Page 1

CHIH-HUNG SHAO Portfolio

Theatre Lighting Design

2014-2018


2


Sometimes, we cannot see things in brightness but get a whole view in the dark.

3


Chih-hung Shao Born in Taichung, Taiwan. Graduated from the Department of Theatre Arts at National Sun Yat-Sen University in 2015. Specialized in Theatre design.

4


LIGHTING EXPERIENCE As a Lighting Designer 2018 The Mousetrap

Director: Chen, Guan-wei Location: Pier-2 Arts Center

2017 Xinsui Station

Director: Lotus Hung Location: Kaohsiung Main Library Small Theatre

2017 Weeds

Director: Li, Bo-liang Location: Chih-hsin Theatre

2014 A Gang of Con-artists

Directors: Wu, Ying-xuan, Yang, Xin-yuan Location: Pier-2 Arts Center

2014 Statue of Broadway

Director: Wu, Ying-xuan Location: Kaohsiung Municipal Social Education Center

2014 The Dark Fantasy of a Formosan

Director: Yang, Chih-xiang Location: 219 Experimental Theatre

2014 Net Pal

Director: Zhou, Yu-xian Location: 219 Experimental Theatre

As an Associate & Assistant Lighting Designer 2017 Poetic Space in Music Lighting Designer: Sung, Yong-hung Location: Jhih-De Hall (Assistant) Pingtung Performing Arts Center (Associate)

As an Master Electrician 2014 The Priest Under the Sunset Lighting Designer: Sung, Yong-hung Location: Hualien County Indigenous Museum New Taipei City Hall Da-Dong Arts Center

Related Skills

AutoCAD, SkethUp, basic Adobe Photoshop,basic Adobe InDesign, ETC consoles, painting, model building, photography

5


1

CONTENT

The Mousetrap

3

Xinsui Station 6

2

W e e d s


5

4

A Gang of Con-artists

Other Works Photography Paintings Model Making

6

Undergraduate Teaching Assistant 7


1 8

The Mousetrap


ABOUT THE PLAY The murder of a woman named Maureen Lyon is broadcasted from the radio in Monkswell Manor. The place is recently converted to a guest house and run by a young couple, Mollie and Giles Ralston. After hosting all the booked guests (Christopher Wren, Mrs. Boyle, Major Metcalf and Miss Casewell) and one unexpected guest(Mr.Paravicini), Mollie gets a call from the police. Shortly afterwards, Detective Sergeant Trotter arrives and informs the group that he believes the murderer in Mrs. Lyon's case is on the way to the hotel due to the note left at the crime scene. When Mrs. Boyle is strangled to death, they realize that the murderer is already there. Ten minutes later, the investigation held by Trotter puts everyone into suspect. To prevent the third murder from happening, Trotter asks people in the house to reenact the second murder. Eventually, the murderer who is beyond everyone's expectation shows up but fails to make the third-kill. By tradition, the killer's identity could only be the secret between the play and the audience.

ABOUT LIGHTING DESIGN The setting of the play is in a snowstorm which led me to create a strong contrast between the warmth inside the guest house and the freezing-coldness outside the window. In addition to the fireplace and lamps on stage, I also took the top wash as key light in the room. In order to create an old-time and rustic atmosphere, I choose Chocolate colour filter as the wash color. I had never seen a snowstorm ; therefore, I did lots of research by watching videos and pictures, and asked some of my friends who had experiences. Besides the realistic snowing scene, I visualized the inner side of the plot by using branch gobo patterns and mixed color filters in different scene. To realize the fire, I used non-theatrical lights: flame lights and LED light strips, which turned out to have a good condition. Creating natural lights is my priority and by using different kinds of lighting materials, I have a greater amount of opportunities to explore the possibility of lighting design.

9


61

72 74

26 36

NC

36

L200

LED Fire 小太陽

27 210cm

34

35

34

26

36

26

75 76 77 73

Roller

25

70cm

L117

L143 50

BD

BD L205

門外

26

26

L161

29

28

55

L205

38

50

36

33

90

73

L117

36

L161

L202

30

L143/L180

L117

37 36

BD L161 雪 L161

L119

L119

32

32

71 110 39 L202

NC

24 17 L200 BD

24

9

1

53

BD L156

50

L117

17 L200 BD

10

2

BD L156

11

L117

53

50

3

18

L117

L200 BD

BD L156

54

R119

L117

50

50

52 L200

21

L200

5

13 NC

L205

41

36

19

21

L200

6

14

L156

23

NC

42

36

18

L200 36 BD

19

22

4

40

BD L156

NC

43

36

20

L156 L200

NC

44

36

20

L200

NC

45

36

L117

51

50

100

100

46

36

47

36

48

36

NC

NC

NC

NC

NC

49

36

71 40

22 8

16

L156 L200

NC

L202

L200

7

15

L156 L200

12

31

50

L202

50

階梯

50

L117 19

51

NOTES

KEY PROFILEs 19

ETC S4 19° 750W

26

ETC S4 26° 750W

36

ETC S4 36° 750W

50

ETC S4 50° 750W

FLOODs CYC FLOOD 1000W

36

PAR64 Wide 1000W PAR64 Medium 1000W PAR64 Narrow 1000W PARNel LED Strip

EFFECTS & SUNDRIES HZ-500

紙花機

LEGEND 12

Channel NO. Template Color NO.

Purpose

《捕鼠器》 海籽劇團

Lighting Plot

LED PAR

10

1. LED PAR. LED STRIP 接外接電。 2. 紙花機為110V ,請接變壓器。 3. 各壁燈、桌燈務必確認為220V燈泡。 4. 小太陽架設在壁爐內上方,色紙為L105。 LED 燈條放置木柴下方,火焰燈放木柴中。

ROLLER GOBO

Venue: Pier-2 Art Area, Kaohsiung Experimental Theatre Date: 5th.January.2018-7th.January.2018

Director: Chen, Guan-Wei Set Designer: Tsai, Pei-Yin Lighting Designer: Shao, Chih-Hung Programmer: Wu, Ping-Han Stage Manager: Kao, Mei-Tzu Lighting assistant: Wang, Yung-Ju, Wang, Hsuan-Yu Chu, Tzu-Fu, Yeh, Ying-Hsuan Scale:1:100 Unit:CM Drawn by: CH Shao Date:30th. Dec. 2017

62

63

64


《捕鼠器》

LIGHTING MAGIC SHEET P.1 HIGH CROSS Up Stage

WASH L156

LED PAR

LIGHTING MAGIC SHEET P.2 LED Strip

L200

1

2

3

4

9

10

11

12

5

6

7

8

13

14

15

16

17

17

18

18

19

22

19

20

22

Gobo MIX Gobo

20

Roller 37 L161

36

NC

26

L200

27

75 76 77 74 73

61 62 63 64

Audience

L200

21

LED Fire 小太陽

72

73 71

71

HIGH CROSS Down Stage

21

Lamp

L202 L205

L143

Gobo

25

28

29

38

34

100

110

36

L161

33

L119

L119

32

L202

NC

39

24

NC

40

40

31

24

34

L161

32

30

35

HAZER

L202

L202 L205

23

Front

NC

Wall Gobo L117

41 42 43 44 45

52

55 53

54 51

46 47 48 49 50

51 2017/12/31 Drawn by:CH SHAO

11


RESEARCH

The materials of the fireplace: I put flame lights in the middle of the pile of firewood which is surrounded by LED light strings to make a fire effect.

12


Gobo pattern for the window scene The branch looks like long, bony, and creepy fringers which gives me the idea to use this pattern in the murder scene.( Scene1, Act2)

13


Photo credit: Hemingway Zhan

By using a mixed color, Dark Lavender and Pale Navy Blue, I want to create a freezing-coldnight window scene.

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Lighting Design: Chih-Hung Shao Photo credit: Hemingway Zhan

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A clear view of the stage Lighting Design: Chih-Hung Shao Photo credit: Jessie Hon 16


I add gobo patterns on walls to make some mottles. Photo credit: Jessie Hon 17


To make the difference between inside and outside of the house, I take Pale Navy Blue as key color and add Slate Blue with gobo pattern to enrich visual effect.

18

Photo credit: Hemingway Zhan


I take lamps and fireplace as the key light and add a cold top wash in this corner. Photo credit: Jessie Hon

19


Lighting Design: Chih-Hung Shao Photo credit: Hemingway Zhan

20


Trotter turns off the light to simulate the act of murder.

Lighting Design: Chih-Hung Shao Photo credit: Jessie Hon

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2 22

W E E D S

2017 Taipei Fringe Festival Honorable Mention


ABOUT THE PLAY WEEDS is a combination of strong emotional modern dance with simple but powerful conversation. There is a strong bond between the underlying story and the choreographer, Bo-liang Li. Until he finished his senior high school, Bo-liang lived with his family and friends in Ami tribe, the indigenous tribe located in eastern Taiwan. He used to chase with his friends in the forest and to swim in the cool and fresh stream; however, after moving to a city with hustle and bustle for further study, everything changed. The dominant ideology from the society is a chain that constrains his mind and soul. Nonetheless, he believes that there's always a place called home behind his back and a thing named love inside his heart. Just like weeds, flying away from the place we used to be, trying to find a ground to land on; eventually, the root can be found in love. It's a love with things, people and ourselves.

ABOUT LIGHTING DESIGN In the beginning of the dance, a dancer sang an old ballad with his pure voice, which gives me a vivid picture of people singing and sharing stories with each other in front of a campfire, under the moonlight. Therefore, I used a warm back light and a clear blue top-front light for this carefree moment. When it came to the depressive and struggling part of the dance, I took a bold step to use the peacock blue color and a diagonal direction from the ground. Thus, the color created an unrealistic and floating scene, and the direction of the light created a large and creepy shadow, as if the unfriendly environment was going to devour us from top to bottom. In the end, the sun in our heart comes up, and we take our past as nutrition which makes us stronger than we are used to be.

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2

NC

L085

年台北藝穗節 演出場地 知新劇場 演出日期

L102

18

2

NC

L085

19

5~6 L115

S4抓 15

18~20

演出單位 : 夢遺少女的劇場 導演/編舞者 : 李柏良 舞台設計 : 吳亭昀 燈光設計 : 邵智鴻 燈光技術 : 周伶佳 黃議順

L115

15~17

L115

10

10

L174

L174

猜拳

14

NC

8

8 9

NC

L174

NC

6

L119

NC

12~14

摀嘴 NC

13

16

7

7 NC

NC

3

外租器材清單 : EX Cable 3m x 5 5m x 2 動力線 10m x 3 20m x 1 排插 x 1 Shin Base x 5

6

L174 NC

4

7~8

S3

S4抓 15

4

觀眾席

NOTE : 1. 地排燈皆裝L256 拉動力線至控台調光電阻 2. 同CH.用館內同Dimmer 3. 平安 快樂

S5

1

L174 NC

9~11

觀眾席

1 21~24

5

L200

英豪.歌

S5

17 NC

NC

NC

11

12

1~4

館內器材清單 ALTMAN LEKO x 13 FRESNEL x 7 CYC x 7

Drawn by: CH Shao

24

Date:2017/8/21


Back

Back

NC

1

1

2

NC

4

6

4

6

3

5

Special

NC

8

8

7

7

18

L102 S5茁壯 11

L115 15 S4抓

12

L119

SP Ground

HC

L174

10

L174

9

HS

NC

2

Front

Wash 10

L085

15

L115 S4抓

NC 14 猜拳

L115 S3

16

19 13

17

L200 英豪.歌

NC S5

NC S4摀嘴

LIGHTING MAGIC SHEET 年台北藝穗節 演出場地 知新劇場 演出日期

演出單位 : 夢遺少女的劇場 導演/編舞者 : 李柏良 舞台設計 : 吳亭昀 燈光設計 : 邵智鴻 燈光技術 : 周伶佳 黃議順

Drawn by: CH Shao

Date:2017/8/21

25


26

Lighting Design: Chih-Hung Shao Photo credit: Ting-yun Wu


The boy is singing an old ballad under the moon light.

Lighting Design: Chih-Hung Shao Photo credit: Ting-yun Wu

27


Many people tease at others but expose their weakness at the same time.

28

Lighting Design: Chih-Hung Shao Photo credit: Ting-yun Wu


We can’t speak out whatever we want.

Lighting Design: Chih-Hung Shao 29 Photo credit: Ting-yun Wu


Everything is worth celebrating, foods we eat, clothes we wear, friends we have and the love in our heart.

Lighting Design: Chih-Hung Shao Photo credit: Ting-yun Wu

30

Life will not give us sweets all the time. There is always fears and mistrusts lurking in shadows.


Lighting Design: Chih-Hung Shao Photo credit: Ting-yun Wu

We will be standing tall again cause we are built tough.

31


3 32

Xinsui Station


ABOUT THE PLAY The train rides to a mysterious place where is not only the origin but also the destination. It is Xinsui Station( 心碎車站 ), which means heartbroken station. Every passenger gets on and off the train for many different kinds of reasons and purposes. Some get off before the train arrives at the terminal station, and some cannot even get the opportunity to get on. It is a story about darkness, we need a light to lit up the path in front of us.

ABOUT LIGHTING DESIGN The play occured in a wagon and a forest-liked place without any sets-shifting. To create a clear difference between each scene, I separated the plot of lights into three sections: the wagon, the destination, and the combined scene. In the wagon, the light from top was the main direction, mostly white with pale yellow due to the concern of reality. When Agape, the highest form of love and charity, arrives at Xinsui station, a strong and warm light shines to heal the heartbroken people. I used a wild angle light to cover two characters who were in sorrow. In the end of the play, the girl finally receives the forgiveness from the boy once hurt by her, and gets on the train back home, under the warm light from windows.

33


NC

2.1

NC

L013

2.9

4

2.17

15

20 18

BD

BD

BD

BD

BD

BD

L202

NC

L202

NC

L202

NC

40 車站告示牌

21 L205

L136

6

BD

L202

NC

2.33

2.41

35 37

#01 文字幕 眉幕 翼幕1

20/40

39

7

8

2.49

2.57

NC

NC

NC

NC

NC

36

46

42

36

NC

48

26

NC

36

45

L200

L200

26

50

65

67

38

NC

36

31

NC

L119

L202

NC

30

36

19

BD

33

5

43

34

2.25

25 17

L136

NC

L013

3

14

20/40

翼幕2

2

24 16 20/40

#03 電動燈光吊桿1

#02 空桿1

NC

#04 空桿

NC

L242

1

13

20/40

NC L242

L102

29

12

20/40

110

28

11

20/40

90

翼幕3

23

10

20/40

#05 電動燈光吊桿2

22

9

27

2.65

2.73

2.81

2.89

66

68

20/40

32 L119

3

63

2

1

20/40

L202

1

2

NC

NC

20/40

20/40

55

4

NC

56 52

5

6

7

53 57

51

54

36

NC

NC

36

44

47

26

L200

L200

26

49

NOTES

Side Light

電進外接電,訊號進Isolator。 2.LED STRIP電進外接電,訊號

進Isolator。 3.霧機電進館內壁插,訊號進左舞 台Isolator。 4.Isolator放左舞台,再拉線至控台。 5.LED PAR.LED STRIP. 霧機進

58 71

KEY PROFILEs

1.LED PAR電及訊號走左舞台下,

L202

71

41

8

64

L202

NC L202

3

20/40

4

20/40

5

20/40

6

20/40

7

20/40

8

39

19

ETC S4 19° 750W

26

KUPO ERS 26° 750W KUPO ERS 36° 750W

36

NC

36

150cm

L200

26

110cm

LIGHTPLANET TH1230 ° 1000W

20/40

PORT 2

ETC S4 90° 750W

90

FRESNELs LIGHTPLANET TH1047 1000W

《心碎車站》 72

FOLLOW Iris

19

59

73

34

L202

19

19

60

L202

L202

19

19

61

100 62

73

CYC FLOOD 1000W

福氣教會

72

L202

FLOODs

PAR64 1000W

Lighting Plot Venue:高雄市-圖書館總館小劇場 Date:7th.December.2017-10th.December.2017

Director/Playwriter: Lotus Hung Set Designer: Hong, Xiao-He Lighting Designer: Shao, Chih-Hung Programmer: Wu, Ping-Han Stage Manager: Shao, Chih-Hung Lighting assistant: Ko, Ya-Yun Scale:1:100 Unit:CM Drawn by: CH Shao Date:3th. Dec. 2017

PAR64 1000W LED PAR LED Strip

EFFECTS & SUNDRIES HZ-500

LEGEND 12

Channel NO. Unit NO.

L201

ACT1

Template Color NO. Purpose

ROTATER IRIS


《心碎車站》

LIGHTING MAGIC SHEET P.1 BACK NC

LED PAR

1

2

3

4

5

6

7

8

LIGHTING MAGIC SHEET P.2 Wagon Door

11

10

9

12

65

13

NC

14

TOP WASH-Wagon NC

L202

16

15

17

22

L202

19

18

Leaves L242

Forest-GOBO

21

20

SUN

Windows L013

Wagon

L102

28

27

Wagon SP

Front #1

NC

51

54

52

53

L202

55

56

31

57

Board

40

72

72

73

73

60

35

32

36

Guitar Front NC

Side-Light

S12 Conductor NC

Side-Light

NC

L200

L119

39

Front #2 59

71

34

Trash Can

38

25

71

33

HC Meet

37

23

Birthday L205

30

L202

68

Guitar BK NC

29

Front NC

NC

110

Audience

Galaxy L136

24

66

100 67

TOP WASH-Forest

HAZER

Follow

61

L202

62

43

46

42

45 48

50

41

44 47

49

BOX Side 63 63 63

64 64 64

58 2017/12/03 Drawn by:CH SHAO

35


The conductor of the train is also the storyteller; therefore, I give her a follow spot for different character.

36

Lighting Design: Chih-Hung Shao Photo credit: Gege Chen


The girl stole the heart from the innocent boy and got off the train.

The girl found the guy who cheated her in a rainy day. I use Double CTB color on side light and Dark Blue from top to make a rainy day. By contrast, I give a dim light on the boy sitting in desperation.

37


At last, Agape shows up and heals everyone. I give a warm and sun-liked light to represent the strength that Agape brings to us.

38


After apologizing to the boy, the girl gets on the train to go home.

Lighting Design: Chih-Hung Shao Photo credit: Gege Chen

39


4 40

A Gang of Con-artists


ABOUT THE PLAY In 1980s, there were lots of unethical scammers around Taiwan who played tricks to make fortunes from innocent people, especially the elders. The play reveals the dark and greedy side of people who will stop at nothing to get money as much as they can. However, it's just a matter of time that the karma comes back to everyone in the play. It turns out that everyone in the play is involved in the circulation of lying, even the frauds themselves. At last, no one gets profits but loses something from themselves. It could be the trust between people, the relationship with families and the love in their heart.

ABOUT LIGHTING DESIGN I intended to create remarkable contrasts among various scenes in this play. For instance, I used a warm tone wash with haze in the sanctuary held by the fraud, and also gave a high level of intensity with color Straw to make a dramatic and ironic picture. Besides, in order to create a sexual innuendo atmosphere, I chose a peach with violet color in the back set. Moreover, in the illusion of a teenage girl who fell in love with a scammer, I used rotators with gobo patterns to make her whole world rotate and to generate bubbles which make the scene even more unrealistic. When it comes to the last scene, a cafeteria, a normal light was given because it provided a clear view of the characters' facial expression to the audience. No matter how great they are in scamming, lies are nowhere to hide eventually.

41


國立中山大學劇場藝術學系壹零肆級學期製作《我們都是金光黨》 OVERHEAD

STAGE LEFT

STAGE RIGHT

2014 國立中山大學劇場藝術學系

壹零肆級學期製作

《我們都是金光黨》 NSYSU Lighting Design Management Association

Lighting Plot - Stage 69 110V

光華堂

33

豪華套房

NC

33

NC

26

11

L119

L205

L201

36

12

13

28

14

29

15

L119

L205

L205

L119

L205

L119

L205

L103

66

L103

110V

110V

演出地點:駁二B9倉庫 演出日期:2014/6/27 (五) -19:00 2014/6/28 (六) -14:00/19:00 2014/6/29 (日) -14:00

72

L201 110V

36

NC

咖啡廳

27

63

NC

30

變型蟲 MOTOR

43

32

42

L161

37

45

37

110V

38

110V

38

110V

L079

L079

L079 流水

32

45

周客

110V

L102

L079

22

7

8

23

9

24

L205

L119

L205

L205

L119

L205

L119

42

L213/L205

NC

35

L102

45

L119

62

L103

75

L063

L063

75

65

L103

110V

演出單位/國立中山大學劇場藝術學系 -劇藝壹零肆 導演/楊馨媛、吳盈萱 舞台監督/李錚錚 舞台設計/鄭智謙 燈光設計/邵智鴻 燈光設計助理/周伶佳 燈光助理/黃議順 追蹤燈執行/趙安、王思允 燈光技術助理/張心怡、何宗泰、林彥昇、 黃子祐、吳欣蓓

71

L201

110V

110V

NC

102



L205

L201

34 34



68 110V

L102 L119

35 NC

L102

21

43

NC



6

變形蟲 MOTOR

L161

44

45

48

 L102

39

周/卜 L251

L102

45

110V

L079

47

46

NC

31

NC

L079

L161

MOTOR

L102

31

39

110V

L119

L213/L205

L102 NC

NC

周房





67

74

61 L201

110V

74

64

70 L201

L103

L063

L063

L103 110V

110V

110V

館方器材 父/天美第一

101

16

1

49

L119

L205

L202



50

父母

17

2

L119

L205

3

18

4

19

50

L205

L119

L205

L119

L202

I

5

20

L205

L119

100

150

12/12

150 光華天尊

NC

NC

 

73

外加Dimmer12路給側燈

73





1. 一迴路留在左舞給背板內 LED 2. 二迴路留在左舞台給檯燈 3. 追蹤燈架設於觀眾席最後方

  L201

NC

L201

NC

光華天尊

L103

L201

NC

L201

NC

3



9/12 (剩3路給Ground Par)

55

51

56

52

59

57

53

58

需兩迴路 4. 館內觀眾席燈保留四迴路 5. LED條燈配Dim210.220.230.240 6. 右舞台煙機配Dim 101 左舞台煙機配Dim 102 7. 注意:AC燈請用AC扣 8. 背光為110V,務必使用串扣



54

 

 NC

NC

NC

4/12 (2路給Follow)

40 L201/L205



NC

8 40

41



TYPICAL 



41 L201/L205

I

I

91

92

 L201

 

I





Drawn by:CH Shao

42

現有數量

使用數量

50

100

I

  

Date:2014/6/22

1KW PAR64(W) 1KW PAR64(M) 1KW PAR64(N) ETC 750W S4-19 ETC 750W S4-26 ETC 750W S4-36 ETC 750W S4-50 系上器材 ETC 750W S4-36 1KW PAR64(W) Intercom A梯 IRIS GOBO Holder 外加器材 Dimmer 12ch 1KW PAR64(W) 1KW PAR64(M) 250W AC64 ETC 750W S4-50 ETC 750W S4-36 LED條燈 Roller Rotator Z-1500

18 9 9 6 6 6 12 使用數量 2(含色夾) 8 (含色夾) 3 2 10 10 使用數量 1 12 5 8 2 10 4 1 2 2

18 9 4 4 0 4 12


2014 國立中山大學劇藝壹零肆《我們都是金光黨》 

Wash 11

12

Wash

L205 13

14

15

26

27

HIGH-CROSS

L119 28

29

30

6

7

8

9

10

21

22

23

24

25

1

2

3

4

5

16

17

18

19

20

Diagonal

L161

GOBO 變形蟲

Diagonal

33

36

32

35

31

34

AC

L213/L205 GOBO 樹影

42

44 44

42

51

52

Front

Front 54

53

L201

59

40

40

41

41

周/卜 TOP 48

45

父/天一 45

Side Light

NC

47

46 45

45

NC

37 37 38 38 39 39

流水 L161 Motor

45

45 45

Front

L079

Special

L102 45

Motor 43

Back Light

NC

L103

父母

49

50

Side Light

L201

63

66

69

72

62

65

68

71

61

64

67

70

光華天尊 55

56

57

58

Ground

檯燈

L063

75

75

80

L063 74

74

73

73

NC

81

LED 條燈 作動PARK Follow Spot 200

L201//L205 91

R

G

B

F

MIX

House Light

Smoke

92

Dim 101

Dim 102

101

102

100

201 202 203 204 205

43 Drawn by:CH Shao

Date:2014/6/22


A sex-trap scene

Living room

44

Lighting Design: Chih-Hung Shao Photo credit: Steven Chuan-shun Huang


When it comes to the climax of the fraud’s nonsense in the sanctuary, I give a dramatic color straight to the guy and make this scene even more ridiculous.

Lighting Design: Chih-Hung Shao Photo credit: Steven Chuan-shun Huang

The naive girl thinks her prince charming will love her no matter what happens.

45


5 46

Other Works


PHOTOGRAPHY

47


Under the street light

48

The green stands out from the red.


Sky-lantern paving tile , Pingsi Township in Taipei,Taiwan.

Under the sunset

Knees-up

49


PAINTINGS

50


51


MODEL MAKING

52


Model concept: No shelters Materials: Foam paper

53


Concept from Young-chen Liu < Bring Her Some Fruit> Set Design: Chih-Hung Shao Scale: 1 : 50 Materials: Balsa wood, foam paper SketchUP Model by Chih-Hung Shao

54


6

As a Undergraduate Teaching Assiatant

Professor: Chun-yu Li Class:Lighting Design and Practice 09-2014-02/2015

55


As a teaching assistant, not only did I deal with administrative paper work, but also spent extra time to help students who was fallen behind with their studies. Professor Li believed that I can work competentlly in this position because of my patience in teaching and mindful of the needs of students. In the end of the semester, I found that I had learned many new things from Professor Li ,and also taught by the students from the question that I have never thought of. It was a great teaching-learning assistant experience.

56

(Up) Safty is priority. (Down) Focus


(Up) Class in Yat-sen Hall (Left) Focus

57


58


59


60

Profile for 邵智鴻

Chih-Hung Shao Theatre Lighting Design Portfolio  

Chih-Hung Shao Theatre Lighting Design Portfolio  

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