Page 5

Day into Night at the Breakwater e

31

Fl.

&

B b Cl.

&

Vln.

D.B.

# # œœœœ

Oœ n n Oœ b Ȯ .... ƒ w

31

& ?

q+e

q+e

# # b œœœœœ √

Oœ R ≈ ‰ Ø w

3

n b œœœœ

b œœœ b ∫ œœœ

œ ..

œ J

Í

œ n œj œ .. R

#œ R

w

31

& Pno.

√# œ ˙˙ .... # # # œœœ ˙ .. & J œœ b b b ˙˙˙ ...... œ & J

b œœ œ J

œ. # b œœœœ ....

j # œ & # œœ

? j œœ .. œ œ. œ

Slower (q = ca. 84) 34

Fl.

B b Cl.

Vln.

D.B.

&

(stop shifting to octave above)

&

(stop shifting to octave above)

f

f (√œ ) 34 & R ≈ ‰ ƒ ? w

b ∫ œœœœ n

Œ

Œ

F

f

& Ó. p

n œœ # j œ

?œ œ

3 4

q

3 4

q

w # ww

&

b ∫ œœœœ #˙ n

4 4

P

n

P

?

4 4

F

˙. 43

n

43 œ

Œ

Œ

n

> ˙ > nœ œ œ

44 44

LH

# >œ

LH

34

Pno.

œœœ

√ # # www # w

bœ œœ

œœ œ

43 œ

F p > 6 7 #œ #œ œ œ œœœœ # œ œ ? r 3 #œ œ #œ œ # œ œ n œ œ # œ œ n œ 4 œœœ œ œ œ #œ 6 œ 6 ° 6

œœ

F

œœ 9

œœ

œ nœ #œ

œ R

p #œ #œ

44 #œ nœ œ 7

œ

44

Profile for Carl Schimmel, composer

Day Into Night at the Breakwater, for flute, clarinet, violin, double bass, trombone, & piano  

I have long admired the poetry of James Tate for its surreal imagery and absurd twists of narrative. Poems from his collection The Oblivion...

Day Into Night at the Breakwater, for flute, clarinet, violin, double bass, trombone, & piano  

I have long admired the poetry of James Tate for its surreal imagery and absurd twists of narrative. Poems from his collection The Oblivion...

Advertisement