This document contains our complete technical needs. A specific light plot will be developed for each venue after My !Laika will receives house tech specs. We are anyway open to adapt and/or reduce our needs depending by the means offered by the organization. Duration of the show : about 50 minutes Presentation of the touring team : Salvatore Frasca : juggler Philine Dahlmann : flyier Elske Van gelder : base Eva Ordonez Benedetto : trapeze artist Alessandro Angius : sound and light technician Olivier Bourreau : manager
Working times and staff needs:
The team will arrive two days before the show’s day
The eve (day -‐1) :
morning : scenography installation, lights focusing.
1 light technician 1 light technician assistant afternoon : light’s scenes creation, sound check 1 sound technician, 1 light technician assistant or 1 light technician (this last one in case of having a light desk that our technician doesn’t operate with rapidity (es. Grand Ma, Vector etc.). We please you to communicate us in advance the light desk model available.
The day of the show :
morning : finalization of the previous phases
afternoon : rehearsal
evening : show
(optional) One technician at the stage’s side in intercom connection with the control desk.
The company needs 2 hours of physical warming up on the stage or in an adjacent room or in an easily reachable place, cooled or warmed depending by season and outside temperature, and at exclusive use. Working times and staff needs will considerably change in case the plot is not hung and circuited and the p.a. is not set up prior to company arrival. The show prefers a frontal vision. In case of a circular disposition of the public (as in an arena or in a circus tent) it will be good to foresee an eventual reduction of the sitting places, to agree depending on the situation.
Important info :
During the show some cigarettes are smoked and a smoke machine is used. In case there is a problem with one or both these elements you are pleased to inform us.
Stage needs :
It’s necessary the total darkness during the show , the light focusing phase and the creation of light’s scenes. Minimum dimensions of the stage : .width : 9 meters .depth : 8 meters .height : 5 meters We need : .wooden floor equal and at level with dance carpet on it .Curtains ’italian style ‘, with 4 ways, the first of which looking from the public hall will be used for artist’s passage. .Black back stage curtain
Depending on the stage and the backstage's appearance the company could anyway decide to perform without curtains.
Sound needs :
Control desk : In the public hall. the sound desk should be positioned at the left side of the light desk, leaving between them 50 centimetres for the positioning of a usb controller Akai Apc 49 and a computer, both in our possession.
We need : 1 sound mixer with 12 inputs with the following specs : 2 semi parametric eq per channel, 2 aux prefader,1 aux post fader, 1 send for the subs and 1 stereo output. 4 channels of graphic eq 31 bands (2 for p.a., 2 for monitors on stage) 1 reverb 3 single channel compressors 1 channel gate (all this can be replaced by a digital audio mixer as Yamaha 01r96 or Yamaha Ls9 or others) 1 active d.i. box Channels list : 1 Table 2 Ampli Tronics 3 Ampli Marshall 4 Cello 5 Flute 6 Copy or split of channel 2 7 Micro ambient L 8 Micro ambient R
9/10 Computer 11/12 Mp3 player Our company brings all the microphones and the cables to get to the stage box that will be placed at the right side of the stage by the hosting organisation, excluding the ambient mike’s cables.
Ambient mic positions P.a.
We ask for a good quality sound diffusion system, assuring a complete covering of the public area, without buzz and/or background noise. It must be a two ways system, with subs and satellites separated and independently operated from the sound desk. We need two monitors, one on the left and the other in the right part of the scene, independents. All the audio equipment must be set up for the beginning of the afternoon working shift on the eve of the show, day-‐1.
2 hanging points (1 and 2 in the plan below) each of them having the possibility to hold 150 kg of weight. They will be placed in this way : both of the points at a depth of 2,50/3,50 metres from proscenium ; the point 2 at the horizontal centre of the scene (at a equivalent distance from the right and from the left border of the scene, and the point 1 must be shifted by 1,10 metres at the left side of it.
Our chandelier has a weight of 12 kilograms. Every hanging point (3 and 4 in the plan below) should have a 50 kilos holding capacity, seen that the chandelier makes a braked (by stop at point 5) fall 1,50/ 2 meters. Its best position is at 2,3,50 meters from proscenium, a little closer to the public than the trapeze. The rope (at point 5) needs to be tied to a stop that holds its weight (metal/wood bars in the wall, wooden bar screwed in the floor, counterweights etc.). Please provide us with an adequate stop system and/or material for making it during the set up. The company provides rope and pulleys starting from the stop.
A 48 channels light desk with sequential scenes (Avab Etc Presto or similar is preferred)
9 profiles zoom 28-‐54˚ 8 profiles zoom 13-‐42˚ 2 par 64 cp62 or cp61 1000 watt (depending by the exact position of the projectors) 33 PC 1 Kw 1 ACL Bar (2X4) Needed power: 43 (42 + public lights) 2 Kw dimmer channels
6 -‐ Lee 141 PC 8 -‐ Lee 179 PC 2 -‐ Lee 201 PAR64 1 -‐ Lee 106 profile 13-‐42° 1 -‐ Lee 118 profile 13-‐42° 2 -‐ Lee 119 PC 2 -‐ Lee 101 PC 1 -‐ Lee 101 profile 28-‐54°
230V 16 A (schuko)
230V 16 A (schuko)
18 19 11
31 30 14
35 16 5
39 37 35
Dressing rooms Please provide adequate, private dressing space for 4 people with easy access to stage. The company requires private rest rooms that are not accessible to the public and not shared with other acts. Dressing rooms should be equipped with mirrors, lights, wardrobe racks, & amenities.