Madeleine Beech VISUAL ARTIST | PERTH, WA A G E | 24
I N S T A G R A M | @ ma de le ine _ be e ch W E B S I T E | ma ddys ky be e ch. wix s ite . com/we bs ite T O O L S | Found obj e cts , wood, ca s t iron, s ilk, cla y pa int
DESCRIPTION // My work exists as a sculptural assemblage of elemental forms. Classified, ordered and positioned next to each other, they emerge as artefacts. The arch is unknown and the column is known, objects transformed yet familiar. By utilising found and familiar objects, with the intention of transforming them, we can make new meanings whilst nurturing history. This is realised through the process of remodelling. The found objects form an arch which represents the artist as a transition point, a passage through time; past, present and future. How would you describe your style? A Metamorphosis – giving an object or material new meaning while nurturing the past and history through remodelling. Briefly outline your creative process. What are the major steps? My work exists as a sculptural assemblage of elemental forms. Classified, ordered and positioned next to each other, they emerge as artefacts. They read as precious things akin to a historical relic in a museum. Found objects, wooden objects and other materials are specifically chosen for their form, tone, texture, and patina. I select objects for their formal ambiguity because their original use can be obscured and be understood as something new. I use a monochromatic scheme of white, brown and beige. Within this monochromatic range, there is an endless and subtle variation of tones which is in no way restrictive. I use both the materials, plaster and wood, to elevate and transform found objects. I intend to evoke the embedded time and sentimentality that exists in the objects because of the contrast between the raw materials; the smooth surface of the plaster against the rustic patina of hardwood. I concentrate on the finish of the natural surface so that everyday objects can be considered of value in the current production of art. This gives an object new meaning while nurturing the past and history through remodelling. Who and/or what influences your work and why? I usually draw inspiration from my own identity, surroundings, history, the selection of materials and objects, skills/mediums and the act of making. Are you a part of any creative groups that you would recommend everyone to join? The ANJELMS Project – They aim to create collections ethically produced through sustainable and socially responsible practices while using fashion as a vehicle to protect and empower disadvantaged communities in Bali, Nepal and India.
Artsource – Their purpose is to engage with and support Western Australian visual artists with practical, affordable and relevant services. What type of flower would you be and why? A freesia flower because they plentifully grow in the streets where I grew up, and the scent of the flower declares it’s spring! Also, my father would pick them for my mother as they are her favourite. If you could turn any animal into a pocket-sized pet, what would it be and why? I am not yet ready for a pocket pet, although I have one too many items in my pocket.
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