Page 65

59

[13]

[14]

q = 126

q q

. . . . íL ™™ œ™ œ œ™ œ ™™î

° Fl. & L

p [13]

[14]

q q

L Cl.

q = 120

íL ™™ #œ œ œ œ ™™î . . . .

¢&

f pose un main affectueuse sur la joue gauche de la femme.

seen from behind

L

L L

œ Perc.

œ

œ

/ Ϫ 
?

{ Vln.

q

nœ í ™™ L #œœ í í 3 í ™™ # œœ œœ œ œ

í ™™ L #œœ œœ ™™î í îî í í ™™ # œ œ ™™î œ œ

Pno.

[13]

[14]

q

q

° &

Ϫ

[14]

q

&

Ϫ

¿™ [13]

L

3

œœ ™ œ ™î îî ™™î

#œ #œ L pp

[13]

[14]

q

q q = 72 (e. = 96)

L

íL ™™ #œ.

? Vc.

œ. œ.

œ. ™™î

œ

¢ œ p

f

p

seen from behind

°/ (B. Carrière 1&2)

66 [21:49.5] pose un main affectueuse sur la joue gauche de la femme.

(B. Carrière 3&4)

66

/

[21:53] but just as kitsch.

6 (Evergon)

/ [21:51.5] uh, on voit des...des...des

6éléments qui (G. Simoneau)

/ [21:54] happens

(C. Holden)

(D. Bos)

/ because of the perspective, it creates this point. So it almost looks like a...

a stone pyramid.

6

6

[21:44.5]

[21:50.5]

/ The image is

6 (J. Hartman)

/ Christopher Wahl

Come stand against this wall, let's get a shot of that beard.

6 / [21:48]

Robert Bean

There is a large white wall parallel to the picture plane

6 / [21:46.5]

Carl Zimmerman For me

6 ¢/ [21:49.5]

[21:51]

Profile for Christopher Mayo

To Discard All Images  

To Discard All Images 2019 | 32' Commissioned by Arraymusic for flute, clarinet, percussion, piano, violin, violoncello and 5-channel playb...

To Discard All Images  

To Discard All Images 2019 | 32' Commissioned by Arraymusic for flute, clarinet, percussion, piano, violin, violoncello and 5-channel playb...

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