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INTERNATIONAL THEATER FESTIVAL MESS 2013 VISUAL IDENTITY

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INTERNATIONAL THEATER FESTIVAL MESS 2013 VISUAL IDENTITY

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TABLE OF CONTENTS OPENING CEREMONY ........................................................................................................ 8 OFFICIAL TRAILER........................................................................................................... 10 OFFICIAL LOGOTYPE / MESS 2013.................................................................................. 12 POSTER............................................................................................................................. 16 APPLICATION POSTERS................................................................................................... 18 APPLICATION FOR NEWSPAPERS / OSLOBOĐENJE...................................................... 20 APPLICATION FOR NEWSPAPERS / OSLOBOĐENJE...................................................... 22 APPLICATION / KARTOLINA............................................................................................. 24 THEATER TICKETS............................................................................................................ 28 ACCREDITATIONS............................................................................................................. 32 CATALOG........................................................................................................................... 34 MESSPRESSO................................................................................................................... 40 GENERAL INDEX.......................................................................................................................................42 CREDITS....................................................................................................................................................44 CONTACT...................................................................................................................................................46


OPENING CEREMONY CONQUEST OF HAPPINESS Director: Haris Pašović 8


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OFFICIAL TRAILER


Official trailer

Click to activate video

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Black Logotype

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OFFICIAL LOGOTYPE / MESS 2013


White Logotype

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POSTER Official Poster

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FUTURE MESS 2012, Poster

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APPLICATION POSTERS

Bilboard

Announcement for Newspaper / Oslobođenje

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City Light


City Banner

Announcement for Magazine / Dani

Announcement for Magazine / Gracija

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APPLICATION FOR NEWSPAPERS / OSLOBOĐENJE

OSVAJANJE SREĆE

28.09, subota i 29.09.2013, nedjelja, u 20.00 Plato ispod Starog mosta / Mostar BiH, Sjeverna Irska, Slovenija: East West Centar Sarajevo / Prime Cut Productions Belfast / Slovensko mladinsko gledališče Ljubljana Režija: Haris Pašović Ko ima pravo na sreću? Amerikanci čija Deklaracija o nezavisnosti kaže da ljudi imaju neotuđivo pravo na život, slobodu i sreću? Da li stanovnici Bosne i Hercegovine i Sjeverne Irske imaju pravo na sreću? A šta je sa Slovenijom, Kambodžom, Belgijom, Sijera Leoneom, Čileom, Italijom... i, uostalom, sa svim ostalim ljudima na Zemlji? Odgovor saznajte u Mostaru!

Application for Newspapers / 28.09.2013

SOLFATARA 30.09.2013, ponedjeljak, u 19.00 Kamerni teatar 55 Španija Režija: MÒNICA ALMIRALL / MIQUEL SEGOVIA / ALBERT PÉREZ Šta se dešava kad vaš strah svrati na večeru, a vaše najdublje i najcrnje misli ne žele da se pritaje? Odgovor potražite u bolno domišljatoj i do suza smiješnoj predstavi katalonske trupe.

TAJNA DŽEMA OD MALINA 30.09.2013, ponedjeljak, u 20.00 Sarajevski ratni teatar Bosna i Hercegovina Režija: SELMA SPAHIĆ Pacovi, katakombe, originali, falsifikati, Hitler, neonacisti/kinje, vampir, nevidljivi čovjek, malinaši/ce, antimalinaši/ce, KGB, CIA, Nikola Tesla, Walt Disney... čudesna su smješa koja briše granice između realnosti i fantazmagorije, otkrivajući nam nevjerovatnu tajnu.

Application for Newspapers / 30.09.2013 20


PLJAČKA PLIJENA 01.10.2013, utorak, u 19.30 Narodno pozorište Sarajevo Koreografija: WIM VANDEKEYBUS Ultima Vez BELGIJA Šest glumaca/ica, jedan muzičar i jedan fotograf kreću u proces rekonstrukcije sjećanja pomoću muzike, pokreta, riječi i fotografije.

ŽUTA CRTA 01.10.2013, utorak, u 22.00 Kamerni teatar 55 Režija: IVICA BULJAN Zagrebačko kazalište mladih HRVATSKA Linija razgraničenja između kandidata (Hrvatske) i članice EU (Njemačke) kroz propitivanje pitanja slobode, slobode odabira i mogućnosti.

Application for Newspapers / 01.10.2013

BOŽANSTVENA

03.10.2013, četvrtak, u 20.00 Kamerni teatar 55 Koreografija: DANIEL LARRIEU Režija: GLORIA PARIS Cie Daniel Larrieu-Astrakan FRANCUSKA Tijelo plesača je u službi fantomske snage i svijeta mogućeg. Prijelaz riječi u pokret, preplitanje pozorišta i plesa proizvode jedinstven jezik inspiriran Genetovim čistim i baroknim pisanjem.

TOMORROW’S PARTIES 03.10, četvrtak i 04.10.2013, petak, u 22.00 Sarajevski ratni teatar Režija: TIM ETCHELLS Forced Entertainment VELIKA BRITANIJA

Nastupila je godina dolaska Forced Entertainmenta na MESS! Bilo je i vrijeme!

Application for Newspapers / 03.10.2013 21


APPLICATION FOR NEWSPAPERS / OSLOBOĐENJE

KORALL KORAL 05.10, subota i 06.10.2013, nedjelja, u 11.00 i 13.00 Međunarodni centar za djecu i omladinu Novo Sarajevo Režija: HANNE DIESERUD / CHRISTINA LINDGREN Baby Opera NORVEŠKA Opera za bebe koja će očarati i odrasle!

L.I. LINGUA IMPERII 05.10.2013, subota, u 22.00 Sarajevski ratni teatar Autori/ce: ANAGOOR Anagoor ITALIJA Kroz sedam jezika predstava o različitostima i nasilju kroz jezik i o činjenici da su u dvadesetom stoljeću još uvijek postojali ljudi koji doslovno love druge ljude.

Application for Newspapers / 05.10.2013

KING SIZE 07.10.2013, ponedjeljak, u 19.30 Narodno pozorište Sarajevo Režija: CHRISTOPH MARTHALER Theater Basel ŠVICARSKA Švicarski genijalac Marthaller ponovo na MESS-u! Ne propustite muzički duhovitu i zabavnu predstavu!

L’INNOCENTE 07.10.2013, ponedjeljak, u 22.00 Sarajevski ratni teatar Režija: DIEGO DE BREA Slovensko mladinsko gledališče Ljubljana SLOVENIJA Filmski klasik Visconti u maštovitoj adaptaciji čuvenog Slovenskog mladinskog gledališča iz Ljubljane.

Application for Newspapers / 07.10.2013 22


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APPLICATION / KARTOLINA


Side A

53. INTERNACIONALNI TEATARSKI FESTIVAL MESS 2013 Sarajevo, Mostar, Goražde, Visoko 28.09.2013. / SUBOTA

11.00 / Međunarodni centar za djecu i omladinu Novo Sarajevo JEDNO JUTRO SAM OTIŠLA… Režija: César ESPINOZA ARAYA / Ana GALLEGO / Ángel SÁNCHEZ Teatro de Ocasión ČILE 20.00 / Plato ispod Starog mosta / Mostar OSVAJANJE SREĆE Režija: Haris PAŠOVIĆ East West Centar Sarajevo / Prime Cut Productions Belfast / Slovensko mladinsko gledališče Ljubljana BOSNA I HERCEGOVINA, SJEVERNA IRSKA, SLOVENIJA

29.09.2013. / NEDJELJA

11.00 / Pozorište mladih Sarajevo MALI MUK Režija: Darko KOVAČOVSKI Pozorište mladih Sarajevo BOSNA I HERCEGOVINA 19.30 / Narodno pozorište Sarajevo SVOJIM PORAZOM UČINIT ĆU TE NEPOBJEDIVOM Režija: Angélica LIDDELL Atra Bilis Teatro ŠPANIJA

19.00 / Kamerni teatar 55 SOLFATARA Režija: Albert Pérez HIDALGO / Miquel SEGOVIA / Mònica ALMIRALL ATRESBANDES ŠPANIJA 20.00 / Sarajevski ratni teatar TAJNA DŽEMA OD MALINA Režija: Selma SPAHIĆ Sarajevski ratni teatar BOSNA I HERCEGOVINA

01.10.2013. / UTORAK

19.30 / Narodno pozorište Sarajevo PLJAČKA PLIJENA Koreografija: Wim VANDEKEYBUS Ultima Vez BELGIJA 22.00 / Kamerni teatar 55 ŽUTA CRTA Režija: Ivica BULJAN Zagrebačko kazalište mladih HRVATSKA

02.10.2013. / SRIJEDA

17.00 / Narodno pozorište Sarajevo GALEB Režija: Tomi JANEŽIČ Srpsko narodno pozorište Novi Sad SRBIJA

04.10.2013. / PETAK

13.00 / Muzej književnosti i pozorišne umjetnosti BiH Razgovor s Doruntinom Bashom 17.00 / Kamerni teatar 55 Ronald Rand: NEKA BUDE UMJETNOST! Režija: Gregory ABELS SAD 17.00 / Muzej književnosti i pozorišne umjetnosti BiH Scensko čitanje drama Srđana Sandića i razgovor s autorom 19.30 / Narodno pozorište Sarajevo Tanja Šljivar: GREBANJE ILI KAKO SE UBILA MOJA BAKA Režija: Selma SPAHIĆ Bosansko narodno pozorište Zenica BOSNA I HERCEGOVINA 22.00 / Sarajevski ratni teatar TOMORROW’S PARTIES Režija: Tim ETCHELLS Forced Entertainment VELIKA BRITANIJA

05.10.2013. / SUBOTA

11.00 i 13.00 / Međunarodni centar za djecu i mlade Novo Sarajevo KORALL KORAL Režija: Hanne DIESERUD / Christina LINDGREN Baby Opera NORVEŠKA 13.00 / Muzej književnosti i pozorišne umjetnosti BiH Razgovor s Tanjom Šljivar

20.00 / Plato ispod Starog mosta / Mostar OSVAJANJE SREĆE Režija: Haris PAŠOVIĆ East West Centar Sarajevo / Prime Cut Productions Belfast / Slovensko mladinsko gledališče Ljubljana BOSNA I HERCEGOVINA, SJEVERNA IRSKA, SLOVENIJA

03.10.2013. / ČETVRTAK

15.00 / Narodno pozorište Sarajevo INTELEKTUALNI AUTOR Režija: Jorge Hugo MARÍN La Maldita Vanidad KOLUMBIJA

22.00 / Kamerni teatar 55 Dževad Karahasan: KONCERT PTICA Režija: Aleš KURT Kamerni teatar 55 BOSNA I HERCEGOVINA

18.00 / Narodno pozorište Sarajevo Doruntina Basha: PRST Režija: Ana TOMOVIĆ Hartefakt / BITEF SRBIJA 20.00 / Kamerni teatar 55 BOŽANSTVENA Koreografija: Daniel LARRIEU Režija: Gloria PARIS Cie Daniel Larrieu-Astrakan FRANCUSKA

17.00 / Narodno pozorište Sarajevo MATERIJALNI AUTORI Režija: Jorge Hugo MARÍN La Maldita Vanidad KOLUMBIJA

30.09.2013. / PONEDJELJAK

13.00 / Muzej književnosti i pozorišne umjetnosti BiH Razgovor s Dževadom Karahasanom

22.00 / Sarajevski ratni teatar TOMORROW’S PARTIES Režija: Tim ETCHELLS Forced Entertainment VELIKA BRITANIJA

18.00 / Kamerni teatar 55 frei.wild: IN THE MIX Autori/ce: frei.wild NJEMAČKA 19.00 / Narodno pozorište Sarajevo KAKO ŽELIŠ DA TE ŽELIM Režija: Jorge Hugo MARÍN La Maldita Vanidad KOLUMBIJA

22.00 / Sarajevski ratni teatar L.I. LINGUA IMPERII Autori/ce: Anagoor Anagoor ITALIJA

06.10.2013. / NEDJELJA

11.00 / Kamerni teatar 55 KRALJICA VEŠMAŠINA Režija: Jelena KOVAČIĆ Bosansko narodno pozorište Zenica BOSNA I HERCEGOVINA 11.00 i 13.00 / Međunarodni centar za djecu i mlade Novo Sarajevo KORALL KORAL Režija: Hanne DIESERUD / Christina LINDGREN Baby Opera NORVEŠKA 18.00 / Željeznička stanica Sarajevo Adnan Lugonić / Asja Krsmanović: TRAMVAJ Režija: Senad ALIHODŽIĆ Fercera BOSNA I HERCEGOVINA 19.30 / Narodno pozorište Sarajevo HAMLET, OD ANDA Režija: Diego ARAMBURO Teatro de los Andes BOLIVIJA 22.00 / Sarajevski ratni teatar HINKEMAN: ŠTA MORA NEKA BUDE Režija: Andrej NOSOV Jugoslovensko dramsko pozorište SRBIJA

07.10.2013. / PONEDJELJAK

13.00 / Muzej književnosti i pozorišne umjetnosti BiH Razgovor s Adnanom Lugonićem / Asjom Krsmanović / Vukom Boškovićem / Dariom Bevandom / Bojanom Vidosavljević 19.30 / Narodno pozorište Sarajevo KING SIZE Režija: Christoph MARTHALER Theater Basel ŠVICARSKA 22.00 / Sarajevski ratni teatar L’INNOCENTE Režija: Diego DE BREA Slovensko mladinsko gledališče Ljubljana SLOVENIJA

Side B

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MATERIJALNI AUTORI

MATERIJALNI AUTORI

THEATER TICKETS

MATERIJALNI AUTORI

PLATO ISPOD STAROG MOSTA MOSTAR

PLATO ISPOD STAROG MOSTA MOSTAR

PLATO ISPOD STAROG MOSTA MOSTAR

Ticket for The ‘Material Authors’

ŽELJEZNIČKA STANICA SARAJEVO

ŽELJEZNIČKA STANICA SARAJEVO

ŽELJEZNIČKA STANICA SARAJEVO

Plateau under the Old Bridge / Mostar

Railway Station Sarajevo 28


KAKO ŽELIŠ DA TE ŽELIM

KAKO ŽELIŠ DA TE ŽELIM

KAKO ŽELIŠ DA TE ŽELIM

Chamber Theater ‘55

Ticket for ‘How do you want me to want you’

International Centre for Children and Youth Novo Sarajevo 29


THEATER TICKETS

National Theater Sarajevo / Balcony

National Theater Sarajevo / Gallery

National Theater Sarajevo / Lodge 30


National Theater Sarajevo / Parterre

Sarajevo Youth Theater

Sarajevo War Theater 31


ACCREDITATIONS

Dino MUSTAFIĆ director

Accreditations / Academy

Accreditations / Workshops 32

Accreditations / Direction

Accreditations / Guest


Accreditations / Jury

Accreditations / Organiser

Accreditations / Press

Accreditations / Technician 33


CATALOG

Cover

Kamerni teatar 55 22.00 Chamber Theater 55 Trajanje / Running time: 90 min.

Dževad Karahasan, pisac i profesor književnosti. Rođen u Duvnu, školovao se u Duvnu, Sarajevu i Zagrebu. Predavao na univerzitetima u Sarajevu, Salzburgu, Goettingenu, Berlinu, Baselu. Objavio: romane: Istočni diwan, Šahrijarov prsten, Sara i Serafina, Noćno vijeće, Sjeme smrti; knjige pripovjedaka: Kraljevske legende, Kuća za umorne, Izvještaji iz tamnog vilajeta; eseje: O jeziku i strahu, Dnevnik selidbe, Knjiga vrtova, Sjene gradova; knjige drama: Kralju ipak ne sviđa se gluma, Misionari, Koncert ptica; u štampi: Knjiga učitelja. Drame su mu igrane u raznim gradovima i raznim teatrima, a prva je igrana u Kamernom teatru 55. Dobio je brojne ugledne međunarodne nagrade. Knjige su mu prevedene na četrnaest jezika. AUTHOR

Dževad Karahasan, writer and professor of literature. Born in Duvno, educated in Duvno, Sarajevo and Zagreb. He taught at universities in Sarajevo, Salzburg, Goettingen, Berlin, Basel. Published: Novels: Eastern Diwan, Šahrijar’s Ring, Sara and Serafina, Night Council, Seed of Death; Books of short stories: Royal Legends, House for Weary, Reports from Dark Vilayet; Essays: About Language and Fear, Diary of Moving, Book of Gardens, Cities’ Shadows; Plays: King Still Does Not Like Acting, Missionaries, Concert Of Birds; In the press: The Book of Teachers. His plays have been staged in many cities and theatres, and the first one was staged in the Chamber Theater 55. He received numerous prestigious international awards. His books have been translated into fourteen languages. Razgovor sa Dževadom Karahasanom će se održati 30.9.2013. u 13.00 / Muzej književnosti i pozorišne umjetnosti BiH. Moderatorica: Asja Krsmanović Discussion with Dževad Karahasan will be held on September 30 2013 at 13:00 / Museum of Literature and Performing Arts of B&H. Moderator: Asja Krsmanović

Bosna i Hercegovina / Bosnia and Herzegovina

REDITELJ

DŽEVAD KARAHASAN

KONCERT PTICA

DIRECTOR

Aleš Kurt graduated from the Faculty of Dramatic Arts in Belgrade (Department of Film and TV directing). He has made several short and feature-length films: Cursed America (1991), Battery (2011), as well as documentaries, What happened to My Friends (1995), Portrait of a Director (1998), Bahtalo Drom (2003), Farewell Ladybug (2004). Since 1995, in theater, he has directed a great number of plays, and some of them are: Soire, Macblettes, Stop Machine, Soul Cracking, Dialogue in Hell, Premiere, Measure for Measure, Polish Cavalry, Pinocchio, Alice in Wonderland, God, War, etc., Flycatcher, Pinocchio in Trouble.

THE CONCERT OF BIRDS

Jezik: bosanski s engleskim prijevodom Language: Bosnian with English Subtitles

PREDSTAVA

Tekst Dževada Karahasana Koncert ptica, napisan kao svojevrsni omaž Aristofanu i islamskom mistiku Fariduddinu Attaru, govori o vrlo aktualnoj temi ljudske potrebe i potrage za vječnom mladošću s jedne strane, i o ljudskoj potrebi da na bilo koji način, i po svaku cijenu, sačuvamo ono što volimo. Bilo to zdravlje, mladost, ili jedan sasvim prosječan terijer. Ženski. Tekst je napisan kao svojevrsna parodija kojom autor na jedan vrlo rafiniran način ismijava ljudsku sujetu, želju za vlašću, kao i samu srž naše ljudskosti, koja, ogoljena i razotkrivena, ostaje isprazna, tašta i okrenuta sebi. Glavni likovi, Predsjednik koji je postao Slavuj i njegova majka Ghalina koja se pretvorila u Gavrana, u svojoj velikoj želji da zadrže vječnu mladost (i Predsjednikovog psa, Paulinu), pristaju na genetski eksperiment koji ih, iako uspješan u podmlađivanju, polako pretvara u ptice. Kada se oslobode svoje ljudskosti, oni polako shvataju kakvi su ljudi zapravo, i sazivaju veliki sabor svih ptica kako bi preuzeli vlast i oslobodili se ljudske tiranije. Ubrzo sreću i pjesnika i mistika Attara, koji je postao Pupavac, jer je nekada davno pisao o pticama i shvatio njihovu suštinu. On ih vodi na jedno mistično putovanje u potrazi za smislom i identitetom. Koncert ptica je komično ispričana priča o potrazi za ljudskošću, za životom i izgubljenim vremenom.

Layout

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Aleš Kurt diplomirao je na Fakultetu dramskih umjetnosti u Beogradu (Odsjek filmske i TV režije). Snimio je nekoliko kratkih i dugometražnih filmova: Prokleta je Amerika (1991), Akumulator (2011), kao i dokumentaraca Šta se desilo s mojim prijateljima (1995), Portret reditelja (1998), Bahtalo drom (2003), Sretan put buba-maro (2004). U teatru je od 1995. režirao veliki broj predstava, a neke od njih su: Soire, Macblettes, Stop mašina, Pucanje duše, Dijalog u paklu, Premijera, Mjera za mjeru, Poljska konjica, Pinokio, Alisa u zemlji čuda, Bog, Rat i ostalo, Muholovac, Pinokio u nevolji.

PERFORMANCE

The play Concert of Birds by Dževad Karahasan, written as a kind of homage to Aristophanes and the Islamic mystic Fariduddin Attar, focuses on a very present issue of human need and quest for eternal youth on one hand, and the need to preserve what we love, in any way, at any cost. Whether it is health, youth, or an entirely average terrier. Female. The play is written as a sort of parody, in which the author is, in a very refined way, making fun of human vanity, desire for power, and the very core of our humanity, which, stripped and exposed, remains empty, vain and egocentric. The main characters, a President who became a Nightingale and his mother Ghalina who turned into Raven, in their great desire to maintain eternal youth (and the President’s dog, Pauline), agree to a genetic experiment which is, although successful in rejuvenation, slowly turning them into birds. When they liberate themselves from their humanity, they slowly realize what people are actually like, and invite a great ansembly of all birds in order to take power and liberate themselves from human tyranny. Soon after, they meet the poet and mystic Attar, who became the Hoopoe, because a long time ago he wrote about the birds and understood their essence. He takes them on a mystical journey in search of meaning and identity. Concert of Birds is a comic story about the quest for humanity, life and lost time.

PRODUKCIJA

Kamerni teatar 55 iz Sarajeva počeo je sa radom 7. marta 1955. godine. Iako historija ove kuće nije iznimno duga, „ona je nesumnjivo bogatija, atraktivnija i značajnija od decenija i decenija nečijeg rutinerstva, hladnog shematizma i bezbrižnog tavorenja”, kako je to primijetio jedan ugledni kritičar. U stalnom kritičkom preispitivanju i u žaru traganja za drukčijim, neposrednijim i otvorenijim scenskim izrazom, događala su se, dakako, i lutanja, koja također nisu bila beskorisna i nakon kojih se Kamerni teatar 55, ponovo vraćao sebi, još maštovitiji i bolji, ne iznevjeravajući onaj profil kojeg je već u startu definirao njegov osnivač Jurislav Korenić (1914-1974) a koji je, na tragu novih teatarskih stremljenja u tadašnjoj Evropi, bio novost na prostorima bivše Jugoslavije i primjer kojeg su slijedili brojni teatri širom bivše države. Otvarajući širom svoja vrata za naglašeno eksperimentiranje u teatru, za tekstove Beketa, Žarija, Ženea, Joneska, Švarca, Čehova… i čitavu plejadu autora čija je poetika u modernom teatru proizlazila iz „apsurdnog osjećanja života”, Kamerni teatar 55 je imao presudan utjecaj na čitave generacije dramskih umjetnika/ca koji su „pozornicu ring”, okruženu gledalištem, umjesto frontalnog tipa scene, sa nepremostivom „rampom”, prepoznali kao priliku za intimniju, prirodniju i iskreniju glumačku igru.

PRODUCTION

The Chamber Theater 55 from Sarajevo was founded on March 7, 1955. Although it does not have an exceptionally long history, it is “undoubledly richer, more attractive, and more significant then the decades-long routine and cold schematism of other theaters and their careless existence“, as a renowned critic once noted. Through the constant questioning and challenging, as well as fervent search for different, more direct and more open stage expression, there certainly have been wonderings, but not in vain, after which the theater kept returning to its own self, better and with even greater imagination, staying true to its profile defined by its founder Juroslav Korenić (1914-1974) – the profile that was a novelty in this part of the world, and in sync with the tendencies of the European theater at the time. By opening it’s gates to more experimental forms of theater, including the plays by Beckett, Jarry, Genet, Ionesco, Schwartz, Chekov, and the plethora of authors whose poetics in modern theater came from the “feeling of absurdity in life“, The Chamber Theater 55 made a decisive influence on generations of young artists who recognized this ring-like stage surrounded by audience as their opportunity for more intimate, natural and sincere performance.

Autor drame / Playwright: DŽEVAD KARAHASAN Režija / Direction: ALEŠ KURT Igraju / Cast: MIRSAD TUKA AMAR SELIMOVIĆ TATJANA ŠOJIĆ SENAD ALIHODŽIĆ AIDA BUKVA Dramaturgija / Dramaturgy: VEDRAN FAJKOVIĆ Scenografija i kostimografija / Stage and Costume Design: ADISA VATREŠ Asistent scenografa / Stage Designer’s Assistant: VEDAD ORAHOVAC Kompozitor i aranžer / Composer and Arrangement: DUŠAN VRANIĆ Ninjutsu sensei: DARKO TRAJKOVIĆ Video Art: NAIDA BEGOVIĆ Svjetlo / Light: ELVEDIN BAJRAKTAREVIĆ NINO BRUTUS Ton / Sound: EDIN HAJDAREVIĆ DINA HAJDAREVIĆ Majstor scene: MILAN NOVIĆ Video-projekcija / Video Projection: DINO BRUTUS Grafički dizajn i video art / Graphic Design and Video Art: BOJAN MUSTUR Fotografija / Photography: BOJAN MUSTUR Produkcija / Production: DUŠKA AMIDŽIĆ

BALKAN (CON)TEXT / MITTEL EUROPE

AUTOR

29/09/13


Sarajevski ratni teatar 22.00 Sarajevo War Theater Trajanje / Running time: 65 min.

Igraju / Cast: UROŠ MAČEK ROMANA ŠALEHAR DRAGA POTOČNJAK OLGA GRAD MATEJ RECER

REDITELJ

Diego de Brea jedan je od najuspješnijih slovenskih reditelja. Prvo je studirao komparativnu književnost i historiju umjetnosti, a potom je završio pozorišnu režiju na Akademiji za pozorište, radio, film i televiziju u Ljubljani. Autor je predstava slovenskih i stranih repertoara, kao i nezavisnih pozorišta. Bavi se različitim žanrovima, od predstava za mlade, lutkarskih predstava, osmišljenog pozorišta, klasičnih i suvremenih tekstova, do muzičkih vodvilja. Njegove režije su bile na turneji u Sloveniji, u Europi i na drugim kontinentima. Dobitnik je brojnih prestižnih domaćih i inozemnih nagrada. U Mladinskom pozorištu je režirao Kraljicu Margot (2005), Proklete (2006), koji se također temelje na Viscontijevom filmu), Zločin i kaznu (2009) i, na kraju prošle godine, L’Innocente. Ove godine, izabran je za Umjetničkog direktora Slovenskog narodnog pozorista Maribor.

Slovenija / Slovenia

Diego de Brea is one of the most successful Slovene directors. He first studied comparative literature and art history, and later on finished theater directing at the Academy of Theatre, Radio, Film and Television in Ljubljana. He is the author of high-profile plays in Slovene and foreign repertory as well as non-institutional theaters, taking up different genres, from youth plays and puppet shows, devised theater, classical and contemporary texts, to musical vaudevilles. His stagings have toured in Slovenia, in Europe and on other continents. He has received numerous prestigious national and international awards. At the Mladinsko Theater he directed Queen Margot (2005), The Damned (2006, also based on a Visconti film), Crime and Punishment (2009) and, at the end of last year, L’innocente. This year, he was elected the artistic director of the Slovene National Theater Maribor.

PRODUKCIJA

L’Innocente (1976) je posljednje djelo velikog filmskog reditelja Luchino Viscontija. Radnja intimnog trokuta se dešava u vilama rimske aristokratije, gdje je scenografija pomno i brižno birana, u senzualnoj atmosferi palata Italije. Viscontijevi junaci, u luksuznim kostimima i u bahatoj otuđenosti od svojih emocionalnih svjetova, kao da su zamrznuti u vremenu. Visconti je bazirao svoj film na romanu Gabriele D’Annunzia, jednog od vodećih autora dekadencije i simbolizma u italijanskoj literaturi. I upravo je ova aspiracija ka dekadeneciji i aristokratiji poveznica između Diega de Brea-e i Luchino Viscontija; de Brea se već suočio sa njim 2006. godine, kada je postavio Proklete na pozorinici Mladinskog. Bogati, privlačni, nemilosrdni i arogantni Tullio Hermil zapostavlja svoju lijepu ženu Giulianu, te svu svoju pažnju posvećuje ljubavnici Teresi, samodostatnoj grofici udovici. Njegov brak se čini kao formalnost, sve dok on ne otkrije da nije jedini koji ima vanbračne afere. Otkriće da ga je žena prevarila sa mladim piscem u njemu budi ljubav za do tada emocionalno zapostavljenom Giulianom. Neočekivana rasplamsala ljubav prema njegovoj ženi, možda jedina istinska ljubav koju je osjetio, u njemu budi oprost afere sa mladim piscem, koji nedugo nakon toga umire. Ali, onda on iznenada biva pogođen vijestima da je Giuliana, koja s njim nema djece, zatrudnila sa ljubavnikom...

Scenografija / Stage Design: DIEGO DE BREA Kostumografija / Costume Design: SLAVICA JANOŠEVIĆ Zvučna slika / Soundscape: FI PRODUKCIJA

Dizajn svjetla / Light Design: DIEGO DE BREA Na snimku / On the Recording: MATJAŽ TRIBUŠON HELENA PERŠUH IGOR SAMOBOR MARUŠA GEYMAYER-OBLAK DIEGO DE BREA SANDI PAVLIN ŽELJKO HRS MARINKA ŠTERN IVAN GODNIČ BLAŽ ŠEF Fotografija / Photography: PETER UHAN

Jezik: slovenski s bosanskim i engleskim prijevodom Language: Slovenian with Bosnian and English Subtitles

PREDSTAVA

Dramaturgija / Dramaturgy: TOMAŽ TOPORIŠIČ

Dizajn zvuka u prostoru / Sound Design in the Venue: SILVO ZUPANČIČ

DIRECTOR

L’INNOCENTE

WORLD MESS

Režija / Direction: DIEGO DE BREA

07/10/13

PERFORMANCE

L’Innocente (1976) is the final work of the grand film maker Luchino Visconti. The intimate triangle takes place in the villas of Roman aristocracy where the decor is thoughtfully chosen, in the sensual atmosphere of Italian country palaces, where Visconti’s heroes in luxurious costumes, in their haughty distance from their own emotional worlds, seem to be frozen in time. Visconti made his film based on a novel by Gabriele D’Annunzio, one of the leading authors of decadence and symbolism in Italian literature. And it is this partiality towards decadence and aristocracy that links Diego de Brea and Luchino Visconi; de Brea already faced him in 2006 when he created The Damned on the Mladinsko stage. The wealthy, attractive, ruthless and arrogant Tullio Hermil is neglecting his pretty wife Giuliana and showers his mistress Teresa, a self-sufficient dowager countess, with his attention. His marriage appears to be a formality until he discovers that he’s not the only one in it to have an extra-marital affair. It is the discovery that his wife cheated on him with a young writer that evokes in him love for the so far emotionally neglected Giuliana. The unexpectedly rekindled love for his wife, maybe the only true love he has ever experienced, brings about his decision to pardon her the affair with the young writer who dies soon after. But then he’s suddenly struck with the news that Giuliana, who has no children with him, got pregnant by her lover…

Osnovan je 1955. godine kao prvi profesionalni teatar za djecu i mlade u Sloveniji. Osamdesetih godina Mladinsko je postepeno rekonstruisano u teatar, koji je interdisciplinarno kombinirao granično pozorišno istraživanje i tematizaciju političke subverzivnosti. Danas je teatar poznat po širokom spektru inovativne poetike različitih mladih reditelja/ica i po fenomenu „energije ansambla“ – Brookovom pristupu glumi, koji nije baziran na hijerarhiji slave, već na glumačkoj laboratoriji, u kojoj su pojedinačni bravurozni dijelovi povezani u jaku, cjelovitu glumačku energiju. U svojim predstavama Mladinsko želi tematizirati univerzalne paradokse civilizacije, sa programom baziranom na problematici novih vremena i prostora. Mladinsko će nastaviti razvijati kodove nove pozorišne prakse, novih vizualnih paradigmi, novih načina prikaza klasika, modernizma i postmodernizma. U Mladinskom svi, glumci/ice, reditelji/ce, koreografi/kinje, scenografi/kinje, muzičari/ke, istražuju, riskiraju i stvaraju, kako bi svojim radom razvili/e novog gledaoca/gledateljicu.

PRODUCTION

Established in 1955 as the first professional theater for children and youth in Slovenia. In the eighties, Mladinsko was gradually re-structured into a theater which interdisciplinarily combined borderline theater research and the thematisation of political subversiveness. Today, it is known for a wide range of innovative poetics of various young directors and the phenomenon of “ensemble energy” – the Brook approach towards acting, which is not based on star hierarchy, but on an acting laboratory connecting individual bravura parts into a strong whole of the acting ensemble. In its performances, the Mladinsko strives to thematise universal paradoxes of the civilisation, with its programme based on the problematisation of new times and spaces. The Mladinsko will continue to develop the code of new theatrical practice, new visual paradigms, new views on the classics, modernism and postmodernism. At the Mladinsko, the actor, director, choreographer, set designer, musician … all research and develop, risk and create in order to develop a new spectator through their gestures.

Layout

NEKA BUDE UMJETNOST! LET IT BE ART!

SCENSKO ČITANJE TEKSTOVA SRĐANA SANDIĆA I RAZGOVOR SA AUTOROM

THEATRICAL READING OF SRĐAN SANDIĆ’S TEXTS AND DISCUSSION WITH THE AUTHOR

IN THE MIX 7 DRAMA IZ BiH 7 PLAYS FROM B&H

Layout / Section

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MESSPRESSO Official Logotype

Sutra u fokusu mladi reditelj i rediteljica Andrej Nosov i Selma Spahić i razgovor o predstavama Hinkeman: Šta mora neka bude i Tajna džema od malina Subota, 05. oktobra, Delikatesna radnja, 10.30 Dobrodošli na MESSPRESSO! Official Invitation Letter / Web 40


Roll-up 41


GENERAL INDEX A

O

ACCREDITATIONS........................................32

OFFICIAL LOGOTYPE / MESS 2013...............12

Accreditations / Academy...........................................32 Accreditations / Direction...........................................32 Accreditations / Guest.................................................32 Accreditations / Jury...................................................33 Accreditations / Organiser..........................................33 Accreditations / Press.................................................33 Accreditations / Technician.........................................33 Accreditations / Workshops........................................32

Black logotype.............................................................12 White logotype............................................................13

APPLICATION FOR NEWSPAPERS / OSLOBOĐENJE...........................................20 Application for Newspapers / 01.10.2013..................21 Application for Newspapers / 03.10.2013..................21 Application for Newspapers / 05.10.2013..................22 Application for Newspapers / 07.10.2013..................22 Application for Newspapers / 28.09.2013..................20 Application for Newspapers / 30.09.2013..................20

APPLICATION / KARTOLINA.........................24 Side A...........................................................................25 Side B...........................................................................25

APPLICATION POSTERS...............................18 Announcement for Magazine / Dani............................19 Announcement for Magazine / Gracija........................19 Announcement for Newspaper / Oslobođenje............18 Bilboard........................................................................18 City Banner...................................................................19 City Light......................................................................18

C CATALOG.....................................................34 Cover............................................................................34 Layout....................................................................34, 35 Layout / Section...........................................................35

M MESSPRESSO.............................................40 Official Invitation Letter / Web....................................40 Official Logotype..........................................................40 Roll-up..........................................................................41

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OFFICIAL TRAILER......................................10 OPENING CEREMONY................................... 8 CONQUEST OF HAPPINESS...........................................8

P POSTER......................................................16 Official Poster...............................................................16

T THEATER TICKETS.......................................28 Chamber Theater ‘55...................................................29 International Centre for Children Youth Novo Sarajevo...................................................29 National Theater Sarajevo / Balcony..........................30 National Theater Sarajevo / Gallery...........................30 National Theater Sarajevo / Lodge.............................30 National Theater Sarajevo / Parterre.........................31 Plateau under the Old Bridge / Mostar.......................28 Sarajevo War Theater..................................................31 Sarajevo Youth Theater...............................................31 Ticket for ‘How do you want me to want you’............29 Ticket for The ‘Material Authors’................................28


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CREDITS Visual identity, video and graphic design of International Theater Festival MESS: FABRIKA Graphic design of International Theater Festival MESS 2013: Haris Jusović / for FABRIKA Idea, brochure design: Bojan Mustur Photography: Velija Hasanbegović Sarajevo, 2015

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CONTACT International Theater Festival MESS Maršala Tita 54/I, 71000 Sarajevo, Bosnia and Herzegovina Tel: + 387 33 200 392, Fax: + 387 33 211 972

Website

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Festival MESS 2013 / Visual Identity  

53rd International Theater Festival MESS Visual Identity

Festival MESS 2013 / Visual Identity  

53rd International Theater Festival MESS Visual Identity