Cinema Technology March 2018

Page 3

visit www.cinematech.today FOR ALL YOUR NEWS & INDUSTRY ANALYSIS

INSIDE THIS ISSUE March 2018 • Vol 31 • No 1 NEWS 006 009 010 013 015

Features continued With 30 years in exhibition, 034 Interview: Vue’s COO Steve Knibbs knows better 0

A double debut for Sony 4K laser in Germany; plus QSC celebrates 50 years NEC’s new RGB laser solution for bigger venues; Vue looks to Saudi Arabia Barco partners with China Film and others; CTC launches with a global focus Samsung and Harman partner Wanda to launch China’s first Cinema LED theatre The CTC Awards 2017 — celebrating the0 best in cinema quality and achievement

0

than any the issues that cinemas face

046

How long a life can a cinema operator expect from a digital projector? Sound Associates’ Graham Lodge and Mark Foreman examine the issue of longevity

050

How has the term ‘cinema’ changed over the medium’s lifetime? Alexa Raisbeck considers its dynamic meaning

053

VR is hailed as one of the most promising directions for cinema. Peter Knight argues the case for another possible direction: holographic projection

Features the cover: Refurbishment is all the rage 018 on 057 — Patrick von Sychowski gets the inside track on the multiplex masterplans at the Vue and Odeon cinema chains

025

Reinvigorating an existing site is tough. If it’s the world’s busiest cinema, it’s tougher still. Architect David Wallace outlines the design principles behind the renovation of Dubai’s Reel Cinema

030

David Hancock examines technology implemented in cinemas globally, including the big news: LED screens

the the is

The upgraded Ray Dolby Theatre screening room in Dolby’s London HQ is a technological showcase — Jim Slater takes his seat for the performance

061

Headlines show data protection is often considered after the event. Ben Rapp explains why new GDPR rules have a particular relevance to the EU’s cinemas

064

Enthused by the latest classic to be re-released on 70mm, Mark Trompeteler reflects on how big “tent-pole” movies used to be promoted and exhibited

Events in focus is powering cinema growth 39 Asia-Pacific — and its key market is brimming with confidence. Patrick von Sychowski reports from CineAsia 2017

044

The ECA’s annual conference drew an international crowd — Alastair Balmain reports on the energy that’s helping the live cinema sector to flourish

COLUMNS 067 069 070

Making cinema an event in its own right is critical to engaging non-mainstream audiences, says ECA’s Melissa Cogavin A new wave of development is powering cinemas to a level beyond investment in digital, writes the UKCA’s Phil Clapp Think big screen, think IMAX. Grant Lobban on the impact it has had on PLF

And one last Thing… the age of digital technology, cinema 074 Inowner Graham Spurling laments the use of celluloid as a marketing weapon

The IMIS (International Moving Image Society) powered by the BKSTS aims to inspire, educate, train and connect all members of media industry, whether at entry or professional level, around the world. The Society works to maintain standards and to encourage pursuit of excellence in all aspects of moving image and associated technologies, in the UK and throughout the world. The Society independent of all governments and commercial organisations.

The Society gratefully acknowledges the support of the following companies and organisations: ARRI • British Film Institute • Boxer Systems • Christie • Harkness Screens • LB Group • London Film Museum • Marshall Electronics • Molinare • MPC • Pinewood Studios • Snell Advanced Media • Sohonet • StreamVuTV • Tradefair For membership inquiries, write to: Roland Brown, President, IMIS, Pinewood Studios, Iver Heath, Bucks SL0 0NH, UK; or email: membership@societyinmotion.com www.cinematech.today

MARCH 2018 | CINEMA TECHNOLOGY


Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.