Page 24

Day into Night at the Breakwater

22

molto accelerando

2 &4

 44

33

Fl.

# œ œ # œ œ œ œ b œ œ œ n œ b œ œ n œR ≈ ‰

6 Ï ∏ œ #œ œ œ #œ œ b œ œ n œ œ œ bœ œ #œ #œ #œ œ œ nœ œ ≈ ‰ 6 6 6 ∏3 Ï ( ˙) œ ≈ ‰ Œ R ƒ change bow more and more frequently (w) to maximize volume by end of glissando (w) 6

6

B b Cl.

( ˙)

2 &4

?2 4

33

Tbn.

2 &4

D.B.

?2 4

2 # # # # ˙˙˙˙˙ &4

Pno.

2 &4

& &

5

?

35

Tbn.

Vln.

D.B.

bw π 35 (w) & (w) ? (b w) ˙˙˙˙ 35 &

Pno.

÷

5

5 ∏

> b œœœœ

4 4

– – – –

∏ œ #œ œ œ nœ œ bœ œ 5

(ww) > 4 # # ˙˙˙˙ .... 4

œ œ œ œ #œ #œ #œ #œ œ œ

nœ œ bœ bœ œ œ bœ œ bœ

35

B b Cl.

4 4

# # ˙˙˙˙ – – – –

÷ 42

Fl.

4 4

( n ˙) ˙

33

4 4 4 4

ƒp ( ˙) ( # ˙)

33

Vln.

j bœ

44

œ œ œ œ bœ bœ

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using both hands, play these clusters repeatedly and very quickly, in any order (but do not play any cluster twice in a row) break away to play chords in treble staff each bar should be faster than the last, until the final bar of this passage is as fast as possible

œ œ œ bœ bœ œ œ bœ nœ bœ bœ œ b œ n œ bœ œ bœ nœ nœ bœ ≈ ≈ bœ nœ 5 Ï Ï ∏ œ œ bœ œ bœ œ œ œ œ nœ nœ œ œ # œ b œ n œ œ ≈ bœ bœ œ nœ nœ 7 ∏ Ï Ï 7

≈ ‰ ‰

(b w) (b w) (w)

œœœœ J b b b œœ>œœ ... .

(b w) œœœœ

˙˙>˙˙ ... .

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Profile for Carl Schimmel, composer

Day Into Night at the Breakwater, for flute, clarinet, violin, double bass, trombone, & piano  

I have long admired the poetry of James Tate for its surreal imagery and absurd twists of narrative. Poems from his collection The Oblivion...

Day Into Night at the Breakwater, for flute, clarinet, violin, double bass, trombone, & piano  

I have long admired the poetry of James Tate for its surreal imagery and absurd twists of narrative. Poems from his collection The Oblivion...

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