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Juliana Cacciaroni V I S U A L C O M M U N I CAT I O N P O RT F O L I O


About Me Hello! My name is Juliana Cacciaroni, I am a senior Visual Communications Major at San Francisco State University in California. Born and raised in East Bay, I spent most of my life engaging in artistic and crafty activities, ultimately leading me to San Fransico, where I could allow my aspirations to flourish. In my down time, I enjoy watching Disney and Pixar movies, snuggling with my cat, and painting with my many water color pencils.


Table of Contents 1

2

3

4

PODS NOT POOLS ILLUSTRATION.....Pages 4 - 7

BODONI BOOKLET.....Pages 8 - 15

FRANKENSTEIN INTERPRETATION.....Pages 16 - 19

ICED TEA CAN REDESIGN.....Pages 16 - 19


Illustration

Background A curious woman with a passion for Orca Whales breaks into a theme park where Orcas are used for breeding and theatrical purposes to expose their disastrous living conditions.


Moodboard/Conceptualization Pods not Pools

By Juliana Cacciaroni The game is intended to reveal the inhumane treatment of wildlife animals (specifically the Orca Whale) through the eyes of a young woman who consistently finds herself researching the wellbeing of wild animals. Her passion becomes so overwhelming the she builds the courage to break into a local theme park where she has watched Orca Whales perform. The objective of this game is to collect various pieces of information regarding the treatment of the Orca Whales while they are held in captivity and obtain enough information to release the whales back to the wild. Some of the information gathered will include what the Orca Whales are fed, the conditions in which the Orca Whales sleep and exist while not performing, the dimension size of the pools they are subjected to while performing and “relaxing�, the structure of their social skills while being held captive, if any, etc.

https://www.amazon.com/Orca-Killer-WhalesWhale-Predators-ebook/dp/B00E34F3E2 https://www.seaworldofhurt.com/features/8-reasons -orcas-dont-belong-seaworld/ https://www.youtube.com/watch?v=k0cl0MmfEIQ https://www.netflix.com/title/70267802

Welcome to OceanWorld!


Sketches

 

  





 

Explanation Experimentation with facial features to convey primary emotions relevant to project concept.

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  DES 427 | Final Project | Juliana Cacciaroni

 

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  DES 427 | Final Project | Juliana Cacciaroni

Penny for pods not pools DES 427 | Final Project | Juliana Cacciaroni

  DES 427 | Final Project | Juliana Cacciaroni


Final Explanation

Penny for pods not pools DES 427 | Final Project | Juliana Cacciaroni

Final outcome to convey tension through color palette, typeface, and composition.


Bodoni Booklet


Bodoni Booklet

Giambattista Bodoni was born in the city of Saluzzo in Savoy where he was introduced to the trade by his family whom were heavily involved in the printmaking skill. There, he worked as an apprentice in the Roman Catholic Church’s propaganda Fide printing house where he would soon become versed enough in the trade to produce his very own book that was based on a version of the Tibetan alphabet Coptic Missal. Over time and with great practice and learned expertise, Giambattista Bodoni conjured his very own typeface, Bodoni, which later came to be a ferociously famous font for hundreds of years.


Bodoni

Bodoni Italic

Bodoni Boldic

ABCDEFGHI JKLM NOPQRSTU VWXYZ abcdefghijklm nopqrstuvwxyz 0123456789 !?@#$%^&*()_-,. ;:+<=>

ABCDEFGHI JKLM NOPQRSTU VWXYZ abcdefghijklm nopqrstuvwxyz 0123456789 !?@#$%^&*()_-,.;: +<=>

ABCDEFGHI JKLMNOPQRSTU VWXYZ abcdefghijklm nopqrstuvwxyz 0123456789 !?@#$%^&*()_-,. ;:+<=> Explanation Familiarization with typeface weights and bodies.


Research

DES 425 Project 2 February 21, 2019

Giambattista Bodoni was born in the city of Saluzzo in Savoy where he was introduced to the

apprentice in the Roman Catholic Churchâ&#x20AC;&#x2122;s propaganda Fide printing house where he would soon become versed enough in the trade to produce his very own book that was based on a version of the Tibetan alphabet Coptic Missal. Over time and with great practice and learned expertise, Giambattista Bodoni conjured his very own typeface, Bodoni, which later came to be a ferociously famous font for hundreds of years. Giambattista Bodoni drew inspiration from John Baskerville, Pierre Simon Fourmeir and Firmin Didot, all fellow Typeface designers and founders. This particular serif typeface has flat, unbracketed serifs, extreme contrast between thick and thin strokes, while maintaining an overall geometric shape. The alternating weight of the strokes and crisp detail build this flexible composition into an elegant work of art. Bodoni passed away at the age of 73 in 1813 and left us with a typeface that will be remembered forever.

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trade by his family whom were heavily involved in the printmaking skill. There, he worked as an

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Juliana Cacciaroni


Juliana Cacciaroni

Tone and value of texture Combination of all letters

Typographic Compositions Contrast by size and weight Angle and Perspective Tone and value of texture Combination of all letters

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Tone and value of texture Combination of all letters Type Specimen Juliana Cacciaroni | SFSU DES 425 | Section 3 | Fall 2019

Typographic Compositions Contrast by size and weight Angle and Perspective Tone and value of texture Combination of all letters

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Juliana Cacciaroni | SFSU DES 425 | Section 3 | Fall 2019

Juliana Cacciaroni

JULIANA CACCIARONI | DES 424 | PROJECT 2 | RESEARCH

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Type Specimen

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Font designer and font

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Angle and Perspective

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Contrast by size and weight

Juliana Cacciaroni

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Juliana Cacciaroni | SFSU DES 425 | Section 3 | Fall 2019

Juliana Cacciaroni

Bodoni

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Type Specimen

Typographic Compositions

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Bodoni

Bodoni

Bodoni was born in the city of Saluzzo in Savoy where he was introduced to the trade by his family whom were heavily involved in the printmaking skill. There, he worked as an apprentice in the Roman Catholic Church’s propaganda Fide printing house where he would soon become versed enough in the trade to produce his very own book that was Typeface designers and founders. This particular serif typeface has flat, unbracketed serifs, extreme contrast between thick and thin strokes, while maintaining an overall geometric shape. The alternating weight of the strokes and crisp detail build this flexible composition into an elegant work of art. based on a version of

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !?@#$%^&*()_-,.;:+<=>

Bodoni

learned expertise, Giambattista Bodoni conjured his very own typeface, Bodoni, which later came to be a ferociously famous font for hundreds of years. Giambattista Bodoni drew inspiration from John Baskerville, Pierre Simon Fourmeir and Firmin Didot, all fellow

the Tibetan alphabet Coptic Missal. Over time and with great practice and

Giambattista Bodoni

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Font designer and font

Bodoni

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Juliana Cacciaroni | SFSU DES 425 | Section 3 | Fall 2019

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Font designer and font Type specimen

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Contrast by size and weight Angle and Perspective

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Typographic Compositions

Giambattista

Bodoni

Giambattista Bodoni was born in the city of Saluzzo in Savoy where he was introduced to the trade by his family whom were heavily involved in the printmaking skill. There, he worked as an apprentice in the Roman Catholic Church’s propaganda Fide printing house where he would soon become versed enough in the trade to produce his

Giambattista Bodoni

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !?@#$%^&*()_-,.;:+<=>

Bodoni

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !?@#$%^&*()_-,.;:+<=>

Bodoni Giambattista Bodoni was born in the city of Saluzzo in Savoy where he was introduced to the trade by his family whom were heavily involved in the printmaking skill. There, he worked as an apprentice in the Roman Catholic Church’s propaganda Fide printing house where he would soon become versed enough in the trade to produce his very own book that was based on a version of the Tibetan alphabet Coptic Missal. Over time and with great practice and learned expertise, Giambattista Bodoni conjured his very own typeface, Bodoni, which later came to be a ferociously famous font for hundreds of years. Giambattista Bodoni drew inspiration from John Baskerville, Pierre Simon Fourmeir and Firmin Didot, all fellow Typeface designers and founders. This particular serif typeface has flat, unbracketed serifs, extreme contrast between thick and thin strokes, while maintaining an overall geometric shape. The alternating weight of the strokes and crisp detail build this flexible composition into an elegant work of art.

very own book that was based on a version of the Tibetan alphabet Coptic Missal. Over time and with great practice and expertise, Giambattista Bodoni conjured his very own typeface, Bodoni, which later came to be a ferociously famous font for hundreds of years. Giambattista Bodoni drew inspiration from John Baskerville, Pierre Simon Fourmeir and Firmin Didot, all fellow Typeface designers and founders. This particular serif typeface has flat, unbracketed serifs, extreme contrast between thick and thin strokes, while maintaining an overall geometric shape. The alternating weight of the strokes and crisp detail build this flexible composition into an elegant work of art. Bodoni passed away at the age of 73 in 1813 and left us with a typeface that will be remembered forever.

Giambattista Bodoni was born in the city of Saluzzo in Savoy where he was introduced to the trade by his family whom were heavily involved in the printmaking skill. There, he worked as an apprentice in the Roman Catholic Church’s propaganda Fide printing house where he would soon become versed enough in the trade to produce his very own book that was based on a version of the Tibetan alphabet Coptic Missal. Over time and with great practice and learned expertise, Giambattista Bodoni conjured his very own typeface, Bodoni, which later came to be a ferociously famous font for hundreds of years. Giambattista Bodoni drew inspiration from John Baskerville, Pierre Simon Fourmeir and Firmin Didot, all fellow Typeface designers and founders. This particular serif typeface has flat, unbracketed serifs, extreme contrast between thick and thin strokes, while maintaining an overall geometric shape. The alternating weight of the strokes and crisp detail build this flexible composition into an elegant work of art.

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !?@#$%^&*()_-,.;:+<=>

Bodoni

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 Bodoni !?@#$%^&*()_-,.;:+<=> ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !?@#$%^&*()_-,.;:+<=>

Bodoni

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !?@#$%^&*()_-,.;:+< =>

Bodoni

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !?@#$%^&*()_-,.;:+<=>

Bodoni

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !?@#$%^&*()_-,.;:+<=>

Bodoni

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !?@#$%^&*()_-,.;:+<=>

Bodoni

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !?@#$%^&*()_-,.;:+<=>

Bodoni

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !?@#$%^&*()_-,.;:+<=>


Tone and value of texture Combination of all letters

Juliana Cacciaroni

Type Specimen Juliana Cacciaroni | SFSU DES 425 | Section 3 | Fall 2019

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Typographic Compositions Contrast by size and weight Angle and Perspective Tone and value of texture Combination of all letters

Bodoni

Juliana Cacciaroni | SFSU DES 425 | Section 3 | Fall 2019

JULIANA CACCIARONI | DES 424 | PROJECT 2 | RESEARCH

Qr t uv

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Bodoni

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !?@#$%^&*()_-,.;:+<=>

Bodoni

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !?@#$%^&*()_-,.;:+<=>

Bodoni

ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz 0123456789 !?@#$%^&*()_-,.;:+<=>

Giambattista Bodoni was born in the city of Saluzzo in Savoy where he was introduced to the trade by his family whom were heavily involved in the printmaking skill. There, he worked as an apprentice in the Roman Catholic Churchâ&#x20AC;&#x2122;s propaganda Fide printing house where he would soon become versed enough in the trade to produce his very own book that was based on a version of the Tibetan alphabet Coptic Missal. Over time and with great practice and learned expertise, Giambattista Bodoni conjured his very own typeface, Bodoni, which later came to be a ferociously famous font for hundreds of years. Giambattista Bodoni drew inspiration from John Baskerville, Pierre Simon Fourmeir and Firmin Didot, all fellow Typeface designers and founders. This particular serif typeface has flat, unbracketed serifs, extreme contrast between thick and thin strokes, while maintaining an overall geometric shape. The alternating weight of the strokes and crisp detail build this flexible composition into an elegant work of art.

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Type Specimen

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Qr t uv

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Font designer and font

Giambattista

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Bodoni

Font designer and font

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Giambattista Bodoni was born in the city of Saluzzo in Savoy where he was introduced to the trade by his family whom were heavily involved in the printmaking skill. There, he worked as an apprentice in the Roman Catholic Churchâ&#x20AC;&#x2122;s propaganda Fide printing house where he would soon become versed enough in the trade to produce his very own book that was based on a version of the Tibetan alphabet Coptic Missal. Over time and with great practice and learned expertise, Giambattista Bodoni conjured his very own typeface, Bodoni, which later came to be a ferociously famous font for hundreds of years. Giambattista Bodoni drew inspiration from John Baskerville, Pierre Simon Fourmeir and Firmin Didot, all fellow Typeface designers and founders. This particular serif typeface has flat, unbracketed serifs, extreme contrast between thick and thin strokes, while maintaining an overall geometric shape. The alternating weight of the strokes and crisp detail build this flexible composition into an elegant work of art.

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Angle and Perspective

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V

Contrast by size and weight

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Typographic Compositions

Giambattista Bodoni

Bodoni Juliana Cacciaroni


Final Explanation Final outcome demonstrates type specimen experimentation with Weight, Scale, Texture, Angle, Perspective,


Frankenstein Interpretation

Letter 1

St. Petersburg, Devember 11

Letter 4

August 5th, 17-

Chapter7 Explanation Flowers are depicted to represent lifeâ&#x20AC;&#x2122;s natural cycle that Frankensteinâ&#x20AC;&#x2122;s monster is neglected.


She perished on the scaffold as a murderess! From the tortures of my own heart, I turned to contemplate the deep and voiceless grief of my Elizabeth. This also was my doing! And my father’s woe, and the desolation of that late so smiling home all was the work of my thrice-accursed hands! Ye weep, unhappy ones, but these are not your last tears! Again shall you raise the funeral wail, and the sound of your lamentations shall again and again be heard! Frankenstein, your son, your kinsman, your early, much-loved friend; he who would spend each vital drop of blood for your sakes, who has no thought nor sense of joy except as it is mirrored also in your dear countenances, who would fill the air with blessings and spend his life in serving you — he bids you weep, to shed countless tears; happy beyond his hopes, if thus inexorable fate be satisfied, and if the destruction pause before the peace of the grave have succeeded to your sad torments! Thus spoke my prophetic soul, as, torn by remorse, horror, and despair, I beheld those I loved spend vain sorrow upon the graves of William and Justine, the first hapless victims to my unhallowed arts.

would be more easily satisfied. In this emigration I exceedingly lamented the loss of the fire which I had obtained through accident and knew not how to reproduce it. I gave several hours to the serious consideration of this difficulty, but I was obliged to relinquish all attempt to supply it, and wrapping myself up in my cloak, I struck across the wood towards the setting sun. I passed three days in these rambles and at length discovered the open country. A great fall of snow had taken place the night before, and the fields were of one uniform white; the appearance was disconsolate, and I found my feet chilled by the cold damp substance that covered the ground. “It was about seven in the morning, and I longed to obtain food and shelter; at length I perceived a small hut, on a rising ground, which had doubtless been built for the convenience of some shepherd. This was a new sight to me, and I examined the structure with great curiosity. Finding the door open, I entered. An old man sat in it, near a fire, over which he was preparing his breakfast. He turned on hearing a noise, and perceiving me, shrieked loudly, and quitting the hut, ran across the fields with a speed of which his debilitated form hardly appeared capable. His appearance, different from any I had ever before seen, and his flight somewhat surprised me. But I was enchanted by the appearance of the hut; here the snow and rain could not penetrate; the ground was dry; and it presented to me then as exquisite and divine a retreat as Pandemonium appeared to the demons of hell after their sufferings in the lake of fire. I greedily devoured the remnants of the shepherd’s breakfast, which consisted of bread, cheese, milk, and wine; the latter, however, I did not like. Then, overcome by fatigue, I lay down among some straw and fell asleep. “It was noon when I awoke, and allured by the warmth of the sun, which shone brightly on the white ground, I determined to recommence my travels; and, depositing the remains of the peasant’s breakfast in a wallet I found, I proceeded across the fields for several hours, until at sunset I arrived at a village. How miraculous did this appear! The huts, the neater cottages, and stately houses engaged my admiration by turns. The vegetables in the gardens, the milk and cheese that I saw placed at the windows of some of the cottages, allured my

ence diffused gladness through the cottage, dispelling their sorrow as the sun dissipates the morning mists. Felix seemed peculiarly happy and with smiles of delight welcomed his Arabian. Agatha, the ever-gentle Agatha, kissed the hands of the lovely stranger, and pointing to her brother, made signs which appeared to me to mean that he had been sorrowful until she came. Some hours passed thus, while they, by their countenances, expressed joy, the cause of which I did not comprehend. Presently I found, by the frequent recurrence of some sound which the stranger repeated after them, that she was endeavouring to learn their language; and the idea instantly occurred to me that I should make use of the same instructions to the same end. The stranger learned about twenty words at the first lesson; most of them, indeed, were those which I had before understood, but I profited by the others. “As night came on, Agatha and the Arabian retired early. When they separated Felix kissed the hand of the stranger and said, ‘Good night sweet Safie.’ He sat up much longer, conversing with his father, and by the frequent repetition of her name I conjectured that their lovely guest was the subject of their conversation. I ardently desired to understand them, and bent every faculty towards that purpose, but found it utterly impossible.“The next morning Felix went out to his work, and after the usual occupations of Agatha were finished, the Arabian sat at the feet of the old man, and taking his guitar, played some airs so entrancingly beautiful that they at once drew tears of sorrow and delight from my eyes. She sang, and her voice flowed in a rich cadence, swelling or dying away like a nightingale of the woods. “When she had finished, she gave the guitar to Agatha, who at first declined it. She played a simple air, and her voice accompanied it in sweet accents, but unlike the wondrous strain of the stranger. The old man appeared enraptured and said some words which Agatha endeavoured to explain to Safie, and by which he appeared to wish to express that she bestowed on him the greatest delight by her music.


Final


Brewed tea, sugar, citric acid, caffeine context: 73mg/18.5 fl oz. www.pureleaf.com Questions or comments please keep this package and call 1-866-612-2076. Refrigerate after opening. Please Recycle. Manufactured by independent producers for the pepsi/lipton tea partnership, purchase, new york 10577. Lipton, a division of Unilever.

Nutrition facts Serving size 1 bottle | Calories 250

% Daily Value Amount per serving Total Fat 0g........................0% Sodium 0mg......................0% Total Carbohydrate 65g......22% Sugars 65g Protein 0g Sodium Free Not a significant source of calories from fat, saturated fat, trans fat, cholesterol, dietary fiver, vitamin A, vitamin C, calcium and iron. Percent Daily Values are based on a 2,000 calorie diet.

Brewed tea, sugar, citric acid, caffeine context: 73mg/18.5 fl oz. www.pureleaf.com Questions or comments please keep this package and call 1-866-612-2076. Refrigerate after opening. Please Recycle. Manufactured by independent producers for the pepsi/lipton tea partnership, purchase, new york 10577. Lipton, a division of Unilever.

Nutrition facts Serving size 1 bottle | Calories 250 % Daily Value Amount per serving

Total Fat 0g........................0% Sodium 0mg......................0% Total Carbohydrate 65g......22% Sugars 65g Protein 0g Sodium Free Not a significant source of calories from fat, saturated fat, trans fat, cholesterol, dietary fiver, vitamin A, vitamin C, calcium and iron. Percent Daily Values are based on a 2,000 calorie diet.

Congratulations! You just picked real brewed iced tea, which means it was brewed from real tea leaves picked at their freshest, never from powder or concentrate(like some other iced teas). Plus, itâ&#x20AC;&#x2122;s sweetened with real sugar with no added color. So enjoy the delicious and refreshing taste of tea, brewed for you by Pure Leaf. To learn more about Pure Leaf go to: www.pureleaf.com

Pure Leaf Pure leaf. Real brewed tea. Realbrewed, fresh taste.

Brewed from real leaves. Never from powder. No artificial sweeteners. 250 calories per bottle.

Congratulations! You just picked real brewed iced tea, which means it was brewed from real tea leaves picked at their freshest, never from powder or concentrate(like some other iced teas). Plus, itâ&#x20AC;&#x2122;s sweetened with real sugar with no added color. So enjoy the delicious and refreshing taste of tea, brewed for you by Pure Leaf. To learn more about Pure Leaf go to: www.pureleaf.com Brewed from real leaves. Never from powder. No artificial sweeteners. 250 calories per bottle.

Pure Leaf Pure leaf. Real brewed tea. Realbrewed, fresh taste.


Thank you! J.CACCIARONI@GMAIL.COM (800) 451 - 5656

I HOPE TO HEAR FROM YOU SOON!

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Juliana Cacciaroni DES 570 Portfolio  

Juliana Cacciaroni DES 570 Portfolio  

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