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EVERYDAY PRESS PHOTOGRAPHY We present to you exceptional issue showcasing international street and press photography, viewed through the eyes of photographers who captured these moments in the everyday life of strangers. So here they are and they communicate with us with different emotions. Sometimes the subject is all about color and sometimes just in black and white, realism has provided an accurate and insightful record of street culture portraying different situations. Some of these images are moving and sometimes disturbing photojournalism, a reflection of the human condition, story of a great friendship, fight for freedom, poignant and inspiring press photographs from around the globe. We at Camerapixo strive to generate interest in and appreciation for the work of photographers. We believe in the power of visual journalism to inspire and shape us through present stories.


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Would you like to have your photography published in Hot Shots section? Don’t miss your chance to show your exceptional shots. You can submit your best photos to Camerapixo and get published. When submitting your photo send us a link to your website or blog with your shots. If our editorial team likes your work, we will publish it in CAMERAPIXO digital photography magazine. It’s that simple :)

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PHOTO © MILAD SAFABAKHSH “The minimal people”

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PHOTO © MILAD SAFABAKHSH “The minimal people”

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PHOTO © TANIA KOLESKA “Left Or Right”

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PHOTO © TANIA KOLESKA “Stay Here”

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PHOTO © VALENTINO SANI “At full speed”

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PHOTO © VALENTINO SANI “Commuters”

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PHOTO © KHANT ZAW “Descending Maneuver”

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PHOTO © KHANT ZAW “Yangon Central Station”

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PHOTO © ATMAN VICTOR “Endurance 1”

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PHOTO © ATMAN VICTOR “Endurance 2”

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PHOTO © ATMAN VICTOR “Stuck in the mud 1”

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PHOTO © ATMAN VICTOR “Stuck in the mud 2”

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PHOTO © DONNIE SINONGCO “Malaysian Open 2015”

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PHOTO © DONNIE SINONGCO “Malaysian Open 2015”

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PHOTO © DONNIE SINONGCO “Malaysian Open 2015”

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PHOTO © DONNIE SINONGCO “Malaysian Open 2015”

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PHOTO © JACEK ŁABĘDZKI “Upstream”

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PHOTO © JEAN-PASCAL AMATI “Happy”

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PHOTO © JEAN-PASCAL AMATI “Ready!”

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PHOTO © ANDREA COMI “International GT Open”

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PHOTO © ANDREA COMI “International GT Open”

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PHOTO © DIEGO PIZI “C O M P L I C I S G U A R D I”

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PHOTO © JOE DEVANNY “Mille Miglia 2015”

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PHOTO © MICHELLE CHAN “Pedal Peddle”

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PHOTO © RENATA APANAVICIENE “Straight to the future”

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PHOTO © VICTOR GARZA “Cool Biker”

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PHOTO © MICHELLE CHAN “Contemplating”

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PHOTO © MIGUEL CABEZAS “El avion”

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PHOTO © BORIS UNTEREINER “Mondial Air Ballon - Flight of a Record”

PHOTO © BORIS UNTEREINER “Mondial Air Ballon - Flight of a Record”

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PHOTO © DIEGO CROTTI “THE INTERNATIONAL AIR TATTOO AND 55 ANNIVERSARIO FRECCE TRICOLORI”

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PHOTO © DIEGO CROTTI “THE INTERNATIONAL AIR TATTOO”

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PHOTO © RENE TRIAY “Crossing the Panama Canal”

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PHOTO © WILLIAM CORNIES “Loading Sugar Cane”

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PHOTO © RENATA APANAVICIENE “New Destition”

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PHOTO © FABIO RUBINO “Old And New”

PHOTO © ALESSANDRO PASSERINI “The Sisters”

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PHOTO © GUSTI HAFIZH ALDI DARWIS “A Night at the Opera”

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PHOTO © JACEK ŁABĘDZKI “Public stigma”

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PHOTO © CARLOS LOPES FRANCO

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PHOTO © MIGUEL CABEZAS “Foggy days”

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PHOTO © NATHAN HERVIEUX “Ignorance”

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PHOTO © ALADIN RIDAL “Nigerian refugees”

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PHOTO © JOEL SANTOS “Salt Miner leading a camel caravan to the mining site, Salt Desert, Danakil Depression, Ethiopia”

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PHOTO © PRITAM SAHA

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PHOTO © MOHAMMED SATTAR “The Girl of the Marshes”

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PHOTO © MOHAMMED SATTAR “The Land of Solidity”

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PHOTO © PAOLO SINI “Walk”

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PHOTO © PRITAM SAHA

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PHOTO © SEIF KOUSMATE “The Nepali young boy ”

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PHOTO © VILI GOSNAK “Balanced”

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PHOTO © VILI GOSNAK “I can’t stand the rain”

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PHOTO © SEIF KOUSMATE “The Rishikesh Sadhu ”

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PHOTO © SHIVANG SINGH “Streets of Varanasi”

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PHOTO © SOLON MALKAS “Workers”

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PHOTO © TIAGO SANTOS “Highway in the city”

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PHOTO © DIDIER STEYAERT “Geneva Street”

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PHOTO © DIEGO ZAPATERO “Weri procession - Indonesian holy week (Flores)”

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PHOTO © ADAM TWARDZISZEWSKI “The power of faith”

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PHOTO © ALEXANDRE SOUSA “This was a reburial of the mortal remains of famous Portuguese football player, Eusébio da Silva Ferreira. After his death, on January 2014, he was buried in public cemetery and, on the 3rd of July, his remains were transferred to the Portugal’s National Pantheon.”

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PHOTO © MARK ROGERS “The Rose and the Names”

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PHOTO © PAOLO SINI “VIsion”

PHOTO © PRITAM SAHA

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PHOTO © DIEGO PIZI “Perspective skate”

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PHOTO © ABHII MOHAN “Signboard from a street”

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PHOTO © NOUSHAD “Real & Artificial”

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CHRISTIAN KLEIMAN NEW ZEALAND

ALWAYS ACCESS THE FRONT ROW The Volvo Ocean Race is the World's longest professional sporting event and leading offshore sailing competition. As a Freelance Photographer and because of my relationship with sailing boats, I thought that it would be a nice chance to get involved in this adventure, shooting photos. So, it was time to try out the Camerapixo's Press Card. Artur and Anetta showed great support for my project and backed me up with everything needed in order to obtain from the Volvo Ocean Race organization, my accreditation as a Media Independent Photographer for the event. All media facilities were there for my use and I've met all kind of interesting people and great artists. My accreditation always enabled me to access the front row, where the action was taking place. Thank you Camerapixo for your support!


LIGHT AND SHADES

EDUARD FRANCES SPAIN Born in Xativa (Valencia), Spain. He is a self-taught photographer who started taking photos in 1987 and began learning about analog photography technics and chemistry laboratory. Eduard also learnt making his own chemical formulas and emulsified paper and has created copies in Fine Art in baryta paper in a limited edition. Eduard has spent a big part of his time working on Ansel Adams zone system. Eduards obsession: To take a photo which has a life of its own in black and white. Streets are his favorite place where he tries to catch with his eyes other people’s life and show it to his audience.  Eduard does not like the manipulation of images and he never uses HDR or similar technics. His passion for black and white photography and the streets makes him study

the image and its light and shade to cause the greatest visual impact in my pictures. Eduard loves the streets, this is his style and a big part of his work.  His photograph  “La Pelu” is a snapshot, taken with a Nikon FM2 and Trix 400 film and printed with D76. The equipment that Eduard used since he started photography was the following: Nikkormat, FM2, F301, F90X,ContaxG1 and Leica M6 in 6X6 Hasselblad format. He has used many different lenses but only uses wide-angle lens nowadays. For Eduard, photography is feelings and soul. Where one part is about the technique and other is about soul. Capturing the life and being able to leave a historic document. On the other hand, photography shouldn’t consist in manipulating photographs like HDR.

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© EDUARD FRANCES / BREAK


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DONNIE SINONGCO MALAYSIA

As a huge and avid tennis fanatic, I always make sure to book the best seats to watch my favorite tennis players LIVE. It is shown here locally as Malaysia hosts one of the ATP 250 World Tour matches, or even Grand Slams. Also as an avid photographer, it helps to hone my skills in photojournalism, particularly in sports photography. Watching the actions as it happens and freezing the moments with my camera are perfect dosages for satisfaction. But ever since I have been issued with the Camerapixo Press ID, my sporting and shooting experiences were propelled even to greater heights! I can now even get closer to the players during their press conferences, meetand-greet sessions and be ON the court side to capture their moves as they play. That is much better compared to VIP seats and royal boxes! I managed to get hold of all these first hand during the last BMW Malaysia Open 2014 (WTA 250) here in Kuala Lumpur, where I was given my very first media accreditation by the organizers through the help of Camerapixo.

As members of the media, we were the first to be briefed with information about the event including program schedule, players; whereabouts, special functions and even cocktail invitation. We were also treated for some light refreshments all throughout the coverage and provided with regular transportation to and from the event. All these privileges come with your passion for sports photography, so I am very much thankful to Anetta and Artur for the issuance of my Press ID Card. They are very helpful especially when it comes to requesting accreditation to be passed on to the event organizers. Just a tad note to those who want to apply for media accreditation when covering sporting events, ALWAYS be aware of the deadline for submission (unlike me, who missed two of the best tennis events this year due to late application - the BNL Internationale Italia and the Roland Garros). However, I am looking forward to cover more events (not only sports) through my Press ID. Thanks once again to Camerapixo! It’s all worth the experience!


IT’S ALL ABOUT EMOTIONS

ALEKSANDRA KUCZYNSKA POLAND Poland-based photography rookie, in love with aviation since she was a child. Graduated at international relations, professionally engaged in commercial real-estate, after hours in constant chase after new challenges and adrenaline. Attempt to capture the emotions made her reach for her first camera - Nikon D7000, which slowly but surely started to become inseparable companion.

Since then she’s been traveling to Polish airbases and all over Europe to enjoy the world of powerful military aircraft, spectacular flares and sound of afterburners. Her photographic interests aren’t limited to aviation only - wildlife and travel photography make a vital share of her passion.

Self-taught, yet strongly inspired by “aviation freaks” from Association of Polish Aviation Photographers AIRACTION, which she joined in 2012.

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8 REASONS WHY YOU SHOULD APPLY FOR CAMERAPIXO PRESS ID CARD

+ independency and reputation

01

FASTER ACCESS

02

GATE OPENER

03

PROOF AND REPUTATION

04

USEFUL

05

REAL VALUE

06

FULL YEAR HELP AND SUPPORT

07

PERFECT FOR FREELANCERS

08

RECOGNIZED WORLDWIDE

With a PRESS ID CARD, journalists gain much faster access to various social events big or small internationally.

Provides access to blocked-off areas, backstages at events, trade shows or public institutions. Most journalists would not like to be without this document.

A PRESS ID CARD is proof of a professional, reputable occupation, which means not just anyone receives such a document.

It has helped many journalists get out of tricky situations in dealing with soldiers, police or officials.

It offers real value for journalists through the magazine for them to publish their own articles and photos.

You will receive support by issued letters of confirmation from the editorial office.

PRESS ID CARD is available for freelance journalists, writers and authors, photojournalists, press agents etc.

CAMERAPIXO magazine is recognized around the world as one of the largest independent online photography magazines. Thanks to the variety of it’s publications and a diverse network of other journalists and media professionals makes it easy to start working as an independent contributor.


MAGNUS MILLERFLIP PERSSON SWEDEN

I CAN HIGHLY RECOMMEND THIS CARD FOR ANYONE WHO WANTS TO WORK WITH PHOTOJOURNALISM Being an amateur photographer, being published in Camerapixo, has helped me to take that next step in my photographic development, which I might not have taken otherwise. Photojournalism and documentary is what is closest to my heart. After I got Camerapixo’s PRESS ID CARD, I have photographed demonstrations and riots in Denmark and Sweden. Right now I am in Bangkok and photograph the Thai military coup and the development here. All the media here is registered and checked every day by the military and police. Have not had any problems with any authority in neither Denmark, Sweden and Thailand.

This PRESS ID CARD opens many doors for me, that have never been opened before... I can highly recommend this card for anyone who wants to work with photojournalism, fulltime, part-time or freelance. Very grateful to be a part of the Camerapixo family with all of these talented photographers worldwide! The support you get from Camerapixo team is awesome! BIG Thanks to Artur and Anetta Camerapixo publishers!

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MILITARY COMBAT PHOTOGRAPHER

CHARLES WINSLOW USA You may not know his name; however, you most likely know his work. With more than 25 years of professional photography and design experience under his belt, Charles W. Winslow has photographed the likes of Heidi Klum, Angelina Jolie, Jay-Z and Beyonce. Winslow also was the ORIGINAL poster designer for the movie “Twilight.” Winslow has completed contracts with Sony Records, and Loyd Records, as well as worked with images of models, actors and musicians including Alicia Keys, Purpos, and Chyna Layne from the movie “Precious”, among others, currently the assistant director of photography for the upcoming movie “Barbershop 3” to be released in Feb 2016.

Also working as a sports photographer, Charles has provided photography for NASCAR, the NBA, NFL, MLB, and NCAA Sports. Other projects include 27 book covers including two best sellers: “Night” by Elie Wiesel and “The Love You Crave” by John Locke (The first self-published author to sell more than a million eBooks on Amazon). Also recently designed covers for best selling author Melissa Foster which will be published soon, as well as from author Cecilia T. Capers.

Navy aboard the USS George H.W. Bush Aircraft Carrier. He also returned to Kuwait and Iraq and contracted as a Military Combat Photographer for the US Army. Charles Winslow served as a senior photographer for the National Football League, and The Eastern Conference Director of Photography for the Legends Football League. Currently Charles not only provides photography for major sporting events, and the NCAA, he is the current Director of Photography for

Coach & Player Magazine which is published Nationwide. An international awarding winning artist with 43 awards in Europe, 2 in Asia, 2 in Australia, and 51 in the United States, Winslow’s work has been published in 14 books, 9 magazines, and in 6 major newspapers in the United States and also in Europe.

As former US Army War Veteran serving in the Infantry, Winslow also is a frequent photographer for the United States Military; his most recent assignment was photographing the U.S.

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ON C-17 IN FLIGHT WITH US ARMY INFANTRY PLATOON OVER THE ATLANTIC OCEAN

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CREW HAVING FUN ON GEORGE W. BUSH AIRCRAFT CARRIER BEFORE AIRCRAFT TAKES OFF ON FLIGHT DECK

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US ARMY 4 DUCE MORTAR PLATOON IN AFGHANISTAN PROVIDING A FIRE FOR EFFECT ON ENEMY TARGETS ON MOUNTAINSIDE

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MARINES 4 DUCE MORTAR PLATOON IN AFGHANISTAN PROVIDING A FIRE FOR EFFECT ON ENEMY TARGETS

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VEHICLE AT STAGING AREA IN CAMP ARIFJAN KUWAIT PREPARING TOR TRANSPORT TO IRAQ

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1ST ARMORED DIVISION US ARMY SOLDIERS WAITING FOR NEXT ORDERS ON MOVE INTO IRAQ FROM KUWAIT BORDER

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IMAGE OF FLIGHT CREWMAN LOGGING IN CHECKLIST BEFORE FLIGHT FROM FORT RILEY KANSAS TO KUWAIT

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KANSAS STATE UNIVERSITY SOLDIERS HONORED FOR VETERANS DAY 2009

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FROZEN MOMENTS

ERIC MONVOISIN FRANCE Eric became interested in photography at the age of 13. As soon as he made his first money, he was 18, bought his first SLR camera. Eric discovered the development and printing of photographs with film lab. It was really magical to see the photograph appear slowly on the white paper in the developer bath. This activity was expensive. He was a student at the time, and he gave mathematics courses to be able to maintain his photographic passion.

In Eric’s opinion the pictures he took when he was a student were very very poor. But professional life has kept him away for very long time. He actually rediscovered this passion about 5 years ago.

Today, at age 52, his approach is oriented towards the exploitation of the environment, natural or urban, light and weather. Exploiting the beauty of the setting, enhance the magic of light by passing an anonymous, to stage to match the place and time. He also likes At that time, when Eric the spontaneity of street was taking photographs of photography. Eric likes to landscapes or monuments, capture moments that may he was very careful that noseem trivial because they are body is in the picture. Today, part of every day life, but he finds that the human become unique once frozen presence in a photograph by the camera. provides an extra touch.

A series of 10 of his photos on the “Light” theme was selected by the “Vincennes Images Festival”, a photography meeting in Paris region held at the end of May 2015. Another series of 20 of my photos has been selected for an exhibition to be held in Saint Julien en Genevois, near Geneva, in October, 2015.

“Garden and Landscape in Europe”. He was the winner in 2013 and 2014 of the photo contest organized by the city of Annecy on “I present my city.” Eric is a member of the Photo Club of Annecy for almost 2 years now. This allows him to share with others, to give and receive constructive criticism to improve and evolve.

Eric was awarded with second prize in a photography competition organized in 2010 by a Belgian club “Photo Club La Bruyere” on

He thinks the criticism is very important. It is preferable to make it clear to a person that you love but also what we do not like in his work,

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or what can be améioré. The purpose of criticism is not to please, but to provide the best advice to allow everyone to evolve, even if critics are always subjective and very personal. Today, with the development of Internet, the proliferation of photography sites, web pages, it is much easier to evaluate our work compared to that of others. The extraordinary photographs that you can see, made around the world, can only force us to question ourselves and encourage us to be modest.


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BETTER OPPORTUNITY TO DOCUMENT WHAT IS HAPPENING

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ALESSANDRO PASSERINI ITALY

Camerapixo Press ID Card is an excellent opportunity for professional and personal growth. It makes extremely less challenging for any project you want to build, but not only: for people like me who are used to bring the camera everywhere, daily makes it very easy, allowing me to photograph in random areas in which I could not achieve any shot without Press ID Card, and then be able to document what is happening at that moment. It's a great chance for anyone who wants more opportunities and encouragement in own field of photography!


PICTURES OF LIFE

CHRIS TUARISSA INDONESIA Specializes in photo documentary and street photography. Chris Tuarissa, began to recognize photography from his father who worked in the state oil company in Indonesia. The father likes to take pictures of the activities of the workers in the field, making it interested in photography. Until finally his father lends his Nikon F2 to learn. He started studying photography seriously while studying at the University of Trisakti. Department of Art and Design with Graphic Design courses/Visual Communication in Jakarta.

And after that, he worked in various advertising agencies until finally he decided to stop working and live life as a graphic design freelancer. In the mid 2000s, he moved back to pursue photography seriously and slowly left his old job as a graphic designer. Some of his work has been published by Poetry Magazine Nook, New York and several local magazines. In photography, he loved to take pictures of life, the atmosphere and human interaction.

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BEST EXPERIENCES OF MY PHOTOGRAPHIC CAREER

MAURO MANENTI ITALY

Thanks to Camerapixo Press ID Card and accreditation letter, I got a pass to attend the Blancpain Championship Race at Monza (Italy). I could even get in the pit lane and I experienced one of the best experiences of my photographic career. Thanks again for your support and see you at the next event.

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SECOND LIFE

BOY JECONIAH INDONESIA He is very passionate about street photography, it is his hobby and his second life. Boy uses a pocket camera, wherever he goes it always accompanies him. Sometimes he uses a cellphone, and most often a mirrorless camera.

It is a prefect example of how Boy sees the world and with his photography we get a real sense of the world we live in. Street photography has it’s advantages, you don’t need to plan ahead, just shoot.

With his photography, Boy unfolds special moments by telling a story in a single frame, these stories are often missed while rushing in everyday life.

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8 REASONS WHY YOU SHOULD APPLY FOR CAMERAPIXO PRESS ID CARD

+ independency and reputation

01

FASTER ACCESS

02

GATE OPENER

03

PROOF AND REPUTATION

04

USEFUL

05

REAL VALUE

06

FULL YEAR HELP AND SUPPORT

07

PERFECT FOR FREELANCERS

08

RECOGNIZED WORLDWIDE

With a PRESS ID CARD, journalists gain much faster access to various social events big or small internationally.

Provides access to blocked-off areas, backstages at events, trade shows or public institutions. Most journalists would not like to be without this document.

A PRESS ID CARD is proof of a professional, reputable occupation, which means not just anyone receives such a document.

It has helped many journalists get out of tricky situations in dealing with soldiers, police or officials.

It offers real value for journalists through the magazine for them to publish their own articles and photos.

You will receive support by issued letters of confirmation from the editorial office.

PRESS ID CARD is available for freelance journalists, writers and authors, photojournalists, press agents etc.

CAMERAPIXO magazine is recognized around the world as one of the largest independent online photography magazines. Thanks to the variety of it’s publications and a diverse network of other journalists and media professionals makes it easy to start working as an independent contributor.


PRESS CARD FOR FREELANCE PHOTOGRAPHERS

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Ruamkatanyu is a private Thai charity funded by donations. It’s members are volunteers who re using their own customized vehicles to respond to road accidents, suicides, fires, bar fights and anything else involving death or injury.

MAGNUS PERSSON

RUAMKATANYU FOUNDATION BANGKOK’S VOLUNTEER RESCUERS

SWEDEN

With varying degrees of medical training they try to stabilize the injured before transporting them to hospital or in the case of deaths take the bodies to the morgue.

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The night is as warm as the day, only the Sun has stopped drawing sharp shadows on the pavement, and houses have lost their radiant whiteness. The shirt keeps sticking to my body and it’s a somewhat comforting thought that the locals are not excepted from this. Men wipe their foreheads, women drive sweat from their cleavage. I move up the street and cross gutters of water flowing from doorsteps, where housekeepers have washed away the dust of the day. The rush has died down, chairs have appeared in front of the houses with old men sitting out their daily fatigue, children leaning their backs against the walls. Suddenly no one is a bother here. No longer am I a walking unlimited credit card, the question "Where are you come from?" has ceased to mean "How much will you give me?"; even the taxi drivers might have stopped overcharging

CUBA THE PHOTO I’VE NEVER TAKEN DAN TRAMPLER CZECH REPUBLIC

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foreigners and the ride now perhaps costs no more than a few pesos. I forget waiting in vain for a bus together with a group of child-laden women; I forget that a few buses went by without stopping until I hitched us a ride like Europeans do, and paid everybody’s fare. I forget having to pay for everybody who raised glasses with me in the tavern in the square but then sneaked out quietly. None of this is true any longer, all wrongs are forgotten, the evening brings a happy time of kindness. As I approach the centre, music from every bar sprinkles the pavement. People holding a glass of mojito are standing under the bar windows, moving to the rhythm. Greedy looks have given way to smiles, the night smells like a promise of normality. The bar beckoned from afar. Narrow high windows reaching from the floor up to the roof, wide open to the street, printing longish yellow rectangles onto the cobbled ground. The band is tuning their instruments.

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The singer, leaning her elbow against the bar, is drinking fresh cane juice (possibly fortified with rum) and watching the lads with the instruments. I secure a place near one of the windows where breathing is still possible, watching the waiters wearing white headbands and simple tunics; some tools from slavery times on the walls. I’m ordering a beer and listening to some truly great funk. The lads’ playing is joyful and concentrated, side-glances reveal their enjoyment while I’m sipping lazily at my drink. From the inside the street looks like a negative of what it looked like from the outside. The bar is bathing in light, darkness pierces through the windows. Suddenly a rider appears in the dark opening between the doorframe. A placid movement of the hand brings the horse onto the boundary of light and shadow, partly entering the room, partly lost in the darkness. He slides gently from the saddle on the side, foot firmly in the stirrup,

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and reaches for a Coke brought by a woman whose cheeks are gleaming with sweat. Everything blends into a curve connecting the silhouette of the horse standing in the dark, the hunched shoulders of the rider, the hand reaching for the drink, the cup, the arm and shoulders of the woman standing in full light, concluded by the hair flowing freely onto her back. I reach for my camera in an automatic gesture. Damn. Where is it? I panic for a second before I realize that I’ve left the camera in my room. I no longer wanted to worry about it, be on my toes all the time listening to the locals’ warnings that my equipment is not safe in such places. Damn, damn, damn. A thousand times I’ve dragged it along with me without making a single decent picture, and when suddenly my eyes see the snapshot of the century… I’m sipping my beer and swear at myself using expressions I didn’t know when I was young. I can’t get the picture out of my head. Perfect lighting,

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composition, lines moving from shadows to the light… I have one more to wash away my grief before I pay. The magic of the night continues. I don’t need to check if I was charged for something I didn’t have; I don’t need to count the change to see if they took more than would’ve been decent; I don't need to listen to excuses that they made a mistake or that the drink list had it wrong. As if I no longer were in a country whose economy is based on black market practice; as if reasonable theft from the public budget was no longer tolerated as an integral part of making a living. Everything is normal. The heat of the night has recast the promise into reality. I amble back to my guest house, the funk music still in my ears, my head full of the horseback rider framed by the window on the background of darkness. The photo I’ve never taken will stay with me for quite some time.

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Merapi, which means "Mountain of Fire" in Indonesian, is the most active volcano in the vast archipelago of Indonesia and has an eruptive cycle beginning every four years. More than 250 million people dwell within this"Ring of Fire" in the Pacific Ocean.

MERAPI BETWEEN ASHES AND FIRE DIEGO ZAPATERO INDONESIA

The magnitude of its last eruption on October 26, 2010 wrote a new chapter in the history of Java, taking the lives of 300 people. It is the Merapi's biggest activity in the last hundred years. Merapi, started well, playing with the hope of a people who vanished, giving way to a hell for more than 2 months, when the Javanese focused on struggling for survival. Policemen, soldiers, volunteers, farmers and all members of society were in a state of alert during an event that changed their lives forever.

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