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ARQUITETURA, CINEMA E RESGATE DA VIVÊNCIA CULTURAL PAULISTANA

ESTAÇÃO MOVIMENTO


UNIVERSIDADE PRESBITERIANA MACKENZIE FACULDADE DE ARQUITETURA E URBANISMO CURSO DE ARQUITETURA E URBANISMO

MARIA ANGÉLICA FELICORI CAPORALE

“ARQUITETURA, CINEMA E O RESGATE DA VIVÊNCIA CULTURAL PAULISTANA”

SÃO PAULO 2013


MARIA ANGÉLICA FELICORI CAPORALE “ARQUITETURA, CINEMA E O RESGATE DA VIVÊNCIA CULTURAL PAULISTANA”

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55


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N O R A M A CINE-TEATROS 1905 

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57


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59


60 ESTAÇÃO MOVIMENTO


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62 ESTAÇÃO MOVIMENTO

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64 ESTAÇÃO MOVIMENTO

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65


66 ESTAÇÃO MOVIMENTO


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MAPA 07 GEGRAN

LOTE B

LOTE A

ÁREA TOTAL DE INTERVENÇÃO: LOTE A: 1470m² LOTE B: 2680m²

MAPA 08 http://www.capital.sp.gov.br/portalpmsp/homec.

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TABELA 03 - de http://www.capit


e uso e ocupação do solo. tal.sp.gov.br/portalpmsp/homec.

GOOGLE STREET VIEW TODAS AS IMAGENS

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5.2 Desenvolvimento do Programa.

O programa de necessidades surgiu na linha dos projetos de intervenção do centro citados anteriormente, que atrelam as intervençþes pontuais a revitalização de seu entorno atravĂŠs de uma lĂłgica mercadolĂłgica â&#x20AC;&#x201C; essas intervençþes sĂŁo atreladas a atividades culturais possibilitando mudanças no plano urbano e social. Tendo isso em vista foi levado tambĂŠm em consideração os programas culturais previstos pelo atual governo que estĂŁo no âmbito de: difusĂŁo e DFHVVRSROtWLFDVGHIRUPDomRLQIRUPDomRFRPXQLFDomRHSRUÂżPIRPHQWRDFULDomRHDUWtVWLFDHFXOWXUDORTXHVLJQLÂżFDLQVWDXUDomRGH novos centros culturais, criação de centros de referĂŞncia que estimulem a cultura local. Dentro desses espaços estabelecer um prograPDGHRÂżFLQDVFXUVRVZRUNVKRSVHDWHOLrVFRQWtQXRVRXLWLQHUDQWHV Para a viabilização dos mesmo o governo pretende implementar um IXQGRPXQLFLSDOGHIRPHQWRDFXOWXUDTXHSRVVDFRRUGHQDUHXQLÂżFDU DVOLQKDVGLVSHUVDVGHÂżQDQFLDPHQWRPXQLFLSDO TXDODIRQWHGHVWD informação) Em segundo plano apareceu o tema Cinema, como forma de nostalgia, a antiga Cinelândia, que se demonstrou muito importante para a formação urbana e estĂŠtica da ĂĄrea. Tendo essas questĂľes em vista, propĂľe-se um edifĂ­cio que abrigue programas relacionados com cinema.

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1.CINEMATECA: 6 SALAS DE PROJEÇÃO COM 35M² CADA. ACERVO:275M² CAFÉ:40M² 2. SALAS DE AULA : BANHEIROS: 6$/$6'($8/$&00ð 325$1'$5

3. APOIO PROFESSORES: 250M² BANHEIRO SALA DE PROFESSORES RECEPÇÃO ESTAR

6.BIBLIOTECA ACERVO: 600M² SALAS DE ESTUDO: 125M² MESAS DE ESTUDO: 125M² BANHEIROS:60M² 7.CINEMA 7 SALAS DE CINEMA COM 215M² CADA:1500M² BANHEIROS: 215M² BILHETERIA: 55M² FOYER: 650M² LANCHONETES: 50M² APOIO: 105M² VESTIÁRIO FUNCIONÁRIOS:105M²

4. MUSEU EXPOSIÇÃO GRATUITA 2 AUDITÓRIOS DE 175M² BANHEIROS:30M² SALA DE CINEMA “ABERTA”: 125M²

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112 ESTAĂ&#x2021;Ă&#x192;O MOVIMENTO


 )D]SDUWHGRSDUWLGRWDPEpPDEXVFDGHXPHGLItFLRH[WUHPDmente urbano, a urbanidade como um espaço de todos e que seja altamente convidativo. Além de procurara também de uma relação LQWHQVDH[WHUQRLQWHUQRQDVKRUDVSRVVtYHLV  A frase “Em qualquer parte da cidade cinema é a porta que se abre para o mundo” foi de grande inspiração para o desenvolvimento da volumetria do projeto, ele precisava se elevar do plano da cidade para que a mesma se tornasse pano de fundo das aberturas do ediItFLR±GHIRUPDTXHDFLGDGHVHWRUQDULDR¿OPHSDVVDQGRSDUDTXHP estivesse dentro do edifício.

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LIVROS: $1(//,5/  $$UTXLWHWXUDGH&LQHPDVQD&LGDGHGH6mR 3DXOR6mR'LVVHUWDomR 0HVWUDGR 8QLYHUVLGDGH(VWDGXDOGH&DPSLnas. $1(//,5/  $UTXLWHWXUDHFLGDGHQDREUDGH5LQR/HYL6mR Paulo: Faculdade de Arquitetura e Urbanismo, Universidade de SĂŁo Paulo. $1(//,5/  5LQR/HYLDUTXLWHWXUDHFLGDGH6mR&DUORV63 Romano Guerra Editora. CANDIDO, ROLNIK, NAKANO Dinâmicas dos subespaçþs da ĂĄrea centraL de SĂŁo Paulo. SĂŁo Paulo. .$5$%-  3ROtWLFDV&XOWXUDLVH1HJyFLRV8UEDQRV$LQVWUXmentalização da cultura na revitalização do centro de SĂŁo Paulo. SĂŁo Paulo. 0(<(553  0HWUySROHH8UEDQLVPR6mR3DXORDQRV SĂŁo Paulo: Faculdade de Arquitetura e Urbanismo da Universidade de SĂŁo Paulo [tese]. 1OSEK9  3UDoDGDV$UWHV6mR3DXOR$]RXJXH(GLWRULDO 6$172523)  $UHODomRGDVDODGHFLQHPDFRPRHVSDoR urbano em SĂŁo Paulo: do provinciano ao cosmopolita. SĂŁo Paulo: Faculdade de Arquitetura e Urbanismo da Universidade de SĂŁo Paulo [Tese]. TOLEDO, Benedito Lima de. Prestes Maia e as origens do urbanismo moderno. SĂŁo 3DXOR(PSUHVDGDV$UWHV MARICATO, ErmĂ­nia. MetrĂłpole na periferia do capitalismo â&#x20AC;&#x201C; desigualdade, ilegalidade HYLROrQFLD6mR3DXOR+XFLWHF 133


MAIA, Francisco Prestes. Estudo de um plano de avenidas para a cidade de SĂŁo 3DXOR6mR3DXOR0HOKRUDPHQWRV CHARNEY, Leo e SCHWARTZ, Vanessa R. O Cinema e a invenção da vida moderna. Tradução de Regina Thompson. SĂŁo Paulo: Cosac & Naify Ediçþes, 2001. CAMPOS, Candido. Malta. Os rumos da cidade: urbanismo e modernização em SĂŁo Paulo. SĂŁo Paulo: Editora SENAC SĂŁo Paulo, 2002. SIMĂ&#x2022;ES, InimĂĄ Ferreira. Salas de Cinema em SĂŁo Paulo. Secretaria de Estado da Cultura de SĂŁo Paulo, Secretaria Municipal de Cultura de SĂŁo PauOR6mR3DXOR $%17 $VVRFLDomR%UDVLOHLUDGH1RUPDV7pFQLFDV 1%5Âą 6DtGDVGHHPHUJrQFLDHPHGLItFLRV%UDVLO$%17 ASSOCIAĂ&#x2021;Ă&#x192;O VIVA O CENTRO. SĂŁo Paulo Centro XXI: entre +LVWyULDH3URMHWR6mR3DXOR SILVA, Helena Menna B. Habitação no Centro de SĂŁo Paulo: como YLDELOL]DUHVVDLGpLD" GRFXPHQWRSUHSDUDWyULR 6mR3DXOR /DE+DE)$8863 RUJ  LEIS: 6­23$8/2'HFUHWR/HLQRGHGHDJRVWRGH5HJXODmenta as construçþes na avenida Ipiranga e dĂĄ outras providĂŞncias. Anais da Câmara Municipal de SĂŁo 3DXOR63S 6­23$8/2'HFUHWR/HLQRGHGHPDLRGH'LVS}H sobre regulamentação especial de construçþes na zona central, altera o perĂ­metro desta, e dĂĄ outras


SURYLGrQFLDV$QDLVGD&kPDUD0XQLFLSDOGH6mR3DXOR63 p. 32-36. 6­23$8/2$WRQRGHGHVHWHPEURGH$SURYDR plano de alargamento da rua Ipiranga e dĂĄ outras providĂŞncias. Anais da Câmara Municipal de SĂŁo Paulo, 63S SITES:   %UDVLODUTXLWHWXUDGLVSRQtYHOHPKWWSZZZEUDVLODUTXLWHWXra.com> Acesso em: 20 nov. 2013   DUFKGDLO\GLVSRQtYHOHPKWWSZZZDUFKGDLO\FRP!DFHVso em: 20 nov. 2013   FLQHPDWHFD%UDVLOHLUDGLVSRQtYHOHPKWWSZZZFLQHPDWHca.gov.br/ > Acesso em: nov. 2013   VDODVGHFLQHPDGHVmRSDXORKWWSVDODVGHFLQHPDdesp2.blogspot.com.br/ > Acesso em: nov. 2013   ,QYHQWiULRGRVHVSDoRVGHVRFLDELOLGDGHFLQHPDWRJUiÂżFDQD FLGDGHGHVmRSDXORGLVSRQtYHOHPKWWSZZZ arquiamigos.org.br> Acesso em: nov. 2013   FLQHPDV ,PDJHQVGLVSRQtYHOHPODQDFDUODVRXVDEORJVpot.com.br> Acesso em: nov. 2013   SUHIHLWXUDGHVmRSDXORGLVSRQtYHOHPKWWSZZZFDSLWDO sp.gov.br/portalpmsp/homec.jsp> Acesso em: nov. 2013   9RJXHFDVDGLVSRQtYHOHPKWWSFDVDYRJXHJORERFRP! Acesso em: nov. 2013   VDPSDRQOLQHGLVSRQtYHOHPVDPSDORQOLQHFRPEU!DFHVso em: nov. 2013art   XV-7[QX9GLVSRQtYHOHPKWWSZZZVDRMXGDVQXEORJJHU com.br> Acesso em: nov. 2013   9LWUXYLXVGLVSRQtYHOHPZZZYLWUXYLXVFRPEU!DFHVVR em: nov. 2013 2%6(59$d­2 72'$6 $6 ,0$*(16 6(0 )217( , QUE FAZEM PARTE DA DIAGRAMAĂ&#x2021;Ă&#x192;O DESTE TRABALHO )25$0 5(,T5$'$6 '2 LIVRO DE INIMĂ SIMĂ&#x2022;ES

TFG ESTAÇÃO MOVIMENTO  

Trabalho final de graduação de Bi Caporale, sobre as salas de cinema de são paulo.

TFG ESTAÇÃO MOVIMENTO  

Trabalho final de graduação de Bi Caporale, sobre as salas de cinema de são paulo.

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