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One Million Bones was an exhibit where bones made of a variety of materials were placed to honor victims and survivors of genocide.

placed in 18 countries. The blocks are permanently installed in front of the last home of the victims in the cobblestones. While traveling through Europe, be sure to look down every once in a while to see these small memorials.

Photo by Ron Cogswell

One Million Bones

The Art of Revolution works to raise awareness about current genocides in Sudan, South Sudan, Somalia, Burma, and the Democratic Republic of the Congo. In 2013, they displayed one million bones, made by volunteers, on the National Mall in Washington, DC, to honor victims and survivors. The bones were made from a variety of materials, including papier-mâché, glass, clay, wood, etc. Their most recent installation honored victims of the Bosnian genocide, marking its twentieth anniversary with a three-day exhibit during July 2015. The United Nations has described the genocide as the worst crime on European soil since World War II and has said that the

organization’s lack of action will haunt its history. The Bosnian and Serbian armies, as well as a Serbian paramilitary group, carried out the genocide during the Bosnian War. The genocide occurred from July 11 to 13, 1995, near the town of Srebrenica. Most of the victims were men and boys. In the end, 8,372 people were killed. Many refugees sought refuge at the UN base in Potocari. However, the refugees received little to no help from those at the base. Many women were raped and sexually abused, and many mothers watched their young children be raped or murdered right in front of them. Many UN soldiers stood by and did nothing, while witnessing many of the atrocities themselves. In a statement made by Mark Malloch Brown, the chef de cabinet to the secretary general of the United Nations, on the tenth anniversary of the genocide, acknowledged that the United Nations did not respond how it should have. “We can say—and it is true—that great nations failed to respond

adequately. We can say—and it is also true—that there should have been stronger military forces in place and a stronger will to use them. We can say—and it is undeniable—that blame lies first and foremost with those who planned and carried out the massacre, or who assisted them, or who harboured and are harbouring them still. But we cannot evade our own share of responsibility,” Brown said. While Demnig’s work and the work of The Art of Revolution bring to light some of the darkest events in the history of the world, there is hope in it. Each bone and Stolperstein is a reminder of the darkness that humans are capable of but also an appeal to its viewers to not stand idly by, but to take a stand against an issue that still plagues countries around the world today. ▶▶


—Written by Sara Bitterman Designed by Melissa Stewart ◀ 51

Stowaway Winter 2016  

Winter is here, but adventure awaits! Strike up a conversation, spark a new interest, or slip into something familiar in this issue of Stowa...

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