AN ADAPTIVE REUSE 1001 WEST SENECA STREET ITHACA NEW YORK
WHY ADAPTIVE REUSE Design history records momentous breakthroughs and societal growth in our built environment. Such a crucial foundation is unfortunately often neglected in building demolition for designers to start on an empty canvas. The solution, however, is not to put an entire building into landfill but instead, recognize its historic value and preserve the building that embodies not only classical elements of architectural styles, but also the story that comes with their origin. As designers, it is our responsibility to build high performance buildings that create healthy and inclusive environments that are adaptable to an everchanging society. Adaptive Reuse is the most sustainable action designers can take towards a building. As Architect Carl Elefante says, “The greenest building is the one that already exists.� By repurposing a historic building to meet its new needs and functions of the space, we are able to create a more sustainable, timeless and innovative society together.
THE PROCEDURE THE ATOM Site Introduction + History Site Analysis + Building Character Why Molecular Gastronomy?
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CONCEPT Design Intent The Link: Steampunk Exterior Intervention Entrance Elevation Stacking Diagram
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THE NUCLEUS Level One: The Food Lab and The Assemblage Level Two: The Compound Level Three: Hydroponic Gardens and The Laboratory
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LEED CREDITS
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THE ATOM 1001 West Seneca Street represents so much more than its appearance as a three story brick building. More popularly known as the Sign Works Building, the complex is a footprint of the social, political, and historical changes in the area especially as part of the waterfront at the Finger Lakes. Beginning as a boatyard and then a piano factory to the Sign Works building, the building still stands highly recognizable with its ghost signs on its facade and location right off Seneca Street, one of the most historic streets of Ithaca. In addition to the many historical uses in the building, the site was also the intersection of the railroad that once crossed through Ithaca. This railroad made it possible for Ithaca to be a part of the industrial network of the Northeast United States by making Ithaca a main stopping point and manufacturing hub. This rich industrial history should be celebrated in the design process, to honor its past as a center of revolutionary changes while simultaneously blending into the upcoming development of the area.
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THE SITE 1001 West Seneca Street has many historic elements embedded within the building inside out that are worth commemorating as existing architectural elements that embody historic value. These particular elements are emphasized in the redesign of the building. Arched Windows These tall vertical windows with segmented arches and window hood ornamentation represent an industrial version of an Italianate style. Brick Facade with “Ghost� Signs This area where the railroad once crossed the inlet was an industrial center of the city for transportation and of the few buildings remaining from this historical period, this rectangular building is the most visible one with the painted lettering still apparent. Exterior pipes and exposed interior ceiling There are exterior downspouts, made of galvanized steel on the exterior. These exposed pipes can also be seen in the interior exposed ceiling. Wood/Steel Columns These large wooden chamfered columns were common in 19th Century industrial buildings with steel braces at the top of the column, secured using bolts. Prior to steel columns, these columns display a strong contrast of structural materials.
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Right by Cayuga Lake, one of the eleven Finger Lakes of New York State, the site sits in the West End Waterfront Development under Plan Ithaca, which strives to promote a more sustainable and engaging community at the waterfront. This area is currently undergoing drastic investment and development for mixed-use purposes to encourage the growth of housing, greenspaces, and more. Conveniently located near a bus stop and off the new Brindley Street Bridge, 1001 West Seneca Street has access to public transportation and also the traffic of the main road: West State Street. However, it requires a sharp turn in order to enter the complex. Available bike paths also lead into the area. Bike racks and parking spaces already exist on the site, suitable for the vehicular and foot traffic into the complex.
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NEW YORK STATE
FINGER LAKES
INLET ISLAND
MAJOR DEVELOPMENTS
The new Brindley Street Bridge will bring more vehicular and pedestrian traffic directly into the site. 9
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FARM TO TABLE
ATOM TO TABLE
Given Ithaca’s local culture, it is no question that the city is full of farm to table restaurants. Sourcing food locally is not only sustainable, but it also brings the community together through the rich agricultural production on site. Coltivare, located in downtown Ithaca, is a great example of how involved a business can get with the food production in the Finger Lakes by combining their culinary expertise and partnership with the Tompkins Cortland Community College (TC3).
Molecular Gastronomy is the science of cooking, specifically exploring the physical and chemical transformations that occur during the cooking process. For the past two decades, this discipline has been growing as boundaries have been pushed to explore the limitations as well as endless possibilities of food, to the atom. This study brings together the fields of technical, social, and artistic to present a new culinary experience.
DESIGN INTENT This project requests for the re-design of the historical Sign Works building. Its rich history of evolutionary changes are evident in the building’s existing structure and presents a unique set of challenges and opportunities for an adaptive reuse project. The design intent is to bring a new form of sustainable and educational activity to the west end, achieving its broader goals of the waterfront development of sustainability, equity, and collaboration. Local food and agriculture in Ithaca has been widely celebrated in the past and especially now having evolved over time in the foodservice management and hospitality sector. A more modern, scientific, and innovative approach to food can not only meet the market demand, but also reminisce the hands-on and collaborative cultural history of the Sign Works building. 11
INDUSTRIAL X MOLECULAR GASTRONOMY = STEAMPUNK
CONCEPT Steampunk is “a retrofuturistic subgenre of science fiction or science fantasy that incorporates technology and aesthetic designs inspired by 19th-century industrial steam-powered machinery.” Often set in Victorian England or America’s Wild West, steampunk originated in the 1980s as an “alternative Industrial Revolution,“ reimagining modern technology as “elaborate works of art, fashion, and mechanics.” The building’s railroad history had made Ithaca a main stopping point as well as a manufacturing hub. This industrial history in the Northeast United States, along with such revolutionary changes witnessed in the three story brick building, should be celebrated in the design process and steampunk is one that can connect the two. Similarly, molecular gastronomy is a relatively new discipline that combines the technical, artistic, and social - all that the building embodies as well. The experimental cuisine brings culinary surprises to the table through food science, a field that is unfamiliar to the area and can promote a more sustainable and engaging community at the waterfront (Plan Ithaca). These scientific and mystifying properties of molecular gastronomy make steampunk the ideal medium to connect the building to its new proposed use as an experimental culinary arts center.
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AN EXPERIMENTAL CULINARY ARTS CENTER
This center fuses the industrial history of the building with a modern twist of molecular gastronomy. Entering patrons will challenge their senses scientifically through the texture(technical), form(social), and aesthetic(artistic)* not only through the design of THE FOOD LAB but also an experiential dining experience in contemporary steampunk. *molecular gastronomy is widely recognized to have three components: technical, social, and artistic.
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EXPERIMENTAL
MODERN
RETRO
SCIENTIFIC
INDUSTRIAL
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SOUTH ELEVATION
Industrial windows with steel emphasizing the building’s industrial history.
Underlit gear installation leading to the entrance
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Underlit logo
Sheets of metal riveted with led reveals and hanging plants
ENTRANCE INTERIOR ELEVATION
Featuring Modo’s Geometric Global Glass light fixture
Welcome to The Food Lab branded entrance
Glass periodic table looking into the gastrobar
Chalkboard menu with today’s special
Hydroponic garden feature wall over Teknion Dip Bench
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HYDROPONIC GARDENS
LEVEL THREE
LEVEL TWO
LEVEL ONE
EXIT
CULINARY STUDIO
BACK OF HOUSE
T
RES
HIGHLIGHTED SPACES INDICATE PUBLIC ACCESS FOR PATRONS (FIRST FLOOR) AND EX
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LABORATORY
THE COMPOUND
STAURANT
OFFICES
GASTROBAR
AMPHITHEATER
THE ASSEMBLAGE
XPERIENCED SCIENTISTS (SECOND AND THIRD FLOOR)
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LEVEL ONE ft. restaurant and private venue space The restaurant, THE FOOD LAB, is an experimental cuisine focused on the dining experience. With a prix fixe menu for the night, the restaurant tailors their menu to specific themes for the night, frequently mixing in steampunk with its more modern molecular gastronomy dishes. Patrons will experience the full journey from atom to table in their select courses in contemporary steampunk with a gastrobar for an alcoholic take. The venue space, THE ASSEMBLAGE, is not only a reservation space, but also a private dining experience. The space features a chef’s table, designed to interact with guests as they fill the room with a relaxed gastrobar. This experience is appointment only, best for those who want to take a closer look at the science behind food.
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THE ASSEMBLAGE BACK OF HOUSE
LEVEL ONE
The Food Lab Restaurant | The Assemblage
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RESTAURANT
Heritage/Candy Man Pallas Textiles
Nelson Swag Leg Herman Miller
Full Twist Herman Miller Whip in Path KnollTextiles
Happy Barstool Hightower
Dapple 3Form
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Owner Project Name
No.
Description
Date
Level 1 Project number Date Drawn by Checked by
Project Number Issue Date Author Checker
A101 Scale 1/16" = 1'-0"
12/3/2020 10:07:15 PM
sk.com/revit
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Inside the Restaurant
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Edge Modular Partition, 3 Form Angle in dusk, 50% sound absorbing post-consumer recycled material
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Owner Project Name
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No.
Description
Date
Level 1 Project number Date Drawn by Checked by
Project Number Issue Date Author Checker
A101 Scale 1/16" = 1'-0"
12/3/2020 10:07:15 PM
sk.com/revit
DN
2' - 10 5/8"
CUSTOM MILLWORK DESIGN
1' - 5 7/8"
0' - 7"
0' - 3 1/2" 0' - 1" 0' - 3"
POLURETHANE FOAM FLUSHED WITH PLYWOOD BASE
0' - 1 1/2"0' - 2"
10' - 0"
0' - 4 3/4"
WHIP (K1386/12) BY KNOLL TEXTILES UPHOLSTERY
2, 1" PLYWOOD WITH BIRCH VENEER STAINED, 2 COATS OF POLYURETHANE FINISH
PLYWOOD WITH BIRCH VENEER STAINED, 2 COATS OF POLYURETHANE FINISH
POLYURETHANE FOAM WITH UPHOLSTERY: WHIP (K1386/12) BY KNOLL TEXTILES
0' -0'2"- 4 3/4"
BANQUETTE DETAIL A BANQUETTE DETAIL A D1
1.5"x3.5" WOOD FRAMING
1" = 1' - 0"
1' - 3 1/2"
80 .0 0°
D1
TYP. BASEBOARD
BANQUETTE SECTION
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ENTRANCE 1
Level 1 1/8" = 1'-0"
LEVEL ONE
REFLECTED CEILING PLAN
30 lighting key
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23' - 4"
4' - 5 3/4"
1' - 9 1/2"
2' - 0"
4' - 0"
2' - 9 1/8"
4' - 5 3/4"
1' - 9 1/2"
3' - 0"
3' - 0"
2' - 7 1/2"
5' -
3' - 8 1/8"3' - 8
1
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3' - 0"
2' - 7 1/2"
3' - 0" 7' - 9 3/8"
3' - 0"
2' - 7 1/2" 3' - 0 5/8"
3' - 0"
1/2" 3'2'- -075/8"
4' - 8 3/8"
3' - 0 5/8"
4' - 8 3/8"
3' - 0 5/8"
4'4'- 8- 11 3/8"3/4"
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2' - 0"
4' - 0"
2' - 9 1/8"
4' - 5 3/4" 4' - 2 7/8"
1' - 9 1/2"
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4' - 2 7/8"
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7'3'- -90"3/8"
6' - 0 5/8"
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1' - 3 3/8"
4' - 0"
1001 WONGSTREET 11'WEST - BONNY 0" SENECA NEW YORK 11'ITHACA - 0" SENECA 1001 WEST STREET DESIGN &ITHACA ENVIRONMENTAL ANALYSIS SYMBOL NAME MANUFACTURER INFO TYPE9' - 0" W NEW YORK - PRODUCT 0" LIGHTING11' LEGEND 2 CORNELL UNIVERSITY ADAPTIVE 10' REUSE - 0" BONNY WONG LATTICE PENDANT HIVE LIGHTIN 10' - 0" 1 LED SYMBOL NAME MANUFACTURER PRODUCT INFO TYPE W 1 MODERN BONNY760 WONG LIGHTING LEGEND 210' - 0" DESIGN & ENVIRONMENTAL ANALYSIS 10' - 0" PENDANTWATTAGE 1 TYPE SYMBOL NAME MANUFACTUR CORNELL UNIVERSITY DESIGN & ENVIRONMENTAL ANALYSIS LATTICE PENDANT HIVE COPPERY Lattice ADAPTIVE REUSE 1 760 LED (15W)NAME 2 LED LUMENS SYMBOL MANUFACTURER PRODUCT INFO TYPE W CORNELL UNIVERSITY Lattice Suspension Lamp,2 760 1Hive Modern MODERN BRONZE LIGHTING LEGEND 2REUSE SPRINKLERSADAPTIVE PENDANT HIVE 1 UNLESS NOTED OTHERWISE Level 1 10'-0" APART N/A 1 N/A 2' - 9 1/8"
10' - 1 1/8"
23' - 4"
4' - 2 1/8"
4' - 0" 3
6' - 9"
- 0" LIGHTING11'LEGEND 2
1' - 9 1/2"
4' - 0"
4' - 2 7/8"
6' - 1 7/8"
3
5' - 0"
4' - 2"
LIGHTING LEGEND 1 1 N/A TYPE WATTAGE N/A 1 Level Level 0" 1/8" =11'-0" 110' -Level MANUFACTURER INFO =11'-0"PRODUCT 0" 110' - 1/8" 11' - 0" 1/8"WATTAGE = 1'-0" N/A N/A TYPE
4' - 5 3/4"
3
6' - 0 5/8"
1
7' - 9 3/8"
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NOTES
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4' - 3 7/8"
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4' - 0"
1' - 7 1/4"
11' - 10 1/8"
10' - 0"
2' - 9 1/8"
2' - 0"
3' - 2"
1' - 8 1/4" 1' - 5 3/4"
9' - 0" 1' - 3 3/8"
6' - 0"
4' - 0"
3' - 8 3/4"
1
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11'7'--10 7 3/8" 1/8" 11' - 10 1/8"
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10' - 0"
2' - 0"
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5
3' - 2" 3' - 2"
1' - 4"
4
5' - 2" 5' - 2"
CT INFO N/A
4' - 4 3/8"
9' - 0" 9' - 0" 9' - 0"
23' - 4"
2' - 6"
2' - 0"
- 7 1/8"
6' - 0"
TYPE10' - 0" WATTAGE
4' - 2 1/8"
5' - 2"
- 7 1/8"
2' - 0"
5' - 2"
29' - 7 3/8"
4' - 4 3/8"
1' - 8 1/4" 1' -1'5-3/4" 8 1/4" 1' - 5 3/4"
CT INFO
- 7 1/8" 1' - 4"
2
2
8' - 0" 8' - 0" 8' - 0"
29' - 7 3/8"
6' - 9"
10' - 0"
1
3' - 2"
4' - 6 3/
3' - 1 5/8" 4' - 0 3/4" 3' - 11 5/8" 3' - 1 5/8"3' - 1 5/8" 3' -4' 1 -5/8" 0 3/4"4' - 0 3/4" 4' - 03'3/4" - 11 5/8" 3' - 11 3' 5/8" - 114'5/8" - 0 3/8"4' - 0 3/8" 4' 2' -
7 1/8"
1
NAME N/A CT INFO EILING N/A N/A BRAYDEN COPPER PENDANT 1 MODERN COPPERY HEIGHT LATTICE HIVE 2 LED LUMENS 3 N/A N/A N/A 11' - 0" 1 = 1'-0" 1/8" CT INFO TYPE WATTAGE SYMBOL NAME MANUFACTURER PRODUCT INFO TYPE W N/A N/A N/A STUDIO FINISH 3 2 760 1 MODERN LIGHTING 2 RECESSED LEGEND CANS BRONZE PENDANT SMOKE 11' - 0" 6'-0" APART PENDANT 2 N/A 2 UNLESS NOTED OTHERWISE LUMENS N/A N/A N/A LIGHTING LEGEND 1 9' - 0" BRAYDEN COPPER PENDANT 2 SPRINKLERS POLISHED TECTOR COPPERY LATTICE HIVE Coppery Bronze Finish LED (126W) LED 3 SONNEMAN 4 2 LUMENS 1 N/A N/A N/A CT INFO TYPE WATTAGE SYMBOL NAME MANUFACTURER PRODUCT INFO TYPE W LIGHTING LEGEND 1760 N/A N/A N/A 10'-0" APART UNLESS NOTED OTHERWISE MR16 Rain Multilight Pendant, 4 STUDIO FINISH 3 CHROME BRONZE 2 SPRINKLERS 1Lumens MODERN LIGHTING LEGEND BULBSAPART SPACED 2'-0" 1 APART ON CENTER BRAYDEN PENDANT EXIT 10'-0" UNLESS NOTED OTHERWISE SYMBOL NAME MANUFACTURER PRODUCT INFO TYPE WA 3 CANS N/A N/A N/A N/A RECESSED STUDIO 3 POLISHED SIGN BLACK PAINTED PENDANT BRAYDEN COPPER COPPERY LATTICE HIVE SYMBOL NAME MANUFACTURER PRODUCT INFO TYPE WA SONNEMAN 6'-0" APART UNLESS NOTED OTHERWISE 4 LED MODO REFER TO LIGHT FIXTURE CUT SHEETS 5 3 N/A N/A N/A 1 2 LUMENS RECESSED CANS N/A 9' - 0"N/A NAME MANUFACTURER PRODUCT TYPE WA CHROME 4 METAL 5 9' - 0"N/A STUDIO FINISH 3 BRONZE 2 760INFO 1 MODERN 9' - 0" SYMBOL FOR APART ADDITIONAL INFORMATION ABOUT 6'-0" UNLESS NOTED OTHERWISE CEILING LIGHTING LEG PENDANT ERGENCY MR16 LUMINAIRES 9' 0" PENDANT 3 N/A N/A N/A SONNEMAN 4 N/A N/A N/A N/A CEILING HEIGHT 4 BLACK PAINTED PENDANT T FIXTURE COVE POLISHED BULBS 2'-0" APART BRAYDEN COPPER COPPERY Copper Finish LED CEILING (21W) MR16 SPACED N/A N/A MODO 5 LED N/A ON CENTERN/A ERCO SONNEMAN N/A N/A N/A 4 2 3 LUMENS HEIGHT Globe Pendant, Brayden Studio METAL 5 LIGHTING CHROME 4 N/A N/A N/A STUDIO FINISH 3 BRONZE 2 BULBS SPACED 2'-0" APART ON CENTER SYMBOL NAME MANUFACTURER P HEIGHT SMOKE REFER TO LIGHT FIXTURE CUT SHEETS PENDANT LIGHTING LEGEND 2N/A ECURITY 9' - 0" N/A N/A MODO 5 N/A 9' - 0" N/A N/A N/A FOR ADDITIONAL INFORMATION ABOUT SMOKE DETECTOR REFER TO LIGHT FIXTURE 5CUT SHEETS COVE CUSTOM BLACK PAINTED PENDANT AMERA BRAYDEN COPPER POLISHED N/A N/A N/A 9' - 0" SMOKE 9' - 0" LUMINAIRES LED N/A ERCO NIC NIC LED 20W /A MODO 5 SONNEMAN 3 4 N/A N/A N/A DETECTOR FOR ADDITIONAL INFORMATION ABOUTN/A CEILING N/A N/A LIGHTING LED STRIPS METAL 5 STUDIO FINISH 3 CHROME 4 N/A INFO TYPE WATTAGE SYMBOL NAME MANUFACTURER PRODUCT INFO TYPE WATT DETECTOR LUMINAIRES HEIGHTCOVE EXIT N/A N/A N/A ERCO PENDANT 4 N/A N/A N/A N/A RINKER EXIT SIGN LIGHTING CUSTOM NLIGHT COVE POLISHED BLACK PAINTED PENDANT N/A N/A N/A Polished Chrome LED (18W) EXIT NIC NIC LED 20W /A 10W LED N/A ERCO SONNEMAN MODO 4 5 N/A N/A N/A SIGN SMOKE LATTICE HIVE N/A N/A N/A Trinity Linear PENDANT Pendant, Sonneman LED STRIPS ECESSED LIGHTING CHROME 4 METAL 5 N/A 1 15 LED SIGN N/A N/A EMERGENCY DETECTOR CUSTOM MR16 760 1 MODERN LIGHTING LEGEND 20W 1 N/A N/A N/A NIC PHILIPS LED N/A EMERGENCY LIGHT FIXTURE LIGHTING LEGENDPENDANT 1COVE LED STRIPS BULB NLIGHT CUSTOM BLACK PAINTED N/A N/A N/A EMERGENCY LED 10W LED NIC NIC 20W /A MODO N/A ERCO N/A N/A N/A LIGHT EXIT LIGHTING5 LEGEND 1 FIXTURE COPPERY PENDANT ECESSED N/A N/A N/A N/A LED STRIPS METAL 5 LIGHTING N/A 2 12 LED LUMENS SYMBOL N/A NAME MANUFACTURER PRODUCT INFO TYPE WATTAGE SYMBOL LIGHT FIXTURE SIGN SECURITY LIGHTING LEGEND 12 BRONZE CESSED DOWNLIGHT N/A N/A SYMBOL NAME MANUFACTURER PRODUCT TYPEN/A WATTAGE SYMBOL PENDANT 5SECURITY LED 10W INFO COOPER CEILING LEGEND CAMERA CAN SEMI-RECESSED NLIGHT COVE CUSTOM SYMBOL NAME MANUFACTURER PRODUCT INFO TYPE SYMBOL Black Painted Metal LED (5W) N/A N/A N/A SECURITY 10W LED N/A ERCO NIC NIC WATTAGE LED 20W /A N/A N/A N/A EMERGENCY CAMERA BRAYDEN COPPER PENDANT CEILING N/A N/A N/A Geometric Global Glass, Modo CUSTOM LED STRIP DESIGN ECESSED N/A LIGHTING LED STRIPS SYMBOL N/A NAME MANUFACTURER PRODUCT INFO TYPE WATTAGE SYMBOL N/A 21 LED 3 1 SUSPENDED CEILING CAMERA N/A N/A N/A N/A LIGHT FIXTURE CEILING STUDIO FINISH 3 HEIGHT 1 N/A N/A N/A SHALLOW BLACK, ARMSTRONG SPRINKER N/A N/A N/A N/A CEILING HEIGHT CUSTOM 1 NLIGHT N/A N/A SPRINKER N/A N/A N/A N/A N/A LED NIC NIC LED CEILING HEIGHT 20W /A 10W HEIGHT SECURITY CEILING POLISHED PENDANT CEILING LEGEND SMOKE N/A N/A SPRINKER SPRINKLERS LED STRIPS SONNEMAN SECURITY CAMERA N/A ECESSED O TYPE N/A WATTAGE N/A 1 18 LED 4 2 N/A N/A N/A N/A N/A N/A N/A N/A N/AHEIGHT EXPOSED CEILING MR16 SMOKE CAMERA CHROME 4 DETECTOR CEILING LEGEND PHILIPS LED 2 2 N/A N/A N/A N/A N/A PAINTED BLACK SMOKE MR16 SUSPENDED CEILING MR16 BULBS BULB SUSPENDED CEILING DETECTOR SMOKE DETECTOR 2 NLIGHT PHILIPS LED 2 N/A N/A N/A N/A N/A LED (20W), Philips MR16 Shallow Black, Armstrong SHALLOW BLACK, ARMSTRONG LED 10W 15W LED DETECTOR BULB CEILING SMOKE BLACK PAINTED PENDANT EXIT PHILIPS SUSPENDED LED 2 2 N/A ECESSED N/A N/A SPRINKER N/A N/A N/A N/A 5 LED MODO 5 3 N/A N/A N/A N/A N/A BULB SHALLOW BLACK, ARMSTRONG DOWNLIGHT RECESSEDRECESSED CAN5 EXIT METAL 2X2 ACOUSTIC TILE SIGN EXPOSED CEILING EXIT SIGNDETECTOR LED 1 COOPER 3 N/A N/A N/A N/A Downlight LED (10W), Cooper O TYPE WATTAGE EXIT Painted Black RECESSED DOWNLIGHT CAN SEMI-RECESSED SIGN ACOUSTIC TILE SYSTEM, ARMSTRONG EXPOSED CEILING 126W LED 3 LED 1 COOPER N/A N/A N/A N/A RECESSED DOWNLIGHT O TYPE WATTAGE EMERGENCY SIGN CAN SEMI-RECESSED MR16 EXITFIXTURE PAINTED BLACK COVE LED COOPER COVE LIGHTING EXPOSED CEILING EMERGENCY LIGHT 2X2 ACOUSTIC TILE PHILIPS 3 N/A N/A N/A N/A 261 LED 4 N/A ERCO N/A N/A SEMI-RECESSED N/A N/A N/A N/A LED (26W), ERCO CAN BULB EMERGENCY Acoustic Tile System, Armstrong SIGN 15W LED LIGHTING LIGHT FIXTURE PAINTED BLACK 4 N/A N/A N/A N/A 21W LED EMERGENCY LIGHT FIXTURE 15W LED 431 2X2N/A ACOUSTIC TILE N/A N/A N/A LIGHT FIXTURE RECESSED EMERGENCY CUSTOM SECURITY ACOUSTIC TILE SYSTEM, ARMSTRONG COOPER 4 2X2 ACOUSTIC TILE LED LED 126W 48 LED NIC NIC 20W N/A N/A N/A N/A 5 N/A lighting key N/A N/A CAN SE LIGHT FIXTURE SECURITY LED N/A STRIPS 18W LED CAMERA ACOUSTIC 5 N/A N/A N/A N/ATILE SYSTEM, ARMSTRONG 126W LED 4' - 2 1/8"
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6' - 9 3/4"
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3' - 5 1/2"
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4' - 6 7/8"
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7' - 7 3/4"
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6' - 9 3/4"
7' - 8 3/8"
2' - 1 7/8"
3' - 10 3/4"
4' - 11 3/4"
4' - 11 3/4"
4' - 3 7/8" 4' - 3 7/8"
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5' - 0"
4' - 11 3/4"
4' - 3 7/8"
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1/4" 6' 5' - 1- 5 7/8"
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5' - 4 1/2"
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NOTES NOTES
5' - 5 1/4"
5' - 5 1/4"
4' - 6 7/8"
6' - 0"
5' - 4 1/2"
4' - 6 7/8"
6' - 0"
5' - 4 1/2"
3' - 5 5/8"
3' - 3"
6' - 9 3/4"
5
7' - 7 3/4"
3' - 3"3' - 10 1/2"3' - 10 1/2" 3' - 5 1/2" 3' - 53'1/2" - 3"
17' - 0"
3' - 9 3/8"
13' - 4 1/4"
7' - 7 3/8" 7' - 75'3/8" - 10 1/2"
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13' - 4 1/4"
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1' - 4"
5' - 5"
3' - 5 5/8"
3' - 5 5/8"
5' - 5"
5' - 5"
LEGEND 10' - 0"
10' - 0"
9' - 0"
9' - 0"
2
2
2
2
2
2
2
1
9' - 0"
10' - 0"
1
1
1
1
1
9' - 0"
11' - 0"
10' - 0"
10' - 0"
11' - 0"
3
3
3
3
3
3
4
4
4
4
4
4
4
4
4
10' - 0"
3
3
10' - 0"
11' - 0"
1
9' - 0"
11' - 0"
1
5
5
5
10' - 0"
1
10' - 0"
1
2
2
5
9' - 0"
5
2
5
3
9' - 0"
9' - 0"
LEGEND LEGEND 1
4
5
Level 1 1/8" = 1'-0"
lighting key
32
LEVEL TWO ft. the culinary institute learning space Compound, often known as the union of separate elements in chemistry, also means putting together to form a whole. THE COMPOUND is the primary learning space for students who are passionate about the study of molecular gastronomy to come together and collaborate. This institute offers an amphitheater, lounge, culinary studio, and mixing room. In this study, students can also hold an establishment at THE ASSEMBLAGE, where professional guests are invited through collaborations to further connect the intersection between molecular gastronomy with the local Ithaca Community.
33
THE COMPOUND CULINARY STUDIO
LEVEL TWO
MIXING ROOM
Culinary Studio | The Compound | Amphitheater
34
AMPHI THEATER
ZigZag SONNEMAN
Lasso Lounge Herman Miller
Plasma Hightower
Insula Hightower
Sly Tables StudioTK
Penny Hightower
35
UP
UP
UP
UP
Level 2 1/16" = 1'-0"
Owner www.autodesk.com/revit
Project Name
No.
Description
Date
Level 2 Project number Date Drawn by Checked by
Project Number Issue Date Author Checker
A102 Scale 1/16" = 1'-0"
12/3/2020 11:33:15 PM
1
Inside the Culinary Studio
36
Swoon Profile Tile, 3 Form
UP
UP
UP
UP
1
Underlit wayfinding with metal carved “culinary studio” indicating entrance on the left with frosted glass doors
Underlit flask installation, some holding hydroponic plants
Level 2 1/16" = 1'-0"
Pipe lighting fixtures and shelving unitsOwner to displey hydroponic plants Project Name interior brick wall on preexisting No.
www.autodesk.com/revit
Description
Date
Level 2 Project number Date Drawn by Checked by
Working space featuring the Herman Miller’s Magis Steelwood Chair
37
Project Number Issue Date Author Checker
Sca
38
LEVEL THREE ft. hydroponic gardens and the laboratory The most revolutionary changes come from research. As a facility who seeks to put themselves at the forefront of experimental dining experiences, THE LABORATORY and HYDROPONIC GARDENS on the third floor is the nucleus of the complex. Hydroponic gardens on the top floor with skylights breathe fresh air into the historic building while the adjacent laboratory allows students to take on a research role in molecular gastronomy. Growing from scratch on the third floor, learning the limitations as well as endless possibilities of food on the second floor, and engaging in the sensory dining experience on the first floor is the level by level mission of THE FOOD LAB.
39
EMPLOYEE LOUNGE SKYLIGHT
SKYLIGHT HYDROPONIC GARDENS
LEVEL THREE
THE LABORATORY CONFERENCE ROOM
Hydroponic Gardens | Employee Lounge | Conference Room | The Laboratory
40
Skylights NIC
Didi Hightower
Lasso Lounge Herman Miller
Plasma Hightower
Sly Tables StudioTK
Prospect Herman Miller
41
LEED CREDITS
Leadership in Energy and Environmental Design LOCATION AND TRANSPORTATION LEED for Neighborhood Development 18 Location Surrounding Density and Diverse 8 Uses Access to Quality Transit 7 Bicycle Facilities 1 WATER EFFICIENCY Indoor Water Use Reduction 10 ENERGY AND ATMOSPHERE Optimize Energy Performance 15 Renewable Energy Production 3 Enhanced Refigerant Management 1 Green Power and Carbon Offsets 2 MATERIALS AND RESOURCES Building Product Disclosure and Optimization Sourcing of Raw Materials Material Ingredients
2 2
INDOOR ENVIRONMENTAL QUALITY Low-Emitting Materials 3 Thermal Comfort 1 Interior Lighting 2 Daylight 3 Acoustic Performance 2 INNOVATION Innovation
TOTAL 42
5
GOAL: PLATINUM 80
DN
DN
1
Level 3 1/16" = 1'-0" UP
UP
UP
No.
Owner www.autodesk.com/revit
DN
Date
Level 3 Project number Date Drawn by Checked by DN
Project Name
Project Number Issue Date Author Checker
A103 Scale 1/16" = 1'-0"
Level 2 1/16" = 1'-0"
UP
Owner www.autodesk.com/revit
Project Name
No.
UP DN
UP Description
Date
Level 2 Project number Date Drawn by Checked by
Project Number Issue Date Author Checker
A102 Scale 1/16" = 1'-0"
12/3/2020 11:33:15 PM
1
Description
12/3/2020 11:45:27 PM
UP
43
Designed by Bonny Wong Adaptive Reuse 2020