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I NTERI ORDESI GN DEVEL OPMENT F i r s tofal l ,i nor de rt oc r e at eourar c hi t e c t ur eand de s i gns t y l ewel ook e datt hedat at hatwehav e :t hebui l di ngs k i nt ; t hee x t e r i oroft hebui l di ng,Mor oc c anc ul t ur e ,i nnov at i on,c omf or tande c onomi cc ondi t i onswe r e t he y . F ur t he r mor e ,wec ont i nue dourde s i gnswi t hi ns pi r at i on f r om l oc almot i f s ,t e x t ur e s ,c ol or sandl i f e s t y l e sus e dI n Mor oc c o.Wedi r e c t e dourde s i gnsbyt r y i ngt omak et he c ol or f ul ,war m andmov i nge ne r gyofMor oc c anCul t ur e .

Asar e s ul tofouranal y s i s ,wehav emadepr ogr e s swi t h t hede s i gnappr oac ht hati nc l ude sMor oc c anar c hi t e c t ur alands oc i alc ul t ur e .Wehav ec ombi ne dMor oc c an c ul t ur ewi t hmode r nl i ne si ni nt e r i orde s i gnandpr oduc t de s i gns .Wec r e at e dt heMoodboar dofREY ARDHous e byc hoos i ngt hec ol or sandt e x t ur e st hatar ef r e que nt l y us e di nar c hi t e c t ur eands oc i all i f ei nMor oc c o. T he nwe e x ami ne d ant y pi c alMor oc c onf ami l yand c r e at e da f ami l ype r s onal i s t swhi c hc ons i s t sofpar e nt sand3c hi l dr e n.“

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T a k s i mo n eo f I s t a n b u l ' s mo s t v i b r a n t s q u a r e s i s u n d o u b t e d l y T a k s i mS q u a r ea n di t s s u r r o u n d i n g s . C o n s i d e r i n gt h eo t h e r p u b l i c s p a c e s a n ds q u a r e s a r o u n dT a k s i mS q u a r e , t h ec i t yo f f e r s aw i d e r a n g eo f u s a g ef o r t h ec i t y . T a k s i mS q u a r ea n di t s e n v i r o n s , w h i c h a r ef r e q u e n t e db yp e o p l eo f a l l a g e s , a r ee a s i l ya c c e s s i b l eb yp u b l i c t r a n s p o r t f r o mmo s t o f t h ec i t y . U s e r s v i s i t T a k s i mS q u a r ef o r v a r i o u s p u r p o s e s ( s h o p p i n g , e n t e r t a i n me n t , b u s i n e s s , e d u c a t i o n , me e t i n g p l a c e , e t c . ) . T h i s p r o j e c t i s g r a d u a t i o np r o j e c t o f s p r i n gs e me s t e r ’ 1 9 . T h i s p r o j e c t h a s a ni mp o r t a n t a i mo f p r o t e c t i o no f T a k s i mS q u a r e c u l t u r ea n dp r e s e r v eo n eo f t h ef i r s t s a mp l e s o f mo d e r na r c h i t e c t u r e i nT u r k e y .


ANAL YI SI S

MOODBOARD

T heMar mar aHot e lope ne di nNov e mbe r1975ast het hi r ds k y s c r ape rofI s t anbul .T he1970swe r et hey e ar swhe nI s t anbul ' ss k y l i nebe gant oc hange ; T heS he r at onHot e l ,Odak ul ebui l di ng andt hemot or waybui l di ngi nZi nc i r l i k uy u we r eamongt hef i r s te x ampl e soft he c i t y ' shi ghmode r nbui l di ngs .Obv i ous l y , t he yar eabi tf arawayf r om ourc ur r e nt s k y s c r ape rpe r c e pt i on. T heMar mar aHot e l ' sde s i gnwor k sbe gi n i n1969;T hepr oj e c ts t ar t e dbyRük ne t t i n Güne yandF at i hUr an. Ev e nt hede s i gnoft hepr oj e c ti sdy i ng be f or et hee ndoft heS out h. May1,1977,r at he rt hani t si mpor t anc e i nt e r msofar c hi t e c t ur alhi s t or y .Mor e ov e r ,t hes t r uc t ur ei snotonl yapas s i v ewi t ne s si nt hi sc as e .

‘ ’ FUNCTI ON’ ’

T hec ons t r uc t i onoft hehot e ls t ar t e di n Augus t1972.Whi l et hear c hi t e c toft he bui l di ng,F at i nUr an,i ni t i al l ys t ar t e dwi t h Rük ne t t i nGüne y ,hec ont i nue dt owor k al oneduet ot hede at hoft heS out h.He s t ar t e dt owor kunde rt heI nt e r Cont i ne nt al Hot e l sGr oupi nOc t obe r1976. at i nUr an, t hepr i nc i pl e st hathehas F adopt e di nt hepr oj e c t sofar c hi t e c t ur e andhei st ak i ngc ar et or e al i z e ;e s pe c i al l yr at i onal i t y ,f unc t i on,s i mpl i c i t yand har mony .

SMORE’ LESSI ’ ‘ “ PURE”

“ CONTEMPORARY”

Ar c hi t e c t ur alDy nami s m“ i st r y i ngt or e ac hal i v i ngae s t he t i c sc aus e dbyc hangeand s pe e d.Ac c or di ngt ohi m,t heobl i queande l l i pt i c all i ne sar edy nami cduet ot he i ri nhe r e ntnat ur eandhav eat hous andt i me smor ee mot i onalpowe rt hant hes t e e pand hor i z ont all i ne sandady nami car c hi t e c t ur ei sunt hi nk abl ewi t houtt he m. Nonl i ne arl i ne s ,pat t e r nsandt e x t ur e sar er e qui r e dt opr ov i deade f i ne dc r e at i on be t we e nbui l di ngandus e r . T hec onne c t i onbe t we e nt hebui l di ngandT ak s i mS quar e mus tbee l i mi nat e d. Ai mst os hapet heus e r ' spe r c e pt i onofor i e nt at i onwi t hi nt hebui l di ngwi t hf ut ur i s t i cde s i gns Di r e c t i onandf l owc anbepr ov i de dbyl i ght ,mat e r i al ,t e x t ur e ,c ol orc ont r as tands ur f ac e s . Mode r nar c hi t e c t ur ali nf l ue nc e ss houl dbepr e s e r v e di ndoor s ,butt oday ' s FUNCTI ONAL ’ SUST AI NABLE’ ‘

“ RATI ONALI TY”

‘ UNI QUE’

“ FORGETHI STORY” “ TECHNOL OGY’ ’

‘ I NDUSTRI AL ’

‘ COMPORT ABLE’ Mode lc ol l age


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