Page 1

COMMON

UNCOMMON SEP 2009

no.

05

PA R A D I G M A S


www.lali.it -

fw 2009 - 2010


http://www.lali.it


www.lali.it -

fw 2009 - 2010


http://www.lali.it


PA R A D I G M A S

Essence of the ensemble of those metatheoretical, theoretical and methodical constructs of the research directions. The behaviourism is our paradigma. Added to a bit of psychoanalysis. Ideas as absolute terms of comparison. Templates with which it's possible to decide if something is up to a conformation or not. By knowing who we are it is likely to define whether an action or a person is commonUNcommon. CommonUNcommon as lifestyle and way to express yourself. As thoughts and actions. Creatures and creation. Pure poetic metaphor? Let's investigate among these brand new charachters, victims and murderers, to find out that only ideas can make time alive.

commonuncommon team


coming next on COMMONUNCOMMON


a film-noir for readers


Investigation:

Art House


Mr. Time gets shot dead!

00

French sartorial dress, 70's at Art House


In here, don't know who I am.

01 Sartorial dress, 30's at Art House


Sacred and profane, amidst his house, I shan't move.


He made you move, he knew what the movement is. Stay still. I'm your mind.

02 French sartorial floral dress, 60's at Art House


03

I've been told to keep away from him. He swept everything away. Someone must've stopped him.


Time is a murderer. Meanwhile, he's been attacked.

French sartorial dress, 60's at Art House


Let's t He wi Cheers!

Dress: Moschino, 80's at Art House


toast. ill never find us again.

04


05


we get to know time better when he's been stolen


I cannot stay. Can feel his presence, can recognize his other, he might be still alive.


09


07


French sartorial dress, 70's at Art House

We shouldn't have forced his nature. I feel something weird coming up.


Dress: T. Mugler, 80's at Art House

08

He was a liar. He wanted to be absolute, well, poor thing, he was only scheduled to be a rule.


09


10


He was running faster. He was the meanest entity I had to face. He took all he could to stay alive.


11

Sartorial dress, 70's at Art House


12

As fast as a turbine, you become me and I become you and her and him.


13


14

Yves Saint-Laurent Dress, 70's


15


Refined mask, refined tricks, I must endeavor to flatten the ages, the moments, the memories.

French sartorial overalls, 70's


May you master teach me how to travel without moving?

16

French sartorial Suit, 70's


17

Jacket: Christian Dior (80's) Hat: Chanel (60's)


I 'm terrified. Someone saw him. Ghostly nightmares of today.


18


What's going on? What...

Re-vintage dress by A. Franco


Hat: Chanel, 70's

Scary landing. Scary as these counters... I'm trapped.


19


20


past present future represent prejudice and'fatal disorders


He's escapin catch him..

21 No... Stop. He's dangerous. Unpredictably dangerous.

Hats: Chanel (60's)


ng... We've got to .. Run...


22

Swimsuit: Versace (80's)


You haven't yet met me. Run, Sir. Run and go fast. I will catch you. Don't ever think you're the victim or the murderer. That is my job.


23


You're done for. You'd better start counting down.


I have to hide now. No one must look for me.

24 French sartorial overalls, 70's


As his representative, I have the gift to mash it all up, the story, the mistery and the hours. So now shuffle your thoughts and abstract yourselves.


25

Overalls: Walter Albini, late 70's


26


Should be safe in here. If they come, I must turn into you.


27


Dress: Amen

28


Pic-nic bag: L'alĂŹ

29


Italian sartorial dress, Ungaro textile, 60's

What's this noise?


Storms, thunders, nature can be governed. I can shout and everything gets its place.


30

Yves Saint-Laurent Dress, 70's


Radio bag: L'alĂŹ


31


Dress: De Valiè, 60's

32


if he had never existed, fashion would've lost its voice.


There's something

Sartorial dress: Galaxy Milano, 70's


33


34


clouds, figures, sparkle, burst into someone else's flowing time.


35

I'm tired of waiting for this strange phenomenon. I'm quitting.

Dress: Valentino Boutique, 60's


Wait...


36


37


Shoes: L''alĂŹ


38


39

Who knows if he knows.


Dress: Ritz Adler, 70's,


Ripped, consumed, transformed, he did the worst he could ever imagine. Even after all, I survived him.

Dress: Marc Bohan, 70's


40


41


Can be "whenever" I want.

42 Sartorial dress, 30's at Art House


43


Ceremony Hat, 50's

Past, present and future live together.


44


45


Special thanks to: L'Alì http://www.lali.it Maria Luisa Frisa IUAV, director of the Fashion Design Course, Treviso

Photographers at COMMONUNCOMMON: Giuseppe Vaccaro http://www.flickr.com/photos/juseppe/ Vanessa García Sacristán http://www.vanessagarciasacristan.es


vintage by

Art House via S.Tomaso, 57/A 24121 Bergamo, Italy

T./F. +39.035.233338


),

into the

future collecting : : collecting 3 treviso 2nd of july 2009


Accessories and "poor" materials have been the biggest highlight at the third collecting::collecting, both the public and the fashion experts were projected into those marvels of collections with which students of IUAV Fashion of Treviso presented warm and neutral tones, materials such as woods, paper, yuta, creating a new design vision. Sustainable, innovative and interesting studies on hybridization of garments that become versatile and renewable. Check it out. COMMONUNCOMMON for more info:

http://www.iuav.it/Facolta/facolt--di1/design/COLLECTING1/index.htm


Thursday, 10pm 17th of September Atomic Bar, Via F. Casati Milan, Italy

Paradigmas  

Essence of the ensemble of those meta-theoretical, theoretical and methodical constructs of the research directions.The behaviourism is our...

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