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DEAR BUST DEC/JAN WAS MUSIC TO YOUR EARS! As with anything in life, a prolific art, culture, and music magazine like yours can be taken for granted. I hardly read your music content anymore, because I asst sumed at my jaded age of 32, all the best bands were from 1992 to 1996. But in your fantastic Dec/Jan ’11 issue, I read everything! I bought the Agent Ribbons and Warpaint CDs, and I really love both bands. Thank you! Sarah Kanorwala, Houston, TX I want to thank Everett True for the Agent Ribbons interview in the Dec/ Jan ’11 issue (“Secret Agent Band”). I’ve been buying and collecting BUST since Issue Four and am well aware of what the magazine represents. With your positive slant on feminism, your ongoing mission to make fashion fun, and your adoption of the DIY approach to the max, I honestly can’t think of a band that exemplifies the spirit and values of BUST more than Agent Ribbons. Now that they’ve managed to become a small part of your history, I fully expect to see Natalie and Lauren on the cover someday! Wayne Chapman, Sacramento, CA

GAGA FOR GRAHAM Holy moly. I just received your Dec/Jan ’11 issue, and I had to plunk out a few lines of deep appreciation for your fashion story featuring Ashley Graham (“Kiss Me Deadly”). She’s a dream, she’s luscious, she’s perfect. If only more magazines would feature real-sized women, the world would be a better, sexier, more confident place. Chrissy Dano Johnson, Knoxville, TN I loved your film-noir photo shoot of Ashley Graham! Not only is it great to see a gorgeous model who doesn’t look like the usual wanton, skeletal hipster, but I also love the makeup and lighting. Some of the photography students I work with are experimenting with film noir–style photos, so I’m keeping this issue around the studio as a reference for good ideas on how to put a modern twist on old-school lighting. Thanks for the inspiration! Alice Teeple, State College, PA

My love letter to BUST is long overdue. I discovered your magazine in 2003, during my junior year of high school, and it has been a major force in shaping my attitudes and values. I was moved to write to you now because of the cover photo of Sofia Coppola on the Dec/ 8 / BUST // FEB/MAR

Jan ’11 issue. She’s wearing hardly any makeup, and neither her hair nor her body has been airbrushed into submission. She looks real and she looks beautiful, and most important, she looks happy with herself. Add to that the photo shoot of Ashley Graham and I am inspired to love myself as I am, something that I still struggle to feel even though I am devoted to the concept intellectually. I just wish BUST were on more magazine racks, saying to young women, “There’s another way!” Rebecca Meyer, Boston, MA

DARE TO DIVERSIFY Oh, BUST. It’s getting harder and harder to not agree with my friends who say you’re a white woman’s feminist magazine. You feature Willow Smith’s lyrics on the binding, yet the only stories in the Dec/Jan ’11 issue that detail the perspectives of women of color are of the Horrific Treatment of Girls in Africa variety. I look forward to your smart features and eclectic views. But when your magazine blatantly ignores women of color, it’s impossible to remain a supporter. It seems BUST has forgotten that there are all kinds of women out there with something to get off their chests. Hannah O. Eko, via email BUST responds: Thank you for taking the time to write to us, Hannah. Your concerns are absolutely legitimate, especially in regard to the Dec/Jan ’11 issue. Due to some unfortunate scheduling issues, three interview subjects of color who were scheduled to appear in that issue were unable to do so, and the result was a much less diverse pool of viewpoints than we would have liked. In general, however, we agree that we could be doing a better job of getting a greater cross-section of women in our pages, and we pledge to try harder to do so.

FLY GIRL Thanks for your Halloween costume ideas in the Oct/Nov ’10 issue! The Birds is one of my favorite horror movies, and when I saw BUST’s take on Tippi, I knew I needed to haul ass to the craft store posthaste. Unfortunately, I couldn’t find blackbirds or seagulls. So I bought the only birds on the block—adorable, fat, colorful songbirds designed to perch on wreaths and floral displays. To play off the hilariousness of them, I made little speech bubbles and sewed them onto the dress next to the songbirds so it would be clear that despite their cuteness, they were natural killers. The birds warn of their bloodthirstiness with signs that say, “I am an adorable death machine” and “Don’t let my colorful plumage fool you, I’m quite menacing.” Many people weren’t sure who I was at first, but once I told them I was Tippi Hedren reimagined with birds from Snow White, my costume was a huge hit! Lucé Tomlin-Brenner, Washington, D.C.

Get it off your chest! Send feedback to: Letters, BUST Magazine, 18 West 27th Street, 9th Floor, New York, NY 10001. Email: letters@bust.com. Include your name, city, state, and email address. Letters may be edited for length and clarity.

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issue 67  

issue 67, portis de rossi

issue 67  

issue 67, portis de rossi

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