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Wednesday 5th - Saturday 8th March

By Terry Pratchett Adapted by Stephen Briggs Programme

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"Maskerade" is presented by special arrangement with SAMUEL FRENCH, LTD. The original novel "Maskerade" is published in Paperback by Corgi, and published in Hardback by Gollancz. "Nanny Ogg's Cookbook" is published by Corgi.

The video and/or audio recording of this performance by any means whatsoever is strictly prohibited. Please turn off all mobile devices before the performance, to remain off for the duration of the show. There will be a 15 minute interval in which devices may be used outside the main auditorium.


The Story All is not well in the Ankh-Morpork Opera House. A ghost stalks the dark corridors, leaving strange letters for the management and... killing people. Granny Weatherwax and Nanny Ogg, two Lancre witches, investigate, and are soon involved in all kinds of skulduggery, mayhem and ear-splittingly loud singing. Skillfully adapted from the original novel with suitably dramatic panache. Quirky and original characters, a labyrinthine plot and numerous witty one-liners make this a treat for Discworld fans and 'uninitiated' theatregoers alike.

The Books Maskerade is the eighteenth novel in the Discworld series by Sir Terry Pratchett. First published in 1995, it was adapted for the stage by Stephen Briggs and premiered in the same year... the Studio Theatre Club in Abingdon work fast. A more sedate edition of 'The Joye of Snacks' can be found in our universe under the name 'Nanny Ogg's Cookbook'.


Foreword from the Director 4OD; Demand 5; Netflix; BBC iPlayer; The Shopping Channel +1; Babestation -1; LoveFilm; ITV Player; Dave; YouTube. * You won't find the play you are about to watch on these or any other On Demand platforms. In an age of watching whatever we want, whenever we want, the draw of a live performance holds and indeed should hold even more relevance than it did 10 years ago. So take pleasure in the unique experience you are about to witness, with all its foibles and fabulous moments. Theatre and live performance has a long and glorious history in Bradford, and I'm pleased as punch we can be the tiniest cog in such a large machine. It's been an absolute pleasure to present one of my favourite authors' plays in this historic and special building. I'm going to say it openly and to everyone: "My name is Matt Blackmore (*Hi Matt*) and I'm a Terry Pratchett fan". I'm not sure why we fans have to whisper this in dark corners, I think it's the idea of science fiction and all its geeky connotations, but there are many of us out there, trust me, look around you! Terry Pratchett is funny, acerbic and downright dark in places, and has given me many hours of immense pleasure from his novels. Maskerade is up there with my favourites, and so I really couldn't resist the temptation to bring it alive on the stage. There are a tonne of very busy people who I've asked to jump off a cliff and be involved in this show, the first in what will be a series of successful in-house productions by The New Bradford Playhouse. There are so many folk to thank for making this all happen and I hope I don't miss anyone out; apologies if you are the one I have. Firstly, thanks to Clare and Jono Gadsby from The New Bradford Playhouse for letting me take over their building for 5 weeks; The Production Team, who do so much hard work behind the scenes (often literally) which you don't see, to ensure that * Other On Demand platforms are available.


their work is subtly noticed but never, ever underappreciated; All the staff here at The New Bradford Playhouse; Carl Mitchell for this programme you are reading; and Ric Neild for being such a good onion and a really good friend. Finally, can I thank the 21 members of the cast, most of whom I didn't know 4 weeks ago, who have worked their socks off to produce the wonderful and professional piece of theatre you see before you. It would be difficult for any cast to put this complicated a show together in only 4 short weeks. For a group of actors doing this in the evenings only, who didn't know each other beforehand, and who have jumped straight in with all that Ric and I have asked them to do - with such energy and a sense of adventure it's such a remarkable and worthy achievement that you should applaud and cheer until your hands and throat hurt in appreciation of their efforts. So sit back and enjoy Maskerade, a play all about witches, cats, opera singers, phantoms and rude cook books, but really about people and the wonderful lies we sometimes tell ourselves. There only remains the final question for everyone which is - what's next?

Matt

Four words from the Co-Director

Is this OK, Matt?

Ric


The Esmerelda "Granny" Weatherwax

Claire Williams

Stern witch, the Crone Leader

Gytha "Nanny" Ogg

Clare Gadsby

Playful witch, the Mother

Agnes Nitt (aka Perdita X Dream)

Helen Bourne

Sensible, gifted singer, trying not to be a witch

Walter Plinge

Paul Cross

Odd-job man, clumsy and bumbling

Christine

Tammi Butterworth

Pretty Soprano who can't sing for toffee

Seldom Bucket

Jez Lyons

The Opera House's new owner, big in cheese

Mr Salzella

Paul Growcoot

Director of Music (who actually runs things)

Dr Underschaft

Mike Whitehouse

Chorus Master

Mr Pounder

Gareth Booth

Eccentric Rat-catcher

Andre

Josh Rushworth

Pianist who pokes his nose into other's business

Senor Enrico Basilica

Ric Neild

Famous "foreign" Opera Singer

Enrico's Manager

Gareth Booth

Senor Basilica's manager & translator

Greebo

David Walker

Nanny Ogg's Cat; occasionally Human

Mrs Plinge

Natalie Kershaw

Walter's mother, Opera House cleaner

Mrs Arno Stage Manager

Deborah Cross


Players Cpl Nobby Nobbs

Gareth Booth

Watchman with ID to prove he's human

Sgt Detritus

Mike Whitehouse

Watchman of low intelligence

Mr Goatberger

Carl Mitchell

Publisher of Nanny Ogg's book

Tammy Cripps

Kelly Freemantle

Scene Painter

Chorus Girls Colette Solange

Jennifer Grayson Kate Walker

Stage hands Kevin Hron

Carl Mitchell Matt Roberts

Denizens Coachman Woman with Deathwish Woman with glasses Woman with Chocolates Mrs Clamp Thieves

Matt Roberts Deborah Cross Kate Walker Jennifer Grayson Natalie Kershaw Gareth Booth Josh Rushworth Jennifer Grayson Carl Mitchell Matt Roberts

Otherworldly Beings The Death of Rats

Owen Butterworth Caderyn Roberts


The Crew Director Co-Director Set Stage Manager Marketing

Matt Blackmore Ric Neild Carl Murray Richard Barran Jono Gadsby Clare Gadsby

Lighting Sound Flyman Wardrobe Props

Paul West Adam Grayson Tom Ball Carl Murray Megan Murray Helen West

The Playhouse The Playhouse hosts in-house shows, travelling companies, independent projects, school and community productions, even band nights. As the Playhouse is currently run purely by volunteers, your patronage means the world to us. We would love to keep this building a theatre, rather it than becoming another bloody Wetherspoons or something. Seriously, we couldn't do this without your help so thank you for your continued support. Want to get involved? Come have a word!

info@newbradfordplayhouse.co.uk

www.thenewbradfordplayhouse.co.uk

4-12 Chapel Street, Little Germany, Bradford BD1 5DL

01274 308727


Coming up at The New Bradford Playhouse A Happening in 12 Rooms and Several Corridors

13th March

This performance is part of the research and development for The Great Distraction. We want to explore the alternatives to a promenade performance and give the audience an active role. How far will you go with your new power?

Little Shop of Horrors

20th - 22nd March

Bradford University Society of Operettas and Musicals (BUSOM) present the comedy rock horror musical, in which a hapless florist shop worker raises a plant that feeds on human blood.

Romeo & Juliet

25th March

Black Box Theatre Company stage Shakespeare's classic tragedy of star cross'd lovers who seek to wed, despite the sworn contempt their families (the Montagues and the Capulets) hold for each other.

Oliver!

31st March - 5th April

The New Community Arts Academy bring us the musical adaptation of the Charles Dickens novel. Orphan Oliver Twist escapes his miserable life in a workhouse and travels to London. He falls in with the Artful Dodger, his gang of juvenile pickpockets, and their elderly leader, Fagin...

Foreplay Eddie Coleman presents a brand new comedy. Brian wants to spice up his marriage. His wife likes spies. James Bond he is not; so begins an adventure from spy missions to murder and mistakes. Who wants a normal life?

9th-11th April


Bananana Soup Surprise What's so surprisin' about bananana soup? ...It's got banananas in it. Editor's Note: Some of the 'special ingredients' have been left out of this recipe, since people complained that they made the soup a bit too surprising.

SERVES 4

4 large banananas, peeled 470ml vegetable stock 155ml dry sherry 1 heaped teaspoon ground nutmeg

1 heaped teaspoon brown sugar 2 heaped teaspoons chopped chervil A pinch of salt and pepper 1 teaspoon lemon juice

C

HOP TWO OF the banananas and put into a pan with the stock. Blend or mash until the banananas are smooth and well, er, blended. Slowly bring the liquid to simmering point, taking care not to let it boil, and add the remaining ingredients. Stir gently for 2-3 minutes to ensure that all the sugar has dissolved and leave to simmer for a further 5 minutes, stirring frequently. Take the remaining two banananas and chop them in half width-ways. Place each half in a bowl, pointing upwards. Pour in some soup and serve.

Clooty Dumplings Making a good dumpling is a mark of a skilled cook. You'll find that out if you ever have to eat one made by a bad cook. MAKES 4 LARGE ONES

100g wholemeal flour 50g chopped suet 1 heaped teaspoon wholegrain mustard

Salt and pepper Large pan of stock (Vegetable, Beef, Chicken - whatever suits your guests)

M

ix the flour and suet, making sure there are no lumps. Add the mustard and a little salt and pepper and mix well. Add just enough water to make a stiff paste. Break into four equal pieces and roll into balls. Bring the stock to the boil. Carefully drop in the dumplings and simmer for 10-15 minutes. They should slide off a knife pushed through their centres when done: If the knife bends, you've done something wrong.


Strawberry Wobbler How can I put this? It's pink and it wobbles. A lot of laughs at parties. You could try serving it in a bowl, but everyone will know you're not doing it right. MAKES 4-6 WOBBLERS (depending on the size of your flutes)

2-3 sachets gelatine (or veggie equivalent) 300ml boiling water 250g strawberries 150ml extra-thick double cream 2 tablespoons caster sugar (or to taste) Strawberry ice cream 4 large champagne flutes

D

CENSORED In Considerati one of Innocents

Gelatine in the water following the instructions on the packet and leave to cool for 10-15 minutes. Meanwhile, rinse and ‘top’ the strawberries, chop in half and place in a large bowl/blender. Add most of the cream - keep a little aside for decoration - and the sugar. If using a blender, whizz it all up to a milkshake consistency. Otherwise, use a potato masher and mash until smooth. When the gelatine has cooled, mix thoroughly with the strawberry mixture and pour into the champagne flutes. Chill for two hours (or until set). Gently ease the wobblers out of the glasses (using a palette knife or similar) onto a plate, and serve upended with a couple of scoops of ice cream, placed according to preference, and a drizzle of cream. issolve the

Editor's Note: This dish is much easier with a blender! And we've settled for the champagne flutes because the containers apparently preferred by the Witche are... well, unavailable. Well, you don't see them in the shops. Well, not the shops on the High Street, certainly...


A Lovely Guide to Gourmet Making

LER

FREE SAMP

by a Lancre Witche Published by J.H.C. Goatberger of Ankh-Morpork Samples censored to protect delicate sensibilities

Maskerade Programme  

Programme I made for Terry Pratchett's Maskerade, performed in-house by Bradford Playhouse, March 2014. Originally a Tête-bêche - The last 3...