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Clarissa McIntire (801) 404–1130 | clarissa.mcintire@gmail.com | 237 N. 200 E. Provo, UT 84606

EDUCATION • Bachelor of Arts, English, Brigham Young University (August 2018) • 3.97 GPA • Minors in editing and ballroom dance

EDITING AND WRITING EXPERIENCE Editorial Intern (December 2017–present) BYU Magazine, Brigham Young University

• Compose content, averaging 3 articles per issue, and edit and proofread dozens of other articles • Manage outreach analytics and contribute to social media content

Freelance Writer (September 2017–present) Utah Life Magazine, Provo, Utah

• Research and write engaging articles on local attractions, individuals, and artwork • Contribute story ideas and conduct subject interviews

Editor (September 2017–April 2018) BYU Prelaw Review, Brigham Young University

• Substantively edit, research, and fact-check law review articles • Copy edit according to Bluebook style

Copy Editor (May 2017–August 2017) Ballard Brief, Ballard Center for Economic Self-Reliance, Brigham Young University • Wrote and updated style guide for a launching publication on social issues • Copy edited and substantively edited articles on a variety of social issues

Research Assistant (September 2014–May 2016) Special Collections Department, Brigham Young University

• Documented, catalogued, and often deciphered more than 10 collections of 19th–21st century documents • Mastered archival software ArchiveSpace, researched and wrote biographical information, and transcribed documents

RELEVANT COURSEWORK Editing for Publication: theory and practice of magazine publication, with emphasis on design Substantive Editing: theory and practice of text content development, with the study of the history of book publishing Basic Editing Skills: principles of copy editing, with exploration of editing as a profession Grammar of the English Language: grammatical principles that underlie editing skills

EXTRACURRICULAR ACTIVITIES Member, Ballroom Dance Touring Company, Brigham Young University (July 2015–May 2018) • Competed annually for national formation titles in two styles (received 1st place in 2015, 2016, and 2017) • Rehearsed 8 hours per week, toured domestically and internationally, and performed up to 30 times per year

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