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Urban Redevelopment Certificate University of Utah. Salt Lake City, UT

C A R L A

Address

B O N I L L A

4410 Walnut St. Apt. E3 Philadelphia PA 19104

C A R L A

Address

Contact

Contact

E X P E R I E N C E E D U C A T I O N W O DR EK S EI G X N P E SR KI IE LNL CS E Architectural Intern KSS Architects

University of Pennsylvania. Philadelphia, PA May 2018

May 2017 01 Software 02 Skills University of Pennsylvania. Philadelphia, PA Philadelphia, Pennsylvania Architectural Intern May 2018 KSS with Architects -Assisted Revit modeling. Drafting Master’s of Architecture (3.9 GPA) Adobe Illustrator -Contributed in the design development of the new Barbara Walters May 2017 Urban Redevelopment Certificate 3D Modeling Adobe Student Center.Indesign Philadelphia, Pennsylvania Rendering -Produced presentation forLake a series Adobe Photoshop University ofdrawings Utah. Salt City,of UTinstitutional projects. -Assisted with Revit modeling. Image Editing -Researched and produced diagrams analysing programatic Adobe Premier -Contributed in the design development of the new Barbara Walters May 2015 distribution of regional higher education student centers. Video Editing Rhinoceros Student Center. of Architecture (3.5 GPA) Bachelor’s Design -Produced projects. 3ds Maxpresentation drawings for a series of institutionalLogo

Master’s of Architecture (3.9 GPA) UrbanUniversity Redevelopment Certificate of Pennsylvania. Philadelphia, PA May 2018 University of Utah. Salt Lake City, UT Master’s of Architecture (3.9 GPA) May 2015 Urban Redevelopment Certificate Bachelor’s of Architecture (3.5 GPA) University of Utah. Salt Lake City, UT May 2015 Universidad Alas Peruanas. Trujillo, Peru of Architecture (3.5 GPA) MarchBachelor’s 2012 Graphic Design Certification Universidad Alas Peruanas. Trujillo, Peru March 2012 Graphic Design Certification

S K I L L S S K I L L S

02 Skills Drafting

Adobe Illustrator 01Indesign Software Adobe

3D Modeling 02 Skills Rendering ImageDrafting Editing

Adobe Photoshop Adobe Illustrator Adobe Premier

Modeling Video3D Editing Rendering Logo Design

Adobe Indesign Rhinoceros Adobe Photoshop 3ds Max

Image Editing Photography

Adobe Sketch Up Premier Rhinoceros Autodesk Maya

Video Editing Logo Design

3ds Max Grasshopper

Photography

Sketch Up Python Revit Autodesk Maya AutoCAD Grasshopper Python Revit AutoCAD

H O N O R S

&

cbonil@design.upenn.edu 801-651-5121

W O R K

E D U C A T I O N

D E S I G N

B O N I L L A

Universidad Alas Peruanas. Trujillo, Peru Address 4410 Walnut St. Apt. E3 Contact March 2012 Philadelphia Graphic Design Certification PA 19104

cbonil@design.upenn.edu 801-651-5121

E D U C A T I O N

01 Software

C A R L A

cbonil@design.upenn.edu 801-651-5121

B O N I L L A

4410 Walnut St. Apt. E3 Philadelphia PA 19104

D E S I G N

May 2015 Bachelor’s of Architecture (3.5 GPA)

A W A R D S

- 2018 Winner H Dales O NPortfolio O R Competition S & Travel A WFellowship A R D S at PennDesign. - Hispanic Scholarship Fund Scholar 2017. - Drawings from Fall 2016 and Spring 2018 chosen to be published at - 2018 Dales Portfolio Competition Travel Fellowship Winner at

-Researched diagrams analysing programaticPhotography Sketch Up and produced Universidad Alas Peruanas. Trujillo, Peru Architectural Intern distribution of regional higher education student centers. Autodesk MarchMaya 2012 MJSA Architects Grasshopper Graphic Design Certification May 2016 Python Salt Lake City, UtahIntern Architectural Revit MJSA Architects -Contributed in the schematic design for a series of adaptive reuse AutoCAD projects. May 2016 -Assisted with Revit modeling. Salt Lake City, Utah -Assisted with construction drawings and site documentation. -Contributed D E Sin the I Gschematic N Sdesign K for I La series L Sof adaptive reuse projects. -Assisted H Owith N Revit O modeling. R S & A W A R D S -Assisted with construction drawings and site documentation. Architectural Intern 01 Software 02 Skills G.I.S Department - Construction Project Delivery, University of Utah - 2018 Dales Portfolio Competition Travel Fellowship Winner at December 2015 PennDesign. Drafting Salt Lake City, Utah Adobe Illustrator Architectural Intern - Hispanic Scholarship Fund Scholar 2017. 3DUtah Modeling Indesign G.I.S Department - Construction University -Modeled University owned buildings in Project Revit. -Adobe Drawings from Fall 2016 and Spring Delivery, 2018 chosen to be of published at Rendering Adobe Photoshop -Verified the validity of current floor plans in the field. PennDesign instagram account. December 2015 Image Editing -Sighted models to a central campus. Salt-Revit Lake City, Utah Drawing chosen for thepoint 2016located Russelon Wright Artifact exhibition at Adobe Premier Video Editing -Updated AutoCAD files. PennDesign. Rhinoceros -Modeled University owned buildings in Revit. -3ds Outstanding Design Studio Award for Physics Building Adaptive Logo Design -VerifiedMax the validity of current floor plans in the field. Reuse project in the Fall of 2016. Photography -Sighted Revit Sketch Up models to a central point located on campus. - Youth Community Center for the Visual Arts project displayed at -Updated AutoCAD files. Architectural Internof Autodesk Maya Exhibition Award winning studio projects in the Spring of 2015. Sorenson-Grasshopper Unity Center, Lake City Community Arts Initiative VP for the Fall Mortar Board Salt Honor Society elected Communications 2014. Python October of 2015 -Revit Collaborated through Inter-Diciplinary design class in the ideation for Salt Lake City, UtahIntern Architectural the Eye to Eye Natural History Museum of Utah Arts display in the Spring AutoCAD Sorenson Center, Salt Lake City Community -Developed andUnity delivered contect in educational sessions withInitiative kids of 2014. from Sorenson Unity Community Center. October 2015 -Developed concept for sculptural and architectural piece to be Salt Lake City, Utah placed at Community Center -Developed and delivered contect in educational sessions with kids -Helped document outcomes and measures of activities for grant from Sorenson Unity Community Center. reporting H and O tracking. N O for R sculptural S &and architectural A W A piece R Dto be S -Developed concept -Worked with City Parks and Public Land staff. placed at Community Center -Helped document outcomes and measures of activities for grant reporting andDales tracking. - 2018 Portfolio Competition Travel Fellowship Winner at -Worked with City Parks and Public Land staff. PennDesign. Accounts Payable Clerk - Hispanic Scholarship Fund Scholar 2017.

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D E S I G N

-Contributed in the schematic design for a series of adaptive reuse projects. -Assisted with Revit modeling. -Assisted with construction drawings and site documentation.

S K I L L S

01 Software

02 Skills

Adobe Illustrator

Drafting

Adobe Indesign Adobe Photoshop Adobe Premier

W O Rhinoceros R K E X P E R I E N C E W O 3ds R Max K E X P E R I E N C E Sketch Up

3D Modeling Rendering Image Editing Video Editing Logo Design Photography

Autodesk Maya Architectural Intern Grasshopper Architectural Intern KSS Architects Python KSS Architects Revit May 2017 Philadelphia, Pennsylvania May 2017 AutoCAD Philadelphia, Pennsylvania -Assisted with Revit modeling. -Assisted withinRevit modeling. -Contributed the design development of the new Barbara Walters -Contributed in the design development of the new Barbara Walters Student Center. Student Center. -Produced presentation drawings for a series of institutional projects. -Produced presentation drawings institutional projects. -Researched diagrams programatic H O Nand Oproduced R S & for aanalysing Aseries W ofA R D S -Researched produced analysing distribution ofand regional higherdiagrams education student programatic centers. distribution of regional higher education student centers. - 2018 Dales Portfolio Competition Travel Fellowship Winner at Architectural Intern PennDesign. Architectural Intern - Hispanic Scholarship Fund Scholar 2017. MJSA Architects MJSA Architects - Drawings from Fall 2016 and Spring 2018 chosen to be published at May 2016 PennDesign instagram account. Salt Lake May 2016 City, Utah Drawing chosen Salt Lake City, Utah for the 2016 Russel Wright Artifact exhibition at -Contributed in the schematic design for a series of adaptive reuse PennDesign. -Contributed in the schematic design for a series of adaptive reuse projects. - Outstanding Design Studio Award for Physics Building Adaptive projects. -Assisted with Revit modeling. Reuse project in the Fall of 2016. -Assisted with Revit modeling. -Assisted with construction drawings andVisual site documentation. - Youth Community Center for the Arts project displayed at -Assisted with construction drawings and site documentation. Exhibition of Award winning studio projects in the Spring of 2015. - Mortar Board Honor Society elected Communications VP for the Fall of 2014. Architectural Intern - Collaborated through Inter-Diciplinary design class in the ideation for Architectural Intern Construction Project Delivery, University of Utah G.I.S Department the Eye to Eye -Natural History Museum of Utah display in the Spring G.I.S Department - Construction Project Delivery, University of Utah of 2014. December 2015 Salt Lake City, Utah December 2015 Salt Lake City, Utah -Modeled University owned buildings in Revit. -Modeled University buildings in Revit. -Verified the validity owned of current floor plans in the field. -Verified the validity of current floor plans in the on field. -Sighted Revit models to a central point located campus. -Sighted Revit models to a central point located on campus. -Updated AutoCAD files. -Updated AutoCAD files.

Architectural Intern Architectural Intern Sorenson Unity Center, Salt Lake City Community Arts Initiative

Sorenson Unity Center, Salt Lake City Community Arts Initiative October 2015 October Salt Lake2015 City, Utah Salt Lake City, Utah -Developed and delivered contect in educational sessions with kids -Developed andUnity delivered contectCenter. in educational sessions with kids from Sorenson Community from Sorenson Unity Community Center. -Developed concept for sculptural and architectural piece to be -Developed concept for sculptural and architectural piece to be placed at Community Center placed atdocument Community Center and measures of activities for grant -Helped outcomes -Helped document outcomes and measures of activities for grant reporting and tracking. reporting with and City tracking. -Worked Parks and Public Land staff. -Worked with City Parks and Public Land staff.

Architectural Intern G.I.S Department - Construction Project Delivery, University of Utah December 2015 Salt Lake City, Utah -Modeled University owned buildings in Revit. -Verified the validity of current floor plans in the field. -Sighted Revit models to a central point located on campus. -Updated AutoCAD files.

Architectural Intern Sorenson Unity Center, Salt Lake City Community Arts Initiative October 2015 Salt Lake City, Utah -Developed and delivered contect in educational sessions with kids from Sorenson Unity Community Center. -Developed concept for sculptural and architectural piece to be placed at Community Center -Helped document outcomes and measures of activities for grant reporting and tracking. -Worked with City Parks and Public Land staff.

Accounts Payable Clerk Facilities Mgmt - Construction Project Delivery. University of Utah. May 2014 Salt Lake City, Utah - Prepared, verified and entered information into computarized systems for Construction Project Delivery Department. - Coordinated with Project Managers for the processing of payments for contractors.


“...no single device then is essential to poetry. Poetry is recognized not by the prescence of a certain type of content or of images ambiguites, symbols.. but by its ability to make man look with an exc eptionally high level of awareness� V i k t o r S h k l o v s k y ( A r t a s a Te c h n i q u e , 1 9 1 7 )


G R A D U A T E S E L E C T E D W O R K

(1) U N T A M E D Manitoga Pavilion Fall 2017 Instructor: Eduardo Rega

T H E

(2) A T T A C K

Pocahontas Fiction Fall 2016 Instructor: Eduardo Rega

(3) C O N F E T T I G Y R A T I O N Drawing Analysis Spring 2017 Instructor: Miroslava Brooks

(4) P U B L I C E C H O Library Park Spring 2017 Instructor:Miroslava Brooks

S T U Y T O W N

(5) 4 0 9

E

1 4 T H

E x - C o n v i c t Tr a n s i t i o n a l H o u s i n g Fall 2017 Instr uctor:Kutan Ayata

S


( 1 ) U T A M E D T H E M A N I T O G A P AV I L I O N In collaboration with: Samia Kayyali, Mariela Hernandez, Yi Zhang, Zehua Qi Fall 2016 Instructor: Eduardo Rega

Untamed is a pavilion that aims to disrupt the carefully curated site of Manitoga. After re-

s e a r c h i n g M a n i t o g a , t h e e s t at e a n d h o m e o f i n du s t r i a l d e s i g n e r R u s s e l Wr i g h t , w e r e a l i z e d t h at t h e r e were c ontradicti ons between the the narrative he presented and his foundati on, Both in its d escripti on of the way in which the existing site was a c quired to bec ome the spa c e for his studi o and home, a n d i n t h e i m p l i c a t i o n s b e h i n d t h e a c t u a l a c t i o n s t h a t w e r e c o m m i t t e d t o t h e s i t e . Wr i g h t ’s fo u n d a tion present ideas of ‘natural’ living. In its promotion of engagement with ‘nature’ to visitors it puts fo r w a r d t h e i d e a t h at Wr i g h t w a s o n e w i t h n at u r e . H ow ev e r , w e fo u n d t h at t h e r e w a s a n ex p l o i t at i o n and a violent domestication of the surrounding environment. Our pavilion aims to rebel against these actions. It acts as a disruptive mass that is placed along the path of the different curated sites.

Through different sized pockets it aims to engage and facilitate the growth of ‘unwanted’

elements (for example weed, dir t and puddles). By doing so, the pavili on explores and engages with what is outside of our own ‘conceptions of nature’ or the other side of ‘nature’ which humans and Wr i g h t t r i e d t o t a m e o r e s c a p e fr o m .


)A( (C) Size B - Loop 2

Size A - Loop 2

Size A - Loop 1

Size A - Loop 1

Size A - Loop 2

Size A - Loop 1 Size A - Loop 1

Size B - Loop 2

Size B - Loop 1

THICKNESS: 0.020 INCH Concave of Loop 2 within Concave of Loop 2 + Convex of Loop 1 within Concave of Loop 2

THICKNESS: 0.040 INCH

Mirrored Loop 2 within Concave of Loop 1

THICKNESS: 0.060 INCH

(B)

(D) Convex Loop 2 within Concave of Loop 1

Untamed invites that other side of ‘nature’ to colonize the spac e of the

(B) S econd Pavilion Location. View of the quar y. Pavilion transpor ts wa-

pavili on. It is meant to create an unc omfor table presenc e for the hu-

ter onto pathway.

man and to a ct in oppositi on to the id ea of c omfor t and harmony that

( C ) T h i r d Pav i l i o n L o c at i o n . Wr a p p e d a r o u n d a t r e e h o u s i n g l i f e o n t r e e ,

Wr i g h t at t emp t s t o e s t ab l i s h o n t h e s i t e

and invading path.

( A ) F i r s t Pav i l i o n l o c at i o n . T h e Wr i g h t F o u n d at i o n h o u s e . T h e p av i l i o n

(D) Diagram of inhabitation of Pavilion unit.

crosses the window threshold.

(E) A xonometric drawing showing diagram assembly.


( 2 ) T H E

A T T A C K

N E T W O R K

A POCAHONTAS FICTION Fall 2016 Instructor: Eduardo Rega

This project explored the capacity of architecture to trigger events through the creation of a

f i c t i o n a l n a r r a t i v e a n d i t s p l a c i n g o n a s i t e . We s t a r t e d o f f w i t h t h e a n a l y s i s a n d a l t e r a t i o n o f t h e p l o t of a movie, in my case, “Pocahontas”, und erstanding it for what it is, a cliche of the native American narrative, as well as a reinforc ement of the Disney movie passive female lead, I challenged these notions in the alteration of the narrative. First through the revealing of the true nature of the interaction between the colonizer and the colonized, war. S econd through the challenging

of the role of the

female lead. In the new narrative, the character of Pocahontas stops being a passive character within a romantic plot and bec omes an a ctive strategist in an atta ck. S he sur veils, plans, and performs an attack on them. She watches their movements and vulnerabilities to strategize their downfall.

This fiction is then mapped onto the site of Manitoga, estate of the industrial designer Russel

Wr i g h t . T h e at t a c k n et w o r k b e c o m e s t h e m at e r i a l i z at i o n o f Po c a h o nt a s ’ s t r at e g y . F r o m t h e o u t s i d e , conc ealed, almost invisible, on the inside, a complex woven network, multiplying itself around Manit o g a , w r a p p i n g a r o u n d t h e c o l o n i z e r ’s m o s t v u l n e r a b l e s p a c e s . T h e s e c a m o u f l a g e d s p a c e s m a k e fo r the creation of a series of masses imitating the trees in their ver tical volumes,inflating, and extending themselves to connect to one another to create spaces within themselves.


(D)

(C)

(B)

(A)


(E)

(F)


(F)

(G)

The transplant of the fiction to the site was done through the development

to ad ja c ent trees. (D) A xonometric drawing showing porous materialit y and

of protodocuments. C ollages taking piec es from the narrative as well as ar-

layering.

chitectural prec ed ents and pla cing them on drawings of the site.

(E) Site Plan (F) Site Section

(A) Site axonometric showing Manitoga as well as paths and quar y.

(G) S ection through one of massings, showing entranc e and wrapping around

(B) Strategy transplated on site.

trees.

(C) A xonometric drawing showing insid e logic, and their locati on in relati on


( 3 ) C O N F E T T I

G Y R A T I O N

A D R A W I N G A N A LY S I S In collaboration with: Yi Zhang Spring 2017 Instructor: Miroslava Brooks

Using diagrams and drawings as conc eptual and generative tools, we analyzed specific prec-

edents from painting and architecture, to create a catalogue of spatial conditions. Through a deep reading of physical and non-physical conditions on a drawing, the relationships between figure and ground as well as their composition,

we created compositions that in their misreadings would create

a catalogue of spatial conditions that would later be used in the design of a public librar y. This would ser ve not onl y as a formal but as a c onc eptual basis for our approa ch. For the painting anal ysis, I anal y z e d J a c o b o P o n t o r m o ’s D e p o s i t i o n , a n d fo r t h e a n a l y s i s o f a n a r c h i t e c t u r a l a n d u r b a n p l a n , w i t h t h e collaboration of Yi Zhang, the Okland Museum by Roche and Dinkeloo and the Parc de la Villete by OMA.


(A) D eposition by Pontormo composition and analysis

it c onveys a series of

the building itself to do so, these are arranged through the extension of its

bodies c omposed in a floating like manner. Gravit y does not seem to affect

boundaries on the inside to create spac es in between the planters on its ter-

them, yet in their arrangement their fa c es and body postures seem to gravi-

race.

tate towards the c enter of a cross, nonexistent in the painting itself.

(D) The Parc de la Villete, urban design composition and analysis. Through its

(B) Drawing done in c ollaborati on with Yi Zhang, c ompositi on and anal yis of

use of programmatic instability and architectural specificity it aims to create

S upremus 58 by Malevich. Emphasizing the different points of rotation along

a p a r k w h e r e t h e r e i s n o s p a c e fo r i t . Ju x t a p o s i n g a s e r i e s o f s y s t em s , e a c h

which the drawing is organized.

containing different elements and creating a park in the in-betweens.

( C ) A n a l y s i s a n d c o mp o s i t i o n o f t h e O a k l a n d M u s e u m o f C a l i fo r n i a by R o c h e

C onfetti Gyration takes from our paintings the composition quality of rota-

and Dinkeloo. Its design aims to blur its edges through the use of landscape.

tion about non-physical points,, it takes the existing public spac es as well as

Making use of a series of planters on the inside and on the boundaries of

a proposed one and turns them into the axis of rotation.


( 4 ) P U B L I C

E C H O

A LIBRARY PARK Spring 2017 Instructor: Miroslava Brooks

Located on the Parkside neighborhood in Philadelphia, between two areas of the neighbor-

hood that are currently divided by large parking lots and industrial buildings, Public echo creates a librar y and park that becomes a magnet bridging a connection between west and east parkside. Drawing from the c onc epts anal yzed previ ousl y, c onc eptuall y and formall y, this spa c e bec omes a new gravitational point on the side. Creating what becomes the building itself and altering the surrounding landscapes to create a park, with an outdoor ampitheater at the center. The progam of the stacks is broken apar t and sprinked on the park, as well as elongated transparent spaces containing reading rooms as well as other public programs. Their connection in a puzzle like manner create a hyper fragmented spaces that inter twines itself with the greener y around it. Creating a space that blurs the line between inside and outside as well as landscape and architecture.


(B)

(Site A xonometric) The pink volumes are the stacks, while the transparent

nect one to another like a puzzle, creating one whole fragmented spac e. This

terraced volumes are

makes out of the stacks unstable spac es that become a par t of the circula-

reading rooms, classrooms, community spac es, and

daycare facilities. Park and empty lots located ad jac ed are altered to create

tion, engraining them within the public programs.

a par t that become a continuation of Public echo. Breaking with the existing

The street and sidewalk is expanded inwards to create a seamless continua-

grid and distor ting the sidewalk inwards to create ad jac ent parks. Creating

tion in circulation into the entranc e.

continutity and a cue to the location of the librar y.

(B) Building S ection showing fragmentation of the ground plane, to create

(A) Floor plan showing first floor of the librar y building, showing variety of

landscaped conditions. Creating a common logic between the greener y, the

size of stack volumes. Some commecting programs other within them, while

ground plane that breaks to create seating and planters, as well as the build-

some connecting purely ver tically. The elongated spac es and the spacks con-

ing itself.


( 5 ) S T U Y T O W N

4 0 9 E

1 4 T H

S T

EX-CONVICT TRANSITIONAL URBAN HOUSING Fall 2017 Instr uctor: Kutan Ayata

This studi o c ollectivel y worked to transform the entire chara cter and experienc e of S tuyves-

a n t To w n i n N e w Yo r k C i t y . A n e n t i r e n e i g h b o r h o o d c o n s i s t i n g o f 1 8 b l o c k s a n d 3 3 b u i l d i n g s . R a t h e r than the modernist approach of tabula-rasa, we worked with the existing structures using them as a 3- dimensional site to operate on. Each student designed a specific structure within the c o m p l e x . N o t o n l y c h a n g i n g t h e i r c h a r a c t e r b u t a l s o t h e i r p r o g r a m . We a l o n g s i d e d e v e l o p e d t h e stor y of a fictional character that lives in the structure and the stor y behind them living there.

Formally I approached the structure

by creating porosity through the car ving

of the form.

Not onl y allowing for more lig ht into the spa c es but also producing interi or looking windows. C oloring them in such a way, that it allows for a different perc epti on of the str ucture, of one rather composed of a soft strange interior. ture

,

which

is

added

to

the

existing

This carving occurs throughout the top of the strucbuilding.

Carving

also

occurrs

throughout

the

first

few

levels, cutting the str ucture in such a way that allows for a ped estrian a cc ess throug h the building

The fictional character living in the building is an ex-convict exc entric . si xty year old man, Ralph

S anchez. A guy who used to live in C oney Island and end ed up in prison for a pit y crime. After c oming out o f p r i s o n , h e fi n d s h i m s e l f s t r u g g l i n g fi n d i n g h o u s i n g . I n 2 0 37 a f t e r l a r g e a m o u nt s o f p e o p l e c o m e o u t of prison and ending up on the streets because of current existing high incarceration rates, the government d ecid es to launch a transiti onal rehabilitati on housing for ex-c onvicts. This is where Ralph ends up.


(B)


(D)

(C)


(E)

(F)

(A) Massing iterations.

(E) C hunk axonometric drawing

(B) Building Elevation showing coloration and nature of openings

T h e p r o g r a m fo r t r a n s i t i o n a l h o u s i n g fo r ex - c o nv i c t s , c o nt a i n s n ot o n l y b e d -

(C) Building section on site. Showing nature of openings. Crossing through the

r o o m u n i t s , b u t s h a r e d a n d c o - l i v i n g s p a c e . Ta k i n g a d v a n t a g e o f t h e n e w

interior of the volume and upwards. Creating light wells that cross diagonally

transparencies created it creates living spac es that.range with different lev-

through the structure.

els of privacy as the inhabitant progresses in their rehabilitation. Providing

(D) S ection of chunk taken from nor theast top of building. Showing large

the inhabitant not only with living quar ters but also but classrooms and con-

communal spac es

ferenc e spac es that would provide with professional training..

at the bottom and housing on top.


( G ) S i t e P l a n d o n e i n c o l l a b o r a t i o n w i t h t h e s t u d i o c l a s s . S t u y t o w n 4 0 9 E ’s

another. The dining and common areas occurr at the c enter of the building

ground level floorplan is located sec ond to the bottom left on the drawing.

and are shared.

I t c o nt a i n s c o m m o n s p a c e s fo r t h e l ow e r l ev e l s . T h e o p e n i n g i n t h e s t r u c t u r e

(I) Level 1 8 floorplan. This level contains more standard housing units. three

a l l ow s fo r s t r e et a c c e s s t o t h e i nt e r i o r o f t h e c o mp l ex .

to six bedroom shared a common living room and dining spaces. Common

(H) Level 17 floorplan. This level contains bedrooms with the least amount of

areas are still located at the c enter Bellow this level clasrooms, conferenc e

privacy. The bedrooms themselves are all facing the windows, pointing at one

rooms and large common areas are located.

Carla Bonilla PennDesign MArch 2018 Portfolio  

Selected graduate work.

Carla Bonilla PennDesign MArch 2018 Portfolio  

Selected graduate work.

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