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Age of Innocence, by Edith Wharton, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics: New introductions commissioned from today's top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the reader's viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriate All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences-biographical, historical, and literary-to enrich each reader's understanding of these enduring works.
Winner of the 1921 Pulitzer Prize, The Age of Innocence is Edith Wharton's masterful portrait of desire and betrayal during the sumptuous Golden Age of Old New York, a time when society people "dreaded scandal more than disease."
This is Newland Archer's world as he prepares to marry the beautiful but conventional May Welland. But when the mysterious Countess Ellen Olenska returns to New York after a disastrous marriage, Archer falls deeply in love with her. Torn between duty and passion, Archer struggles to make a decision that will either courageously define his lifeor mercilessly destroy it. Maureen Howard is a critic, teacher, and writer of fiction. Her seven novels include Bridgeport Bus, Natural History, and A Lover's Almanac. Her memoir, Facts of Life, won the National Book Critics' Circle Award. She has taught at Yale and Columbia University.
About The Author Maureen Howard is a critic, teacher, and writer of fiction. Her seven novels include Bridgeport Bus, Natural History, and A Lover's Almanac. Her memoir, Facts of Life, won the National Book Critics' Circle Award. She has taught at Yale and Columbia University.
Biography Edith Newbold Jones was born January 24, 1862, into such wealth and privilege that her family inspired the phrase "keeping up with the Joneses." The youngest of three children, Edith spent her early years touring Europe with her parents and, upon the family's return to the United States, enjoyed a privileged childhood in New York and Newport, Rhode Island. Edith's creativity and talent soon became obvious: By the age of eighteen she had written a novella, (as well as witty reviews of it) and published poetry in the Atlantic Monthly.
After a failed engagement, Edith married a wealthy sportsman, Edward Wharton. Despite similar backgrounds and a shared taste for travel, the marriage was not a success. Many of Wharton's novels chronicle unhappy marriages, in which the demands of love and vocation often conflict with the expectations of society. Wharton's first major novel, The House of Mirth, published in 1905, enjoyed considerable Literary Success. Ethan Frome appeared six years later, solidifying Wharton's reputation as an important novelist. Often in the company of her close friend, Henry James, Wharton mingled with some of the most famous writers and artists of the day, including F. Scott Fitzgerald, AndrÃ© Gide, Sinclair Lewis, Jean Cocteau, and Jack London. In 1913 Edith divorced Edward. She lived mostly in France for the remainder of her life. When World War I broke out, she organized hostels for refugees, worked as a fund-raiser, and wrote for American publications from battlefield frontlines. She was awarded the French Legion of Honor for her courage and distinguished work. The Age of Innocence, a novel about New York in the 1870s, earned Wharton the Pulitzer Prize for fiction in 1921 -the first time the award had been bestowed upon a woman. Wharton traveled throughout Europe to encourage young authors. She also continued to write, lying in her bed every morning, as she had always done, dropping each newly penned page on the floor to be collected and arranged when she was finished. Wharton suffered a stroke and died on August 11, 1937. She is buried in the American Cemetery in Versailles, France. Author biography from the Barnes & Noble Classics edition of The Age of Innocence.
Good To Know Upon the publication of The House of Mirth in 1905, Wharton became an instant celebrity, and the the book was an instant bestseller, with 80,000 copies ordered from Scribner's six weeks after its release. Wharton had a great fondness for dogs, and owned several throughout her life.
Somewhere in this book, Wharton observes that clever liars always come up with good stories to back up their fabrications, but that really clever liars don't bother to explain anything at all. This is the kind of insight that makes The Age of Innocence so indispensable. Wharton's story of the upper classes of Old New York, and Newland Archer's impossible love for the disgraced Countess Olenska, is a perfectly wrought book about an era when upperclass culture in this country was still a mixture of American and European extracts, and when "society" had rules as rigid as any in history.
So, I have to admit: this was not my favorite classic novel. However, I understand why it is a classic and I do feel it is well worth reading. I have a few issues with some of the characters and I wasn't as moved with the love story as many others were. To me, Newland did not have to marry May...he knew before he married her that he really wanted Ellen. So, I guess I don't pity him too much and I really don't know what he expected to happen other than the fact that he would never be happy with May. I'm really glad Ellen didn't allow him to cheat on May with her either. At least she showed some class. Overall, I loved seeing what old New York was like--wow, has it ever changed. Also, I loved the themes and dialogue of the novel. Follow your heart and don't live for others.
Just a warning to those ordering this for a fall 2011 class. Description says that this "usually ships in 24 hours." I ordered it yesterday, Aug. 29, 2011, and I received notice that it will not ship until Sept. 20, 2011. Too late for me. Hard to believe that a Mass Market paperback and a classic such as this would not be readily available. I'll just have to suck up the cost and get it from the school bookstore. (Can't afford to wait 'til 9/20 and then get a notice that they were unable to procure a copy at all-that's happened to me too.)
The Age of Innocence is a thought provoking literary piece which I enjoyed immensely. It is written in a simple, accessible style, yet deeply portrays human emotions and interactions in late 19th century New York City. This novel represents an account of high society life of the 1870s. The events of this novel are wrapped around a prevailing lifestyle of jealousy, shame, and excessive pride which colors the main characters. Not unlike many other segments of the society, then and now, the characters of this novel attempt to disguise these feelings through hypocrisy and deception. In a time where keeping appearances is everything, the protagonist, Newland Archer, is at conflict with himself. He is engaged to May Welland, who represents stability and the traditional high society life. He begins to fall in love, however, with May's cousin, Countess Ellen Olenska. After seeing Ellen and her freedom and spontaneity, he begins to question his life and why he feels the need to conform. He realizes how dull his life is and how materialistic and fake the high society aristocrats are. He loves May, but cannot stand the idea of living such a predictable life with no deeper meaning. In the end, he must choose between living the life he is expected to live with May, or being happy with Ellen, yet ruining the family name.
Read An Excerpt From Maureen Howard's Introduction to The Age of Innocence
The Age of Innocence is Edith Wharton's most romantic novel, yet our expectations for her lovers, Ellen Olenska and Newland Archer, are disappointed at every turn. Wharton's genius lies in offering the pleasure of a romance, then engaging the reader in a stunning exploration of boundaries between the demands of society and personal freedom,
illicit passion and moral responsibility. In this novel of bold design, we are the innocents unaware of the more demanding rewards to come, just as the readers of the Pictorial Review were as the monthly installments appeared in 1920. Luring us with the high comic tone of the opening chapters, Wharton admits us to Newland Archer's dreamy certainty about love and marriage, all that lies ahead in an ordered universe, his little world of fashionable New York in the 1870s. The strict rules of that society are rendered in detail-the moments when talk is allowed during the opera, the prescribed hours for afternoon visits, the lilies of the valley that must be sent to May Welland, the untainted girl who is about to become Newland's fiancĂƒÂŠe. In the opening scenes there are two observers, Wharton and Newland. The novelist is full of historical information about the city of her childhood and the customs of her privileged class. New York, constructed out of memory and verified by research, is not a discarded back-lot affair of an old Hollywood studio, but a place that must come alive for the writer as well as her readers. This lost world, lavish with particulars of dress, food, wine, manners, is weighted with an abundance of reality, all the furnishings of excessively indulged, overly secure lives. But as the writer calls up her New York of fifty years earlier, Newland Archer also instructs us in the mores of the best of families and the questionable behavior of flashy intruders on the rise. This dual perspective is playful: the novelist assessing her man, placing him in a rarefied world that he too finds narrow and amusing, though all the while he is a player in it. Wharton's education of the reader continues as each character comes on stage. Newland is a self-declared dilettante, May an innocent thing, Countess Olenska an expatriate with a problematic past. Julius Beaufort, a freewheeling climber, may be the scoundrel of the piece. The novelist is knowingly leading us into melodrama, the dominant mode of the popular theater of the age she recreates, a theater of plays in which good and evil were clearly sorted out, not tainted by moral ambiguity or shaded feelings. As we read what has so often been praised as an historical novel, we must bear in mind the year it was composed, 1919. The Age of Innocence calls upon history to inform the present, and Wharton portrays a cast of clueless characters who could not conceive the slaughter of World War I or President Wilson's ill-fated proposal for the League of Nations. Turning back to the untroubled era of her childhood, she entertains with a predictable old form that is a lure, even a joke, but not on the reader. We are drawn by the broad humor at the outset of the novel to the discovery of a darker story without the simple solutions of melodrama. Edith Wharton had a gift for comedy that has often been obscured by a reverence for the elegant lady novelist or probing for feminist concerns in her work. The opening chapters of The Age of Innocence are given to caricature and sweeping mockery. In fact, Wharton mentions Dickens and Thackeray, whose comic exaggerations she must have had in mind. Newland Archer, superior and instructional, is foolish in the romantic projections of his marriage to May: "'We'll read Faust together . . . by the Italian lakes . . .' he thought, somewhat hazily confusing the scene of his projected honeymoon with the masterpieces of literature which it would be his manly privilege to reveal to his bride." An understanding of Faust, the most popular opera of the nineteenth century, with its unbridled passion and soul-selling contract, will presumably improve May: "He did not in the least wish the future Mrs. Newland Archer to be a simpleton." Meanwhile, Nilsson, the great diva, sings gloriously in the tacky garden scenery of the opera house. Early on, we suspect there will be no paradise and little innocence as the next months' installments of the novel unfold. May, corseted in virginal white with a "modest tulle tucker" over her bosom, is too good to be true. It may be difficult for a contemporary reader to find Ellen Olenska, fated to be May's rival, shocking in that revealing Empire dress, "like a nightgown," according to Newland's sister.
You can download from the link below http://theproductguide.net/books/Age-of-Innocence/