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that awful anxiety felt by newly published authors? ECH: I think someday it will. Right now it is so fresh, so fresh, I can absolutely, absolutely dredge up the entire moment I looked at it the first time, which wasn’t that long ago. For a long time “I’m going to have a book” “I’m going to have a book,” and you wait such a long time, and then, there it was. And I pulled out my iPhone and took a picture! (laughs) Just because it was like “here’s the book” and I hadn’t seen it before. I literally walked into AWP and I hadn’t seen it. I’m just so grateful…I certainly understand that the next one—that’s why I want to get it done—will be a process all of its own. It’s actually harder to get a second one done. Ela: So, you’re excited to do the next one, even as raw and tender as this one still is. ECH: Yes, for me poetry exists first as a process, and then as the final product; and that final product is very gratifying to have out in the world. But even as you create that final product—and get distracted with all the production stuff (laughter)—the process must continue, must always be the primary thing.

CONTRIBUTORS Currently based in Vancouver, Megan Alford received her BA in Creative Writing from Montreal’s Concordia University and Diploma in Dance Performance from Toronto’s George Brown College. Shortlisted for the Irving Layton Award in both fiction and poetry, she has been featured in Matrix Magazine,  Soliloquies 16.2, Encore Literary Magazine, Vallum and Room Magazine. Her debut pop-folk EP, The Men, was released this February, 2013. William L. Alton was born November 5, 1969 and started writing in the Eighties while incarcerated in a psychiatric prison. Since then his work has appeared in Main Channel Voices, World Audience and Breadcrumb Scabs among others. In 2010, he was nominated for a Pushcart Prize. He has published one book titled Heroes of Silence. He earned both his BA and MFA in Creative Writing from Pacific University in Forest Grove, Oregon where he continues to live. You can find him at williamlalton. com. Nicky Andrews is a concert photographer and collage artist based in Washington State. Her influences include Max Ernst, Michael Parekowhai, and Hannah Höch. Please visit her blog, whennickysnaps.tumblr.com for more information, or her online store, society6.com/NickyAndrews, to purchase prints. Jennifer Andrulli - I am inspired by the patterns, textures and light of our environment, Mother Earth. Drawn to the quiet lush places to wild craft plant medicine and edibles, I walk aware of my breath and my thoughts. Searching for patterns, blessings and enjoying the light, in time, I am always shown the perfection of nature. My passion for traditional healing and plant knowledge has taken me around the world to sit with elders to listen and learn; my journey continues. I could not see the essence if I did not know where I came from, if I was not taught to respect soul, mind and body. I have a private practice in Anchorage. Eileen Arnold. I came to Bethel, AK as a Jesuit Volunteer in 2005. I currently work as the Youth Services Coordinator at the Tundra Women’s Coalition. I’m taking a creative non-fiction writing course at KUC with Ben Kuntz and wrote this essay for his class. Lyn Baldwin teaches botany and ecology at Thompson Rivers University amidst the sagebrush steppe and inland coniferous forests of southern British Columbia. Although Lyn has primarily published in scientific journals, she has been telling stories about her home in the northwestern corner of North America in her illustrated field journals for nearly 20 years. Her journals have been exhibited in local libraries, university art galleries, and science museums. Further excerpts from her journals can be found at her blog, http://viridianlife.sites.tru.ca/  Gabrielle Barnett’s poetry has appeared in Cirque and Contact Quarterly. Her non-fiction writing has been featured in the Arts section of the Anchorage Daily News, as well as POL, Art Matters, Next Stage, Wild Voices, and Contact Quarterly. Her scholarly writing has been published in Technology and Culture; Theatre; Socialism, Nature, Capitalism; and Polar Geography. She is a founding member of Venus Transit, an ensemble that experiments performing poetry.

Nellika Little

Edith Barrowclough lives in Anchorage where she is part owner of a tax business. Her photos have appeared in previous editions of Cirque and in other publications. She travels widely, taking a broad view of the world through the narrow lens of her camera.

Cirque, Vol. 4 No. 2  

A Literary Journal for the North Pacific Rim

Cirque, Vol. 4 No. 2  

A Literary Journal for the North Pacific Rim

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