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EDITIONS 2012 • Over 2000 works of contemporary music in all styles and groups. • Symphonic Music in rent, Chamber Music, Lied, Choir. • Browse our catalogues at www.clivis-music.com • Distribution of contemporary music in digital format: www.clivis.cat

Suite per a orquestra – Lluís Benejam

Simfonia Catalana – Ricard Lamote de Grignon

3*333-4331-timp.perc.harp.cel.-str. (d:20’) Score 132 pgs. E328 (Parts in rent E328LL)

3*323-4331-timp.perc.1harp.(2ad lib),cel-string (d:40’) Score 126 pgs. E370 (Parts in rent E370LL)

Concerto “Festival a Cervera” Jesús Rodríguez Picó

Poema – Lluís Benejam

Work with a simple language, with American sound, and touch on some Hollywood style, with great rhythmic resources, and especially of color, culminating in a Spanish Couch sensitive.

1111-0000-timp-pno-string (d:15’) Score 112 pgs. E686 (Parts in rent E686LL)

In this work the author uses three references: the structure of Baroque concert, the ringing of the bells of the city of Cervera, and the reference to the work of Stravinsky's Dumbarton Oaks.

It is a piece with a classical architecture, large proportions, and its content is wholly romantic. From start to finish, it features an uninterrupted melodic line, derived to a greater or lesser extent from catalan folk lyricism.

String orchestra (d:15’) Score 34 pgs. E281 (Parts in rent E281LL)

The Poem by Lluís Benejam (first performed on 1954) was written without descriptive intent or in response to a particular literary theme. Although the composer might, at times, evoke such human emotions as sadness and happiness, or encourage the contemplation of Nature, Poem is meant as a work based solely on musical values.

4 Mouvements for string orchestra – Lluís Benejam

Two pieces for string orchestra – Agustí Borgunyó

String orchestra (d:18’) Score 44 pgs. E282 (Parts in rent E282LL)

String orchestra (d:9’) Score 22 pgs. E323 (parts in rent E323LL)

Concert per a trompeta i orquestra de corda Lluís Benejam

Concertino per a piano i cordes – Moisès Bertran

The treatment that Benejam makes of each member of this family is completely idiomatic, harnesses their respective resources without forcing them and achieves a balance indicative of a deep understanding. These characteristics are present in the Four movements for string quartet, a piece full of both grace and intensity.

Tromba solo-string (d:14’) Score+solo part 46 pgs. E310 (Parts in rent E310LL)

The piece has three canonic movements and is impregnated throughout by a certain popular and playful register.

Two Pieces for String Orchestra have all the charm of Agustí Borgunyó’s language: simplicity, freshness, elegance and direct communication without any kind of speculative interest, with a very Mediterranean air permeating them from the first bar.

Piano solo-string (d:14’) Score 28 pgs. E626 (Parts in rent E626LL)

Concertino for Piano and Strings is characterised by its organic and straight-forward construction, developed with a modesty and simplicity in its musical themes and expressions, which affords it a sense of unity, transparency and clarity.


Històries del Quixot – F. Fleta Polo 2ob.2cl.2trba.2fg.- Cb (d:22’) Score 62 pgs. E683 (Parts in rent E683LL)

Tales of Don Quixote is a collection of eight musical moments inspired by the various characters of Cervantes’ epic novel.

Tres peces per a Oboè i Quartet de Corda Lluís Benejam Oboe solo & string quartet Score+parts, 103 pgs. E283

The album Three pieces for oboe and string quartet is one of the earliest scores composed by Lluís Benejam. However, the language that later characterized the work of Benejam is already present in its basic features. Quartet de corda Nr.1 “A la muerte de un ángel” David Bozzo String quartet Score+parts, 56 pgs. E691

Contains a slow time inspired by a melody of English culture, such as Nimrod, from Elgar’s Enigma Variations. This work is dedicated to Billroth String Quartet.

Concert per a Percussió i banda simfònica P.J.Puértolas Perc.solo-Symphonic wind band (d:23’) Score 96 pgs. E526 (Parts in rent E526LL)

This work is a high level of difficulty for the solo instrument in a simplified edition that does not diminish their effectiveness.

Corn d’Or – Mercè Capdevila Cl, Vl, Vla, Vc, Cb. Score+parts, 44 pgs. AC343

This work comes from a visual image of Istanbul, a symbol for the Egyptian and Chinese culture as the Golden Horn, and a reading about quantum theory interpreted as a metaphor.

El caliu – J. García Gago String quartet Score+parts, 28 pgs. E676

This quartet, with the evocative title of El Caliu (The Warmth) is a little reflective dialogue between parents and children around the fireplace at the time of the early autumn cold.

Trio núm. 1 Op. 3 – Lluís Benejam

Idil·li per a violí, violoncel i piano – Agustí Borgunyó

Violino, violoncello & piano Score+parts, 78 pgs. E285

Violino, violoncello & piano Score+parts 20 pgs. E684

This Trio for Violin, Cello and Piano No. 1 by Lluís Benejam is structured into four movements, has a duration of nearly twenty minutes and an optimistic, romantic feel.

The Idil·li (Romance) for trio by Agustí Borgunyó is a short work of less than six minutes and yet it is full of intensity, lyricism and expressive power.

Trio núm.3 – F. Fleta Polo

Caprici núm. 2 - F. Fleta Polo

2 Saxos&piano (d:15’) Score+parts 68 pgs. E689

Violin, clarinet, & piano. Score+parts 32 pgs. AC097

Petita suite – Miquel Ortega

Mahlers Traum – Edmundo Eckart

Guitar duo Score 28 pgs. E679

Fl.&Piano / Harp&piano Score+parts 24 pgs. AC159

Impromptu núm. 9a – F. Fleta Polo

Caprici per a corn anglès i piano – F. Fleta Polo

Clarinet & piano Score+part 20 pgs. S012

Score+part 28 pgs. E701

This Trio for two saxophones and piano has been put together by a composer who, despite not being a saxophonist, knows exactly how to get out the best of the instruments.

To create the work Petita Suite for two guitars, Miquel Ortega reused the thematic material of seven of the twenty songs making up Les Quatre Estacions (The Four Seasons) collection based on texts by the poet Josep Carner.

Piano and clarinet speak to each other and their voices combine in a pleasing and joyful “musical moment”.

The appeal of this piece lies in its contrasts of color and character.

This piece opens with a theme which evokes the spirit of R. Schumann’s Träumerei. However, towards the end of the piece, it adopts expressions and harmonies more typical of Gustav Mahler.

In this Capriccio for English Horn and Piano, the composer does not seek the virtuosity of the solo instrument, but which emerges as a lyrical chant, a piece in which the English horn can show off its more cantabile side.


Balls de gegants – David Puertas Shawm type duo & tabal Score 20 pgs. S071

Six pieces of music for make giants dance in feasts.

Arioso / Clar de Lluna – J. García Gago Vl. / Fl. & Piano Score+parts 24 pgs. E680

Garcia Gago has developed a simple and pleasing melodic theme using his extensive knowledge of Bach’s work and of counterpoint.

Música de Gralles al Vendrell – diverse authors Shawm type solo, duo or trio Score 20 pgs. S073

Eight pieces make up this collection of festive music for traditional instruments.

Fantasia per a violoncelo i piano J. Rodríguez Picó Score+part, 28 pgs. E690

It is a piece which explores the virtuosity of the solo instrument while simultaneously drawing attention to the chamber aspect, that is, to the efforts of the two performers to work together.

3ª Fantasia: Homenatge a Bottessini – Pere Valls

2a Fantasia: Tema amb variacions – Pere Valls

Double Bass & piano (solo & orch. tuning) Score+part 66 pgs. E662

Double Bass & piano (solo & orch. tuning) Score-part 43 pgs. E663

This is a work of brilliance that combines virtuoso passages with lyrical passages of great significance.

Recitatiu, Cançó i Tarantel·la – Pere J. Puértolas

The Second Fantasy by Pere Valls responds perfectly to a kind of work of great brilliance and is structured around a theme and two variations.

Oriental i Petita cançó – Joaquim Salvat

Vibràfon i piano Score+part 28 pgs. E606

Violí i Piano Score 28 pgs. E678

Is a work that allows the performers to shine, with a first time dedicated to the virtuosity of the vibraphone and to highlight the quality of its sound.

Oriental and Petita cançó (Little song) are two miniatures for violin and piano which radiate the Noucentista feel typical of Joaquim Salvat’s music.

Engruna & 2 sardanes per a piano Joaquim Salvat

Peça per a viola – Benet Casablancas

Piano Score 16 pgs. E681

Engruna (Crumb) is a short piece for piano that is simple but nevertheless the piece is interesting for its harmonies. Genisenca and La font de l’avellana, rather than two sardanes for piano, these pieces strike one more as two scripts in piano form for later transformation into cobla arrangements. Triptic romàntic / Rondó / Solemnial J. García Gago Piano Score 12 pgs. E677

This pages write between 1955 and 1957 constitute today a lesson in music, for the clarity of their melodies, the fluidity with which their themes are developed and the harmonious stability of their architecture.

Viola Score 12 pgs. AC040

This Piece for Viola is taken from the composer’s early period and its character, expansively and reflexively lyrical, becomes more attentive to the expressiveness of the viola and the wealth of this instrument’s polyphonic resources.

Preludio hondo – Pere Valls Piano Score, 20 pgs. E303

It is a short piece which exudes happiness in 217 intense bars that make this work a real treasure.

Calidoscopi I – Francesc Taverna-Bech

Sonata en Do menor – Joaquim Salvat

Piano Score 16 pgs. AC027

Piano Score 60 pgs. E682

The eight short movements of Calidoscopi I by Francesc Taverna-Bech emerge around a set of twelve sounds –almost never followed in the original order– and a rhythmic motif.

The Sonata per a piano en Do menor (Sonata for Piano in C Minor) by Joaquim Serra is divided into three movements and, from an aesthetic point of view, takes few risks, but has an unquestionable brilliance and beauty.


Preludi i Fuga en Do – Benet Casablancas

Tres peces acadèmiques - Francesc Taverna-Bech

Piano Score 12 pgs. AC117

Piano (2ª ed.) Score 8 pgs. AC028

Cançons amb el cor – Consuelo Colomer

Cançons de bressol - Lullabies Consuelo Colomer

The Prelude and Fugue in C by Benet Casablancas is the first in a long series of piano compositions by this composer. Despite being a very early work and even training, becomes an interesting introduction to the whole of his work for piano.

His admiration for Bela Bartok and Johann Sebastian Bach undoubtedly led him to offer this musical score.

Lied for Voice & piano Score 32 pgs. E652

Lied for Voice & piano Score 28 pgs. E653

These Six Songs with the heart that Consuelo Colomer writes with the heart, also reach to the heart of the listeners.

Four lullabies written with an effectively simple use of resources; sweet melodies with piano accompaniment written by the hands of a great pianist.

Nueve gacelas por el Monte Líbano Miquel Ortega / R. Häsler

Soneto – Albert Sardà / F. García Lorca Lied for Voice, Fl. guit. Vc. Score+parts 20 pgs. E665

Lied for Voice & piano. Score 28 pgs. E699

Lorca's words inspire the composer's most intimate music.

The poem Nine Gazelles through the Libanese Mountainside by Rodolfo Häsler is made up of nine sensual poetic verses around which Ortega weaves a transparent music that flows from the poems themselves. Quatre bressols de l’Ebre – Xavier Pastrana Choir SSAA, Vl, Piano Score 20 pgs. C0528

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It is a work of great subtlety built on four traditional lullabies in the Lands of the Ebro in southern Catalonia.

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Clivis Publicacions also in:

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ORDERS and RIGHTS: ORDERS: CLIVIS PUBLICACIONS Milà i Fontanals, 14, 3r. 9a. - 08012 BARCELONA Tel. +34 934 588 989 - Fax: +34 935 113 904

CLIVIS PUBLICACIONS clivis@clivis.cat www.clivis-music.com

Milà i Fontanals, 14, 3r. 9a. - 08012 BARCELONA Tel. +34 934 588 989 - Fax: +34 935 113 904 - clivis@clivis.cat

Digital editions: www.clivis.cat Paper editions: www.clivis-music.com


EDITIONS 2013 • Over 2000 works of contemporary music in all styles and groups. • Symphonic Music in rent, Chamber Music, Lied, Choir. • Browse our catalogues at www.clivis-music.com • Distribution of contemporary music in digital format: www.clivis.cat

Barocke Partita • Francesc Taverna Bech Piano solo i orquestra de cambra P/ 96 pg. E487 (parts in rent) The work has five movements for piano and chamber orchestra: Intrata, Fughetta, Intermezzo (for piano solo), Canzonetta and Invenzione.

Auris Concertum • Alejandro Civilotti Vc. solo & simphonic orchestra P+part solista, 128 pg. E639 (parts in rent) The work Auris Concertum by Alejandro Civilotti is a hymn about return to the world of sounds.

4 Cançons sobre poemes de F. García Lorca Enric Ferrer Voice Mz. chanber orchestra (text castilian) P/ 92 pg. E709 (parts in rent) La Lola - Amparo - Balcón - Casida de la Muchacha Dorada The unit of the 4 Songs stems from their common features. Enric Ferrer has managed to maintain a perfect equilibrium and achieve the ideal symbiosis by adapting the music to the poem it represents.

Cançons sobre poemes de F. García Lorca Miquel Ortega Voice S/T & string orchestra (castilian text) P/ 40 pg. E725 (parts in rent) Romance de la luna, luna - Preciosa y el aire - Memento - Canción del jinete The four Songs on poems of García Lorca are written in a style that we might call post-falla, with evident Spanish roots, essentially Andalusian, given the nature of the poems.

Stabat Mater • Miquel Ortega Voice Mzs, choir SATB, chamber orch. (text in latin) P/ 56 pg. E692 (parts in rent) was influenced by the choral techniques that the author learned from maestros Gandolfi and Sicuri, to whom he dedicates this piece, and also the knowledge he acquired at that time from choral works such as Carmina Burana by Carl Orff, amongst others.

La Rosa dels Vents • Oscar Larios Narrator & orchestra (text catalan) P/ 104 pg. E704 (parts on sale, E715) elementary grade La Rosa dels Vents (The Wind Rose) is a music tale for orchestral ensemble of elementary grade and narrator.

Danses d’Armilla (Armilla Dances) Jesús Rodríguez Picó Cobla (wind ensemble) P/ 64 pg. E717 (parts in rent) In Thin Cities 3 from Le città invisibili, Italo Calvino wrote: ...the streams of water channelled in the pipes of Armilla have remained in the possession of nymphs and naiads.

Quartet de corda núm. 3 • Joaquim Homs 2 V. Vla. Vc. P+p. 82 pg. AC292 Towards the end of 1949, the composer focused on composing his third string quartet, for which he went back to two musical themes, quite different one from the other, that he sketched around 1931.


Quartet de Corda núm. 1 (1950) • Lluís Benejam 2V. Vla. Vc. P+p. 68 pg. E286 The style of String Quartet No. 1 is highly expressive and includes a rhythmic accent to enhance a free and lively melody.

Calidoscopi III • Francesc Taverna Bech Fl. Cl. V. Vc. & Piano P+p. 60 pg. E486 is not just a descriptive work but features numerous reflective elements and a certain melancholy, like a flow of nostalgia for other times when, as a child, he was captivated by the toy.

Berceuse et Rondeau • Manuel Oltra Brass Quintet P+p. 40 pg. E338 This work comprises two separate pieces which reflect two different rhythmic atmospheres: the first is a lullaby and the second is a round.

Érebo • Carles M. Eroles Fl. Ob. Cl. Cr. Fg. P+p. 96 pg. AC334 The variable order of the twelve tones on the chromatic scale is clearly present in the construction of the two preludes, while at the same time maintaining a harmonious underlying cadence.

Miniaturas • Joan Guinjoan Clarinet, Piano, Bateria P+p. 48 pg. AC165 Miniaturas is built upon the foundations of small thematic cells; the first is the counterpointing of contrasts, and is followed by one which progresses from a bleakness of atmosphere to attain a marked lyricism; the third makes to a progressively complex rhythm which ends with the tick-tock of a metronome.

Sis Trios per a tres Clarinets Jesús Rodríguez Picó 3 Clarinets P+p. 44 pg. S075 Each trio of this work is defined by a distinctive rhythm, making a path from the march to the boogie, so the student becomes more familiar with shapes and styles that will emerge in their studies.

Colom-Biz • Pere Soto Guitar Quartet P+p. 88 pg. E731 Colom-biz is a real challenge for every guitarist of the camera ensemble, as each guitar can be a piece in solo format, given its high musical and technical complexity.

Microscòpic • Carles M. Eroles 2 Guitars (easy level) P/ 16 pg. S037 Imagination and teaching experience are the essential ingredients that make Microscòpic such a well-rounded, consistent and musically attractive work, it is essential in the training of the future musician.

Sonata Concertant • F. Fleta Polo Violin & Viola P+p. 56 pg E688 Sonata Concertant was written by Fleta Polo for the truly essential string instruments: the violin and the viola. In this work, we find them together on an equal standing.

L’Inspiration d un’Ange • David Bozzo Violin & piano P+p. 20 pg. E726 L’Inspiration d un’Ange is a serie of five miniatures for violin and piano of a great simplicity but with a huge musical depth.

Scherzino • Ricard Lamote de Grignon Viola i piano P+p. 16 pg. E064 A short piece that puts both the instrument and its performer to the test at an intermediate level in terms of both expressiveness and technical skill.

MicroDuets • Pere Soto Flute & violoncello P/ 12 pg. E706 Three short compositions created at two different times yet with an evident desire for unity. These are open structures in the style of a fantasy, with a fluid line from start to finish.

La serpiente en forma de esfera inmóvil Josep Soler 2 Clarinets P/ 16 pg. E720 «...a wonderfully coloured serpent... with numerous gleaming elements like its eyes... a spherical vision... with many tears & remembering the celestial music...»

Impromptu, Recuerdo y Danza • Alejandro Civilotti Basoon & piano P+p. 44 pg. E735 The three movements of these work refers to the styles of music that are as much about the music literature of Argentina, and as musical past of the author, tied to the tango and folklore.


Vara per dos • Josep M. Mestres Quadreny Piano a 4 mans P/ 28 pg. AC322 Vara per dos by Josep M. Mestres Quadreny is a work in three small movements for piano for 4 hands.

Tapís (Tapestry) Mercè Torrents ((Víctor Jou, catalan text) Rhapsode & piano P/ 60 pg. E644 In the form of a suite for piano, impressionist by nature, in which the reading of each poem alternates with the fragment of music that recreates it.

Lorca Through the Looking Glass Jesús Rodríguez Picó (F. García Lorca) Rhapsode & piano P/ 32 pg. E703 (castilian text) A short verses with their evocative images, and very precise rhythm, are enveloped by the piano music of underlining the very diverse nature of the poems.

Quatre soliloquis • Francesc Taverna Bech Violin solo P/ 12 pg. AC264 Four evocative, passionate movements which can only facilitate communication if the player makes them his own in some small way. It opens with great refinement which is concentrated on an original melodic line giving rise to double chords.

Recitatiu i Fuga EAT • David Bozzo Tres laments o Elegia • David Bozzo Violin solo P/ 12 pg. E727 Two small pieces depicting different moods of the composer through distinct work elements.

Preludis I & II • J. Lluís Guzmán Antich Piano solo P/ 12 pg. AC344 The music of this quintet is clearly thematic and brings together highly chromatic fragments with a profound lyricism.

17 Cançons populars catalanes • David Padrós Piano solo P/ 24 pg. E320 Melodies which he was complementing with a good amount of counterpoint and modal harmonies, and are an unusual accompaniment for piano.

Homenatge a Francesc Alió J. Lluís Guzmán Antich Piano solo P/ 12 pg. E733 With this piece the author pays homage to two of the original sources of Catalan music: popular song and the Red Book of Montserrat.

Estudis progressius amb swing • Oscar Larios Piano easy P/ 28 pg. S074 This first collection of studies with swing is designed for practising the musical language of jazz.

Set Miniatures • Pere Soto Guitarra clàssica P/ 20 pg. E707 The Seven Miniatures feature baroque airs, classical citations and touches of contemporary jazz.

Variacions sobre Cuncti simus Concanentes Joan Guinjoan Vibràfon P/ 12 pg. AC323 The work on the theme “Cuncti Simus Concanentes” from the Llibre Vermell de Montserrat explores this theme through a serial music matrices.

Pinewood Waltz • Pere Puértolas Batteria P/ 24 pg. E340 This work is a waltz from the first bar to the last, which requires virtuosic technique and deep musical knowledge of the player. Drums is treated as a classical percussion section.

Cançons, vol. 1 • Lluís Benejam (various authors) Voice & piano (catalan text) P/ 40 pg. E700 La rosa marcida - Lo sant nom de Jesús - Donant les joies - Cançó de la sirena - Mester d’amor The catalogue of works by Lluís Benejam contains around sixty pieces which include 11 songs for voice and piano with poems from some of the best Catalan poets.

Cant Espiritual • Miquel Ortega (Joan Maragall) Voice & piano (catalan text) P/ 20 pg. E702 The work is essentially melodic with quite an epic character which we might define as the poet s confrontation with transfiguration, or a step into the beyond.


Veni, Creator Spiritus • Raimon Romaní Choir SSATB & piano 4 hands (latin text) P/ 28 pg. E724. Which echo the nuances of the text, with two musical motifs standing out that reflect the parts of the hymn.ÿThe long and melodic theme of Accende lumen sensibus stands out. The most glorious moment constituting the culmination of the piece is found in the stanza Deo Patri,

Veni, Creator Spiritus • Raimon Romaní Choir part, 20 pg. C0529 Which echo the nuances of the text, with two musical motifs standing out that reflect the parts of the hymn.ÿ The long and melodic theme of Accende lumen sensibus stands out. The most glorious moment constituting the culmination of the piece is found in the stanza Deo Patri,

Vacuum Monumentum • Raimon Romaní Choir SSATB & piano 4 hands (latin text) P/ 28 pg. E734. Work of great tension and expressiveness, built in five sections describing five scenes from the Bible (Luke 24: 1-12) which recounts the moment of the resurrection of Jesus.

Vacuum Monumentum • Raimon Romaní Choir part, 16 pg. C0530 Work of great tension and expressiveness, built in five sections describing five scenes from the Bible (Luke 24: 1-12) which recounts the moment of the resurrection of Jesus.

4 Cançons sobre poemes de F. García Lorca Enric Ferrer Voice & piano (castillan text) P/ 40 pg. E710 La Lola - Amparo - Balcón - Casida de la Muchacha Dorada The unit of the 4 Songs stems from their common features. Enric Ferrer has managed to maintain a perfect equilibrium and achieve the ideal symbiosis by adapting the music to the poem it represents.

Clivis Publicacions also in:

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http://clivismusic.blogspot.com/

Clivis Publicacions also in: www.facebook.com/clivispublicacions • Browse our catalogues: www.clivis-music.com

• Distribution of contemporary music in digital format: www.clivis.cat http://clivismusic.blogspot.com/

ORDERS and RIGHTS: ORDERS: CLIVIS PUBLICACIONS Milà i Fontanals, 14, 3r. 9a. - 08012 BARCELONA Tel. +34 934 588 989 - Fax: +34 935 113 904

CLIVIS PUBLICACIONS clivis@clivis.cat www.clivis-music.com

Milà i Fontanals, 14, 3r. 9a. - 08012 BARCELONA Tel. +34 934 588 989 - Fax: +34 935 113 904 - clivis@clivis.cat

Digital editions: www.clivis.cat Paper editions: www.clivis-music.com


EDITIONS 2014 • Over 2000 works of contemporary music in all styles and groups. • Symphonic Music in rent, Chamber Music, Lied, Choir. • Browse our catalogues at www.clivis-music.com • Distribution of contemporary music in digital format: www.clivis.cat • 2014: Lluís Benejam Centennial Birth (centenaribenejam.blogspot.com)

Veni, Creator Spiritus – Raimon Romaní Choir SSATB & orchestra (Latin text) S/ 48 pg. E738 – parts in rent 12’ Like the nuances in the text, certain musical passages stand out, such as the long and melodic theme Accende lumen sensibus. The high point of the piece is the Deo Patri couplet.

Vacuum Monumentum – Raimon Romaní Choir SSATB & orchestra (Latin text) S/ 48 pg. E737 – parts in rent 12’ A work of great tension and expressiveness, constructed in five sections which describe the five scenes in the Bible text (Luke 24, 1-12) that relate the moment of the Resurrection of Christ

Suite Renard – Pere J. Puértolas String orchestra S/ 32 pg. E381 – parts in rent 16’ (2nd ed.) A piece in five tempos with a refreshingly direct style intended to provide an enjoyable listening experience.

Elegía por Julia Ponce, de Lavapiés Alejandro Civilotti Simphonic orchestra S/ 44 pg. E739 - parts in rent 15’ Written as a homage to the composer’s grandmother who emigrated from this Madrid neighbourhood to Argentina. Based on the theme “Lavapiés” from the Iberia Suite by Isaac Albéniz.

La maledicció del comte Arnau – Eduard Toldrà Simphonic orchestra S/ 40 pg. E268 (2nd ed.) - parts in rent 9’ A work of great intensity, strength and symphonic breadth which describes the medieval legend of Count Arnau.

Fantasia on the First Beatitude – Lluís Benejam Simphonic orchestra S/ 104 pg. E313 - parts in rent 21’ One of the last compositions by Lluís Benejam in which he reflects on human behaviour, which will be premiered to mark the centenary of his birth.

Cinc Cançons Tradicionals - Manuel Oltra La Pastora; El mestre; El rossinyol; El bon caçador; El mariner Low voice & orchestra (catalan text) S/ 60 pg. E722 – parts in rent Traditional Catalan songs with a clever accompaniment rich in nuances and colours with a specific treatment for each couplet. Oltra is one of the finest harmonizers of traditional Catalan songs.

Suite per a Instruments de Corda, de Vent i Piano Robert Gerhard El Conde Sol; Sevillana Tumpet, Horn, Bassoon, Violin, Viola, Violoncelllo & Piano Study & Introduction by Leticia Sánchez de Andrés S/ 72 pg. E705 - parts in rent A suite dating from 1927, written during Gerhard’s Berlin period under Schömberg’s tutorship.


Quartet de Corda núm. 1 – Agustí Borgunyó 2 Violins, Viola, Violoncello S+p 48 pg. E675 (2nd ed.) 22’ Work written in America in 1955, contains four movements: Adagio, Allegro scherzando, Andante, Allegro non troppo.

Diàlegs Subtils - Salvador Brotons Bassoon & percussion S+p 16+4 pg. E378a BassClarinet & percussion S+p 16+4 pg. E378b This piece was commissioned by the University of Arizona (USA) in 1990 and was dedicated to Will Dietz, the university’s bassoon teacher.

Introduction & Two Dances – Lluís Benejam Trumpet & piano S+p 28+8 pg. E304 Written in the composer’s own personal language, we present this unique teaching piece in his catalogue that features reminiscences of Andalusian music.

Ver Sacrum – Josep Soler Violoncello & piano S+p 16+4 pg. AC051 Written in 1983, this concise work in which nothing is superfluous articulates beautifully, whether played by the cello or the piano.

Sonata en La Major – Lluís Benejam Violoncello & piano S+p 48+16 pg. E279 A piece of great linguistic maturity which denotes excellent knowledge of the soloist’s instrument and also features great modulatory freedom and a balanced flow of rhythmic variation.

Voz silenciosa de las fuentes ocultas – Josep Soler Doublebass & piano S+p 28+8 pg. E741 Variations on a theme by Diego Civilotti. A meditation on the ideas of Martin Heidegger, whose beautiful poetic intuition brings us closer to the mysteries of the act of creation...

Tres miniatures per a Piano a 4 mans – Òscar Larios Piano for 4 hands (elementary level) S/ 20 pg. S076 This work consists of three short pieces: Marxa, Romança and Proverbi Xinès, written specifically for practising chamber music in elementary piano courses.

Itineraris I – Anna Bofill Onades i roques; Tres terres; La nit; Dansa oblíqua Piano - S/ 28 pg. E375 The music in these two workbooks was created to illustrate the dramatized conferences on Fifteen Writers and their Worlds in 1977. Each piece describes the most important traits of every writer, who include Virginia Wolf, Calamity Jane, Simone de Beauvoir and M. Aurèlia Capmany.

Itineraris II – Anna Bofill El blanc del blau; Tocs de fum; En un Chassaigne Frères negre de mitja cua Piano - S/ 24 pg. E376 The music in these two workbooks was created to illustrate the dramatized conferences on Fifteen Writers and their Worlds in 1977. Each piece describes the most important traits of every writer, who include Virginia Wolf, Calamity Jane, Simone de Beauvoir and M. Aurèlia Capmany.

Intantànies – Miquel Pardo 12 little pieces and an Intemezzo Piano S/ 24 pg. E291 A collection of short heterogeneous pieces conceived spontaneously at different moments in the composer’s life.

Eva-lution / Adam-lution – Pere Soto Doublebass S/ 20 pg. E708 The first piece was written for the smooth-sounding jazz double bass and the second for the classic double bass, rougher and more challenging, to represent femininity and masculinity.

Dues Peces a l’Estil Barroc – Albert Gumí Suite; Variacions sobre La Follia Doublebass (elementary level) S/ 12 pg. S078 Two easy pieces for elementary double bass lessons with a definite Baroque style.

Solstici d’Estiu – Carlota Baldrís Guitar – revision by Juan Becerra S/ 12 pg. E740 Inspired by the magical Mediterranean night of St. John, taking a journey around the world of the emotions to celebrate the summer solstice.

Plouifasol – Òscar Larios Guitar (elementary level) S/ 20 pg. S077 A series of popular Catalan songs arranged and harmonized for the guitar as working material for elementary students of this instrument.


The Lake: To – Benet Casablancas Low voice & piano S/ 20 pg. AC101 (2nd ed.) Written in 1982, this piece won the Spanish Youth Music prize and uses serial techniques for a profound and mysterious poem. There is also a version for low voice and orchestra.

Poemes de Josep Carner Mercè Torrents – Josep Carner Calor; Expectació; Cançó de la mica mica; La flor sagrada Veu i piano (catalan text) P/ 20 pg. E284 (2a.ed.) Mercè Torrents is a composer who enjoys great regard from singers and is one of the most prolific scorers of the great Catalan poets.

Canciones y Poemas para niños Miquel Pardo / F. García Lorca El lagarto está llorando; Dos lunas de tarde 1 y 2; La Lola; Cancioncilla sevillana Voice & piano S/ 24 pg. E294 (2nd ed.) García Lorca, San Juan de la Creu and J. V. Foix are musical poets who speak to the sensibilities of poetic musician Miquel Pardo. This is just one example of this

Temps de paraules – Anna Bofill / diverses Enigma; Lamento; Desig, Mosaic en dansa Voice & piano S/ 20 pg. E374 (2nd ed) This series of poems chosen from some of the greatest Catalan female poets, M. Antonia Salvà and M. Mercè Marçal (translated from the poem by Renée Vivien), and by Víctor Català, make up a musical piece of exceptional delicacy.

Bestiari – Manuel Oltra / Pere Quart Mosques i mosquits; Pregadéu; Coccinel•la; Xanguet; Pingüí; Gripau; Musclo; Bacil; Colomí; Rata-pinyada; Rossinyol caduc; Elefant Cor SATB a cappella (catalan text) First complete edition S/ 52 pg. E730 These twelve poems, put to music by Manual Oltra in a resolute language which matches the boldness of the poet’s descriptions, enjoy great popularity with choirs in Catalonia.

Magníficat Op.11– Raimon Romaní / Luke 1,46-55 Choir SATB & piano (latin text) S/ 40 pg. E746 25’ A fairly easy work aimed at youth choirs without any extreme tessituras yet containing moments of brilliant timbre.

Psalmus 126 Op.17 – Raimon Romaní Choir SSATB a cappella (latin text) S/ 36 pg. C0534 15’ This is a new choral piece aimed at youth choirs which features different voices in the mid-range register.

Magníficat Op.11– Raimon Romaní / Luke 1,46-55 Choir SATB & piano (latin text) choir part 24 pg. C0533 A fairly easy work aimed at youth choirs without any extreme tessituras yet containing moments of brilliant timbre.

Nuvolada (Storm clouds) – Adrià Sardó Choir TTB a cappella (catalan text) S/ 12 pg. C0531 Based on notes by the composer’s grandfather (18431893) describing a storm he experienced out in the country.

OTHER WORKS

Sis Trios per a tres Clarinets Jesús Rodríguez Picó 3 Clarinets P+p. 44 pg. S075 Each trio of this work is defined by a distinctive rhythm, making a path from the march to the boogie, so the student becomes more familiar with shapes and styles that will emerge in their studies.

Microscòpic • Carles M. Eroles 2 Guitars (easy level) P/ 16 pg. S037 Imagination and teaching experience are the essential ingredients that make Microscòpic such a well-rounded, consistent and musically attractive work, it is essential in the training of the future musician.

MicroDuets • Pere Soto Flute & violoncello P/ 12 pg. E706 Three short compositions created at two different times yet with an evident desire for unity. These are open structures in the style of a fantasy, with a fluid line from start to finish.

17 Cançons populars catalanes • David Padrós Piano solo P/ 24 pg. E320 Melodies which he was complementing with a good amount of counterpoint and modal harmonies, and are an unusual accompaniment for piano.


Homenatge a Francesc Alió J. Lluís Guzmán Antich Piano solo P/ 12 pg. E733 With this piece the author pays homage to two of the original sources of Catalan music: popular song and the Red Book of Montserrat.

Estudis progressius amb swing • Oscar Larios Piano easy P/ 28 pg. S074 This first collection of studies with swing is designed for practising the musical language of jazz.

Set Miniatures • Pere Soto Classical guitar P/ 20 pg. E707 The Seven Miniatures feature baroque airs, classical citations and touches of contemporary jazz.

Pinewood Waltz • Pere Puértolas Batteria P/ 24 pg. E340 This work is a waltz from the first bar to the last, which requires virtuosic technique and deep musical knowledge of the player. Drums is treated as a classical percussion section.

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Novetats 121314  

new editions of the years 2012, 2013 and 2014

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