COLORBLOCK Magazine -Feb 2016

Page 23

outside her race for social and political

storyline, not any differences between

reasons (such as her statement that a

the two parents. Also, if you want to

strong black woman needs a strong

get really specific, the Night at the

black man, which leads one to think

Museum franchise features a

that she assumes someone who dates

relationship between Teddy Roosevelt

outside of the race is a race traitor).

(Robin Williams) and Sacagawea (Mizuo Peck), and despite what we

While Flipper and Angies’s

know about the real life counterparts,

relationship goes kaput, having been,

including the fact that they weren’t

aside from extramarital, only founded

even in the same time period, their

on fetishized sex in the first place

wax stand-ins weren’t written with

(with each thinking that sex with the

any racial or cultural boundaries

other would be wilder and more

interlaced between character quirks.

untamed), Lee decides to show how

Again, it’s just a relationship based on

simple love regardless of race can be,

mutual attraction.

when Paulie (Angie’s ex-boyfriend, played by John Turturro) and Orin

Will 2016 offer up any nuanced

(one of Drew’s friends) decide to

representations of interracial love? It’s

become an item with a simple

difficult to say, but hopefully in the

conversation. Paulie also had the talk

future, beyond 2016, we’ll see more

about dating outside of the race with

focus on love that doesn’t live within

his friends and family, and many of

racial guidelines.

them, he was mildly shocked to find, weren’t open to dating black women at all, at least not for a long-term commitment. This conversation, and the conversation Orin had with her friends, cements in their mind that they don’t want to be close-minded or racist at all; if love is what they wanted, then love was what they would find, whether that was with a black person, white person, or a person of any other race. 2014’s Infinitely Polar Bear, starring Mark Ruffalo and Zoe Saldana, is probably the only film in recent years to have an interracial relationship and not make it the priority of the storyline. Their characters are indeed in a relationship, but the state of their family and their children’s lives comes first and foremost in the


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