ContentAsia's The Big List 2026 – Cambodia Edition

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Editorial Director Janine Stein janine@contentasia.tv Events Manager CJ Yong cj@contentasia.tv ContentAsia Marketing & Awards Heather Berger awards@contentasia.tv Production Rae Yong Research Rhealyn Rigodon iyah@contentasia.tv Associate Publisher (Americas, Europe) and VP, International Business Development Leah Gordon leah@contentasia.tv Assistant Publisher (Asia/Middle East) Malena Amzah malena@contentasia.tv To receive your regular free copy of ContentAsia, please email contentasia@contentasia.tv

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INDEX ABS-CBN Studios ........................................... 5 All3Media International ............................... 6 AR Asia Productions ..................................... 7 Astro Malaysia .............................................. 8 Banijay Entertainment ................................. 9 BEC World Public Company Limited (BEC) ...10 Boat Rocker Studios ....................................11 Fremantle .....................................................12 Kanal D International ..................................13 Inter Medya ............................................14-15 Media Prima Content & TV Networks ......16-17 Moonbug Entertainment ............................18 MQ Worldwide .............................................19 MyContent Distribution ...............................20 NBCUniversal Global TV Distribution ..........21 OGM UNIVERSE ............................................22 Paramount Global Content Distribution ........23 PBS Distribution .............................................24 Seven.One Studios International ...............25 Sony Pictures Entertainment (SPE) .............26 Viaplay Content Distribution ......................27 All programme distribution companies were given the same opportunity to supply information for inclusion in ContentAsia’s The Big List 2026.

Listings are not specific to Cambodia.

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Programming: Syndication & Licensing

Since 1953, ABS-CBN has been a premiere source of high-quality Filipino content and primarily involved in high caliber productions for television, online and over-the-top platforms, cable, satellite, cinema, events and radio, for both domestic and international markets.

ABS-CBN’s road to transformation provided not only strong affinity with the local audiences, but also agility in going global, with 60,000+ hours sold worldwide in over 50 territories.

Trailer

ABS-CBN Studios ABS-CBN Broadcast Center, Sgt. Esguerra Ave. corner Mother Ignacia St., Diliman, Quezon City, 1103 Philippines E: internationalsales@abs-cbn.com W: https://www.abs-cbn.com/internationalsales

Genres

Who’s who...

Original production/ co-production

Pia Laurel Sales Head, OTT and Co-production E: Pia_Bacungan-Laurel@abs-cbn.com Whatsapp/Viber: +63 917 5372573 Laarni Yu Sales Head, Europe, MENA, and Africa | Airlines E: Laarni_Yu@abs-cbn.com Whatsapp/Viber: +63 917 569 8531 Wincess Lee Sales Head, Asia and Latin America E: Wincess_Lee@abs-cbn.com Whatsapp/Viber: +63 998 991 5838

Laarni Yu

Wincess Lee

Trends & Outlook 2026 What we expect to see across the Asian content landscape, amid global uncertainty, is the likely resurgence of uplifting, feel-good content following years of more intense stories. Second, socially-relevant stories that engage with real issues will remain important for buyers. Finally, with advertising revenues still under pressure, many broadcasters and platforms will continue leaning on acquired and cross-border content to help sustain their programming slates.”

Asia focus in 2026 As we elevate the scale and quality of our productions, we aim to expand into new territories while deepening our presence in markets where we have strong audiences. Ultimately, our goal is to create stories unbound by borders while staying authentically Filipino.”

Pia Laurel, Sales Head, OTT and Co-production

Our drama slate spans various genres from romance to family, to thrillers, crime, and action. We also produce LGBTQ+ stories reflecting diverse perspectives and experiences. Film-wise, we cater to a broad spectrum of audiences with titles covering romance, family, horror, and comedy.

First seen on Netflix Philippines, IT’S OKAY TO NOT BE OKAY – the Philippine adaptation of the hit Korean drama from CJ ENM and Studio Dragon – debuted at number one on the platform, consistently topping the viewing charts. The series follows a cynical author who is forced to confront her emotional wounds upon meeting a man who challenges her worldview.

Romantic thriller THE ALIBI centers on the heir to a media empire who hires an escort to serve as his alibi after being accused of murder; their agreement turning into a dangerous dance within a web of secrets. The series successfully launched on Prime Video ahead of its TV release, consistently ranking #1 in the Philippines during its run.

Strengthening our partnership with Prime Video, we’ve developed a new original series called THE SILENT NOISE that follows a family left fractured after a deaf young boy misinterprets his mother’s affair and causes a tragic accident. Launching March 20 th in the Philippines and in more than 240 territories worldwide, the series explores the cost of accountability, while aiming to raise awareness for the deaf community.

As global platforms continually trust us to help build their local slates, we remain ever grateful and equally excited to share even more entertaining and thought-provoking stories with the world.

Trailer

Top shows are…

It’s Okay to Not Be Okay Mia, a children’s book author with a dark past, gets romantically involved with Patpat, a psych ward caretaker who has dedicated himself to caring for his autistic older brother Matmat. As they confront personal traumas, they learn that where pain is shared, healing can begin. Episodes/length: 34x45 mins

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What Lies Beneath Four high school friends lie to incarcerate a man for killing their best friend and eventually drift apart.

Years later, he escapes and a wave of murders shatters their fragile peace. Forced to reunite, the women must confront buried truths, concealed betrayals, and persisting traumas. Episodes/ length: 45x45 mins

Incognito Brought together by a rigid tactician, six ex-soldiers form a unit to undertake perilous contracts. But with each mission they accomplish, they draw the ire of a powerful enemy. Episodes/length: 52x45 mins

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All3Media International Asia Pacific 5 Teck Lim Road, #03-00 Singapore 088383 W: www.all3mediainternational.com @all3media_int

Genres

Who’s who...

Original production/co-production

Sabrina Duguet EVP Asia Pacific E: sabrina.duguet@all3media.com M: +65 9006 5865 Julie Dowding SVP (Australia and New Zealand) E: Julie.dowding@all3media.com M: +61 4124 91633 Ziran Tang (Tony) VP Sales (China, Japan, South Korea, Taiwan) E: ziran.tang@all3media.com M: +65 9006 5016 Amanda Pe Sales Manager (Brunei, Cambodia, Mongolia, Hong Kong, Indonesia, Laos, Malaysia, Myanmar, Philippines, Singapore, Thailand & Vietnam) E: amanda.pe@all3media.com M: +65 9186 9303 Alexander Euler Commercial Executive (Australia, New Zealand and Pan Asia) E: alexander.euler@all3media.com M: +65 9459 2139

We deliver an expansive and high-quality content portfolio of content spanning from premium scripted drama, factual documentaries, lifestyle programming, wildlife series, and both scripted and unscripted entertainment formats, designed to meet the diverse and evolving needs of our clients.

We are thrilled about what’s ahead for 2025, with a dynamic slate of launches across Asia. Highlights include The Traitors, with local adaptations coming soon in both India and Mongolia and with further territories to be announced. Our scripted formats are also gaining traction, including a Malaysian adaptation of the romantic comedy Step Dave, originally created by New Zealand based producer, South Pacific Pictures. We’re also excited to bring Silverback’s premium natural history series Parenthood, narrated by Sir David Attenborough, to audiences across APAC on multiple platforms and networks. And finally, from the award-winning Two Brothers Pictures comes The Assassin, a gripping new action thriller packed with heart and humour. Keeley Hawes stars as a retired female hitwoman about who finds herself on the run from her past with her estranged son, played by Freddie Highmore.

Asia focus in 2025 Our focus has always been how do we bring value to our partners in the region? We have done so recently by not only bringing them our catalogue, but also by truly deepening and broadening partnerships; using all the resources at All3Media International to support our partner’s ability to fund the shows. The strength of the All3Media group enables us to deliver at scale – without compromising on local resonance. Overall, we’re prioritising content that builds loyal audiences, sustains franchises, and reinforces our partners’ brand identities across both VOD and linear.”

Trends & Outlook 2025

Sabrina Duguet, EVP Asia Pacific

In 2025, Asia’s content market will demand standout IP that cuts through a crowded landscape, while mitigating risk through smart collaborations and proven IP to help securing some financing for example.

We’re seeing success with IP that goes beyond the screen, like we have done with our Formats The Traitors, The Cube, Race Across The World – where licensing, merchandise, and immersive experiences deepen engagement and unlock new revenue. Finally, reliability matters: platforms want proven partners, but calculated creative risks. Strong ideas, not just big budgets – are essential to break through and truly connect.”

Top shows are…

Sabrina Duguet, EVP Asia Pacific

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The Assassin Packed with Two Brothers Pictures’ trademark heart and humour, this anticipated female led action thriller is set against the idyllic backdrop of a remote The Assassin Greek island. It’s here that retired assassin Julie (Keeley Hawes) and her estranged son Edward (Freddie Highmore) find themselves thrown together. Amid questions around Edward’s paternity and Julie’s dangerous past catching up with her, the pair are forced to flee the island and go on the run. Episodes/length: 6x1 hr Trailer

The Traitors A global format phenomenon, over 35 adaptations of The Traitors have now been commissioned. These include a local version set to air in Mongolia and Prime Video’s anticipated Indian adaptation. The Traitors is an intense psychological adventure in which treachery and deceit are the name of the game.

Parenthood

The Traitors

From the genre leading team at Silverback Films, Parenthood is a definitive natural history series about life’s greatest challenge-raising children. Narrated by David Attenborough, the series features never before seen animal behaviours and delivers a universal message about the importance of preserving the natural world. Filmed using latest 8k technology, the series is filled with epic storytelling and breathtaking moments.

Episodes/length: 5x1 hr

Parenthood

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Programming: Syndication & Licensing

All3Media International is one of the leading independent distributors of television programming and formats in the UK. As the distribution arm of All3Media Group, All3Media International manages a distribution catalogue spanning more than 35,000 hours of content across all genres.

Programming: Syndication & Licensing

Founded by three seasoned leaders in the entertainment industry – Jonathan Spink, Anne Chan, and Ronan Wong – AR is a unique powerhouse in the media landscape. Together, they drive international collaborations in the production of scripted series, movies, reality, and micro drama content. With a robust distribution network, AR represents premier studios across Asia, delivering a diverse array of content including K-dramas, C-dramas, animation, reality shows, and micro dramas.

AR Asia Productions 29-31F, Tower 5, The Gateway, 15 Canton Road, Harbour City, Tsim Sha Tsui, Kowloon, Hong Kong

Who’s who...

Anne Chan CEO T: +852 9516 8622 E: N@arasiaproduction.com Ronan Wong COO T: +861 86 0043 0809 E: RW@arasiaproduction.com

Ronan Wong

Anne Chan

Asia focus in 2025

Anne Chan, CEO, AR Asia Productions

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Movie, reality, animation and micro drama

Co-Production

• Movie: AR spearheads the Rocket Programme, a strategic movie co-development initiative uniting film companies from Taiwan, Korea, Thailand, and Indonesia. Supported by Taiwan Creative Six movies co-development collaboration Content Agency (TAICCA) and organised in partnership with MyStory Entertainment, the programme aims to drive six co-produced film projects from script stage through to market-ready pitches at TCCF 2025.

• Variety: AR and Taiwan’s TAICCA launched the LEAP Co-Development Programme: Variety Show, attracting 85 submissions and featuring eight top Korean producers. It concluded with a final pitch at ATF 2024 in Singapore. A regional co-production is set for 2025, with AR executive producing alongside Culinary Class War writer Mo Eun-seol.

• Pre-school animation: AR launched the All Star Pre-School Animated Series Creative and Co-Development Programme with Taiwan’s PTS XS to connect Korean and Taiwanese creators for co-productions. Two projects were selected and have entered development with leading Korean animation companies.

Micro Drama: Co-Production & Regional Distribution Over 150 micro dramas have launched across various platforms in the region to date, with several dedicated micro drama apps set to roll out on major telco shelves across Southeast Asia.

Top shows are…

Trailer Credit: Media Caravan

Collaboration is at the heart of innovation in content production and distribution. By working with leading studios and government partners, we’re tackling Asia’s market challenges head-on and aligning resources for greater impact. In 2024-2025, milestones included simulcasting six K-dramas across Southeast Asia and expanding into C-dramas and animation. As early adopters of micro dramas and dedicated platform apps, we’re focused on staying ahead of industry trends. Partnerships with Taiwan’s TAICCA, Singapore’s IMDA, and major studios have enabled initiatives like LEAP, the ALL Stars and the Rocket programmes, supporting over ten new projects set to launch in 2025.”

Genres

The Litchi Road The Litchi Road follows Liu Yuchun, a minor Tang Dynasty official, on a risky mission to deliver fresh litchis to Emperor Xuanzong’s concubine, Yang Guifei – only to be caught in the treacherous web of Imperial court politics. Genre: Chinese history/ costume drama. Episodes/length: 35x45 mins

The Maverick Academy

The Litchi Road

Trailer A groundbreaking opportunity for aspiring chef entrepreneurs, spearheaded by celebrity chef Alvin Leung, The Maverick Academy is an innovative show aims to inspire and mentor a new generation of culinary talent. With thousands of applicants from Hong Kong, Thailand, Indonesia, the Philippines, Malaysia, Singapore, Vietnam, and India, Alvin will guide his protégés through an exhilarating journey of self-discovery and The Maverick Academy growth. Genre: Reality/cooking (English-language). Episodes/length: 5x47-55 mins (acquired by Netflix, Mediacorp Singapore, TrueID Thailand, Cathay Pacific and Singapore Airlines).

The Mayor’s XXL Wife: Her Stunning Return (Micro Drama) 300-pound Sophia married her longtime love, expecting happiness. Betrayed by his assistant, she chose self-transformation. After losing weight, she stunned everyone and focused on her career until her regretful, arrogant husband shamelessly begged her back. Genre: Romance micro drama. (English-language).

Episodes/length: 38x1.5 mins

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Trailer

The Mayor’s XXL Wife: Her Stunning Return 7

Astro Malaysia Holdings Berhad is Malaysia’s leading content and entertainment company, reaching 5.2 million homes, 8,900 enterprises, 16.3 million weekly radio listeners, and 13.5 million monthly digital visitors. We offer Astro Pay-TV, NJOI Prepaid, sooka OTT, and Astro Fibre broadband. Our Ultra and Ulti Boxes deliver 4K UHD and HD streaming, with access to Astro Originals, live sports, and global streaming apps. Through Astro Radio and digital brands like AWANI, SYOK, and Gempak, we connect Malaysians to stories that matter.

All Asia Broadcast Centre Technology Park Malaysia Lebuhraya Puchong-Sungai Besi Bukit Jalil, 57000 Kuala Lumpur Malaysia Corporate https://corporate.astro.com.my/ Commercial https://www.astro.com.my/ Astro GO https://astrogo.astro.com.my/ Content & Channel https://content.astro.com.my/ https://www.facebook.com/Astro

Who’s who...

Euan Smith Group Chief Operating Officer, Astro Agnes Rozario Chief Content Officer, Astro

Euan Smith

Agnes Rozario

Genres Our content strategy is anchored in a 360-degree content approach, ensuring that every title is designed to thrive across multiple platforms – film, TV, OTT, social media, and immersive unpirateable on-ground experiences. This multi-platform mindset allows us to deepen audience engagement while unlocking diverse monetisation opportunities. Astro produces a wide range of genres including TV shows, films, sports, kids programming, animation, travel, live music competitions, and talent search formats. This genre diversity enables us to cater to different audience segments while maintaining creative and commercial agility.

Original production/co-production Co-productions have worked well in the film space enabling us both domestic and regional exposure for our films and well as strong support from sponsors.

We place strong emphasis on original productions, with standout titles such as Aadhira, First Wives, and Big Stage Alpha, a boyband/talent discovery format that has already produced two music hits and built a loyal fanbase. We actively produce and co-produce across film, drama and non-scripted formats, including live shows. Our collaborations with clients and partners often involve developing creative solutions tailored to their audience and brand objectives.

Asia focus in 2026 Looking ahead to 2026, our primary focus in Asia will be guided by relevance and audience behaviour. We aim to champion local IPs and stories that extend beyond Malaysia, unlocking better monetisation and distribution opportunities with regional partners. Live original formats will remain a core offering, while we continue building a pipeline of digital and social-first content designed for engagement and monetisation.”

Trends & Outlook in the next 12 months

Agnes Rozario, Chief Content Officer, Astro

First, generative AI and hyper-personalisation will be leveraged on more by platforms to tailor experiences, enabling more dynamic and responsive storytelling. This will not only enhance viewer satisfaction but also open new avenues for data-driven monetisation. Sports remains one of the genres that consistently delivers real-time audience attention but will be the focus of fewer platforms given the costs as well as expertise to deliver that best-in-class experience. Third, we foresee a surge in on-ground experiences that are both un-piratable and monetisable – meet-and-greet events with K-stars, concerts, and fan activations and extensions of big hits eg Netfliux’s K-pop Demon Hunters Sing Along in cinemas.

These formats offer unique value propositions for both audiences and brands.”

Dia Imamku

Agnes Rozario, Chief Content Officer, Astro

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Top shows are…

Trailer

Another Malaysian drama series by Siti Rosmizah where Humairah is forced to marry Amiruddin to save her family from financial hardship and a villainous cousin, Dahlia. Despite her initial resentment and pretense of love, Humairah experiences her true feelings for Amiruddin as she navigates societal pressures and the return of her past love, Rafiq.

The story explores themes of true love, sacrifice, and the strength of a husband’s devotion. Episodes/length: 53x45 mins

Big Stage Alpha

Trailer A Malaysian singing competition series focused on showcasing and developing talented male artists, particularly to build a new boy group, Alpha. Episodes/length: 8x150 mins

Sepak Takraw League (STL) STL is on an 11th season continues to be a prominent professional sepak takraw league in Malaysia, a sport native to Southeast Asia.

Matches are broadcasted live on Astro and sooka. Episodes/length: more than 164 matches (60mins-90mins per match)

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Programming: Programming:Syndication Syndication&&Licensing Licensing

Content powerhouse Banijay Entertainment is home to over 130 production companies across 21 territories and distributes a catalogue of over 200,000 hours of original standout programming.

Banijay Entertainment 20th Floor, Lotus Grandeur Veera Desai Road extension Andheri West, Mumbai – 400053 India W: www.banijayrights.com E: sales@banijayrights.com

Who’s who...

Rashmi Bajpai EVP Asia, Banijay Rights E: Rashmi.Bajpai@banijayrights.com Pertash Koul VP Sales, Banijay Rights E: Pertash.koul@banijayrights.com

Genres Banijay Entertainment offers a multitude of genres including entertainment, reality, gameshows, variety, drama and comedy - both scripted and unscripted.

Original production/co-production We started the year on a great note, with MasterChef The Professionals Thailand doing well on Channel 7 and Netflix in Thailand. MasterChef has also been commissioned for two new Asian territories in 2025, which will be announced soon.

Pinoy Big Brother Season 12 is continuing the leadership trend for us in the Philippines and has become a successful collaboration with GMA and our long-term partners ABS-CBN. We have recently concluded Puzzle Masters Season 8 in China and Season 9 will go into production next year.

Our finished content also has local flavour added with shows including Jeremy Pang’s Hong Kong Kitchen and Leave No Trace that both focusing and showcasing Asian territories.

Top shows are…

Rashmi Bajpai

Pertash Koul

Asia focus in 2025 At Banijay Entertainment we hope to be the bridge between the east and the west, by bringing the best of global content and formats to the Asian market. We have some truly remarkable shows in our finished catalogue such as detective series Bergerac, all of which transcend the cultural boundaries and showcase our promise of delivering impeccable storytelling. We hope to survive and thrive across the different countries by offering good value for good content such as our latest contemporary spin on the much-loved character Maigret, managing the global impact of Korean and Chinese dramas and the growing demand for local narratives.”

Rashmi Bajpai, EVP Asia, Banijay Rights

Half Man will be the iconic scripted show to watch out for in 2025. It is a six-episode drama series from the multi award-winning Richard Gadd (Baby Reindeer, Against the Law), who stars alongside BAFTA award-winning actor Jamie Bell (All of Us Strangers, Rocket Man) with the pair playing estranged brothers. The series is produced by Mam Tor Productions (a Banijay UK company) for the BBC and BBC Scotland in co-production with HBO. Our factual slate is led by Tribe with Bruce Parry, in which TV, filmmaker and indigenous rights advocate Bruce Parry returns to TV after more than a decade. In this new three part series, he travels to visit extraordinary communities, diving deep into their traditional ways of Tribe with Bruce Parry life – including a rare glimpse of the world’s last megalithic culture, The Sumba in Indonesia. The series is produced by Frank Films for BBC Two and BBC iPlayer.

In our format slate, AI Love You – created and produced by Banijay Nordic label Nordisk Film TV, Denmark for TV 2, seamlessly integrates the much talked about AI tech in a deeply emotional human scenario via a life affirming social experiment.

AI Love You

Trends & Outlook 2025 In 2025, we will witness media businesses looking at hybrid models to explore additional revenue streams. Shorter holdback windows for second screen rights will become the norm with key TV shows coming onto a third-party digital platform within hours of premier broadcasting. There is no doubt that there will be an increase in adopting AI across productions which will form an integral part of new format innovations.

Rashmi Bajpai, EVP Asia, Banijay Rights

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BEC World Public Company Limited (BEC) is Thailand’s leading entertainment powerhouse, producing and distributing premium Thai-language content for over 56 years. As the operator of Channel 3 and the streaming platform 3Plus, BEC delivers top-rated dramas, news, and variety shows, producing over 500 hours of new programming annually featuring Thailand’s biggest stars. Through its global licensing network and 3Plus’s AVOD and SVOD services, BEC brings the best of Thai entertainment and authentic Thai culture to audiences in Thailand and worldwide.

BEC World Public Company Limited 3199 Maleenont Tower Floor 2-4, 7, 9-10, 30-34, Rama 4 Road, Klongton, Klongtoey, Bangkok 10110 Thailand Social Media Ch3Thailand for CH3 Official CH3Plus for CH3 OTT Scan to visit BEC.thaitv3.com

Who’s who...

Duangnapa (Hong) Termkraisri AVP – IP & Contract Management E: Duangpana@becworld.com Piyachat (Bik) Artavan AVP – International Content Management E: piyachat_a@becworld.com Nantika (Eve) Nuchpoom Senior Account Manager, International Business E: Nantika_n@becworld.com Kawalin (Gift) Chantawatkul Senior Account Manager, International Business E: Kawalin_c@becworld.com

At BEC World, we are fundamentally a content company dedicated to producing TV serials and movies that resonate in Thailand and the ASEAN region. We constantly strive to be the best storytellers in the industry. Our diverse range of productions features tentpole titles that highlight Thailand’s rich history and culture, as well as popular genres like ROM-COM, drama, and BL/ GL, all of which have garnered international fans.”

Tracy Ann Maleenont Assistant to Group COO, BEC World PLC

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Genres We offer a variety of genres, including romance, comedy, drama, fantasy, and LGBTQ+.

Asia focus in 2026 Our focus in 2026 is to expand BEC’s regional footprint through strategic partnerships, co-productions, and talentled franchises, while strengthening our digital ecosystem via 3Plus. At the core of everything, we remain committed to maintaining the highest content quality as Thailand’s leading content creator – delivering premium, culturally authentic stories that resonate across Asia and beyond.

Tracy Ann Maleenont, Assistant to Group COO, BEC World PLC

Top shows are…

Trailer

Brothers / สองหัวใจ

Dom, a talented young boxer, goes undercover to infiltrate the powerful crime empire of Oab, a key figure in a nationwide syndicate. As the mission grows more dangerous, Dom’s wife Fon – a determined police officer – enters the criminal world to protect him. There, she unexpectedly reunites with Oab, her first love, who vanished years ago and now wants her back. As loyalties blur between duty, love, and betrayal, the trio is pulled into a dangerous web of secrets.

Meanwhile, a ruthless cop named Champ manipulates events from the shadows.

As the truth emerges, their lives collide in a high-stakes battle that will change everything.

Trailer

Wrong Side of the Rainbow / รักหักหลัง

Pie thought she had finally moved on when she married Pun, the kind man who mended her broken heart. But her world unravels when Win – her first love and the one who left her shattered – reappears as Pun’s close friend. Old passions reignite, exposing buried secrets that threaten to destroy everything Pie has built. As truth, betrayal, and desire collide, Pun, Pie, and Win are forced to confront the past and the painful choices that bind them. In this tangled web of love and lies, can they find forgiveness – or are some wounds too deep to heal?

Trailer

Beneath the Lies / ตะวันลวง

Rawee and Phakorn grew up together, not by blood but as brothers, sharing a bond closer than family. However, their relationship begins to unravel when Alyssa, the woman they both love, enters their lives. As a secret love triangle forms amidst the turmoil, Phakorn suddenly falls ill, prompting Rawee to uncover that he is the rightful heir to a vast fortune. With the power to save his brother’s life, Rawee sacrifices everything, believing this will lead to a happy resolution. Yet, what seems like closure is merely the start of a tangled web of lies that will alter their lives forever.

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Boat Rocker Studios 17/F, Millennium City 3 370 Kwun Tong Road, Kwun Tong Kowloon, Hong Kong T: +852 3759 1675 W: www.boatrocker.com https://boatrockercontentsales.com/ @boatrocker @Boat Rocker Studios

Genres

Who’s who...

Trends & Outlook 2026

Henry Or SVP, Strategic Partnerships, Asia Fabien Ching Senior Manager, Global Sales & Licensing, Asia

Fabien Ching

Scripted, Factual, Kids & Family (live action & animation), Feature Documentary

Original production/co-production Boat Rocker Studios has partnered with Japan‘s AX-ON, a subsidiary of Nippon TV, and Finland’s ICS Nordic to co-produce Blood & Sweat, a new eight-part premium scripted crime thriller series for Japanese streamer Wowow and Finland‘s Nelonen. The series is set to air in Japan in April 2026 with Boat Rocker distributing the series globally.

Mega-media consolidation seems unlikely to end any time soon. We will likely see consolidation extend to the production industry with M&A occurring at indie studios. We’ll see more format remakes and co-production between diverse territories, as many producers have become risk averse and are looking to share the cost and rights with partners, and draw on the success of proven formats. While the use of AI in content production has become more common than ever, the industry might start discussing protocols for its usage to avoid ambiguity and protect creatives.

Henry Or, SVP, Strategic Partnerships, Asia, Boat Rocker Studios

Top shows are…

Asia focus in 2026 While continuing to distribute our catalogue is a key focus, we are proud to present our first international co-production drama with our Japanese and Finnish partners and are excited to foster new potential co-production opportunities. We’ve also closed numerous scripted format deals in Asia for our own IP and third-party deals for Chinese remakes. This is now a core line of business for Boat Rocker Studios in Asia. We will be representing international studios, helping them bridge their content with the east via our strong connections in the region.

Blood & Sweat Two detectives from different cultures embark on a joint investigation into a mysterious serial murder case that stretches from Finland to Japan. Genre: Scripted, Thriller. Episodes/length: 8x45 mins

Dino Ranch: Island Explorers The Cassidy clan head to the mysterious Dino Island, home to Uncle Jack Cassidy and lots of new dinosaur species. Genre: Kids & Family, Animated. Episodes/length: 52x11 mins

Blood & Sweat

Trailer

Great Estates Using cutting-edge drone and aerial photography, Great Estates reveals Britain’s most magnificent country houses and palaces from an entirely new perspective. Genre: Unscripted, Lifestyle. Episodes/ length: 4x60 mins

Dino Ranch: Island Explorers

Trailer

Henry Or, SVP, Strategic Partnerships, Asia, Boat Rocker Studios

Great Estates 10

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Programming: Syndication & Licensing

An independent, integrated global entertainment company, Boat Rocker Studios’ mission is to tell stories and build iconic brands across all genres and media. With offices around the world, Boat Rocker brings end-to-end creative expertise, robust business operations, and global franchise capabilities across Scripted, Unscripted, Documentary, and Kids & Family. Its services span production, distribution, and brand & franchise management. In partnership with Industrial Brothers, Boat Rocker develops, produces, and exploits Industrial Brothers’ original animated series for preschool and family audiences.

FremantleMedia Asia Pte Ltd 3 Fusionopolis Way Symbiosis, #06-21 Singapore 138633 W: www.fremantle.com fremantle fremantlehq company/fremantle Screening Room https://fremantlescreenings.com/

Who’s Who...

Haryaty Rahman EVP Distribution Asia, International E: Haryaty.Rahman@fremantle.com T: +65 6307 7232

Genres Across Asia, Fremantle distributes formats and finished content in all genres – Entertainment, Drama, Documentary and Lifestyle.

Production

We’re over the moon that our beloved Pilipinas Got Talent is finally back on air after a few years of rest. Viewers can also expect to see our first ever Hong Kong’s Got Talent launch very soon. More youth versions of our format shows are in the pipeline too and we hope to launch them later this year.

Asia focus in 2025 Asia’s media landscape is now more colourful than ever, with each territory paving its own path, sometimes bucking certain trends from the West. We want to be more adept at spotting the challenges and opportunities within Asia’s varied media landscape so that we are better positioned to drive our business.”

Haryaty Rahman, EVP Distribution Asia, International

Top shows are...

Costiera Haryaty Rahman

An action-packed crime procedural set in Italy’s stunning Amalfi coast After being forced out of U.S. military intelligence, Daniel de Luca retreats to the sun-drenched Amalfi Coast where he discreetly works behind the scenes, solving problems for guests at a luxury hotel. But beneath the glittering surface, a darker task awaits – he must uncover what has happened to the hotel owner’s missing daughter. Starring Jesse Williams (Only Murders in the Building, Grey’s Anatomy) and directed by Emmy Award-winner Adam Bernstein (Breaking Bad, The Sinner). Genre: Action Comedy. Episodes/length: 6x60 mins

War of the Kingdoms

From the creators of Resident Evil and Shadow-hunters.

Inspired by the ancient legend, old magic is dying, and enemies are rising in this epic tale of war, vengeance and love. Set in the medieval kingdom of Burgundy, a dragon-slayer’s arrival, a forbidden romance, and the quest to marry a Valkyrie queen, spark a catastrophic chain of events that will change everything. Genre: Action Drama. Episodes/length: 6x60 mins

Sandokan War of the Kingdoms

Epic pirate-adventure based on the iconic series of novels by Emilio Salgari.

In 1800s Borneo, fearless pirate leader Sandokan infiltrates a British outpost, uncovering a dark colonial secret. Amid danger and deception, he kidnaps the consul’s spirited daughter, setting the stage for a dramatic clash of love, loyalty, and a fight for freedom. Starring Can Yaman (Daydreamer), Ed Westwick (Gossip Girl) and John Hannah (The Mummy).

Genre: Action. Episodes/length: 8x60 mins

Scrabble

The world’s favourite word game SUPER-CHARGED for the screen.

This format is a game show based on the classic board game, Scrabble. In each episode, contestants battle it out by playing a series of Scrabble-inspired word games on a giant Scrabble board in the centre of the set. Two pairs of players progress through three Acts of unscrambling and creating words for the chance to win a cash prize. Genre: Gameshow Format

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Fremantle is a leading global distributor, creator and producer of some of the world’s most successful content across Entertainment, Drama & Film, and Documentaries. Amplifying local stories on a global scale, Fremantle produces and delivers premium, multigenre IP across the 27 territories it operates in. Fremantle is a proudly independent group of content creators, and home to some of the biggest entertainment formats, compelling international dramas, award-winning films and high-quality documentaries.

Kanal D International Göztepe, Melda Sokağı, 34214 Bağcılar/İstanbul T: +90 212 413 5111 E: kdisales@kanald.com.tr W: https://kanald.international/

Who’s who...

Elif Tatoğlu Distribution Strategy Director E: elif.tatoglu@kanald.com.tr Yasemin Keskin mailto: elif.tatoglu@kanald.com.tr Sales Manager, MENA, APAC & Global Inflight Entertainment Distribution E: yasemin.keskin@kanald.com.tr

Elif Tatoğlu

Yasemin Keskin

Trends & Asia focus in 2025 Our primary goal is to highlight our latest titles, showcasing the diverse range of offerings in our catalog. While romantic comedies remain a vibrant and cherished genre, classical dramas continue to be the foundation of our business in the region. With this in mind, we thoughtfully curate the best titles that have received positive feedback both in Turkey and globally. We believe this selection not only aligns with current trends but also resonates deeply with audiences, ensuring a rich and engaging viewing experience for all.”

Format sales hold significant value in the region, as stories are often rooted in the traditional values unique to each country.

Given the distinct cultural values across Asia, the adaptation business plays a vital role in catering to these diverse preferences.”

Yasemin Keskin Sales Manager, MENA, APAC & Global Inflight Entertainment Distribution 8

Genres Premium Drama, Romantic Comedy & Formats

Top shows are…

The Family Burden

Trailer Melike, wrongfully imprisoned for twenty years, dreams of reuniting with her daughter, Hazal. Upon release, she faces a new prison of lies and betrayal.

As she uncovers the truth and searches for her husband’s real killer, Melike must confront the complexities of her daughter’s life, who has known another woman as her mother.

Genre: Drama (2024). Production Company: Süreç Film. Broadcaster & Country: Kanal D & Turkey. Episodes/length: 95x44 mins.

Secret of Pearls

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Azem’s happy life shatters when he takes the blame for his wife’s death to protect his daughter, leaving him confined, for years, in a jail cell. After prison, his only goal is to reunite with his children, who were taken under state protection and adopted by different families. Genre: Drama (2024). Production Company: BKM. Broadcaster & Country: Kanal D & Turkey. Episodes/length: 44 mins (in production) Trailer

Daylight

Gece’s summer dreams of university and music in Istanbul are disrupted when her family moves to Foça for her sister Gülce’s special needs. There she meets the handsome Özgur, who also has a brother with special needs. As Gece and Özgur grow closer, a tale of love, maturity and unexpected challenges unfolds. Genre: Drama (2023). Production Company: D Media. Broadcaster & Country: Kanal D & Turkey. Episodes/length: 45x44 mins

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Kanal D International is the global business arm of Kanal D, the leading TV channel of the Turkish broadcasting world. Operating under Europe’s leading media organization, Demirören Media Group, Kanal D has been creating quality content for the past twenty-eight years.

Accompanied by Kanal D International Networks brand, Kanal D International has grown within the content world to reach the end-user since 2018. The distribution arm of the company continues its activities under Kanal D International, and Kanal D International Networks is the business line that holds all linear assets.

Inter Medya is an international powerhouse based in Istanbul, backed by 33 years of experience and committed to transforming the Turkish TV industry landscape through the distribution of over 15,000 hours of high-quality content to more than 160 countries. Collaborating closely with Turkey’s leading producers, we offer a diverse array of TV series, mini-series, feature films, and unscripted formats that captivate audiences worldwide. Our dynamic team stays ahead of industry trends while innovating new ones, continually enhancing our offerings and expanding our global reach.

Inter Medya Esentepe Mah. Kore Sehitleri Cad. 16/1 34394 Zincirlikuyu, Istanbul, Turkey T: +90 212 231 01 02 W: www.intermedya.tv inter_medya https://www.linkedin.com/ company/itv-inter-medya

Top shows are…

Who’s who...

Can Okan Founder and CEO E: can.okan@intermedya.tv Hasret Ozcan President E: hasret.ozcan@intermedya.tv Pelin Koray Senior Sales, Acquisition and Strategy Manager E: pelin.koray@intermedya.tv

Can Okan

Hasret Özcan

Trends & Outlook 2025 In 2025, I anticipate three transformative trends shaping the Asian media landscape. First, international co-productions will gain momentum, fostering innovative cross-cultural storytelling and expanding market reach. Second, strategic intellectual property ownership will be paramount as content becomes an increasingly valuable asset, ensuring sustainable competitive advantages.

Finally, the rapid evolution of artificial intelligence is revolutionizing content creation – driving the rise of vertical, mobile-first formats and further solidifying the trend toward short-form content, which has already made significant inroads this year.

Pelin Koray, Senior Sales, Acquisition and Strategy Manager

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Each year, Inter Medya actively participates in numerous industry gatherings, reflecting our commitment to networking and diversifying our extensive catalog. Beyond distribution, we have evolved into formidable business developers and problem solvers. Guided by strong ethical values, we strive to deliver exceptional service to our partners. As we enhance the position of Turkish content on the global stage, we remain dedicated to expanding our footprint and growing our team, ensuring we lead the way in the entertainment industry and shape the future of storytelling.

Valley of Hearts

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Sumru, a woman who abandoned her twins, now lives a wealthy life in Cappadocia. When her twins, Nuh and Melek, discover her identity, they confront her and seek retribution. Meanwhile, the Şansalans’ mansion is rife with family drama, including a forced marriage, hidden agendas, and a looming threat from a past enemy. As love blossoms between the twins and the Şansalans’ children, Sumru must face her past and decide whether love can overcome revenge. Genre: Drama. Production: TIMS&B Productions. Cast: Ece Uslu, Aras Aydın, Hafsanur Sancaktutan, Leyla Tanlar, Burak Tozkoparan, Esra Dermancıoğlu, Burak Sergen, Genco Özak, İlker Aksum, Bülent Polat, Ayşe Tunaboylu, Gözde Çığacı, Derin İnce, Deniz Karabaş, Ferda Işıl, Işıl Yücesoy.

Loveberry

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Zuhal Erdem is a woman at the peak of her career as a personal development expert. She has achieved success as a love & relationship coach. However, she leads a completely different life at home with her family. After losing her mother at a young age, she dedicated herself to her father and three sisters. After years of loneliness, she meets Tayfun through her assistant Eylem, and faces significant challenges for the sake of this relationship – opposing her father, Çetin, and embarking on a journey filled with both love and heartbreak. Genre: Drama. Production; TIMS&B Productions. Cast: İrem Helvacıoğlu, Şükrü Özyıldız, Selin Türkmen, Aslı İnandık, EbrarKarabakan, Engin Şenkan. Episodes/length: 18x45 mins

Sayara Sayara, a Turkmenistanian young woman, works as a cleaning lady in an Istanbul gym owned by Barış – with whom she is having an affair. As his father is a member of Parliament, Barış is quite spolied. So, when her older sister, Yonca, is raped and killed by Barış and his three friends, the court deems Yonca’s death a suicide and releases the men. With countless similar cases, everyone thinks this will be forgotten. But not so, because of Sayara’s secret: her father is Shamil Bazarov, Turkmenistan’s former special operations commander, one of Turkmenistan’s most trusted deep state figures and the Soviet Sambo champion. Shamil trained his little daughter Sayara like a spy in close combat, and Sayara vows to execute her own justice. Genre: Action-Crime Drama. Production: Inter Yapim. Cast: Duygu Kocabıyık, Emre Kızılırmak. Length: 90 mins

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Trailer Three siblings, scarred by a broken past, unite for revenge. Their target: a wealthy family harboring dark secrets. But hidden identities and conflicting loyalties threaten their plan. Umut, disguised as a lawyer, finds himself falling in love with Güneş, the object of his revenge, and conflicting loyalties threaten their plan. As love and vengeance clash, truth unravels, forcing everyone to choose a side.

Who is bad, who is real, who is fake? Who will win this twisted game of betrayal? Genre: Drama. Production: Acun Medya & Fabrika Yapım. Cast: Akın Akınözü, Bensu Soral, Talat Bulut, Rıza Kocaoğlu.

Episodes/length: 82x45 mins

Poison Ivy Though Macide comes from a poor family, she leaves a successful business career in order to use her psychology degree and work healing others.

She falls madly in love with Kazım Işık, the smartest and the most successful businessman in the country, who finally returns her love at his weakest moment.

However Kazım Işık is married to Nermin. Can he protect Macide from the cruelty of the rich and powerful life he created? Can Macide preserve the purity, innocence, and sensitivity she had when she first met Kazım? This is the story of a young woman who falls in love for the first time and heals herself by healing others, a love story that tells of two souls finding each other, despite the whole world, despite even themselves. Genre: Drama. Production: TMC Film & Alim Yapım. Cast: Neslihan Atagül Doğulu, Kadir Doğulu, Sarp Levendoğlu, Zuhal Olcay.

Episodes/length: 83x45 mins

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The Ivy

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A woman running out of the crime scene covered in blood: Ezgi… A woman whose dead body is lying on the ground: Arzu… Flashback to when this story begins, when Ezgi’s seemingly perfect life with her husband, Kerem, takes a dark and twisted turn, the moment a stranger claims Kerem wants to kill her. As Ezgi grapples with trust, she forms an unlikely bond with newcomer Arzu, who inadvertently sparks chaos in their housing complex. Friendships crumble and dark truths emerge, culminating in Arzu’s murder. The police investigation unveils a tangled web of deception, secret affairs, and lies within the community, where no one is who they seem. Genre: Drama, Crime, Mystery. Production: TOD Originals. Cast: Burcin Terzioglu, Onur Tuna, Hazal Turesan, Yigit Kirazci.

Episodes/length: 16x60 mins

Our primary focus for the region is to broaden our distribution channels across both traditional TV and emerging VOD platforms by licensing our extensive catalogue of ready-made content.

We are excited about the potential of our latest drama series, VALLEY OF HEARTS (Siyah Kalp), which is well-positioned for success in the SAARC region. Alongside this, we are actively pursuing licensing deals for both scripted and unscripted formats. Following our recent success with the Korean remake of our romantic comedy, LOVE UNDERCOVER (Ruhun Duymaz), we are now in advanced discussions for additional remake projects.

Complementing our series, mini-series and feature films is a dynamic format catalogue that spans dating, reality, and music shows – exemplified by our newly launched singing competition, CROSSOVER, where contestants perform across various musical genres.”

Pelin Koray, Senior Sales, Acquisition and Strategy Manager

Love Undercover

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Onur Karasu, a brilliant young intelligence agent known for his analytical mind and diverse skills, has been trailing Civan Koral, who appears as the owner of a prestigious jewelry company but secretly represents an international crime syndicate. Learning of Civan’s plan to leave the country, Onur changes tactics, romancing Hilal, Civan’s sister, to gain access.

However, a masked jewel thief, revealed to be Ece, beats him at his own game. Ece threatens to expose Onur unless they collaborate. Their tumultuous, fun, and dangerous relationship gradually brings them closer together. as they fall deeply in love. But both carry hidden truths. Can love triumph over adversity?

Together, they’ll discover the answer. Genre: Romantic Comedy. Production: O3 Media. Cast: Şükrü Özyıldız, Burcu Özberk, Tuğrul Tülek, Aslı Sümen.

Episodes/length: 28 x 45 mins

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Asia focus in 2025

Tuzak

Media Prima Content & TV Networks (MPCTN) is Malaysia’s leading integrated television and content group. Portfolio includes free to air channels TV3, 8TV, TV9 and ntv7, alongside streaming platform Tonton, content studio Primeworks Studios, home shopping network WOWSHOP, and artist management and music label Alternate Records & Talents. MPCTN delivers high-performing local IP across broadcast, digital, film and commerce, driving strong audience reach, box-office success and sustained consumer growth.

Media Prima Content & TV Networks (MPCTN) 31, Jalan Riong, Bangsar, 59100 Kuala Lumpur, Malaysia E: contentdistribution@mediaprima. com.my

Who’s who...

Nini Yusof CEO, Media Prima Content & TV Networks Devi Ponusami Manager, Content Distribution, Media Prima Content & TV Networks

Genres Media Prima Content & TV Networks (MPCTN) delivers programmes across multiple genres, with a defining strength in scripted drama. As Malaysia’s leading drama producer, MPCTN specialises in long form and micro drama series, anchored in romance, melodrama and family centred storytelling, with flagship titles drawing average viewership of around three million and strong audience loyalty across Malaysia, Brunei and Singapore.

Beyond drama, MPCTN produces and distributes films in mass appeal genres including horror, comedy and action, designed to resonate widely as viewing habits continue to evolve across platforms. High-quality documentaries – recognised for a cinematic approach and focused on Islamic narratives, crime investigation, and educational content – further reinforce MPCTN’s position as a trusted storyteller across formats.

Original production/co-production

Devi Ponusami

MPCTN develops compelling, socially relevant original content rooted in real lives and everyday experiences, allowing audiences to connect authentically across platforms. MPCTN is actively involved in local production and regional coproduction. Recent and notable collaborations include documentaries such as Nomad Terakhir, reality and variety collaborations like Mr Player, as well as drama productions including Rumah Menanti Cahaya and Kicking of The Lemoi’s Dream. These projects reflect ongoing partnerships with Korea, China, Japan, Indonesia and Thailand, supporting cross-border creativity and extending the reach of Malaysian content across Southeast Asia.

Top shows are…

Trends & Outlook 2026

Scripted fiction will remain the primary growth driver, led by long-form series and the rapid expansion of micro drama, which deliver strong engagement and scale effectively across platforms. Films will continue to play a key role, particularly in massappeal genres that perform well across theatrical and digital windows. At the same time, hybrid docudrama formats are gaining momentum, combining factual storytelling with cinematic treatment across investigative, social, travelogue and political engagement content.”

Nini Yusof, Chief Executive Officer, Media Prima Content & TV Networks (MPCTN)

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Separuh Nafas Cinta / Forced to the Altar Abandoned on the eve of her wedding, Ariana is forced into a marriage of convenience with Hariz, her fiancé’s younger brother. What begins as a six-month agreement turns into a quiet nightmare under one roof – ruled by a cruel, unforgiving motherin-law. Trapped between duty and desire, Ariana and Hariz must survive love born out of sacrifice, pain, and impossible choices.

Cast: Ariana Yusof, Zazzleen Zulkafli, Amri Dahlan (60x2/3 mins) Micro drama series (@dramasangat) TikTok

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Keluarga Itu / That Family Behind the respected image of a revered Tahfiz figure lies a family quietly unraveling.

As Iman and Chempaka struggle to hold their household together, long-buried secrets begin to surface – testing faith, loyalty, and the true meaning of righteousness. When belief is put on trial at home, can virtue survive its hardest test?

Cast: Rosyam Nor, Umie Aida, Puteri Balqis Genre: Drama (28x42 mins) No.1 Malay drama in 2025 No.7 Google Trends of 2025 in Malaysia 1.2 billion social media reach (source: meltwater & sproutsocial) 11 million TV viewership in Malaysia

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Trailer A resilient single mother reunites with her first love and dares to believe in happiness again. But beneath the warmth of marriage lurks a vengeful mother-in-law and a web of lies meant to destroy it from within. Cast out yet unbroken, Husna’s quiet loyalty becomes the key that exposes betrayal – and restores truth where love was nearly lost.

Cast: Izara Aishah, Remy Ishak, Zara Zya Genre: Drama (20x42 mins) Acquired by iQIYI; ranked top 5 throughout its run 800 million social media reach 9 million+ TV viewers in Malaysia (source: Nielsen) Aired on Singtel Singapore; among the platform’s most-watched dramas

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BRU / BREW This award-winning drama series follows a bighearted mover who dreams of transforming his late father’s battered van into a mobile coffee business. Reality hits hard: capital constraints, ruthless competitors, demanding customers, and his own fiery temper. As ambition threatens to cost him his friendships and family, Shah learns that success means little if you lose the people who believed in you first.

Cast: Shukri Yahaya, Siti Hariesa, Amerul Affendi Genre: Drama (10x21 mins) Directed by Nik Amir Mustapha, one of Malaysia’s most influential contemporary filmmakers, known for award-winning titles including KIL, NOVA, and Imaginur, which have elevated Malaysian cinema on both local & international stages.

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Jejak Rasul: Ramadan Di 3 Tanah Suci This season journeys through the heart of Ramadan across three sacred lands – Saudi Arabia, Jordan, and Palestine. From sahur in Makkah to tarawih at Jordan’s Sahabat Mosque and qiyamullail at the Cave of Hira, the series captures moments of devotion where faith, history, and reflection converge.

Host: Fedtri Yahya Genre: Docu (20x15 mins) One of Malaysia’s longest-running religious documentary series A trusted Ramadan viewing staple

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We will continue to deliver premium documentary and drama content, reinforcing our position as Malaysia’s leading content producer and a trusted regional supplier. Documentary remains a core pillar of our strategy, spanning magazine formats, investigative journalism, biopics, human-interest and travel storytelling, produced with strong cinematic execution and editorial credibility.

Alongside this, our scripted drama slate continues to perform strongly with toprated and popular titles.

Our 2026 focus is to scale documentary and drama productions regionally and deepen partnerships across Asia, positioning Media Prima as a preferred source of impactful, culturally relevant content that travels and delivers across markets.”

Nini Yusof, Chief Executive Officer, Media Prima Content & TV Networks (MPCTN)

Tinta Syurga / Notes From Heaven This award-winning special documentary marks Nuzul Al-Quran by tracing the sacred journey of a hand-written Quran – from painstaking calligraphy to mass printing for public use. A rare glimpse into devotion, discipline, and the quiet beauty behind preserving the holy text for generations...

Genre: Documentary (60 mins)

5 Rencah 5 Rasa / 5 Spices 5 Tastes

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Celebrates the richness of Malaysian cuisine as skilled chefs bring iconic dishes to life using the signature “5 Spices, 5 Tastes”. Blending traditional recipes with modern twists, each episode offers easy-to-follow cooking techniques, flavourful inspiration and a delicious journey through Malaysia’s diverse food culture.

Host: Dato’ Fazlee Yaakob Genre: Cooking show (8x21 mins, 2024) Available on Discovery, AFC, meWatch Multi-season series, with earlier seasons featuring celebrity chef Sherson Lian

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Asia focus in 2026

Sumpah Ibuku / A Mother’s Curse

Moonbug Entertainment 150 Neil Road, Level 2, Singapore, 088879 W: www.moonbug.com

Who’s who...

Amrita Sindhu Head of Distribution and Partnerships, APAC E: amrita.sindhu@moonbug.com

Genres Moonbug Entertainment offers family entertainment in Asia, through a mix of curation of our current content on linear and digital platforms with regional partners, and original content and collaborations with local partners such as Mediacorp and Sanrio. Our stories focus on music-driven learning, early childhood development, and everyday life skills. Designed for children aged 0–6 and trusted by parents globally, Moonbug’s portfolio combines high-quality storytelling, repeatable formats, and proven engagement across platforms.

These genres are distributed widely across linear television, AVOD and SVOD platforms, as well as branded digital and social channels, ensuring broad reach and consistent audience engagement across Asian markets.

Original production/co-production

Amrita Sindhu

Trends & Outlook 2026 Omnichannel preschool is now the baseline. Young families move seamlessly be‑ tween YouTube, AVOD, SVOD and linear, and expect trusted kids’ brands to move with them. The op‑ portunity is to activate the same IP across open and closed ecosys‑ tems, optimised for discovery, safe profiles and long‑term retention rather than treated as silos.

Preschool is increasingly educa‑ tion‑centric and co‑viewing led.

Commissioners and advertisers priori‑ tise content that blends early learn‑ ing, social‑emotional development and cultural discovery in formats par‑ ents are happy to watch alongside their children, enabling curated “safe learning” hubs, themed rails and fam‑ ily‑resonant brand partnerships.

360° IP ecosystems are now ex‑ pected. Shorts, games, live experi‑ ences and location‑based activa‑ tions are core to keeping kids en‑ gaged within a platform’s universe, unlocking sponsorship and retail, and helping local services stand out from global players.”

Moonbug continues to develop local and locally relevant productions, collaborations, and formats for Asia, anchored by its globally recognised IP. Recent initiatives include a new multi-year global partnership with Sanrio to create a crossover preschool series, titled CoComelon Playdates with Sanrio Friends, bringing Hello Kitty, Cinnamoroll, and other Sanrio characters together with JJ and friends.

Debuting in 2026, the series is positioned as a major tentpole for Asian audiences.

Moonbug also works closely with regional channels and platform partners across Asia, including Moonbug Channel carriage with curated line-ups featuring CoComelon, Blippi, and Little Angel, supporting local scheduling, curation, and language versions.

Blippi’s Singapore Adventures is a 20-episode co-produced live-action series with Mediacorp that takes Blippi to iconic Singapore locations. The series is tailored for regional families while remaining fully exportable to global markets.

Additional brand collaborations include partnerships with travel and lifestyle brands such as AirAsia, through AirAsia Buds animated shorts, telling Asia-based adventure and discovery stories designed for young children and families.

Top shows are…

Asia focus in 2026 Deepening distribution in Asia means dedicated channels (Moonbug Channel, Blippi & Friends), localised productions and robust on‑demand libraries, plus branded partnerships and live or pop‑up activations that keep Moonbug IP front‑of‑mind, helping clients drive acquisition, retention and sponsorship‑led revenue around beloved children’s brands.”

CoComelon remains the world’s most-watched preschool brand, with new episodes focused on early learning, emotional development, routines, and family moments, available in multiple Asian language dubs.

Amrita Sindhu, Head of Distribution and Partnerships, APAC

Little Angel is a fast-growing preschool favourite featuring original songs that help children learn through everyday experiences, widely available in local Asian languages.

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Blippi continues to perform strongly with new adventures that encourage curiosity, problem-solving, and real-world exploration, supported by extensive localisation.

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Moonbug is an award-winning global entertainment company inspiring kids to laugh, learn, and grow. Home to some of the world’s biggest kids’ brands – including CoComelon, Blippi, and Little Angel – Moonbug makes enriching content available on more than 150 platforms worldwide, including Netflix, Disney+, BBC iPlayer, and YouTube Kids. Its brands also span music, audio, games, consumer products, and live experiences.

Programming: Programming:Syndication Syndication&&Licensing Licensing

MQ Worldwide is the global media content distribution arm of the MediaQuest Group, providing award-winning, innovative and engaging stories from Philippine creative minds that resonate with global audiences. MQ Worldwide brings the latest Filipino content to the rest of the world. These include compelling TV series, awardwinning feature length films, gripping documentaries, and entertaining programmes produced by the MediaQuest Group through MQuest Ventures, Cignal, and TV5, in partnership with TVJ Productions, Viva Communications, and APT Entertainment.

MQ Worldwide Cignal TV, Inc. Launchpad Building, Reliance cor. Sheridan Sts., Mandaluyong, Philippines 1550 WhatsApp/Viber: +63 920 968 8843 W: https://mqworldwide.mediaquest. com.ph/

Who’s who...

Jeffrey H. Remigio Vice President, Head of Content Management, Acquisition and Distribution E: JHRemigio@cignaltv.com.ph Aileen G. Samson AVP, Head of Syndication and Affiliate Sales E: AGSamson@cignaltv.com.ph T: +63 920 968 8843 Melissa M. Regala Manager, Business Development E: MMRegala@cignaltv.com.ph

Aileen G. Samson

Melissa M. Regala

Asia focus in 2025 The MediaQuest Group is equipped with a full range of media platforms that include traditional TV, DTH, and OTT. We will continue to produce and aggregate content across all platforms that appeals not just to Filipinos, but to the global audience as well. Amidst the fast-evolving media landscape, MQ Worldwide recognizes that the Philippines will always remain a rich source of colorful storytellers and artists. With the recent success of Gomburza, The Kingdom, and Song of the Fireflies across local and international audiences, MQ Worldwide further showcases Filipino creative talent with our upcoming programmes and films.

Genres Drama, Action, Comedy, Horror, Lifestyle, Films, Narrative, Documentaries and Format programmes.

Top shows are…

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Song of the Fireflies Song of the Fireflies is inspired by the true story of the Loboc Children’s Choir from Bohol, Philippines.

Through their unique singing talent and the sheer determination of their teacher, the group has made waves in the music world and brought pride and honor to the Philippines from the 1980s to the present day. Genre: Musical Drama.

Length: 95 mins

The Kingdom The Kingdom features a reimagined Philippines that was never colonized. In the Kingdom of Kalayaan, Lakan Makisig faces a dilemma over who among his three children will inherit the throne: Magat Bagwis, known for his temper; Dayang Matimyas, who is at odds with him due to her past forbidden love; and Dayang Lualhati, the closes to his heart. The conflict escalates when Lualhati is kidnapped by unknown parties while on the way to her wedding with a Thai prince. Genre: Drama. Length: 133 mins

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Just Revenge Norman dela Cruz is a working student aspiring to become a lawyer.

But his life takes an unexpected turn when his mother and a retired judge named Benito Balmores engage in an intense legal dispute.

As a consequence, Benito orders the murder of both Norman and his mother. Norman survives the ordeal and vows to avenge the murder of his mother, yet he finds himself falling in love with Benito’s daughter Mercy. Genre: Action Drama. Episodes/length: 158x30 mins

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Jeffrey H. Remigio, Vice President, Head of Content Management, Acquisition and Distribution

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MyContent Distribution is a Malaysian content distribution company specializes in acquiring and licensing a wide array of content across various platforms.

Our catalog has a rich selection of films, television series, documentaries, and digital content, catering to the diverse tastes of audiences locally and internationally. MyContent is also actively involved in content production, collaborating with talented filmmakers, producers, and creative professionals to develop original and compelling projects. Through strategic partnerships, marketing initiatives, and a dedication to excellence, MyContent continues to shape the landscape of the entertainment industry in Malaysia.

MyContent Distribution Sdn. Bhd. Petaling Jaya, Selangor, Malaysia E: MyContent.Distribution@gmail.com W: https://mycontent.my/

Genres Malaysian films, documentary, series, magazine.

Original production/co-production MyContent produces originals, co-productions, and ready-made content.

Who’s who...

Lyn Nasihin Managing Director Seelan Paul AI Driven Content Lead

Top shows are…

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Tegkang (Film)

Lyn Nasihin

Seelan Paul

With over 25 years in content and product development across TV, radio, and digital, Seelan is the former CEO of Media Prima Radio and former COO of Media Prima TV Networks.

Widely respected for launching successful content products and championing audience-first strategies, he is now actively developing AI fluency to enhance storytelling and strengthen operational thinking. Bringing a builder’s mindset to this evolving space, he continues to craft meaningful, relevant content across multiple platforms.

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Set in the breathtaking highlands of Bario, Sarawak, Tegkang is a heartwarming and emotional drama that follows Rinai, a determined young woman with a condition that sets her apart, as she fights to fulfill a lifelong dream.

Caught between tradition, truth, and love, her journey unfolds amidst the vibrant culture of the Kelabit tribe and the beauty of rural Sarawak. This Sarawakianmade film blends romance, disability, and empowerment – championing the strength of community and the spirit of perseverance. With rich cinematography and an authentic local voice, Tegkang is a powerful, universal story ready to move global audiences.

Grit: Bonnie Bunyau Gustin Grit: Bonnie Bunyau Gustin is an inspiring true story of resilience, grit, and triumph. From a quiet rural village to the world stage, it follows Bonnie Bunyau Gustin – a determined para powerlifter – who defies the odds, pushes through intense physical pain, and breaks world records on his way to Paralympic greatness. More than a sports story, Grit is a celebration of spirit, sacrifice, and the unyielding pursuit of excellence.

Tebus (Film) Tebus is a gripping Malaysian thriller about redemption, secrets, and second chances. When a former criminal is forced to confront his dark past to save his kidnapped daughter, he is pulled into a dangerous game of cat and mouse. With time running out and enemies closing in, Tebus delivers high-stakes suspense, emotional depth, and unexpected twists – showcasing the best of Malaysian action storytelling with global appeal.

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NBCUniversal Global TV Distribution W: www.nbcuniversal.com Singapore (Asia HQ): 10 Collyer Quay, #20-05/10, Ocean Financial Center, Singapore 049315 T: +65 6675 1296 Japan: Atago Greenhills MORI Tower, Atago 2-5-1, Minato-ku, Tokyo 105-6208 Japan T: +81 3-6860-8967 Korea: 13th Fl. D1, D Tower, 17 Jong-ro 3-gil Jongno-gu, Seoul, Korea 03155 China: Room 1903-1908, ICC Office Building 2, No. 288 South Shaanxi Road, Shanghai, China, 200031

Genres We license film and TV content from all genres.

Original production/co-production NBCUniversal Formats, which is part of Universal International Studios, a division of Universal Studio Group, is the global sales team for scripted and unscripted formats. In 2024, the division strengthened its presence across Asia, including continued distribution of Korean formats – My Ranking (DiTurn) and Drive Thru-Oke (Space Rabbit); Spanish formats – 20 Little Piggy Banks and Don’t Say It (Phileas Productions) and The Secret Game Show Season 2, co-produced with ABC Japan, returned. In India, major first launches were secured, with Million Dollar Listing India on Sony Liv and Monk India debuting this year on JioHotstar, in addition to returning series SNL Korea (Coupang Play), Hollywood Game Night Thailand (Channel 3), and Singer Auction Vietnam (VTV3).

Top shows are…

Who’s who...

SALES Chris Taylor Managing Director, APAC, TV Distribution and International Networks & DTC E: chris.taylor@nbcuni.com Rajiv Dhawn SVP, Sales Liaison, Asia E: Rajiv.Dhawn@nbcuni.com

All Her Fault Marissa Irvine (Sarah Snook, Succession) arrives to collect her young son Milo from his first playdate, but the woman who answers the door isn’t a mother she recognizes. She doesn’t have Milo and has never heard of him. And so, begins every parent’s worst nightmare.

All Her Fault

Devil in Disguise: John Wayne Gacy

This gripping drama series peels back the twisted layers of Gacy’s life while weaving in heartrending stories of his victims; exploring the grief, guilt, and trauma of their families and friends, and exposing the systemic failures, missed opportunities and societal prejudices that fueled his reign of terror.

Chris Taylor

Rajiv Dhawn

Atsushi Miyasaka SVP, Sales Liaison, Japan & Korea E: Atsushi.Miyasaka@nbcuni.com Barry (Bumsun) Choi VP, Sales Liaison, Japan & Korea E: Bumsun.Choi@nbcuni.com Jessy Tse VP, Sales Liaison E: Jessy.Tse@nbcuni.com Susan Liu Director, Sales Liaison China E: susan.liu@nbcuni.com Gorden Li Manager, Sales Liaison E: Gorden.Li@nbcuni.com Yuki Yoshida Sales Manager, Japan E: Yuki.Yoshida@nbcuni.com Lynn Zhou Manager, Sales Liaison (China & Mongolia) E: Lynn.zhou@nbcuni.com PRODUCTION Linfield Ng VP, Format Sales & Production Asia E: Linfield.Ng@nbcuni.com

Trailer

Suits LA

Ted Black (Stephen Amell, Arrow), a former New York federal prosecutor, has reinvented himself representing the most powerful clients in Los Angeles. His firm is at a crisis point, and he must embrace a role he’s disdained his entire career. Ted is surrounded by a stellar group of characters who test their loyalties to Ted and each other while they can’t help but mix their personal and professional lives. All this occurs while we slowly unravel the events that years ago led Ted to leave behind everything and everyone he loved.

Suits LA

Asia focus in 2025 In 2025, our focus in Asia remains clear: delivering bold, premium storytelling that captivates audiences and drives engagement across platforms.

We continue to expand our slate with a mix of high-impact scripted dramas, gripping true-crime series, and compelling character-driven narratives that resonate with viewers in this dynamic region. Our upcoming lineup reflects this commitment and includes series such as All Her Fault, a riveting psychological thriller that taps into the growing appetite for layered, suspenseful storytelling; Devil in Disguise: John Wayne Gacy, which builds on the success of premium investigative crime documentaries, a genre that continues to attract strong viewership across Asia; and Suits LA, the expansion of the hit franchise, blending legal drama with high-stakes power plays, set against the glitz and glamour of Los Angeles. Additionally, Grosse Pointe Garden Society is a sharp, darkly comedic take on suburban intrigue; Atomic is a high-octane drama set in the world of nuclear espionage; and The Death of Bunny Munro is a visually striking adaptation of Nick Cave’s acclaimed novel, uniquely blending dark humor and emotional depth.”

Rajiv Dhawn, SVP, Sales Liaison, Asia

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Programming: Programming:Syndication Syndication&&Licensing Licensing

NBCUniversal Global TV Distribution is responsible for licensing and distributing NBCUniversal product to all linear and streaming platforms in North America and 200+ territories internationally. This includes a vast and diverse content portfolio of over 6,500 feature films and 170,000 television episodes, including current and classic titles, unscripted, kids, sports, news, and long and shortform programming from Universal Pictures, Focus Features, Universal Television, UCP, Universal International Studios, Sky Studios, Universal Television Alternative Studio, NBC Late Night properties, DreamWorks Animation, Universal Pictures Content Group, Telemundo, and more, as well as locally produced content from around the world.

OGM UNIVERSE Tomtom Mah. İstiklal Cad. Mısır Apt. No:163/17, Beyoğlu/İstanbul, Turkey Zip Code: 34433 W: www.ogmuniverse.com ogm_universe

Who’s who...

Ekin Koyuncu Karaman Global Distribution & Partnership Director E: ekinkoyuncu@ogmuniverse.com Mikaela Perez Sales Director (LATAM, US and IBERIA) E: mikaelaperez@ogmuniverse.com Canan Koca Sales Executive (CEE, Baltics & Europe) E: canankoca@ogmuniverse.com Mina Aslan Sales Executive (Asia, Africa, and Inflight) E: mina.aslan@ogmuniverse.com Nesrin Özkalay Marketing & PR Director E: nesrineyupoglu@ogmuniverse.com

Mikaela Perez

Canan Koca

Top shows are…

Trailer

The Fall Of The King Kenan Baran – The King – appears to have it all: wealth, power, and the perfect wife. But beneath the surface, betrayal, desire, and old wounds threaten to shatter his empire.

When one woman from his past reclaims her strength and another from a modest life becomes an unexpected temptation, Kenan’s reign begins to crumble. The Fall of the King is a gripping tale of passion, power, and the The Fall Of The King inevitable price of a life built on lies. OGM Pictures Production, STAR TV Broadcast. Genre: Drama. Episodes/length: 42x45 mins Trailer

Six of Us

Six of Us is a powerful drama about six siblings – Azize, Cemo, Zeliha, Fidan, Samet, and Balım – who flee Istanbul after the brutal murder of their parents. Pursued by Azize’s estranged father, Yavuz, they struggle to survive until they find refuge with their uncle Aslan. Azize, the eldest, becomes the protector of her siblings and is forced into a marriage with Devran to end a blood feud, Six of Us sparking an unexpected love. As Cemo grapples with his rebellious nature and feelings for Melis, Zeliha hides a dangerous affair with Yusuf, while Fidan works tirelessly to keep the family together. Samet and Balım navigate the harsh realities of their new life. At its core, the series explores themes of family, love, sacrifice, and the fight for survival amid both external threats and internal turmoil. OGM Pictures Production. STAR TV Broadcast. Genre: Drama. Episodes/length: 96x45 mins Trailer

Dilemma

Mina Aslan

Nesrin Özkalay

Trends & Outlook 2025 Our priority at OGM UNIVERSE is to deliver premium, emotionally charged Turkish dramas that resonate with global audiences – and Asia is at the heart of that strategy. With younger viewers driving demand for bold, authentic storytelling, the appetite for high-quality, character-driven content continues to grow across the region. Global successes like The Fall of the King, Stickman, and Broken Destiny prove that Turkish drama travels. Our diverse slate of ready-made titles and adaptable scripted formats positions us perfectly to meet Asia’s evolving content needs.”

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Dilemma is a gripping drama about Neslihan Turhan, a renowned journalist known for her honesty, who faces the most difficult choice of her life when her son is accused of murder. Torn between her dedication to the truth and her instinct to protect her child, Neslihan’s values are tested as her world unravels. Will she risk everything, even her son’s freedom, to pursue justice? This emotionally Dilemma charged series explores the limits of morality, truth, and motherhood in the face of unimaginable conflict. OGM Pictures Production, Amazon Prime Broadcast. Genre: Drama, Thriller. Episodes/length: 8x45 mins

Asia focus in 2025 Our focus is to deepen strategic partnerships across Asia, bringing OGM UNIVERSE’s premium Turkish dramas and scripted formats to new platforms and audiences. With proven global hits alongside exciting new titles launching in the 2025/26 season, we aim to expand our presence in key markets, drive localisation opportunities, and collaborate with broadcasters and streamers to meet Asia’s evolving content needs.”

Ekin Koyuncu Karaman, Global Distribution & Partnership Director

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Programming: Syndication & Licensing

OGM UNIVERSE, powered by OGM Pictures, was established in 2023 to centralize and distribute top Turkish drama series globally. Through partnerships and collaborations, it aims to connect with international buyers, offering a diverse portfolio of Turkish content. Expanding into new markets is one of the company’s goals, as well as collaborating and co-producing with global partners in the future. With this move, the company is strengthening global ties, fostering direct relationships, and positioning itself as the world’s go-to source for Turkish drama.

Paramount Global Content Distribution 5555 Melrose Ave. Los Angeles CA 90038 U.S. W: www.paramount.com

Who’s who...

Jonathan Greenberg EVP, Content Licensing Regional Sales, North Asia Nicole Sinclair SVP, Content Licensing, South Asia (Australia, New Zealand, SEA, India) June Choi VP, Regional Content Licensing – Korea, Taiwan, Hong Kong and Mongolia Hiromichi Sato VP, Content Licensing – Japan Teng Yong VP Content Licensing and Digital Sales, Kids Animation – China and Taiwan Alysha Chopra Executive Director, Content Licensing – SEA, India Chris Safford Executive Director, Content Licensing - SEA Trista Chang Director, Content Licensing – China Joyce Smith Director, Content Licensing – Australia, New Zealand Emily Brouggy Sales Manager, Content Licensing, Australia, New Zealand and SEA

Asia focus in 2026 In 2026, Paramount will continue to bring the best of Hollywood to audiences across Asia through strategic licensing of our acclaimed movies and series. By partnering with leading broadcasters and platforms, we’re delivering premium entertainment that captivates viewers and reflects our commitment to global storytelling. This approach strengthens our regional presence, deepens audience engagement, and reinforces Paramount’s role as a trusted source of world-class content in Asia’s dynamic media landscape.”

Nicole Sinclair, SVP, Content Licensing, South Asia (Australia, New Zealand, SEA, India)

Genres Paramount Global Content Distribution licenses all genres including feature films, which includes non-theatrical releases, television series covering drama, comedy, unscripted including late night, daytime and reality competition, kids animation programming, international co-productions, factuals as well as news programming and documentaries.

Trends & Outlook 2026 • The demand for original new series and features plus franchise features will continue to be strong across Asia. Local content in North Asia will continue to dominate but strong Hollywood content will also continue to be in demand.

• Short form vertical drama content will continue to grow across Asia.

• Pre-K animation series continue to perform very well on the digital platforms in Mainland China and expect the trend to continue in 2026.”

Jonathan Greenberg, EVP, Content Licensing Regional Sales, North Asia

Original production/co-production • Ray Donovan India Season 2 – Netflix launched on June 13, 2025 • The Good Wife India Tamil Season 1 – JioStar launched on July 4, 2025 • Vietnam’s Next Top Model Season 9 – VTV9 launched on August 3, 2025 • The Good Wife Hindi Season 2 – JioStar will launch on September 19, 2025

Mission: Impossible – The Final Reckoning

Top shows are…

Mission: Impossible – The Final Reckoning Our lives are the sum of our choices. Tom Cruise is Ethan Hunt in Mission: Impossible – The Final Reckoning. Genre: Feature. Length: 169 mins

MobLand MOBLAND stars Tom Hardy, Helen Mirren and Pierce Brosnan as the head of an organized crime family, fighting for power within a global crime syndicate.

Genre: Scripted series. Episode/length: 10x60 mins

PAW Patrol Nickelodeon and Spin Master Entertainment’s hit animated preschool series PAW Patrol stars seven heroic rescue pups Chase, Marshall, Rocky, Rubble, Zuma, Skye and Everest – who are led by a tech-savvy boy named Ryder.

Together they work hard to protect the Adventure Bay community believing no job is too big, no pup is too small! The series features a curriculum that focuses on citizenship, social skills and problemsolving. Genre: Animated series. Episode/length: 13x30 mins

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Programming: Programming:Syndication Syndication&&Licensing Licensing

Paramount Global Content Distribution, a division of Paramount, a Skydance Corporation (Nasdaq: PSKY), is a leading distributor of premium content across multiple media platforms throughout the global marketplace. The division’s portfolio is comprised of some of the world’s most recognized brands, including feature films and television programs from Paramount Pictures, Paramount Television, CBS Studios, CBS Media Ventures, CBS News, SHOWTIME Studios, Nickelodeon, MTV Entertainment Studios, Republic Pictures, Miramax and third-party partners including MRC. The division also has the largest distributed library of series and film titles, including global franchises such as CSI: Crime Scene Investigation, NCIS, Star Trek, the Yellowstone franchise, Top Gun and Transformers. In addition, the division licenses a diverse lineup of scripted and unscripted formats for local production and international co-productions.

The International team at PBS Distribution manages worldwide co-production and distribution of premium public media content.

We bring acclaimed documentaries, award-winning factual series, and trusted children’s programming to global audiences.

PBS Distribution 1225 S. Clark Street, Arlington VA 22202 USA

Genres

W: pbsinternational.org

Original production/co-production

Who’s Who...

Türkiye’s Astonishing Antiquities

Anna Alvord Director, International Sales, Asia E: agalvord@pbs.org

Trends & Outlook 2026 • Renewed focus on current affairs and Asia’s role in global events Across Asia, there is a growing demand for programming that helps audiences navigate an increasingly complex global landscape, from shifting geopolitics and economic realignments to climate, technology, and security.

As global events become more interconnected, broadcasters and platforms are seeking trusted factual content that provides context, clarity, and credible storytelling.

• Stronger demand for local stories with global appeal Local storytelling is becoming a major driver of audience engagement across Asia.

Streamers and broadcasters are increasing investment in projects that reflect local cultures and history, while resonating with audiences around the world.

Asia focus in 2026 Our primary focus in Asia in 2026 is to expand our partnerships across the region and deepen our collaboration with local broadcasters and streaming platforms. Our goal is to build long-term partnerships that bring globally relevant stories to audiences in Asia.”

Anna Alvord Director, International Sales, Asia

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PBS Distribution is known for high-quality factual programming in genres such as Science, History, Nature, Current Affairs, Arts & Entertainment, and Lifestyle.

Explore Türkiye’s rich past, visiting remarkably preserved ancient cities along Rome’s old mail route which connected seats of power and population. Modern imaging and drone footage reveal hidden details of these sites, uncovering secrets and mysteries while transporting viewers into the lives and achievements of early civilizations. Episodes/length: 4x60 mins

Trailer

Top shows are…

Trailer

Rain Bomb Rain bombs generate massive rainfall and hurricane-force winds but are almost unknown to the general public. Will they get worse as the planet warms?

And can we protect homes and businesses from their incredible power? Genre: Science & Current Affairs. Episodes/length: 1x45 mins, 1x60 mins

Remaking The Middle East: The U.S., Israel & Iran An investigation into how Israel ended up fighting wars in Gaza and Iran – and the role of the United States. The documentary traces Israeli Prime Minister Benjamin Netanyahu’s long campaign to defeat Iran, the conflict with the Palestinians, and Netanyahu’s difficult relations with the U.S. over peace and Iran’s nuclear ambitions. Genre: Current Affairs.

Episodes/length: 1x120 mins

Trailer

Wild Hope At a time when news about the environment is filled with doom and people around the world feel increasingly fearful about the future, Wild Hope is changing the narrative with surprising stories that show we can still change course. This series of short films highlights the intrepid changemakers working to restore and protect our planet. Genre: Nature.

Episodes/length: 8x30 mins

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More Info

Seven.One Studios International Medienallee 7, 85774 Unterfoehring, Germany T: +49 89 9507 7303 W: sevenonestudiosinternational.com E: sales@sevenonestudios.com

Who’s Who...

Joyce Dröse Sales Manager (Asia, Africa, Nordics, Inflight) E: joyce.droese@sevenonestudios.com

Trends & Outlook 2025 Asian audiences continue to embrace long-running scripted series featuring beloved characters. A prime example is our acclaimed crime drama Vienna Blood, which recently launched its fourth season and was acquired

by BBC Asia, with the help of Bomanbridge Media. Similarly, high-end scripted dramas like Plan B and The Gone have successfully returned for second seasons, with Plan B already greenlit for a third.”

Asia focus in 2025 Our priority remains premium drama and expanding long-running hit series, such as Departure, which performed strongly across Asia and debuted on Netflix across several territories earlier this year to great success. In the format space, we are emphasizing major global franchises like Married at First Sight and Stranded on Honeymoon Island, alongside forthcoming launches such as The Hunt, already commissioned

by Channel 4 in the UK, which we recently announced. Our partner Bomanbridge Media is strengthening the presence of our catalog across mainland China, Southeast Asia, Hong Kong and Taiwan, while I lead efforts in India, Japan, and Korea.”

Joyce Droese, Sales Manager (Asia, Africa, Nordics, Inflight)

Genres Scripted, Formats, Factual

Original production/co-production Seven.One Studios International is known as a destination for strong commercial entertainment with broad appeal, spanning premium returning English language dramas, impactful foreign language dramas, and innovative formats. These continue to be our top priorities, along with a selection of premium factual content.

Top shows are…

The Gone S2 Detectives Theo Richter and Diana Huia are back, racing to stop a deadly killer while unearthing buried secrets and hidden traumas.

Written by Anna McPartlin & Michael Bennett. Directed by Dathai Keane & Peter Burger. Starring Richard Flood, Acushla-Tara Kupe, Carolyn Bracken, Michelle Fairley, Wayne Hapi, Vanessa Rare, Rachel Morgan. Genre: Scripted/Crime Drama. Producer/Broadcaster: The Gone S2 Kingfisher Films & Keeper Pictures in association with Southern Light Films for TVNZ (New Zealand) and RTÉ (Ireland).

Episodes/length: 6x60 mins

Plan B S2 The high-concept psychological drama returns for a second season; idealistic cop Mia Mia journeys into the past with unexpected consequences. Created/Written/ Directed by Jean-François Asselin.

Starring Vinessa Antoine, Vincent Leclerc, Sarah Booth, Rossif Sutherland, Patrick Emmanuel Abelard. Genre: Scripted/Drama.

Producer/Broadcaster: KOTV for CBC Gem (Canada).

Episodes/length: 6x45 mins

Plan B S2

Vienna Blood S4 The thrilling crime drama set in 1900s Vienna, from acclaimed screenwriter Steve Thompson, returns for season four. Directed

by Umut Dağ. Written by Steve Thompson. Starring Matthew Beard, Jürgen Maurer, Charlene McKenna, Amelia Bullmore, Conleth Hill.

Genre: Scripted / Crime Drama. Producer/Broadcaster: Endor Productions and MR Film for ARD (Germany) and ORF (Austria).

Episodes/length: 2x90 mins or 4x45 mins

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Vienna Blood S4

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Programming: Programming:Syndication Syndication&&Licensing Licensing

Seven.One Studios International is a leading TV distributor of scripted, formats and factual shows from outstanding production companies, third party producers and digital content partners. With offices in Munich and London, Seven.One Studios International coproduces and finances global entertainment, and distributes hit content to over 200 territories worldwide. Seven.One Studios International is the new name of Red Arrow Studios International. Seven.One Studios International is part of Seven.One Studios, a ProSiebenSat.1 Media SE company.

Sony Pictures Entertainment (SPE) is a subsidiary of Tokyo-based Sony Group Corporation. SPE’s global operations encompass motion picture production, acquisition, and distribution; TV production, acquisition, and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. SPE has one of the largest media footprints in APAC, with regional and local offices, including Singapore, Mumbai, Beijing, Tokyo, Seoul, Sydney, Bangkok, and Hong Kong. Sony Pictures Television also operates dozens of wholly-owned or joint-venture production companies around the world.

Sony Pictures Entertainment 77 Robinson Road, #19-01 Robinson 77 Singapore 068896 W: https://connect.sonypictures.com/ @ SPTVInternational @ sptvintl

Who’s who...

Singapore: Adam Herr Senior Vice President, Distribution, Asia Pacific E: Adam_Herr@spe.sony.com Beijing: Dai Huang Senior Vice President, Distribution, Greater China E: Dai_Huang@spe.sony.com Hong Kong: Beedo Chan Vice President, Brand & Multichannel Marketing, Asia E: Beedo_Chan@spe.sony.com Mumbai: Sonika Bhasin Vice President, Distribution, India E: Sonika_Bhasin@spe.sony.com Seoul: Giro Doo Vice President, Distribution, South Korea E: Giro_Doo@spe.sony.com Singapore: Eugene Lin Vice President, Distribution, S.E Asia E: Eugene_Lin@spe.sony.com Singapore: Tim Harris Vice President, Transactional Sales and Emerging Media, APAC E: Tim_Harris@spe.sony.com Sydney: Carolyn Ozkoseoglu Vice President, Co-Head of Distribution, Australia & New Zealand E: Carolyn_Ozkoseoglu@spe.sony.com Sydney: Julia Salter Vice President, Co-Head of Distribution, Australia & New Zealand E: Julia_Salter@spe.sony.com Tokyo: Iwao Saito General Manager, Distribution, Japan E: Iwao_Saito@spe.sony.com

Trends & Outlook 2025

Genres SPE distributes an offering that has something for everyone, including world-class local productions, premium Hollywood faire, and a selection of international feature films, TV series, formats, and anime spanning every genre. This includes everything from critically acclaimed English-language scripted series such as Doc and Red Eye, to fan-favorite anime like Nyaight of the Living Cat, to internationally renowned unscripted entertainment and reality formats that are beloved by Asian audiences like Shark Tank and Who Wants to Be a Millionaire.

Original production SPE collaborates with creators, producers, and talents globally to develop and produce local formats and original productions for local audiences. Shark Tank continues to do exceptionally well in India, Thailand, and Vietnam, and continues to expand its footprint with new local versions in Pakistan and Bangladesh. Notably in 2025, we will debut a brand-new anime title called Nyaight of the Living Cat, which will capture the hearts of both anime fans and cat lovers. Following the success of the Korean movie Hijack 1971, we will distribute another Korean movie The Interview, releasing in South Korea later this year. Look for more local original productions and adaptations this year from Sony Pictures across the region.

Asia focus in 2025 We continue to focus on great storytelling and connecting with local audiences wherever they are. Our goal is to find the best home for our amazing content; to work with our partners to create local content that satisfies local tastes; and to expand our social media footprint to engage viewers across Asia so we can best super-serve our fans.”

Adam Herr, Senior Vice President, Distribution, Asia Pacific

Trailer

Top shows are…

Long Bright River Based on The New York Times bestselling and “Good Morning America” acclaimed novel that former President Barack Obama listed as one of his favorite books of 2020, Long Bright River is a character-driven thriller series about two sisters. Mickey (Amanda Seyfried) is a patrol officer; Kacey lives on the same streets that her sister patrols, trapped in the vice of addiction. When Kacey disappears at the same time that a series of murders begins in the neighborhood, Mickey must unlock the secrets of their past to solve the mystery of her sister’s disappearance. Genre: Drama. Episodes/length: 8x60 mins

This City is Ours

Set and filmed in Liverpool, This City is Ours is the story of Michael, a man who for all of his adult life has been involved People continue to watch more content than ever across in organised crime, working for new platforms, new media, long-form, and short-form. There his friend and the gang leader is something for everyone and we continue to explore all of the new Ronnie. When Ronnie begins channels to reach our audiences where they are and to monetize our to hint at retirement, Michael vast library of movies, series, and formats. too begins to imagine another Consumers are looking for stories that resonate and there is a growing life. Because, for the first time demand for IP adaptations from books, games, manga and webtoons, in his life, Michael is in love. For which SPE has leaned into with offerings like the beautiful Long Bright River; the first time in his life, he sees The Narrow Road to the Deep North which recently premiered at the Berlin International Film Festival; the upcoming spinoff Outlander: beyond the day-to-day, he Blood of My Blood; the critically-acclaimed The Last of Us and sees a future: something to Twisted Metal, which returns for a second season this summer. win and something to lose – Anime is cross-border, cross-cultural, and cross-generational.

Diana. Genre: Drama.

We have added significant anime content to our distribution Episodes/length: 8x60 mins

portfolio working with Crunchyroll and are continuing to build our anime catalog with new and beloved titles.”

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A Pacific C NTENT ASI Adam Herr, Senior Vice President, Distribution, Asia

Viaplay Content Distribution 610 Chiswick High Road London, W4 5RU, United Kingdom T: +44(0)2087425100 E: ContentDistribution@viaplaygroup.com W: www.viaplaycontentdistribution.com

Genres

Who’s Who...

A Life’s Worth – A Viaplay–Arte co-production set during the Bosnian conflict, exploring moral dilemmas within a forgotten European war. Starring Edvin Ryding, the drama has already earned international festival recognition.

Vanguard – An SVT–N8 co-production distributed by Viaplay. Starring Jakob Oftebro, this sweeping drama spans the 1970s and 80s, beginning in New York and charting the rise of a visionary who reshaped media and telecoms – real-life Succession meets Wolf of Wall Street.

Vanda Rapti EVP Viaplay Select & Content Distribution E: vanda.rapti@viaplaygroup.com Alexandra Aldred VP Viaplay Select & Content Distribution E: alexandra.aldred@viaplaygroup.com Joan Cruells VP Partnership, Growth & Marketing, International SVOD E: joan.cruells@viaplaygroup.com Monty Ghai Asia SVOD Agent E: monty@brandwith.tv

Vanda Rapti

Alexandra Aldred

Our inventory spans high-end series and feature films across Nordic noir, crime, thriller and drama, alongside bold young-adult content and sports, lifestyle and crime documentaries. We specialise in distinctive European storytelling with emotional depth, authenticity and strong international appeal.

Two standout productions from our 2025 slate

Trends & Outlook 2026 Asia’s media landscape will be shaped by accelerating cordcutting - with tens of millions of subscribers expected to transition away from linear pay TV, alongside the rise of operator-led streaming bundles. Buyers are increasingly focused on adaptable IP, coproduction opportunities, and format sales that balance risk with creative ambition. Distinctive, character driven storytelling remains in demand, while consolidation, aggregation, and smarter deal structures will define the next phase of growth, creating new opportunities for collaboration across the region.”

Vanda Rapti, EVP Viaplay Select & Content Distribution

Trailer

Top Shows are…

Jana – Marked for Life

Joan Cruells

Monty Ghai

Asia focus in 2026 Asia is central to Viaplay’s international growth strategy as streaming bundles and telco partnerships reshape the region’s media landscape. Viaplay Select and Viaplay Film & Series provide partners with curated Nordic and European storytelling that helps them stand out in crowded markets while delivering high-quality content with built-in efficiencies. Our collaborations have included WOWOW in Japan, LGU+ in Korea, Mola in Indonesia and SBS in Australia. With rising demand for scripted formats, local adaptations, Nordic Noir, true crime and sports documentaries, Viaplay is well positioned to support partners across Asia in 2026.”

Vanda Rapti, EVP Viaplay Select & Content Distribution

When Sweden’s top migration official is murdered, emotionally guarded prosecutor Jana Berzelius is drawn into a case that hits close to home. A mysterious boy at the crime scene bears the same scar as Jana, unlocking traumatic memories of her past as a child soldier. To stop a killer, she must confront the secrets she has buried. Based on Emelie Schepp’s bestselling novels, with over 3 million copies across 30 countries.

Genre: Crime, Thriller, Nordic Noir. Episodes/ length: 6x45 mins

Trailer

Ronja, the Robber’s Daughter S1–2 A landmark Nordic fantasy, Ronja brings Astrid Lindgren’s classic to life with cinematic scale. In a mystical forest, Ronja forms a forbidden bond with Birk, the son of a rival clan, triggering a family feud as a ruthless bailiff threatens them all. Genre: Kids, Family, Fantasy, Adventure. Episodes/ length: 12x45 mins (2 seasons)

Trailer

Verstappen – Anatomy of a Champion This series offers unprecedented access to Max Verstappen, tracing his journey from childhood prodigy to one of Formula 1’s defining champions through intimate interviews. Genre: Biography, Sports Documentary. Episodes/length: 3x45 mins

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Programming: Programming:Syndication Syndication&&Licensing Licensing

Viaplay Content Distribution, Viaplay Group’s international division, delivers the best of Nordic and distinct European storytelling worldwide through three complementary models: content sales, the Viaplay Film & Series SVOD product, and Viaplay Select. The specialty SVOD service offers thousands of premium hours via partners such as Amazon Prime Video Channels, Comcast, Roku, Xumo, Canal+ (Polska), Rogers, while Viaplay Select provides a curated “service within a service” to streamers and PayTV Platforms now in 30+ markets.

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4-17 May 2026 Page 7.

How one Italian festival changed Asian Cinema with Thomas Bertacche & Sabrina Baracetti

The Asia Angle Cannes vs Udine

GREENLIGHTS & GROUND TRUTHS ContentAsia’s Conversations with Asia’s Creators

with Patrick Frater & Janine Stein

Absol Bai

How To Tame a Billion $$$$ Business

Sixty Seconds to Tears: Inside the Microdrama Hustle

with Anne Chan

Nezha 2 The Truths Behind A US$2.25B Success with Chris Chan

Big Screen Bets 28

Ding Zhong

Ding Zhong on Chinese Animation, Mythology and Into the Mortal World

PARAMOUNT X Warner Bros Has He Cracked

The Asia Angle with Patrick Frater & Donovan Chan Janine Stein on Vietnam Film C NTENT ASIA Investments www.contentasia.tv

Streaming in Indonesia?

Mark Francis on Vidio’s Local Content Strategy

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INDEX ABC Australia ..........................................31 Celestial Tiger Entertainment ................32 Deutsche Welle (DW) .............................. 33 NHK WORLD PREMIUM .............................34 All channels operating in or for Asia were given the same opportunity to supply information for inclusion in ContentAsia’s The Big List 2026.

Listings are not specific to Cambodia.

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Channels: Linear & VOD

ABC Australia is the Australian Broadcasting Corporation ’s international television and digital service, available in 38 countries across Asia and the Pacific. ABC Australia aims to inform, entertain, and inspire international audiences with a uniquely Australian perspective. Our content offering features the ABC’s best in news and current affairs journalism, live coverage of Australian sports and special events, as well as compelling documentaries, factual series, and lifestyle programs curated to resonate with audiences across Asia and the Pacific.

Australian Broadcasting Corporation ABC Ultimo Centre, 700 Harris Street, Ultimo NSW 2007, Australia E: international.distribution@abc.net.au https://www.abc.net.au/asia/abcaustralia W: https://www.abc.net.au/asia/abcaustralia

Who’s who...

Claire M Gorman Head, ABC International E: Gorman.Claire.M@abc.net.au Nesryn Bouziane Lead, International Broadcast & Digital Services E: Bouziane.Nesryn@abc.net.au

Claire M Gorman

Nesryn Bouziane

Asia focus in 2025

In an age of growing disinformation and media fragmentation, trusted, independent journalism is more essential than ever. In 2025, ABC Australia will strengthen its role as a reliable source of news and storytelling across Asia and the Pacific.

As Australia’s international broadcaster, we will focus on high-impact current affairs, compelling Australian stories, and expanded regional coverage. We will also grow our reach by forming new rebroadcast partnerships, ensuring more audiences across the region have access to accurate, factbased content that informs, educates, and builds trust.

Claire M Gorman, Head, ABC International

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ABC Australia is a premier news and factual television service, distributed through an extensive network of over 100 rebroadcast partners across Asia and the Pacific. Our distribution network includes some of the region’s most respected and influential media organisations, ensuring widespread access to our content. ABC Australia proudly presents a diverse lineup of high-quality Australian programming, including trusted and independent news and current affairs delivered by our expert newsrooms and correspondents around the world. We also offer live coverage of major Australian sports, such as the AFL and AFLW, along with iconic events like the Sydney New Year’s Eve fireworks. In addition, ABC Australia features a curated selection of compelling Australian documentaries, factual series, and lifestyle programmes. To better serve our diverse audience, we offer a variety of factual content in Vietnamese, Chinese, and Bahasa Indonesian.

ABC Asia is the ABC’s new digital hub for Asia-related content, connecting the region with Australian stories and conversations. It is the latest addition to ABC International’s suite of broadcast and digital services for overseas audiences, including ABC iview – our unique international video-on-demand platform featuring the best of ABC news and current affairs, along with selected factual, documentary, and lifestyle content.

ABC iview also offers a live stream of the ABC News channel.

Target Audience

ABC Australia is aimed at English speakers (and learners!) with an interest in Australia, in particular educated regional influencers in all key markets in Asia and the Pacific. It is also designed to keep Australians living and travelling in the region in touch with their home.

Content ABC Australia’s programme line-up is made up of approximately 75% highquality, independent news and current affairs produced in ABC newsrooms. The remaining 25% features a rich and engaging selection of Australian content, chosen for its appeal to audiences in Asia and the Pacific. This portion includes content for which the ABC holds 100% of the rights, allowing us to offer it exclusively to our broadcast partners. In addition to investing in original content production, ABC Australia also acquires programmes from both commercial and non-commercial producers on a non-exclusive basis, ensuring a diverse and compelling offering for our audience.

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Channels

Celestial Tiger Entertainment (CTE) operates the first-ever Chinese movies app in the region, CMGO, as well as the largest bouquet of panAsian channels dedicated to Asian entertainment – Celestial Movies, CM+, CCM, Celestial Movies Pinoy, PopC, KIX, Thrill and Miao Mi. A leader in Asian and Chinese language content, CTE’s services cover the most popular entertainment genres in Asia and beyond.

Celestial Tiger Entertainment Suite 1603, Kwun Tong Harbour Plaza, 182 Wai Yip Street, Kwun Tong, Hong Kong T: +852 2239 6000 W: www.celestialtiger.com company/celestial-tiger-entertainment-limited

Who’s who...

Ofanny Choi Chief Executive Officer E: Ofanny.Choi@celestialtiger.com Annie Lim Vice President, Sales & Marketing E: Annie.Lim@celestialtiger.com Jamie Osmund Executive Director, Technology & Product E: Jamie.Osmund@celestialtiger.com

Annie Lim

Jamie Osmund

Trends & Outlook 2026

AI, Short form content & local production.”

CTE has eight core channel brands with 11 feeds, covering 12 territories. All channels are localized through subtitling or dubbing.

Celestial Movies is the leading premium Chinese movie channel powered by exclusive output deals with top Hong Kong movie studios.

CM+ features the latest Blockbusters and exclusive movies from across Asia in Singapore.

CCM presents masterpieces of Chinese cinema, tapping into the worldrenowned Shaw Brothers Library amongst others.

Celestial Movies Pinoy is a tagalized Chinese movie channel offering blockbusters and great classic movies.

PopC showcases the best online movies from China.

KIX is the ultimate destination for Asian action entertainment.

Thrill is Asia’s first regional movie channel dedicated to the widely popular horror, thriller and suspense genres.

Miao Mi is the Mandarin edutainment service created for preschool kids across Asia.

Target audience CTE’s channels appeal to a wide age group from 3-65, with something for everyone in the family. Celestial Movies, CM+, Celestial Movies Pinoy, PopC, KIX and Thrill target adults 18-45; CCM targets adults 35-65; and Miao Mi is for kids 3-6.

Asia focus in 2026

Channel/service

Expanding CMGO into more territories, even going beyond Southeast Asia.”

CTE offers all forms of ondemand rights across all linear channels. In addition, it has launched a SVOD Chinese Movies streaming app, CMGO, since August 2024 and the app is now available across all major platforms and telcos in Singapore and Malaysia. Other Southeast Asian market launches to follow.

Ofanny Choi, Chief Executive Officer

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Linear television channels in Asia

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Content strategy Most of CTE’s content comes from Hong Kong, China, Taiwan, Singapore and Malaysia, along with all Pay TV and Digital rights. Fresh content offering in 2026 looks to be at least 200 titles. Local original production in Asia is also one of the directions that CTE is exploring in 2026.

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Channels: Linear & VOD

DW is Germany’s international broadcaster. As an independent media outlet, we provide unbiased news and information around the world so that people can form their own opinions. DW’s coverage of current events is fact-based, with regionally relevant and dialog-oriented content in 32 languages on the focus topics of freedom and human rights, technology and innovation, health, education, science and environmental protection as well as German and European culture.

DW’s TV and online services generate over 337 million users every week.

Content

Deutsche Welle Kurt-Schumacher-Strasse 3, 53113, Bonn, Germany T: +49.228.429 – 0 E: info@dw.com W: www.dw.com/en https://corporate.dw.com/en

DW content is distributed via its own platforms including TV channels, social media and the DW website as well as globally by around 3,000 distribution partners, regional and local media.

Our primary focus is on leveraging social platforms to reach our target audience of young urban, educated, globally engaged adults aged 14-40, including professionals, decision-makers, academics, students, and internationally minded households seeking trusted European and international information.

Who’s who...

Daniel Vogelgesang Head of Distribution Asia/Australia E: Daniel.vogelgesang@dw.com

DW’s Asia distribution strategy is strengthened by extensive language customization and strong regional key partnerships in countries like Indonesia, Philippines, Vietnam, China and South Asia.

Trends & Outlook 2026

There are several key trends shaping Asia this year. Short-form and vertical video continue to dominate across social and mobile platforms, while local production and regional storytelling grow in importance. DW blends international perspectives with local needs.

Collaboration with trusted distribution partners across Asia remains essential to building deeper audience connections and driving sustainable growth.”

Most content is sourced from DW’s global newsroom, documentary units, international correspondents, and Asia-focused regional editorial teams.

For 2026, the focus remains daily news, current affairs, documentaries, science, business, culture and lifestyle topics plus continued local original digital production in South and Southeast Asia.

Asia focus in 2026

Our primary focus in Asia in 2026 is to leverage DW’s strengths in international and local storytelling, combining both with our trusted brand. We work with strong regional distribution partners to reach the right audiences effectively. At the same time, we emphasize dialogue and reflect diverse perspectives, including an authentic approach to women’s stories. Our aim is to bring global stories to life in locally relevant ways.”

Daniel Vogelgesang, Head of Distribution Asia/Australia

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NHK WORLD PREMIUM is NHK’s flagship Japanese-language subscription service, offering a curated selection of the best programming from Japan’s public broadcaster. Following the recent release of its OTT distribution rights to streaming providers worldwide, the channel is now well positioned to expand its global digital footprint, unlock new platform partnerships, and meet growing international demand for premium Japanese content across OTT ecosystems.

Japan International Broadcasting Inc. Shibuya First Tower 8th Floor 1-2-20 Higashi, Shibuya-ku Tokyo 150-0011, Japan W: https://nhkworldpremium.com/en/ operator

Who’s who...

Hiroshi Maeda President and CEO For enquiries regarding NHK WORLD channels, please contact the dedicated team at: E: nhkworld_asialatam@jibtv.com

Expanding NHK’s Digital Reach

By opening streaming distribution to platform operators worldwide, JIB aims to extend NHK’s reach beyond traditional broadcast carriage.

In particular, across Asia and Latin America, we see this as an opportunity to further strengthen our presence in key growth markets.”

Hiroshi Maeda, President & CEO

Channels & Services NHK WORLD PREMIUM and NHK WORLD-JAPAN are the international services provided by NHK, Japan’s public broadcaster. NHK WORLD PREMIUM is the international Japanese language channel, offering a curated selection of programming tailored for dedicated viewers worldwide. Content includes documentaries, news, current affairs, lifestyle programmes and entertainment shows, all presented in Japanese. NHK WORLD-JAPAN, meanwhile, is a 24/7 English language channel delivering news, current affairs, documentaries and features that showcase Japanese life and culture to global audiences. Both channels are exclusively distributed worldwide by NHK’s subsidiary, Japan International Broadcasting Inc. (JIB).

Target Audience NHK WORLD PREMIUM serves Japanese nationals overseas and Japaneselanguage learners worldwide, while NHK WORLD-JAPAN targets English-speaking audiences interested in Japan, particularly regional influencers in key markets.

Top Titles NHK NEWS 7 is NHK’s flagship evening news programme, covering the day’s major stories in depth.

Combining on-site reporting and interviews, the show delivers a comprehensive and multi-faceted perspective on current events.

Grand Sumo Sumo is without a doubt, one of the most Japanese of sports, boasting a history of more than 1500 years.

Today, the sport is known as “Grand Sumo”. People come to watch the competition and experience the excitement.

Brothers in Arms is a sweeping historical drama about two brothers rising from humble beginnings to help shape a nation. In 16th-century Japan, Koichiro lives contentedly as a village farmer until his older brother Tokichiro returns home. Now a vassal to the young local lord Oda Nobunaga, Tokichiro urges Koichiro to join him so they can become samurai and make their mark on the world. After a fateful encounter with Nobunaga, Koichiro witnesses the lord’s bold and daring tactics in defeating the formidable Imagawa Yoshimoto. Inspired, he chooses the path of the samurai – a decision that leads the brothers into a life of relentless trials and hardship during an era of warlords and social upheaval.

© NHK

With Mother is an educational entertainment programme for children aged two and above. Featuring songs, exercises, puppet shows and animation, the series supports emotional development, self-expression, language skills and physical growth in young children.

© NHK

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INDEX Refinery Media ..........................................37 Revolution Media ...................................38 Something Special ...................................39

All channels operating in or for Asia were given the same opportunity to supply information for inclusion in ContentAsia’s The Big List 2026.

Listings are not specific to Cambodia.

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Production, Production, Post-production Post-Production&&Studio StudioFacilities Facilities

Refinery Media, headquartered in Singapore, is Asia’s leading producer of award-winning reality and lifestyle entertainment. Credits include Asia’s Next Top Model, The Apprentice: ONE Championship Edition, and SupermodelMe Revolution. The company’s latest productions include the inaugural season of Man of the Hour, a nonscripted series on horology, and Refinery’s first co-produced feature film, Mothernet, set to premiere on Netflix.

Trailer Refinery Media Pte Ltd 71 Seng Poh Road, #02-47 Singapore 160071 E: info@refinery-media.com W: www.refinery-media.com

Who’s who...

Karen Seah Founder & CEO E: karen@refinery-media.com

Genres Unscripted and scripted, spanning short-form and longform formats for brands, studios, broadcasters and digital platforms.

Latest Productions Man of the Hour (season 1)

TRENDS & OUTLOOK 2026 “Over the next year, Asia’s content landscape will be shaped less by individual formats and more by how projects are structured and financed. Crossborder co-productions are requiring clearer creative alignment earlier in the process, while tighter timelines and margin pressure are forcing producers to rethink scale, speed and consistency. These conditions are also accelerating more disciplined use of technology – particularly virtual production and AI – not to replace creativity, but to reduce friction and risk across production and post.”

ASIA FOCUS IN 2026 “Our primary focus is a dual-track expansion, scaling our premium internal coproduction slate while leading a dedicated push into the micro drama space. We are not just testing the waters, we are leveraging our unscripted and scripted expertise to define the premium standard for short form storytelling. This allows us to capture the full spectrum of viewership, from cinematic streamers to mobile first audiences.”

CREATIVE/TECHNICAL INNOVATION IN 2026 “We’re most interested in how virtual production and AI can shift decision-making earlier – helping creative teams resolve look, scale, and world-building before productions become costly to change. The impact isn’t just visual; it’s organisational. Earlier clarity leads to smoother shoots, fewer late adjustments, and more predictable post-production, which is increasingly critical in a fast-moving, multimarket production environment.”

Karen Seah, Founder & CEO

Man of the Hour is an 8-episode adventure hosted by Wei Koh, taking viewers deep into the heart of watchmaking.

From legendary watchmakers, skilled artisans to bold tastemakers, Wei reveals the stories, passions, and craftsmanship driving horology today, while exploring the traditions, innovations, and personal philosophies behind them. Each episode blends adventure, cultural discovery, and expert insight, showcasing not only the artistry of fine timepieces but also the places and people that define them.

Genre: Docu-reality Handled full production cycle: Development/Production/ Post Filming location: Geneva, Paris, L.A., Singapore Airing on: Discovery Asia, Discovery+ U.S. and Prime Video

Mothernet Mothernet is a poignant family drama centred around 16-year-old Rama who is trying to navigate life after a tragic accident leaves his mother in a coma. With the help of an artificial intelligence program, Rama and his father embark on a journey of reconnection and healing. (Co-production with Indonesia’s Base Entertainment)

Upcoming Productions Man of the Hour (season 2) In its second season, Man of the Hour delves even deeper into the captivating world of horology, exploring the legacies of some of the most iconic and legendary watch brands. Filmed across new locations around the globe – from the shores of Lake Geneva to the ateliers of Paris, the timeless streets of Rome, and the vibrant pulse of Singapore – the series offers unprecedented access to the stories behind names that have become synonymous with luxury and craftsmanship.

We Will Be Fine In a near-future island city ruled by an authoritarian regime, a family who make their living organising the belongings of the dead are abruptly forced into hiding. As they evade a government that tolerates no secrets, the family begin uncovering buried truths hidden within past cases – discoveries that challenge their understanding of power, memory, and whether confronting the past can still change the future. (Co-production with Taiwan’s Jules Et Jim Pictures)

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Revolution Media L3-I-4, Hive 5 Taman Teknologi MRANTI Lebuhraya Puchong - Sg Besi 57000 Bukit Jalil Kuala Lumpur, Malaysia T: +60 3 8996 3396 W: https://revo-media.com/ the_revolutionmedia

Who’s who...

Zainir Aminullah Chief Executive Officer E: zainir@revo-media.com

Trends & Outlook 2025 We will see more coproductions as the pressure to spread risks become more apparent. Markets will increase its appetite towards medium budget international series and features where the business case is easier to justify. More Asian original IP adaptations will be done for local markets as they are better cultural fit and budget range.”

Asia focus in 2025 Revolution will revive our film slate, seek cross border partnerships and construct our own unique business model.

We have developed high concepts and have ready screenplays that have been in hibernation since Covid and these stories are ready to be told.

For our servicing business, we will secure more production hubs for unscripted shows where we can deliver better value to international clients.

Malaysia offer a perfect blend of attractive locations, world class studios, international level production standards and financial incentives.

Zainir Aminullah, Chief Executive Officer

Revolution Media Malaysia is a leading producer and production services provider in Southeast Asia, specialising in high-calibre international reality formats, scripted series, feature films and original IP for global platforms. With expertise in end-to-end production, crew coordination, location sourcing, and format adaptation, the company has supported a slate of internationally recognised titles for top broadcasters and streamers.

Services include pre-production planning, casting, location logistics, and post-production, with a strong emphasis on safety and regulatory compliance – particularly in challenging environments such as jungles and remote locations. With a proven track record delivering to platforms such as Netflix, WeTV, and Viu and networks in Australia and U.K., Revolution Media Malaysia applies global production standards alongside local insight to bring compelling content to life.

Million Dollar Island production site

The Mole, Netflix

Productions* Tempting Fortune U.K. season 2 Genre: High-stakes adventure reality Premiered: March 2025 Client: Channel 4 (U.K.) Filming location: Langkawi, Malaysia

The Mole

Genre: High-stakes adventure reality Platform: Netflix (Global)

Million Dollar Island

Genre: High-stakes adventure reality Platform: FTA, OTT

The Ghost Bride, Netflix

Platform: Channel 4

Client: Netflix Filming location: Multiple states, Malaysia

Client: Seven Network Filming location: Langkawi, Malaysia

Villa Kristal

Genre: Crime comedy Client: WeTV Platform: WeTV (Southeast Asia) Services provided: Concept-to-delivery production, multilingual scripting, post-production

The Secret

Genre: Psychological thriller Premiered: August 2024 Client: Viu Platform: Viu (Regional) Services provided: Genre development, production management, post supervision, and VFX

The Ghost Bride

Genre: Period supernatural drama set in 1890s Colonial Malacca Client: Netflix Platform: Netflix (Global) Premiered: January 2020 Filming location: Malacca, Malaysia Services provided: Development, historical location scouting, international cast and crew coordination, cultural consulting, rebate administration *Only a selection is listed here. Full production credits available upon request.

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Production, Post-Production & Studio Facilities

Revolution Media, based in Malaysia, develops and produces series and feature films with Asian settings and themes for both local and international audiences. It is a preferred partner for multilingual, multiformat content, collaborating with clients across the US, UK, Europe, Australia, and Southeast Asia. Known for its high production standards, Revolution Media attracts international partners to shoot unscripted shows in Malaysia, leveraging its stunning locations, world-class studios, skilled crews, and financial incentives.

Production, Post-production Post-Production&&Studio StudioFacilities Facilities Production,

Something Special is Korea’s first independent TV format agency, founded by global format experts Jin Woo Hwang and Insoon Kim. Based in Seoul, the company specialises in creating, developing, and distributing original formats to the international market. With a strong emphasis on bold ideas and authentic storytelling, Something Special delivers high-impact formats that resonate with audiences worldwide.

In addition to developing its own IP, Something Special collaborates with international companies to co-develop innovative formats tailored to global needs.

Something Special A-1705 Bldg., 583, Yangcheon-ro, Gangseo-gu, Seoul, South Korea T: +82 2 2093 7463 W: www.sspecial.co.kr E: sspecial@sspecial.co.kr www.linkedin.com/company/72292255

Who’s who...

Jin Woo Hwang President/Executive Producer E: jinwoo.hwang@sspecial.co.kr Insoon Kim EVP, Head of Content E: insoon.kim@sspecial.co.kr

Genres & Formats Reality competition, game show, music entertainment, factual entertainment, comedy

Original Productions & Collaborations Unforgettable Duet

Genre: Factual entertainment/music Premiere: 16 Sept 2024 (local) / 5 Nov 2025 (regional)

In Body Language (co-development & co-production with TBS Japan) Genre: Dating/dance

Fortune Train (co-development & co-production with Critical Content (U.S.) Genre: Reality competition

Trailer

Flagship Titles Unforgettable Duet Insoon Kim

Trends & Outlook 2026 Co-productions, co-financing, and co-commissioning. The upcoming year will mark a new era of cooperation across Asia. Whereas past international co-operations primarily involved collaboration among production staff, comprehensive partnerships are expected to take place in 2026.”

Asia focus in 2026 Something Special has been expanding our slate across various genres by combining Korea’s vibrant creative culture with global expertise. With our trusted partnerships and a reputation for originality, we will continue our journey as a key player in bringing Korean creativity to the global stage. If any territories in Asia are looking for something new, we are here to provide something special.”

Creative/Technical Innovation 2026 Each year we move closer to our goal of becoming the one-stop shop for Korean formats. With a diverse catalogue and partnerships with 20+ top creative talents, we’re ready to collaborate with international partners.”

Jin Woo Hwang, President/Executive Producer

Unforgettable Duet is a heartfelt series about the power of music, family, and memories. The original unscripted series follows dementia patients whose families gather mementoes and select their favourite song to help them recall the past.

Together, they ride on a Memory Bus filled with these deeply personal mementoes that reveal long-forgotten life moments for each of the participants.

Unforgettable Duet is winner of Silver award at the ContentAsia Awards 2025.

Genre: Factual entertainment/music Trailer

Still Alive Still Alive invites ten contestants to stay in a mansion for a day. There’s only one simple rule to in the mansion: “Never do what the Death rules say”.

Contestants who fail to follow this rule will be eliminated instantly. The problem is that no one will tell them what the death rules are. They should figure the rules out themselves by collecting messages from the eliminated contestants and winning clues by completing challenges. New death rules will be given every five rounds. Premiere: September 2021 (local), TBC in 2026 (regional). Genre: Reality competition/comedy Trailer

Iron Squad

Iron Squad is Korea’s ultimate military reality competition, where elite reservists from the nation’s toughest special forces battle in extreme missions testing strength, focus, and teamwork. From the producers of Netflix’s Physical: 100, the show has four seasons on Channel A, with a new season commissioned for 2026. Genre: Reality competition/military

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The Big List Digital Directory 2026 ContentAsia’s Big List is the only directory of its kind, fully focused on Asia with lists of the top content providers, services, channels, platforms and people in key markets, including streaming/OTT/online players, free-TV broadcasters, pay-TV platforms, production houses, streaming/broadcast tech, regulators/associations and others.

The directory, distributed monthly, offers video value-adds as part of ContentAsia’s Screening Room.

The Big List’s enhanced listings appear across multiple platforms, including year-round visibility at ContentAsia’s online destination at www.contentasia.tv.

The initial distribution is via email to our full database of over 12,900 verified addresses, with links to the enhanced listings to our full database every two weeks.

Advertising Opportunities Double/single page enhanced listings, quarter-page logo listings, full-page display ads.

Premium add-ons available for additional visibility

BE INCLUDED CONTACT US NOW Leah@contentasia.tv (Americas/Europe) Malena@contentasia.tv (Asia Pacific/Middle East) CJ@contentasia.tv (China/Taiwan)

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BoltOS, founded in 2017 and headquartered in London with offices in Singapore and Malaysia, transforms how content owners maximise value through turnkey and customised solutions that convert passive content into engaging experiences, elevating user retention and revenue. Our groundbreaking Immersive Panel© delivers real-time engagement features that unlock new ad inventory and create fresh monetisation opportunities, deploying seamlessly within existing apps or broadcast satellite TV.

BoltOS The Working Capitol 1 Keong Saik Road Singapore 089109 E: sales@bolt.global W: https://boltos.ai/ Tech Showcase: https://boltplus.tv/login https://www.linkedin.com/company/boltos/ https://x.com/boltplus https://www.instagram.com/boltplustv/

Who’s who...

Jamal Hassim Co-Founder, CEO United Kingdom E: jamal@bolt.global Harry Teper CCO, United Kingdom E: harry@bolt.global Michelle Peterson Clark CMO, Australia E: marketing@bolt.global Silvia Cebanu CRO, United Kingdom E: silvia@bolt.global Mustaffa Selamat Business Development, Singapore E: mustaffa@bolt.global

Capture Attention. Keep Audiences. Grow Revenue.

In today’s crowded streaming landscape, the biggest challenge isn’t content – it’s keeping viewers watching, engaging, and coming back. That’s where BoltOS’ Immersive Panel© comes in: a seamless in-stream layer that transforms viewing from passive consumption to interactive dialogue, giving FAST platforms, OTT, and broadcast platforms the tools to boost engagement, reduce churn, and unlock new monetisation opportunities – without disrupting the viewing experience.

No logins. No app downloads. Just instant interactivity built directly into your content.

Turn Viewers into Participants The Immersive Panel© is designed for the modern, multitasking audience. With interactive features layered directly into the stream, viewers can shop, chat, ask, read, and respond – all without leaving the screen.

For content platforms, this means: 4 More ad inventory 4 Higher retention 4 Stronger user engagement 4 Lower churn rates

Built to Solve Your Biggest Challenges Whatever your platform, the Immersive Panel© helps you: • Increase revenue with dynamic ads and shoppable content • Retain viewers by making experiences more interactive and stickier • Boost engagement with features that invite curiosity and participation • Stand out in crowded markets with innovative, lean-forward experiences Whether you’re launching a new OTT platform or broadcast TV network, looking to deepen sports fan interaction, or monetising long-tail content, the Immersive Panel© equips you with tools to connect – and convert.

Custom Pluggable Panels to Match Your Content and Goals Choose the features that match your audience, your content type, and your business strategy: • Real-Time Chat + Ads Viewers talk in real time – and you monetise the conversation. Insert interactive ads into chat feeds for new revenue and stronger user connection.

Devices Design - Tablet - Ai

How is your solution tailored to address infrastructure, user behaviour, or regulatory nuances in Asia in 2025?

Winning and retaining content audiences in Asia isn’t one-size-fits-all and we don’t expect you to work alone. We are here to be your partner in charting a new path to success for your business. Our Immersive Panel is built to breathe new life into your content and your relationship with your viewers.

The Immersive Panel allows your audiences to be fully involved with the content they love by chatting, asking questions, participating in content related quizzes, and perhaps even shopping (all powered by our IRIS AI engine). You can even reward your most loyal viewers via the Immersive Panel.

Whether you are a major regional pay TV operator, a streaming powerhouse, or someone growing their content business, BoltOS can help you deepen your relationship with viewers and create new commercial/revenue opportunities.

Our Immerse Panel can be inserted into the full spectrum of content delivery channels ranging from satellite to IP. The BoltOs team is comprised of experienced broadcast professionals who have operated in highly competitive and regulated content environments. We understand operational challenges and local licensing sensitivities and are prepared to assist you with these requirements and compliance.

Our solutions are built with local compliance and cultural nuance at their core, so you can stay focused on creating great content, while we do the heavy lifting.”

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Immersive Panel© - Chat

Technology Satellite Broadcast - Chat

Web App-Barca Shop

• Shoppable Streams Link what’s on screen to what’s in-store. Ideal for sports, lifestyle, and entertainment content, the Shop Panel helps convert attention into purchases.

• Live Q&A with IRIS AI Let your viewers ask questions and get answers in real time. Stats, actor bios, live scores – all at their fingertips.

• Deep Dives for Curious Minds Add context to news, docs, or factual content with relevant articles, explainers, or background info in the Read Panel.

• Interactive Ads & Polls Go beyond passive impressions. Invite feedback, collect data, and drive conversions with surveys and interactive ad formats.

IRIS AI – Their Personal Content Concierge Deliver a personalised experience to your audience with IRIS AI. From providing instant answers to questions during a family movie to adding ingredients to their shopping list they spotted on your cooking programme, IRIS lets your content keep up with an audience on the move.

The impact? More engagement, more impressions, and longer view time.

Works Everywhere Your Viewers Are Whether you’re streaming online or broadcasting via satellite, the Immersive Panel© integrates without friction: - OTT: Quick deployment on web, mobile, and connected TV with minimal engineering required.

- Broadcast Television: Trigger interactivity via on-screen QR codes that activate second-screen experiences on any device – what we call Omni Device Mobility©.

No downloads. No delays. Just direct engagement, globally scalable.

Bridging Broadcast and Digital Worlds Media is changing. It’s no longer just about delivering content – it’s about delivering experiences. Early adopters across EMEA are already using the Immersive Panel© to enhance programming across news, sports, entertainment, and lifestyle.

Every deployment includes: 4 Implementation support 4 Plug-and-play templates 4 Customisable feature sets 4 Operational guidance for scale 4 Analytics dashboard 4 Compliance features to meet regulatory requirements The future of viewing – whether on broadcast or streaming – is interactive, intelligent, and income-generating. With our Immersive Panel©, your platform is ready to engage, convert, and lead.

Markets in Asia China, Hong Kong, India, Indonesia, Japan, Korea, Malaysia, Mongolia, Philippines, Singapore, Thailand, Taiwan, Brunei, Cambodia, Laos, Macau, Nepal, Pakistan, Sri Lanka & Vietnam.

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TV App - Rewards

TV App - Shop

What are the core problems your platform solves for content, streaming, or pay-TV businesses in Asia?

If you’re creating content in Asia or anywhere in the world, chances are you’re battling familiar challenges; declining viewer engagement, rising distribution costs, limited monetisation options, and the constant struggle to stand out.

You’re not alone.

That’s why our tools are built to work for you – not the other way around. With BoltOS, you can easily add interactivity, drive new revenue, and keep audiences coming back – without heavy tech lifts or platform overhauls.

You stay focused on telling great stories. We’ll handle the tech that helps those stories reach more people, earn more, and deliver real results.

We’re here to quietly power your growth, behind the scenes – like a partner who’s always working to make your content go further.”

Harry Teper, CCO, BoltOS

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Reserve Now

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Connecting your brand and products with 12,900+ verified executives in the Asia-Pacific content space, across all platforms in 22 APAC markets. ContentAsia’s clear editorial focus on Asia delivers all the latest trends, market developments, influences, information & analysis that make a difference.

Contact Leah@contentasia.tv (Americas/Europe) Malena@contentasia.tv (Asia Pacific/Middle East) CJ@contentasia.tv (China/Taiwan)

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Cambodia

INDEX Free TV

Streaming/OTT

Apsara Television (TV11) ........................... 48 Bayon Television – Bayon TV/Bayon News/ETV News ............................................ 48 Cambodian Television Station Channel 9 (TV9) ............................................ 48 CBS – CTN/CNC/MyTV/ CTN International ......................................... 48 CTV8 HD .......................................................... 48 EAC News TV .................................................. 48 Fresh News TV ............................................... 48 Hang Meas HDTV/Rasmey Hang Meas HDTV .................................................... 48 iTV HD ............................................................... 48 Phnom Penh Television (TV3) ................. 48 PNN TV Station .............................................. 48 SEA TV .............................................................. 48 Town TV ........................................................... 48 TV5 Cambodia ............................................... 49 TVK .................................................................... 49

DigiBox/Digi Cambodia ............................. 49 Ezecom IPTV/OTT ........................................ 49 Hang Meas/Rasmey Hang Meas Streaming ............................................ 49 Metfone TV/Metfone TV Go ...................... 49 OneTV Plus ..................................................... 49 PPCTV World ................................................. 49 Soyo ................................................................... 49 Town TV Digital ............................................. 49 TV5 Plus ........................................................... 50 WeWatch ......................................................... 50

Pay TV Angkor Satellite TV (ASTV) ....................... 49 Cambodian DTV Network ......................... 49 Digital Sky/OneTV ........................................ 49 Hello TV ............................................................ 49 Phnom Penh Municipal Cable Television (PPCTV) ............................................................ 49

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Production 4K Films ............................................................ 50 802 Films Production ................................. 50 Anti-Archive .................................................... 50 Bophana Center Production .................... 50 Camwood Studios ....................................... 50 Hangmeas Production ............................... 50 Hanuman Films ............................................. 50 Island Film Cambodia ................................ 50 Khmer Mekong Films .................................. 50 Kongchak Pictures ....................................... 50 LD Entertainment KH ................................ 50 Puork Productions ....................................... 50 Rock Production ........................................... 51 Sastra Film ...................................................... 51 Sastra Film Lab/Sastra Production ........ 51 Shoot International Media Production ...... 51 Westec Media ................................................ 51

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Regulators/ Industry Bodies Cambodia Film Commission .................... 51 Council for the Development of Cambodia (CDC) ........................................... 51 Ministry of Culture & Fine Arts ................. 51 Ministry of Information (MOI) ................... 51 Ministry of Posts and Telecommunications (MPTC) ................................................... 51 Telecommunication Regulator of Cambodia (TRC) ........................................... 51

In numbers Population ...................................17.48 million Percentage of population by age group 0-14 ............................................................. 29.4% 15-59 .......................................................... 61.7% 60+ ................................................................. 8.9% Households ................................... 3.55 million Avg household size .................................... 4.3 TV households ............................... 2.4 million Internet subscribers ................ 18.98 million Mobile subscribers .................... 21.9 million Fixed tel subscribers .......................... 32,000 Licensed internet operators .............. 30-40 Source: National Institute of Statistics (population projected by NIS in 2024) Cambodia General Population Census 2019 (% of population by age group, households, avg household size) Census 2018 (TV households). Ministry of Posts and Telecommunications(internet subs in 2025); Telecommunication Regulator of Cambodia (mobile subs, fixed tel subs , ISP licenses in 2024)

The Wall Song Cambodia S2, Global PNN

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hen the Eurovision song contest organisers came calling, Cambodia was among the first group of 10 Asian nations to put its hand up to participate. Come November 2026, TV5 Cambodia will be among the inaugural Asia edition’s official broadcasters.

Eurovision is yet another example of Cambodia’s media companies’ proactive engagement with international brands, led for longest by a lively interest in unscripted format adaptations. This is despite a television and film production environment that is underresourced compared to most of its Southeast Asian neighbours.

Even if acquisitions have dropped off steeply from 2017 highs, Cambodia still outpaces format adaptation volumes in Hong Kong, Myanmar and Singapore.

In addition to local versions of Idol, The Voice, X Factor and Got Talent over the years, titles include Cambodian Broadcasting Service’s (CBS) recent MasterChef Cambodia. The local version of the Banijay format broke viewership records for its premiere in June 2025. Regionally, broadcaster PNN has adapted Workpoint Group’s Thai format The Wall Song and Bayon TV made a local version of The Rapper, also from Workpoint.

MasterChef is part of a much bigger picture being drawn by CBS CEO, Dave Ulmer, one which raises Cambodia’s voice in the global production conversation and creates a bridge between Hollywood and Cambodia. The initiative revolves around CBS’s studio facility, Camwood Studios, and the L.A.-based The Studio, who are working on a plan that involves up to 10 international film and TV productions.

And then there is... microdrama, another

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angle Cambodia is actively working to reframe its global image. The country’s tourism authorities showed up at Hong Kong Filmart in March 2026 with plans to roll out a “Microdrama-Led Tourism Content Ecosystem” in partnership with Oceanus Media Global (aka OMG Studios). This, they said, was “tourism reimagined” and part of the country’s stepped-up bid to grow its share of location services spend in the region. “By embracing new storytelling formats and digital platforms, we are able to connect with new audiences and showcase the depth and vibrancy of Cambodia in a more engaging way,” Cambodia Tourism Board CEO, Kim Minea, said.

Cambodia’s film industry, meanwhile, is working on strengthening its contemporary dramatic voice alongside the flow of stories rooted in Khmer Rouge-era trauma.

From Deip Sela (Mannequin Wedding, a commercially triumphant mockumentary supernatural horror feature based on real events in 2021) to Boren Chhith (Golden Dragon, a short film about the human cost of rapid growth and foreign investment), contemporary filmmakers are navigating their country’s rapid modernisation and unresolved history.

Indonesian-Cambodian co-production, supernatural horror film, The Curse of Kampong Batu, is also part of the optimism about closer ties with filmmakers around the region.

The love is, however, selective: Thai films remain excluded after 2025’s border clash.

While committed to building soft power, authorities are acutely sensitive to what they see as negative narratives. Most recently, references to scam farms in Cambodia elicited official ire and swift action.

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Cambodia Free TV Apsara Television (TV11) Apsara Television is a private television channel offering news, entertainment, talk shows, variety, lifestyle, kids, history and sports (boxing) programming.

Launched in 1996, Apsara Television is operated by the Apsara Media Group.

Bayon Television – Bayon TV/Bayon News/ETV News Bayon Television owns and operates three TV channels – Bayon TV, Bayon News (BTV-News) and ETV News. Bayon Television was established in 1998 and broadcasts nationwide from its main station in Phnom Penh. It offers local TV series, boxing matches, news, variety shows and entertainment content. Bayon News and ETV News provide 24-hour local and international news coverage. Bayon also operates Bayon Radio.

Cambodian Television Station Channel 9 (TV9) Privately owned general entertainment channel TV9 was established in 1992 and offers mostly local entertainment, variety programming and Thai drama series.

CBS – CTN/CNC/MyTV/ CTN International Cambodian Broadcasting Service (CBS) operates three local free-to-air channels – Cambodian Television Network (CTN), Cambodian News Channel (CNC) and MyTV, as well as international service, CTN International. The 24-hour flagship channel CTN, launched in March 2003, is known for introducing international formats such as Who Wants to be a Millionaire? and MasterChef Cambodia, which premiered in June 2025 and broke viewership records with 1.1 million organic views on Facebook Live. CNC operates as a hybrid 24-hour news and entertainment news service. MyTV, launched in 2009 and rebranded in 2013, targets the 15-49 demographic with drama, concerts and variety shows. CBS is owned by The Royal Group, which also operates pay TV platform, OneTV.

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CTV8 HD CTV8 HD, operated by Phnom Penh Cable TV, is a nationwide free-to-air general entertainment channel. Programming includes drama series, movies, variety shows and lifestyle content.

FM) and talent management operations, positioning the company as Cambodia’s preeminent multimedia conglomerate shaping the nation’s entertainment landscape.

iTV HD EAC News TV EAC News TV is a 24-hour free-to-air news channel delivering political, economic and social affairs coverage, with strong emphasis on government, policy and current affairs reporting. The channel broadcasts nationwide and also operates a significant digital news platform.

Fresh News TV Fresh News TV operates as a 24-hour nationwide news channel, complementing a strong digital media presence. The channel provides breaking news, political coverage, business, social affairs and international reporting, broadcasting in Khmer, English and Chinese.

Hang Meas HDTV/Rasmey Hang Meas HDTV Hang Meas HDTV and sister channel Rasmey Hang Meas HDTV represent Cambodia’s dominant entertainment media force, controlled by Hang Meas Video Company, which was established in 1994 and claims to own a dominant share of the country’s entertainment industry. Hang Meas HDTV, launched in February 2012, pioneered HD broadcasting in Cambodia and remains the nation’s most popular television station, broadcasting via terrestrial, satellite and digital platforms. The channel’s programming blends international content – including Korean and Chinese dramas – with locally adapted formats such as The Voice Cambodia, Cambodian Idol, X Factor Cambodia, Cambodia’s Got Talent and I Am A Singer Cambodia, alongside original Khmer dramas and concerts. Morning news programming attracts the channel’s most dedicated viewership. Sister channel Rasmey Hang Meas HDTV complements this flagship offering with mass entertainment programming, including variety shows, concerts, sports, and movies, distributed nationwide with similar content strategy. The broader Hang Meas Group ecosystem extends to two radio stations (Hang Meas FM and Rasmey Hang Meas C

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iTV HD is a commercial free-to-air entertainment channel with nationwide terrestrial distribution, targeting youth and family audiences with drama, music, movies and variety programming.

Phnom Penh Television (TV3) Phnom Penh Television (TV3) was established in 1996 as a joint venture between KCS Cambodia and Phnom Penh Municipality, becoming a wholly owned KCS company in 2012. The 24-hour channel broadcasts local news, drama series, game shows, talk shows, sports, lifestyle, music and concert programming.

PNN TV Station Established in 2015 by the L.Y.P. Group, PNN TV operates a US$10-million production complex featuring multiple studios.

Over 50% of PNN’s schedule is locally produced, including game shows, variety, talk shows and news. Locally adapted formats include The Wall Song Cambodia and Family Feud Cambodia. The station claims a reach of over 90% of Cambodian households.

SEA TV SEA TV is a nationwide free-to-air general entertainment channel offering movies, variety shows, boxing and locally produced programming. The station targets broad family audiences and maintains wide terrestrial coverage.

Town TV Town TV is one of Cambodia’s largest mass-market entertainment broadcasters, known particularly for its extensive coverage of Kun Khmer boxing, variety shows, concerts and locally produced entertainment formats. The channel enjoys nationwide terrestrial reach and strong popularity across both urban and provincial audiences.

TV5 Cambodia Channel 5 (TV5) broadcasts entertainment content including in-house drama series, news, sports (boxing) and selected foreign acquisitions. Licensed by Cambodia’s Ministry of Defence in 1995, TV5 is owned by the Royal Cambodian Armed Forces and operates as a joint venture with post-production company MICA Media, part of Thailand’s Kantana Group.

TVK State-owned broadcaster, National Television of Kampuchea (TVK), was originally launched in December 1963 and relaunched in 1983 following the civil war.

Today, TVK offers predominantly local programming including news, education, culture, entertainment and sports. TVK also operates TVK2 and Wiki TV, which focus on education and public interest content, alongside a national radio network.

Pay TV Angkor Satellite TV (ASTV) ASTV is a DTH satellite pay-TV platform serving households across multiple provinces in Cambodia. The service distributes a broad line-up of Cambodian, regional and international television channels, focusing on entertainment, movies, news and sports programming. ASTV targets provincial and rural audiences through competitively priced subscription packages and straightforward satellite installation.

Cambodian DTV Network DTH pay-TV operator Cambodian DTV Network offers around 200–250 SD/HD TV channels, primarily targeting rural households across all 25 provinces. The platform focuses on affordability, with low-cost connection fees and subscription packages designed for mass-market adoption in provincial Cambodia.

Digital Sky/OneTV Digital Sky launched as a joint project between GS Group and Cambodia’s Royal Group in September 2012, becoming a wholly owned subsidiary of The Royal Group in March 2016. The platform operates both DVB-T Pay TV service branded

as OneTV and DTH satellite service branded as Sky One, offering over 60 terrestrial digital channels and more than 260 satellite channels nationwide. Coverage extends to around 70% of Cambodian households. In-house channels include OneTV Sabay 1, OneTV Drama 3, OneTV Kids 5 and OneTV Movie HD 7.

Hang Meas/Rasmey Hang Meas Streaming

Hello TV

Metfone TV/Metfone TV Go

DTH satellite pay-TV operator Hello TV offers more than 150 SD/HD TV channels nationwide, with particular strength in rural and semi-urban areas. The platform provides a mix of local Cambodian, regional Asian and international entertainment, news, movie and sports channels.

Metfone TV is the IPTV/OTT streaming platform of telcom operator Metfone (Viettel Cambodia), delivering live TV channels, catch-up services and on-demand content across mobile, web and smart TV platforms. Backed by Metfone’s nationwide mobile and fibre broadband infrastructure, the service enjoys one of the widest digital distribution footprints in Cambodia.

Phnom Penh Municipal Cable Television (PPCTV) Founded in 1995, Phnom Penh Municipal Cable Television (PPCTV) offers 70 local, regional and international TV channels.

The platform also operates managed IPTV and broadband services, alongside in-house channels PPCTV 6/9/10 and national services CTV8 HD (carries local/ Chinese, Thai & Korean content) and iTV HD (entertainment variety & news).

Streaming/OTT DigiBox/Digi Cambodia

Hang Meas Group operates multiple digital streaming platforms and apps associated with Hang Meas HDTV and Rasmey Hang Meas HDTV, focusing on local entertainment, music, drama series, talent shows and variety programming.

OneTV Plus OneTV Plus is the streaming platform of pay-TV operator Digital Sky/OneTV, offering live streaming of local TV channels alongside a library of local and foreign on-demand content. The service complements OneTV’s terrestrial and satellite operations, extending access to mobile and connected devices, with a mix of free and subscription-based content.

PPCTV World

DigiBox is the IPTV/OTT platform of Digi Cambodia, delivering live TV, movies, series and entertainment via broadband and mobile networks. The service has seen growing adoption in urban households and among younger viewers, supported by Digi’s fibre broadband footprint and digital service ecosystem.

PPCTV World (formerly PPCTV Anywhere) was launched in 2016 by cable TV and broadband provider Phnom Penh Municipal Cable Television (PPCTV). The platform provides live streaming of PPCTV channels and selected catch-up content, including Khmer-dubbed drama series, entertainment and movies, targeting domestic and overseas Cambodian audiences.

Ezecom IPTV/OTT

Soyo

Ezecom IPTV is the streaming and IPTV service operated by Cambodia’s leading fibre broadband provider, Ezecom, operated by The Royal Group. Targeting urban households, condominiums, enterprises and the hospitality sector, the platform offers live TV channels, international programming and on-demand content.

Launched in July 2017 by Sabay Digital, Soyo offers mostly local movies, TV shows and some Thai content dubbed or subtitled in Khmer. Users choose between daily, weekly and monthly subscriptions, with some content offered for free.

Town TV Digital Town TV operates digital streaming services and social media-based OTT distribution, delivering live TV content, boxing events, entertainment shows

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Cambodia and concerts across mobile platforms.

The digital operation extends Town TV’s mass-market reach, particularly among younger and mobile-first viewers.

TV5 Plus TV5 Plus is the OTT streaming platform of free-to-air broadcaster TV5 Cambodia, providing live streaming of the linear TV channel alongside selected on-demand entertainment, news and sports programming. The service extends TV5’s reach to mobile-first audiences and overseas Cambodian communities.

WeWatch Singapore-based WeWatch launched the OTT service in April 2021, offering 100+ live TV channels, alongside Khmerdubbed and subtitled movies, TV shows, esports, lifestyle, educational content and games. Users either access via the Android-based SuperBox or the WeWatch Everywhere mobile app. WeWatch is also available in Singapore and Indonesia.

Cambodian consumers have access to international streaming platforms, including Netflix and, since October 2025, HBO Max.

Production 4K Films 4K Films traces its Cambodian filmmaking identity to the Kon Khmer Koun Khmer (4K) collective, founded by filmmaker Chou Davy. Established as a platform to nurture emerging Cambodian filmmakers, the collective focuses on independent film development, training and production, and has since evolved into a broader production entity contributing to short films, documentaries and feature projects.

802 Films Production 802 Films Production is a full-service film and video production company offering services ranging from scriptwriting and visualisation to permits sourcing, sound mixing, motion graphics and music composition. Production credits include the co-production of Cambodia’s first sci-fi feature, Karmalink (2021). The company aims to produce at least three feature films annually.

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Anti-Archive Established in January 2014, Anti-Archive is an independent Phnom Penh-based production company producing and co-producing fiction and documentary content. Recent works include short film Golden Dragon (2023), which screened at the Singapore International Film Festival and the International Film Festival Rotterdam (IFFR), and the feature Becoming Human (2025), which premiered at Venice International Film Festival.

Bophana Center Production Bophana Center provides production and post-production services, including equipment rental, sound recording, editing and post-production for short films, documentaries, fiction, corporate and commercial content. Co-founded in 2006 by filmmakers Rithy Panh and Ieu Pannakar, the centre also curates Cambodia’s largest public audiovisual archive and works closely with the Cambodia Film Commission.

for producing the award-winning Cambodian feature Beyond the Bridge (2016), and for servicing major international production Tomb Raider (2018) and numerous international documentaries and commercials.

Island Film Cambodia Island Film Cambodia is a leading production service company providing full support for international film, television, documentary and commercial productions. Services include location scouting, permitting, casting, crew sourcing, equipment rental and logistics.

Khmer Mekong Films Established in July 2006, Khmer Mekong Films produces TV drama, factual programming and feature films. The company focuses in long-form television drama, social-impact documentary production and commissioned content for NGOs and broadcasters, alongside selective feature film development.

Camwood Studios

Kongchak Pictures

Established in 2023 in Phnom Penh as a division of Cambodian Broadcasting Service (CBS), Camwood Studios is a production facility operating six studios and offering full-service production services.

The studio aims to position Cambodia as a regional hub for international film and television production, and has an agreement with The Studio in L.A. for up to 10 international film and TV productions on their calendar over the next two years.

Kongchak Pictures, founded in 2015, is a leading Cambodian production company creating feature films, shorts, commercials and international co-productions. Notable productions include Jailbreak (2017), the Locarno-premiered Young Love, White Building (2021), Busan-premiered The Prey, and Tenement (2024). In 2021, Kongchak launched Kongchak Studio, its audio and post-production division, offering Cambodia’s first Dolby Atmos theatrical facility and providing sound design, mixing and post-production services.

Hangmeas Production Hangmeas Production, the production arm of Hang Meas Group, produces major international formats including The Voice Cambodia, Cambodian Idol, X Factor Cambodia, Cambodia’s Got Talent, Killer Karaoke Cambodia, The Mask Singer Cambodia and I Am A Singer Cambodia, alongside local drama series, news programming and live concerts.

Hanuman Films Established in 2000, Hanuman Films provides full production services including script review, permits, location scouting, casting, equipment rental and postproduction. The company is best known C

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LD Entertainment KH LD Entertainment KH is one of Cambodia’s most prolific commercial film production studios, transforming from a low-budget local outfit into a formally incorporated company in 2019. The studio produces feature films across genres, recent releases include Junior Camper (2025), a top-grossing comedy horror and Hotel 2005 (2025), a supernatural mockumentary horror.

Puork Productions Founded in 2014 by filmmaker Chhun Piseth, Puork Productions is an independ-

ent production company focused on feature films, documentaries and international co-productions. The company develope commercially driven genre films alongside festival-oriented projects.

Rock Production Established in 2007, Rock Production is a multi-media entertainment, TV/movie production and distribution company.

The production division produces documentaries, drama series, talk and variety shows and music videos for local broadcasters and pay-TV channels.

Sastra Film Founded in 2015, Sastra operates a 300-person vertically integrated production hub in Phnom Penh, producing approximately 20 films per year from development through post-production. The studio also operates its own streaming platform with a captive domestic audience, making it one of the few studios in Southeast Asia that controls both production and distribution within its home market.

Sastra Film Lab/Sastra Production Established in 2017 by filmmaker Rithy Panh and producer Davy Chou, Sastra Film Lab is a development and training platform dedicated to nurturing emerging Southeast Asian filmmakers. Its affiliated production arm, Sastra Production, continues to support selected feature films and documentaries, focusing on auteur-driven cinema, international co-production and festival-oriented projects.

Shoot International Media Production Shoot (est. 1996) offers production services, including production management, technical support, equipment rental, postproduction and translation.

Westec Media Founded in 2006, Westec Media is a leading Cambodian television and commercial production company specialising in drama series, entertainment programming, documentaries and branded content. The company produces content for major local broadcasters and regional platforms, with a strong presence in long-running TV drama and factual entertainment.

Regulators/ Industry Bodies Cambodia Film Commission The CFC supports film and TV production in Cambodia, providing location scouting, production advisory, permitting, casting, crew and logistical services, with backing from the Ministry of Culture and Fine Arts.

Council for the Development of Cambodia (CDC) The CDC is the government’s top authority for public and private sector investment. Chaired by the Prime Minister, it oversees the Cambodian Investment Board and the Cambodian Special Economic Zone Board.

Ministry of Culture & Fine Arts The Ministry of Culture and Fine Arts oversees broadcast content standards to safeguard traditional values and cultural heritage, while promoting artistic creation and cultural exchange.

Ministry of Information (MOI) The Ministry of Information regulates media content, issues licences to TV, radio, newspapers and digital media, and oversees compliance with national information laws.

Ministry of Posts and Telecommunications (MPTC) The MPTC is responsible for policy development and oversight of postal services, telecommunications, ICT and digital infrastructure, promoting nationwide connectivity and accessible communications services.

Telecommunication Regulator of Cambodia (TRC) The TRC is an independent statutory body regulating the telecommunications sector, including spectrum management, network infrastructure, service quality, numbering and online information distribution. It works with the MPTC to oversee internet and electronic media services.

THE BIG LIST 2026 Myanmar

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