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Chikako Morishita

Soot (2013) for piano


Chikako Morishita

Soot(2013) for piano

Written for Mark Knoop Premiered by Mark Knoop, 5 December 2013, The University of Huddersfield, UK

Duration: approx. 4 minutes


Noteg for perfor:mance Accidental applies onfy to the note it inmediately precedes. Natuxal sign has been added, however, to facilitate reading. IAccidentall Notes for performance phrasing and nultilayered of naterial] of attack, dlmamic bet*een thehave strata ofadded, has to reading. be carefully ltluttiplicityAccidentals [Accidental] applyDifferentiation only to the notes they immediately precede. Natural signs been however,textures to facilitate

nade.

is ignore used. the presence of material is not permissible (even if it is not playable). Differentiation of attack, phrasing lPedalj OnIy sustain [Superabundance of material] To pedal

Noteg for perfor:mance

and dynamic between lines should be carefully made.

IAccidentall Accidental applies onfy to the note it inmediately precedes. Natuxal sign has been added, however, to facilitate reading.

STMBOI.S [Pedal] The work uses sustain pedal only.

ltluttiplicity

I I

of naterial] Differentiation of attack, phrasing

lPedalj OnIy sustain pedal is used.

------=- ------

SYMBOLS STMBOI.S

A

Cluster: the top note should be Cluster (normal)

enhanced

A

cluster armtop note should be Cluster:bv the Cluster: the top note should be

enhanced enhanced

a

Ia O E

------=- ------

Pedal Pedal orr off

cluster bv

arm

I O E

Drunken/ irregular rhythm Drunken/ Pedal orr irregular rhythm

Drunken/ irregular rhythm

and dlmamic bet*een

the strata of nultilayered textures has to be carefully

nade.


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MATA_Soot