CORINDAS STEP ELEVEN of
Question and Answer (Readings)
THE THIRTEEN STEPS TO MENTALISM PUBLISHED IN PARTS at 10/- each
- SWAMI GIMMICK - PENCIL, LIP, SOUND, TOUCH & MUSCLE READING THREB - MNEMONICS & MENTAL SYSTEMS - PREDICTIONS FOUR FIVE - BLINDFOLDS & X-RAY EYES SIX - BILLETS - BOOK TESTS & SUPPLEMENT SEVEN - TWO PERSON TELEPATHY EIGHT - MEDIUMISTIC STUNTS NINE - CARD TRICKS TEN - QUESTION & ANSWER (READINGS) ELEVEN - PUBLICITY STUNTS TWELVE THIRTEEN - PATTER & PRESENTATION
STEP TWO STEP STEP STEP STEP STEP STEP STEP STEP STEP STEP STBP
QUESTION AND ANSWER (READINQS) BY
STEP ELEVEN IN CORINDA'S SERIES :—
"THIRTEEN STEPS TO MENTALISM" COPYRIGHT FULLY RESERVED CORINDA'S MAGIC STUDIO. 65 MORTIMER ST.. LONDON. W.I. ENGLAND 1959
CORINDA'S "THIRTEEN STEPS TO MENTALISM" (A Step by Step Course on Mental Magic and Allied Arts)
STEP THREE: MNEMONICS AND MENTAL SYSTEMS. All in one book—a Complete and Comprehensive Collection of Mnemotechnic Memory Systems and master mysteries of the Mind which utilise special codes and systematic arrangement of objects and cards, etc. TECHNIQUE — PATTER — PRESENTATION — OF CLASSIC EFFECTS. Such things as :— THE AMAZING MEMORY — QUICK CALCULATIONS — SQUARING AND CUBING IN THE HEAD — THE MAGIC SQUARE — THE KNIGHT'S TOUR — CHESS TRICKERY — A DAY FOR ANY DATE — THE STACKED DECK — EIGHT KINGS - SI STEBBINS — MANY OTHERS — MNEMONIC NUMBER CODE and so forth. An invaluable collection all in one handy reference work—complete your collection and see that Step Three is ordered today.
STEP FOUR: PREDICTIONS. A goldmine of information. The technique section gives you a \ery wide study of Billet Knives, Pocket Indexes, Predictions for Stage and Drawing Room Publicity Stunts and so on. No less than twenty sensational Prediction Effects are supplied—covering tricks for the drawing room and cabaret floor. No detail is omitted—the biggest Step issued so far—and up to standard in every way. Including many new tricks never before revealed or published.
STEP FIVE: BLINDFOLDS AND X-RAY EYES. Another reference work covering every conceivable aspect of this type of trickery. Pages on different types of Blindfolds, how to make them and use them. Tricks that you can do—hints—stunts—complete routines running into an entire programme. This Step—like every other Step, is of the highest quality—only the best goes in The Thirteen Steps to Mentalism!
ALL THESE BOOKS AND STEPS I & 2 ARE AVAILABLE NOW !
STEP ELEVEN in CORINDA'S SERIES " THIRTEEN STEPS TO MENTALISM " QUESTION AND ANSWER (READINGS)
TABLE OF PROBABILITIES
. . 355
PART ONE DEALING WITH QUESTIONS K N O W N
REFERENCE TO TECHNIQUE IN OTHER
344 . 344
How TO GET INFORMATION ALCOHOL AND CHEMICALS . .
THE WINDOW ENVELOPE
THE RECORD CARD . .
STOOGES AND PLANTS
SWITCHING OF ENVELOPES . .
H o w TO CONVEY INFORMATION
348 HAND ROLLERS
THE C L I P BOARD
CIGARETTE HOLDER . .
WATCHFACE . .
ROLLER ON MICROPHONE
OTHER METHODS TO CONVEY I N FORMATION .. ..349 ANSWERING QUESTIONS THAT ARE K N °WN •• . . 350 ANSWERING QUESTIONS FROM PLATFORM
T H E U S E OF INFERENCE
SUMMARY, PRIVATE READINGS
J ~> I
SELECTION OF QUFSTIONS TO USE . USE OF FLATTERY
SURE FIRE PREDICTIONS
. . 3 5 2
SUMMARY PLATFORM READINGS
349 . 349
349 . 350 352 354 355
PART TWO DEALING KNOWN
OBJECTIVES OF COLD READING
USE OF THE VOICE
PUTTING TWO AND T W O TOGFTHER
MISDIRECTING ATTENTION BY TALK
THE IMPORTANCE OF TIMING
CONCLUSION . .
OBSERVATION OF DETAIL
Printed in England by H. Clarke & Co. (London) Ltd. Published by CORINDA'S MAGIC STUDIO, 65 MORTIMER STREET, LONDON, W.I. ENGLAND. No part of this Publication may be Reproduced without written Permission.
INTRODUCTION Millions of pounds and dollars have been made by people who have acquired the knack of telling others what they want to know. Mindreaders and Mediums have spent a lot of time and study on the psychology of answering questions that are put to them by members of the public, who, supposing that the mindreader is gifted with some divine insight, presume he has the ability to foretell the future and see the past and present. It is possible to tell the future and see the past and present! What is more, anybody who cares to do so—can do so; the qualifications required are few although their application may be harder than one might at first suppose. In order that you may consider time in a person's life, thereby providing the means to answer a question, you require experience of life, which we shall call worldliness, you must be skilled in observation of detail and you need a good memory along with the mentalist's best friend—the ability to talk. Armed with these few qualifications, you are a powerful person. You can deal with people and what is equally as important, people want to deal with you! Shall we consider why there has ever been a demand for people who can answer questions ? If we understand why the questions are asked, we understand what sort of reply must be given—and that is a most important thing to bear in mind at all times. Starting at the beginning; when we are troubled with our health, we go to a doctor because we know he can answer our questions. Likewise, in a problem of law, we go to a solicitor. With all our material problems we find someone somewhere who is qualified to render advice—but when we step outside the material and find we are troubled with the intangible—whom then do we consult ? Who is best qualified to deal with indecision, uncertainty, doubt, fear and hope and any of the emotional twists of our human make-up ? A clever man knows that half his trouble is solved when he finds out what the problem is—so who do you go to when you are troubled and cannot pin-point anything or anybody with the blame ? Some people go to mediums, some go to mindreaders and some go mad! Others find their answers elsewhere but we are concerned with those who go to mindreaders. Most people who seriously ask our mindreader to render his professional advice, do so because they hope (and occasionally believe) that his unusual abilities give him something the others have not got. In the first place they presume he has something more than others because in general, the approach to the interview is something quite extraordinary; in fact, considered in cold daylight, it is more than extraordinary—it is absurd. The character with a problem wants to come up to our mindreader and sit in front of him with perhaps three words of greeting. From then on (in theory) our gifted seer reveals past, present and future, states facts right, left and centre and ends up with the perfect answer to all problems! It is not so—that's what they want and that's what they think they get—but by half a million miles it is not so. Very shortly, we shall see what diabolical deceit is used to make something so hard—seem so simple; it is the art of giving answers to questions. To boil it down to a few words, when someone asks you a question there are TWO replies you can give. There is that which they want to happen, and there is that which they do not want to happen. If you tell them the first, they will believe in you and like you. If you tell them the second they will doubt you and dislike you. It's as simple as that, or is it? 339