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57th NEW YORK FILM FESTIVAL September 27th to October 13th 2019

Films & Descriptions Opening Night The Irishman Director. Martin Scorsese, USA World Premiere The Irishman is a richly textured epic of American crime, a dense, complex story told with astonishing fluidity. Based on Charles Brandt’s nonfiction book I Heard You Paint Houses, it is a film about friendship and loyalty between men who commit unspeakable acts and turn on a dime against each other, and the possibility of redemption in a world where it seems as distant as the moon. The roster of talent behind and in front of the camera is astonishing, and at the core of The Irishman are four great artists collectively hitting a new peak: Joe Pesci as Pennsylvania mob boss Russell Bufalino, Al Pacino as Teamsters president Jimmy Hoffa, and Robert De Niro as their right-hand man, Frank Sheeran, each working in the closest harmony imaginable with the film’s incomparable creator, Martin Scorsese. A Netflix release.

Centerpiece Marriage Story Director. Noah Baumbach, USA, 136m Noah Baumbach’s new film is about the rapid tangling and gradual untangling of impetuosity, resentment, and abiding love between a married couple negotiating their divorce and the custody of their son. Adam Driver is Charlie, a 100-percent New York experimental theater director; Scarlett Johansson is Nicole, his principal actress and soon-to-be L.A.-based ex-wife. Their “amicable” breakup devolves, one painful rash response and hostile counter-response at a time, into a legal battlefield, led on Nicole’s side by Laura Dern and on Charlie’s side by “nice” Alan Alda and “not-so-nice” Ray Liotta. What is so remarkable about Marriage Story is its frank understanding of the emotional fluctuations between Charlie and Nicole: they are both short -sighted, both occasionally petty, both vindictive, and both loving. The film is as harrowing as it is hilarious as it is deeply moving. With Merritt Wever and Julie Hagerty as Nicole’s sister and mom, and Azhy Robertson as their beloved son, Henry. A Netflix release.

Closing Night Motherless Brooklyn Director. Edward Norton, USA, 144m In an unusually bold adaptation, writer-director-producer Edward Norton has transplanted the main character of Jonathan Lethem’s best-selling novel Motherless Brooklyn from modern Brooklyn into an entirely new, richly woven neo-noir narrative, reset in 1950s New York. Emotionally shattered by a botched job, Lionel Essrog (Norton), a lonely private detective with Tourette syndrome, finds himself drawn into a multilayered conspiracy that expands to encompass the city’s ever-growing racial divide and the devious personal and political machinations of a Robert Moses–like master builder, played by Alec Baldwin. Featuring a rigorously controlled star turn by Norton and outstanding additional supporting performances by Bruce Willis, Willem Dafoe, Gugu Mbatha-Raw, Bobby Cannavale, Leslie Mann, and Cherry Jones, plus a haunting soundtrack (featuring a score by Daniel Pemberton, with orchestration by Wynton Marsalis, and an original song by Thom Yorke), Motherless Brooklyn is the kind of movie Hollywood almost never makes anymore, and a complexly conceived, robust evocation of a bygone era of New York that speaks to our present moment. A Warner Bros. Picture.

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www.moviesbymills.com

Profile for Brian Mills

Movies by Mills (September 2019)  

A Magazine for Discerning Cinemagoers and Filmmakers. In This Issue: Reviews. Once Upon A Time In Hollywood, Non-Fiction, Bait. Film Fest Fo...

Movies by Mills (September 2019)  

A Magazine for Discerning Cinemagoers and Filmmakers. In This Issue: Reviews. Once Upon A Time In Hollywood, Non-Fiction, Bait. Film Fest Fo...

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