona Barratt-Campbell, Ste. 401, 315-766-2200, fbc-london.com

Harbinger New York, Ste. 511, 646-737-7910, harbingerla.com, fromental. co.uk

Jennifer Manners, Ste. 911, 646-293-6613, jennifermanners.co.uk

Kenneth Cobonpue, Ste. 415, 888-889-9005, kennethcobonpue.com

Lepere, Ste. 1207, 212488-7000, lepereinc.com

Lorin Marsh, Ste. 809, 212-759-8700, lorinmarsh. com

Made Goods, Ste. 1600, 212-355-7500, madegoods. com

Milano Smart Living, Ste. 103, 212-729-1938, milanosmartliving.com

Palecek, Ste. 706, 212287-0063, palecek.com Pennoyer Newman, Ste. 416, 212-839-0500, pennoyernewman.com

Phillips Collection, Ste. 603, 336-884-9271, phillipscollection.com

Profiles, Ste. 1211, 212689-6903, profilesny .com

Rosemary Hallgarten, Ste. 409, 203-259-1003, rosemaryhallgarten .com

SA Baxter, Ste. 1205, 212-203-4382, sabaxter. com

Sedgwick & Brattle, Ste. 815, 212-685-0600, sedgwickandbrattle.com

Seguso, Ste. 431, 212696-1133, seguso.com

T Brown Studio, Ste. 1610, 212-255-4895, timothybrownstudio .com

The Bright Group, Ste. 902, 212-726-9030, the brightgroup.com

The New Traditionalists, Ste. 701, 212-226-1868, thenewtraditionalists .com

The Rug Company, Ste. 1515, 212-274-0444, therugcompany.com

Theodore Alexander, Ste. 515, 646-293-6628, theodorealexander.com

Visual Comfort & Co., Ste. 103, 212-725-2500, visualcomfort.com

Voutsa, Ste. 420, 212-6893419, voutsa.com

SHOPS

UPPER EAST SIDE

Achille Salvagni Atelier, 817 Madison Ave., 917261-5890, achillesalvagni. com

Argosy Book Store, 116 E. 59th St., 212-753-4455, argosybooks.com

Bergdorf Goodman, 754 Fifth Ave., 212-7537300, bergdorfgoodman. com

Bernardaud, 499 Park Ave., 212-371-4300, bernardaud.com

Bloomingdale’s, 1000 Third Ave., 212-705-2000, bloomingdales.com

Chilewich, 213 E. 59th St., 212-679-9257, chilewich. com

Creel and Gow, 131 E. 70th St., 212-327-4281, creelandgow.com

De Gournay, 243 E. 59th St., 212-564-9750, degournay.com

Dempsey & Carroll, 1049 Lexington Ave., 212-5704800, dempseyandcarroll. com

Doyle, 175 E. 87th St., 212427-2730, doylenewyork. com

Elegance in Hardware & Bath, 860 Lexington Ave., 646-922-8707, eleganceinhardware.com

Fine Linens, 1193 Lexington Ave., 212-7372123, finelinens.com

Frette, 806 Madison Ave., 212-988-5221, frette.com

Hermès, 706 Madison Ave., 212-751-3181, hermes.com

J. Pocker, 135 E. 63rd St., 212-838-5488, jpocker.com

Janus et Cie, 221 E. 59th St., 212-752-1117, janusetcie.com

Jonathan Adler, 135 E. 65th St., 646-603-6070, jonathanadler.com

KRB, 1024 Lexington Ave., 212-288-2221, krbnyc.com

Marni, 822 Madison Ave., 212-257-6907, marni.com

McKinnon & Harris, 222 E. 59th St., 212-3718260, mckinnonharris.com

Mecox, 962 Lexington Ave., 212-249-5301, mecox.com

Mondo Collection, by appointment, 954 Lexington Ave., Ste. 1092, 212-6758155, mondocollection .com

MSK Illuminations, 235 E. 57th St., 212-888-6474, mskilluminations.com

Neue Galerie, 1048 Fifth Ave., 212-628-6200, neuegalerie.org

Radnor, 180 E. 88th St., 917-765-3533, radnor.co

Ralph Lauren Home, 888 Madison Ave., 212-4348000, ralphlaurenhome.com

Roche Bobois, 950 Third Ave., 212-779-8950, roche-bobois.com

Saks Fifth Avenue, 611 Fifth Ave., 212-753-4000, saksfifthavenue.com

Samuel & Sons, 983 Third Ave., 212-704-8000, samuelandsons.com

Scully & Scully, 504 Park Ave., 212-755-2590, scullyandscully.com

Shop Cooper Hewitt, 2 E. 91st St., 212-849-8400, shop.cooperhewitt.org

Soane Britain, 22 East 65th St., 4th fl., 646-201-9553, soane.co.uk

Stubbs & Wootton, 944 Madison Ave., 212-2495200, stubbsandwootton. com

The Invisible Collection, 24 E. 64th St., 646-7590619, theinvisiblecollection. com

Tiffany & Co., 610 Fifth Ave., 212-331-3312, tiffany. com

Yves Delorme, 1070 Madison Ave., 212-2560926, yvesdelorme.com

MIDTOWN

Blu Dot, 715 Lexington Ave., 646-863-0250, bludot.com

Cassina, 155 E. 56th St., 212-228-8186, cassina.com

Dornbracht, 150 E. 58th St., 212-688-5990, dornbracht.com

Flexform, 155 E. 56th St., 212-355-2328, flexform.it

Grande Central Showroom, 141 E. 56th St., 212-588-1997, centralplumbingspec .com

Hamilton Sinkler, 363 Seventh Ave.,19th fl., 212-760-3377, hamiltonsinkler.com

Katonah Architectural Hardware, 135 E. 55th St., 7th fl., 212-813-9680, katonahhardware.com

Ligne Roset, 207 E. 57th ST., 212-375-1036, ligneroset.com

M2L, 10 E. 38th St., 212832-8222, m2l.com

Simon’s Hardware & Bath, 421 Third Ave., 212-5329220, simonsny.com

Stephanie Odegard Co. Ltd., by appointment, 135 E. 55th St., Ste. 602, 212925-4062, sodegardglobal. com

VW Home by Vicente Wolf, 333 W. 39th St., 10th fl., 212-244-5008, vicentewolfhome.com

NOMAD

B&B Italia, 135 Madison Ave., 212-889-9606, bebitalia.com

Bisazza, 130 Madison Ave., 212-334-7130, bisazza.com

Blu Dot, 79 Madison Ave., 212-780-9058, bludot.com

BoConcept, 160 Madison Ave., 212-966-0966, boconcept.com

DDC, 134 Madison Ave., 212-685-0800, ddcnyc .com

Ernest, 255 Fifth Ave., 6th fl., 212-334-5054, ernestny. com

Giorgetti, 349 Fifth Ave., 669-272-2251, giorgettiusa. com

Herman Miller, 251 Park Ave. S., 212-318-3977, hermanmiller.com

Jars, 41 Madison Ave., 16th fl., jarsusa.com

Kartell, 152 Madison Ave., 212-966-6665, kartell.com

SARAH VON DREELE

The latest Envelop collection of textiles continues to reflect the artist's hand, this time in smallscale patterns. sarahvondreele.com

Liaigre, 102 Madison Ave., 212-210-6264, liaigre.com

Luxury Living Group, 153 Madison Ave., 646-5969610, luxurylivinggroup .com

Moooi, 36 E. 31st St., 646396-0455, moooi.com Moroso, 105 Madison Ave., 212-334-7222, morosousa. com

Orley Shabahang, 1123 Bway., Ste. 616., 212-4215800, orleyshabahang.com

Poliform, 112 Madison Ave., 212-672-0060, poliform.com

Promemoria, 152 Madison Ave., 17th fl., 646588-4409, promemoria .com

Roche Bobois, 200 Madison Ave., 212-8890700, roche-bobois.com

Sacco Carpet, by appointment, 30 E. 33rd St., 10th fl., 212-226-4344, saccocarpet.com

CHELSEA

AF | New York, 22 W. 21st St., 5th fl., 212-243-5400, afnewyork.com

Angela Brown LTD, by appointment, 153 W. 27th St., Ste. 605, 212-6275757, angelabrownltd .com

Apparatus, by appointment, 124 W. 30th St., 646-5279732, apparatusstudio .com

Avenue Road, 145 W. 28th St., 212-453-9880, avenueroad.com

Berry Campbell Gallery, 524 W. 26th St., 212-9242178, berrycampbell.com

Hästens, 232 W. 18th St., 212-706-0509, hastens.com

House of Tai Ping, 26 W. 17th St., 2nd fl., 212-9792233, houseoftaiping.com

Jamali Floral & Garden Supplies, 149 W. 28th St., 212-244-4025, jamaligarden.com

Jung Lee New York, 25 W. 29th St., 212-257-5655, jungleeny.com

Les Ateliers Courbet, 134 Tenth Ave., 212-226-7378, ateliercourbet.com

FLATIRON AND GRAMERCY

ABC Carpet & Home, 888 Bway., 212-473-3000, abchome.com

ALT for Living, 12 E. 20th St., 212-431-1000, altforliving.com

Artistic Tile, 38 W. 21st St., 212-727-9331, artistictile. com

Bungalow 5, 45 E. 20th St., 2nd fl., 212-947-1500, bungalow5.com

Carl Hansen & Søn, 251 Park Ave. S., 13th fl., 212242-6736, carlhansen .com

Country Floors, 15 E. 16th St., 212-627-8300, countryfloors.com

HOME The hand-painted stripe planter exudes European charm. bunnywilliamshome.com.

Crate & Barrel, 881 Bway., 212-780-0004, crateandbarrel.com

Erik Lindstrom, 9 E. 19th St., 2nd fl., NYC, 212-4666360, eriklindstrom.com

HG Stones, 28 W. 25th St., 212-964-0900, hgstones. com

Kohler Experience Center, 6 W. 22nd St., 212-337-3224, kohlerexperiencecenternyc. com

Nanimarquina, 907 Bway., 2nd fl., 646-701-7058, nanimarquina.com

Ralph Pucci International, 44 W. 18th St., 212-6330452, ralphpucci.com

Sferra, 11 E. 20th St., 888-234-1891, sferra.com

Studio Four NYC, 900 Bway., Ste. 201, 212-4754414, studiofournyc.com

Temple Studio, by appointment, 125 Fifth Ave., 5th fl., 917-985-8151, templestudiony.com

The Home Depot, 40 W. 23rd St., 212-929-9571, homedepot.com

Uhuru, 27 W. 24th St., #1002, 718-855-6519, uhurudesign.com

Waterworks, 7 E. 20th St., 212-254-6025, waterworks. com

West | Out East, 133 Fifth Ave., 2nd fl., 212-529-3636, westnyc-home.com

Zak+Fox, 235 Park Ave. S., 12th fl., 212-924-0199, zakandfox.com

EAST VILLAGE, GREENWICH VILLAGE, WEST VILLAGE, AND MEATPACKING DISTRICT

Cursive New York, 17 Eighth Ave., 646-922-8330, cursivenewyork.com

Demisch Danant, 30 W. 12th St., 212-989-5750, demischdanant.com

Eerdmans Fine Art, 14 E. 10th St., 212-920-1393, eerdmansnewyork .com

Gringer and Sons, 29 First Ave., 212-475-0600, gringerandsons.com

Hostler Burrows, 35 E. 10th St., 212-343-0471, hostlerburrows.com

John Derian, 6 E. 2nd St., 212-677-3917, johnderian. com

Karl Kemp Antiques, 36 E. 10th St., 212-254-1877, karlkemp.com

Maison Gerard, 53 E. 10th St., 212-674-7611, maisongerard.com

P. E. Guerin, by appointment, 23 Jane St., 212-243-5270, peguerin. com

Phoenix Roze, 13 Eighth Ave., 212-255-2362, phoenixroze.com

Plain English Design, 51 E. 10th St., 212-203-0726, plainenglishdesign.com

RH, 9 Ninth Ave., 212-2172210, rh.com

Still House, 307 E. 9th St., 212-539-0200, stillhousenyc.com

Tamam, 304 E. 5th St., 917-388-3522, shoptamam.com

The Future Perfect, 8 St. Luke’s Pl., 212-473-2500, thefutureperfect.com

Twenty First Gallery, 76 Franklin St., 212-206-1967, 21stgallery.com

LOWER EAST SIDE, NOHO, AND NOLITA

Altman Luggage, 135 Orchard St., 212-254-7275, altmanluggage.com

Coming Soon, 53 Canal St., 212-226-4548, comingsoonnewyork .com

Dienst + Dotter

Antikviteter, 411 Lafayette St., 212-861-1200, dienstanddotter.com

Gabriel Scott, 372 Broome St., 212-837-2923, gabrielscott.com

New Museum Store, 235 Bowery, 212-343-0460, newmuseumstore.org

Vica by Annabelle

Selldorf, 30 Bond St., 212625-3255, vicadesign.com

SOHO

Andrianna Shamaris, 212 Varick St., Ground fl., 212-388-9898, andriannashamarisinc .com

Arper, 476 Bway., 2nd fl., 212-647-8900, arper.com

Artemide, 46 Greene St., 212-925-1588, artemide .net

Bang & Olufsen, 121 Spring St., 917-810-5557, bang-olufsen.com

BUNNY WILLIAMS

BDDW, 5 Crosby St., 212625-1230, bddw.com

CB2, 451 Bway., 212-2191454, cb2.com

Coco-Mat, 49 Mercer St., 212-431-2626, coco-mat. com

Design Within Reach, 150 Greene St., 212-475-0001, dwr.com

Dom Interiors, 66 Crosby St., 212-253-5969, dominteriors.com

Egg Collective, 151 Hudson St., 347-889-7594, eggcollective.com

Flos, 152 Greene St., 212941-4760, flos.com

Flou, 42 Greene St., 212941-9101, flou.com

Foscarini, 20 Greene St., 212-257-4412, foscarini .com

Fritz Hansen, 22 Wooster St., 212-219-3226, fritzhansen.com

Global Table, 107 Sullivan St., 212-431-5839, globaltable.com

Gucci, 63 Wooster St., 212-710-8980, gucci.com

Interior Define, 68 Greene St., 872-802-4119, interiordefine.com

L’Aviva Home, 145 Grand St., 212-625-9605, lavivahome.com

Matter, 405 Broome St., 212-343-2600, mattermatters.com

Missoni Home, 519 Broome St., 2nd fl., 212719-2338, missonihome. com

MoMA Design Store, 81 Spring St., 646-613-1367, momastore.org

Mud Australia, 242 Mott St., 917-409-0868, mudaustralia.com

Ochre, 462 Broome St., 212-414-4332, ochre.net

Roll & Hill, 3 Mercer St., 718-387-6132, rollandhill. com

Roman and Williams Guild, 53 Howard St., 212852-9099, rwguild.com

Savoir Beds, 54 Greene St., 212-226-3640, savoirbeds.com

The Nanz Company, by appointment, 121 Varick St., 10th fl., 212-367-7000, nanz.com

The Shade Store, 77 Wooster St., 646-783-4218, theshadestore.com

Tom Dixon, 25 Greene St., 212-228-7337, tomdixon. net

Tufenkian Artisan Carpets, 156 Wooster St., 917-200-0912, tufenkian. com

USM Modular Furniture, 28–30 Greene St., 212371-1230, usm.com

TRIBECA AND THE FINANCIAL DISTRICT

180 The Store, 180 Duane St., 212-226-5506, 180thestore.com

Allied Maker, by appointment, 81 Franklin St., 212-334-7333, alliedmaker.com

Colony, 324 Canal St., 2nd fl., 212-334-3808, goodcolony.com

Property, 401 Bway., 917237-0123, propertyfurniture. com

R & Company, 64 White St., 212-343-7979, r-andcompany.com

Room, 25 N. Moore St., 212-226-1045, roomonline. com

Stillfried Wien, 40 Walker St., 212-226-2921, stillfried.com

Todd Merrill Studio, by appointment, 80 Lafayette St., 212-673-0531, toddmerrillstudio.com

BROOKLYN

Aimée Wilder Showroom, 68 N. 4th St., Unit D, Williamsburg, 646-6916176, aimeewilder.com

Assembly Line, 373 Atlantic Ave., Boerum Hill, 347-689-2562, assemblyline.co

Beam, 272 Kent Ave., #18, Williamsburg, 646-4501469, beambk.com

Better Carpet Warehouse, 443 Atlantic Ave., #1, Boerum Hill, 718-855-2794, bettercarpetwarehouse .com

Catbird, 219 Bedford Ave., Williamsburg, 718-5993457, catbirdnyc.com

Christophe Pourny, 51 35th St., Industry City, 718855-8865, christophepourny.com

CityFoundry, 33 35th St., Industry City, 718-923-1786, cityfoundry.com

Collyer’s Mansion, 179 Atlantic Ave., Brooklyn Heights, 347-987-3342, shopthemansion.com

David Weeks Studio, 279 Park Ave., Clinton Hill, 212-966-3433, davidweeksstudio.com

Eskayel, by appointment, 75 S. 6th St., Williamsburg, 347-703-8084, eskayel .com

Farrow & Ball, 383 Atlantic Ave., Boerum Hill, 718-8588840, farrow-ball.com

Ferguson Bath, Kitchen & Lighting Gallery, 145 Bridge Park Dr., Ste. H, Brooklyn Heights, 718-5109507, ferguson.com

GRDN, 103 Hoyt St., Boerum Hill, 718-797-3628, grdnbklyn.com

Henrybuilt, 16 Main St., Dumbo, 212-220-6341, henrybuilt.com

Home & Stone, 1663

Coney Island Ave., Midwood, 718-787-1000, homeandstone.com

Homecoming, 116 Franklin St., Greenpoint, 347-457-5385, homecoming.com

Ikea, 1 Beard St., Red Hook, 888-888-4532, ikea. com

In Common With, 124 9th St., Ste. 270, Gowanus, 917-830-8700, incommonwith.com

Leif, 99 Grand St., Williamsburg, 718-3025343, leifshop.com

Light Lab Design, 1736 McDonald Ave., Windsor Terrace, 718-975-7007, lightlabdesign.com

Mario Milana, by appointment, 388 Washington Ave., Clinton Hill, 646-675-2250, mariomilana.com

Michele Varian, 400 Atlantic Ave., Boerum Hill, 212-343-0033, michelevarian.com

Modalita, 65 19th St., Ste. 26, Greenwood Heights, 212-810-6725, modalita. com

Mud Australia, 402 Atlantic Ave., Boerum Hill, 718-576-3975, mudaustralia.com

Pelle, by appointment, 55 Ferris St., Red Hook, 212645-2602, pelledesigns.com

Porta, 360 Atlantic Ave., Boerum Hill, 347-534-7723, porta-nyc.com

Stefan Rurak Studio, by appointment, 617 Van Sinderen Ave., East New York, 347-687-7278, stefanrurak.com

The Primary Essentials, 372 Atlantic Ave., Boerum Hill, 718-522-1804, theprimaryessentials.com

Wanderlustre, 262 Court St., Cobble Hill, 718-3018473, wanderlustre.com

Wilcoxson Brooklyn Ceramics, 69A West St., Greenpoint, wilcoxsonbrooklynceramics. com

Yú Interiors, 15 Greene Ave., Fort Greene, 718-2375878, yuinteriors.com

BRONX, UPSTATE NEW YORK, AND NASSAU COUNTY

Alicia Adams Alpaca, 3262 Franklin Ave., Millbrook, 845-868-3366, aliciaadamsalpaca.com

Elizabeth Pash Interiors & Antiques, 94 Forest Ave., Locust Valley, 516277-1551, elizabethpash. com

Foley & Cox Home, 317 Warren St., Hudson, 518-828-3210, foleyandcoxhome.com

OCHRE

The Marea pendant is hand-blown Murano glass suspended by a patinated brass chain. ochre.net

FRG Objects and Design/ Art, 217 Warren St., 2nd fl., Hudson, 646-483-9109, frgdesignart.com

Gardenheir, 61 St. Rte. 296, Windham, 518-7343025, gardenheir.com

Gestalt New York, 614 Warren St., Hudson, 646389-4177, gestaltnewyork. com

Hundred Mile, 6417 Montgomery St., Rhinebeck, 845-516-4522, 100mileny. com

Kea Carpets & Kilims, 238 Warren St., Hudson, 917-952-1654, keacarpetsandkilims.com

Meg Braff Designs, 92 Forest Ave., Locust Valley, 516-801-4939, megbraffdesigns.com

Michael Robbins, 212 Main St., Germantown, 315-761-8010, mchlrbbns. com

New York Botanical Garden Shop, 2900 Southern Blvd., Bronx, 718-817-8869, nybgshop.

org

TapeMeasure, 18 Washington Ave., Pleasantville, 914-769-6421, tapemeasuredesign.com

The Printery, 43 W. Main St., Oyster Bay, 516-922-3250, iprintery. com

THE LIST

NYC&G is proud to publish the work of top-tier architects, interior designers, landscape architects and designers, builders and contractors, and artists and artisans. Herewith, a list of the industry professionals who have graced our pages throughout the past year.

ARCHITECTS

Aurora Farewell Architects New Haven, CT 917-375-9334 aurorafarewell.com

Burton Architecture burtonarchitecture.com

Eugene Architecture 917-970-1192 eugenearch.com

Fiorello Designs Southampton 631-372-6615 giovannafiorellodesigns.com

Frank Greenwald Architect Sag Harbor 631-329-1567 frankgreenwaldarchitect.com

Gordon Kahn Associates 212-957-7779 gkassociates.com

Purple Cherry Architects 332-255-2155 purplecherry.com

Saniee Architects LLC Greenwich, CT 203-625-9308 sanieearchitects.com

Vergara Homes 917-749-7897 vergarahomes.com

INTERIOR DESIGNERS

Ahmad Abouzanat Studio 917-715-7805 projectaz.design

PHOTOGRAPH: MAX BURKHALTER; STYLING: MIEKE TEN HAVE; DESIGN: ELLEN HAMILTON; ARCHITECTURE: GORDON KAHN.

THE LIST

Alexander M. Reid 646-649-5383 alexandermreid.com

Atelier RO 917-821-8354 atelierro.com

Betsy Wentz Interior Design Sewickley, PA 412-741-4445 betsywentz.com

Carrier & Company 212-706-1025 carrierandcompany.com

Courtney Sempliner Designs Port Washington 516-246-6077 courtneysempliner.com

Crina Popescu Studio Westport, CT 203-507-7979 crinapopescu.com

Crystal Sinclair Designs crystalsinclairdesigns.com

Curated Nest 914-222-0752 curatednest.com

Daniella Feldman Design 516-658-4284 daniellafeldman.com

David Kleinberg Design Associates 212-754-9500 dkda.com

Eddie Lee Inc. 212-868-3385 eddieleeinc.com

Elbra Home Highland Mills, NY elbra.com

Eve Robinson Associates 212-595-0661 everobinson.net

Fox-Nahem Associates, LLC 212-358-1411 foxnahem.com

Glenn Gissler Design 212-228-9880 gissler.com

Hamilton Design Architecture 212-620-0800 hamiltondesignassociates. com

Hilary Matt Interiors hilarymatt.com

Home for Zen 917-533-8600 homeforzen.com

DESIGN STOPS

Home In Harmony

Designs

Hingham, MA 781-749-2194 homeinharmonydesigns.com

House of Culler

High Point, NC 336-848-7620 nicolecullerinteriors.com

JDK Interiors

646-242-6336 jdkinteriors.com

Jewel Marlowe Interiors

jewelmarlowe.com

JMY Interiors LLC jmyinteriors.com

Jolie Korek & Company 914-329-2990 joliekorek.com

K+Co Living Short Hills, NJ 973-220-2171 kandcoliving.com

Loudermilk Jordan loudermilkjordan.com

LTA Interiors 917-312-8737 ltainteriors.com

McGovern Project LLC mcgovernproject.com

Morrow Design Studios Washington, DC 202-505-4705 morrowdesignstudios.com

Pavu Interiors pavu-interiors.com

Robert Brown Interior Design

Atlanta, GA

404-917-1333 robertbrowninteriordesign. com

Ronni Logan Interiors

Alexandria, VA

240-330-3170 ronniloganinteriors.com

Sea Green Designs

Southampton

631-259-3612 seagreendesignsco.com

SRC Interiors

Huntington, NY 631-235-4258 srcinteriorsny.com

DESIGN STOPS

THE LIST

Stephen Knollenberg 248-203-1082 stephenknollenberg.com

Steven Walsh Design stevenwalsh.com

Susan Calabria Design Cold Spring Harbor, NY 516-609-9065 susancalabriadesign.com

Tannehill Interiors 917-621-6505 tannehillinteriors.com

White Arrow thewhitearrow.com

KITCHEN DESIGN

Ciuffo Cabinetry Bayport, NY ciuffocabinetry.com

LANDSCAPE ARCHITECTS AND DESIGNERS

Charlie & Sons Landscapes Amagansett 631-267-3182 charliesons.com

Landscape Details East Hampton 631-329-3000

Rosalia Sanni Design Greenwich, CT 203-918-4619 rosaliasanni.com

Buckley

BUILDERS

AND CONTRACTORS

ARK Design & Build design@arkdab.com

DTF Rosemount

203-533-3076 dtfrosemount.net

Fine Construction Services 914-469-5664 fineconstructionservices. com

Highline Construction 212-982-2012 highlinecg.com

Hooger Design & Build Sag Harbor 631-594-2713 hoogerdesignbuild.com

KJ Remodeling 212-239-0010 kjremodeling.com

Lake’s Carpentry Montauk 516-818-4640

ARTISTS AND ARTISANS

Cristina Buckley cristinabuckley.com

DOUG YOUNG

Cristina

PHOTOGRAPH: KIRSTEN FRANCIS; DESIGN: JDK INTERIORS.