TBL-HongKongMacau2026

C

NTENT ASIA

1

Editorial Director Janine Stein janine@contentasia.tv Events Manager CJ Yong cj@contentasia.tv ContentAsia Marketing & Awards awards@contentasia.tv Production Rae Yong Research Rhealyn Rigodon iyah@contentasia.tv Associate Publisher (Americas, Europe) and VP, International Business Development Leah Gordon leah@contentasia.tv Assistant Publisher (Asia/Middle East) Malena Amzah malena@contentasia.tv To receive your regular free copy of ContentAsia, please email contentasia@contentasia.tv

© 2026 Pencil Media Pte Ltd. All rights reserved.

This directory and its contents are protected by copyright and other intellectual property laws.

No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means – electronic, mechanical, photocopying, recording, or otherwise – without the prior written permission of the copyright holder, except as permitted by law.

For permissions or inquiries, please contact: malena@contentasia.tv

INDEX ABS-CBN Studios .............................................. 5 A+E Global Media ........................................... 6 All3Media International .................................. 7 AR Asia Productions ........................................ 8 Astro Malaysia .................................................. 9 Banijay Rights ..................................................10 BEC World Public Company Limited (BEC) ......11 Boat Rocker Studios .......................................12 FOX Entertainment Global ............................13 Fremantle ........................................................14 Kanal D International .....................................15 Inter Medya ...............................................16-17 Media Prima Content & TV Networks ........18-19 Moonbug Entertainment ..............................20 MQ Worldwide ...............................................21 MyContent Distribution .................................22 NBCUniversal Global TV Distribution ............23 OGM UNIVERSE ..............................................24 Paramount Global Content Distribution ..........25 PBS Distribution ................................................26 Seven.One Studios International ..................27 Sony Pictures Entertainment (SPE) ................28 Viaplay Content Distribution .........................29 All programme distribution companies were given the same opportunity to supply information for inclusion in ContentAsia’s The Big List 2026.

Listings are not specific to Hong Kong & Macau.

4

C

NTENT ASIA

Programming: Syndication & Licensing

Since 1953, ABS-CBN has been a premiere source of high-quality Filipino content and primarily involved in high caliber productions for television, online and over-the-top platforms, cable, satellite, cinema, events and radio, for both domestic and international markets.

ABS-CBN’s road to transformation provided not only strong affinity with the local audiences, but also agility in going global, with 60,000+ hours sold worldwide in over 50 territories.

Trailer

ABS-CBN Studios ABS-CBN Broadcast Center, Sgt. Esguerra Ave. corner Mother Ignacia St., Diliman, Quezon City, 1103 Philippines E: internationalsales@abs-cbn.com W: https://www.abs-cbn.com/internationalsales

Genres

Who’s who...

Original production/ co-production

Pia Laurel Sales Head, OTT and Co-production E: Pia_Bacungan-Laurel@abs-cbn.com Whatsapp/Viber: +63 917 5372573 Laarni Yu Sales Head, Europe, MENA, and Africa | Airlines E: Laarni_Yu@abs-cbn.com Whatsapp/Viber: +63 917 569 8531 Wincess Lee Sales Head, Asia and Latin America E: Wincess_Lee@abs-cbn.com Whatsapp/Viber: +63 998 991 5838

Laarni Yu

Wincess Lee

Trends & Outlook 2026 What we expect to see across the Asian content landscape, amid global uncertainty, is the likely resurgence of uplifting, feel-good content following years of more intense stories. Second, socially-relevant stories that engage with real issues will remain important for buyers. Finally, with advertising revenues still under pressure, many broadcasters and platforms will continue leaning on acquired and cross-border content to help sustain their programming slates.”

Asia focus in 2026 As we elevate the scale and quality of our productions, we aim to expand into new territories while deepening our presence in markets where we have strong audiences. Ultimately, our goal is to create stories unbound by borders while staying authentically Filipino.”

Pia Laurel, Sales Head, OTT and Co-production

Our drama slate spans various genres from romance to family, to thrillers, crime, and action. We also produce LGBTQ+ stories reflecting diverse perspectives and experiences. Film-wise, we cater to a broad spectrum of audiences with titles covering romance, family, horror, and comedy.

First seen on Netflix Philippines, IT’S OKAY TO NOT BE OKAY – the Philippine adaptation of the hit Korean drama from CJ ENM and Studio Dragon – debuted at number one on the platform, consistently topping the viewing charts. The series follows a cynical author who is forced to confront her emotional wounds upon meeting a man who challenges her worldview.

Romantic thriller THE ALIBI centers on the heir to a media empire who hires an escort to serve as his alibi after being accused of murder; their agreement turning into a dangerous dance within a web of secrets. The series successfully launched on Prime Video ahead of its TV release, consistently ranking #1 in the Philippines during its run.

Strengthening our partnership with Prime Video, we’ve developed a new original series called THE SILENT NOISE that follows a family left fractured after a deaf young boy misinterprets his mother’s affair and causes a tragic accident. Launching March 20 th in the Philippines and in more than 240 territories worldwide, the series explores the cost of accountability, while aiming to raise awareness for the deaf community.

As global platforms continually trust us to help build their local slates, we remain ever grateful and equally excited to share even more entertaining and thought-provoking stories with the world.

Trailer

Top shows are…

It’s Okay to Not Be Okay Mia, a children’s book author with a dark past, gets romantically involved with Patpat, a psych ward caretaker who has dedicated himself to caring for his autistic older brother Matmat. As they confront personal traumas, they learn that where pain is shared, healing can begin. Episodes/length: 34x45 mins

Trailer

What Lies Beneath Four high school friends lie to incarcerate a man for killing their best friend and eventually drift apart.

Years later, he escapes and a wave of murders shatters their fragile peace. Forced to reunite, the women must confront buried truths, concealed betrayals, and persisting traumas. Episodes/ length: 45x45 mins

Incognito Brought together by a rigid tactician, six ex-soldiers form a unit to undertake perilous contracts. But with each mission they accomplish, they draw the ire of a powerful enemy. Episodes/length: 52x45 mins

C

NTENT ASIA

5

A+E Global Media is a global content-creation company boasting a thriving international co-production division with scripted and factual projects in all stages of production, a burgeoning formats business, and a massive pipeline of content coming from its US brands; all of which are in constant creation of original TV Movies, mega franchises, and docuseries. A+E’s pipeline reaches global audiences via its fully owned-and-operated channels across Asia, its channel partners around the world, and on every major platform and streamer.

A+E Asia 176 Orchard Road, #05-05 Singapore 238843 @LifetimeAsia @HISTORYasia @historyasia @lifetimeasia

Genres

Who’s who...

A+E Global Media maintains a robust catalogue of original and co-produced content from its international offices. Its Korea team has released several premium drama series over the past decade, with recent titles including Backstreet Rookie, A Good Day To Be A Dog, If You Wish Upon Me and The Witch.

Two additional drama projects are scheduled for release in 2026. Meanwhile, the Japan team is a regional leader in premium factual content. Beyond Asia, the company is active in global co-productions, with recent scripted titles including The Kollective and Miss Scarlet and the Duke.

Trailer

Steve MacDonald President, Global Content Licensing & International Patrick Vien Group Managing Director, International John Flanagan Senior Vice President & Managing Director, Japan and Southeast Asia Youngsun Soh Senior Vice President & Managing Director, Korea Amreet Chahal Director, Content Sales Asia E: Amreet.Chahal@aegm.com Rachel Tan Sales Coordinator, APAC E: rachel.tan@aegm.com

Trends & Outlook 2026 Buyers in Asia always want high quality content with well known stars attached. We look forward to showing clients our rich pipeline of factual series led by internationally known A-list talent coming back for second or third seasons, like The UnBelievable with Dan Aykroyd and Secrets Declassified with David Duchovny.

They also want high volume, proven hits that succeed year after year across platforms, which we have in spades with our long running megafranchises like Ice Road Truckers, back for a new season.

Finally, new true crime titles with partners like Dick Wolf underscore our reputation as global leaders in the genre.”

A+E Global Media boasts a catalog of factual and scripted series, TV formats and movies across a wide range of genres including crime and investigation, epic history, paranormal, reality entertainment, lifestyle, and biography.

Original production/co-production

Top shows are…

World War II with Tom Hanks For eighty years, the Second World War has remained the most devastating and defining conflict in human history. “World War II with Tom Hanks” is a landmark documentary event that reexamines the war through the lens of a new century.

Genre: Factual

The UnBelievable with Dan Aykroyd Starring Dan Aykroyd (Saturday Night Live, Ghostbusters). This smart and entertaining series digs up the weirdest people, places, objects, and events in human history. Take cover from Boston’s Great Molasses Flood of 1919, where 2.3 million gallons of syrup demolished a neighbourhood. Try not to squirm with the tonsil guillotine, an 1800s medical instrument used to self-administer tonsillectomies. And marvel at FDR’s WW2 plan to use bats to bomb Japan. Genre: Factual

Dr. Pimple Popper: Breaking Out

World War II with Tom Hanks

Trailer

The UnBelievable with Dan Aykroyd

Trailer Dr. Sandra Lee, also known as Dr. Pimple Popper, is the most famous dermatological surgeon in the world and an internationally beloved personality. She has dedicated her life to sharing her incredible Asia focus in 2026 skills with her huge We are excited to show our clients the epic, 20audience, as she part series World War II with Tom Hanks, that helps hundreds of tells the story of this truly global conflict suffering patients Dr. Pimple Popper: Breaking Out like never before.The phenomenal who are unable Tom Hanks’s passion for and deep or unwilling to find treatment for their painful, oozing knowledge of this period of history cysts, fatty tumors, and infinitely complex, lifeaffecting helps elevate this can’t-miss project to dermatological issues. Now, Dr. Lee is ready to take something truly extraordinary. We get a her practice to the next level. The doctor has made comprehensive view of the war from a modern additions to her main office which include fresh, global perspective, with brand new scholarship, rarely seen archives, an entire new wing of patient rooms, and many new and vivid accounts of the human staff and doctors. For the first time, Dr. Lee will also be experience.” providing intimate self-shot footage of her life outside the office. Genre: Reality entertainment Amreet Chahal, Director, Content Sales Asia

6

C

NTENT ASIA

All3Media International Asia Pacific 5 Teck Lim Road, #03-00 Singapore 088383 W: www.all3mediainternational.com @all3media_int

Genres

Who’s who...

The global format phenomenon The Traitors from IDTV continues a successful rollout, with Prime Video’s Hindi Series1 being awarded multiple Asian Academy Creative Awards and a second season coming up later on this year. We have also just announced Telegu language version also for Prime Video for 2026. Several other version will be coming to Asia in 2026 including Mongolia and Indonesia and few more to be announced! Australia and New Zealand will both launch a third season later year.

An Indian adaptation of Studio Lambert’s bold reality format Rise and Fall has also proved hugely successful. This game of wealth and privilege, strategy and survival became Amazon MX Player’s most-watched unscripted show in the streamer’s history and has since been commissioned for a second season.

Recent scripted format successes have seen the Indian adaptation of Shameless through our partnership with Rose Audio Visual for SAB TV in India. All3Media International has an additional 11 scripted formats either launching or commissioned by various partners across the market.

Sabrina Duguet EVP Asia Pacific E: sabrina.duguet@all3media.com M: +65 9006 5865 Micah Hewson VP Sales (Australia and New Zealand) E: micah.hewson@all3media.com M: +61 0411 700 551 Ziran Tang (Tony) VP Sales (China, Japan, South Korea, Taiwan) E: ziran.tang@all3media.com M: +65 9006 5016 Amanda Pe Sales Manager (Pan Asia, Brunei, Cambodia, Mongolia, Hong Kong, Indonesia, Laos, Malaysia, Myanmar, Philippines, Singapore, Thailand & Vietnam) E: amanda.pe@all3media.com M: +65 9186 9303 Alexander Euler Commercial Manager (Australia and New Zealand) E: alexander.euler@all3media.com M: +65 9459 2139

Thanks to our expansive and high-quality catalogue we are able to meet the diverse and evolving needs of our clients: from premium scripted drama, factual documentaries, lifestyle, wildlife, and both scripted and unscripted formats

Original production/co-production

Top shows are…

Secret Service

Trailer A sophisticated globe-trotting series espionage thriller from Potboiler Productions, Secret Service stars Gemma Arterton as a senior MI6 officer in a desperate race to uncover evidence that a high-ranking UK politician may be working as a Russian asset. Genre: Thriller, Drama. Episodes/length: 5x1 hour.

Secret Service

Trailer The Circle (Format) Bold, buzzy and addictive, The Circle’s blend of human drama, tech intrigue, and social strategy makes it one of the most innovative reality formats today.

Genre: Reality. Length: 1 hour.

Micah Hewson

Amanda Pe

Ziran Tang (Tony)

Alexander Euler

Incredible Encounter: When Socrates met Confucius

Trailer

The way we think in East and West can be traced back to two extraordinary men who lived over 2,000 years ago: Socrates and Confucius. This series follows their lives and ideas, comparing their views on human nature, ethics, and power as they confront humanity’s biggest questions. Genre: Documentary, History. Episodes/length: 2x45 mins.

The Circle

Incredible Encounter: When Socrates met Confucius

Trends & Outlook 2026

Asia focus in 2026

Fewer commissions and tighter budgets are driving a sharper focus on strong, proven IP that can deliver across platforms, monetisation models, and stand out in a crowded market.

Collaboration is becoming even more central, from funding and production to marketing and international rollout. The Asian market continues to grow locally and internationally in ambition. Recently The Traitors India aired on BBC in the UK, a testament to the strength of the local version and highlights the power of strong partnerships.”

We are home to a very strong catalogue of IP across formats and finished content. Our experience with global hit The Traitors allows us to support partners, from development to production and rollout. On the scripted side, dramas like Liar from Two Brothers Pictures have proven highly adaptable formats. Our slate also continues to grow with returning titles and new projects such as a second season of The Assassin and recently launched Secret Service. Our key focus remains on the strength of the partnerships and the relationships we have built over time, based on trust and collaboration, which are central to everything we do in the region.”

6

Sabrina Duguet, EVP Asia Pacific

C

NTENT ASIA

7

Programming: Syndication & Licensing

All3Media International is one of the leading independent distributors of television programming and formats in the UK. As the distribution arm of All3Media Group, All3Media International manages a distribution catalogue spanning more than 35,000 hours of content across all genres.

Founded by three seasoned leaders in the entertainment industry – Jonathan Spink, Anne Chan, and Ronan Wong – AR is a unique powerhouse in the media landscape. Together, they drive international collaborations in the production of scripted series, movies, reality, and micro drama content. With a robust distribution network, AR represents premier studios across Asia, delivering a diverse array of content including K-dramas, C-dramas, animation, reality shows, and micro dramas.

AR Asia Productions 29-31F, Tower 5, The Gateway, 15 Canton Road, Harbour City, Tsim Sha Tsui, Kowloon, Hong Kong

Who’s who...

Anne Chan CEO T: +852 9516 8622 E: N@arasiaproduction.com Ronan Wong COO T: +861 86 0043 0809 E: RW@arasiaproduction.com

Ronan Wong

Anne Chan

Asia focus in 2025

Anne Chan, CEO, AR Asia Productions

8 6

Movie, reality, animation and micro drama

Co-Production

• Movie: AR spearheads the Rocket Programme, a strategic movie co-development initiative uniting film companies from Taiwan, Korea, Thailand, and Indonesia. Supported by Taiwan Creative Six movies co-development collaboration Content Agency (TAICCA) and organised in partnership with MyStory Entertainment, the programme aims to drive six co-produced film projects from script stage through to market-ready pitches at TCCF 2025.

• Variety: AR and Taiwan’s TAICCA launched the LEAP Co-Development Programme: Variety Show, attracting 85 submissions and featuring eight top Korean producers. It concluded with a final pitch at ATF 2024 in Singapore. A regional co-production is set for 2025, with AR executive producing alongside Culinary Class War writer Mo Eun-seol.

• Pre-school animation: AR launched the All Star Pre-School Animated Series Creative and Co-Development Programme with Taiwan’s PTS XS to connect Korean and Taiwanese creators for co-productions. Two projects were selected and have entered development with leading Korean animation companies.

Micro Drama: Co-Production & Regional Distribution Over 150 micro dramas have launched across various platforms in the region to date, with several dedicated micro drama apps set to roll out on major telco shelves across Southeast Asia.

Top shows are…

Trailer Credit: Media Caravan

Collaboration is at the heart of innovation in content production and distribution. By working with leading studios and government partners, we’re tackling Asia’s market challenges head-on and aligning resources for greater impact. In 2024-2025, milestones included simulcasting six K-dramas across Southeast Asia and expanding into C-dramas and animation. As early adopters of micro dramas and dedicated platform apps, we’re focused on staying ahead of industry trends. Partnerships with Taiwan’s TAICCA, Singapore’s IMDA, and major studios have enabled initiatives like LEAP, the ALL Stars and the Rocket programmes, supporting over ten new projects set to launch in 2025.”

Genres

The Litchi Road The Litchi Road follows Liu Yuchun, a minor Tang Dynasty official, on a risky mission to deliver fresh litchis to Emperor Xuanzong’s concubine, Yang Guifei – only to be caught in the treacherous web of Imperial court politics. Genre: Chinese history/ costume drama. Episodes/length: 35x45 mins

The Maverick Academy

The Litchi Road

Trailer A groundbreaking opportunity for aspiring chef entrepreneurs, spearheaded by celebrity chef Alvin Leung, The Maverick Academy is an innovative show aims to inspire and mentor a new generation of culinary talent. With thousands of applicants from Hong Kong, Thailand, Indonesia, the Philippines, Malaysia, Singapore, Vietnam, and India, Alvin will guide his protégés through an exhilarating journey of self-discovery and The Maverick Academy growth. Genre: Reality/cooking (English-language). Episodes/length: 5x47-55 mins (acquired by Netflix, Mediacorp Singapore, TrueID Thailand, Cathay Pacific and Singapore Airlines).

The Mayor’s XXL Wife: Her Stunning Return (Micro Drama) 300-pound Sophia married her longtime love, expecting happiness. Betrayed by his assistant, she chose self-transformation. After losing weight, she stunned everyone and focused on her career until her regretful, arrogant husband shamelessly begged her back. Genre: Romance micro drama. (English-language).

Episodes/length: 38x1.5 mins

C

NTENT ASIA

Trailer

The Mayor’s XXL Wife: Her Stunning Return

All Asia Broadcast Centre Technology Park Malaysia Lebuhraya Puchong-Sungai Besi Bukit Jalil, 57000 Kuala Lumpur Malaysia Corporate https://corporate.astro.com.my/ Commercial https://www.astro.com.my/ Astro GO https://astrogo.astro.com.my/ Content & Channel https://content.astro.com.my/ https://www.facebook.com/Astro

Who’s who...

Henry Tan Interim Group CEO, Astro Agnes Rozario Chief Content Officer, Astro

Henry Tan

Agnes Rozario

Genres Our content strategy is anchored in a 360-degree content approach, ensuring that every title is designed to thrive across multiple platforms – film, TV, OTT, social media, and immersive unpirateable on-ground experiences. This multi-platform mindset allows us to deepen audience engagement while unlocking diverse monetisation opportunities. Astro produces a wide range of genres including TV shows, films, sports, kids programming, animation, travel, live music competitions, and talent search formats. This genre diversity enables us to cater to different audience segments while maintaining creative and commercial agility.

Original production/co-production Co-productions have worked well in the film space enabling us both domestic and regional exposure for our films and well as strong support from sponsors.

We place strong emphasis on original productions, with standout titles such as Aadhira, First Wives, and Big Stage Alpha, a boyband/talent discovery format that has already produced two music hits and built a loyal fanbase. We actively produce and co-produce across film, drama and non-scripted formats, including live shows. Our collaborations with clients and partners often involve developing creative solutions tailored to their audience and brand objectives.

Asia focus in 2026 Looking ahead to 2026, our primary focus in Asia will be guided by relevance and audience behaviour. We aim to champion local IPs and stories that extend beyond Malaysia, unlocking better monetisation and distribution opportunities with regional partners. Live original formats will remain a core offering, while we continue building a pipeline of digital and social-first content designed for engagement and monetisation.”

Trends & Outlook in the next 12 months

Agnes Rozario, Chief Content Officer, Astro

First, generative AI and hyper-personalisation will be leveraged on more by platforms to tailor experiences, enabling more dynamic and responsive storytelling. This will not only enhance viewer satisfaction but also open new avenues for data-driven monetisation. Sports remains one of the genres that consistently delivers real-time audience attention but will be the focus of fewer platforms given the costs as well as expertise to deliver that best-in-class experience. Third, we foresee a surge in on-ground experiences that are both un-piratable and monetisable – meet-and-greet events with K-stars, concerts, and fan activations and extensions of big hits eg Netfliux’s K-pop Demon Hunters Sing Along in cinemas.

These formats offer unique value propositions for both audiences and brands.”

Dia Imamku

Agnes Rozario, Chief Content Officer, Astro

8

Top shows are…

Trailer

Another Malaysian drama series by Siti Rosmizah where Humairah is forced to marry Amiruddin to save her family from financial hardship and a villainous cousin, Dahlia. Despite her initial resentment and pretense of love, Humairah experiences her true feelings for Amiruddin as she navigates societal pressures and the return of her past love, Rafiq.

The story explores themes of true love, sacrifice, and the strength of a husband’s devotion. Episodes/length: 53x45 mins

Big Stage Alpha

Trailer A Malaysian singing competition series focused on showcasing and developing talented male artists, particularly to build a new boy group, Alpha. Episodes/length: 8x150 mins

Sepak Takraw League (STL) STL is on an 11th season continues to be a prominent professional sepak takraw league in Malaysia, a sport native to Southeast Asia.

Matches are broadcasted live on Astro and sooka. Episodes/length: more than 164 matches (60mins-90mins per match)

C

NTENT ASIA

9

Programming: Syndication & Licensing

Astro Malaysia Holdings Berhad is Malaysia’s leading content and entertainment company, reaching 5.2 million homes, 8,900 enterprises, 16.3 million weekly radio listeners, and 13.5 million monthly digital visitors. We offer Astro Pay-TV, NJOI Prepaid, sooka OTT, and Astro Fibre broadband. Our Ultra and Ulti Boxes deliver 4K UHD and HD streaming, with access to Astro Originals, live sports, and global streaming apps. Through Astro Radio and digital brands like AWANI, SYOK, and Gempak, we connect Malaysians to stories that matter.

Banijay Rights 20th Floor, Lotus Grandeur Veera Desai Road extension Andheri West, Mumbai – 400053 India W: www.banijayrights.com E: sales@banijayrights.com

Genres

Who’s who...

Top shows are…

Rashmi Bajpai EVP Asia, Banijay Rights E: Rashmi.Bajpai@banijayrights.com Pertash Koul VP Sales, Asia, Banijay Rights E: pertash.koul@banijayrights.com

Rashmi Bajpai

Pertash Koul

Asia focus in 2026 In 2026, our objective is to have continued success in the region by focussing on key markets and super brands while finding new opportunities.

We also want to scale the regional footprint of our popular formats within high-growth Asian territories. We are executing a strategy of focused market penetration, leveraging our library of high-quality, proven IPs to provide partners with a low-risk, high-reward content. We are confident that most of our formats have a high renewal score and lead to more sustained business in smaller territories.”

Banijay Rights is the global distribution arm of media and entertainment powerhouse, Banijay Entertainment, handling almost 230,000 hours of top-tier content across all genres, including scripted, entertainment, factual and family.

We also specialise in bringing powerhouse formats such as MasterChef, Big Brother, Deal or No Deal, Survivor and LEGO Masters, to the Asian market, providing localised versions of the world’s most successful entertainment brands.

Richard Gadd’s Half Man (Mam Tor Productions – a Banijay UK company – in association with Thistledown Pictures) premiered on HBO and BBC One at the end of April. It’s a visceral story with a stellar cast and we are excited about placing it in Asia.

Fear Factor: House of Fear (Endemol Shine North America for Fox) had a record-breaking launch recently. It’s a refreshed version of an iconic format which has a broad appeal and now comes with an added twist of reality gameplay.

Additionally, Let’s Play Ball (Endemol Shine Nederland, Talpa Studios, Signal.

Stream) is the format to watch out for. With its simple production and yet deeply satisfying conclusion, this celebrity-driven, social media-friendly gameshow also serves as an exceptional tourism pitch for the various territories showcased in its high-octane episodes.

Half Man

Fear Factor: House of Fear

Original production/ co-production

Despite global market volatility, our stellar IP continues to hold ground. We’re Let’s Play Ball delighted that MasterChef Asia will return, featuring the finest culinary talent from across the continent vying for the ultimate crown.

Produced by CreAsia Studio (part of Endemol Shine India) in collaboration with Warner Bros. Discovery (WBD) and Macao Tourism in Macao, the series is available for licensing outside of WBD-reserved territories starting in Q4 2026.

MasterChef further continues its winning run, spanning to territories like Pakistan and Sri Lanka, while the sucTrends & Outlook 2026 cessful launch of The Face Men Thailand (Season 4), has gained significant Community-led formats that facilitate real-time viewer engagement traction across both linear TV and Netare set to be the “showstoppers” of 2026, aligning perfectly with the flix following its relaunch last year. The burgeoning trend of creator-content partnerships.

Pinoy Big Brother: Collab Edition 2.0 Social media has evolved beyond a mere promotional tool; it is now a has provided a solid headstart, further full-scale innovation lab offering massive monetisation potential. As the creator economy continues to thrive, we are entering the ideal window consolidating our position as the marto leverage the synergy between creators and established content, ket leader for formats in the territory. allowing both to benefit from each other’s unique strengths.

Additionally, we are thrilled to see Lastly, we anticipate a massive resurgence in reboots. In an increasingly Deal or No Deal return to the Philipuncertain M&A landscape, reboots serve as a critical risk-mitigation pines after a decade-long hiatus. And strategy. By revitalising shows with proven track records, we can leverage our commitment to fresh, creative existing fandoms while tapping into the powerful combination of cost energy is highlighted by exciting new efficiency and nostalgia.” additions like Football Island and the Indian-origin fitness reality format Rashmi Bajpai, EVP Asia, Banijay Rights Battleground.

10

C

NTENT ASIA

9

Programming: Syndication & Licensing

Leading global distributor, Banijay Rights, represents a world-class, multi-genre portfolio of almost 230,000 hours of standout programming.

Handling the distribution for media and entertainment powerhouse, Banijay Entertainment, the division specialises in the exploitation of premium scripted and non-scripted brands to broadcasters worldwide.

BEC World Public Company Limited 3199 Maleenont Tower Floor 2-4, 7, 9-10, 30-34, Rama 4 Road, Klongton, Klongtoey, Bangkok 10110 Thailand Social Media Ch3Thailand for CH3 Official CH3Plus for CH3 OTT Scan to visit BEC.thaitv3.com

Who’s who...

Duangnapa (Hong) Termkraisri AVP – IP & Contract Management E: Duangpana@becworld.com Piyachat (Bik) Artavan AVP – International Content Management E: piyachat_a@becworld.com Nantika (Eve) Nuchpoom Senior Account Manager, International Business E: Nantika_n@becworld.com Kawalin (Gift) Chantawatkul Senior Account Manager, International Business E: Kawalin_c@becworld.com

At BEC World, we are fundamentally a content company dedicated to producing TV serials and movies that resonate in Thailand and the ASEAN region. We constantly strive to be the best storytellers in the industry. Our diverse range of productions features tentpole titles that highlight Thailand’s rich history and culture, as well as popular genres like ROM-COM, drama, and BL/ GL, all of which have garnered international fans.”

Tracy Ann Maleenont Assistant to Group COO, BEC World PLC

6

Genres We offer a variety of genres, including romance, comedy, drama, fantasy, and LGBTQ+.

Asia focus in 2026 Our focus in 2026 is to expand BEC’s regional footprint through strategic partnerships, co-productions, and talentled franchises, while strengthening our digital ecosystem via 3Plus. At the core of everything, we remain committed to maintaining the highest content quality as Thailand’s leading content creator – delivering premium, culturally authentic stories that resonate across Asia and beyond.

Tracy Ann Maleenont, Assistant to Group COO, BEC World PLC

Top shows are…

Trailer

Brothers / สองหัวใจ

Dom, a talented young boxer, goes undercover to infiltrate the powerful crime empire of Oab, a key figure in a nationwide syndicate. As the mission grows more dangerous, Dom’s wife Fon – a determined police officer – enters the criminal world to protect him. There, she unexpectedly reunites with Oab, her first love, who vanished years ago and now wants her back. As loyalties blur between duty, love, and betrayal, the trio is pulled into a dangerous web of secrets.

Meanwhile, a ruthless cop named Champ manipulates events from the shadows.

As the truth emerges, their lives collide in a high-stakes battle that will change everything.

Trailer

Wrong Side of the Rainbow / รักหักหลัง

Pie thought she had finally moved on when she married Pun, the kind man who mended her broken heart. But her world unravels when Win – her first love and the one who left her shattered – reappears as Pun’s close friend. Old passions reignite, exposing buried secrets that threaten to destroy everything Pie has built. As truth, betrayal, and desire collide, Pun, Pie, and Win are forced to confront the past and the painful choices that bind them. In this tangled web of love and lies, can they find forgiveness – or are some wounds too deep to heal?

Trailer

Beneath the Lies / ตะวันลวง

Rawee and Phakorn grew up together, not by blood but as brothers, sharing a bond closer than family. However, their relationship begins to unravel when Alyssa, the woman they both love, enters their lives. As a secret love triangle forms amidst the turmoil, Phakorn suddenly falls ill, prompting Rawee to uncover that he is the rightful heir to a vast fortune. With the power to save his brother’s life, Rawee sacrifices everything, believing this will lead to a happy resolution. Yet, what seems like closure is merely the start of a tangled web of lies that will alter their lives forever.

CC NTENT ASIAA NTENTASI

11

Programming: Syndication & Licensing

BEC World Public Company Limited (BEC) is Thailand’s leading entertainment powerhouse, producing and distributing premium Thai-language content for over 56 years. As the operator of Channel 3 and the streaming platform 3Plus, BEC delivers top-rated dramas, news, and variety shows, producing over 500 hours of new programming annually featuring Thailand’s biggest stars. Through its global licensing network and 3Plus’s AVOD and SVOD services, BEC brings the best of Thai entertainment and authentic Thai culture to audiences in Thailand and worldwide.

An independent, integrated global entertainment company, Boat Rocker Studios’ mission is to tell stories and build iconic brands across all genres and media. With offices around the world, Boat Rocker brings end-to-end creative expertise, robust business operations, and global franchise capabilities across Scripted, Unscripted, Documentary, and Kids & Family. Its services span production, distribution, and brand & franchise management. In partnership with Industrial Brothers, Boat Rocker develops, produces, and exploits Industrial Brothers’ original animated series for preschool and family audiences.

Boat Rocker Studios 17/F, Millennium City 3 370 Kwun Tong Road, Kwun Tong Kowloon, Hong Kong T: +852 3759 1675 W: www.boatrocker.com https://boatrockercontentsales.com/ @boatrocker @Boat Rocker Studios

Genres

Who’s who...

Trends & Outlook 2026

Henry Or SVP, Strategic Partnerships, Asia Fabien Ching Senior Manager, Global Sales & Licensing, Asia

Fabien Ching

Scripted, Factual, Kids & Family (live action & animation), Feature Documentary

Original production/co-production Boat Rocker Studios has partnered with Japan‘s AX-ON, a subsidiary of Nippon TV, and Finland’s ICS Nordic to co-produce Blood & Sweat, a new eight-part premium scripted crime thriller series for Japanese streamer Wowow and Finland‘s Nelonen. The series is set to air in Japan in April 2026 with Boat Rocker distributing the series globally.

Mega-media consolidation seems unlikely to end any time soon. We will likely see consolidation extend to the production industry with M&A occurring at indie studios. We’ll see more format remakes and co-production between diverse territories, as many producers have become risk averse and are looking to share the cost and rights with partners, and draw on the success of proven formats. While the use of AI in content production has become more common than ever, the industry might start discussing protocols for its usage to avoid ambiguity and protect creatives.

Henry Or, SVP, Strategic Partnerships, Asia, Boat Rocker Studios

Top shows are…

Asia focus in 2026 While continuing to distribute our catalogue is a key focus, we are proud to present our first international co-production drama with our Japanese and Finnish partners and are excited to foster new potential co-production opportunities. We’ve also closed numerous scripted format deals in Asia for our own IP and third-party deals for Chinese remakes. This is now a core line of business for Boat Rocker Studios in Asia. We will be representing international studios, helping them bridge their content with the east via our strong connections in the region.

Blood & Sweat Two detectives from different cultures embark on a joint investigation into a mysterious serial murder case that stretches from Finland to Japan. Genre: Scripted, Thriller. Episodes/length: 8x45 mins

Dino Ranch: Island Explorers The Cassidy clan head to the mysterious Dino Island, home to Uncle Jack Cassidy and lots of new dinosaur species. Genre: Kids & Family, Animated. Episodes/length: 52x11 mins

Blood & Sweat

Trailer

Great Estates Using cutting-edge drone and aerial photography, Great Estates reveals Britain’s most magnificent country houses and palaces from an entirely new perspective. Genre: Unscripted, Lifestyle. Episodes/ length: 4x60 mins

Dino Ranch: Island Explorers

Trailer

Henry Or, SVP, Strategic Partnerships, Asia, Boat Rocker Studios

Great Estates 12 10

C

NTENT ASIA

Trailer

Best Medicine

FOX Entertainment Global 10201 W. Pico Blvd Los Angeles CA, 90064 W: foxglobal.com E: foxentglobal@fox.com

Who’s who...

Prentiss Fraser President, Fox Entertainment Global Kit Yow Director, Content Sales – APAC E: kit.yow@fox.com Joyce Smith Director, Sales – AUS & NZ

A brilliant surgeon leaves Boston to become a doctor in the small town where he spent childhood summers.

Despite his medical skills, his rude manner alienates locals as he battles hidden phobias and struggles with personal connections. Genre: Drama. Cast: Josh Charles, Abigail Spencer, Annie Potts, Josh Segarra, Cree

Murder in a Small Town

Best Medicine

Trailer

Karl Alberg moves to a quiet coastal town to soothe a psyche that has been battered by big-city police work, but finds himself needing to call upon all his skills to solve the murders that continue to wash up on his shore. Genre: Drama.

Cast: Rossif Sutherland, Kristin Kreuk Joyce Smith

Prentiss Fraser

Asia focus in 2026 Our focus is simple: bringing great content and great brands to audiences wherever they are.

Asia remains one of the most innovative media markets in the world, and we are focused on expanding partnerships across broadcasters, streamers, digital platforms, and emerging content ecosystems.

We are particularly excited by the convergence of premium entertainment, creators, and fandom. Audiences do not think in platform silos. They follow stories, talent, and communities.

Our job is to help partners connect globally recognized IP with those evolving audience behaviors.

Whether it is a major franchise, a talent led brand, or a new format, we are focused on building businesses that can grow across platforms, markets, and audiences.

Kit Yow, Director, Content Sales – APAC

Animal Control A group of animal control workers begin to see their lives complicated by humans and not so much by animals. Genre: Comedy.

Cast: Joel McHale, Vella Lovell, Ravi Patel, Grace Palmer, Michael Rowland

Murder in a Small Town

Trailer

Trends & Outlook 2026 Premium brands, franchises, and talent continue to matter.

Animal Control In a crowded marketplace, recognizable IP cuts through the noise. Audiences increasingly gravitate toward content they know and trust, making established franchises and talent-led brands more valuable than ever.

At the same time, vertical video is rapidly emerging as a meaningful new content business. What began as a mobile-first format is evolving into a scalable entertainment ecosystem with its own audiences, creators, and monetization models. The opportunity extends beyond short-form content to identifying the next generation of talent, IP, and franchises.

Another key growth engine is the newly formed FOX Creator Studios, which partners with the world’s most influential and prolific creators.

From our deep global distribution expertise to world class ad sales, brand partnership, marketing and production capabilities, FOX is uniquely positioned to help creators scale and grow their ideas and brands worldwide. Since the studio was introduced in January, their creator roster spans verticals from food and comedy to automotive and lifestyle with top creators such as iconic chef Gordon Ramsay, comedian Tom Segura, and viral creators like Josh Richards, Emelia Hartford and My Nguyen’s MyHealhyDish, all partnering with FOX to create premium IP, original formats, and enduring entertainment brands for global audiences.

Advances in AI and localization are also making content more global and more accessible. Great stories can travel farther and faster than ever before, creating new opportunities for rights holders, platforms, and audiences across Asia.

At the end of the day, profitability is always in style. The companies that win will combine great content, strong brands, smart distribution, and sustainable business models.

Kit Yow, Director, Content Sales – APAC

8

C

NTENT ASIA

13

Programming: Syndication & Licensing

Backed by FOX’s globally recognized brand and broad distribution platforms, FOX Entertainment Global delivers premium storytelling from world-class creators through a rapidly expanding pipeline of original programming and co-production partnerships. Our breakthrough content spans every genre – from bold scripted series and trailblazing animation to iconic unscripted entertainment, daring documentaries, and epic films – sparking conversation, shaping culture, captivating viewers, and bringing the best in entertainment to audiences everywhere.

Fremantle is a leading global creator, producer and distributor of some of the world’s most successful content across Entertainment, Drama & Film, and Documentaries. Amplifying local stories on a global scale, Fremantle produces and delivers premium, multi-genre IP across the 28 territories it has a presence in. Fremantle is a proudly independent group of content creators, and home to some of the biggest entertainment formats, compelling international dramas, award-winning films and high-quality documentaries.

Fremantle 1 Boon Leat Terrace Harbourside 1, Unit 07-03 Singapore 119843 T: +65 6307 7227 Programme information can be found here: https://fremantlescreenings.com/

Genres Across Asia, Fremantle distributes formats and finished content in all genres – Entertainment, Drama, Documentary and Lifestyle.

Production

Fremantle continues to see strong momentum across Asia, with several flagship formats achieving significant milestones and finding new audiences across the region. In the Philippines, Family Feud recently celebrated its fourth anniversary on air and remains one of the country’s most popular game shows. In Cambodia, Who’s Who...

The X Factor Cambodia has returned after nearly seven years off air and is Haryaty Rahman enjoying a fantastic run, generating impressive numbers across digital and social EVP Distribution Asia, International platforms. Meanwhile, Take Me Out Thailand is currently airing its 20th season, E: haryaty.rahman@fremantle.com a remarkable milestone that reflects its enduring appeal with Thai audiences.

Each of these shows has taken its own journey, but together they demonstrate Asia focus in 2026 how well-loved formats can continue to evolve and remain Our focus in 2026 is to unlock new sources of value relevant for audiences over time. These successes reflect the for our partners and our IP. We’re looking at more strength and longevity of Fremantle’s format portfolio, as well creative ways to develop, finance and monetise as the value of our partnerships across the region.

content. This includes strategic partnerships, branded entertainment, co-productions and new commercial models that can help content travel further and generate value across multiple platforms and markets.

As traditional funding models continue to evolve, we believe the biggest opportunities in Asia will come not just from great storytelling, but from rethinking how content is funded, distributed and commercialised.”

Trends & Outlook 2026 • Buyers are becoming more disciplined in their commissioning decisions, placing greater emphasis on content that can deliver measurable value and long-term returns.

• While local content remains a priority, there is an increasing focus on stories that can resonate both locally and internationally.

• We are seeing growing demand for IP that can live beyond a single commission or platform. Buyers are increasingly seeking content that can be adapted, extended and monetised in multiple ways, creating deeper audience engagement and longerterm value.”

Haryaty Rahman, EVP Distribution Asia, International

12 14

Top shows are...

Baywatch

The legendary series returns with a brand-new first season. Sporting the unmistakable red swimsuits, an all-new cast of lifeguards patrol the world’s most famous stretch of sand, delivering high-stakes rescues, explosive drama and plenty of beachside heat. Stephen Amell stars as Hobie Buchannon, alongside Jessica Belkin, Shay Mitchell, Hassie Harrison,Thaddeus LaGrone, Noah Beck, Brooks Nader and Livvy Dunne. David Chokachi reprises his original role as Cody. Co-produced by FOX Entertainment and Fremantle with showrunner Matt Nix (Burn Notice) and McG (Charlie’s Angels) directing. Genre: Drama. Episodes/ length: 12x60 mins

Kill Jackie Starring Oscar, BAFTA and Tony Award winner Catherine Zeta-Jones, joined by Daniel Ings (The Gentlemen) and based on the acclaimed novel The Price You Pay by Sunday Times best-selling author Nick Harkaway, writing as Aidan Truhen. Jackie Price has been living a luxurious existence for twenty years – selling fine art using sophisticated tax loopholes and, above all, trying to stay anonymous after escaping a dangerous past as an international drug smuggler. But life takes a lethal turn when she discovers The Seven Demons, a squad of terrifying hitmen, have been hired to kill her. From the creatives behind Killing Eve and Gangs of London, co-produced by Fremantle and Steel Springs Pictures. Genre: Drama. Episodes/length: 8x60 mins

The Michael Jackson Story

Trailer From Emmy award-winning 72 Films, The Michael Jackson Story is the definitive, in-depth story of one of the world’s most culturally significant and controversial figures, featuring rare intimate archive and revelatory interviews with those closest to him. The documentary is a deeply researched study of a trailblazing musical genius whose personal life remains a complex enigma, exploring the rise, controversy, and enduring legacy of one of the most successful pop stars of all time. Genre: Factual. Episodes/length: 4x60 mins

C

NTENT ASIA

Kanal D International Göztepe, Melda Sokağı, 34214 Bağcılar/İstanbul T: +90 212 413 5111 E: kdisales@kanald.com.tr W: https://kanald.international/

Who’s who...

Elif Tatoğlu Distribution Strategy Director E: elif.tatoglu@kanald.com.tr Yasemin Keskin mailto: elif.tatoglu@kanald.com.tr Sales Manager, MENA, APAC & Global Inflight Entertainment Distribution E: yasemin.keskin@kanald.com.tr

Elif Tatoğlu

Yasemin Keskin

Trends & Asia focus in 2025 Our primary goal is to highlight our latest titles, showcasing the diverse range of offerings in our catalog. While romantic comedies remain a vibrant and cherished genre, classical dramas continue to be the foundation of our business in the region. With this in mind, we thoughtfully curate the best titles that have received positive feedback both in Turkey and globally. We believe this selection not only aligns with current trends but also resonates deeply with audiences, ensuring a rich and engaging viewing experience for all.”

Format sales hold significant value in the region, as stories are often rooted in the traditional values unique to each country.

Given the distinct cultural values across Asia, the adaptation business plays a vital role in catering to these diverse preferences.”

Yasemin Keskin Sales Manager, MENA, APAC & Global Inflight Entertainment Distribution 8

Genres Premium Drama, Romantic Comedy & Formats

Top shows are…

The Family Burden

Trailer Melike, wrongfully imprisoned for twenty years, dreams of reuniting with her daughter, Hazal. Upon release, she faces a new prison of lies and betrayal.

As she uncovers the truth and searches for her husband’s real killer, Melike must confront the complexities of her daughter’s life, who has known another woman as her mother.

Genre: Drama (2024). Production Company: Süreç Film. Broadcaster & Country: Kanal D & Turkey. Episodes/length: 95x44 mins.

Secret of Pearls

Trailer

Azem’s happy life shatters when he takes the blame for his wife’s death to protect his daughter, leaving him confined, for years, in a jail cell. After prison, his only goal is to reunite with his children, who were taken under state protection and adopted by different families. Genre: Drama (2024). Production Company: BKM. Broadcaster & Country: Kanal D & Turkey. Episodes/length: 44 mins (in production) Trailer

Daylight

Gece’s summer dreams of university and music in Istanbul are disrupted when her family moves to Foça for her sister Gülce’s special needs. There she meets the handsome Özgur, who also has a brother with special needs. As Gece and Özgur grow closer, a tale of love, maturity and unexpected challenges unfolds. Genre: Drama (2023). Production Company: D Media. Broadcaster & Country: Kanal D & Turkey. Episodes/length: 45x44 mins

C

NTENT ASI C ANTENT ASIA

15

Programming: Syndication & Licensing

Kanal D International is the global business arm of Kanal D, the leading TV channel of the Turkish broadcasting world. Operating under Europe’s leading media organization, Demirören Media Group, Kanal D has been creating quality content for the past twenty-eight years.

Accompanied by Kanal D International Networks brand, Kanal D International has grown within the content world to reach the end-user since 2018. The distribution arm of the company continues its activities under Kanal D International, and Kanal D International Networks is the business line that holds all linear assets.

Inter Medya is an international powerhouse based in Istanbul, backed by 33 years of experience and committed to transforming the Turkish TV industry landscape through the distribution of over 15,000 hours of high-quality content to more than 160 countries. Collaborating closely with Turkey’s leading producers, we offer a diverse array of TV series, mini-series, feature films, and unscripted formats that captivate audiences worldwide. Our dynamic team stays ahead of industry trends while innovating new ones, continually enhancing our offerings and expanding our global reach.

Inter Medya Esentepe Mah. Kore Sehitleri Cad. 16/1 34394 Zincirlikuyu, Istanbul, Turkey T: +90 212 231 01 02 W: www.intermedya.tv inter_medya https://www.linkedin.com/ company/itv-inter-medya

Top shows are…

Who’s who...

Can Okan Founder and CEO E: can.okan@intermedya.tv Hasret Ozcan President E: hasret.ozcan@intermedya.tv Pelin Koray Senior Sales, Acquisition and Strategy Manager E: pelin.koray@intermedya.tv

Can Okan

Hasret Özcan

Trends & Outlook 2025 In 2025, I anticipate three transformative trends shaping the Asian media landscape. First, international co-productions will gain momentum, fostering innovative cross-cultural storytelling and expanding market reach. Second, strategic intellectual property ownership will be paramount as content becomes an increasingly valuable asset, ensuring sustainable competitive advantages.

Finally, the rapid evolution of artificial intelligence is revolutionizing content creation – driving the rise of vertical, mobile-first formats and further solidifying the trend toward short-form content, which has already made significant inroads this year.

Pelin Koray, Senior Sales, Acquisition and Strategy Manager

16 6

Each year, Inter Medya actively participates in numerous industry gatherings, reflecting our commitment to networking and diversifying our extensive catalog. Beyond distribution, we have evolved into formidable business developers and problem solvers. Guided by strong ethical values, we strive to deliver exceptional service to our partners. As we enhance the position of Turkish content on the global stage, we remain dedicated to expanding our footprint and growing our team, ensuring we lead the way in the entertainment industry and shape the future of storytelling.

Valley of Hearts

Trailer

Sumru, a woman who abandoned her twins, now lives a wealthy life in Cappadocia. When her twins, Nuh and Melek, discover her identity, they confront her and seek retribution. Meanwhile, the Şansalans’ mansion is rife with family drama, including a forced marriage, hidden agendas, and a looming threat from a past enemy. As love blossoms between the twins and the Şansalans’ children, Sumru must face her past and decide whether love can overcome revenge. Genre: Drama. Production: TIMS&B Productions. Cast: Ece Uslu, Aras Aydın, Hafsanur Sancaktutan, Leyla Tanlar, Burak Tozkoparan, Esra Dermancıoğlu, Burak Sergen, Genco Özak, İlker Aksum, Bülent Polat, Ayşe Tunaboylu, Gözde Çığacı, Derin İnce, Deniz Karabaş, Ferda Işıl, Işıl Yücesoy.

Loveberry

Trailer

Zuhal Erdem is a woman at the peak of her career as a personal development expert. She has achieved success as a love & relationship coach. However, she leads a completely different life at home with her family. After losing her mother at a young age, she dedicated herself to her father and three sisters. After years of loneliness, she meets Tayfun through her assistant Eylem, and faces significant challenges for the sake of this relationship – opposing her father, Çetin, and embarking on a journey filled with both love and heartbreak. Genre: Drama. Production; TIMS&B Productions. Cast: İrem Helvacıoğlu, Şükrü Özyıldız, Selin Türkmen, Aslı İnandık, EbrarKarabakan, Engin Şenkan. Episodes/length: 18x45 mins

Sayara Sayara, a Turkmenistanian young woman, works as a cleaning lady in an Istanbul gym owned by Barış – with whom she is having an affair. As his father is a member of Parliament, Barış is quite spolied. So, when her older sister, Yonca, is raped and killed by Barış and his three friends, the court deems Yonca’s death a suicide and releases the men. With countless similar cases, everyone thinks this will be forgotten. But not so, because of Sayara’s secret: her father is Shamil Bazarov, Turkmenistan’s former special operations commander, one of Turkmenistan’s most trusted deep state figures and the Soviet Sambo champion. Shamil trained his little daughter Sayara like a spy in close combat, and Sayara vows to execute her own justice. Genre: Action-Crime Drama. Production: Inter Yapim. Cast: Duygu Kocabıyık, Emre Kızılırmak. Length: 90 mins

C

NTENT ASIA

Trailer

Trailer Three siblings, scarred by a broken past, unite for revenge. Their target: a wealthy family harboring dark secrets. But hidden identities and conflicting loyalties threaten their plan. Umut, disguised as a lawyer, finds himself falling in love with Güneş, the object of his revenge, and conflicting loyalties threaten their plan. As love and vengeance clash, truth unravels, forcing everyone to choose a side.

Who is bad, who is real, who is fake? Who will win this twisted game of betrayal? Genre: Drama. Production: Acun Medya & Fabrika Yapım. Cast: Akın Akınözü, Bensu Soral, Talat Bulut, Rıza Kocaoğlu.

Episodes/length: 82x45 mins

Poison Ivy Though Macide comes from a poor family, she leaves a successful business career in order to use her psychology degree and work healing others.

She falls madly in love with Kazım Işık, the smartest and the most successful businessman in the country, who finally returns her love at his weakest moment.

However Kazım Işık is married to Nermin. Can he protect Macide from the cruelty of the rich and powerful life he created? Can Macide preserve the purity, innocence, and sensitivity she had when she first met Kazım? This is the story of a young woman who falls in love for the first time and heals herself by healing others, a love story that tells of two souls finding each other, despite the whole world, despite even themselves. Genre: Drama. Production: TMC Film & Alim Yapım. Cast: Neslihan Atagül Doğulu, Kadir Doğulu, Sarp Levendoğlu, Zuhal Olcay.

Episodes/length: 83x45 mins

Trailer

The Ivy

Trailer

A woman running out of the crime scene covered in blood: Ezgi… A woman whose dead body is lying on the ground: Arzu… Flashback to when this story begins, when Ezgi’s seemingly perfect life with her husband, Kerem, takes a dark and twisted turn, the moment a stranger claims Kerem wants to kill her. As Ezgi grapples with trust, she forms an unlikely bond with newcomer Arzu, who inadvertently sparks chaos in their housing complex. Friendships crumble and dark truths emerge, culminating in Arzu’s murder. The police investigation unveils a tangled web of deception, secret affairs, and lies within the community, where no one is who they seem. Genre: Drama, Crime, Mystery. Production: TOD Originals. Cast: Burcin Terzioglu, Onur Tuna, Hazal Turesan, Yigit Kirazci.

Episodes/length: 16x60 mins

Our primary focus for the region is to broaden our distribution channels across both traditional TV and emerging VOD platforms by licensing our extensive catalogue of ready-made content.

We are excited about the potential of our latest drama series, VALLEY OF HEARTS (Siyah Kalp), which is well-positioned for success in the SAARC region. Alongside this, we are actively pursuing licensing deals for both scripted and unscripted formats. Following our recent success with the Korean remake of our romantic comedy, LOVE UNDERCOVER (Ruhun Duymaz), we are now in advanced discussions for additional remake projects.

Complementing our series, mini-series and feature films is a dynamic format catalogue that spans dating, reality, and music shows – exemplified by our newly launched singing competition, CROSSOVER, where contestants perform across various musical genres.”

Pelin Koray, Senior Sales, Acquisition and Strategy Manager

Love Undercover

Trailer

Onur Karasu, a brilliant young intelligence agent known for his analytical mind and diverse skills, has been trailing Civan Koral, who appears as the owner of a prestigious jewelry company but secretly represents an international crime syndicate. Learning of Civan’s plan to leave the country, Onur changes tactics, romancing Hilal, Civan’s sister, to gain access.

However, a masked jewel thief, revealed to be Ece, beats him at his own game. Ece threatens to expose Onur unless they collaborate. Their tumultuous, fun, and dangerous relationship gradually brings them closer together. as they fall deeply in love. But both carry hidden truths. Can love triumph over adversity?

Together, they’ll discover the answer. Genre: Romantic Comedy. Production: O3 Media. Cast: Şükrü Özyıldız, Burcu Özberk, Tuğrul Tülek, Aslı Sümen.

Episodes/length: 28 x 45 mins

C C

ASIAA NTENT NTENTASI

177

Programming: Syndication & Licensing

Asia focus in 2025

Tuzak

Media Prima Content & TV Networks (MPCTN) is Malaysia’s leading integrated television and content group. Portfolio includes free to air channels TV3, 8TV, TV9 and ntv7, alongside streaming platform Tonton, content studio Primeworks Studios, home shopping network WOWSHOP, and artist management and music label Alternate Records & Talents. MPCTN delivers high-performing local IP across broadcast, digital, film and commerce, driving strong audience reach, box-office success and sustained consumer growth.

Media Prima Content & TV Networks (MPCTN) 31, Jalan Riong, Bangsar, 59100 Kuala Lumpur, Malaysia E: contentdistribution@mediaprima. com.my

Who’s who...

Nini Yusof CEO, Media Prima Content & TV Networks Devi Ponusami Manager, Content Distribution, Media Prima Content & TV Networks

Genres Media Prima Content & TV Networks (MPCTN) delivers programmes across multiple genres, with a defining strength in scripted drama. As Malaysia’s leading drama producer, MPCTN specialises in long form and micro drama series, anchored in romance, melodrama and family centred storytelling, with flagship titles drawing average viewership of around three million and strong audience loyalty across Malaysia, Brunei and Singapore.

Beyond drama, MPCTN produces and distributes films in mass appeal genres including horror, comedy and action, designed to resonate widely as viewing habits continue to evolve across platforms. High-quality documentaries – recognised for a cinematic approach and focused on Islamic narratives, crime investigation, and educational content – further reinforce MPCTN’s position as a trusted storyteller across formats.

Original production/co-production

Devi Ponusami

MPCTN develops compelling, socially relevant original content rooted in real lives and everyday experiences, allowing audiences to connect authentically across platforms. MPCTN is actively involved in local production and regional coproduction. Recent and notable collaborations include documentaries such as Nomad Terakhir, reality and variety collaborations like Mr Player, as well as drama productions including Rumah Menanti Cahaya and Kicking of The Lemoi’s Dream. These projects reflect ongoing partnerships with Korea, China, Japan, Indonesia and Thailand, supporting cross-border creativity and extending the reach of Malaysian content across Southeast Asia.

Top shows are…

Trends & Outlook 2026

Scripted fiction will remain the primary growth driver, led by long-form series and the rapid expansion of micro drama, which deliver strong engagement and scale effectively across platforms. Films will continue to play a key role, particularly in massappeal genres that perform well across theatrical and digital windows. At the same time, hybrid docudrama formats are gaining momentum, combining factual storytelling with cinematic treatment across investigative, social, travelogue and political engagement content.”

Nini Yusof, Chief Executive Officer, Media Prima Content & TV Networks (MPCTN)

18 16

Trailer

Separuh Nafas Cinta / Forced to the Altar Abandoned on the eve of her wedding, Ariana is forced into a marriage of convenience with Hariz, her fiancé’s younger brother. What begins as a six-month agreement turns into a quiet nightmare under one roof – ruled by a cruel, unforgiving motherin-law. Trapped between duty and desire, Ariana and Hariz must survive love born out of sacrifice, pain, and impossible choices.

Cast: Ariana Yusof, Zazzleen Zulkafli, Amri Dahlan (60x2/3 mins) Micro drama series (@dramasangat) TikTok

��

Keluarga Itu / That Family Behind the respected image of a revered Tahfiz figure lies a family quietly unraveling.

As Iman and Chempaka struggle to hold their household together, long-buried secrets begin to surface – testing faith, loyalty, and the true meaning of righteousness. When belief is put on trial at home, can virtue survive its hardest test?

Cast: Rosyam Nor, Umie Aida, Puteri Balqis Genre: Drama (28x42 mins) No.1 Malay drama in 2025 No.7 Google Trends of 2025 in Malaysia 1.2 billion social media reach (source: meltwater & sproutsocial) 11 million TV viewership in Malaysia

�� �� �� ��

C

NTENT ASIA

Trailer

Trailer A resilient single mother reunites with her first love and dares to believe in happiness again. But beneath the warmth of marriage lurks a vengeful mother-in-law and a web of lies meant to destroy it from within. Cast out yet unbroken, Husna’s quiet loyalty becomes the key that exposes betrayal – and restores truth where love was nearly lost.

Cast: Izara Aishah, Remy Ishak, Zara Zya Genre: Drama (20x42 mins) Acquired by iQIYI; ranked top 5 throughout its run 800 million social media reach 9 million+ TV viewers in Malaysia (source: Nielsen) Aired on Singtel Singapore; among the platform’s most-watched dramas

�� �� �� ��

Trailer

BRU / BREW This award-winning drama series follows a bighearted mover who dreams of transforming his late father’s battered van into a mobile coffee business. Reality hits hard: capital constraints, ruthless competitors, demanding customers, and his own fiery temper. As ambition threatens to cost him his friendships and family, Shah learns that success means little if you lose the people who believed in you first.

Cast: Shukri Yahaya, Siti Hariesa, Amerul Affendi Genre: Drama (10x21 mins) Directed by Nik Amir Mustapha, one of Malaysia’s most influential contemporary filmmakers, known for award-winning titles including KIL, NOVA, and Imaginur, which have elevated Malaysian cinema on both local & international stages.

��

Trailer

Jejak Rasul: Ramadan Di 3 Tanah Suci This season journeys through the heart of Ramadan across three sacred lands – Saudi Arabia, Jordan, and Palestine. From sahur in Makkah to tarawih at Jordan’s Sahabat Mosque and qiyamullail at the Cave of Hira, the series captures moments of devotion where faith, history, and reflection converge.

Host: Fedtri Yahya Genre: Docu (20x15 mins) One of Malaysia’s longest-running religious documentary series A trusted Ramadan viewing staple

Trailer

�� ��

We will continue to deliver premium documentary and drama content, reinforcing our position as Malaysia’s leading content producer and a trusted regional supplier. Documentary remains a core pillar of our strategy, spanning magazine formats, investigative journalism, biopics, human-interest and travel storytelling, produced with strong cinematic execution and editorial credibility.

Alongside this, our scripted drama slate continues to perform strongly with toprated and popular titles.

Our 2026 focus is to scale documentary and drama productions regionally and deepen partnerships across Asia, positioning Media Prima as a preferred source of impactful, culturally relevant content that travels and delivers across markets.”

Nini Yusof, Chief Executive Officer, Media Prima Content & TV Networks (MPCTN)

Tinta Syurga / Notes From Heaven This award-winning special documentary marks Nuzul Al-Quran by tracing the sacred journey of a hand-written Quran – from painstaking calligraphy to mass printing for public use. A rare glimpse into devotion, discipline, and the quiet beauty behind preserving the holy text for generations...

Genre: Documentary (60 mins)

5 Rencah 5 Rasa / 5 Spices 5 Tastes

Trailer

Celebrates the richness of Malaysian cuisine as skilled chefs bring iconic dishes to life using the signature “5 Spices, 5 Tastes”. Blending traditional recipes with modern twists, each episode offers easy-to-follow cooking techniques, flavourful inspiration and a delicious journey through Malaysia’s diverse food culture.

Host: Dato’ Fazlee Yaakob Genre: Cooking show (8x21 mins, 2024) Available on Discovery, AFC, meWatch Multi-season series, with earlier seasons featuring celebrity chef Sherson Lian

�� ��

C

NTENT ASIA

19 17

Programming: Syndication & Licensing

Asia focus in 2026

Sumpah Ibuku / A Mother’s Curse

Moonbug Entertainment 150 Neil Road, Level 2, Singapore, 088879 W: www.moonbug.com

Who’s who...

Amrita Sindhu Head of Distribution and Partnerships, APAC E: amrita.sindhu@moonbug.com

Genres Moonbug Entertainment offers family entertainment in Asia, through a mix of curation of our current content on linear and digital platforms with regional partners, and original content and collaborations with local partners such as Mediacorp and Sanrio. Our stories focus on music-driven learning, early childhood development, and everyday life skills. Designed for children aged 0–6 and trusted by parents globally, Moonbug’s portfolio combines high-quality storytelling, repeatable formats, and proven engagement across platforms.

These genres are distributed widely across linear television, AVOD and SVOD platforms, as well as branded digital and social channels, ensuring broad reach and consistent audience engagement across Asian markets.

Original production/co-production

Amrita Sindhu

Trends & Outlook 2026 Omnichannel preschool is now the baseline. Young families move seamlessly be‑ tween YouTube, AVOD, SVOD and linear, and expect trusted kids’ brands to move with them. The op‑ portunity is to activate the same IP across open and closed ecosys‑ tems, optimised for discovery, safe profiles and long‑term retention rather than treated as silos.

Preschool is increasingly educa‑ tion‑centric and co‑viewing led.

Commissioners and advertisers priori‑ tise content that blends early learn‑ ing, social‑emotional development and cultural discovery in formats par‑ ents are happy to watch alongside their children, enabling curated “safe learning” hubs, themed rails and fam‑ ily‑resonant brand partnerships.

360° IP ecosystems are now ex‑ pected. Shorts, games, live experi‑ ences and location‑based activa‑ tions are core to keeping kids en‑ gaged within a platform’s universe, unlocking sponsorship and retail, and helping local services stand out from global players.”

Moonbug continues to develop local and locally relevant productions, collaborations, and formats for Asia, anchored by its globally recognised IP. Recent initiatives include a new multi-year global partnership with Sanrio to create a crossover preschool series, titled CoComelon Playdates with Sanrio Friends, bringing Hello Kitty, Cinnamoroll, and other Sanrio characters together with JJ and friends.

Debuting in 2026, the series is positioned as a major tentpole for Asian audiences.

Moonbug also works closely with regional channels and platform partners across Asia, including Moonbug Channel carriage with curated line-ups featuring CoComelon, Blippi, and Little Angel, supporting local scheduling, curation, and language versions.

Blippi’s Singapore Adventures is a 20-episode co-produced live-action series with Mediacorp that takes Blippi to iconic Singapore locations. The series is tailored for regional families while remaining fully exportable to global markets.

Additional brand collaborations include partnerships with travel and lifestyle brands such as AirAsia, through AirAsia Buds animated shorts, telling Asia-based adventure and discovery stories designed for young children and families.

Top shows are…

Asia focus in 2026 Deepening distribution in Asia means dedicated channels (Moonbug Channel, Blippi & Friends), localised productions and robust on‑demand libraries, plus branded partnerships and live or pop‑up activations that keep Moonbug IP front‑of‑mind, helping clients drive acquisition, retention and sponsorship‑led revenue around beloved children’s brands.”

CoComelon remains the world’s most-watched preschool brand, with new episodes focused on early learning, emotional development, routines, and family moments, available in multiple Asian language dubs.

Amrita Sindhu, Head of Distribution and Partnerships, APAC

Little Angel is a fast-growing preschool favourite featuring original songs that help children learn through everyday experiences, widely available in local Asian languages.

20

Blippi continues to perform strongly with new adventures that encourage curiosity, problem-solving, and real-world exploration, supported by extensive localisation.

ASIAA CC NTENT NTENTASI

15

Programming: Syndication & Licensing

Moonbug is an award-winning global entertainment company inspiring kids to laugh, learn, and grow. Home to some of the world’s biggest kids’ brands – including CoComelon, Blippi, and Little Angel – Moonbug makes enriching content available on more than 150 platforms worldwide, including Netflix, Disney+, BBC iPlayer, and YouTube Kids. Its brands also span music, audio, games, consumer products, and live experiences.

Programming: Programming:Syndication Syndication&&Licensing Licensing

MQ Worldwide is the global media content distribution arm of the MediaQuest Group, providing award-winning, innovative and engaging stories from Philippine creative minds that resonate with global audiences. MQ Worldwide brings the latest Filipino content to the rest of the world. These include compelling TV series, awardwinning feature length films, gripping documentaries, and entertaining programmes produced by the MediaQuest Group through MQuest Ventures, Cignal, and TV5, in partnership with TVJ Productions, Viva Communications, and APT Entertainment.

MQ Worldwide Cignal TV, Inc. Launchpad Building, Reliance cor. Sheridan Sts., Mandaluyong, Philippines 1550 WhatsApp/Viber: +63 920 968 8843 W: https://mqworldwide.mediaquest. com.ph/

Who’s who...

Jeffrey H. Remigio Vice President, Head of Content Management, Acquisition and Distribution E: JHRemigio@cignaltv.com.ph Aileen G. Samson AVP, Head of Syndication and Affiliate Sales E: AGSamson@cignaltv.com.ph T: +63 920 968 8843 Melissa M. Regala Manager, Business Development E: MMRegala@cignaltv.com.ph

Aileen G. Samson

Melissa M. Regala

Asia focus in 2025 The MediaQuest Group is equipped with a full range of media platforms that include traditional TV, DTH, and OTT. We will continue to produce and aggregate content across all platforms that appeals not just to Filipinos, but to the global audience as well. Amidst the fast-evolving media landscape, MQ Worldwide recognizes that the Philippines will always remain a rich source of colorful storytellers and artists. With the recent success of Gomburza, The Kingdom, and Song of the Fireflies across local and international audiences, MQ Worldwide further showcases Filipino creative talent with our upcoming programmes and films.

Genres Drama, Action, Comedy, Horror, Lifestyle, Films, Narrative, Documentaries and Format programmes.

Top shows are…

Trailer

Song of the Fireflies Song of the Fireflies is inspired by the true story of the Loboc Children’s Choir from Bohol, Philippines.

Through their unique singing talent and the sheer determination of their teacher, the group has made waves in the music world and brought pride and honor to the Philippines from the 1980s to the present day. Genre: Musical Drama.

Length: 95 mins

The Kingdom The Kingdom features a reimagined Philippines that was never colonized. In the Kingdom of Kalayaan, Lakan Makisig faces a dilemma over who among his three children will inherit the throne: Magat Bagwis, known for his temper; Dayang Matimyas, who is at odds with him due to her past forbidden love; and Dayang Lualhati, the closes to his heart. The conflict escalates when Lualhati is kidnapped by unknown parties while on the way to her wedding with a Thai prince. Genre: Drama. Length: 133 mins

Trailer

Just Revenge Norman dela Cruz is a working student aspiring to become a lawyer.

But his life takes an unexpected turn when his mother and a retired judge named Benito Balmores engage in an intense legal dispute.

As a consequence, Benito orders the murder of both Norman and his mother. Norman survives the ordeal and vows to avenge the murder of his mother, yet he finds himself falling in love with Benito’s daughter Mercy. Genre: Action Drama. Episodes/length: 158x30 mins

Trailer

Jeffrey H. Remigio, Vice President, Head of Content Management, Acquisition and Distribution

C

A NTENT ASIC

NTENT ASIA

11 21

Programming: Syndication & Licensing

MyContent Distribution is a Malaysian content distribution company specializes in acquiring and licensing a wide array of content across various platforms.

Our catalog has a rich selection of films, television series, documentaries, and digital content, catering to the diverse tastes of audiences locally and internationally. MyContent is also actively involved in content production, collaborating with talented filmmakers, producers, and creative professionals to develop original and compelling projects. Through strategic partnerships, marketing initiatives, and a dedication to excellence, MyContent continues to shape the landscape of the entertainment industry in Malaysia.

MyContent Distribution Sdn. Bhd. Petaling Jaya, Selangor, Malaysia E: MyContent.Distribution@gmail.com W: https://mycontent.my/

Genres Malaysian films, documentary, series, magazine.

Original production/co-production MyContent produces originals, co-productions, and ready-made content.

Who’s who...

Lyn Nasihin Managing Director Seelan Paul AI Driven Content Lead

Top shows are…

Trailer

Tegkang (Film)

Lyn Nasihin

Seelan Paul

With over 25 years in content and product development across TV, radio, and digital, Seelan is the former CEO of Media Prima Radio and former COO of Media Prima TV Networks.

Widely respected for launching successful content products and championing audience-first strategies, he is now actively developing AI fluency to enhance storytelling and strengthen operational thinking. Bringing a builder’s mindset to this evolving space, he continues to craft meaningful, relevant content across multiple platforms.

Trailer

Set in the breathtaking highlands of Bario, Sarawak, Tegkang is a heartwarming and emotional drama that follows Rinai, a determined young woman with a condition that sets her apart, as she fights to fulfill a lifelong dream.

Caught between tradition, truth, and love, her journey unfolds amidst the vibrant culture of the Kelabit tribe and the beauty of rural Sarawak. This Sarawakianmade film blends romance, disability, and empowerment – championing the strength of community and the spirit of perseverance. With rich cinematography and an authentic local voice, Tegkang is a powerful, universal story ready to move global audiences.

Grit: Bonnie Bunyau Gustin Grit: Bonnie Bunyau Gustin is an inspiring true story of resilience, grit, and triumph. From a quiet rural village to the world stage, it follows Bonnie Bunyau Gustin – a determined para powerlifter – who defies the odds, pushes through intense physical pain, and breaks world records on his way to Paralympic greatness. More than a sports story, Grit is a celebration of spirit, sacrifice, and the unyielding pursuit of excellence.

Tebus (Film) Tebus is a gripping Malaysian thriller about redemption, secrets, and second chances. When a former criminal is forced to confront his dark past to save his kidnapped daughter, he is pulled into a dangerous game of cat and mouse. With time running out and enemies closing in, Tebus delivers high-stakes suspense, emotional depth, and unexpected twists – showcasing the best of Malaysian action storytelling with global appeal.

22

C

NTENT ASIA C

NTENT ASIA

15

NBCUniversal Global TV Distribution W: www.nbcuniversal.com Singapore (Asia HQ): 10 Collyer Quay, #20-05/10, Ocean Financial Center, Singapore 049315 T: +65 6675 1296 Japan: Atago Greenhills MORI Tower, Atago 2-5-1, Minato-ku, Tokyo 105-6208 Japan T: +81 3-6860-8974 Korea: 13th Fl. D1, D Tower, 17 Jong-ro 3-gil Jongno-gu, Seoul, Korea 03155 China: Room 1903-1908, ICC Office Building 2, No. 288 South Shaanxi Road, Shanghai, China, 200031

Who’s who...

SALES Chris Taylor Managing Director, APAC, TV Distribution and International Networks & DTC E: chris.taylor@nbcuni.com Rajiv Dhawn SVP, Sales Liaison, Asia E: Rajiv.Dhawn@nbcuni.com Atsushi Miyasaka SVP, Sales Liaison, Japan & Korea E: Atsushi.Miyasaka@nbcuni.com Esther Ahn VP, Sales Liaison, Korea E: Esther.Ahn@nbcuni.com Jessy Tse VP, Sales Liaison E: Jessy.Tse@nbcuni.com Susan Liu Director, Sales Liaison China E: susan.liu@nbcuni.com Gorden Li Director, Sales Liaison E: Gorden.Li@nbcuni.com Yuki Yoshida Sales Liaison Manager, Japan E: Yuki.Yoshida@nbcuni.com Lynn Zhou Sr. Manager, Sales Liaison (China & Mongolia) E: Lynn.zhou@nbcuni.com PRODUCTION Linfield Ng VP Formats, Distribution & Production Asia E: Linfield.Ng@nbcuni.com

Genres We license film and TV content from all genres.

Original production/co-production NBCUniversal Formats, a division of Universal Studio Group, handles global sales for scripted & unscripted formats. In 2025, the division continued distribution of Korean formats My Ranking (DiTurn) and Drive-Thru Oke (Space Rabbit), alongside The Secret Game Show, co-produced with ABC Japan. Key launches and returning series across Asia included Monk India (JioHotstar), Million Dollar Listing India Season 2 (Sony LIV), The Tonight Show Mongolia (Central TV), Don’t Ask Me Mongolia (Central TV), Hollywood Game Night Thailand Season 8 (Channel 3) and SNL Korea Season 7 (Coupang Play). In 2026, this momentum continues with Top Chef Mongolia (NTV), Hollywood Game Night Mongolia (Edu TV), SNL Korea Season 8 (Coupang Play) and Top Chef Vietnam Season 4 (VTV3).

Top shows are…

War Wannabe barrister Johnny Warren, who, in his desperation to break into the closed world of high-end London law, accepts a deeply compromising and unethical job offer. He joins the team at TAYLOR AND BURN, but in reality, he’s secretly spying for rival law firm CATHCARTS, reporting back on their every move as they embark on the most high-profile and expensive celebrity divorce case either company has ever undertaken.

Trailer

The Five Star Weekend Hollis Shaw (Jennifer Garner) is a famed cook and best-selling author who suffers a devastating loss. Unable to move forward, the death starts to expose the cracks in Hollis’ seemingly picture-perfect life. In an effort to overcome grief and find herself again, Hollis hosts a weekend away at her house on Nantucket with three friends from different stages in her life: her childhood, her 20s, 30s, and one surprise fifth star. Set against a luxurious, coastal backdrop, each of them will mature in ways they could never imagine as boundaries are pushed and secrets are exposed.

Dig This comedy centers on four women working at an archaeological dig in Greece who are at wildly different crossroads in their lives. When the team uncovers a longburied secret with the potential to rewrite history, they find themselves at the center of a high-stakes international conspiracy.

Asia focus in 2026 To ensure NBCUniversal’s content reaches audiences in ways that are both locally relevant and commercially effective, we are taking a dual approach: building strong, long-term licensing partnerships with leading platforms across each market, and expanding our portfolio of branded destinations — including Universal+, Studio Universal, Universal TV, Universal Action, and Universal Diva — to deliver a more curated, immersive experience. These branded environments are increasingly important as platforms look to differentiate and deepen engagement, offering a clear identity for our content and a scalable, plug-and-play solution for partners. At its core, our strategy is simple: combine the strength of NBCU’s global storytelling with a deep understanding of local audience preferences, delivered through the right mix of partnerships and branded experiences.”

Rajiv Dhawn, SVP, Sales Liaison, Asia

C

NTENT ASIA

Chris Taylor, Managing Director, APAC, TV Distribution and Int’l Networks & DTC

23 21

Programming: Syndication & Licensing

NBCUniversal Global TV Distribution is responsible for licensing and distributing NBCUniversal product to all linear and streaming platforms in North America and 200+ territories internationally. This includes a vast and diverse content portfolio of over 6,500 feature films and 170,000 television episodes, including current and classic titles, unscripted, kids, sports, news, and long-form and short-form programming from Universal Pictures, Focus Features, Universal Television, UCP, Universal International Studios, Sky Studios, Universal Television Alternative Studio, NBC Late Night properties, DreamWorks Animation, Universal Pictures Content Group, Telemundo, and more, as well as locally produced content from around the world.

OGM UNIVERSE Tomtom Mah. İstiklal Cad. Mısır Apt. No:163/17, Beyoğlu/İstanbul, Turkey Zip Code: 34433 W: www.ogmuniverse.com ogm_universe

Who’s who...

Ekin Koyuncu Karaman Global Distribution & Partnership Director E: ekinkoyuncu@ogmuniverse.com Mikaela Perez Sales Director (LATAM, US and IBERIA) E: mikaelaperez@ogmuniverse.com Canan Koca Sales Executive (CEE, Baltics & Europe) E: canankoca@ogmuniverse.com Mina Aslan Sales Executive (Asia, Africa, and Inflight) E: mina.aslan@ogmuniverse.com Nesrin Özkalay Marketing & PR Director E: nesrineyupoglu@ogmuniverse.com

Mikaela Perez

Canan Koca

Top shows are…

Trailer

The Fall Of The King Kenan Baran – The King – appears to have it all: wealth, power, and the perfect wife. But beneath the surface, betrayal, desire, and old wounds threaten to shatter his empire.

When one woman from his past reclaims her strength and another from a modest life becomes an unexpected temptation, Kenan’s reign begins to crumble. The Fall of the King is a gripping tale of passion, power, and the The Fall Of The King inevitable price of a life built on lies. OGM Pictures Production, STAR TV Broadcast. Genre: Drama. Episodes/length: 42x45 mins Trailer

Six of Us

Six of Us is a powerful drama about six siblings – Azize, Cemo, Zeliha, Fidan, Samet, and Balım – who flee Istanbul after the brutal murder of their parents. Pursued by Azize’s estranged father, Yavuz, they struggle to survive until they find refuge with their uncle Aslan. Azize, the eldest, becomes the protector of her siblings and is forced into a marriage with Devran to end a blood feud, Six of Us sparking an unexpected love. As Cemo grapples with his rebellious nature and feelings for Melis, Zeliha hides a dangerous affair with Yusuf, while Fidan works tirelessly to keep the family together. Samet and Balım navigate the harsh realities of their new life. At its core, the series explores themes of family, love, sacrifice, and the fight for survival amid both external threats and internal turmoil. OGM Pictures Production. STAR TV Broadcast. Genre: Drama. Episodes/length: 96x45 mins Trailer

Dilemma

Mina Aslan

Nesrin Özkalay

Trends & Outlook 2025 Our priority at OGM UNIVERSE is to deliver premium, emotionally charged Turkish dramas that resonate with global audiences – and Asia is at the heart of that strategy. With younger viewers driving demand for bold, authentic storytelling, the appetite for high-quality, character-driven content continues to grow across the region. Global successes like The Fall of the King, Stickman, and Broken Destiny prove that Turkish drama travels. Our diverse slate of ready-made titles and adaptable scripted formats positions us perfectly to meet Asia’s evolving content needs.”

24

Dilemma is a gripping drama about Neslihan Turhan, a renowned journalist known for her honesty, who faces the most difficult choice of her life when her son is accused of murder. Torn between her dedication to the truth and her instinct to protect her child, Neslihan’s values are tested as her world unravels. Will she risk everything, even her son’s freedom, to pursue justice? This emotionally Dilemma charged series explores the limits of morality, truth, and motherhood in the face of unimaginable conflict. OGM Pictures Production, Amazon Prime Broadcast. Genre: Drama, Thriller. Episodes/length: 8x45 mins

Asia focus in 2025 Our focus is to deepen strategic partnerships across Asia, bringing OGM UNIVERSE’s premium Turkish dramas and scripted formats to new platforms and audiences. With proven global hits alongside exciting new titles launching in the 2025/26 season, we aim to expand our presence in key markets, drive localisation opportunities, and collaborate with broadcasters and streamers to meet Asia’s evolving content needs.”

Ekin Koyuncu Karaman, Global Distribution & Partnership Director

C

NTENT ASIA

17

Programming: Syndication & Licensing

OGM UNIVERSE, powered by OGM Pictures, was established in 2023 to centralize and distribute top Turkish drama series globally. Through partnerships and collaborations, it aims to connect with international buyers, offering a diverse portfolio of Turkish content. Expanding into new markets is one of the company’s goals, as well as collaborating and co-producing with global partners in the future. With this move, the company is strengthening global ties, fostering direct relationships, and positioning itself as the world’s go-to source for Turkish drama.

Paramount Global Content Distribution 5555 Melrose Ave. Los Angeles CA 90038 U.S. W: www.paramount.com

Who’s who...

Jonathan Greenberg EVP, Content Licensing Regional Sales, North Asia Nicole Sinclair SVP, Content Licensing, South Asia (Australia, New Zealand, SEA, India) June Choi VP, Regional Content Licensing – Korea, Taiwan, Hong Kong and Mongolia Hiromichi Sato VP, Content Licensing – Japan Teng Yong VP Content Licensing and Digital Sales, Kids Animation – China and Taiwan Alysha Chopra Executive Director, Content Licensing – SEA, India Chris Safford Executive Director, Content Licensing - SEA Trista Chang Director, Content Licensing – China Joyce Smith Director, Content Licensing – Australia, New Zealand Emily Brouggy Sales Manager, Content Licensing, Australia, New Zealand and SEA

Asia focus in 2026 In 2026, Paramount will continue to bring the best of Hollywood to audiences across Asia through strategic licensing of our acclaimed movies and series. By partnering with leading broadcasters and platforms, we’re delivering premium entertainment that captivates viewers and reflects our commitment to global storytelling. This approach strengthens our regional presence, deepens audience engagement, and reinforces Paramount’s role as a trusted source of world-class content in Asia’s dynamic media landscape.”

Nicole Sinclair, SVP, Content Licensing, South Asia (Australia, New Zealand, SEA, India)

Genres Paramount Global Content Distribution licenses all genres including feature films, which includes non-theatrical releases, television series covering drama, comedy, unscripted including late night, daytime and reality competition, kids animation programming, international co-productions, factuals as well as news programming and documentaries.

Trends & Outlook 2026 • The demand for original new series and features plus franchise features will continue to be strong across Asia. Local content in North Asia will continue to dominate but strong Hollywood content will also continue to be in demand.

• Short form vertical drama content will continue to grow across Asia.

• Pre-K animation series continue to perform very well on the digital platforms in Mainland China and expect the trend to continue in 2026.”

Jonathan Greenberg, EVP, Content Licensing Regional Sales, North Asia

Original production/co-production • Ray Donovan India Season 2 – Netflix launched on June 13, 2025 • The Good Wife India Tamil Season 1 – JioStar launched on July 4, 2025 • Vietnam’s Next Top Model Season 9 – VTV9 launched on August 3, 2025 • The Good Wife Hindi Season 2 – JioStar will launch on September 19, 2025

Mission: Impossible – The Final Reckoning

Top shows are…

Mission: Impossible – The Final Reckoning Our lives are the sum of our choices. Tom Cruise is Ethan Hunt in Mission: Impossible – The Final Reckoning. Genre: Feature. Length: 169 mins

MobLand MOBLAND stars Tom Hardy, Helen Mirren and Pierce Brosnan as the head of an organized crime family, fighting for power within a global crime syndicate.

Genre: Scripted series. Episode/length: 10x60 mins

PAW Patrol Nickelodeon and Spin Master Entertainment’s hit animated preschool series PAW Patrol stars seven heroic rescue pups Chase, Marshall, Rocky, Rubble, Zuma, Skye and Everest – who are led by a tech-savvy boy named Ryder.

Together they work hard to protect the Adventure Bay community believing no job is too big, no pup is too small! The series features a curriculum that focuses on citizenship, social skills and problemsolving. Genre: Animated series. Episode/length: 13x30 mins

C

NTENT ASIA

25 19

Programming: Programming:Syndication Syndication&&Licensing Licensing

Paramount Global Content Distribution, a division of Paramount, a Skydance Corporation (Nasdaq: PSKY), is a leading distributor of premium content across multiple media platforms throughout the global marketplace. The division’s portfolio is comprised of some of the world’s most recognized brands, including feature films and television programs from Paramount Pictures, Paramount Television, CBS Studios, CBS Media Ventures, CBS News, SHOWTIME Studios, Nickelodeon, MTV Entertainment Studios, Republic Pictures, Miramax and third-party partners including MRC. The division also has the largest distributed library of series and film titles, including global franchises such as CSI: Crime Scene Investigation, NCIS, Star Trek, the Yellowstone franchise, Top Gun and Transformers. In addition, the division licenses a diverse lineup of scripted and unscripted formats for local production and international co-productions.

The International team at PBS Distribution manages worldwide co-production and distribution of premium public media content.

We bring acclaimed documentaries, award-winning factual series, and trusted children’s programming to global audiences.

PBS Distribution 1225 S. Clark Street, Arlington VA 22202 USA

Genres

W: pbsinternational.org

Original production/co-production

Who’s Who...

Türkiye’s Astonishing Antiquities

Anna Alvord Director, International Sales, Asia E: agalvord@pbs.org

Trends & Outlook 2026 • Renewed focus on current affairs and Asia’s role in global events Across Asia, there is a growing demand for programming that helps audiences navigate an increasingly complex global landscape, from shifting geopolitics and economic realignments to climate, technology, and security.

As global events become more interconnected, broadcasters and platforms are seeking trusted factual content that provides context, clarity, and credible storytelling.

• Stronger demand for local stories with global appeal Local storytelling is becoming a major driver of audience engagement across Asia.

Streamers and broadcasters are increasing investment in projects that reflect local cultures and history, while resonating with audiences around the world.

Asia focus in 2026 Our primary focus in Asia in 2026 is to expand our partnerships across the region and deepen our collaboration with local broadcasters and streaming platforms. Our goal is to build long-term partnerships that bring globally relevant stories to audiences in Asia.”

Anna Alvord Director, International Sales, Asia

26 24

PBS Distribution is known for high-quality factual programming in genres such as Science, History, Nature, Current Affairs, Arts & Entertainment, and Lifestyle.

Explore Türkiye’s rich past, visiting remarkably preserved ancient cities along Rome’s old mail route which connected seats of power and population. Modern imaging and drone footage reveal hidden details of these sites, uncovering secrets and mysteries while transporting viewers into the lives and achievements of early civilizations. Episodes/length: 4x60 mins

Trailer

Top shows are…

Trailer

Rain Bomb Rain bombs generate massive rainfall and hurricane-force winds but are almost unknown to the general public. Will they get worse as the planet warms?

And can we protect homes and businesses from their incredible power? Genre: Science & Current Affairs. Episodes/length: 1x45 mins, 1x60 mins

Remaking The Middle East: The U.S., Israel & Iran An investigation into how Israel ended up fighting wars in Gaza and Iran – and the role of the United States. The documentary traces Israeli Prime Minister Benjamin Netanyahu’s long campaign to defeat Iran, the conflict with the Palestinians, and Netanyahu’s difficult relations with the U.S. over peace and Iran’s nuclear ambitions. Genre: Current Affairs.

Episodes/length: 1x120 mins

Trailer

Wild Hope At a time when news about the environment is filled with doom and people around the world feel increasingly fearful about the future, Wild Hope is changing the narrative with surprising stories that show we can still change course. This series of short films highlights the intrepid changemakers working to restore and protect our planet. Genre: Nature.

Episodes/length: 8x30 mins

C

NTENT ASIA

More Info

Seven.One Studios International Medienallee 7, 85774 Unterfoehring, Germany T: +49 89 9507 7303 W: sevenonestudiosinternational.com E: sales@sevenonestudios.com

Who’s Who...

Genres Seven.One Studios International is known as a destination for strong commercial entertainment with broad appeal, spanning premium returning English language dramas, impactful foreign language dramas, innovative formats and a selection of premium factual content.

Top shows are…

Joyce Dröse Sales Manager (Asia, Africa, Nordics, Inflight)

Trends & Outlook 2026 Crime drama will continue to be popular during 2026, particularly English language content with well-known talent. Our period drama set in 1900s Vienna is a good example. The whole fourseason boxset has been acquired by Japanese pay-TV broadcaster WOWOW. In the entertainment formats genre, demand for gameshows and quiz shows will continue to be strong. Our gameshow You Deserve has just been commissioned for a thirteenth season in Vietnam, having been running for over 10 years.

We are also expecting a stronger market for reality TV to emerge. Our partner in Asia, Bomanbridge Media, has just clinched a commission for Married at First Sight in Mongolia! Married at First Sight is the world’s most successful relationship show and has been produced in over 30 territories around the world.”

Married at First Sight

Stranded on Honeymoon Island

Asia focus in 2026 Our primary focus for this year continues to be premium English-language drama. This includes the taut mystery drama The Gone, a coproduction between TVNZ (New Zealand) and RTE (Ireland), plus the high-end crime series Bosch.

Based on the best-selling crime novels by Michael Connelly, seven seasons are now available.

In the format space, we will be focusing on our major global franchises like Married at First Sight and Stranded on Honeymoon Island, The Gone alongside recent launches such as reality adventure series The Hunt: Prey vs Predator, commissioned by Channel 4 in the UK and JOYN/ProSieben in Germany.”

Joyce Droese, Sales Manager (Asia, Africa, Nordics, Inflight)

C

A ASIA NTENT C ASI NTENT

27 25

Programming: Syndication & Licensing

Seven.One Studios International is a leading TV distributor of scripted, formats and factual shows from outstanding production companies, third party producers and digital content partners. With offices in Munich and London, Seven.One Studios International coproduces and finances global entertainment, and distributes hit content to over 200 territories Seven.One Studios International is part of Seven.

One Studios, a ProSiebenSat.1 Media SE company.

Sony Pictures Entertainment (SPE) is a subsidiary of Tokyo-based Sony Group Corporation. SPE’s global operations encompass motion picture production, acquisition, and distribution; TV production, acquisition, and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. SPE has one of the largest media footprints in APAC, with regional and local offices, including Singapore, Mumbai, Beijing, Tokyo, Seoul, Sydney, Bangkok, and Hong Kong. Sony Pictures Television also operates dozens of wholly-owned or joint-venture production companies around the world.

Sony Pictures Entertainment 77 Robinson Road, #19-01 Robinson 77 Singapore 068896 W: https://connect.sonypictures.com/ @ SPTVInternational @ sptvintl

Who’s who...

Singapore: Adam Herr Senior Vice President, Distribution, Asia Pacific E: Adam_Herr@spe.sony.com Beijing: Dai Huang Senior Vice President, Distribution, Greater China E: Dai_Huang@spe.sony.com Hong Kong: Beedo Chan Vice President, Brand & Multichannel Marketing, Asia E: Beedo_Chan@spe.sony.com Mumbai: Sonika Bhasin Vice President, Distribution, India E: Sonika_Bhasin@spe.sony.com Seoul: Giro Doo Vice President, Distribution, South Korea E: Giro_Doo@spe.sony.com Singapore: Eugene Lin Vice President, Distribution, S.E Asia E: Eugene_Lin@spe.sony.com Singapore: Tim Harris Vice President, Transactional Sales and Emerging Media, APAC E: Tim_Harris@spe.sony.com Sydney: Carolyn Ozkoseoglu Vice President, Co-Head of Distribution, Australia & New Zealand E: Carolyn_Ozkoseoglu@spe.sony.com Sydney: Julia Salter Vice President, Co-Head of Distribution, Australia & New Zealand E: Julia_Salter@spe.sony.com Tokyo: Iwao Saito General Manager, Distribution, Japan E: Iwao_Saito@spe.sony.com

Trends & Outlook 2025

Genres SPE distributes an offering that has something for everyone, including world-class local productions, premium Hollywood faire, and a selection of international feature films, TV series, formats, and anime spanning every genre. This includes everything from critically acclaimed English-language scripted series such as Doc and Red Eye, to fan-favorite anime like Nyaight of the Living Cat, to internationally renowned unscripted entertainment and reality formats that are beloved by Asian audiences like Shark Tank and Who Wants to Be a Millionaire.

Original production SPE collaborates with creators, producers, and talents globally to develop and produce local formats and original productions for local audiences. Shark Tank continues to do exceptionally well in India, Thailand, and Vietnam, and continues to expand its footprint with new local versions in Pakistan and Bangladesh. Notably in 2025, we will debut a brand-new anime title called Nyaight of the Living Cat, which will capture the hearts of both anime fans and cat lovers. Following the success of the Korean movie Hijack 1971, we will distribute another Korean movie The Interview, releasing in South Korea later this year. Look for more local original productions and adaptations this year from Sony Pictures across the region.

Asia focus in 2025 We continue to focus on great storytelling and connecting with local audiences wherever they are. Our goal is to find the best home for our amazing content; to work with our partners to create local content that satisfies local tastes; and to expand our social media footprint to engage viewers across Asia so we can best super-serve our fans.”

Adam Herr, Senior Vice President, Distribution, Asia Pacific

Trailer

Top shows are…

Long Bright River Based on The New York Times bestselling and “Good Morning America” acclaimed novel that former President Barack Obama listed as one of his favorite books of 2020, Long Bright River is a character-driven thriller series about two sisters. Mickey (Amanda Seyfried) is a patrol officer; Kacey lives on the same streets that her sister patrols, trapped in the vice of addiction. When Kacey disappears at the same time that a series of murders begins in the neighborhood, Mickey must unlock the secrets of their past to solve the mystery of her sister’s disappearance. Genre: Drama. Episodes/length: 8x60 mins

This City is Ours

Set and filmed in Liverpool, This City is Ours is the story of Michael, a man who for all of his adult life has been involved People continue to watch more content than ever across in organised crime, working for new platforms, new media, long-form, and short-form. There his friend and the gang leader is something for everyone and we continue to explore all of the new Ronnie. When Ronnie begins channels to reach our audiences where they are and to monetize our to hint at retirement, Michael vast library of movies, series, and formats. too begins to imagine another Consumers are looking for stories that resonate and there is a growing life. Because, for the first time demand for IP adaptations from books, games, manga and webtoons, in his life, Michael is in love. For which SPE has leaned into with offerings like the beautiful Long Bright River; the first time in his life, he sees The Narrow Road to the Deep North which recently premiered at the Berlin International Film Festival; the upcoming spinoff Outlander: beyond the day-to-day, he Blood of My Blood; the critically-acclaimed The Last of Us and sees a future: something to Twisted Metal, which returns for a second season this summer. win and something to lose – Anime is cross-border, cross-cultural, and cross-generational.

Diana. Genre: Drama.

We have added significant anime content to our distribution Episodes/length: 8x60 mins

portfolio working with Crunchyroll and are continuing to build our anime catalog with new and beloved titles.”

28 12

A Pacific C NTENT ASI Adam Herr, Senior Vice President, Distribution, Asia

Viaplay Content Distribution 610 Chiswick High Road London, W4 5RU, United Kingdom T: +44(0)2087425100 E: ContentDistribution@viaplaygroup.com W: www.viaplaycontentdistribution.com

Genres

Who’s Who...

A Life’s Worth – A Viaplay–Arte co-production set during the Bosnian conflict, exploring moral dilemmas within a forgotten European war. Starring Edvin Ryding, the drama has already earned international festival recognition.

Vanguard – An SVT–N8 co-production distributed by Viaplay. Starring Jakob Oftebro, this sweeping drama spans the 1970s and 80s, beginning in New York and charting the rise of a visionary who reshaped media and telecoms – real-life Succession meets Wolf of Wall Street.

Vanda Rapti EVP Viaplay Select & Content Distribution E: vanda.rapti@viaplaygroup.com Alexandra Aldred VP Viaplay Select & Content Distribution E: alexandra.aldred@viaplaygroup.com Joan Cruells VP Partnership, Growth & Marketing, International SVOD E: joan.cruells@viaplaygroup.com Monty Ghai Asia SVOD Agent E: monty@brandwith.tv

Vanda Rapti

Alexandra Aldred

Our inventory spans high-end series and feature films across Nordic noir, crime, thriller and drama, alongside bold young-adult content and sports, lifestyle and crime documentaries. We specialise in distinctive European storytelling with emotional depth, authenticity and strong international appeal.

Two standout productions from our 2025 slate

Trends & Outlook 2026 Asia’s media landscape will be shaped by accelerating cordcutting - with tens of millions of subscribers expected to transition away from linear pay TV, alongside the rise of operator-led streaming bundles. Buyers are increasingly focused on adaptable IP, coproduction opportunities, and format sales that balance risk with creative ambition. Distinctive, character driven storytelling remains in demand, while consolidation, aggregation, and smarter deal structures will define the next phase of growth, creating new opportunities for collaboration across the region.”

Vanda Rapti, EVP Viaplay Select & Content Distribution

Trailer

Top Shows are…

Jana – Marked for Life

Joan Cruells

Monty Ghai

Asia focus in 2026 Asia is central to Viaplay’s international growth strategy as streaming bundles and telco partnerships reshape the region’s media landscape. Viaplay Select and Viaplay Film & Series provide partners with curated Nordic and European storytelling that helps them stand out in crowded markets while delivering high-quality content with built-in efficiencies. Our collaborations have included WOWOW in Japan, LGU+ in Korea, Mola in Indonesia and SBS in Australia. With rising demand for scripted formats, local adaptations, Nordic Noir, true crime and sports documentaries, Viaplay is well positioned to support partners across Asia in 2026.”

Vanda Rapti, EVP Viaplay Select & Content Distribution

When Sweden’s top migration official is murdered, emotionally guarded prosecutor Jana Berzelius is drawn into a case that hits close to home. A mysterious boy at the crime scene bears the same scar as Jana, unlocking traumatic memories of her past as a child soldier. To stop a killer, she must confront the secrets she has buried. Based on Emelie Schepp’s bestselling novels, with over 3 million copies across 30 countries.

Genre: Crime, Thriller, Nordic Noir. Episodes/ length: 6x45 mins

Trailer

Ronja, the Robber’s Daughter S1–2 A landmark Nordic fantasy, Ronja brings Astrid Lindgren’s classic to life with cinematic scale. In a mystical forest, Ronja forms a forbidden bond with Birk, the son of a rival clan, triggering a family feud as a ruthless bailiff threatens them all. Genre: Kids, Family, Fantasy, Adventure. Episodes/ length: 12x45 mins (2 seasons)

Trailer

Verstappen – Anatomy of a Champion This series offers unprecedented access to Max Verstappen, tracing his journey from childhood prodigy to one of Formula 1’s defining champions through intimate interviews. Genre: Biography, Sports Documentary. Episodes/length: 3x45 mins

C

A ASIA NTENT C ASI NTENT

29 23

Programming: Programming:Syndication Syndication&&Licensing Licensing

Viaplay Content Distribution, Viaplay Group’s international division, delivers the best of Nordic and distinct European storytelling worldwide through three complementary models: content sales, the Viaplay Film & Series SVOD product, and Viaplay Select. The specialty SVOD service offers thousands of premium hours via partners such as Amazon Prime Video Channels, Comcast, Roku, Xumo, Canal+ (Polska), Rogers, while Viaplay Select provides a curated “service within a service” to streamers and PayTV Platforms now in 30+ markets.

Asia’s content industry, in conversation

EIGHT DAYS A WEEK With

Quark Henares

COMING UP... The Indie Creator Code with Jin Woo Hwang & more at www.contentasia.tv Building a Vertical Backbone: WenWen Han on the Global Short Drama Alliance

BEING LOUD QUIETLY: Onat Diaz on directing “The Silent Noise” “Don’t Give Up On Your BG Love Story” – Inside Thailand with Indra Suharjono

30

C

NTENT ASIA

Apple Podcasts

C

NTENT ASIA

31

INDEX A+E Korea ............................................... 33 ABC Australia .......................................... 34 Celestial Tiger Entertainment .............. 35 Deutsche Welle (DW) ............................. 36 NHK WORLD PREMIUM ............................ 37 Rewind Networks ..................................... 38

All channels operating in or for Asia were given the same opportunity to supply information for inclusion in ContentAsia’s The Big List 2026.

Listings are not specific to Hong Kong & Macau.

32

C

NTENT ASIA

A+E Korea, launched in 2017, invests in and produces Korean dramas and unscripted content with top creators, operating HISTORY and Lifetime TV channels alongside a digital studio for original formats.

A+E Korea 32-14 Seoulsup 2-gil, Seongdong-gu Seoul 04769, Republic of Korea W: https://www.aegm.co.kr/

Who’s who...

Kim, Hyeyoung Senior Director, Content Business E: Hyeyoung.Kim@aegm.com John Flanagan Senior Vice President & Managing Director, Japan and Southeast Asia E: john.flanagan@aenetworks.com Youngsun Soh Senior Vice President & Managing Director, Korea E: Youngsun.Soh@aegm.com

Trends & Outlook 2026 Demand for premium Korean originals will remain strong across Asia, while platforms increasingly prioritize scalable IP and commercially efficient productions. Shortform and micro drama formats will continue growing rapidly, driven by mobile-first viewing habits and digital platforms.

At the same time, AI-powered production and localization tools are expected to improve operational efficiency, reduce production costs, and accelerate content adaptation for multiple Asian markets.”

Original Production A+E Global Media recognized the global potential of Korean content early and established its presence in Korea in 2017 with the launch of the HISTORY and Lifetime TV channels, while immediately investing in and producing Korean original content.

Over the past decade, A+E Korea has invested in 13 premium Korean Love in Sync drama series, distributing them globally across multiple platforms and territories. Two additional dramas, Love in Sync and Oh! My Guard, are scheduled for release in 2026. Key titles include Backstreet Rookie, A Good Day To Be A Dog, If You Wish Upon Me, and The Witch.

Following the launch of the HISTORY and Lifetime channels in 2017, A+E Korea began investing in Oh! My Guard and producing Korean unscripted shows from its first year of operation, starting with 10 original titles. Over the past decade, the company has produced a total of 72 unscripted TV titles representing more than 910 hours of programming. Representative titles include League of Universities: The Athlete Boys, Travel Diary Series, Jae Friends: Village. Most projects were co-produced with Korea’s leading broadcasters, including MBC, KBS, and SBS, with many of these titles also distributed internationally.

Digital Studio

In response to the explosive growth of the digital content market, A+E Korea established its Digital Studio in 2018 to produce original digital-first entertainment content. Primarily distributed through YouTube, the studio has produced 47 digital unscripted titles totaling more than 180 hours over the past nine years.

Its portfolio includes Dalla Studio, one of Korea’s leading YouTube entertainment channels. Among its flagship franchises is Asia focus in 2026 Nego King, Korea’s premier commerce-entertainment show, which A+E Korea has produced since 2022 In 2026, A+E Korea’s primary focus is to serve and is currently airingits eighth season. The series has as a global gateway for Korean accumulated more than 190 million views to date.

IP, helping premium local stories generate long-term value across international markets through A+E Global Media’s worldwide network. Beyond distribution, we are increasingly focused on codeveloping premium IP from the earliest stages with Korean creators and partners. Through global distribution and cross-border coproductions, we aim to build sustainable Korean content franchises that resonate not only across Asia, but also with audiences in Europe and other global markets.”

Soh, Youngsun, SVP & Managing Director, Korea

32

C

TV Channels A+E Korea launched the flagship A+E Global Media channels HISTORY and Lifetime in Korea in 2017 and continues to operate them today. Since entering the Korean pay-TV market, the channels have achieved broad nationwide distribution, reaching nearly all major platform operators. HISTORY is available in approximately 20 million households, while Lifetime reaches around 30 million households, representing about 85% of total TV households in Korea.

HISTORY primarily targets male audiences with a strong interest in factual entertainment, featuring premium A+E Global Media-produced documentaries alongside military, mystery, and science programming. Lifetime targets women aged 30–49, combining popular U.S. Lifetime reality series and TV movies with locally produced Korean original entertainment content.

NTENT ASIA

33

Australian Broadcasting Corporation ABC Ultimo Centre, 700 Harris Street, Ultimo NSW 2007, Australia E: international.distribution@abc.net.au https://www.abc.net.au/asia/abcaustralia W: https://www.abc.net.au/asia/abcaustralia

Who’s who...

Claire M Gorman Head, ABC International E: Gorman.Claire.M@abc.net.au Nesryn Bouziane Lead, International Broadcast & Digital Services E: Bouziane.Nesryn@abc.net.au

Claire M Gorman

Nesryn Bouziane

Asia focus in 2025

In an age of growing disinformation and media fragmentation, trusted, independent journalism is more essential than ever. In 2025, ABC Australia will strengthen its role as a reliable source of news and storytelling across Asia and the Pacific.

As Australia’s international broadcaster, we will focus on high-impact current affairs, compelling Australian stories, and expanded regional coverage. We will also grow our reach by forming new rebroadcast partnerships, ensuring more audiences across the region have access to accurate, factbased content that informs, educates, and builds trust.

Claire M Gorman, Head, ABC International

18 34

ABC Australia is a premier news and factual television service, distributed through an extensive network of over 100 rebroadcast partners across Asia and the Pacific. Our distribution network includes some of the region’s most respected and influential media organisations, ensuring widespread access to our content. ABC Australia proudly presents a diverse lineup of high-quality Australian programming, including trusted and independent news and current affairs delivered by our expert newsrooms and correspondents around the world. We also offer live coverage of major Australian sports, such as the AFL and AFLW, along with iconic events like the Sydney New Year’s Eve fireworks. In addition, ABC Australia features a curated selection of compelling Australian documentaries, factual series, and lifestyle programmes. To better serve our diverse audience, we offer a variety of factual content in Vietnamese, Chinese, and Bahasa Indonesian.

ABC Asia is the ABC’s new digital hub for Asia-related content, connecting the region with Australian stories and conversations. It is the latest addition to ABC International’s suite of broadcast and digital services for overseas audiences, including ABC iview – our unique international video-on-demand platform featuring the best of ABC news and current affairs, along with selected factual, documentary, and lifestyle content.

ABC iview also offers a live stream of the ABC News channel.

Target Audience

ABC Australia is aimed at English speakers (and learners!) with an interest in Australia, in particular educated regional influencers in all key markets in Asia and the Pacific. It is also designed to keep Australians living and travelling in the region in touch with their home.

Content ABC Australia’s programme line-up is made up of approximately 75% highquality, independent news and current affairs produced in ABC newsrooms. The remaining 25% features a rich and engaging selection of Australian content, chosen for its appeal to audiences in Asia and the Pacific. This portion includes content for which the ABC holds 100% of the rights, allowing us to offer it exclusively to our broadcast partners. In addition to investing in original content production, ABC Australia also acquires programmes from both commercial and non-commercial producers on a non-exclusive basis, ensuring a diverse and compelling offering for our audience.

C

NTENT ASIA

Channels: Linear & VOD

ABC Australia is the Australian Broadcasting Corporation ’s international television and digital service, available in 38 countries across Asia and the Pacific. ABC Australia aims to inform, entertain, and inspire international audiences with a uniquely Australian perspective. Our content offering features the ABC’s best in news and current affairs journalism, live coverage of Australian sports and special events, as well as compelling documentaries, factual series, and lifestyle programs curated to resonate with audiences across Asia and the Pacific.

Channels

Celestial Tiger Entertainment (CTE) operates the first-ever Chinese movies app in the region, CMGO, as well as the largest bouquet of panAsian channels dedicated to Asian entertainment – Celestial Movies, CM+, CCM, Celestial Movies Pinoy, PopC, KIX, Thrill and Miao Mi. A leader in Asian and Chinese language content, CTE’s services cover the most popular entertainment genres in Asia and beyond.

Celestial Tiger Entertainment Suite 1603, Kwun Tong Harbour Plaza, 182 Wai Yip Street, Kwun Tong, Hong Kong T: +852 2239 6000 W: www.celestialtiger.com company/celestial-tiger-entertainment-limited

Who’s who...

Ofanny Choi Chief Executive Officer E: Ofanny.Choi@celestialtiger.com Annie Lim Vice President, Sales & Marketing E: Annie.Lim@celestialtiger.com Jamie Osmund Executive Director, Technology & Product E: Jamie.Osmund@celestialtiger.com

Annie Lim

Jamie Osmund

Trends & Outlook 2026

AI, Short form content & local production.”

Linear television channels in Asia CTE has eight core channel brands with 11 feeds, covering 12 territories. All channels are localized through subtitling or dubbing.

Celestial Movies is the leading premium Chinese movie channel powered by exclusive output deals with top Hong Kong movie studios.

CM+ features the latest Blockbusters and exclusive movies from across Asia in Singapore.

CCM presents masterpieces of Chinese cinema, tapping into the worldrenowned Shaw Brothers Library amongst others.

Celestial Movies Pinoy is a tagalized Chinese movie channel offering blockbusters and great classic movies.

PopC showcases the best online movies from China.

KIX is the ultimate destination for Asian action entertainment.

Thrill is Asia’s first regional movie channel dedicated to the widely popular horror, thriller and suspense genres.

Miao Mi is the Mandarin edutainment service created for preschool kids across Asia.

Target audience CTE’s channels appeal to a wide age group from 3-65, with something for everyone in the family. Celestial Movies, CM+, Celestial Movies Pinoy, PopC, KIX and Thrill target adults 18-45; CCM targets adults 35-65; and Miao Mi is for kids 3-6.

Asia focus in 2026

Channel/service

Expanding CMGO into more territories, even going beyond Southeast Asia.”

CTE offers all forms of ondemand rights across all linear channels. In addition, it has launched a SVOD Chinese Movies streaming app, CMGO, since August 2024 and the app is now available across all major platforms and telcos in Singapore and Malaysia. Other Southeast Asian market launches to follow.

Ofanny Choi, Chief Executive Officer

Content strategy Most of CTE’s content comes from Hong Kong, China, Taiwan, Singapore and Malaysia, along with all Pay TV and Digital rights. Fresh content offering in 2026 looks to be at least 200 titles. Local original production in Asia is also one of the directions that CTE is exploring in 2026.

C

NTENT ASIA

77 35

Channels: Linear & VOD

DW is Germany’s international broadcaster. As an independent media outlet, we provide unbiased news and information around the world so that people can form their own opinions. DW’s coverage of current events is fact-based, with regionally relevant and dialog-oriented content in 32 languages on the focus topics of freedom and human rights, technology and innovation, health, education, science and environmental protection as well as German and European culture.

DW’s TV and online services generate over 337 million users every week.

Content

Deutsche Welle Kurt-Schumacher-Strasse 3, 53113, Bonn, Germany T: +49.228.429 – 0 E: info@dw.com W: www.dw.com/en https://corporate.dw.com/en

DW content is distributed via its own platforms including TV channels, social media and the DW website as well as globally by around 3,000 distribution partners, regional and local media.

Our primary focus is on leveraging social platforms to reach our target audience of young urban, educated, globally engaged adults aged 14-40, including professionals, decision-makers, academics, students, and internationally minded households seeking trusted European and international information.

Who’s who...

Daniel Vogelgesang Head of Distribution Asia/Australia E: Daniel.vogelgesang@dw.com

DW’s Asia distribution strategy is strengthened by extensive language customization and strong regional key partnerships in countries like Indonesia, Philippines, Vietnam, China and South Asia.

Trends & Outlook 2026

There are several key trends shaping Asia this year. Short-form and vertical video continue to dominate across social and mobile platforms, while local production and regional storytelling grow in importance. DW blends international perspectives with local needs.

Collaboration with trusted distribution partners across Asia remains essential to building deeper audience connections and driving sustainable growth.”

Most content is sourced from DW’s global newsroom, documentary units, international correspondents, and Asia-focused regional editorial teams.

For 2026, the focus remains daily news, current affairs, documentaries, science, business, culture and lifestyle topics plus continued local original digital production in South and Southeast Asia.

Asia focus in 2026

Our primary focus in Asia in 2026 is to leverage DW’s strengths in international and local storytelling, combining both with our trusted brand. We work with strong regional distribution partners to reach the right audiences effectively. At the same time, we emphasize dialogue and reflect diverse perspectives, including an authentic approach to women’s stories. Our aim is to bring global stories to life in locally relevant ways.”

Daniel Vogelgesang, Head of Distribution Asia/Australia

36

C

NTENT ASIA

31

NHK WORLD PREMIUM is NHK’s flagship Japanese-language subscription service, offering a curated selection of the best programming from Japan’s public broadcaster. Following the recent release of its OTT distribution rights to streaming providers worldwide, the channel is now well positioned to expand its global digital footprint, unlock new platform partnerships, and meet growing international demand for premium Japanese content across OTT ecosystems.

Japan International Broadcasting Inc. Shibuya First Tower 8th Floor 1-2-20 Higashi, Shibuya-ku Tokyo 150-0011, Japan W: https://nhkworldpremium.com/en/ operator

Who’s who...

Hiroshi Maeda President and CEO For enquiries regarding NHK WORLD channels, please contact the dedicated team at: E: nhkworld_asialatam@jibtv.com

Expanding NHK’s Digital Reach

By opening streaming distribution to platform operators worldwide, JIB aims to extend NHK’s reach beyond traditional broadcast carriage.

In particular, across Asia and Latin America, we see this as an opportunity to further strengthen our presence in key growth markets.”

Hiroshi Maeda, President & CEO

Channels & Services NHK WORLD PREMIUM and NHK WORLD-JAPAN are the international services provided by NHK, Japan’s public broadcaster. NHK WORLD PREMIUM is the international Japanese language channel, offering a curated selection of programming tailored for dedicated viewers worldwide. Content includes documentaries, news, current affairs, lifestyle programmes and entertainment shows, all presented in Japanese. NHK WORLD-JAPAN, meanwhile, is a 24/7 English language channel delivering news, current affairs, documentaries and features that showcase Japanese life and culture to global audiences. Both channels are exclusively distributed worldwide by NHK’s subsidiary, Japan International Broadcasting Inc. (JIB).

Target Audience NHK WORLD PREMIUM serves Japanese nationals overseas and Japaneselanguage learners worldwide, while NHK WORLD-JAPAN targets English-speaking audiences interested in Japan, particularly regional influencers in key markets.

Top Titles NHK NEWS 7 is NHK’s flagship evening news programme, covering the day’s major stories in depth.

Combining on-site reporting and interviews, the show delivers a comprehensive and multi-faceted perspective on current events.

Grand Sumo Sumo is without a doubt, one of the most Japanese of sports, boasting a history of more than 1500 years.

Today, the sport is known as “Grand Sumo”. People come to watch the competition and experience the excitement.

Brothers in Arms is a sweeping historical drama about two brothers rising from humble beginnings to help shape a nation. In 16th-century Japan, Koichiro lives contentedly as a village farmer until his older brother Tokichiro returns home. Now a vassal to the young local lord Oda Nobunaga, Tokichiro urges Koichiro to join him so they can become samurai and make their mark on the world. After a fateful encounter with Nobunaga, Koichiro witnesses the lord’s bold and daring tactics in defeating the formidable Imagawa Yoshimoto. Inspired, he chooses the path of the samurai – a decision that leads the brothers into a life of relentless trials and hardship during an era of warlords and social upheaval.

© NHK

With Mother is an educational entertainment programme for children aged two and above. Featuring songs, exercises, puppet shows and animation, the series supports emotional development, self-expression, language skills and physical growth in young children.

© NHK

32

C C

ASIA A NTENT NTENTASI

37

Incorporated and headquartered in Singapore, Rewind Networks is a multimedia branded entertainment company, dedicated to providing the best-in-class TV content to audiences across Asia. Home to HITS, HITS MOVIES, and HITS NOW, Rewind Networks has expanded into 12 markets and secured partnerships with major telcos and pay-TV operators since its founding in 2012. Founded by seasoned media leaders, Avi Himatsinghani and Sandie Lee, Rewind has established a strong foothold in over 22 million homes and continues to thrive in the era of streaming.

Rewind Networks’ maiden venture launched in 2013 as a linear pay-tv service, featuring a curated selection of the greatest television drama and comedy series from the past few decades in HD.

Rewind Networks 21 Media Circle, #06-05 Infinite Studios, Singapore 138562 T: +65 6635 3982 W: https://www.rewindnetworks.com/ @company/rewind-networks-pte-ltd-

Launched in 2018, Rewind Networks’ second channel showcases a curated collection of iconic HD films from the 1960s to the late 2000s, featuring titles from major studios.

Who’s who...

Avi Himatsinghani CEO E: avi@rewindnetworks.com Sandie Lee Chief Content Officer E: sandie@rewindnetworks.com

Trends & Outlook 2026 AI adoption in workflows and operations in addition to the widely talked about contributions in content production and storytelling.

Short form vertical videos and micro dramas will proliferate rapidly providing overwhelming choice to viewers on the move - but this will lead to renewed appetite for quality long form storytelling that is more meaningful in a lean back large screen experience. Curated playlists and ease of discovery will be a critical driver for marquee content consumption.

Ancillary sports content and programming will be key to maintain and drive sports fandom and to sustain viewer interest for live sports.

Short form social content and match highlights alongside docu-style reality elements and high-end sports documentaries will be a critical component of wholesome sports television offerings.”

Avi Himatsinghani, Chief Executive Officer, Rewind Networks

Launched in 2023, HITS NOW is the ultimate destination for top-rated drama series, exhilarating reality shows, the best entertainment news, and exciting game shows. With its clever, cutting-edge, and up-to-date content, HITS NOW appeals to the most discerning audience looking for the best in entertainment, all in one place.

Target Audience The channels attract a core audience aged 25-65, with a balanced gender profile and a slight female skew. HITS appeals to fans of iconic TV series, HITS MOVIES to blockbuster and classic film enthusiasts, and HITS NOW to viewers seeking top-rated dramas, reality shows, entertainment news, game shows, and live events.

Channel The channels are available as 24/7 linear TV services, delivering a curated entertainment experience on a unified regional feed. HITS and HITS MOVIES offer catch-up on demand for selected titles, while HITS NOW provides catch-up access across almost its entire content library. Localisation is supported through selected subtitle languages for key markets.

Advertising Available through regional pay-TV platforms, the channels offer sponsorship, advertising, and promotional partnership opportunities across Asia.

Content Content is sourced through long-standing partnerships with leading studios and distributors, including Paramount, NBCUniversal, Amazon MGM Studios, Sony Pictures, Disney, Warner Bros. Discovery, Lionsgate, Fremantle, Banijay, Hallmark, ITV Studios and New Regency. This broad catalogue delivers a premium mix of scripted series, blockbuster films, reality formats, entertainment specials and timeless favourites for audiences across Asia.

2026 Highlights

Trailer Beverly Hills 90210 in HD on HITS, Kenny Rogers as The Gambler movies, a Bruce Lee tribute and The Matrix Trilogy on HITS MOVIES, Asia focus in 2026 alongside star showcases We are constantly trying to featuring Marilyn Monroe, improve the proposition of our John Travolta and Paul channels and yet retain the Newman. HITS NOW essence of each channel. Loyal Beverly Hills 90210 continues with major viewers are hard to come by and we don’t take them for granted so we premieres including experiment with time slots, scheduling Survivor 51, the Live Emmy Awards, and Hell’s Kitchen. and content mix to up our ratings and prove our overall value to our affiliates Original Productions and viewers. We are also looking into how AI can improve overall efficiency While no local original productions are currently in development, in terms of time and effort across all opportunities remain under active consideration. Discussions with facets of our operations.” rights owners and production partners are ongoing, with the aim of bringing original Asian productions to the portfolio in the future.

Sandie Lee, Chief Content Officer, Rewind Networks 38 36

C

NTENT ASIA

C

NTENT ASIA

39

INDEX Refinery Media ..........................................41 Revolution Media ...................................42 Something Special ...................................43

All channels operating in or for Asia were given the same opportunity to supply information for inclusion in ContentAsia’s The Big List 2026.

Listings are not specific to Hong Kong & Macau.

40

C

NTENT ASIA

Production, Production, Post-production Post-Production&&Studio StudioFacilities Facilities

Refinery Media, headquartered in Singapore, is Asia’s leading producer of award-winning reality and lifestyle entertainment. Credits include Asia’s Next Top Model, The Apprentice: ONE Championship Edition, and SupermodelMe Revolution. The company’s latest productions include the inaugural season of Man of the Hour, a nonscripted series on horology, and Refinery’s first co-produced feature film, Mothernet, set to premiere on Netflix.

Trailer Refinery Media Pte Ltd 71 Seng Poh Road, #02-47 Singapore 160071 E: info@refinery-media.com W: www.refinery-media.com

Who’s who...

Karen Seah Founder & CEO E: karen@refinery-media.com

Genres Unscripted and scripted, spanning short-form and longform formats for brands, studios, broadcasters and digital platforms.

Latest Productions Man of the Hour (season 1)

TRENDS & OUTLOOK 2026 “Over the next year, Asia’s content landscape will be shaped less by individual formats and more by how projects are structured and financed. Crossborder co-productions are requiring clearer creative alignment earlier in the process, while tighter timelines and margin pressure are forcing producers to rethink scale, speed and consistency. These conditions are also accelerating more disciplined use of technology – particularly virtual production and AI – not to replace creativity, but to reduce friction and risk across production and post.”

ASIA FOCUS IN 2026 “Our primary focus is a dual-track expansion, scaling our premium internal coproduction slate while leading a dedicated push into the micro drama space. We are not just testing the waters, we are leveraging our unscripted and scripted expertise to define the premium standard for short form storytelling. This allows us to capture the full spectrum of viewership, from cinematic streamers to mobile first audiences.”

CREATIVE/TECHNICAL INNOVATION IN 2026 “We’re most interested in how virtual production and AI can shift decision-making earlier – helping creative teams resolve look, scale, and world-building before productions become costly to change. The impact isn’t just visual; it’s organisational. Earlier clarity leads to smoother shoots, fewer late adjustments, and more predictable post-production, which is increasingly critical in a fast-moving, multimarket production environment.”

Karen Seah, Founder & CEO

Man of the Hour is an 8-episode adventure hosted by Wei Koh, taking viewers deep into the heart of watchmaking.

From legendary watchmakers, skilled artisans to bold tastemakers, Wei reveals the stories, passions, and craftsmanship driving horology today, while exploring the traditions, innovations, and personal philosophies behind them. Each episode blends adventure, cultural discovery, and expert insight, showcasing not only the artistry of fine timepieces but also the places and people that define them.

Genre: Docu-reality Handled full production cycle: Development/Production/ Post Filming location: Geneva, Paris, L.A., Singapore Airing on: Discovery Asia, Discovery+ U.S. and Prime Video

Mothernet Mothernet is a poignant family drama centred around 16-year-old Rama who is trying to navigate life after a tragic accident leaves his mother in a coma. With the help of an artificial intelligence program, Rama and his father embark on a journey of reconnection and healing. (Co-production with Indonesia’s Base Entertainment)

Upcoming Productions Man of the Hour (season 2) In its second season, Man of the Hour delves even deeper into the captivating world of horology, exploring the legacies of some of the most iconic and legendary watch brands. Filmed across new locations around the globe – from the shores of Lake Geneva to the ateliers of Paris, the timeless streets of Rome, and the vibrant pulse of Singapore – the series offers unprecedented access to the stories behind names that have become synonymous with luxury and craftsmanship.

We Will Be Fine In a near-future island city ruled by an authoritarian regime, a family who make their living organising the belongings of the dead are abruptly forced into hiding. As they evade a government that tolerates no secrets, the family begin uncovering buried truths hidden within past cases – discoveries that challenge their understanding of power, memory, and whether confronting the past can still change the future. (Co-production with Taiwan’s Jules Et Jim Pictures)

C

NTENT ASIA

41 33

Revolution Media L3-I-4, Hive 5 Taman Teknologi MRANTI Lebuhraya Puchong - Sg Besi 57000 Bukit Jalil Kuala Lumpur, Malaysia T: +60 3 8996 3396 W: https://revo-media.com/ the_revolutionmedia

Who’s who...

Zainir Aminullah Chief Executive Officer E: zainir@revo-media.com

Trends & Outlook 2025 We will see more coproductions as the pressure to spread risks become more apparent. Markets will increase its appetite towards medium budget international series and features where the business case is easier to justify. More Asian original IP adaptations will be done for local markets as they are better cultural fit and budget range.”

Asia focus in 2025 Revolution will revive our film slate, seek cross border partnerships and construct our own unique business model.

We have developed high concepts and have ready screenplays that have been in hibernation since Covid and these stories are ready to be told.

For our servicing business, we will secure more production hubs for unscripted shows where we can deliver better value to international clients.

Malaysia offer a perfect blend of attractive locations, world class studios, international level production standards and financial incentives.

Zainir Aminullah, Chief Executive Officer

Revolution Media Malaysia is a leading producer and production services provider in Southeast Asia, specialising in high-calibre international reality formats, scripted series, feature films and original IP for global platforms. With expertise in end-to-end production, crew coordination, location sourcing, and format adaptation, the company has supported a slate of internationally recognised titles for top broadcasters and streamers.

Services include pre-production planning, casting, location logistics, and post-production, with a strong emphasis on safety and regulatory compliance – particularly in challenging environments such as jungles and remote locations. With a proven track record delivering to platforms such as Netflix, WeTV, and Viu and networks in Australia and U.K., Revolution Media Malaysia applies global production standards alongside local insight to bring compelling content to life.

Million Dollar Island production site

The Mole, Netflix

Productions* Tempting Fortune U.K. season 2 Genre: High-stakes adventure reality Premiered: March 2025 Client: Channel 4 (U.K.) Filming location: Langkawi, Malaysia

The Mole

Genre: High-stakes adventure reality Platform: Netflix (Global)

Million Dollar Island

Genre: High-stakes adventure reality Platform: FTA, OTT

The Ghost Bride, Netflix

Platform: Channel 4

Client: Netflix Filming location: Multiple states, Malaysia

Client: Seven Network Filming location: Langkawi, Malaysia

Villa Kristal

Genre: Crime comedy Client: WeTV Platform: WeTV (Southeast Asia) Services provided: Concept-to-delivery production, multilingual scripting, post-production

The Secret

Genre: Psychological thriller Premiered: August 2024 Client: Viu Platform: Viu (Regional) Services provided: Genre development, production management, post supervision, and VFX

The Ghost Bride

Genre: Period supernatural drama set in 1890s Colonial Malacca Client: Netflix Platform: Netflix (Global) Premiered: January 2020 Filming location: Malacca, Malaysia Services provided: Development, historical location scouting, international cast and crew coordination, cultural consulting, rebate administration *Only a selection is listed here. Full production credits available upon request.

C

NTENT ASIA

19

Production, Post-Production & Studio Facilities

Revolution Media, based in Malaysia, develops and produces series and feature films with Asian settings and themes for both local and international audiences. It is a preferred partner for multilingual, multiformat content, collaborating with clients across the US, UK, Europe, Australia, and Southeast Asia. Known for its high production standards, Revolution Media attracts international partners to shoot unscripted shows in Malaysia, leveraging its stunning locations, world-class studios, skilled crews, and financial incentives.

Production, Post-production Post-Production&&Studio StudioFacilities Facilities Production,

Something Special is Korea’s first independent TV format agency, founded by global format experts Jin Woo Hwang and Insoon Kim. Based in Seoul, the company specialises in creating, developing, and distributing original formats to the international market. With a strong emphasis on bold ideas and authentic storytelling, Something Special delivers high-impact formats that resonate with audiences worldwide.

In addition to developing its own IP, Something Special collaborates with international companies to co-develop innovative formats tailored to global needs.

Something Special A-1705 Bldg., 583, Yangcheon-ro, Gangseo-gu, Seoul, South Korea T: +82 2 2093 7463 W: www.sspecial.co.kr E: sspecial@sspecial.co.kr www.linkedin.com/company/72292255

Who’s who...

Jin Woo Hwang President/Executive Producer E: jinwoo.hwang@sspecial.co.kr Insoon Kim EVP, Head of Content E: insoon.kim@sspecial.co.kr

Genres & Formats Reality competition, game show, music entertainment, factual entertainment, comedy

Original Productions & Collaborations Unforgettable Duet

Genre: Factual entertainment/music Premiere: 16 Sept 2024 (local) / 5 Nov 2025 (regional)

In Body Language (co-development & co-production with TBS Japan) Genre: Dating/dance

Fortune Train (co-development & co-production with Critical Content (U.S.) Genre: Reality competition

Trailer

Flagship Titles Unforgettable Duet Insoon Kim

Trends & Outlook 2026 Co-productions, co-financing, and co-commissioning. The upcoming year will mark a new era of cooperation across Asia. Whereas past international co-operations primarily involved collaboration among production staff, comprehensive partnerships are expected to take place in 2026.”

Asia focus in 2026 Something Special has been expanding our slate across various genres by combining Korea’s vibrant creative culture with global expertise. With our trusted partnerships and a reputation for originality, we will continue our journey as a key player in bringing Korean creativity to the global stage. If any territories in Asia are looking for something new, we are here to provide something special.”

Creative/Technical Innovation 2026 Each year we move closer to our goal of becoming the one-stop shop for Korean formats. With a diverse catalogue and partnerships with 20+ top creative talents, we’re ready to collaborate with international partners.”

Jin Woo Hwang, President/Executive Producer

Unforgettable Duet is a heartfelt series about the power of music, family, and memories. The original unscripted series follows dementia patients whose families gather mementoes and select their favourite song to help them recall the past.

Together, they ride on a Memory Bus filled with these deeply personal mementoes that reveal long-forgotten life moments for each of the participants.

Unforgettable Duet is winner of Silver award at the ContentAsia Awards 2025.

Genre: Factual entertainment/music Trailer

Still Alive Still Alive invites ten contestants to stay in a mansion for a day. There’s only one simple rule to in the mansion: “Never do what the Death rules say”.

Contestants who fail to follow this rule will be eliminated instantly. The problem is that no one will tell them what the death rules are. They should figure the rules out themselves by collecting messages from the eliminated contestants and winning clues by completing challenges. New death rules will be given every five rounds. Premiere: September 2021 (local), TBC in 2026 (regional). Genre: Reality competition/comedy Trailer

Iron Squad

Iron Squad is Korea’s ultimate military reality competition, where elite reservists from the nation’s toughest special forces battle in extreme missions testing strength, focus, and teamwork. From the producers of Netflix’s Physical: 100, the show has four seasons on Channel A, with a new season commissioned for 2026. Genre: Reality competition/military

C

NTENT ASIA

43 19

The Big List Digital Directory 2026 ContentAsia’s Big List is the only directory of its kind, fully focused on Asia with lists of the top content providers, services, channels, platforms and people in key markets, including streaming/OTT/online players, free-TV broadcasters, pay-TV platforms, production houses, streaming/broadcast tech, regulators/ associations and others.

The directory, distributed monthly, offers video value-adds as part of ContentAsia’s Screening Room.

The Big List’s enhanced listings appear across multiple platforms, including yearround visibility at ContentAsia’s online destination at www.contentasia.tv.

The initial distribution is via email to our full database of over 12,900 verified addresses, with links to the enhanced listings to our full database every two weeks.

Advertising Opportunities Double/single page enhanced listings, quarter-page logo listings, full-page display ads.

Premium add-ons available for additional visibility

BE INCLUDED CONTACT US NOW Leah@contentasia.tv (Americas/Europe) Malena@contentasia.tv (Asia Pacific/Middle East) CJ@contentasia.tv (China/Taiwan)

www.contentasia.tv 44

C

NTENT ASIA

contentasia

C

NTENT ASIA

45

BoltOS, founded in 2017 and headquartered in London with offices in Singapore and Malaysia, transforms how content owners maximise value through turnkey and customised solutions that convert passive content into engaging experiences, elevating user retention and revenue. Our groundbreaking Immersive Panel© delivers real-time engagement features that unlock new ad inventory and create fresh monetisation opportunities, deploying seamlessly within existing apps or broadcast satellite TV.

BoltOS The Working Capitol 1 Keong Saik Road Singapore 089109 E: sales@bolt.global W: https://boltos.ai/ Tech Showcase: https://boltplus.tv/login https://www.linkedin.com/company/boltos/ https://x.com/boltplus https://www.instagram.com/boltplustv/

Who’s who...

Jamal Hassim Co-Founder, CEO United Kingdom E: jamal@bolt.global Harry Teper CCO, United Kingdom E: harry@bolt.global Michelle Peterson Clark CMO, Australia E: marketing@bolt.global Silvia Cebanu CRO, United Kingdom E: silvia@bolt.global Mustaffa Selamat Business Development, Singapore E: mustaffa@bolt.global

Capture Attention. Keep Audiences. Grow Revenue.

In today’s crowded streaming landscape, the biggest challenge isn’t content – it’s keeping viewers watching, engaging, and coming back. That’s where BoltOS’ Immersive Panel© comes in: a seamless in-stream layer that transforms viewing from passive consumption to interactive dialogue, giving FAST platforms, OTT, and broadcast platforms the tools to boost engagement, reduce churn, and unlock new monetisation opportunities – without disrupting the viewing experience.

No logins. No app downloads. Just instant interactivity built directly into your content.

Turn Viewers into Participants The Immersive Panel© is designed for the modern, multitasking audience. With interactive features layered directly into the stream, viewers can shop, chat, ask, read, and respond – all without leaving the screen.

For content platforms, this means: 4 More ad inventory 4 Higher retention 4 Stronger user engagement 4 Lower churn rates

Built to Solve Your Biggest Challenges Whatever your platform, the Immersive Panel© helps you: • Increase revenue with dynamic ads and shoppable content • Retain viewers by making experiences more interactive and stickier • Boost engagement with features that invite curiosity and participation • Stand out in crowded markets with innovative, lean-forward experiences Whether you’re launching a new OTT platform or broadcast TV network, looking to deepen sports fan interaction, or monetising long-tail content, the Immersive Panel© equips you with tools to connect – and convert.

Custom Pluggable Panels to Match Your Content and Goals Choose the features that match your audience, your content type, and your business strategy: • Real-Time Chat + Ads Viewers talk in real time – and you monetise the conversation. Insert interactive ads into chat feeds for new revenue and stronger user connection.

Devices Design - Tablet - Ai

How is your solution tailored to address infrastructure, user behaviour, or regulatory nuances in Asia in 2025?

Winning and retaining content audiences in Asia isn’t one-size-fits-all and we don’t expect you to work alone. We are here to be your partner in charting a new path to success for your business. Our Immersive Panel is built to breathe new life into your content and your relationship with your viewers.

The Immersive Panel allows your audiences to be fully involved with the content they love by chatting, asking questions, participating in content related quizzes, and perhaps even shopping (all powered by our IRIS AI engine). You can even reward your most loyal viewers via the Immersive Panel.

Whether you are a major regional pay TV operator, a streaming powerhouse, or someone growing their content business, BoltOS can help you deepen your relationship with viewers and create new commercial/revenue opportunities.

Our Immerse Panel can be inserted into the full spectrum of content delivery channels ranging from satellite to IP. The BoltOs team is comprised of experienced broadcast professionals who have operated in highly competitive and regulated content environments. We understand operational challenges and local licensing sensitivities and are prepared to assist you with these requirements and compliance.

Our solutions are built with local compliance and cultural nuance at their core, so you can stay focused on creating great content, while we do the heavy lifting.”

46 26

C NTENT ASIA Jamal Hassim, CEO, BoltOS

Immersive Panel© - Chat

Technology Satellite Broadcast - Chat

Web App-Barca Shop

• Shoppable Streams Link what’s on screen to what’s in-store. Ideal for sports, lifestyle, and entertainment content, the Shop Panel helps convert attention into purchases.

• Live Q&A with IRIS AI Let your viewers ask questions and get answers in real time. Stats, actor bios, live scores – all at their fingertips.

• Deep Dives for Curious Minds Add context to news, docs, or factual content with relevant articles, explainers, or background info in the Read Panel.

• Interactive Ads & Polls Go beyond passive impressions. Invite feedback, collect data, and drive conversions with surveys and interactive ad formats.

IRIS AI – Their Personal Content Concierge Deliver a personalised experience to your audience with IRIS AI. From providing instant answers to questions during a family movie to adding ingredients to their shopping list they spotted on your cooking programme, IRIS lets your content keep up with an audience on the move.

The impact? More engagement, more impressions, and longer view time.

Works Everywhere Your Viewers Are Whether you’re streaming online or broadcasting via satellite, the Immersive Panel© integrates without friction: - OTT: Quick deployment on web, mobile, and connected TV with minimal engineering required.

- Broadcast Television: Trigger interactivity via on-screen QR codes that activate second-screen experiences on any device – what we call Omni Device Mobility©.

No downloads. No delays. Just direct engagement, globally scalable.

Bridging Broadcast and Digital Worlds Media is changing. It’s no longer just about delivering content – it’s about delivering experiences. Early adopters across EMEA are already using the Immersive Panel© to enhance programming across news, sports, entertainment, and lifestyle.

Every deployment includes: 4 Implementation support 4 Plug-and-play templates 4 Customisable feature sets 4 Operational guidance for scale 4 Analytics dashboard 4 Compliance features to meet regulatory requirements The future of viewing – whether on broadcast or streaming – is interactive, intelligent, and income-generating. With our Immersive Panel©, your platform is ready to engage, convert, and lead.

Markets in Asia China, Hong Kong, India, Indonesia, Japan, Korea, Malaysia, Mongolia, Philippines, Singapore, Thailand, Taiwan, Brunei, Cambodia, Laos, Macau, Nepal, Pakistan, Sri Lanka & Vietnam.

C

NTENT ASIA

TV App - Rewards

TV App - Shop

What are the core problems your platform solves for content, streaming, or pay-TV businesses in Asia?

If you’re creating content in Asia or anywhere in the world, chances are you’re battling familiar challenges; declining viewer engagement, rising distribution costs, limited monetisation options, and the constant struggle to stand out.

You’re not alone.

That’s why our tools are built to work for you – not the other way around. With BoltOS, you can easily add interactivity, drive new revenue, and keep audiences coming back – without heavy tech lifts or platform overhauls.

You stay focused on telling great stories. We’ll handle the tech that helps those stories reach more people, earn more, and deliver real results.

We’re here to quietly power your growth, behind the scenes – like a partner who’s always working to make your content go further.”

Harry Teper, CCO, BoltOS

27 47

Be included

C

NTENT

ContentAsia Screenings & Conversations | ContentAsia Awards, Bangkok (Aug 2026) MIPCOM, Cannes (Oct 2026) | DICM, Dubai (Nov 2026) | ATF, Singapore (Dec 2026)

PUT YOUR BRAND IN FRONT OF

Digital advertising Print magazine

12,200+ APAC

Market dailies

CONTENT EXECUTIVES 12,200+ Verified Executives

V

22 APAC Markets

Awards

RESERVE YOUR CAMPAIGN TODAY! CONTACT OUR SALES TEAM

Americas / Europe Leah@contentasia.tv

NEWSLETTER

Event sponsorship

Asia Pacific / Middle East

China / Taiwan

Malena@contentasia.tv

CJ@contentasia.tv

EVENTS

MAGAZINE

AWARDS

MARKET DAILIES

OCTOBER/NOVEMBER 2025

C

1-14 June 2026 www.contentasia.tv | www.contentasiaawards.com

xxx i

September 10-16, 2026

Celebrating Asia’s storytellers year round: Welcome to our new dedicated site focusing on ContentAsia Awards’ winners

Astro Fights Back “Wolong: The Mastermind” Releases 6 Sept

1000+

400+

150+

Market Screenings

REF: ITV_CA _THE_HAC K _PR ESS _AD_AW02

S IZE: 245m m (W) x26 0m m (H)

B LEED: He igh t 1 0m m x Width 1 5MM DATE: 1 7.09. 2025PLUS Inside K-pop Demon Macro view on micro drama with Hunters, Dear Stranger & Microdrama: Money, Morals & the Space Race Bamboo Network’s Dabin Chung The Resurrected

Toronto

6000+

Industry delegates

NTENT

Buyers

THE H AC K

Exhibition spaces

Early bird rates end June 5

Malaysia’s Astro put its new original Chinese series, “Wolong: The Mastermind”, on stage this week, gathering a cast from Hong Kong, Singapore and Malaysia for live appearances, and clearly doing its best to move beyond sports headlines that highlighted prime properties’ move to other platforms. The 13ep drama premieres on 6 Sept.

The scandal is only half the story

The full story is on page 3

q Media Prima Profit Leaps; Content Sales Shine Media Prima posted a 9MFY26 profit of RM13.1m, up 89% year-on-year, as cost management offset a 6% revenue decline.

Content sales were the quarter's best story.

Register now tiff.net/themarket

The full story is at www.contentasia.tv

1_Front_Cover layout.indd 2

3/10/25 7:41 PM

wtf creative 26 moreton street london SW1V 2PE

www.contentasia.tv

|

www.contentasiaawards.com Subscribe for free here

|

contentasia-live.netlify.app

C

NTENT

Hong Kong & Macau

INDEX Hong Kong Free TV HOY Media Network ................................... 52 HK Television Entertainment (HKTVE) .... 52 Radio Television Hong Kong (RTHK) ...... 52 TVB Limited (TVB) ....................................... 52

Pay TV Now TV ............................................................ 52

Streaming/OTT Bilibili ................................................................ 52 hmvod .............................................................. 52 MangoTV ........................................................ 53 myTV Super .................................................... 53 Viu ...................................................................... 53

Production / Post Production & Distribution

Macau

180 Degrees Production ........................... 53 Ants Media Asia ............................................ 53 Casual Films (formerly APV) .................... 53 Cheeky Monkey Productions ................. 53 Edko Films ...................................................... 53 Emperor Motion Pictures .......................... 53 Golden Scene ................................................ 53 Just Media ..................................................... 53 Mandarin Motion Pictures ........................ 53 Media Asia Group ........................................ 53 One Cool Group ............................................ 54 Salon Films ..................................................... 54 TVB .................................................................... 54

Teledifusão de Macau (TDM) .................. 54 Macau Lotus TV ............................................ 54

Regulator Film Services Office (FSO) ....................... 54 Hong Kong Film Development Council (FDC) ................................................................. 54

50

50

C

NTENT ASIA

Free TV

Pay TV Macau Cable TV ........................................... 54

Regulators Macao Cultural Affairs Bureau (IC) ........ 54 Macao Post and Telecommunications Bureau (CTT) ................................................. 54

In numbers Hong Kong Population ..................................... 7.53 million Households ................................... 2.76 million Avg. household size .................. 2.6 persons TV households ............................ 2.62 million Total TV audience ...................... 6.43 million Pay TV subscribers ..................... 1.46 million Digital terrestrial TV penetration rate... 94.2% Total TV prog. service licences ................ 34 - Domestic free TV prog. licences .............. 3 - Domestic pay TV prog. licences .............. 1 - Non-domestic TV prog. licences ............. 9 - Other licensable TV prog licences ....... 21 Internet service providers ....................... 369 Broadband subscriptions ...............3 million Household b/b penetration .............100.3% Mobile subscriptions ..................34.4 million Mobile penetration ..............................441.4% 5G subscriptions ..........................10.4 million 4G subscriptions ..........................23.9 million Source: Census and Statistics Department (population in mid-2025, households in 2024, household size in 2025), Office of the Communications Authority (TV in Nov/Dec 2025 & June 2026, internet in Feb/June 2026, mobile in Mar 2026)

Macau Population ........................................... 712,000 Internet users ...................................... 610,300 Internet penetration ................................. 94% Internet subscriptions ..................... 216,577 Mobile subscriptions ..................1.48 million 5G subscribers (Prepaid/Postpaid) ............................................................ 1.08 million Fixed telephone lines ......................... 78,589 Source: Statistics and Census Service (DSEC), Macau SAR. (population in 2024, internet in 2024-25, mobile in 2025)

Charmaine Sheh in The Queen of News

F

ree-to-air television in Hong Kong has for the better part of a decade been a two-horse race: incumbent TVB, holding 60-70% of primetime drama share and 79% market share (2025), and ViuTV as the smaller but persistent challenger that built its identity on youth appeal and idols along with big-brand sports rights that it shares with sister payTV platform Now TV; ViuTV is part of listed telco HKT/PCCW. This year, the Hong Kong-listed i-Cable Communications’ revived its HOY channels, potentially bringing a third player onto the field. Three years after the group pulled the plug on its pay-TV business to focus on freeto-air, i-Cable is proposing a name change to CTF Media & Entertainment Limited / 周大 福传媒娱乐有限公司, and is operating three restructured channels with distinct remits in addition to sports. Underpinning all three is a multiplatform strategy – heavy digital activation running alongside the linear broadcast led by digital veteran Ivy Wong as CEO and executive director of i-Cable Communications.

HOY’s priorities – younger creators, KOL-driven variety shows, international content – read as a direct challenge to ViuTV’s playbook rather than an attempt to challenge TVB’s hold on mainstream Chinese drama audiences. The big question is whether HOY can translate its advantages, including synergies with parent company the Chow Tai Fook (CTF) Group, into audience share.

TVB, meanwhile, has changed its name from Television Broadcasts Ltd to TVB Ltd / 無綫集團有限公司 after more than

ASIAA CC NTENT NTENTASI

60 years. The change, the company says, reflects its diversified media and entertainment business in Hong Kong and Macau, Chinese Mainland and overseas, including terrestrial TV and digital streaming platforms in Hong Kong and internationally, content creation and production, artist management and IP distribution. “We have grown and evolved well beyond our roots as a pure TV broadcaster,” company bosses said in March 2026.

TVB remains a powerful player in Chinese serialised entertainment, including production partnerships with Mainland platforms Youku and Tencent Video. Flagship titles include “The Queen of News 2” (新聞女王 2), produced with Youku. The five other coproductions include “Themis” (正義女神), “Mrs. Revenge” (夫妻的博弈), and “I Only Live Twice” (模仿人生) with Youku.

TVB has also embraced AI production, releasing its first AI-generated microdrama, “You and Only You” (在我心中 — 你是獨一 無二) on the TVB Plus and myTV SUPER digital platforms as well as on Tencent Video in September 2025. Vertical initiatives continue, including a slate of adaptations of original TVB IP with Bytedance-owned Chinese short-drama platform, Hongguo.

Hong Kong’s government-funded broadcaster, Radio Television Hong Kong (RTHK), launched its new news and current affairs schedule – including English-language content – on the TV32 channel in July this year.

The network continues to promise objective and comprehensive news, “while serving as a platform to assist the government in explaining its policies and presenting the true picture of Hong Kong to the world”.

51

51

C

NTENT

Hong Kong & Macau Hong Kong Free TV HOY Media Network HOY Media Network is the free-to-air TV business of i-Cable Communications, rebranded in March 2026 as a multimedia, multi-platform network. Led by CEO Ivy Wong and chief content officer Cora Yim, the company combines broadcast television with digital platforms, including the HOY app, website and social media. Its three channels serve distinct audiences: HOY 76 offers international, cultural and youth-focused programming; HOY 77 targets families and the middle-class with entertainment, lifestyle and variety shows; while HOY 78 focuses on news, finance and sports for professional audiences. The network continues to expand its slate of locally produced entertainment, factual, music and lifestyle content, while strengthening creator collaborations and cross-platform engagement. Sports remains a key pillar, with HOY securing the exclusive official Hong Kong broadcast rights for the 20th Asian Games Aichi–Nagoya 2026, marking its eighth consecutive Asian Games as the territory’s official broadcaster.

HK Television Entertainment (HKTVE) PCCW’s HK Television Entertainment (HKTVE) launched Chinese-language free-TV channel ViuTV in March 2016. ViuTV produces and airs drama, talent and variety shows, among others. HKTVE launched second free-TV service – English-language ViuTVsix in March 2017, airing talk shows, kids animation, Hollywood movies, news, sports and documentaries.

Radio Television Hong Kong (RTHK) RTHK was set up in 1928 with government funding to provide public service content. It operates five digital terrestrial television channels: TV31, TV32, TV33, TV34 and TV35. Flagship channel TV31 carries news, current affairs, education, arts and cultural programming. TV32 covers live events, including Legislative Council meetings. TV33 is a relay of China Central Television’s CCTV-1 channel.

52

52

TV34 relays China Global Television Network Documentary, while TV35 carries the English-language international news service CGTN. RTHK also operates radio networks and digital platforms, its flagship app, RTHK On The Go, provides live radio streams, programme highlights and podcasts. RTHK Screen for live webcasts and VOD of RTHK TV channels. Content is also accessible via the broadcaster’s website rthk.hk, which hosts live simulcasts and programme archives.

TVB Limited (TVB) TVB Limited (formerly Television Broadcasts Limited) is Hong Kong’s largest commercial free-to-air broadcaster. TVB operates five digital terrestrial channels: TVB Jade (81), TVB Plus (82), TVB News Channel (83), TVB Pearl (84) and Phoenix Hong Kong Channel (85), offering entertainment, news, lifestyle and sports programming. In 2025, TVB’s four selfoperated terrestrial channels reached 4.9 million weekly in-home viewers, commanding a 79% share of Hong Kong TV viewership. TVB’s digital platforms attracted over 180 million monthly active visitors globally and nearly seven billion video views, while myTV Super served approximately 1.9 million monthly active viewers in Hong Kong, supported by the launch of the ad-supported TV 3.0 service.

Pay TV Now TV Now TV, operated by HKT through its PCCW Media subsidiary, launched in Hong Kong in 2003. The platform offers a lineup of linear channels and on-demand content, with around 208 channels (136 linear and 72 VOD) as of December 2025.

Subscribers can access content via the Now Player app, compatible set-top boxes and smart devices. As of December 2025, Now TV’s installed base totalled 1.464 million, with the OTT segment recording 16% year-on-year growth. Now TV also holds exclusive broadcast rights in Hong Kong for major sporting events, including the FIFA World Cup 2026. Now TV is the media entertainment arm of HKT, which also provides broadband and mobile services in Hong Kong.

C

NTENT ASIA

Streaming/OTT Hong Kong consumers have access to a broad range of regional and international streaming and online platforms, including Chinese platforms iQiyi, WeTV (Tencent Video) and Youku (Alibaba Group) offering Asian entertainment, particularly Mainland Chinese dramas, variety shows, anime and films, supported by both advertising and subscription tiers. Netflix launched in Hong Kong in 2016 as part of the U.S. streamer’s global rollout; monthly subscriptions are between HK$78 (US$10) and HK$118 (US$15.13). HBO Max launched in Hong Kong in November 2024, replacing the legacy HBO Go; monthly subscriptions range from HK$78 to HK$98. Prime Video also rolled out in Hong Kong in 2016 and is available for HK$47 (US$5.99) a month. Apple TV+ launched in Hong Kong in 2019 and costs approx HK$68/US$8.70 a month.

Disney+, launched in Hong Kong in November 2021, costs between HK$88 (US$11.28) a month and HK$1,080 (US$138.46) a year.

Bilibili Bilibili is a Chinese online video and streaming platform specialising in animation, gaming, variety and youth-oriented entertainment content, and produces premium factual and entertainment programming with global partners. Bilibili reports 115 million daily active users (DAUs), 376 million monthly active users (MAUs), 34 million monthly paying users (MPUs) and an average daily usage of 119 minutes (July 2026).

hmvod hmvod is an online video streaming platform launched in March 2017 by HMV Digital China Group, part of the HMV retail brand. The service offers a catalogue of mainland Chinese, Hong Kong and regional films and TV series, alongside international content, with more than 10,000 hours of entertainment programming.

The platform also carries short-form vertical microdramas and mobile-optimised series. hmvod is available as a standalone subscription and through telecom partners including CSL, SmarTone and China Mobile Hong Kong.

MangoTV MangoTV is a Chinese streaming platform operated by Mango Excellent Media, controlled by Hunan Broadcasting System.

The international version is available in Hong Kong via web and mobile apps, offering Chinese dramas, variety shows, reality programmes and short-form content. MangoTV operates on a freemium model, with VIP subscriptions providing ad-free viewing and early access to selected titles. As of end 2025, the platform reported 75.6 million paying members and 268 million monthly active users on the mobile app. Mango TV International had surpassed 300 million cumulative app downloads, while overseas social media accounts reached 33.55 million subscribers.

myTV Super Operated by MyTV Super Limited, the digital arm of TVB Limited, myTV Super launched in April 2016 as a multi-screen streaming platform for TVB and international content. The service offers TVB dramas, entertainment, news, myTV Super Originals, and selected programmes from Mainland China, Korea, Taiwan and Japan, alongside movies and animation.

Users access TVB’s free-to-air channels and additional live channels via mobile devices, smart TVs and the web. As of end 2025, myTV Super had 10.9 million registered users and averaged 1.9 million monthly active users. In 2025, the platform introduced the ad-supported TV 3.0 tier with 50 free channels, and partnered with Chinese Mainland platform Youku to offer premium subscribers access to selected dramas and variety programmes.

Viu Hong Kong telco PCCW launched OTT streaming service Viu in October 2015.

The platform offers content from Korea, Japan, Mainland China, Hong Kong, the Philippines, Thailand and Taiwan, alongside Viu Originals. It also commissions and co-produces across Asia.

Production / Post Production & Distribution 180 Degrees Production 180 Degrees Production offers full production and location support to local and international production companies. Specialises in TVCs, stills, corporate, featured documentaries, short films and music video content.

Ants Media Asia Est. in London in 2002. Opened in Hong Kong in 2012, providing production services and support for news, sports and documentary content as well as live streaming.

Casual Films (formerly APV) Creative and video production agency providing branded content, commercials, documentaries and digital media production services. Founded in 1991, the company became part of global production group Casual Films in 2022, offering strategy, production and post-production services for corporate, commercial and broadcast clients across Asia.

Cheeky Monkey Productions Film/TV production company founded in 2009. The studio creates original films and programmes from a contemporary female perspective. Credits include the documentaries “reFashioned” (2021), which examines sustainability and the fashion industry; and “The Helper” (2017), which explores the lives of Hong Kong’s migrant domestic workers. In June 2026, the company announced its expansion into narrative film and television, with feature film “Girl Wonder” and scripted series “Letters From China” in development.

Edko Films Founded in 1986, Edko Films is engaged in film production, acquisition and theatrical distribution, handling both local Hong Kong cinema and international titles across Greater China. 2026 productions include “Cold War 1994”, “Night King” and “We Are Born Good”.

ASIAA CC NTENT NTENTASI

Emperor Motion Pictures A film production, financing, distribution and international sales company under Emperor Group. Established in 2000, the company produces and distributes Chinese-language feature films across Hong Kong, Mainland China and international markets. Credits include “Operation Red Sea”, “Project Gutenberg”, “Raging Fire”, “The Battle at Lake Changjin” and “The Wandering Earth 2”. The company is also producing a sequel to 2004 film “New Police Story”. “New Police Story 2” is an action thriller directed by Nicholas Tse, starring Jackie Chan.

Golden Scene Hong Kong film production, distribution and international sales company established in 1998. The company acquires, produces, markets and distributes local and international films, with a focus on independent, arthouse and commercial titles, and also operates the Golden Scene cinema circuit in Hong Kong.

Just Media Specialises in films, TV programmes (drama, documentary), TV commercials and multimedia programmes for regional/ international markets.

Mandarin Motion Pictures Hong Kong-based film production company focused on commercial cinema, particularly action and genre films. The company is active in film financing and production, and frequently collaborates on regional coproductions across Greater China and Asia.

Upcoming productions include “Ip Man 5” and “Flash Point: Resurgence”.

Media Asia Group Founded in 1994, the company develops, finances, produces and distributes Chinese-language feature films across Hong Kong, Mainland China and international markets, and is active in film investment, licensing and regional co-productions.

53

53

C

NTENT

Hong Kong & Macau One Cool Group Founded in 2013, One Cool Group is a film production, post-production and entertainment group. The company is active across film financing, production, distribution, visual effects, post-production, artist management and equipment rental services. It has expanded into regional co-productions and international collaborations.

Salon Films Established in 1959, Salon Films is a Hong Kong-based film services company providing production support, equipment rental, post-production and technical services for film, television, commercial and digital media projects. The company offers camera, lighting and grip equipment, studio facilities, visual effects, digital intermediate, sound post-production and location services, and has supported international productions filming in Hong Kong and across Asia. Salon Films also operates production service offices in Hong Kong, Singapore, Malaysia and Thailand.

TVB

Macau Free TV Macau’s television landscape is supplemented by a range of channels receivable from neighbouring Hong Kong, including those operated by TVB and ViuTV. These channels are widely accessible in Macau via terrestrial signal spillover and cable distribution, providing viewers with additional Cantonese-language programming. As a result, Hong Kong broadcasters play a significant role in shaping viewing habits in Macau, supplementing the limited domestic free-to-air television offering.

Teledifusão de Macau (TDM) Public broadcaster operating multiple freeto-air channels including TDM Ou Mun (Cantonese), Canal Macau (Portuguese), TDM Information (news) and TDM Sport. The broadcaster also produces a range of local content in-house, including news, cultural and public affairs programmes.

TVB produces several hundred hours of original programming annually, including around 700 hours of drama series, alongside sitcoms, variety shows, documentaries and other non-drama content.

Macau Lotus TV

Regulator

Pay TV

Film Services Office (FSO)

Macau Cable TV

FSO, under the Cultural and Creative Industries Development Agency (CCIDA) of the Culture, Sports and Tourism Bureau, serves as Hong Kong’s one-stop unit for facilitating film and television production. It coordinates with government departments to support location filming applications, issue no-objection permits, and assist production crews operating in public spaces.

Macau Cable TV is the territory’s sole pay television operator, providing a wide range of local and international channels across news, sports, movies, entertainment and lifestyle genres. The platform operates via cable distribution and offers bundled services alongside broadband and telecommunications packages, serving as the primary multichannel TV provider in Macau. It also undertakes inhouse production of local news, sports and current affairs content.

Hong Kong Film Development Council (FDC)

Privately owned free-to-view satellite TV channel offering news, financial and entertainment programming across Macau and the wider region.

FDC is a government-appointed advisory body established to promote and support the long-term development of the Hong Kong film industry. It plays a strategic role in formulating policies, funding initiatives, and enhancing the international competitiveness of local cinema.

54

54

C

NTENT ASIA

Streaming/OTT Macau’s streaming and OTT market is largely driven by regional and international platforms, with no major local OTT services. Consumers have access to a broad range of platforms available across the region, including platforms such as Netflix, Disney+ and Prime Video, as well as Chinese streaming platforms like iQiyi, WeTV and Youku.

Regulators Macao Cultural Affairs Bureau (IC) Government body supporting film and media development through funding, training and festival initiatives.

Macao Post and Telecommunications Bureau (CTT) Regulates telecommunications and broadcasting infrastructure, including licensing and spectrum management.

C

NTENT ASIA

Be Included!

Click here to contact us

THE BIG LIST 2026 Vietnam

BE INCLUDED!

CONTACT US NOW

To advertise in any of ContentAsia’s publications or online, contact Malena Amzah at malena@contentasia.tv (Asia, Australia and Middle East) or Leah Gordon at leah@contentasia.tv (Americas and Europe) or CJ Yong at cj@contentasia.tv (China, Taiwan)

www.contentasia.tv

C

NTENT ASIA

contentasia

55