Jan. 19, 2011 Connect Savannah Issue

Page 24

JAN 19 - JAN 25, 2011 | WWW.CONNECTSAVANNAH.COM

24

Got the beat?

TYBEE ISLAND SOCIAL CLUB

Meet Adam Matta, one-man music machine

Home of the $2 Tall Boy Red Stripe always! 2-4-1 Fresh-Squeezed Lime ‘Ritas til 6pm daily

MONDAY NIGHT In the Round w/ Jason Bible, Eric Britt, Kurtis Schumm & Upright support with Eric Dunn TUESDAY BINGO AT THE BAR! $1 Chips and Salsa WINESDAY! Tastings and Wine Specials THURSDAY Trivia Night! LIVE MUSIC FRIDAY & SATURDAY SUNDAY FUNDAY! Open Bible (Jason Bible) 5pm and NFL SUPER BOWL PARTY FEB. 6TH

by Bill DeYoung | bill@connectsavannah.com

912.472.4044 • tybeeislandsocialclub.com 1311 Butler Ave. Tybee Island, GA 31328

Monday Happy Hour (5pm-1am) $2 off Cocktails & Martinis, Wine by Glass & Spirits Hospitality Night Specials (After 10pm, Tues-Sat)

Live Music Fri., Sat., & Tues 8pm-Mid. Fri 1/21 Nathan Hefner Sat 1/22 Nathan Hefner Tues 1/25 James Smith & Eric More

Saturday January 22nd 1 Year Anniversary Party

Sugar Daddy’s New Year’s Evolution and 1 Year Anniversary Party Featuring:

Nathan Hefner 8pm-Midnight Frank Sinatra & Johnny Mercer Act

DJ Dance Party Midnight-2:30am Midnight Champagne Toast Door Prizes • Giveaways Photo Booth by Pavilion Productions

912.335.5852 • | 109 Jefferson St.

TELFAIR MUSEUMS

culture

Interview

“Beatboxing is blowing up worldwide; there’s a lot of guys coming out with really interesting sounds,” says Adam Matta.

At his Jan. 28 Jepson Center performance, Adam Matta will take art and technology – the two Pulse Festival buzzwords – and combine them in mind–blowing ways. Which, you’ll wonder, is the art, and which is the tech? Ah, but there’s the rub. Matta is a beatboxer, using his voice and a microphone to create the sounds of a full drum kit – he doesn’t sound at all like a synthetic drum machine – in its myriad poly–rhythmic patterns. That’s organic, right?

At Pulse, he’ll appear onstage with a bicycle wheel mounted on a pedestal. There’s a loop of recording tape stretched over the outside of the wheel. When the tape comes in contact with a playback head, the sound is amplified. Matta edges the bike wheel back and

forth like a turntable, creating an audio scratch right out of hip hop. He has a loop pedal on the floor in front of him, which allows him to record his beatbox vocal percussion, layer it, add bass (he’s good at that, too) and then add more live sounds. It’s a kind of abstract impressionism, a riff on streetcorner beatboxing that elevates one art form into the realm of another. Based in New York, Matta has had solo shows at the New Museum for Contemporary Art, Galapagos, PS 122,


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