Page 72

66

[22]

as fast as possible

q

° Fl. &

#œ #œ œ œ œ œ œ œ n œ # œ # œ œ œ #œ #œ #œ L

f

p

[22]

as fast as possible

q

L Cl.

¢&

# œ #œ#œ œ œ œ œ n œ b œ bœbœ nœbœ œ b œ œ # œ n œ œ #œ#œ œ# œ œ # œ œ # œ œ œ nœ p

They know each other.

f

L L

Perc.

/ Ϫ

Ϫ

Ϫ

¿™ [22]

q

í ™™ L í í í ™™##œœœ

& Pno.

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nnœœœ #œ œœœ

œœœ ™™î œ îî ™™î

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q arco

° Vln. &

L œ #œ mf [22]

q

L í ™#œ. ™

? Vc.

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œ.

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They know each other.

(B. Carrière 1&2)

°/

6 [22:47]

Il est reculé dans un coin un peu comme “he got cornered, kind of, feeling,”

6 (G. Simoneau)

/ [22:43]

there it's the land that's moving instead of

(C. Holden)

/

(D. Bos)

/

(J. Hartman)

/

(B. Covit)

/

(R. Bean)

/

perhaps

6 [22:48]

(C. Zimmerman)

¢/

Profile for Christopher Mayo

To Discard All Images  

To Discard All Images 2019 | 32' Commissioned by Arraymusic for flute, clarinet, percussion, piano, violin, violoncello and 5-channel playb...

To Discard All Images  

To Discard All Images 2019 | 32' Commissioned by Arraymusic for flute, clarinet, percussion, piano, violin, violoncello and 5-channel playb...

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