Anđelka Nikolić rođena je 1977. Diplomirala je na Filološkom fakultetu, na Katedri za francuski jezik i književnost, i na Fakultetu dramskih umetnosti u Beogradu, na Katedri za pozorišnu i radio režiju. Režirala je predstave: “Kratka istorija zaboravljanja” po S. Beketu (Hop.la! Beograd); Olga Dimitrijević, “Radnici umiru pevajući” (Hartefakt fond/Bitef teatar); “Slučaj Kandid”, po Volteru (NP Kikinda); Sofokle, “Antigona” (SLG Celje); Marković/A.Nikolić, “Da nam živi živi rad” (Atelje 212, Beograd); M.Krimp, “Nasrtaji na njen život” (SNP, Novi Sad); “O nasilju” po Šekspirovom “Titu Androniku” (Hop.la! Beograd/ NP Kikinda); S.Semenič, “Nisi zaboravila, samo se ne sećaš više” (Gledališče Glej, Ljubljana); Ž-L. Lagars, “Pravila ponašanja u modernom društvu” (JDP, Beograd); D.Rajt, “Sam sebi žena” (Hop-la! Beograd); M.Krleža, “Vučjak” (NP Kikinda); “Prevareni” po J.S. Popoviću (NP Vršac, Scena na rumunskom jeziku); N.V. Gogolj “Ženidba” (NP Kikinda); I.Vojnović, “Suton” (Bitef Teatar). Dobitnica je Sterijine nagrade za režiju i nagrade za specijalni umjetnički doprinos za režiju na Festivala malih scena u Kikindi, obje za predstavu “Radnici umiru pevajući” kao i nagrade za režiju na Festivalu klasike u Vršcu (za predstavu “Vučjak”). U okviru Umetničke grupe Hop.la!, čija je koosnivačica, učestvuje u različitim umjetničkim i istraživačkim projektima, kao rediteljica, dramaturginja, koordinatorka programa. Članica je Udruženja dramskih umetnika Srbije. DIRECTOR
Anđelka Nikolić was born in 1977. She graduated from the Faculty of Philology in Belgrade, at the Department of French Language and Literature, and at the Faculty of Performance Arts in Belgrade, at the Department of Theatre and Radio Directing. She directed the plays: Short History of Remebrance, based on Beckett (Hop.la! Belgrade), Olga Dimitrijević, Workers Die Singing (Hartefact Fund/Bitef Theatre), The Candide Case, based on Voltaire (NT Kikinda); Sophocles, Antigone (SLG Celje); M. Marković / A. Nikolić, Long Live Work (Atelier 212 Belgrade); M. Crimp, Attempts on Her Life (SNT Novi Sad); About Violence based on Shakespeare’s Titus Andronicus (Hop.la! Belgrade / NP Kikinda); S. Semenič, You Haven’t Forgotten, You Just Don’t Remember Any More (Gledališče Glej Ljubljana); J-L. Lagarce, Rules for Good Manners in the Modern World (YDT Belgrade); D. Wright, I am My Own Wife (Hop-la! Belgrade); M. Krleža, German Shepherd (NT Kikinda); The Deceived, based on J. S. Popović (NT Vršac, Romanian stage); Gogol, Marriage (NT Kikinda); I. Vojnović, Twilight (Bitef Theatre). Participated in festivals: Sterijino Pozorje, Festival of Professional Theatres of Vojvodina, Bitef Showcase, Comedy Days, Teden Slovenske Drame, Die Besten aus dem Osten/Slowenien. She was awarded the Sterija award for directing, and the award for special artistic contribution at the Kikinda Small Scene Theater Festivel, both for her play Workers Die Singing, and the award for directing at the Festival of Classics in Vršac (German Shepherd). In the production of the drama programme of Radio Belgrade, she directed several radio plays, based on the works by D. Kiš, J. Conrad, V. Simić. As part of the art group Hop.la!, which she co-founded, she participates in different art and research projects as a director, dramaturge, programme coordinator. She is a member of the Association of Performance Artists of Serbia. TEATAR
Hartefakt je nezavisna regionalna fondacija sa sjedištem u Beogradu, osnovana 2009. godine sa ciljem da podstiče, podržava i povezuje kreativne i progresivne snage koje doprinose demokratizaciji i realizaciji evropskih perspektiva Balkana. Fondacija je posvećena izgradnji otvorenih i slobodnih društava kroz kreativnu razmjenu na važne društvene teme kao što su sloboda izražavanja, održiva regionalna saradnja, kao i jačanje kritičke svijesti. Veliki dio aktivnosti, Hartefakt sprovodi u oblasti kulture i posebno pozorišta, koje se izdvojilo kao dominantno polje djelovanja organizacije. Hartefakt se posebno angažuje na promociji i afirmaciji društveno odgovornih umjetnika nove generacije u regionu. Na planu pozorišne produkcije Hartefakt se trudi da podrži nove, hrabre, odgovorne umjetnike i da promoviše nove modele saradnje između nezavisnih organizacija i zvaničnih kulturnih institucija. Partnerstvo sa Bitef teatrom je jedan od koraka u tom pravcu. U budućnosti, Hartefakt za cilj ima izgradnju sopstvenog teatarskog prostora – pozorišta u Beogradu, koje bi bilo centar aktivnosti nove generacije umjetnika iz čitavog regiona. Do 2015. godine, kada bi Hartefakt trebalo da otvori svoju pozorišnu zgradu, fondacija će nastaviti da producira predstave u saradnji sa vodećim regionalnim teatarskim institucijama.
THEATER
Hartefact is an independent regional foundation established 2009 and based in Belgrade, whose programs encourage, support and connect creative and progressive forces contributing to democratization and development of European perspectives in the Balkans. The foundation is committed to supporting open and free societies through creative exchange of social topics such as freedom of speech, sustainable regional cooperation, as well as strengthening of critical awareness. Hartefact is mostly involved in the areas of culture, theater especially, which became the dominant field of their activities. During the past two years the foundation was involved in numerous theatrical projects, among them theatrical productions, public reading of contemporary works, publication of plays, cultural and theatrical forums, support to individuals and artistic groups… Hartefact pays special attention to promoting and supporting a young generation of socially responsible artists in the region. In that respect, it is important to mention the Hartefact Fund regional competition for the best socially minded text, which, in the short period of two years, managed to attract a huge number of regional authors. In addition, every year the fund produces the winning play and publishes a collection of most successful plays in its Hartefact Drama edition. When it comes to theatrical productions, Hartefact endeavor to support new, courageous and responsible artists, as well as to promote new cooperative models between independent organizations and official cultural institutions. The partnership with BITEF Theater is one of those things. The first joint project of the two institutions was undertaken May 2011. It was a documentary play Hipermnezija by Selma Spahić, a leading young Sarajevo director.
Rediteljica / Director Anđelka Nikolić Uloge / Cast Milan Kovačević Igor Borojević Marija Bergam Marija Milenković Aleksandar Đinđić Marko Gvero Đorđe Branković Milan Marić Nina Lazarević Plesačice / Dancers Ana Dubljević Ana Ignjatović-Zagorac Milica Pisić Nevena Jovanović Glasovi majki / Voices of Mothers Jelena Anđelković Jovana Barać Marina Bogdanović Maja Stojanović Dramaturgija / Dramaturgy Filip Vujošević Scenografija, kostimografija / Stage and Costume Design Maja Mirković Muzika / Music Draško Adžić Koreografija / Choreography Dalija Aćin Scenski govor / Stage Speech Dijana Diklić Dizajn zvuka / Sound Design Dobrivoje Milijanović Dizajn svjetla / Light Design Dragan Đurković Fotografija / Photography Jelena Janković Producent / Producer Andrej Nosov Izvršni producentica / Executive Producer Milica Milić
BALKAN (CON)TEXT
Autorica / Author OLGA DIMITRIJEVIĆ
REDITELJICA