Page 1

ISBN 978-988-1887-50-4

F

9 789881 88750 4

designzens

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y k c i R

ng o W 3

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7

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DES

CANNOT BE S FROM HUMAN

任 何 設 計 都 脫 離 不 了 人 的 元 (030-031)_02p_QUOTE.indd 30

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SIGN

E SEPARATED AN ELEMENTS

的 元 素 。 31

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SPA

IS A PART but when we des

have to consider a

空間是生活的一部分,但我們在設計一 (058-059)_02p_QUOTE.indd 58

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ACE

Tesign OFa space LIFE, we

er all parts of life.

計一個空間時要考慮的是生活的全部。 59

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Elements which are seem

and even contradictory, confl

or confrontational, can w

NEW ST &LIFEST

看似毫無關係,甚至矛盾、衝突、對立 事片段與生活方式。

(088-089)_02p_QUOTE.indd 88

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eemingly unrelated,

conflicting,

n work together to derive

TORIES STYLES

對立的元素,可以合力衍生出新的故

89

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There are no fixed pattern

take away many things. H

LIFE’S HIGHLIGH will invariably leave behind and speckles.

生活沒有固定的模式,時光會把很多東 留成斑斑點點的痕跡。 (100-101)_02p_QUOTE.indd 100

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terns in life; time will

. However

GHTS ind traces, of smudges

多東西帶走,而精彩的片段總是會遺 101

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THE BEST

INSPIRA

comes from characte Lifestyles and situat best of themes.

人物與家庭本身就是最好的靈感來源, 主題。 (120-121)_02p_QUOTE.indd 120

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T

RATION

acters and families. uations provide the

源,生活方式與生活情景就是最好的 121

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STO

Every atrea Behind each carries detaileda Every detail detail carries there is always a story to

SHARE& MEMOR

THAT TOUCHES THE that touches the heart w DELIGHT AND BLISS

每 有往 一往 個教 故 每 個 一細 個節 細的 微背的後發,現都、 (138-139)_02p_QUOTE.indd 138

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ORY

treatment

& RIZE

HE HEART t with delight WITH and bliss SS.

個教 故 事 往 人 可 感以 動去 和分 喜享悅與。記 憶 。 139

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Adopting the

JUDGM

and point of view of outsid

for indigenized construct

are sometimes even more modern aesthetics.

有時候用外來的眼光和角度去看本土化 的審美觀。 (150-151)_02p_QUOTE.indd 150

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GMENT

tsiders

uction work

more in line with the

土化的建築,反而能夠更貼合現代人 151

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We are not limited to one p we tied down to one particu adept at changing the

ORIGINAL

by breaking them up, pic and recomposing them.

我們不會局限於某一種風格,也不束 縛 的思維打碎、重拾、 組合。 (164-165)_02p_QUOTE.indd 164

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e particular style, nor are rticular form – we are

AL IDEAS

picking them up again, m.

束 縛於某一種形式,我們善於把原有 165

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Our work of design s

ORIGINATED who are integrated into the

environment with interaction

elements like their feeling

space aesthetics with the are

我們希望作品是以人為設計作出發點,

並產生互動,將人的情感、對顏色的判 合到空間中。 (194-195)_02p_QUOTE.indd 194

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n should be

D FROM MEN he surrounding natural

tion, blending numerous ings, colour judgment and area.

點,將人與周圍的自然環境結合起來

的判斷、空間的審美觀等很多元素融 195 195 (194-195)_02p_QUOTE.indd 195

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There are numerous reaso popularity of a design tren most fundamental one is t

PURSUIT O

AND THE ASPIRATION O OF HUMAN

一種設計風潮的流行,背後有著無數的 追求,對美好生活的嚮往。 (218-219)_02p_QUOTE.indd 218

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asons behind the rend, among which the is the

OF BEAUTY

N OF GOOD LIFE

數的原因,最根本的就是人們對美的 219

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Without the perfe

THERE IS NO

PERFEC

沒 有 美 好 的 細 節 , 就 沒 有 明 (232-233)_02p_QUOTE.indd 232

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rfection in details,

NO OVERALL

ECTION

有 明 媚 的 風 光 。 233

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v

Behind each detailed trea

there is always a story to

SHARE MEMO

每 個 細 節 的 背 後 , 都 有 一 個 故

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treatment,

RE& ORIZE

個 故 事 可 以 去 分 享 與 記 憶 。 245

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HOM

THE ESSENCE OF A LU

lies in its spatial magnitu

一 間 豪 宅 , 必 須 要 能 顯 示 它 在

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OME LUXURIOUS

nitude and potency.

它 在 空 間 上 的 寬 敞 和 氣 派 。

255

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Good ideas are undoubte flow and control should b

CORE OF MANAGEM with more scientific specifi

protection for design resu

好的創意固然重要,但流程和控制才是 才是設計效果最好的保障。 (274-275)_02p_QUOTE.indd 274

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btedly important yet the d be the

F DESIGN EMENT, ecification as the best

esults.

才是設計管理的核心,更科學的細則 275

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287

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Ambiance Furnishings  

Ambiance Furnishings, ricky Wong

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