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Attending the Festival All Native American Film + Video Festival programs are free NMAI MANAGEMENT Kevin Gover (Pawnee), Director, National Museum of the American Indian (NMAI) Tim Johnson (Mohawk), Associate Director, NMAI Museum Programs John Haworth (Cherokee), Director, NMAI George Gustav Heye Center (GGHC) Peter Brill, Deputy Assistant Director for Exhibits, Programs, and Public Spaces, GGHC Scott Merritt, Deputy Assistant Director for Operations and Program Support, GGHC Lucia DeRespinis, Director of Development, GGHC FESTIVAL DIRECTORS Elizabeth Weatherford, Director, NMAI Film and Video Center (FVC) Emelia Seubert, Assistant Curator, FVC FESTIVAL MANAGEMENT Reaghan Tarbell (Mohawk), Festival Coordinator, FVC Gaby Markey, Administrative Support, FVC GUEST SELECTORS Helen Haig-Brown (Tsilhqot'in) Ana Rosa Duarte (Yucatec Maya) Terry Jones (Seneca) Nancy Marie Mithlo (Chiricauhua Apache) FESTIVAL PROGRAM STAFF Wendy Allen, Website Coordinator, FVC Nick Barber, Festival Selection Assistant, FVC Cindy Benitez, Festival Promotion Assistant/New Generations Coordinator, FVC Lindsey Cordero, Latin American Program Assistant, FVC Amalia CĂłrdova, Coordinator, Latin American Program, FVC Caroline De Fontaine-Stratton, New Generations Assistant Christine Halvorson, Interpreter James Kendi, Photographer Fatima Mahdi, Indigenous Media On-Line Database Assistant, FVC Rebekah Mejorado, Program Assistant/  7YPU[;YHMĂ„J*VVYKPUH[VY-=* Leonard Morin, Interpreter Arianna Plevisani, Latin American Program Assistant, FVC Cassandra Smithies, Interpreter AV TECHNICAL STAFF Abby Campbell, Supervisory IT Specialist, GGHC Ryan Garfman Patrick Glynn, AV Specialist, GGHC Douglas Graham, AV/IT Intern Tom Kotik Aaron Kutnick, FVC Intern

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GGHC STAFF SUPPORT Quinn Bradley (Navajo), Public Affairs Assistant Leonor Bonuso, Administration Marco Cevallos, Assistant Facilities Manager 4HYNHYL[*OLU,_LJ\[P]L6MÄJL Gaetana de Gennaro (Tohono O’odham), Resource Center Manager Johanna Gorelick, Education Department Manager Jorge EstÊvez (Taino), Cultural Arts Stephen Lang, Cultural Arts Tamara Levine, Administration Robert Mastrangelo, Exhibitions Irka Mateo, Educator LaKisha Maxey, Education Department Support Trey Moynihan, Special Events and Corporate Membership Manager Ricardo Palacio, IT Support Farhana Rahman, Development Assistant Margaret Sagan, Visitor Services Manager 2HYLU:H]HNL,_LJ\[P]L6MÄJL Ann Marie Sekeres, Public Affairs Specialist Caroline A. Shea, Special Events Assistant Susanna Stieff, Graphic Designer Regina Taylor, Facilities Manager Shawn Termin (Lakota), Cultural Arts Manager Lawan Tyson, Administration OTHER NMAI STAFF SUPPORT James Adams, Historian Melissa Bisagni, Programming Manager, Media Arts David Chang, Informated Software Solutions Joseph Comising, Informated Software Solutions Eileen Maxwell, Editor in Chief, American Indian Magazine Joseph Poccia, Web Developer Holly Stewart, Social Media Editor Tanya Thrasher (Cherokee Nation of Oklahoma), Head of Publications Erin Weinman, IT Applications Manager Cheryl Wilson, NMAI Web Manager FESTIVAL GRAPHIC DESIGNER Mara Behrens, Maromadesign FESTIVAL TRAILER Jonathan Ray (Laguna Pueblo) Special thanks to volunteers Sebastian Moya, Charlotte Gleghorn, Christine Mladic, Daniela Quiroz, Ernesto de Carvalho, Chantal Emmanuel and the New York Cares team, and all of the festival volunteers.

DAYTIME PROGRAMS

For daytime programs held in the Auditorium and Diker Pavilion, seating is available on a Ă„YZ[JVTLĂ„YZ[ZLY]LKIHZPZ-VYWYVNYHTZ OLSKPU;OL:JYLLUPUN9VVT^OPJOOHZSPT P[LKZLH[PUN[PJRL[Z^PSSILKPZ[YPI\[LKH[[OL ^PSSJHSSKLZRILNPUUPUNTPU\[LZILMVYL [OLZOV^[PTL EVENING PROGRAMS

9LZLY]H[PVUZHYLYLJVTTLUKLKMVYL]LUPUN WYVNYHTZ5VTVYL[OHUMV\YZLH[ZTH`IL YLZLY]LKI`HU`VULWLYZVU54(0TLTILYZ HYLNP]LUWYPVYP[`MVYYLZLY]H[PVUZILMVYL 4HYJO9LZLY]LK[PJRL[ZTH`ILWPJRLK \WH[[OL^PSSJHSSKLZRILNPUUPUNTPU\[LZ ILMVYL[OLZOV^[PTL;PJRL[ZUV[WPJRLK \WTPU\[LZILMVYL[OLZOV^[PTL^PSSIL YLSLHZLK[V[OL^HP[SPZ[;VYLZLY]L[PJRL[Z WOVULVYLTHPS-=*'ZPLK\ We will contact you only if we cannot accommodate your reservation. PLEASE NOTE

(SS]PZP[VYZ[V[OL/L`L*LU[LYHYLYLX\PYLK [VNV[OYV\NOHZLJ\YP[`JOLJRHUKTHN UL[VTL[LY5VZOHYWVYTL[HSP[LTZ^PSSIL HSSV^LKPU[V[OLT\ZL\T (SSWYVNYHTZHYL^OLLSJOHPYHJJLZZPISL;V YLX\LZ[HZZPZ[HUJLMVY[OLOLHYPUNPTWHPYLK WSLHZLLTHPS-=*'ZPLK\ILMVYL4HYJO DIRECTIONS

;OL5H[PVUHS4\ZL\TVM[OL(TLYPJHU 0UKPHU.LVYNL.\Z[H]/L`L*LU[LYPZ SVJH[LKH[6UL)V^SPUN.YLLUHKQHJLU[[V [OLUVY[OLHZ[JVYULYVM)H[[LY`7HYR5L^ @VYR5L^@VYR :\I^H`!9[V>OP[LOHSS:[YLL["[V:V\[O -LYY`"1A[V)YVHK:["[V)V^SPUN .YLLU-VYJ\YYLU[Z[H[\ZVM^LLRLUKZ\I ^H`ZLY]PJL]PZP[^^^T[HPUMV )\Z!44HUK4

NATIVE NETWORKS WEBSITE AND SOCIAL MEDIA

5H[P]L5L[^VYRZ54(0Z^LIZP[LVU5H[P]L TLKPHWYVÄSLZTLKPHTHRLYZHUKVYNHUPaH [PVUZHUKWYV]PKLZYLZV\YJLSPZ[ZHUKV[OLY PUMVYTH[PVUHIV\[PUKPNLUV\ZÄST]PKLV [LSL]PZPVUYHKPVHUKPU[LYHJ[P]LTLKPH VISIT THE FESTIVAL WEBSITE AT www.nativenetworks.si.edu (English) www.redesindígenas.si.edu (Espaùol) and NMAI’s website at www.nmai.si.edu OR FOLLOW US ON


Welcome to the 2011 Native American Film + Video Festival

Organized by the Film and Video Center (FVC) of the National Museum of the American Indian, the Native American Film + Video Festival celebrates the creative energy of Native American directors, producers, writers, actors, musicians, cultural activists, and the many others who support their endeavors. ;OPY[``LHYZHNV[^V`LHYZHM[LY[OLMLZ[P]HS^HZMV\UKLKPU  -=*VMÄJPHSS`ILNHUP[ZSVUNSPMLPU[OLT\ZL\T HZ[OLJV\U[Y`ZÄYZ[TLKPHHY[ZJLU[LYMVY5H[P]L(TLYPJHUÄST-YVT[OLV\[ZL[-=*HUK[OLMLZ[P]HSOH]LILLU dedicated to indigenous production from throughout the Americas, designed to be a welcoming place for Native ÄSTTHRLYZHUKV[OLYWHY[PJPWHU[ZPUPUKPNLUV\ZÄST-VY[OPZ`LHYZMLZ[P]HSTVYL[OHUWHY[PJPWHU[ZPU5H[P]L ÄST ^PSS IL PU H[[LUKHUJL ]PZP[PUN \Z MYVT (YNLU[PUH )VSP]PH )YHaPS *HUHKH *VSVTIPH ,J\HKVY .\H[LTHSH Mexico, Peru, Suriname, and the United States. This provides our audience with an unparalleled opportunity to ZLLNYLH[UL^ÄSTZHUK[VILWHY[VMJVU]LYZH[PVUZ^P[OJYLH[P]LWLVWSLMYVTTHU`KPMMLYLU[5H[P]LJVTT\UP[PLZ >LHYLTVZ[HWWYLJPH[P]LVM[OL^VYRKVULI`[OLMLZ[P]HSZN\LZ[ZLSLJ[VYZ(UH9VZH+\HY[L/LSLU/HPN Brown, Terry Jones, and Nancy Marie Mithlo brought their wide-ranging experiences and expertise to bear in the JYLH[PVUVMHYPJOHUKKP]LYZLMLZ[P]HSWYVNYHT-YVT[OLTVYL[OHULU[YPLZYLJLP]LKULHYS`H^HYK^PUUPUN shorts, features, and documentaries will be screened. This year we present a focus on Mother Earth in crisis, emphasizing Native knowledge of the environment. Themes sounded throughout the festival—honor to elders and hope for youth, courageous community action, women’s perspectives, the survival of Native languages, and many others—speak of the Native realities of the 21st century. Throughout this week, the festival brings you Native storytelling at its best: wrenching at times, touching, risky, ironic, hilarious, and experimental. And now to the festival! We can now be found at www.nativenetworks.si.edu or www.redesindigenas.si.edu, on Facebook and Twitter, and at our own email address, FVC@si.edu. We look forward to your presence and welcome your comments and responses to the exciting works being screened. —Elizabeth Weatherford, Founding Director, Native American Film + Video Festival

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Meet the Selectors

ANA ROSA DUARTE @\JH[LJ4H`HPZH]PKLVTHRLYHUKZVJPHSHU[OYVWVSVNPZ[H[[OL<UP]LYZPKHK(\[}UVTH KL@\JH[mUPU4tYPKH+\HY[L»ZKVJ\TLU[HYPLZZ\JOHZ[OLYLJLU[Arroz con LecheMVJ\ZVUHZWLJ[ZVM OLYV^UJ\S[\YL:OL^YP[LZHIV\[J\S[\YHSJOHUNLHTVUNY\YHS4H`HU^VTLUPU[OL@\JH[mUHUKHIV\[ 4H`HUZLSMYLWYLZLU[H[PVU[OYV\NOTLKPH

0U+\HY[LHUK)`Y[>HTTHJRJVMV\UKLK[OLVYNHUPaH[PVU@VVJOLS2HHQ!*PUL=PKLV*\S[\YH ^OPJOJVUJLU[YH[LZVU[OL\ZLVM[LJOUVSVN`HUK[OLTLKPHHY[Z+\HY[LPZHMV\UKPUNTLTILYVM[OL ;\YP_*VSSLJ[P]L^OPJOZPUJLOHZWYVK\JLKPUKLWLUKLU[]PKLVPUY\YHSJVTT\UP[PLZ"[OLTHQVYP[`VM [OLZL^VYRZHYLWYVK\JLKPU@\JH[LJHU4H`H^OPJO+\HY[LZWLHRZÅ\LU[S`>HTTHJRHUK+\HY[LHSZV JVMV\UKLK.LVNYHMxHZ:\H]LZH]PKLVMLZ[P]HSMVJ\ZLKVUYLNPVUHSWYVK\J[PVUZMYVT4H`HUJVTT\UP[PLZ HUKV[OLYPUKPNLUV\ZWLVWSLZPUZV\[OLYU4L_PJV)LSPaLHUK.\H[LTHSH+\HY[L^HZIVYUPU*OVJOVSm @\JH[mUHUKJ\YYLU[S`SP]LZPU4LYPKH:OLPZHKVJ[VYHSJHUKPKH[LPUHU[OYVWVSVN`H[[OL<UP]LYZPKHK (\[}UVTH4L[YVWVSP[HUHPU4t_PJV*P[`

HELEN HAIG-BROWN;ZPSOXV[PUPZHKPYLJ[VYKPYLJ[VYVMWOV[VNYHWO`[LHJOLYHUKHSLHKPUN[HSLU[PUWYV K\JPUNL_WLYPTLU[HSKVJ\TLU[HY`ZOVY[Z/LY^VYR^OPJOOHZVM[LUMV\UKP[ZZ[HY[PUNWSHJLPU[OLSPMLL_ WLYPLUJLZVMOLYMHTPS`TLTILYZL_WSVYLZ-PYZ[5H[PVUZWLVWSL»ZJVUULJ[PVUZ[V[OLPYSHUKHUKSHUN\HNLZ /LYÄYZ[ÄJ[PVUHS^VYR?E?Anx/The CavePZHUVMÄJPHSZLSLJ[PVUVM[OL:\UKHUJL-PST-LZ[P]HSHUKVM )LYSPUHSLHUKPU ^HZPUJS\KLKVU[OL*HUHKH»Z;VW;LU:OVY[-PSTSPZ[I`[OL;VYVU[V0U[LYUH [PVUHS-PST-LZ[P]HS

/HPN)YV^U»ZYLJLU[^VYRZPUJS\KLPelq'ilc/Coming HomeHIV\[[OL:LJ^LWLTJ5H[PVU»ZSHUN\HNL YL]P[HSPaH[PVULMMVY[ZHUK^VYRZPU[OL[LSL]PZPVUZLYPLZOur First Voices^OPJOMVJ\ZLZVUPUKPNLUV\Z SHUN\HNL(ZHJPULTH[VNYHWOLYZOLOHZ^VYRLK^P[OV[OLYL_WLYPTLU[HSKVJ\TLU[HY`KPYLJ[VYZ PUJS\KPUN2L]PU3LL)\Y[VUHUK2HTHSH;VKKHUKMVY*)*HUK^P[O[OL5H[PVUHS-PST)VHYKVM*HUHKH /HPN)YV^UHJ[P]LS`^VYRZ^P[OUL_[NLULYH[PVUZZLY]PUNVU[OLIVHYKVMKPYLJ[VYZMVYRedwire, a maga aPULMVY5H[P]L`V\[OHUK[LHJOPUNTLKPHWYVK\J[PVU:OLYLZPKLZVU[OL:[VUL9LZLY]LOLY[YHKP[PVUHS SHUKZPU[OLPU[LYPVYVM)YP[PZO*VS\TIPH

TERRY JONES:LULJHPZHÄSTTHRLYHUKJVTTLYJPHSWOV[VNYHWOLY^OVZLZOVY[]PKLVZOH]LPUJS\KLK ZL]LYHS^VYRZVU:LULJHMVVKZ·^P[OZJYLLUPUNZVM[LUMVSSV^LKI`MVVK[HZ[PUNZ·PUJS\KPUNWhat the Hell Is Corn Soup? and Frybread: A TraumedyPU^OPJOOLHSZVZ[HYYLK0U1VULZH[[LUKLK[OL0UZ[P[\[L VM(TLYPJHU0UKPHU(Y[Z:\TTLY-PSTHUK;LSL]PZPVU>VYRZOVW^OLYLOL^HZH^HYKLKHU()*+PZUL` ;HSLU[+L]LSVWTLU[-LSSV^ZOPWMVYOPZMLH[\YLSLUN[OZJYLLUWSH`Salem^VYRPUN[P[SLHIV\[H`LHYVSK NPYS»ZL_WLYPLUJLH[HYLZPKLU[PHSIVHYKPUNZJOVVSPU[OL Z"[OPZ^VYRPZ\UKLYVW[PVU[V+PZUL`/LPZ J\YYLU[S`PUKL]LSVWTLU[^P[OCasino NationHKVJ\TLU[HY`HIV\[OV^[OLPU[YVK\J[PVUVMHJHZPUVHM MLJ[ZHJVTT\UP[`

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NANCY MARIE MITHLO *OPYPJHO\H(WHJOLPZHUHZZPZ[HU[WYVMLZZVYVMHY[OPZ[VY`HUK(TLYPJHU0UKPHUZ[\K PLZH[[OL<UP]LYZP[`VM>PZJVUZPU4HKPZVU(ZHZJOVSHYHUKJ\YH[VY4P[OSVL_WSVYLZ[OLTLHUPUNZVMÄST WOV[VNYHWO`TLKPHHUKV[OLYHY[ZHZ^LSSHZTH[LYPHSJ\S[\YLPUJVU[LTWVYHY`ZVJPL[`/LYIVVR“Our Indian Princess”: Subverting the Stereotype:JOVVSMVY(TLYPJHU9LZLHYJO! ZOV^ZOV^Z[LYLV[`WLZ JHUIL\UKLYTPULK[OYV\NOHWWYVWYPH[PVU:OLOHZYLJLU[S`YLJLP]LKYLZLHYJOZ\WWVY[MYVTOLY\UP]LYZP[` HUK[OL>VVKYV^>PSZVU5H[PVUHS-LSSV^ZOPW-V\UKH[PVU

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3


Friday Screenings/Symposium

Elderly Words: How Did We Do Elderly Words?

FRIDAY, APRIL 1 AUDITORIUM

12–6 PM SYMPOSIUM: MOTHER EARTH IN CRISIS (YLPUKPNLUV\ZYP]LYZPUJYPZPZ&-YVT[OLMV\Y KPYLJ[PVUZH^HYK^PUUPUNÄSTTHRLYZL_ WSVYL5H[P]LJVTT\UP[PLZ»JVUJLYUZHIV\[ [OLMH[LVM4V[OLY,HY[OHUKOLYYP]LYZ· [OL9\WLY[9P]LYPU8\LILJHUK6U[HYPV *HSPMVYUPHHUK6YLNVU»Z2SHTH[O)HZPU [OL9HUJOLYxH9P]LYPU*VSVTIPH[OL?PUN\ 9P]LYPU)YHaPSHUK[OL7HWHNH`V9P]LYPU 4L_PJV+PZJ\ZZPVU^P[O[OLÄSTTHRLYZMVS SV^ZLHJOZJYLLUPUNZLJ[PVU

12–1 PM LOS DERECHOS DE LA PACHAMAMA/THE RIGHTS OF MOTHER EARTH TPU7LY\7YVK\JLKI`:HSSXH]P KLPHZ[HZHUK0UZPNO[:OHYL3H[PU(TLYPJH0U 8\LJO\HHUK:WHUPZO^P[O,UNSPZOZ\I[P[SLZ

7LVWSLMYVTÄ]LOPNOSHUKJVTT\UP[PLZ KLHSPUN^P[O[OLLMMLJ[ZVMJSPTH[LJOHUNL HUKWYLZZ\YL[V\ZLOHYTM\SJOLTPJHSZ PU[OLPYHNYPJ\S[\YHSWYHJ[PJLZNP]L[OLPY WLYZWLJ[P]LZVU[OLULLK[VYLJVNUPaLHUK YLZWLJ[[OLYPNO[ZVM4V[OLY,HY[OHZHSP] PUNLU[P[`<:WYLTPLYL

1:15–2:20 PM RIVER OF RENEWAL *HYSVZ)VSHKV  TPU<:7YVK\JLYZ!1HJR 2VOSLY@\YVR2HY\R/\WH:[LWOLU 4VZ[:[L]L4PJOLSZVU

(M[LYHJYPZPZ[OYLH[LUZ[OLZHSTVUVM [OL2SHTH[O9P]LYIHZPUZ[HRLOVSKLYZ JVTL[VNL[OLY[VKLTHUK[OLYLTV]HS VMMV\YKHTZ

2:30–4 PM IX TASANA TIYAT/CRY OF THE EARTH 3\JPV6STVZ;V[VUHJ7YVK\JLKI`[OL *LU[LYMVY0UKPNLUV\Z(Y[Z=LYH*Y\a0U ;V[VUHJ^P[O,UNSPZOZ\I[P[SLZ TPU4L_PJV

4V[OLY,HY[OPU[OLMVYTVMHILH\[PM\S `V\UN^VTHUTV\YUZ[OLKHTHNLILPUN KVUL[V[OL^VYSK5@WYLTPLYL ELDERLY WORDS: WHO’S THREATENING THE WATER? (THKV=PSSHMH|H(YO\HJV:H‚S.PS>P^H :PS]LZ[YL.PSAHYHIH[H2VN\P  TPU*VSVTIPH7YVK\JLKI` .VUH^PUK‚H;H`YVUH6YNHUPaH[PVUPUJV WYVK\J[PVU^P[O;LSL*HYPIL0UPUKPNLUV\Z SHUN\HNLZ^P[O,UNSPZOZ\I[P[SLZ

The mamos, traditional indigenous authori [PLZVM[OL:PLYYH5L]HKHKL:HU[H4HY[H YLNPVUVMUVY[OLYU*VSVTIPHZWLHRHIV\[ [OLLU]PYVUTLU[HSJYPZPZHMMLJ[PUNTV\U[HPU ZUV^ZHUK^H[LY<:WYLTPLYL

Y EL RÍO SIGUE CORRIENDO/AND THE RIVER FLOWS ON (TRAILER) *HYSVZ,MYHxU7tYLa9VQHZ4P_L0U :WHUPZO^P[O,UNSPZOZ\I[P[SLZ TPU4L_PJV

:PUJL[OL4L_PJHUNV]LYUTLU[OHZ [YPLK[VI\PSK[OL3H7HYV[HO`KYVLSLJ[YPJ KHT^OPJO^V\SKÅVVKZL]LYHSJVTT\UP [PLZZV\[OVM(JHW\SJV DOWN THE MIGHTY RIVER, EPISODE 1 ,YULZ[>LII*YLL3PZH49V[O TPU*HUHKH

;OPZWYLTPLYLLWPZVKLMYVTHKVJ\TLU [HY`[LSL]PZPVUZLYPLZ[HRLZHÄUHSQV\YUL` KV^U8\LILJ»Z9\WLY[9P]LYILMVYLP[Z KP]LYZPVUMVYHO`KYVLSLJ[YPJWYVQLJ[ L_WSVYPUN[OLPTWHJ[VM[OLTLNHWYVQLJ[ VU[OLWLVWSLHUKLU]PYVUTLU[VM[OL 5VY[O<:WYLTPLYL

A MESSAGE FROM PANDORA 1HTLZ*HTLYVU TPU<:

-YVT[OLKPYLJ[VYVMAvatar[OPZÄSTHK]V JH[LZHNHPUZ[I\PSKPUNVM[OL)LSV4VU[L +HTVU[OL?PUN\9P]LYPU)YHaPS BATTLE FOR THE XINGU 0HYH3LL  TPU<:

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4–5:30 PM PANEL: PROTECTING OUR RIVERS 1VPU\ZMVYHYV\UK[HISLKPZJ\ZZPVUVU[OL PTWHJ[VM[OLL_WSVP[H[PVUVMYP]LYZ`Z[LTZ VU5H[P]LWLVWSLZHUK^OH[J\S[\YHSHUK LU]PYVUTLU[HSHJ[P]PZ[ZHUKPUKPNLUV\Z ÄSTTHRLYZHYLKVPUNPUYLZWVUZL 4VKLYH[VY!;VU`H.VUULSSH-YPJOULY6UVU KHNH(TLYPJHU0UKPHU3H^(SSPHUJL(03( MOTHER EARTH IN CRISIS IS PRESENTED IN ASSOCIATION WITH AILA, AMAZON WATCH, RAINFOREST FOUNDATION US, AND INTERNATIONAL RIVERS

4


Evening Screenings

DIKER PAVILION

7:15–9 PM INTRODUCED BY SHELLEY NIRO KISSED BY LIGHTNING :OLSSL`5PYV4VOH^R   TPU*HUHKH

0UZWPYLKI`HUHUJPLU[0YVX\VPZ[HSL[OPZ Z[VY`MVSSV^ZH:P_5H[PVUZ4VOH^RHY[PZ[ ^OVNYPL]LZMVYOLYSVZ[O\ZIHUK0UHU LMMVY[[VL_[PUN\PZOOH\U[PUNTLTV YPLZZOLPTTLYZLZOLYZLSMPUWHPU[PUN <UL_WLJ[LKS`HU\WJVTPUNHY[L_OPIP[PVU MVYJLZOLY[VJVUZPKLY[OLWVZZPIPSP[PLZVM [OLOLYLHUKUV^5@WYLTPLYL

1

1 Shimásání 2 Kissed by Lightning

Preceded by KEEPING QUIET :OHUL)LSJV\Y[4t[PZ  TPU*HUHKH

2

4VVK`ISHJRHUK^OP[LJPULTH[VNYHWO` \UKLYZJVYLZ[OLSVULSPULZZVMHTHU^OV OHZSVZ[OPZWHY[ULY<:WYLTPLYL

THURSDAY, MARCH 31

FRIDAY, APRIL 1

AUDITORIUM

AUDITORIUM

7–9 PM

7–9 PM

SATURDAY, APRIL 2

INTRODUCED BY IAN MAURO WITH NORMAN COHN, ISUMA TV

NEW SHORT WORKS

AUDITORIUM

TUNGIJUQ -tSP_3HQL\ULZZL7H\S9HWOHwS  TPU*HUHKH

7–9 PM

FILE UNDER MISCELLANEOUS 1LMM)HYUHI`4P»RTHX TPU*HUHKH

REEL INJUN 5LPS+PHTVUK*YLL  TPU*HUHKH9LaVS\[PVU7PJ [\YLZ0U[LYUH[PVUHSPUJVWYVK\J[PVU^P[O [OL5H[PVUHS-PST)VHYKVM*HUHKHHUKPU HZZVJPH[PVU^P[O*)*5L^Z^VYSK

QAPIRANGAJUQ: INUIT KNOWLEDGE AND CLIMATE CHANGE ............. AHJOHYPHZ2\U\R0U\P[HUK0HU4H\YV TPU*HUHKH7YVK\JLKI` 0NSVVSPR0Z\TH7YVK\J[PVUZHUK2\U\R *VOU7YVK\J[PVUZ0U0U\R[P[\[^P[O ,UNSPZOZ\I[P[SLZ

>OH[HYL[OLZVJPHSHUKLJVSVNPJHSPT WHJ[ZVMH^HYTPUN(YJ[PJ&+YH^PUNMYVT HUHUJPLU[TLTVY`IHURVMRUV^SLKNL HUKL_WLYPLUJLJVU[LTWVYHY`0U\P[ZOHYL [OLPYRUV^SLKNLVMJSPTH[LJOHUNLPU[OLPY OVTLSHUKHUKTHRLP[JSLHY[OH[[OPZPZH O\THUYPNO[ZPZZ\LHMMLJ[PUN[OLPYJ\S[\YL HUK[OLPYZ\Y]P]HS5@WYLTPLYL PRESENTED IN ASSOCIATION WITH SMITHSONIAN CENTER FOR ARCTIC STUDIES AND SMITHSONIAN RECOVERING VOICES INITIATIVE

WINDIGO 2YPZ/HWW`QHJR4J2LUaPL(SNVUX\PU  TPU*HUHKH WAPAWEKKA +HUPZ.V\SL[4t[PZ TPU*HUHKH THE ROCKET BOY +VUH]HU:LZJOPSSPL5H]HQV TPU<: BEAR TUNG ;YH]PZ:OPSSPUN6QPI^L  TPU*HUHKH SHIMÁSÁNÍ )SHJROVYZL3V^L5H]HQV  TPU<:

5

INTRODUCED BY NEIL DIAMOND

/V^OH]LPTHNLZVM[OL/VSS`^VVK0UQ\U ZOHWLK[OL^VYSK»Z\UKLYZ[HUKPUN·HUK TPZ\UKLYZ[HUKPUN·VM5H[P]LWLVWSLZ&(U L`LWVWWPUNZLSLJ[PVUVMÄSTJSPWZKYH^U MYVT[OLZPSLU[LYH[V[OLWYLZLU[KH`HUK JHUKPKPU[LY]PL^Z^P[OKPYLJ[VYZ^YP[LYZ HJ[VYZHUKHJ[P]PZ[ZWYV]PKLHUPUZPNO[M\S ]PL^VM[OLL]VS]PUNLU]PYVUTLU[VMÄSTZ HIV\[PUKPNLUV\ZWLVWSL PRESENTED IN ASSOCIATION WITH ITVS/INDEPENDENT LENS AND NAPT/ NATIVE AMERICAN PUBLIC TELECOMMUNICATIONS


Evening Screenings

DIKER PAVILION

7:15–9 PM INTRODUCED BY CARLOS EFRAÍN PÉREZ ROJAS Y EL RÍO SIGUE CORRIENDO/AND THE RIVER FLOWS ON *HYSVZ,MYHxU7tYLa9VQHZ4P_L TPU4L_PJV0U:WHUPZO^P[O ,UNSPZOZ\I[P[SLZ

1

:PUJL[OL4L_PJHUNV]LYUTLU[OHZ [YPLK[VI\PSK[OL3H7HYV[HO`KYVLSLJ[YPJ KHT^OPJO^V\SKÅVVKZL]LYHSJVTT\UP [PLZZV\[OVM(JHW\SJV;OPZKVJ\TLU[HY` WVY[YH`Z[OLJVTT\UP[PLZ[OH[OH]LYLZPZ[LK [OPZWYVQLJ[[OLPYSP]LZ[OLPY^VYRHUK[OLPY SV]LVM[OLSHUK5@WYLTPLYL

Preceded by LA TIERRA ES NUESTRA/THE LAND IS OURS *HYSVZÍS]HYLaAHTILSSP0U:WHUPZO^P[O ,UNSPZOZ\I[P[SLZ TPU0U:WHUPZO ^P[O,UNSPZOZ\I[P[SLZ

;OPZL_WLYPTLU[HSHUPTH[LKZOVY[^HZWYV K\JLK^P[O[OL(ZZVJPH[PVUMVY*VVWLYH[PVU ^P[O[OL:V\[O(*:<+HZWHY[VMHJHT WHPNU[VKLUV\UJLH[[HJRZVU[OLPUKPNLUV\Z WLVWSLZVM3H[PU(TLYPJHHUK[OLPY[LYYP[VYPLZ HUKYLZV\YJLZ<:WYLTPLYL PRESENTED IN ASSOCIATION WITH THE MEXICAN CULTURAL INSTITUTE AND TRIBECA FILM INSTITUTE

SUNDAY, APRIL 3 AUDITORIUM

3

THE WHITE TIGER ;HPRH>HP[P[P;L>OHUH\H(WHU\P  TPU5L^ALHSHUK CEPANVKUCE TUTCENEN/THREE LITTLE BOYS :[LYSPU/HYQV:LTPUVSL*YLLR  TPU<: TSI TKAHÉHTAYEN/THE GARDEN AVL3LPNO/VWRPUZ/LPS[Z\R4VOH^R  TPU*HUHKH FIRST CONTACT 9PTH;HTV\)\SN\UU^HYYH5NH9\HOPUL 9HUNP  TPU(\Z[YHSPH B. DREAMS )SHJROVYZL3V^L5H]HQV TPU<:

7–8:30 PM INTRODUCED BY JASON RYLE, IMAGINENATIVE FILM + MEDIA ARTS FESTIVAL

EMBARGO COLLECTIVE 0U;VYVU[V»ZPTHNPUL5(;0=,-PST 4LKPH(Y[Z-LZ[P]HSLUNHNLKHJVSSLJ [P]LVMV\[Z[HUKPUNPUKPNLUV\ZÄSTTHRLYZ [VKL]LSVWUL^^VYRN\PKLKI`ZOHYLK ZLSMPTWVZLKSPTP[H[PVUZ6]LYHWLYPVKVM TVU[OZ[OLÄSTTHRLYZZOHYLK[OLPY L_WLYPLUJLZPUZWPYLKVULHUV[OLYHUKPUH JVSSHIVYH[P]LZWPYP[JYLH[LKÄSTZ[OH[ZWLHR MVY[OLTZLS]LZPU[OLPY5H[P]LSHUN\HNLZ

SAVAGE 3PZH1HJRZVU6QPI^L TPU *HUHKH

2

1 Pi'õnhitsi, Mulheres Xavánte sem Nome/ Pi'õnhitsi, Unnamed Xavánte Women 2 Y El Río Sigue Corriendo/And the River Flows On 3 Savage

SISA ÑAMBI ,YPILY[V.\HSPUNH:HYH`HR\2PJO^H TPU,J\HKVY0U2PJO^HHUK :WHUPZO^P[O,UNSPZOZ\I[P[SLZ

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7:15–9 PM

(M[LY`LHYZVMH[[LTW[Z[VTHRLHÄST HIV\[[OL?H]mU[LMLTHSLPUP[PH[PVU YP[\HS^OPJOUV^VUS`Z\Y]P]LZVUS`PU ;ZLYL^HO‚»ZV^U]PSSHNL[OLÄSTTHRLYZ JOHUNLJV\YZLHUKVMMLYHMHZJPUH[PUN HJJV\U[PU^OPJO`V\UNHUKVSKKPZJ\ZZ [OLKPMÄJ\S[PLZHUKYLZPZ[HUJLPU]VS]LKPU JHYY`PUNV\[[OLJLSLIYH[PVU<:WYLTPLYL

INTRODUCED BY ERIBERTO GUALINGA AND DIVINO TSEREWAHÚ

PRESENTED IN ASSOCIATION WITH CINEMA TROPICAL

?E?ANX/THE CAVE /LSLU/HPN)YV^U;ZPSOXV[PU  TPU*HUHKH

DIKER PAVILION

6


Saturday Screenings

1

2

SATURDAY, APRIL 2 AUDITORIUM DISCUSSION WITH FILMMAKERS FOLLOWS EACH SCREENING SECTION

3

>P[O[VVSZVSKHUKUL^·TTOVTLTV] PLZHUK[OLP7OVUL·[OLÃ&#x201E;STTHRLYL_WSVYLZ MHTPS`HUKJVSSLJ[P]LTLTVY`5@WYLTPLYL JACK 1LYLT`>PSSPHTZ;VT9VILY[Z  TPU<:

4

(WOV[VNYHWO[HRLUVM[OLÃ&#x201E;STTHRLYHZH `V\UNIV`PZ[OLZ[HY[PUNWVPU[MVYHTV]PUN QV\YUL`PU[V(WHJOLOPZ[VY`HUK[OLÃ&#x201E;ST THRLY»ZHWWYLJPH[PVUVMOPZNYLH[NYHUKMH [OLY»ZKLJPZPVU[VSLH]L6RSHOVTHPU  [VYL[\YU[V>OP[L4V\U[HPU(WHJOL9LZ LY]H[PVU^OLYLOL^HZIVYU5@WYLTPLYL

11:30 AMâ&#x20AC;&#x201C;1:50 PM THIS IS WHO I AM RED OCHRE 1LYY`,]HUZ4P»RTHX  TPU*HUHKH7YVK\JLKI`[OL 5H[PVUHS-PST)VHYKVM*HUHKHPUJVSSHIV YH[PVU^P[O(7;5VistasZLYPLZ

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7

(=PL[UHT]L[LYHUZ[Y\NNSLZ[VYLJVUJPSLOPZ WYPKLPUOH]PUNZLY]LKPU[OLTPSP[HY`^P[O[OL RUV^SLKNL[OH[OPZYLNPTLU[[OL[O*H]HSY` T\YKLYLKOPZV^UWLVWSLH[[OLPUMHTV\Z >V\UKLK2ULL4HZZHJYL5@WYLTPLYL COUSINS :HSS`2L^H`VZO*YLL6QPI^L TPU*HUHKH

VOLADORA/A FLYING WOMAN *OSVL*HTWLYV TPU4L_PJV7YVK\JLKI`[OL *LU[LYVM0UKPNLUV\Z(Y[Z=LYH*Y\a

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(YL]LSH[VY`[HSLVM[OL\UMHTPSPHYLTV[PVUZ HUKKP]PKLKSV`HS[PLZ[OH[WSHN\L[^VOPNO ZJOVVSNPYSZJV\ZPUZHUKILZ[MYPLUKZ^OV MHSSMVY[OLZHTLIV`5@WYLTPLYL

IN THIS MANNER, I AM =LSTH2LL*YHPN5H]HQV TPU<:

CRY ROCK )HUJOP/HU\ZL5\_HSR  TPU*HUHKH0U,UNSPZOHUK 5\_HSR^P[O,UNSPZOZ\I[P[SLZ

(UHUPTH[LKHKHW[H[PVUVMHWVLTIYPUNZ [VSPMLHZ[YLL[JVYULYLUJV\U[LYIL[^LLUH THUHUKH`V\UN5H]HQV^VTHU <:WYLTPLYL

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GRUMPY OLD MAN ;YPZ[HU*YHPN>OP[L4V\U[HPU(WHJOL 5H]HQV TPU<:(UPTH[VY!+\Z[PUU*YHPN >OP[L4V\U[HPU(WHJOL5H]HQV

A SNAPSHOT IN TIME +\Z[PUU*YHPN>OP[L4V\U[HPU(WHJOL5H]HQV  TPU<:

(SP[[SLIV`»Z[HRLVUOPZ^VYSKPZ L_WYLZZLKPUHÃ&#x201E;YZ[Ã&#x201E;ST5@WYLTPLYL


Saturday Screenings

6

5

7

FAR AWAY FROM HOME AVL3LPNO/VWRPUZ/LPS[Z\R4VOH^R  TPU*HUHKH

(`V\UNTHU^OVSP]LZMVY[OLTV]PLZ· HSSL_JLW[>LZ[LYUZ·KPZJV]LYZOLOHZH WLYZVUHSJVUULJ[PVU[V[OLT[OYV\NOOPZ JV\ZPUHUHJ[VYK\YPUN[OL Z»Z HUKLHYS`»Z;OLÃ&#x201E;STTHRLYJVUMYVU[Z OPZV^UHU_PL[PLZHIV\[YLWYLZLU[H[PVUZ VM5H[P]L(TLYPJHUZPUÃ&#x201E;STHZOLL_WSVYLZ [OLHTHaPUNJHYLLYVM=PJ[VY+HUPLSZ HRH*OPLM;O\UKLYJSV\K<:WYLTPLYL

([YHKP[PVUHS4VOH^RZVUNL_WYLZZLZHÃ&#x201E;ST THRLY»Z[OV\NO[Z^OLUZOLPZVU[OLYVHK

2â&#x20AC;&#x201C;4:45 PM

0UHZWPYP[VMSV^[LJONVVKO\TVY[OL Ã&#x201E;STTHRLYZWH`OVTHNL[V[OLJ\S[JSHZZPJ road movie Powwow Highway>VYSK WYLTPLYL BLUE IN THE FACE 4`YVU(3HTLTHU*YLL TPU*HUHKH7YVK\JLY!)L[O (PSLLU3HTLTHU(UPZOUHHIL4L[PZ 0YPZO,_LJ\[P]L7YVK\JLY!+VYLLU4 4HU\LS:LJ^LWLTJ2[\U\_H 7YVK\JLKPUHZZVJPH[PVU^P[O(7;5

;OLLMMLJ[VMHWVW\SHYÃ&#x201E;STVUVULVM P[Z5H[P]L]PL^LYZPZ[OLZ\IQLJ[VM[OPZ O\TVYV\ZZOVY[<:WYLTPLYL TONTO PLAYS HIMSELF 1HJVI-SV`K*YLLR*OLYVRLL TPU<:

/PNOSPNO[PUN[OL,9)63(`HTHYH5L[ ^VYRVM)VSP]PH0U[LYUL[PU[OL(THaVU 4HW\JOL0U[LYUL[9HKPVPU7H[HNVUPH HUK]PKLVPUPUKPNLUV\Z]PSSHNLZVM )YHaPS[OPZKVJ\TLU[HY`ZOV^ZOV^ PUKPNLUV\ZWLVWSLZPU3H[PU(TLYPJHHYL \ZPUNTLKPH[VWYV[LJ[[OLPYSP]LZHUK [OLPYZV]LYLPNU[`<:WYLTPLYL

5â&#x20AC;&#x201C;6 PM

ABOUT FILM POWWOW DRIVEWAY /LSLU/HPN)YV^U;ZPSOXV[PU.HIYPLSSL /PSS4t[PZ:[HJL`)PZOVW TPU*HUHKH

1 Cry Rock 2 Blue in the Face 3 Jack 4 Cousins 5 Voladora/A Flying Woman 6 La Guerra por Otros Medios/The War for Other Media 7 Far Away from Home

ELDERLY WORDS: HOW DID WE DO ELDERLY WORDS? (THKV=PSSHMH|H(YHO\HJV:HÂ&#x201A;S.PS >P^H:PS]LZ[YL.PSAHYHIH[H2VN\P   TPU*VSVTIPH7YVK\JLKI` .VUH^PUKÂ&#x201A;H;H`YVUH6YNHUPaH[PVUPUJV WYVK\J[PVU^P[O;LSL*HYPIL0UPUKPNLUV\Z SHUN\HNLZ^P[O,UNSPZOZ\I[P[SLZ

([LHTVMPUKPNLUV\ZÃ&#x201E;STTHRLYZ[YH]LSZ [OL:PLYYH5L]HKHKL:HU[H4HY[HYLNPVU VMUVY[OLYU*VSVTIPH[VHZR[OLmamos, traditional indigenous authorities, to ZWLHRV\[VU\YNLU[[VWPJZJVUJLYUPUN [OLLU]PYVUTLU[SHUKHUKJ\S[\YL0U[OPZ LWPZVKLMYVT[OLWHY[ZLYPLZElderly Words[OLAOPNVULZOP*VTT\UPJH[PVU *LU[YL[LHTZOV^ZOV^[OLWYVQLJ[^HZ VYNHUPaLK<:WYLTPLYL LA GUERRA POR OTROS MEDIOS/THE WAR FOR OTHER MEDIA ,TPSPV*HY[V`+xHa*YPZ[PmU1\YL TPU(YNLU[PUH0U:WHUPZO7VY [\N\LZLHUKPUKPNLUV\ZSHUN\HNLZ^P[O ,UNSPZOZ\I[P[SLZ

WAPIKONI MOBILE >HWPRVUP4VIPSLHWYVQLJ[VM3LZ7YVK\J [PVUZKLZ)LH\_1V\YZHUK[OL5H[PVUHS -PST)VHYKVM*HUHKHPZHTV[VYPaLK TV[PVUWPJ[\YL[YHPUPUNHUKWYVK\J[PVU Z[\KPV[OH[OHZILLU^VYRPUNPU8\LILJ»Z -PYZ[5H[PVUZJVTT\UP[PLZZPUJL >HWPRVUP»ZNVHSZHYL[VOLSW`V\[OIYLHR through their isolation, nurture their JYLH[P]P[`HUKWYV]PKLH^H`MVY[OLT[V ZWLHRV\[;OLYLZ\S[PUN^VYRZHYL\UL_ WLJ[LKVM[LU[LUKLYHUKHS^H`ZHYLÃ&#x2026;LJ [PVUVMSPMLHZ[OL`V\UNWLVWSLZLLP[ THE RACE :OLPSH)YHaLH\(SNVUX\PU TPU KICK IT NOW 3V\PZ7OPSPWWL4VHY([[PRHTLR^  TPU THE SMALL PLEASURES 4HYPL7PLY6[[H^H([PRHTLR^  TPU

8


Saturday Screenings

1

TONSURE 4HYPL7PLY6[[H^H([PRHTLR^  TPU WE ARE 2L]PU7HWH[PL(SNVUX\PU TPU

[OL^VYSK[OYV\NO[OL\ZLVMTLKPH0U ^VYRZHIV\[MHTPS`PKLU[P[`JVTT\UP[` OPZ[VY`SVJHSPZZ\LZJ\S[\YHS[YHKP[PVU HUKTHU`V[OLYZ\IQLJ[Z[OL`ZOHYL[OL O\TVYJOHSSLUNLZHUKQV`PU[OLPYSP]LZ -P]L`V\[O[YHPUPUNWYVQLJ[ZPU[OL<:HUK 4L_PJVHYLMLH[\YLK

NANAMESHKUEU/EARTHQUAKE 9tHS1\UPVY3LISHUJ0UU\TPU

TRIBAL TOURING PROGRAM (SAN FRANCISCO, CA)

BIG FOOT (U[VU`7V\JHJOPJOL(SNVUX\PU2LS]` 7V\JHJOPJOL(SNVUX\PUTPU

MY NAME IS KOBE )YPHUH9VILY[Z@VJOH+LOL>PU[\U TPU

NODIN/WIND 5VKPU>H^H[PL(SNVUX\PUTPU

SELAI SALTU/SPIRIT BEAR 1VZL3LVZ@VJOH+LOL>PU[\U TPU

LA RELÈVE )VII`7HWH[PL(SNVUX\PUTPU KUSHTAKUAN/DANGER 3HUN\PZ-VY[PU0UU\5LTULTPZZ4J2LU aPL0UU\TPU

TURIX COLLECTIVE (YUCATAN, MEXICO) TURIX: DRAGONFLIES WITHOUT BORDERS ;\YP_*VSSLJ[P]LTPU

2

IN PROGRESS (ST. PAUL, MN) LIFE IN THE SEVENTH PROPHECY *VSSLJ[P]LS`KPYLJ[LK TPU I AM ANISHINAABE :H]HUUHO7HYPZPHU3HRV[H6QPI^L  TPU SISTERS OF THE JINGLE DRESS 2H`H4LTIYL|V6QPI^L TPU UNICAM (MICHOACÁN, MEXICO) KUALI AN AJXIC PATU XALIPAN/WELCOME TO OUR BEACHES (THKLV(S]HYHKV)Y\TT,TTHKL (X\PUV9L`LZ7}THYV5HO\H  TPU

2:10–4 PM OUR HISTORY

LONGHOUSE MEDIA (SEATTLE, WA)

DIKER PAVILION DISCUSSION WITH FILMMAKERS FOLLOWS EACH SCREENING SECTION

11:30 AM–2 PM

GOOD BOY (»)YPHUH4J2PUUVU4LSJOVY=LUKPVSH :^PUVTPZO7HP\[LTPU THE TV )\IIH.LVYNL:^PUVTPZO*HTPSSL4HU` ILHKZ;ZV5H]HQVTPU

NEXT GENERATIONS ;OYV\NOV\[5H[P]L(TLYPJH`V\[OHYL L_WYLZZPUN[OLPYJYLH[P]P[`HUKL_WSVYPUN

9

TWO WORLDS INSIDE OUT :\WLY-S`(UPTH[PVU.YV\W TPU

COLUMBUS DAY LEGACY )LUUPL2SHPU5H]HQV TPU<:

(JVUÅPJ[IL[^LLU[OLJP[`»Z5H [P]L(TLYPJHUHUK0[HSPHU(TLYPJHU JVTT\UP[PLZK\YPUNH*VS\TI\Z+H` JLSLIYH[PVUWYVTW[Z[OPZL_HTPUH[PVU VMPZZ\LZVMMYLLKVTVMZWLLJO[OL PU[LYWYL[H[PVUVMOPZ[VY`HUKL[OUPJ WYPKL5@WYLTPLYL


Saturday Screenings 3

;\YP_!+YHNVUÅPLZ>P[OV\[)VYKLYZ ;\YP_!+YHNVUÅPLZ^P[OV\[)VYKLYZ 2 Robert De Jesús Guachetá/The 2 PaísGoes de losOn Pueblos sin Dueños/ Work Country of the Peoples without Owners 3 Columbus Day Legacy 3 Shamporo/My 4 Noshinto Much’tal Jedz/When We Daughter Speak, We Shamporo Do So Only Once 4 5 Two Two Worlds Worlds Inside Inside Out Out 5 Much'Tal Jedz/When WeDaughter Speak, We 6 Noshinto Shamporo/My Do So Only Once Shamporo

ROBERT DE JESÚS GUACHETÁ: THE WORK GOES ON 0UVJLUJPV9HTVZ5HZHHUK *HYSVZ.}TLa   TPU*VSVTIPH0U5HZHHUK :WHUPZO^P[O,UNSPZOZ\I[P[SLZ

0UHYLNPVUVM*VSVTIPHWSHN\LKI`KY\N [YHMÄJRLYZHUKWHYHTPSP[HY`ZX\HKZPUKPN LUV\ZJVTT\UP[PLZOLYVPJHSS`YLZPZ[0U[OPZ ]PKLVWYVK\JLKPU[OLHM[LYTH[OVM[OL T\YKLYVM5HZHSLHKLY9VILY[KL1LZ‚Z .\HJOL[mYLSH[P]LZHUKJVSSLHN\LZHMÄYT [OLPYKL[LYTPUH[PVU[VJHYY`VU<:WYLTPLYL MUCH'TAL JEDZ/WHEN WE SPEAK, WE DO SO ONLY ONCE )`Y[>HTTHJR  TPU4L_PJV0U@\JH[LJ4H`H ^P[O,UNSPZOZ\I[P[SLZ

)HZLKVUYLJLU[HUKOPZ[VYPJHSL]LU[Z [OPZL_WLYPTLU[HS^VYR[LSSZ[OLZ[VY`VMH @\JH[LJ4H`HJVTT\UP[`[LYYVYPaLKI`H ZLYPLZVMT`Z[LYPV\ZKLH[OZ;OL]PSSHNLYZ» LMMVY[Z[VW\[HZ[VW[VP[SLHK[OLT[VH MHTV\ZHYJOHLVSVNPZ[HUKL]LU[\HSS`[V HU\UL_WLJ[LKZVS\[PVU<:WYLTPLYL

4:15–6 PM MIGRATION LA PEQUEÑA SEMILLA EN EL ASFALTO/THE LITTLE SEED IN THE ASPHALT 7LKYV+HUPLS3}WLa;aV[aPS  TPU4L_PJV0U;aV[aPSHUK:WHU PZO^P[O,UNSPZOZ\I[P[SLZ

4

-V\Y`V\UN0UKPHUWLVWSLOH]L[HRLU[OLPY lives in their hands, leaving their villages to ZLLRHULK\JH[PVUPU[OLJP[`VM:HU*YPZ[}IHS KLSHZ*HZHZ*OPHWHZ;OPZPU[PTH[LPU]LZ[P NH[PVUVMPUKPNLULP[`PUHUHSPLULU]PYVUTLU[ YL]LHSZ[OLPYJV\YHNLHUKOVWL<:WYLTPLYL PRESENTED IN ASSOCIATION WITH THE MEXICAN CULTURAL INSTITUTE AND UCLA FILM & TELEVISION ARCHIVE

THE SCREENING ROOM DISCUSSION WITH FILMMAKERS FOLLOWS EACH SCREENING SECTION

5

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3:15–4 PM 1–2:15 PM OUR LANDS, OUR HOME TENTAYAPE: LA ÚLTIMA CASA/TENTAYAPE: THE LAST HOUSE 9VILY[V(SLT9VQV TPU)VSP]PH0U.\HYHUxHUK:WHU PZO^P[O,UNSPZOZ\I[P[SLZ

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2:20–3 PM INDIGENOUS SURINAME 1LYY`/HY[THU TPU:\YPUHTL7YVK\JLKI`[OL

PAÍS DE LOS PUEBLOS SIN DUEÑOS/COUNTRY OF THE PEOPLES WITHOUT OWNERS 4H\YPJPV(JVZ[H  TPU*VSVTIPH0U:WHUPZO ^P[O,UNSPZOZ\I[P[SLZ7YVK\JLKI`[OL (ZZVJPH[PVUVM0UKPNLUV\Z*V\UJPSZVM 5VY[OLYU*H\JH(*05

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Sunday Screenings

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1 Auikanime: La Que Tiene Hambre/ Auikanime: The One That Is Hungry 2 Sirionรณ 3 Apache 8 4 In the Footsteps of Yellow Woman 5 Finding Our Talk: Hawaii 6 Button Blanket

SUNDAY, APRIL 3 AUDITORIUM DISCUSSION WITH FILMMAKERS FOLLOWS EACH SCREENING SECTION

12โ€“1:45 PM TALES OF THE UNEXPECTED LEAVE DUROV TO THE DOGS: A COMANCHE PARABLE :\UYPZL;PWWLJVUUPL*VTHUJOL TPU<:

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2โ€“6 PM

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OPEN SEASON: ON THE RIGHTS OF NATIVE WOMEN 9HX\LS*OHWH3PWHU(WHJOL,HZ[LYU *OLYVRLL@HX\P  TPU<:

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Sunday Screenings

3

4

5

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DIKER PAVILION

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LANGUAGE AND TRADITION

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DISCUSSION WITH FILMMAKERS FOLLOWS EACH SCREENING SECTION

12â&#x20AC;&#x201C;2:30 PM

RUN RED WALK 4LSPZZH/LUY`5H]HQV TPU<:0U5H]HQV^P[O ,UNSPZOZ\I[P[SLZZKZJZK]HQV

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(Z\Z[HPULKLMMVY[I`/H^HPPHUZKL[LY mined to keep their language alive began PU ^P[O[OLSPM[PUNVMHIHUVU[OL /H^HPPHUSHUN\HNL;OPZ]PKLVZOV^Z [OLTV]LTLU[»ZZ\JJLZZMYVTSHUN\HNL ¸ULZ[Z¹MVYPUMHU[Z[VWVZ[NYHK\H[LZ[\K PLZHUK[OLUH[PVU»ZÃ&#x201E;YZ[THPUZ[YLHT[LSL ]PZPVUUL^ZWYVNYHTPUH5H[P]LSHUN\HNL

6

STONES ;`:HUNH5H[P]L/H^HPPHU  TPU<:0U/H^HPPHU^P[O ,UNSPZOZ\I[P[SLZ

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12


Sunday Screenings Z[Y\J[PVUVMHOV\ZPUNKL]LSVWTLU[VUH [YHJ[VMSHUK[OH[SPLZ^P[OPU[OLPY[YHKP [PVUHS[LYYP[VY`5@WYLTPLYL CORUMBIARA =PUJLU[*HYLSSP  TPU)YHaPS0UPUKPNLUV\ZSHU N\HNLZ^P[O,UNSPZOZ\I[P[SLZ

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1

1 Mi Chacra/My Land 2 Corumbiara 3 Wapawekka ;\YP_!+YHNVUÃ&#x2026;PLZ^P[OV\[)VYKLYZ

2

PRESENTED IN ASSOCIATION WITH THE CENTER FOR MEDIA, CULTURE AND HISTORY AND CENTER FOR MEDIA AND 3RELIGION, NEW YORK UNIVERSITY

THE SCREENING ROOM THE AMENDMENT 2L]PU7HWH[PL(SNVUX\PU TPU*HUHKH7YVK\JLKI` >HWPRVUP4VIPSLPUJVWYVK\J[PVU^P[O [OL5H[PVUHS-PST)VHYKVM*HUHKHHUKPU JVSSHIVYH[PVU^P[O3LZ7YVK\J[PVUZKLZ )LH\_1V\YZ

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PaL[OLTMVYM\[\YLNLULYH[PVUZ-V\Y ZLSLJ[PVUZMYVT[OLZLYPLZ! SPELLING BEE AVL3LPNO/VWRPUZ/LPS[Z\R4VOH^R TPU*HUHKH AIRPLANE AVL3LPNO/VWRPUZ/LPS[Z\R4VOH^R TPU*HUHKH EARL SMITH 3PZH1HJRZVU6QPI^L TPU*HUHKH MOM Nâ&#x20AC;&#x2122; ME /LSLU/HPN)YV^U;ZPSOXV[PU TPU*HUHKH PRESENTED IN ASSOCIATION WITH THE INDIGENOUS LANGUAGE INSTITUTE

2:45â&#x20AC;&#x201C;6 PM HISTORICAL MEMORY

OUR FIRST VOICES

SIX MILES DEEP :HYH9VX\L4t[PZ  TPU*HUHKH7YVK\JLKI` [OL5H[PVUHS-PST)VHYKVM*HUHKH

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13

1â&#x20AC;&#x201C;2 PM DISCUSSION WITH FILMMAKERS FOLLOWS EACH SCREENING SECTION

PORTRAITS FROM PERU NOSHINTO SHAMPORO/MY DAUGHTER SHAMPORO Tita Portela TPU:WHPU0U(ZOmUPURH^P[O ,UNSPZOZ\I[P[SLZ

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3

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Festival 2011 At a Glance THURSDAY, MARCH 31

FRIDAY, APRIL 1

AUDITORIUM

AUDITORIUM

DIKER PAVILION

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OPENING NIGHT

SYMPOSIUM: MOTHER EARTH IN CRISIS

QAPIRANGAJUQ: INUIT KNOWLEDGE AND CLIMATE CHANGE AHJOHYPHZ2\U\R0U\P[HUK0HU4H\YV TPU*(5(+(

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RIVER OF RENEWAL *HYSVZ)VSHKV  TPU<:

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A MESSAGE FROM PANDORA 1HTLZ*HTLYVU TPU<: BATTLE FOR THE XINGU 0HYH3LL  TPU<:

PANEL DISCUSSION

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NEW SHORT WORKS

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BEAR TUNG ;YH]PZ:OPSSPUN6QPI^L  TPU*(5(+(

WINDIGO 2YPZ/HWW`QHJR4J2LUaPL (SNVUX\PU  TPU*(5(+(

Mi Chacra/My Land

15

WAPAWEKKA +HUPZ.V\SL[4t[PZ TPU*(5(+(

SHIMÁSÁNÍ )SHJROVYZL3V^L 5H]HQV  TPU<:

!¶ WT

KEEPING QUIET :OHUL)LSJV\Y[ 4t[PZ  TPU *(5(+( KISSED BY LIGHTNING :OLSSL`5PYV 4VOH^R   TPU *(5(+(


Festival 2011 At a Glance SATURDAY, APRIL 2 AUDITORIUM

!HT¶!WT RED OCHRE 1LYY`,]HUZ4P»RTHX  TPU*(5(+( FIRST VOICES (THSPH*VYKV]H  TPU<: BLOOD MEMORY 4HYJLSSH,YULZ[ 6QPI^L TPU<: JACK ;VT9VILY[Z1LYLT` >PSSPHTZ  TPU<:

DIKER PAVILION

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THIS IS WHO I AM

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WE ARE

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KICK IT NOW

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19

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3PZH:[YV\[HUK1VKP+LSHUL`5L^4L_PJV-PST6MÄJL >LZ:[\KPHUK4HYH:[\KP +PHUH;H`SVY/LTPZWOLYPJ0UZ[P[\[LVM7LYMVYTHUJL HUK7VSP[PJZ5@< 1VZPL;OVTHZHUK)HYIHYH4H[VZ*):*VYWVYH[PVU (KYPHUH;YV[[H(YNLU[PUPHU*VUZ\SH[LVM5L^@VYR 6J[H]PHUH=;Y\QPSSV5VY[OLYU(YPaVUH<UP]LYZP[` +LIVYHOAPTTLYTHU>VTLU4HRL4V]PLZ 9H‚SAVYPSSH2HYPUH,ZJHTPSSH(SKV:mUJOLaHUK:L IHZ[PmU4P[YL4L_PJHU*\S[\YHS0UZ[P[\[LVM5L^@VYR LOOKING TO THE FUTURE ;OLM\[\YLVM5H[P]LTLKPHPUWHY[SPLZPU[OLZ\WWVY[ ^LJHUNLULYH[LHUKZOHYL>LL_WYLZZV\YNYH[P[\KL [V[OLMVSSV^PUNVYNHUPaH[PVUZJ\YYLU[S`^VYRPUN^P[O HUKVMMLYPUNWYVNYHTZVMZ[\K`HUKWYVMLZZPVUHS ^VYRZOVWZMVYIV[OLTLYNPUNHUK`V\[OTLKPHTHR LYZHUK[V[OVZL^OVOH]LYLJLU[S`VMMLYLKM\UKPUN Z\WWVY[MVYPUKLWLUKLU[5H[P]LÄSTTHRPUN! ;LQPKVKL*VT\UPJHJP}U(*05*VSVTIPH"(TLYPJHU 0UKPHU-PST0UZ[P[\[L;YPIHS;V\YPUN7YVNYHT:HU -YHUJPZJV"*,-9,**(0))VSP]PH"*LU[YVKLSVZ (Y[LZ0UKxNLUHZ=LYHJY\a4L_PJV"*PULTPUNH*V SVTIPH"*YLH[P]L*HWP[HS5L^@VYR".0-;:.HSSPHUV 0ZSHUK-PSTHUK;LSL]PZPVU:JOVVS)YP[PZO*VS\TIPH" 0;=:0UKLWLUKLU[;LSL]PZPVU:LY]PJL:HU-YHUJPZJV" 0UKLWLUKLU[-LH[\YL7YVQLJ[5L^@VYR"0U7YVNYLZZ :[7H\S"0UZ[P[\[LVM(TLYPJHU0UKPHU(Y[Z:HU[H-L" 0U[LY[YPIHS,U[LY[HPUTLU[H[[OL:V\[OLYU*HSPMVYUPH 0UKPHU*LU[LY3VZ(UNLSLZ"0NSVVSPR0Z\TH7YVK\J [PVUZ0NVVSPR"4PYHKH)P}UPJH6H_HJH"5H[PVUHS .LVNYHWOPJ(SS9VHKZ-PST7YVQLJ[>HZOPUN[VU+*" 5H[P]L*PULTH:OV^JHZL@V\[O7YVNHT:HU[H-L" 5H[P]L3LUZ3VUNOV\ZL4LKPH:LH[[SL"5H[PVUHS -PST)VHYKVM*HUHKH"5H[P]L=VPJLZ7YVNYHT <UP]LYZP[`VM>HZOPUN[VU:LH[[SL"5L^4L_PJV-PST 6MÄJL"6YNHUPaHJP}U0UKxNLUH.VUH^PUK‚H;H`YVUH *VSVTIPH"6\[[H@V\Y)HJRWHJR4LKPH-SHNZ[HMM" 7YV`LJ[V=PKLVHZ[HZ0UKPNLUHZKLSH-YVU[LYH:\Y :HU*YPZ[VIHSKLSHZ*HZHZ":HSSXH]PKLPHZ[HZ7LY\" :\UKHUJL0UZ[P[\[L3HIZHUK:\UKHUJL0UKPN LUV\ZHUK5H[P]L0UP[PH[P]LZ7YVNYHT3VZ(UNLSLZ HUK7HYR*P[`";YPILJH-PST0UZ[P[\[LHUK;YPILJH (SS(JJLZZ5L^@VYR"<50*(4*HUHS0UKxNLUH 4PJOVHJHU4L_PJV"=PKLVUHZ(SKLPHZ=PKLVPU[OL =PSSHNLZ)YHaPS">HWPRVUP4VIPSL8\LILJ"@VVJOLS 2HHQ@\JH[HU

20


2011 Festival Support

;OL5H[P]L(TLYPJHU-PST=PKLV-LZ[P]HSOHZ ILLUTHKLWVZZPISLPUWHY[^P[OW\ISPJM\UKZMYVT[OL 5L^@VYR:[H[L*V\UJPSVU[OL(Y[ZH:[H[LHNLUJ` HUK^P[OM\UKPUNZ\WWVY[WYV]PKLKI`[OL-VYK -V\UKH[PVU (KKP[PVUHSM\UKPUNZ\WWVY[OHZILLUWYV]PKLKI`[OL 6ULPKH0UKPHU5H[PVU-V\Y+PYLJ[PVUZ7YVK\J[PVUZ *YLH[P]L*HWP[HSHUK>VYSKVM>VUKLY7YVK\J [PVUZ-\UKPUNZ\WWVY[MVY[OL5H[P]L5L[^VYRZ5L^ .LULYH[PVUZ>VYRZOVWOHZILLUYLJLP]LKMYVT[OL (JHKLT`-V\UKH[PVUVM[OL(JHKLT`VM4V[PVU7PJ [\YL(Y[ZHUK:JPLUJLZHUKMYVT*):*VYWVYH[PVU Additional support has been provided by the Ameri JHU0UKPHU*VTT\UP[`/V\ZL4L_PJHU*\S[\YHS 0UZ[P[\[LVM5L^@VYR*HUHKPHU*VUZ\SH[LVM5L^ @VYR8\tILJ.V]LYUTLU[6Mร„JLPU5L^@VYR *VSSLNLVM-PUL(Y[Z ยถ <UP]LYZP[`VM5L^4L_PJV+P YLJJP}UKL*PULTH[VNYHMxHKLS4PUPZ[LYPVKL*\S[\YH KL*VSVTIPH:LJYL[HYxHKL*\S[\YHKL4PJOVHJmU (`\U[HTPLU[VKL(X\PSHKL4PJOVHJmU0U7YVNYLZZ 3VUNOV\ZL4LKPH 5H[P]L3LUZ>HWPRVUP4VIPSL *VU]LYZH[PVUZ^P[O[OL,HY[O5L[^VYR0UZ[P[\[V 5HJPVUHSKL*PUL`(Y[LZ(\KPV]PZ\HSLZKL(YNLU[PUH :\TTP[5VY[O^LZ[4PUPZ[YPLZ5H[P]L(TLYPJHU7\I SPJ;LSLJVTT\UPJH[PVUZHUK>HSSH>HSSH<UP]LYZP[`

Distributors

?E?anx/The Cave Vtape >HUKH=HUKLYZ[VVW 9PJOTVUK:[>LZ[:\P[L ;VYVU[V654=(*(5(+( 7OVUL! -H_! ^HUKH]'][HWLVYN ^^^][HWLVYN Airplane Moving Images Distribution >7LUKLY:[:\P[L =HUJV\]LY)*=);*(5(+( 7OVUL! -H_! THPSIV_'TV]PUNPTHNLZJH ^^^TV]PUNPTHNLZJH The Amendment Wapikoni Mobile Tiphaine Poulin JOLTPU*[LKL3PLZZL 4VU[YLHS8*/55*(5(+( 7OVUL! ^HWPRVUPZ[HNPHYL'VUMJH ^^^^HWPRVUPJH Apache 8 Apache 8 LLC :HUKLALPN 5*HSSLKLS9VJPV ;\JZVU(A 7OVUL! ZaLPN'HY[SPJJVT ^^^HWHJOLJVT Auikanime: La Que Tiene Hambre/Auikanime: The One That Is Hungry Captura Visual Producciones ;VToZ7tYLa-YHUJV +Y4PN\LS:PS]H5VPU[JVS *LU[YV 4VYLSPH4PJOVHJmU4,?0*6 7OVUL! [VTTWLY'OV[THPSJVT b. Dreams Killer Whale PR+M :/HY]HYK(]L:\P[L ;\SZH62 7OVUL!  TZ]LUZVU'NTHPSJVT ^^^RPSSLY^OHSLWYT^VYKWYLZZJVT Battle for the Xingu Caipirinha Productions  4LZH:[ ;OL7YLZPKPV :HU-YHUJPZJV*(  7OVUL! -H_! PUMV'J\S[\YLZVMYLZPZ[HUJLVYN ^^^J\S[\YLZVMYLZPZ[HUJLVYN Bear Tung *VU[HJ[[OL-PSTHUK=PKLV*LU[LY Big Foot Wapikoni Mobile :LLSPZ[PUNMVY The Amendment

-PSTWYLZLU[H[PVUZMYVT[OL5VY[O^LZ[*VHZ[YLNPVU HYLHSZVWHY[VM[OL*LSLIYH[PUN5H[P]L(TLYPJHU 5H[PVUZWYVNYHTZLYPLZ3LHKLYZOPWZ\WWVY[MVY [OPZZLYPLZOHZILLUWYV]PKLKI`;OL3LVUH4HUK /HYY`)/LSTZSL`*OHYP[HISL;Y\Z[.LULYV\ZZ\W WVY[OHZILLUWYV]PKLKI`(TLYPJHU,_WYLZZ"[OL 5H[OHU*\TTPUNZ-V\UKH[PVU^P[O[OLZ\WWVY[HUK LUJV\YHNLTLU[VM(UKYL^3LL"HUKW\ISPJM\UKZ MYVT[OL5L^@VYR*P[`+LWHY[TLU[VM*\S[\YHS(M MHPYZ(KKP[PVUHSZ\WWVY[MYVT7LUKSL[VU(TLYPJHU 0UKPHU*VSSLNL-\UK

21

Blood Memory *VU[HJ[[OL-PSTHUK=PKLV*LU[LY Blue in the Face *VU[HJ[[OL-PSTHUK=PKLV*LU[LY Button Blanket National Film Board of Canada *[LKL3PLZZL9K 4VU[YLHS8*/55*(5(+( 7OVUL!  -H_! PU[LYUH[PVUHS'UMIJH ^^^UMIJH

Cepanvkuce Tutcenen/Three Little Boys imagineNATIVE Film + Media Arts Festival 9PJOTVUK:[>LZ[:\P[L  ;VYVU[V654=( *(5(+( 7OVUL! -H_! PUMV'PTHNPUL5(;0=,VYN ^^^PTHNPULUH[P]LVYN

Equidad de Gรฉnero/Gender Equality Asociaciรณn de Mujeres Comunicadoras Mayas โ€œNUTZIJโ€ 1\SPHUH1\SHQ\Q ยก(]LUPKHAVUH :VSVSm.<(;,4(3( 7OVUL! "   -H_! QQ\SHQ\Q'`HOVVJVT

Columbus Day Legacy VisionMaker Video 5H[P]L(TLYPJHU7\ISPJ;LSLJVT T\UPJH[PVUZ 5YK:[ 3PUJVSU5, 7OVUL! -H_! ]PZPVUTHRLY'\USLK\ ^^^]PZPVUTHRLYVYN

Far Away from Home Vtape :LLSPZ[PUNMVY ?E?anx/The Cave

Corumbiara Vรญdeo Nas Aldeias/Video in the Villages 9\HKL:qV-YHUJPZJV *HYTV 6SPUKH7,)9(A03 7OVUL-H_!  VSPUKH']PKLVUHZHSKLPHZVYNIY ^^^]PKLVUHZHSKLPHZVYNIY Cousins Sally Kewayosh JV\ZPUZร„ST'NTHPSJVT Cry Rock Smayaykila Films 76)V_ )LSSH*VVSH)*=;* *(5(+( JY`YVJR'ZTH`H`RPSHJVT ^^^ZTH`H`RPSHJVT Los Derechos de la Pachamama/The Rights of Mother Earth Sallqavideiastas 1Y<UPVU7\JH[LH=PSJHJV[V /\HUJH`V7,9< 7OVUL!   T[PSSTHUU'PUZPNO[ZOHYLVYN ^^^PUZPNO[ZOHYLVYN Down the Mighty River: Episode 1 Beesum Communications 4PJOLS.V`L[[L  *SHYR:[:\P[L 4VU[YLHS8*/;;*(5(+( 7OVUL!"   -H_!  ILLZ\T'ILLZ\TJVTT\UPJH [PVUZJVT ^^^ILLZ\TJVTT\UPJH[PVUZ JVT Earl Smith Moving Images Distribution :LLSPZ[PUNMVYAirplane Elderly Words: How Did We Do Elderly Words? Pablo Mora Calderรณn 7OVUL!  WHISVTVYH'OV[THPSJVT Elderly Words: Whoโ€™s Threatening the Water? See previous listing Embargo Collective See individual titles

File Under Miscellaneous Prospector Films 1VOU*OYPZ[V\ Y\L4\SSPUZ 4VU[YLHS8*/25 *(5(+( 7OVUL!   QVOU'WYVZWLJ[VYร„STZJH ^^^WYVZWLJ[VYร„STZJH Finding Our Talk: Hawaii Mushkeg Media *OLYYP3V^/VYU =PSSLUL\]L:[> 4VU[YLHS8*/;9 *(5(+( 7OVUL!  -H_!   T\ZORLN']PKLV[YVUJH ^^^T\ZORLNJH First Contact imagineNATIVE Film + Media Arts Festival :LLSPZ[PUNMVYCepanvkuce Tutcenen/Three Little Boys First Voices *VU[HJ[[OL-PSTHUK=PKLV *LU[LY Good Boy Longhouse Media ;YHJ`9LJ[VY ,3V\PZH:[  :LH[[SL>(  7OVUL! UH[P]LSLUZ'THJJVT ^^^SVUNOV\ZLTLKPHVYN Grumpy Old Man *VU[HJ[[OL-PSTHUK=PKLV *LU[LY La Guerra por Otros Medios/ The War for Other Media Masato Media SRL :PS]PUH9VZZP .\PKV รกยธ(ยน )\LUVZ(PYLZ(9.,5;05( 7OVUL-H_! ZPS]PUHYVZZP'NTHPSJVTVY THZH[VZYS'`HOVVJVTHY ^^^N\LYYH_V[YVZTLKPVZ JVTHY I Am Anishinaabe In Progress 2HV*OV\H=\LVY2YPZ[PUL Sorensen ,:[:[\KPV :[7H\S45 7OVUL! PUWYVNYLZZ'NTHPSJVT ^^^PUWYVNYLZZVYN


Distributors

Indigenous Suriname Eclectic Reel 1LYY`VY4HJOLSSL/HY[THU :,:[ *VSSLNL7SHJL>(  7OVUL! PUMV'LJSLJ[PJYLLSJVT ^^^LJSLJ[PJYLLSJVT In the Footsteps of Yellow Woman Halneâ&#x20AC;&#x2122;e Productions OHSULLWYVK\J[PVUZ'NTHPSJVT ^^^JHTPSSLTHU`ILHKZVYN In This Manner, I Am BetterOnes Productions ]LSTHRJ'NTHPSJVT Ix Tasana Tiyat/Cry of the Earth Centro de las Artes IndĂ­genas (CAI) 7HYX\L;LTm[PJV;HRPSOZ\R\[ *HYYL[LYH7VaH9PJH:HU(UKYtZ RT 7HWHU[SH=LYHJY\a4,?0*6 7OVUL! -H_!  JLU[YV]PKLV`YHKPV'NTHPSJVT ^^^J\TIYL[HQPUJVT Jack Normal Life Pictures ,SP*HUL ,ZZL_:[UK-S 5L^@VYR5@ 7OVUL!  LSP'UVYTHSSPMLWPJ[\YLZJVT ^^^UVYTHSSPMLWPJ[\YLZJVT Keeping Quiet The Breath Films :OHUL)LSJV\Y[ 4VYZL:[ ;VYVU[V65447*(5(+( 7OVUL! Ă&#x201E;STZ'[OLIYLH[OJVT ^^^[OLIYLH[OJVT Kick It Now Wapikoni Mobile :LLSPZ[PUNMVYThe Amendment Kissed by Lightning *VU[HJ[[OL-PSTHUK=PKLV *LU[LY Kuali an Ajxic Patu Xalipan/ Welcome to Our Beaches UNICAM Canal IndĂ­gena :HU1VZtKLS*LYYP[V *LYYP[VZ 4VYLSPH4PJOVHJmU  4,?0*6 7OVUL! JHUHSPUKPNLUH'NTHPSJVT Kushtakuan/Danger Wapikoni Mobile :LLSPZ[PUNMVYThe Amendment Las de Blanco/Dressed in White Centro de las Artes IndĂ­genas (CAI) :LLSPZ[PUNMVY Ix Tasana Tiyut/Cry of the Earth Leave Durov to the Dogs: A Comanche Parable 120 From the Paseo Productions :\UYPZL;PWWLJVUUPL 5>[O:[ 6RSHOVTH*P[`62 7OVUL! MYVT[OLWHZLV'JV_UL[

Life in the Seventh Prophecy In Progress :LLSPZ[PUNMVY I Am Anishinaabe Little Thunder National Film Board of Canada :LLSPZ[PUNMVYButton Blanket A Message from Pandora Amazon Watch 3LPSH:HSHaHY3VWLa 7OVUL! L_[ SLPSH'HTHaVU^H[JOVYN ^^^HTHaVU^H[JOVYN Mi Chacra/My Land Devolution Films 1HZVU)\YSHNL 7OVUL! QHZVU'TPJOHJYHĂ&#x201E;STJVT ^^^TPJOHJYHĂ&#x201E;STJVT The Migration InterTribal Entertainment, a sub-division of the Southern California Indian Center Pamela Peters >PSZOPYL)S]K:\P[L  3VZ(UNLSLZ*(  7OVUL! -H_!  WHTLSHWL[LYZ'NTHPSJVT ^^^UH[P]LĂ&#x201E;STVYN Mom nâ&#x20AC;&#x2122; Me Moving Images Distribution :LLSPZ[PUNMVYAirplane Much'Tal Jedz/When We Speak, We Do So Only Once Yoochel Kaaj: Cine Video Cultura, A.C. (UH9VZH+\HY[L 7OVUL!   KK\HY[L'\HK`T_ ^^^`VVJOLSVYN ^^^[\YP_`VVJOLSVYN My Name Is Kobe American Indian Film Institute (AIFI) =HSLUJPH:[:\P[L :HU-YHUJPZJV*(  7OVUL! -H_! Ă&#x201E;STMLZ[P]HS'HPĂ&#x201E;ZMJVT ^^^HPĂ&#x201E;ZMJVT Nanameshkueu/Earthquake Wapikoni Mobile :LLSPZ[PUNMVYThe Amendment Next Generations See individual titles Nodin/Wind Wapikoni Mobile :LLSPZ[PUNMVYThe Amendment Noshinto Shamporo/My Daughter Shamporo Meka ImĂłkiro Films (SILY[HĂ?S]HYLa7VY[LSH 9Â&#x192;H3\PZ*HZnPZ¢+ *7 6.YV]LÂś7VU[L]LKYH :7(05 7OVUL!   WVY[LSH[P[H'UVZOPU[VZOHTWVYV JVT ^^^UVZOPU[VZOHTWVYVJVT Open Season: On the Rights of Native Women *VU[HJ[[OL-PSTHUK=PKLV*LU[LY Our First Voices See individual titles

País de los Pueblos sin Dueños/Country of the Peoples without Owners Grupo de Video del Tejido de Comunicación *HSSL5V( :HU[HUKLYKL8\PSPJOHV *H\JH*6364)0( 7OVUL-H_!  HJPUJH\JH'`HOVVLZ ^^^UHZHHJPUVYN ^^^JHUHKHJVSVTIPHWYVQLJ[ ISVNZWV[JVT JV\U[Y` VMWLVWSLZ^P[OV\[V^ULYZO[TS Pelq'ilc/Coming Home Vtape :LLSPZ[PUNMVY?E?anx/The Cave La Pequeña Semilla en el Asfalto/The Little Seed in the Asphalt Instituto Mexicano de Cinematografía (IMCINE) 0UZ\YNLU[LZ:\Y *VSVUPH+LS=HSSL+LSLNHJP}U )LUP[V1\mYLa 4L_PJV+PZ[YP[V-LKLYHS *74,?0*6 7OVUL! -H_! KPM\PU[L'PTJPULNVIT_ ^^^PTJPULNVIT_ Pi'õnhitsi, Mulheres Xavánte Sem Nome/Pi'õnhitsi, Unnamed Xavánte Women Vídeo Nas Aldeias/Video in the Villages :LLSPZ[PUNMVY Corumbiara Powwow Driveway Gabrielle Hill NSO'ZM\JH Qapirangajuq: Inuit Knowledge and Climate Change Vtape :LLSPZ[PUNMVY?E?anx/The Cave The Race Wapikoni Mobile :LLSPZ[PUNMVYThe Amendment Red Ochre National Film Board of Canada :LLSPZ[PUNMVYButton Blanket Reel Injun Rezolution Pictures *OYPZ[PUH-VU 7OVUL! JOYPZ[PUHMVU'Z`TWH[PJVJH ^^^YLaVS\[PVUWPJ[\YLZJVT La Relève Wapikoni Mobile :LLSPZ[PUNMVYThe Amendment River of Renewal Pikiawish Partners  9PV=PZ[H9K -VYLZ[]PSSL*(  7OVUL!   [Y_[YQHJR'`HOVVJVT ^^^YP]LYVMYLUL^HSVYN Robert de Jesús Guachetá: The Work Goes On Cineminga International 3HMH`L[[L:[ 5L^@VYR5@ 7OVUL!  PUMV'JPULTPUNHVYN ^^^JPULTPUNHVYN

The Rocket Boy Paper Rocket Productions +LPKYH7LHJOLZ 76)V_ -SHNZ[HMM(A 7OVUL!   KSW'NTHPSJVT Run Red Walk Red Ant Films (SMYLKV7tYLa 76)V_ (SI\X\LYX\L54  VYKLYZ'YLKHU[Ă&#x201E;STZJVT ^^^YLKHU[Ă&#x201E;STZJVT Savage Violator Films 5LSZVU:[ =HUJV\]LY)*=.3*(5(+( 7OVUL!  SVYP']PVSH[VYĂ&#x201E;STZJVT ^^^]PVSH[VYĂ&#x201E;STZJVT Selai Saltu/Spirit Bear American Indian Film Institute (AIFI) :LLSPZ[PUNMVYMy Name Is Koby ShimĂĄsĂĄnĂ­ Killer Whale PR+M :LLSPZ[PUNMVYb. Dreams SirionĂł CEFREC-CAIB Distribution *HSSL1VZt4HYxH*HTHJOV 7HZHQL(N\PYYL5¢  AVUH:HU7LKYV 3H7Ha)630=0( 7OVUL-H_!    JLMYLJ'NTHPSJVT ^^^WSHUKLJVT\UPJHJPVUPUKP NLUHVYN Sisa Ă&#x2018;ambi Selvas Producciones KL-LIYLYV`:\JYL 7\`V7HZ[HaH,*<(+69 7OVUL-H_!   [YH`HT\ZR\`'OV[THPSJVT Sisters of the Jingle Dress In Progress :LLSPZ[PUNMVY I Am Anishinaabe Six Miles Deep National Film Board of Canada :LLSPZ[PUNMVYButton Blanket The Small Pleasures Wapikoni Mobile :LLSPZ[PUNMVYThe Amendment A Snapshot in Time BetterOnes Productions +\Z[PU*YHPN K\Z[PUU'THJJVT Spelling Bee Moving Images Distribution :LLSPZ[PUNMVYAirplane Stones Jessie Creel 76)V_ :HU*SLTLU[L*(  7OVUL!  QLZZPLJYLLS'NTHPSJVT Tentayape: La Ă&#x161;ltima Casa/ Tentayape: The Last House Roberto Alem Rojo (]ÂĄ*PYJ\U]HSHJP}ULZX\PUH -YHUJPZJV(IHZ[VaVUH-Y\[PSSHY *VJOHIHTIH)630=0( 7OVUL!  -H_!   YHSLTY'`HOVVLZ

La Tierra Es Nuestra/The Land Is Ours ACSUD Las Segovias 7\LY[V9PJV =HSLUJPH:7(05 7OVUL-H_!  WYVQLJ[LZ'HJZ\KVYN ^^^HJZ\KVYN Tonsure Wapikoni Mobile :LLSPZ[PUNMVY The Amendment Tonto Plays Himself Jacob Floyd  >;LY 2HUZHZ*P[`46 7OVUL! Q[Ă&#x2026;V`K'NTHPSJVT Tsi tkahĂŠhtayen/The Garden Vtape :LLSPZ[PUNMVY?E?anx/The Cave Tungijuq Vtape :LLSPZ[PUNMVY?E?anx/The Cave ;\YP_!+YHNVUĂ&#x2026;PLZ^P[OV\[ Borders Yoochel Kaaj: Cine Video Cultura, A.C. :LLSPZ[PUNMVYMuch'Tal Jedz/When We Speak, We Do So Only Once The TV Longhouse Media :LLSPZ[PUNMVYGood Boy Two Worlds Inside Out Longhouse Media :LLSPZ[PUNMVY Good Boy The Visit National Film Board of Canada :LLSPZ[PUNMVYButton Blanket Voladora/A Flying Woman Centro de las Artes IndĂ­genas (CAI) :LLSPZ[PUNMVY Ix Tasana Tiyut/Cry of the Earth Wapawekka Vtape :LLSPZ[PUNMVY?E?anx/The Cave Wapikoni Mobile See individual titles We Are Wapikoni Mobile :LLSPZ[PUNMVYThe Amendment The White Tiger imagineNATIVE Film + Media Arts Festival :LLSPZ[PUNMVY Cepanvkuce Tutcenen/Three Little Boys Windigo Wapikoni Mobile :LLSPZ[PUNMVYThe Amendment Y el RĂ­o Sigue Corriendo/And the River Flows On Mecapal Films 9\L)tJOL]LSPU 3`VU -9(5*, 7OVUL! TLJHWHSĂ&#x201E;STZ'NTHPSJVT

22


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George Gustav Heye Center One Bowling Green New York, NY 10004

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PLEASE POST

GRAB

0UHZZVJPH[PVU^P[O[OLYLSLHZLVM[OLĂ&#x201E;STGrab, directed by Billy Luther (Navajo/Hopi/Laguna Pueblo), images from the project are on display January 29 â&#x20AC;&#x201C; July 2011, at the George Gustav Heye Center. (Photographers: Idris Rheubottom, Tony Craig, and Cybelle Codish)

Photo: Cybelle Codish

2011 Native American Film + Video Festival  

March 31 - April 3 | The Native American Film + Video Festival, organized by the NMAI Film and Video Center, celebrates the creative energy...

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