Page 17

11

Fl.

° &

rearticulate using improvised/imitative speech rhythms with slight pitch deviations

The image is a confrontation

L Cl.

¢& œ p +/-

/ œ Œ

Perc.

Ó

Œ

Ó ¡

œ Œ

Œ

Ó ¡

¡ œ

This head and shoulders portrait

#>œ

L #œ œ bœ œ nœ

The image is a confrontation

œœ

œ L

œ œ

#œ bœ

& 3 3

3

3

Pno. 3 3

œ nœ œ

?

{

3 3

œ

œ

3

#œ œœ

3

#œ œ #œ nœ

pp mf pp

This head and shoulders portrait

mp

(speech rhythm)

L #œ œ Vln.

° &

so that the nudity becomes, uh, tangential

3"

L ?

Vc.

¢ o

Jim Breukelman This head and shoulders of a woman is simple and direct but somehow it feels portrait profound.

°/

6 [7:43]

6 [7:45]

be wearing clothes or not wearing clothes. It, it actually, uh, surpasses her nudity,

It holds my attention even when I'm no longer looking at it.

Yes, she's beautiful, however this is not

6

6

[7:49]

[7:52.5]

so that the nudity becomes, uh, tangential

6 (R. Leistner)

/ [7:48]

Deanna Pizzitelli or the audience.

(N. Harris)

The image is a confrontation

It's the almost failed stare of a woman who

6

6

¢/ [7:50.5]

[7:53]

Profile for Christopher Mayo

To Discard All Images  

To Discard All Images 2019 | 32' Commissioned by Arraymusic for flute, clarinet, percussion, piano, violin, violoncello and 5-channel playb...

To Discard All Images  

To Discard All Images 2019 | 32' Commissioned by Arraymusic for flute, clarinet, percussion, piano, violin, violoncello and 5-channel playb...

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