Page 37

Oulipian Episodes

31

VI. Incertum, op. 74 Pierre Block Con moto (q = ca. 84) 3 &4

HUM (MEN ONLY)

3 &4

HUM (MEN ONLY)

3 &4

HUM (MEN ONLY)

& 43

& 43

& 43

& 43

HUM (MEN ONLY)

? 43

HUM (MEN ONLY)

? 43

HUM (MEN ONLY)

297

Picc., Fl. 1-3

Ob. 1

Ob. 2

Ob. 3

E b Cl.

Cl. 1, 2

Cl. 3

B. Cl.

Cb. Cl.

Bsn., Cbsn.

A. Sx. 1, 2

T. Sx.

B. Sx.

∑ ∑ ∑

·. π

(lowest note possible)

U

·. π U U U

U

HUM (MEN ONLY)

∑ ∑ ∑

& 43

HUM (MEN ONLY)

?3 4

? 43

U

·. π U

U

HUM (MEN ONLY)

U

HUM (MEN ONLY)

Hn. 1-4

Tbn. 1, 2

B. Tbn.

Euph. 1, 2

Tuba 1, 2

Timp.

& 43

& 43

HUM (MEN ONLY)

?3 4

HUM (MEN ONLY)

?3 4

HUM (MEN ONLY)

?3 4

HUM (MEN ONLY)

?3 4

HUM (MEN ONLY)

?3 4

∑ ∑ ∑ ∑ ∑ ∑

Glk.

& 43

b˙. & 43 p ° ∑ & 43

with bow

Vib.

Pno.

D. B.

?3 4

?3 4

U

·. π

(lowest note possible)

U

·. π

(lowest note possible)

U

·. π

(lowest note possible)

U

·. π

(lowest note possible)

U

·. π

(lowest note possible)

U

·. π bU˙ .

(lowest note possible)

∑ œ.

BRAKE DRUMS (small & large)

Perc.

L.V.

U

·. π U

·. π U

U

·. π U

·. π U

·. π U

F

œ.

∑ U

œ.

œ.

gradually shift to AHH (open mouth by m. 306)

·. ·.

·. π U

·. π U

·. π U

·. π U

·. π U

b œ^ ‰ ^j ‰ Œ J bœ f f ∑

·.

·.

·.

gradually shift to AHH (open mouth by m. 306)

·.

·.

·.

gradually shift to AHH (open mouth by m. 306)

·.

·.

·.

gradually shift to AHH (open mouth by m. 306)

·.

·.

·.

gradually shift to AHH (open mouth by m. 306)

·.

·.

·.

gradually shift to AHH (open mouth by m. 306)

·.

·.

·.

303 Prestissimo (h .= ca. 88)

r≈‰ Œ ‚ f r≈‰ ‚ f r≈‰ ‚ f r≈‰ ‚ f r≈‰ ‚ f r≈‰ ‚ f r≈‰ ‚ f

Œ Œ

AHH (MEN & WOMEN) (E-flat any octave)

b˙. f

˙.

˙.

˙.

˙.

˙.

˙.

˙.

˙.

˙.

˙.

˙.

˙.

ƒ

AHH (MEN & WOMEN) (E-flat any octave)

b˙. f

AHH (MEN & WOMEN)

AHH (MEN & WOMEN)

r≈‰ Œ ‚ f r≈‰ Œ ‚ f r≈‰ Œ ‚ f r≈‰ Œ ‚ f

˙.

(F-sharp any octave)

AHH (MEN & WOMEN)

· f

Œ

˙.

(F-sharp any octave)

· f

Œ

˙.

(F-sharp any octave)

· f

Œ

˙. AHH (MEN & WOMEN)

· f

Œ

r≈‰ Œ ‚ f r≈‰ Œ ‚ f

˙.

˙.

(F-sharp any octave)

ƒ ƒ ƒ ƒ ƒ

AHH (MEN & WOMEN)

·. f

·

·. f

·

·. f

·

·. f

·

·. f

·.

·. f

·.

(C, any octave)

œ f

˙.

œ f

˙.

œ f

˙.

˙.

AHH (MEN & WOMEN)

(C, any octave)

ƒ

˙.

ƒ

AHH (MEN & WOMEN)

(C, any octave)

˙.

AHH (MEN & WOMEN)

(C, any octave)

œ f

˙.

ƒ

˙.

ƒ

AHH (MEN & WOMEN)

·

bœ f

˙.

bœ f

˙.

bœ ·. ·. · f f Molto prestissimo (h .= ca. 180)

˙.

(A-flat any octave)

AHH (MEN & WOMEN)

·

(A-flat any octave)

AHH (MEN & WOMEN)

(A-flat any octave)

ƒ ƒ ƒ

accelerando - - - - - (h = ca. 120)

gradually shift to AHH (open mouth by m. 306)

·.

·.

·.

gradually shift to AHH (open mouth by m. 306)

·.

·.

·.

gradually shift to AHH (open mouth by m. 306)

·.

·.

·.

gradually shift to AHH (open mouth by m. 306)

·.

·.

·.

gradually shift to AHH (open mouth by m. 306)

·.

·.

·.

gradually shift to AHH (open mouth by m. 306)

U U

U

b œ . # œœ ..

œœ ≈‰ Œ b # œœ R

œœ ≈ ‰ Œ UŒ R

lunga

U

U

U

U

·. ∑

Œ œ Œ f Œ b˙ F

·. ∑

Œ Œ

Œ b˙ f ° ∑

with bow

‚ ∑

r≈‰ Œ ‚ f r≈‰ Œ ‚ f r≈‰ Œ ‚ f r≈‰ Œ ‚ f r≈‰ Œ ‚ f ∑

Œ Œ œ

œ œ Œ

Œ œ œ

œ

r≈‰ Œ œ

Œ

œ ≈‰ Œ R

Œ

˙

˙

˙

˙

œ f

œ ƒ

·.

œ

·.

gradually shift to HUM (close mouth by m. 311)

·. f

·.

·. f

·.

·. f

·.

·. f

·.

·. f

·.

·. f bœ Œ

·.

·.

·.

·.

·.

·.

·.

·.

·.

·.

·.

·.

gradually shift to HUM (close mouth by m. 311)

gradually shift to HUM (close mouth by m. 311)

gradually shift to HUM (close mouth by m. 311)

gradually shift to HUM (close mouth by m. 311)

f

Œ

r≈‰ Œ ‚ f

·.

gradually shift to HUM (close mouth by m. 311)

gradually shift to AHH (open mouth by m. 306)

·.

r≈‰ Œ ‚ f

œ

BASS DRUMS (small & large)

with mallets

·.

Œ Œ œ F

·. π

·.

·.

·.

·. π

gradually shift to AHH (open mouth by m. 306)

U

(lowest note possible)

·.

·.

·.

U

gradually shift to AHH (open mouth by m. 306)

U

·.

·.

·.

U

gradually shift to AHH (open mouth by m. 306)

HUM (MEN ONLY)

·.

·.

·.

gradually shift to AHH (open mouth by m. 306)

œœ ≈ ‰ UÓ R

·.

·.

·.

U

b œ . # œœ ..

gradually shift to AHH (open mouth by m. 306)

·.

·.

·. π b˙. F

·.

gradually shift to AHH (open mouth by m. 306)

·. π

U

·.

gradually shift to AHH (open mouth by m. 306)

·. π

Allegro (q = ca. 120) HUM (MEN ONLY)

œ Œ Œ ã 43 p ∑ ã 43

·. π

·. π

(lowest note possible)

U

·. π

(lowest note possible)

·. π

·. π

(lowest note possible)

U

(lowest note possible)

·. π

·. π

(lowest note possible)

HUM (MEN ONLY)

U

U

·. π

(lowest note possible)

U

·. π

·. π

(lowest note possible)

? 43

U

U

·. π

(lowest note possible)

·. π

·. π

(lowest note possible)

U

·. π

(lowest note possible)

·. π

·. π

(lowest note possible)

HUM (MEN ONLY)

(lowest note possible)

HUM (MEN ONLY)

U

Molto prestissimo (h .= ca. 180)

accelerando - - - - - (h = ca. 120)

lunga

U

Con moto (q = ca. 84) Tpt. 1-4

303 Prestissimo (h .= ca. 88)

Allegro (q = ca. 120)

Œ

Œ Œ

Œ

Œ

Œ Œ

bœ Œ

TAM-TAM

Πx f

˙

œ

˙

˙

˙

œ

˙

˙

r≈‰ Œ Œ œœœœ

Œ

ƒ

with mallets

ƒ ° Œ Œ b # œœ b œœ f ∑

(lowest note possible)

Œ

Œ œœ # œœ

Œ b # œœ b œœ

r œœœœ ≈ ‰ Œ

Œ

·

bœ f

r≈‰ Œ Œ œœœœ Œ

Œ œœ # œœ

AHH (MEN & WOMEN)

·. f

·.

(A-flat any octave)

˙.

ƒ

L.V.

Profile for Carl Schimmel, composer

Oulipian Episodes, by Carl Schimmel (for wind ensemble)  

(visit http://www.carlschimmel.com to order score and parts) "Oulipian Episodes" was inspired by the novel "La Vie mode d’emploi" by George...

Oulipian Episodes, by Carl Schimmel (for wind ensemble)  

(visit http://www.carlschimmel.com to order score and parts) "Oulipian Episodes" was inspired by the novel "La Vie mode d’emploi" by George...

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