Page 11

Day into Night at the Breakwater

50

Fl.

B b Cl.

&

œ œ œ #œ #œ œ œ bœ œ # # œœ

& ?

e bœ œ œ # œ # b œœœ # œ # œ œ # œ œ # œ Í

50

Tbn.

50

Vln.

D.B.

50

& Pno.

w ƒ

b b œœœ

& ?

?

œ œ b œ n b œœœ b œ œ #œ nœ œ

q+x

Í

e

œ œ

œ #œ nœ œ #œ œ œ R

ƒ b œœœ ƒ n

q

bœ œ œ œ # œ b œ n œ œ œ

Í ˙ ƒ œ œœœ

9

œ nœ

ƒ o œo œo œo . o œ o o œ œo œ o œo œo œ æ &œ

n

œ # œ œ n œ # # ˙˙˙ œ # œœœ

œ

#œ œ œ œ œ

œ œ 7

# œœ #œ

b bn œœœœœ .... .

# œ œ # œœ

?

?

bœ œ bœ œ

(it would be possible to use this gesture at the ends of the two previous bars instead of the notation used there)

Profile for Carl Schimmel, composer

Day Into Night at the Breakwater, for flute, clarinet, violin, double bass, trombone, & piano  

I have long admired the poetry of James Tate for its surreal imagery and absurd twists of narrative. Poems from his collection The Oblivion...

Day Into Night at the Breakwater, for flute, clarinet, violin, double bass, trombone, & piano  

I have long admired the poetry of James Tate for its surreal imagery and absurd twists of narrative. Poems from his collection The Oblivion...

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