The Sound of Silence | Catalogue

Page 84

Jorge Manilla Manilla’s vast production, is both utterly beautiful and profoundly upsetting. Attraction, repulsion, uneasiness: his work confronts him with his religious upbringing and the viewer with a powerful and intimate perception of the syncretic religion of the modern Mexico. Allusions to religious images and iconography that show the often tortuous and painful relations that Mexicans have with their faith. Wood, bones, textile, branded leather and silver are amalgamated and transformed into almost recognizable shapes: a probable anatomical part, a series of tiny bundles that could be small babies, an unknown religious utensil. Manilla is not shy to experiment with all kinds of materials and processes, never leaving aside his extraordinary metalsmithing skills. Each one of his pieces is carefully crafted in a variety of processes that are able to convey his rotund ideas. Only out of Conscience, brooch


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