Page 23

Day into Night at the Breakwater

21

Pandemonium of tangerines (q = ca. 108)

& 32

29

Fl.

B b Cl.

& 32 ? 32

29

Tbn.

& 32 ?3 2

29

Vln. D.B.

3 &2

29

Pno.

˙.

œ œ œ œ

(durations are approximate; this pattern should gradually accelerate over the course of this passage)

w

˙ ˙ # ˙ # # ˙˙ .... œ œ # œ œ ˙ œ#œ #œ

Ï # # # ˙˙˙˙ .... & 32 ÷ 32 – – – Ï

w w œ œ #œ œ#œ œ œ

œ œœ

# # ˙˙˙ .... #˙ # ## ˙˙˙˙ ....

– – – –

œœ

44 4 4 œœ

œ œœ œœ œœ œ œ œ #œ œ œ

4 4

B b Cl.

& & ?

31

Tbn.

31

Vln.

D.B.

&

? 31

& Pno.

& ÷

(# w) (w) (# w) w # # ww # œ # # www

3 4

( b w)

43

w

3 4

ƒp (# w) (# w) (w) w # # # # wwwww œ

Œ

œ œ #œ œ œ œ #œ #œ œ œ œ œ œ œ œ œ œ #œ œ œ œ #œ

# ww 44 # # # www – – – – – – 44 – –

31

Fl.

˙.

44

Ï w w

˙ #˙

(w)

44

w>

Ó

44

– – – –

– – – 2 4

( ˙ .) (˙ )

œ R ≈ ‰ ƒ

( # ˙ .) 34 ( # ˙ .) 43 œ œ œ #œ

œ #œ œ œ œ œ œ œ œ œ œ #œ #œ #œ œ œ #œ œ

# # # wwww – – –

( # ˙ ..) ˙ # # ˙˙˙ .. œ 3 # # ˙˙ ... 4 3 4

– – – – – – – – – –

43

#˙. # ˙˙ ..

42 2 4 42 42

œ œ

œ œ #œ œ œ #œ #œ œ œ œ œ # œ # œ #œ

2 4 2 4

– – – – – – – – – – – – 42

Profile for Carl Schimmel, composer

Day Into Night at the Breakwater, for flute, clarinet, violin, double bass, trombone, & piano  

I have long admired the poetry of James Tate for its surreal imagery and absurd twists of narrative. Poems from his collection The Oblivion...

Day Into Night at the Breakwater, for flute, clarinet, violin, double bass, trombone, & piano  

I have long admired the poetry of James Tate for its surreal imagery and absurd twists of narrative. Poems from his collection The Oblivion...

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