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‫ﺭﺍﺩﻳﻮ ﻭ ﺗﻠﻮﻳﺰﻳﻮﻥ‬

‫ﭼﻬﺎﺭﺷﻨﺒﻪ ‪ 26‬ﻣﺮﺩﺍﺩ ‪1390‬‬

‫ﺗﺼﻮﻳﺮ ﻛﻮﺗﺎﻩ‬ ‫»ﺩﻭﻟﺖ ﻣﺨﻔﻲ« ﺩﺭ ﺷﺒﻜﻪ ‪2‬‬ ‫ﺑﺎﺯﻧﻮﻳﺴــﻲ ﻧﻬﺎﻳــﻲ ﻣﺠﻤﻮﻋــﻪ ﺗﻠﻮﻳﺰﻳﻮﻧﻲ »ﺩﻭﻟــﺖ ﻣﺨﻔﻲ«‬ ‫ﺑــﺎ ﻫﻤﻜﺎﺭﻱ ﻋﺒﺪﺍﻟﺤﺴــﻦ ﺑﺮﺯﻳﺪﻩ ﺑــﺮﺍﻱ ﺗﻮﻟﻴﺪ ﺩﺭ ﺷــﺒﻜﻪ‪ 2‬ﺍﻧﺠﺎﻡ‬ ‫ﻣﻲﺷــﻮﺩ‪.‬ﻣﺠﻤﻮﻋﻪ ﺗﻠﻮﻳﺰﻳﻮﻧﻲ ﺩﻭﻟﺖ ﻣﺨﻔﻲ ﻛﺎﺭﻱ ﺍﺯ ﮔﺮﻭﻩ ﻓﻴﻠﻢ ﻭ‬ ‫ﺳﺮﻳﺎﻝ ﺷــﺒﻜﻪ ‪ 2‬ﺳﻴﻤﺎﺳــﺖ ﻛﻪ ﺑﻪ ﺗﻬﻴﻪﻛﻨﻨﺪﮔﻲ ﻋﻠﻴﺮﺿﺎ ﺟﻼﻟﻲ‬ ‫ﻧﺎﮔﻔﺘﻪﻫﺎﻳــﻲ ﺍﺯ ﺭﻭﺯﮔﺎﺭ ﺍﺳــﺎﺭﺕ ﻣــﺮﺩﺍﻥ ﺍﻳﻦ ﺳــﺮﺯﻣﻴﻦ ﺭﺍ ﺩﺭ ﻗﺎﻟﺐ‬ ‫ﺗﺼﻮﻳﺮ ﺭﻭﺍﻳﺖ ﻣﻲﻛﻨﺪ‪.‬ﻧﮕﺎﺭﺵ ﻓﻴﻠﻤﻨﺎﻣﻪ ﺍﻳﻦ ﺳــﺮﻳﺎﻝ ‪ 26‬ﻗﺴﻤﺘﻲ‬ ‫ﺑﻪﻗﻠﻢﺭﺣﻤﺎﻥﺳﻴﻔﻲﺁﺯﺍﺩﻭﺩﺍﺭﻳﻮﺵﺭﺑﻴﻌﻲﺑﻪﭘﺎﻳﺎﻥﺭﺳﻴﺪﻩﻭﻫﻢﺍﻛﻨﻮﻥ‬ ‫ﺑﺎﺯﻧﻮﻳﺴﻲ ﺁﻥ ﺑﺎ ﻫﻤﻜﺎﺭﻱ ﻋﺒﺪﺍﻟﺤﺴﻦ ﺑﺮﺯﻳﺪﻩ ﺩﺭ ﺣﺎﻝ ﺍﻧﺠﺎﻡ ﺍﺳﺖ ﻭ ﺗﺎ‬ ‫ﭘﺎﻳﺎﻥ ﻣﺎﻩ ﻣﺒﺎﺭﻙ ﺭﻣﻀﺎﻥ ﺑﻪ ﭘﺎﻳﺎﻥ ﺧﻮﺍﻫﺪ ﺭﺳﻴﺪ‪ /.‬ﻣﻬﺮ‬

‫ﺩﻋﻮﺕ ﺍﺯ ﭘﺰﺷﻜﺎﻥ‬ ‫ﺑﺮﺍﻱ ﻫﻤﻜﺎﺭﻱ ﺑﺎ ﺭﺍﺩﻳﻮ ﺳﻼﻣﺖ‬ ‫ﺭﺍﺩﻳﻮ ﺳــﻼﻣﺖ ﺍﺯ ﭘﺰﺷــﻜﺎﻥ ﻭ ﻛﺎﺭﺷﻨﺎﺳــﺎﻥ ﺍﺭﺷﺪ ﺭﺷﺘﻪﻫﺎﻱ‬ ‫ﻋﻠﻮﻡﭘﺰﺷــﻜﻲﻛﻪﺩﺭﺣﻮﺯﻩﺧﺒﺮﻭ ﺭﺳــﺎﻧﻪﺗﺠﺮﺑﻪ ﻛﺎﺭﻱﺩﺍﺭﻧﺪﺑﺮﺍﻱ‬ ‫ﻫﻤﻜﺎﺭﻱ ﺩﺭ ﺍﻳﻦ ﺷﺒﻜﻪ ﺭﺍﺩﻳﻮﻳﻲ ﺩﻋﻮﺕ ﺑﻪ ﻋﻤﻞ ﺁﻭﺭﺩ‪.‬ﺩﺭ ﻓﺮﺍﺧﻮﺍﻥ‬ ‫ﺭﺍﺩﻳﻮ ﺳﻼﻣﺖ ﺍﺯ ﻋﻼﻗﻪﻣﻨﺪﺍﻥ ﺧﻮﺍﺳﺘﻪ ﺷﺪﻩ ﺗﺎ ﭘﺎﻳﺎﻥ ﺷﻬﺮﻳﻮﺭ‪1390‬‬ ‫ﺳﻮﺍﺑﻖﻛﺎﺭﻱﺧﻮﺩﺭﺍﺍﺯﻃﺮﻳﻖﻧﺸﺎﻧﻲﭘﺴﺘﻲﻳﺎﺍﻟﻜﺘﺮﻭﻧﻴﻜﻲﺍﻳﻦﺷﺒﻜﻪ‬ ‫ﺍﺭﺳــﺎﻝ ﻛﻨﻨﺪ‪ .‬ﺩﺍﻭﻃﻠﺒﺎﻥ ﻣﻲﺗﻮﺍﻧﻨﺪ ﻣﺪﺍﺭﻙ ﺧﻮﺩ ﺭﺍ ﺑﻪ ﻧﺸﺎﻧﻲ ﭘﺴﺘﻲ‬ ‫ﺧﻴﺎﺑﺎﻥ ﻭﻟﻴﻌﺼﺮ‪ ،‬ﺧﻴﺎﺑﺎﻥ ﺑﻼﻝ ﺣﺒﺸــﻲ‪ ،‬ﺳﺎﺧﺘﻤﺎﻥ ﺷﻬﺪﺍﻱ ﺭﺍﺩﻳﻮ‪،‬‬ ‫ﻃﺒﻘﻪﺷﺸﻢ‪،‬ﺭﻭﺍﺑﻂﻋﻤﻮﻣﻲﺭﺍﺩﻳﻮﺳﻼﻣﺖﻳﺎﺑﻪﻧﺸﺎﻧﻲﺍﻟﻜﺘﺮﻭﻧﻴﻜﻲ‬ ‫‪ radiosalamat@irib.ir‬ﺍﺭﺳﺎﻝ ﻛﻨﻨﺪ‪ /.‬ﺟﺎﻡ ﺟﻢ‬

‫»ﺁﺧﺮﻳﻦ ﺭﻭﺯ« ﺳﺮﻳﺎﻝ ﻣﻲﺷﻮﺩ‬ ‫ﺳــﺮﻳﺎﻝ »ﺁﺧﺮﻳــﻦ ﺭﻭﺯ« ﺑــﻪ ﻛﺎﺭﮔﺮﺩﺍﻧــﻲ ﻋﻠﻴﺮﺿــﺎ ﺍﻣﻴﻨﻲ ﻭ‬ ‫ﺗﻬﻴﻪﻛﻨﻨﺪﮔﻲﺣﺒﻴﺐﺍﷲﻛﺎﺳﻪﺳﺎﺯﻛﻠﻴﺪﺧﻮﺭﺩ‪.‬‬ ‫ﺳﺮﻳﺎﻝ »ﺁﺧﺮﻳﻦ ﺭﻭﺯ« ﻛﻪ ﭘﻴﺶ ﺍﺯ ﺍﻳﻦ ﺑﺎ ﻧﺎﻡ ﻣﻮﻗﺖ »ﮔﻴﻮﺗﻴﻦ«‬ ‫ﻣﺮﺍﺣــﻞ ﭘﻴﺶ ﺗﻮﻟﻴــﺪ ﺭﺍ ﻣﻲﮔﺬﺭﺍﻧﺪ‪ ،‬ﺑــﻪ ﺗﻬﻴﻪﻛﻨﻨﺪﮔﻲ ﺣﺒﻴﺐﺍﷲ‬ ‫ﻛﺎﺳﻪﺳﺎﺯ ﻭ ﺑﺎ ﻫﻤﻜﺎﺭﻱ ﺍﺩﺍﺭﻩ ﺳﻴﻨﻤﺎﻳﻲ ﻧﺎﺟﺎ ﻭ ﺷﺒﻜﻪ ﺍﻭﻝ ﻛﻠﻴﺪ ﺧﻮﺭﺩ‪.‬‬ ‫ﺍﻳﻦﺳﺮﻳﺎﻝﺑﻪﻣﻨﺎﺳﺒﺖﻫﻔﺘﻪﻧﺎﺟﺎﻣﻬﺮﻣﺎﻩﺭﻭﻱﺁﻧﺘﻦﻣﻲﺭﻭﺩ‪».‬ﺁﺧﺮﻳﻦ‬ ‫ﺭﻭﺯ« ﺣﻜﺎﻳﺖ ﺍﺗﻔﺎﻗﺎﺗﻲ ﺍﺳــﺖ ﻛﻪ ﺑﺮﺍﻱ ﺩﻭ ﭘﻠﻴﺲ ﺟﻮﺍﻥ ﻣﻲﺍﻓﺘﺪ ﻛﻪ‬ ‫ﺩﺭ ﭘﻲ ﭘﺮﻭﻧﺪﻩ ﺩﺧﺘﺮﻱ ﺗﺒﻬﻜﺎﺭ ﻫﺴــﺘﻨﺪ‪.‬ﺣﺒﻴﺐﺍﷲ ﻛﺎﺳﻪﺳــﺎﺯ ﭘﺲ‬ ‫ﺍﺯ ﻣﺸــﺎﺭﻛﺖ ﺩﺭ ﺗﻬﻴﻪ ﺳــﺮﻳﺎﻝ »ﺩﺭ ﭼﺸــﻢ ﺑﺎﺩ« ﺍﻳــﻦ ﺑﺎﺭ ﻋﻠﻴﺮﺿﺎ‬ ‫ﺍﻣﻴﻨــﻲ ﺭﺍ ﺑﺮﺍﻱ ﻛﺎﺭﮔﺮﺩﺍﻧﻲ ﺳــﺮﻳﺎﻟﺶ ﺍﻧﺘﺨﺎﺏ ﻛﺮﺩ‪.‬ﺍﻳﻦ ﻣﺠﻤﻮﻋﻪ‬ ‫ﺑﺎ ﺑﺎﺯﻱ ﺣﺎﻣﺪ ﺑﻬﺪﺍﺩ‪ ،‬ﭘﻮﺭﻳﺎ ﭘﻮﺭﺳﺮﺥ‪ ،‬ﺭﻭﻧﺎﻙ ﻳﻮﻧﺴﻲ‪ ،‬ﺍﻟﻬﺎﻡ ﺣﻤﻴﺪﻱ‪،‬‬ ‫ﻓﺨﺮﺍﻟﺪﻳﻦﺷــﺮﻳﻒ‪،‬ﺧﺴﺮﻭﺷﻬﺮﺍﺯ‪،‬ﺳﻤﺎﻧﻪﺟﻼﻟﻲ‪،‬ﺑﻴﺘﺎﺑﻴﮕﻲ‪،‬ﻋﻠﻲ‬ ‫ﻋﺮﺍﻗﭽﻲ ﻭ‪ ...‬ﻛﻠﻴﺪ ﺧﻮﺭﺩ‪ /.‬ﻓﺎﺭﺱ‬

‫»ﺧﻮﺷﻲﻫﺎ ﻭ ﺣﺴﺮﺕﻫﺎ« ﺁﻏﺎﺯ ﺷﺪ‬ ‫ﺗﺼﻮﻳﺮﺑــﺮﺩﺍﺭﻱ ﺑﺨــﺶ ﺩﻭﻡ ﻣﺠﻤﻮﻋﻪ ﺗﻠﻮﻳﺰﻳﻮﻧــﻲ ﻧﺎﻣﻪﻫﺎ ﺑﺎ‬ ‫ﻋﻨﻮﺍﻥ ﺧﻮﺷــﻲﻫﺎ ﻭ ﺣﺴــﺮﺕﻫﺎ ﺑﻪ ﻛﺎﺭﮔﺮﺩﺍﻧﻲ ﺣﻤﻴﺪ ﻟﺒﺨﻨﺪﻩ ﺁﻏﺎﺯ‬ ‫ﺷــﺪ‪ .‬ﺗﺼﻮﻳﺮﺑﺮﺩﺍﺭﻱ ﺑﺨﺶ ﺍﻭﻝ ﻧﺎﻣﻪﻫــﺎ ﺑﺎ ﻋﻨﻮﺍﻥ »ﺧﺎﻧﻪ ﻣﺎﺩﺭﻱ«‬ ‫‪ 21‬ﻣﺮﺩﺍﺩﺩﺭﻋﻤﺎﺭﺕﻗﺪﻳﻤﻲﺑﺎﻏﻲﺩﺭﺧﻴﺎﺑﺎﻥﺗﺠﺮﻳﺶﺑﻪﭘﺎﻳﺎﻥﺭﺳﻴﺪ‬ ‫ﻭ ﺍﻛﻨﻮﻥ ﻋﻮﺍﻣﻞ ﻣﺸﻐﻮﻝ ﺿﺒﻂ ﺑﺨﺶ ﺩﻭﻡ ﺁﻥ ﺑﺎ ﻋﻨﻮﺍﻥ »ﺧﻮﺷﻲﻫﺎ‬ ‫ﻭ ﺣﺴﺮﺕﻫﺎ« ﺑﺎ ﺑﺎﺯﻱ ژﻳﻼ ﺳﻬﺮﺍﺑﻲ‪ ،‬ﻳﻜﺘﺎ ﻧﺎﺻﺮ ﻭ ﺳﻌﻴﺪ ﺩﺍﺥ ﻫﺴﺘﻨﺪ‪.‬‬ ‫ﺑﻨﺎﺑﺮﺍﻋﻼﻡﺭﻭﺍﺑﻂﻋﻤﻮﻣﻲﺷﺒﻜﻪ‪4‬ﺳﻴﻤﺎ‪،‬ﺩﺭﺩﺍﺳﺘﺎﻥﺍﻳﻦﺑﺨﺶﻻﻟﻪ‬ ‫ﻫﻤــﺮﺍﻩ ﻣﺮﺩﻱ ﻛﻪ ﺩﺭ ﻛﺎﺑﻮﺱﻫﺎﻳﺶ ﺣﻀﻮﺭ ﺩﺍﺭﺩ ﺑﻪ ﺧﺎﻧﻪﺍﻱ ﻗﺪﻳﻤﻲ‬ ‫ﻣﻲﺁﻳﻨﺪ ﻭ ﺍﻳﻦ ﺁﻏﺎﺯ ﻣﺎﺟﺮﺍﻫﺎﻱ ﭘﻴﺶﺑﻴﻨﻲ ﻧﺸﺪﻩ ﺍﺳﺖ‪ / .‬ﺟﺎﻡ ﺟﻢ‬

‫‪TV@jamejamonline.ir‬‬

‫ﻗﻬﺮ ﻭﺁﺷﺘﻲ ﻳﻚ ﺧﺎﻧﻮﺍﺩﻩ ﺩﺭ ﺩﻭﺭﺍﻥ ﻣﻮﺷﻜﺒﺎﺭﺍﻥ ﺗﻬﺮﺍﻥ‬ ‫ﺳﺮﻳﺎﻝ ﻭﺿﻌﻴﺖ ﺳﻔﻴﺪ ﺳﺎﺧﺘﻪ ﺣﻤﻴﺪ ﻧﻌﻤﺖﺍﷲ ﭘﺲ ﺍﺯ ﻣﺎﻩ ﻣﺒﺎﺭﻙ ﺭﻣﻀﺎﻥ ﺑﻪ ﺻﻮﺭﺕ ﺷﺒﺎﻧﻪ ﺍﺯ ﺷﺒﻜﻪ ‪ 3‬ﭘﺨﺶ ﻣﻲﺷﻮﺩ‬ ‫ﺑﺨﻮﺍﻫﻴﺪ ﺩﺭﺑﺎﺭﻩ ﺟﻨﮓ ﺍﻳﺮﺍﻥ ﻓﻴﻠﻢ ﺑﺴــﺎﺯﻳﺪ‪ ،‬ﻣﺠﺒﻮﺭﻳﺪ ﺩﺍﺳــﺘﺎﻥ‬ ‫ﺩﻫﻪ ﺷــﺼﺘﻲ ﺑﻨﻮﻳﺴﻴﺪ‪ .‬ﻣﺎ ﻣﻲﺧﻮﺍﺳﺘﻴﻢ ﺩﺭﺑﺎﺭﻩ ﺟﻨﮓ ﺑﻨﻮﻳﺴﻴﻢ‬ ‫ﻧﻪ ﺩﺍﺳــﺘﺎﻧﻲ ﺩﺭﺑﺎﺭﻩ ﺩﻭﺭﺍﻥ ﺩﻫﻪ ‪ ، 60‬ﺳﺮﻳﺎﻝ ﺳﺘﺎﻳﺶ ﭼﻮﻥ ﻳﻚ‬ ‫ﺩﻭﺭﺍﻥ ﻃﻮﻻﻧﻲ ﺭﺍ ﺭﻭﺍﻳﺖ ﻣﻲﻛﻨﺪ ﻣﺠﺒﻮﺭ ﺍﺳﺖ ﺑﻪ ﻣﻮﺿﻮﻋﺎﺕ ﺁﻥ‬ ‫ﺩﻫﻪ ﺑﭙﺮﺩﺍﺯﺩ‪ .‬ﺷــﻤﺎ ﺍﮔﺮ ﺑﺨﻮﺍﻫﻴﺪ ﺑﻪ ﻛﻮﺩﻛﻲ ﻓﺮﺩﻱ ﻛﻪ ﺍﻻﻥ ‪25‬‬ ‫ﺳﺎﻝ ﺩﺍﺭﺩ‪ ،‬ﺑﭙﺮﺩﺍﺯﻳﺪ‪ ،‬ﻣﺠﺒﻮﺭﻳﺪ ﺁﻥ ﺩﻭﺭﺍﻥ ﺭﺍ ﺑﺮﺭﺳﻲ ﻛﻨﻴﺪ‪.‬‬

‫ﺍﺣﺴﺎﻥ ﺭﺣﻴﻢﺯﺍﺩﻩ‪ /‬ﮔﺮﻭﻩ ﺭﺍﺩﻳﻮ ﻭ ﺗﻠﻮﻳﺰﻳﻮﻥ‬

‫ﺑــﺎ ﭘﺎﻳﺎﻥ ﻣﺎﻩ ﻣﺒﺎﺭﻙ ﺭﻣﻀﺎﻥ ﭘﺨﺶ ﺳــﺮﻳﺎﻝﻫﺎﻱ ﺷــﺒﺎﻧﻪ‬ ‫ﺑﻪ ﭘﺎﻳﺎﻥ ﻧﻤﻲﺭﺳــﺪ‪ .‬ﭘﺮﻭﻧﺪﻩ ﺳــﺮﻳﺎﻝﻫﺎﻱ ﻣﻨﺎﺳــﺒﺘﻲ ﺍﻳﻦ ﻣﺎﻩ‬ ‫ﺑﺴــﺘﻪ ﻣﻲﺷﻮﺩ ﻭ ﺷــﺒﻜﻪﻫﺎﻱ ﺗﻠﻮﻳﺰﻳﻮﻧﻲ ﺳﺮﻳﺎﻝﻫﺎﻱ ﺟﺪﻳﺪ ﺭﺍ‬ ‫ﺟﺎﻳﮕﺰﻳﻦ ﻛﺎﺭﻫﺎﻱ ﻗﺒﻠﻲ ﻣﻲﻛﻨﻨﺪ‪.‬‬ ‫ﻭﺿﻌﻴﺖ ﺳﻔﻴﺪ ﻋﻨﻮﺍﻥ ﺳﺮﻳﺎﻟﻲ ﺍﺳﺖ ﻛﻪ ﺑﺮﺍﻱ ﭘﺨﺶ ﺷﺒﺎﻧﻪ‬ ‫ﺍﺯ ﺷــﺒﻜﻪ ‪ 3‬ﺩﺭ ﻧﻈﺮ ﮔﺮﻓﺘﻪ ﺷــﺪﻩ ﺍﺳــﺖ‪ .‬ﻧﻜﺘﻪ ﻣﻬﻢ ﺍﻳﻦ ﻛﺎﺭ ﻧﺎﻡ‬ ‫ﻛﺎﺭﮔﺮﺩﺍﻧﻲ ﺍﺳﺖ ﻛﻪ ﭘﺸــﺖ ﺩﻭﺭﺑﻴﻦ ﺳﺮﻳﺎﻝ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪ ﺍﺳﺖ‪.‬‬ ‫ﺣﻤﻴﺪ ﻧﻌﻤﺖﺍﷲ‪ ،‬ﻓﻴﻠﻤﺴﺎﺯﻱ ﺍﺳﺖ ﻛﻪ ﺩﺭ ﺟﺸﻨﻮﺍﺭﻩ ﺑﻴﺴﺖ ﻭ ﺩﻭﻡ‬ ‫ﻓﻴﻠﻢ ﻓﺠﺮ ﺑﺎ ﻓﻴﻠﻢ ﺗﺤﺴــﻴﻦ ﺷــﺪﻩ »ﺑﻮﺗﻴﻚ« ﻫﻤﻪ ﺭﺍ ﻏﺎﻓﻠﮕﻴﺮ‬ ‫ﻛــﺮﺩ‪.‬ﺍﻭ ﭘﺲ ﺍﺯ ﻣﻮﻓﻘﻴﺖ ﭼﺸــﻤﮕﻴﺮ ﺑﻮﺗﻴــﻚ‪ ،‬ﻃﺮﻓﺪﺍﺭﺍﻧﺶ ﺭﺍ‬ ‫‪ 6‬ﺳــﺎﻝ ﻣﻨﺘﻈﺮ ﮔﺬﺍﺷــﺖ ﻭ ﺳــﺮﺍﻧﺠﺎﻡ ﺑﺎ ﻓﻴﻠﻢ »ﺑﻲﭘﻮﻟﻲ« ﺑﻪ‬ ‫ﻋﺮﺻﻪ ﻓﻴﻠﻤﺴﺎﺯﻱ ﺑﺎﺯﮔﺸﺖ؛ ﻓﻴﻠﻤﻲ ﻛﻪ ﺑﻪ ﻋﻨﻮﺍﻥ ﺑﻬﺘﺮﻳﻦ ﻓﻴﻠﻢ‬ ‫ﻣﺮﺩﻣﻲ ﺟﺸﻨﻮﺍﺭﻩ ﺑﻴﺴﺖ ﻭ ﻫﻔﺘﻢ ﺍﻧﺘﺨﺎﺏ ﺷﺪ ﻭ ﺳﻴﻤﺮﻍ ﺍﺭﺯﺷﻤﻨﺪ‬ ‫ﺑﺎﺯﻳﮕﺮﻱ ﺭﺍ ﺑﺮﺍﻱ ﻟﻴﻼ ﺣﺎﺗﻤﻲ ﺑﻪ ﺍﺭﻣﻐﺎﻥ ﺁﻭﺭﺩ‪.‬‬

‫ﺗﻼﺵ ﻧﻜﺮﺩﻳﻢ ﺩﺍﺳﺘﺎﻥ ﻛﻤﺪﻱ ﺑﻨﻮﻳﺴﻴﻢ‬

‫ﺍﻭﻟﻴﻦ ﺳﺮﻳﺎﻝ ﻧﻌﻤﺖﺍﷲ‬

‫ﻧﻌﻤﺖﺍﷲ ﺳﺎﺑﻘﻪ ﺣﻀﻮﺭ ﺩﺭ ﺗﻠﻮﻳﺰﻳﻮﻥ ﺭﺍ ﺩﺍﺭﺩ؛ ﺍﻣﺎ ﻧﻪ ﺑﺎ ﺳﺮﻳﺎﻝ‪.‬‬ ‫ﺍﻭ ﺗﻠﻪﻓﻴﻠﻢﻫﺎﻱ »ﺍﻱ ﺩﻭﺳــﺖ ﻣﺮﺍ ﺑﻪ ﺧﺎﻃﺮﺁﻭﺭ«‪» ،‬ﺑﻴﺎ ﺍﺯ ﮔﺬﺷﺘﻪ‬ ‫ﺣــﺮﻑ ﺑﺰﻧﻴﻢ« ﻭ »ﻓﺮﻳﺪﻭﻥ ﻣﻬﺮﺑﺎﻥ ﺍﺳــﺖ« ﺭﺍ ﺑﺮﺍﻱ ﺗﻠﻮﻳﺰﻳﻮﻥ‬ ‫ﻛﺎﺭﮔﺮﺩﺍﻧﻲ ﻛﺮﺩﻩ ﺍﺳﺖ‪ .‬ﺑﺎ ﺍﻳﻦ ﺣﺴﺎﺏ »ﻭﺿﻌﻴﺖ ﺳﻔﻴﺪ« ﺍﻭﻟﻴﻦ‬ ‫ﺳﺮﻳﺎﻝ ﺗﻠﻮﻳﺰﻳﻮﻧﻲ ﻧﻌﻤﺖﺍﷲ ﻣﺤﺴﻮﺏ ﻣﻲﺷﻮﺩ‪.‬ﺗﺼﻮﻳﺮﺑﺮﺩﺍﺭﻱ‬ ‫ﺍﻳﻦ ﺳــﺮﻳﺎﻝ ﺁﺑﺎﻥ ﻣﺎﻩ ﺳﺎﻝ ‪ 88‬ﺩﺭ ﺑﺎﻏﻲ ﺩﺭ ﻧﺰﺩﻳﻜﻲ ﺗﻬﺮﺍﻥ ﻛﻠﻴﺪ‬ ‫ﺧﻮﺭﺩ ﻭ ﺧﺮﺩﺍﺩ ﻣﺎﻩ ﺍﻣﺴــﺎﻝ ﺩﺭ ﺷﻬﺮﻙ ﺩﻓﺎﻉ ﻣﻘﺪﺱ ﺑﻪ ﺍﻳﺴﺘﮕﺎﻩ‬ ‫ﺁﺧﺮ ﺭﺳــﻴﺪ‪.‬ﻫﻢ ﺍﻛﻨﻮﻥ ﺑﺨﺶ ﺯﻳﺎﺩﻱ ﺍﺯ ﺟﻠﻮﻩﻫﺎﻱ ﻭﻳﮋﻩ ﺳﺮﻳﺎﻝ‬ ‫ﺗﻮﺳﻂ ﺳﻴﺪ ﺣﺴﻦ ﺍﻳﺰﺩﻱ ﺳﺎﺧﺘﻪ ﺷﺪﻩ ﻭ ﺑﻘﻴﻪ ﺁﻥ ﺩﺭ ﺩﺳﺖ ﺳﺎﺧﺖ‬ ‫ﺍﺳﺖ‪ .‬ﺍﻳﻦ ﺳﺮﻳﺎﻝ ﺩﺭ ‪ 40‬ﻗﺴﻤﺖ ‪ 45‬ﺩﻗﻴﻘﻪﺍﻱ ﺑﺮﺍﻱ ﮔﺮﻭﻩ ﻓﻴﻠﻢ ﻭ‬ ‫ﺳﺮﻳﺎﻝ ﺷﺒﻜﻪ ‪ 3‬ﺳﻴﻤﺎ ﺗﻮﻟﻴﺪ ﺷﺪﻩ ﺍﺳﺖ‪.‬‬ ‫ﻭﺿﻌﻴﺖ ﺳــﻔﻴﺪ‪ ،‬ﺩﺍﺳــﺘﺎﻥ ﺧﺎﻧﻮﺍﺩﻩﺍﻱ ﭘﺮﺟﻤﻌﻴﺖ ﺩﺭ ﺯﻣﺎﻥ‬ ‫ﺟﻨﮓ ﺭﺍ ﺭﻭﺍﻳﺖ ﻣﻲﻛﻨﺪ‪ .‬ﺑﻪ ﻫﻨﮕﺎﻡ ﺷﺮﻭﻉ ﻣﻮﺷﻜﺒﺎﺭﺍﻥ ﺗﻬﺮﺍﻥ ﺩﺭ‬ ‫ﺯﻣﺴﺘﺎﻥ ‪ ،1366‬ﺍﻋﻀﺎﻱ ﺍﻳﻦ ﺧﺎﻧﻮﺍﺩﻩ ﻛﻪ ﺗﻘﺮﻳﺒﺎ ﻫﻤﻪ ﺑﺎ ﻫﻢ ﻗﻬﺮ‬ ‫ﻫﺴــﺘﻨﺪ ﻭ ﺍﺧﺘﻼﻑ ﺩﺍﺭﻧﺪ ﺑﺮﺍﻱ ﺩﻭﺭﻱ ﺍﺯ ﺣﻤﻼﺕ ﺩﺷﻤﻦ ﺳﺎﻛﻦ‬ ‫ﺑﺎﻍ ﻣﺎﺩﺭﺷﺎﻥ ﺩﺭ ﺭﻭﺳﺘﺎﻳﻲ ﻭﺍﻗﻊ ﺩﺭ ﺣﻮﻣﻪ ﺗﻬﺮﺍﻥ ﻣﻲﺷﻮﻧﺪ‪.‬‬

‫ﻧﻮﻳﺴﻨﺪﻩ ﻭﺿﻌﻴﺖ ﺳﻔﻴﺪ ‪ :‬ﺩﺭ ﺳﺮﻳﺎﻝ ﻣﺎ ﻣﻮﻗﻌﻴﺖﻫﺎﻱ ﻃﻨﺰ ﻭﺟﻮﺩ ﺩﺍﺭﺩ‪ .‬ﺍﻣﺎ ﻣﺎ ﺗﻼﺵ ﻧﻜﺮﺩﻩﺍﻳﻢ ﻛﻪ ﻳﻚ ﺩﺍﺳﺘﺎﻥ ﻛﻤﺪﻱ ﺑﻨﻮﻳﺴﻴﻢ ‪ /‬ﻋﻜﺲ ‪:‬ﺍﻣﻴﺮﺣﺴﻴﻦ ﺷﺠﺎﻋﻲ‬

‫ﻣﺪﺭﺳﻪ ﺍﺻﻠﻲ ﺍﻳﻦ ﺭﻭﺳــﺘﺎ ﺗﺒﺪﻳﻞ ﺑﻪ ﻣﺤﻞ ﺍﺳﻜﺎﻥ ﺑﺨﺸﻲ‬ ‫ﺍﺯ ﻣﺮﺩﻡ ﺟﻨﮕﺰﺩﻩ ﺷــﺪﻩ ﺍﺳــﺖ‪ .‬ﺍﺳــﺘﻘﺮﺍﺭ ﺍﻳﻦ ﺧﺎﻧﻮﺍﺩﻩ ﺩﺭ ﺑﺎﻍ ﻭ‬ ‫ﻫﻤﺠﻮﺍﺭﻱ ﺁﻧﻬﺎ ﺑﺎ ﻣﺮﺩﻡ ﺭﻭﺳﺘﺎ ﻛﻪ ﺩﺭ ﺍﻭﺝ ﻫﻤﺪﻟﻲ ﺑﻪ ﺳﺮ ﻣﻲﺑﺮﻧﺪ‪،‬‬ ‫ﺣﻮﺍﺩﺙ ﮔﻮﻧﺎﮔﻮﻧــﻲ ﺭﺍ ﺑﺮﺍﻱ ﺧﺎﻧﻮﺍﺩﻩ ﺭﻗﻢ ﻣﻲﺯﻧﺪ ﻭ ﺑﺎﻋﺚ ﺩﺭﻙ‬ ‫ﺁﻧﻬﺎ ﺍﺯ ﻣﺸﻜﻼﺕ ﻳﻜﺪﻳﮕﺮ ﻭ ﺭﻳﺸﻪﻫﺎﻱ ﺑﻲﺍﻫﻤﻴﺖ ﺍﺧﺘﻼﻓﺎﺗﺸﺎﻥ‬ ‫ﻣﻲﺷﻮﺩ‪ .‬ﺁﻧﻬﺎ ﻃﻲ ﺍﻳﻦ ﻣﺎﺟﺮﺍﻫﺎ ﺩﺭﻣﻲﻳﺎﺑﻨﺪ ﻛﻪ ﺍﺳﺘﻌﺪﺍﺩ ﻛﻤﻚ ﻭ‬ ‫ﻳﺎﺭﻱ ﺑﻪ ﻳﻜﺪﻳﮕﺮ ﺭﺍ ﺩﺍﺭﻧﺪ ﻭ‪....‬‬ ‫ﻗﺼﻪ ﺷﻬﺮﻱ ﻛﻪ ﺑﻪ ﻣﻨﻄﻘﻪ ﺟﻨﮕﻲ ﺗﺒﺪﻳﻞ ﺷﺪ‬

‫ﻧــﮕﺎﺭﺵ ﻓﻴﻠﻤﻨﺎﻣﻪ ﺍﻳﻦ ﺳــﺮﻳﺎﻝ ﺭﺍ ﻫﺎﺩﻱ ﻣﻘﺪﻡﺩﻭﺳــﺖ ﻭ‬ ‫ﺣﻤﻴﺪ ﻧﻌﻤﺖﺍﷲ ﺑﻪ ﻋﻬﺪﻩ ﺩﺍﺷــﺘﻪﺍﻧﺪ‪ .‬ﻣﻘﺪﻡ ﺩﻭﺳﺖ ﺩﺭ ﮔﻔﺖﻭﮔﻮ‬ ‫ﺑﺎ »ﺟﺎﻡﺟﻢ« ﺩﺭ ﭘﺎﺳﺦ ﺑﻪ ﺍﻳﻦ ﭘﺮﺳﺶ ﻛﻪ ﭼﻪ ﺑﺨﺸﻲ ﺍﺯ ﺩﺍﺳﺘﺎﻥ‬ ‫ﺷﻤﺎﺷﻬﺮﻱﺍﺳﺖﻭﭼﻪﺑﺨﺸﻲﺟﻨﮕﻲﻣﻲﮔﻮﻳﺪ‪:‬ﻗﺼﻪﻣﺎﺩﺭﺑﺴﺘﺮ‬

‫ﺷﺒﻜﻪ ‪» 4‬ﭘﻴﭻ ﺗﻨﺪ« ﺩﺍﺭﺩ‬ ‫ﺗﻬﻴﻪﻛﻨﻨــﺪﻩ ﺗﻠﻪﺗﺌﺎﺗﺮ ﭘﻴﭻ ﺗﻨﺪ ﮔﻔﺖ‪ :‬ﺍﻳﻦ ﺗﻠﻪﺗﺌﺎﺗﺮ ﺩﺭ ﻣﺮﺣﻠﻪ‬ ‫ﺗﺼﻮﻳﺮﺑﺮﺩﺍﺭﻱ ﺍﺳــﺖ ﻭ ﻃﻲ ﺩﻭ ﺳﻪ ﺭﻭﺯ ﺁﻳﻨﺪﻩ ﺑﻪ ﻣﺮﺣﻠﻪ ﺗﺪﻭﻳﻦ‬ ‫ﻭ ﺻﺪﺍﮔﺬﺍﺭﻱ ﻣﻲﺭﺳﺪ‪.‬ﺷــﻬﺮﺍﻡ ﺭﻳﺤﺎﻧﻲﻣﻌﻄﺮ ﺑﻪ ﺍﻳﺴﻨﺎ ﮔﻔﺖ‪:‬‬ ‫ﺗﻠﻪﺗﺌﺎﺗﺮ »ﭘﻴﭻ ﺗﻨﺪ« ﺑﺎ ﺑﺎﺯﻱ ﺑﺎﺯﻳﮕﺮﺍﻧﻲ ﻫﻤﭽﻮﻥ ﻣﺠﻴﺪ ﺻﺎﻟﺤﻲ‪،‬‬ ‫ﺳﻴﺎﻣﻚ ﺻﻔﺮﻱ ﻭ ﻋﻠﻴﺮﺿﺎ ﻣﻬﺮﺍﻥ ﺗﻬﻴﻪ ﻣﻲﺷﻮﺩ‪.‬‬ ‫ﻭﻱ ﺍﺩﺍﻣﻪ ﺩﺍﺩ‪ :‬ﺩﺭ ﺗﻠﻪﺗﺌﺎﺗﺮ »ﭘﻴﭻ ﺗﻨﺪ« ﻣﺎ ﺳﻌﻲ ﻛﺮﺩﻳﻢ ﻭﺣﺸﺘﻲ‬ ‫ﺭﺍ ﻛﻪ ﺩﺭ ﺩﺍﺳﺘﺎﻥ ﺣﺎﻛﻢ ﺍﺳﺖ ﺑﻪ ﺻﻮﺭﺕ ﻃﻨﺰ ﺑﻴﺎﻥ ﻛﻨﻴﻢ‪ .‬ﺩﺍﺳﺘﺎﻥ‬ ‫ﭘﻴﭻ ﺗﻨﺪ ﺩﺭﺑﺎﺭﻩ ‪ 2‬ﺑﺮﺍﺩﺭ ﺍﺳﺖ ﻛﻪ ﺩﺭ ﻳﻚ ﭘﻴﭻ ﺗﻨﺪ ﺯﻧﺪﮔﻲ ﻣﻲﻛﻨﻨﺪ‪،‬‬ ‫ﺍﻳﻦ ﭘﻴﭻ ﺁﻧﻘﺪﺭ ﺧﻄﺮﻧﺎﻙ ﺍﺳﺖ ﻛﻪ ﻣﺎﺷﻴﻦﻫﺎﻳﻲ ﻛﻪ ﺩﺭ ﺍﻳﻦ ﻣﺴﻴﺮ‬

‫ﺗﺮﺩﺩ ﻣﻲﻛﻨﻨﺪ ﺑﻪ ﺳــﻤﺖ ﭘﺎﻳﻴﻦ ﭘﺮﺕ ﻣﻲﺷﻮﻧﺪ‪ ،‬ﺍﮔﺮ ﺭﺍﻧﻨﺪﮔﺎﻥ ﺍﻳﻦ‬ ‫ﻣﺎﺷﻴﻦﻫﺎ ﺯﻧﺪﻩ ﺑﻤﺎﻧﻨﺪ ﺍﻳﻦ ﺩﻭ ﺑﺮﺍﺩﺭ ﻛﻪ ﺷﻐﻠﺸﺎﻥ ﻣﻜﺎﻧﻴﻜﻲ ﺍﺳﺖ‬ ‫ﻣﺎﺷﻴﻦﺁﻧﻬﺎﺭﺍﺗﻌﻤﻴﺮﻛﺮﺩﻩﻭﻣﻲﻓﺮﻭﺷﻨﺪﻭﺭﺍﻧﻨﺪﮔﺎﻥﻣﺎﺷﻴﻦﻫﺎﺭﺍﺑﻪ‬ ‫ﻗﺘﻞﻣﻲﺭﺳﺎﻧﻨﺪﺗﺎﺍﻳﻦﻛﻪﺩﺭﻧﻬﺎﻳﺖﻫﻤﻪﻣﺘﻮﺟﻪﻛﺎﺭﺁﻧﻬﺎﻣﻲﺷﻮﻧﺪ‪.‬‬ ‫ﻳﻜﻲ ﺍﺯ ﺑﺮﺍﺩﺭﻫﺎ ﭼﻨﺪﻳﻦﺑﺎﺭ ﻧﺎﻣﻪ ﺑﻪ ﻣﺪﻳﺮﻛﻞ ﻣﻲﻓﺮﺳﺘﺪ ﺗﺎ ﺑﻴﺎﻳﻨﺪ ﻭ‬ ‫ﺟﺎﺩﻩ ﺭﺍ ﺗﻌﻤﻴﺮ ﻛﻨﻨﺪ ﺩﺭ ﺣﺎﻟﻲ ﻛﻪ ﻗﻠﺒﺎ ﺭﺍﺿﻲ ﺑﻪ ﺍﻳﻦ ﻛﺎﺭ ﻧﻴﺴــﺖ ﺑﻪ‬ ‫ﺩﻟﻴﻞ ﺍﻳﻦﻛﻪ ﺩﺭ ﻭﺍﻗﻊ ﺍﺯ ﺍﻳﻦ ﺭﺍﻩ ﻛﺴــﺐ ﺩﺭﺁﻣﺪ ﻣﻲﻛﻨﻨﺪ‪ .‬ﺩﺭ ﻧﻬﺎﻳﺖ‬ ‫ﺩﺍﺳﺘﺎﻥ ﺑﻪ ﺟﺎﻳﻲ ﻣﻲﺭﺳﺪ ﻛﻪ ﺧﻮﺩ ﻣﺪﻳﺮ ﻛﻞ ﺑﻪ ﺻﻮﺭﺕ ﻧﺎﺧﻮﺩﺁﮔﺎﻩ‬ ‫ﻭﺍﺭﺩ ﺍﻳﻦ ﭘﻴﭻ ﺗﻨﺪ ﺷﺪﻩ ﻭ ﺑﺎ ﺍﻳﻦ ﺩﻭ ﺑﺮﺍﺩﺭ ﺩﺭﮔﻴﺮ ﻣﻲﺷﻮﺩ‪.‬‬

‫ﻳــﻚ ﺭﺧﺪﺍﺩ ﺟﻨﮕﻲ ﺑﻪ ﻧﺎﻡ ﻣﻮﺷــﻜﺒﺎﺭﺍﻥ ﻣﻲﮔﺬﺭﺩ‪ .‬ﺩﺭ ﺁﻥ ﻣﻘﻄﻊ‬ ‫ﻓﻀﺎﻱ ﺷﻬﺮ ﺑﻪ ﻣﻨﻄﻘﻪ ﺟﻨﮕﻲ ﺗﺒﺪﻳﻞ ﺷﺪ‪ .‬ﻳﻌﻨﻲ ﻧﻤﻲﺗﻮﺍﻧﻴﻢ ﺷﻬﺮ‬ ‫ﻭ ﻣﻨﺎﻃﻖ ﺟﻨﮕﻲ ﺭﺍ ﺍﺯ ﻫﻤﺪﻳﮕﺮ ﺗﻔﻜﻴﻚ ﻛﻨﻴﻢ‪ .‬ﺩﺭ ﻳﻚ ﻣﺮﺣﻠﻪﺍﻱ‬ ‫ﺷﺨﺼﻴﺖ ﺍﺻﻠﻲ ﻣﺎ ﺑﻪ ﻣﻨﺎﻃﻖ ﺟﻨﮕﻲ ﻣﻲﺭﻭﺩ‪ ،‬ﺍﻣﺎ ﺩﺍﺳﺘﺎﻥ ﻣﺎ ﺩﺭ‬ ‫ﺷــﻬﺮ ﻣﻲﮔﺬﺭﺩ‪ .‬ﭼﻮﻥ ﻫﺴﺘﻪ ﺍﺻﻠﻲ ﺩﺍﺳﺘﺎﻥ ﻣﻮﺷﻜﺒﺎﺭﺍﻥ ﺗﻬﺮﺍﻥ‬ ‫ﺍﺳﺖ‪ .‬ﻓﻴﻠﻤﻨﺎﻣﻪ ﻣﺎ ﻳﻚ ﻗﺼﻪ ﺧﺎﻧﻮﺍﺩﮔﻲ ﺩﺍﺭﺩ ﻛﻪ ﺩﻧﺒﺎﻝ ﻛﺮﺩﻧﺶ‬ ‫ﺑﺮﺍﻱ ﺁﻧﻬﺎﻳﻲ ﻛﻪ ﻣﻮﺷﻜﺒﺎﺭﺍﻥ ﺭﺍ ﺗﺠﺮﺑﻪ ﻛﺮﺩﻩﺍﻧﺪ ﺟﺬﺍﺏ ﺍﺳﺖ‪.‬‬ ‫ﺑﺎ ﺗﻮﺟﻪ ﺑﻪ ﺗﻮﻟﻴﺪ ﺳــﺮﻳﺎﻝﻫﺎﻱ ﺳــﺘﺎﻳﺶ ﻭ ﻧﺎﺑــﺮﺩﻩ ﺭﻧﺞ ﻛﻪ‬ ‫ﻫــﺮ ﺩﻭ ﻗﺼﻪﺷــﺎﻥ ﺩﺭ ﻓﻀﺎﻱ ﺩﻫﻪ ‪ 60‬ﺍﺗﻔــﺎﻕ ﻣﻲﺍﻓﺘﺎﺩ‪ ،‬ﺍﺯ ﺍﻳﻦ‬ ‫ﻧﻮﻳﺴــﻨﺪﻩ ﭘﺮﺳــﻴﺪﻡ ﭼﺮﺍ ﻋﻼﻗﻪ ﺑﻪ ﻧﻮﺷﺘﻦ ﺩﺍﺳــﺘﺎﻥﻫﺎﻱ ﺩﻫﻪ‬ ‫ﺷﺼﺘﻲﺩﺭﺑﻴﻦﻧﻮﻳﺴﻨﺪﮔﺎﻥﺯﻳﺎﺩﺷﺪﻩﺍﺳﺖ‪.‬ﺍﻭﺩﺭﺍﻳﻦﺑﺎﺭﻩﺗﻮﺿﻴﺢ‬ ‫ﺩﺍﺩ‪ :‬ﺍﻳﻦ ﺍﺗﻔﺎﻕ ﺑﻪ ﺿﺮﻭﺭﺕﻫﺎﻱ ﺩﺍﺳــﺘﺎﻧﻲ ﺑﺮﻣﻲﮔﺮﺩﺩ‪ .‬ﺷﻤﺎ ﺍﮔﺮ‬

‫ﺍﻳﻦ ﻓﻴﻠﻤﻨﺎﻣﻪﻧﻮﻳﺲ ﺑﻪ ﺗﺤﻘﻴﻘﺎﺗﻲ ﻛﻪ ﺑﺮﺍﻱ ﻧﻮﺷﺘﻦ ﻭﺿﻌﻴﺖ‬ ‫ﺳﻔﻴﺪ ﺍﻧﺠﺎﻡ ﺷﺪﻩ ﺍﺷﺎﺭﻩ ﻣﻲﻛﻨﺪ ﻭ ﻣﻲﮔﻮﻳﺪ‪ :‬ﻣﺎ ﺗﻤﺎﻡ ﻣﻨﺎﺑﻊ ﺻﻮﺗﻲ‬ ‫ﻭ ﺗﺼﻮﻳﺮﻱ ﺁﻥ ﺩﻭﺭﺍﻥ ﺭﺍ ﺟﻤﻊﺁﻭﺭﻱ ﻛﺮﺩﻳﻢ‪ .‬ﻫﻢ ﺗﺤﻘﻴﻖ ﻣﻴﺪﺍﻧﻲ‬ ‫ﺩﺍﺷــﺘﻴﻢ ﻭ ﻫﻢ ﺗﺤﻘﻴﻖ ﻛﺘﺎﺑﺨﺎﻧﻪﺍﻱ ﻭ ﺁﺭﺷــﻴﻮﻱ‪ .‬ﺭﻭﺯﻧﺎﻣﻪﻫﺎﻱ‬ ‫ﺳــﺎﻝﻫﺎﻱ ‪ 62‬ﺗﺎ ‪ 67‬ﺭﺍ ﻭﺭﻕ ﺯﺩﻳﻢ‪ .‬ﺍﺯ ﻣﺮﺩﻡ ﺁﻥ ﺩﻭﺭﺍﻥ ﺧﻮﺍﺳﺘﻴﻢ‬ ‫ﻛﻪ ﺧﺎﻃﺮﺍﺗﺸﺎﻥ ﺭﺍ ﺗﻌﺮﻳﻒ ﻛﻨﻨﺪ‪ .‬ﻳﻜﻲ ﺍﺯ ﻧﻜﺎﺕ ﻓﻴﻠﻤﻨﺎﻣﻪ ﻣﺎ ﺍﻳﻦ‬ ‫ﺍﺳﺖ ﻛﻪ ﺗﺎﺭﻳﺦﻫﺎﻱ ﻣﺮﺑﻮﻁ ﺑﻪ ﺍﺗﻔﺎﻗﺎﺕ ﺟﻨﮕﻲ ﺭﺍ ﺑﻪ ﻃﻮﺭ ﺩﻗﻴﻖ‬ ‫ﺁﻭﺭﺩﻩﺍﻳﻢ؛ ﻣﺜﻼ ﺣﻤﻠﻪ ﺷــﻴﻤﻴﺎﻳﻲ ﺑﻪ ﺣﻠﺒﭽــﻪ ﺩﺭ ﺑﻬﺎﺭ ‪ 67‬ﺍﺗﻔﺎﻕ‬ ‫ﺍﻓﺘﺎﺩﻩ ﻭ ﺩﺭ ﻓﻴﻠﻤﻨﺎﻣﻪ ﻣﺎ ﺑﻪ ﺍﻳﻦ ﺗﺎﺭﻳﺦ ﺍﺷﺎﺭﻩ ﻣﻲﺷﻮﺩ‪.‬‬ ‫ﺳﺎﺑﻘﻪ ﻛﺎﺭﮔﺮﺩﺍﻧﻲ ﻭ ﻓﻴﻠﻤﻨﺎﻣﻪﻧﻮﻳﺴﻲ ﺣﻤﻴﺪ ﻧﻌﻤﺖﺍﷲ ﻧﺸﺎﻥ‬ ‫ﻣﻲﺩﻫــﺪ ﻛﻪ ﺍﻭ ﻋﻼﻗﻪ ﺯﻳــﺎﺩﻱ ﺑﻪ ﺭﻭﺍﻳﺖ ﻃﻨﺰﺁﻣﻴﺰ ﺍﺯ ﻗﺼﻪﻫﺎﻱ‬ ‫ﺗﻠﺦ ﺩﺍﺭﺩ‪ .‬ﻣﻘﺪﻡﺩﻭﺳــﺖ ﺩﺭ ﺍﻳﻦ ﺭﺍﺑﻄﻪ ﻣﻲﮔﻮﻳﺪ‪ :‬ﺩﺭ ﺳــﺮﻳﺎﻝ ﻣﺎ‬ ‫ﻣﻮﻗﻌﻴﺖﻫــﺎﻱ ﻃﻨﺰ ﻭﺟﻮﺩ ﺩﺍﺭﺩ‪ ،‬ﺍﻣﺎ ﻣﺎ ﺗﻼﺵ ﻧﻜﺮﺩﻩﺍﻳﻢ ﻛﻪ ﻳﻚ‬ ‫ﺩﺍﺳﺘﺎﻥ ﻛﻤﺪﻱ ﺑﻨﻮﻳﺴﻴﻢ‪ .‬ﺳﻌﻲ ﻛﺮﺩﻩ ﺍﻳﻢ ﻛﺎﺭﻣﺎﻥ ﻭﺍﻗﻌﮕﺮﺍ ﺑﺎﺷﺪ‬ ‫ﻭ ﻣﺤﺘﻮﺍﻳﻲ ﺭﺍ ﺗﺒﻴﻴﻦ ﻛﻨﺪ ﻛﻪ ﻳﺎﺩﺁﻭﺭ ﻓﻀﺎﻱ ﻣﻬﺮﺁﻓﺮﻳﻦ ﺳﺎﻝﻫﺎﻱ‬ ‫ﺩﻓﺎﻉ ﻣﻘﺪﺱ ﺑﺎﺷﺪ‪.‬‬ ‫ﺣﻤﻴــﺪ ﻧﻌﻤــﺖﺍﷲ‪ ،‬ﻛﺎﺭﮔﺮﺩﺍﻥ ﺳــﺮﻳﺎﻝ‪ ،‬ﭼﻨــﺪﻱ ﭘﻴﺶ ﺩﺭ‬ ‫ﮔﻔﺖﻭﮔﻮﻳــﺶ ﺑــﺎ ﺭﻭﺯﻧﺎﻣﻪ ﺟﺎﻡﺟﻢ ﺗﻮﺿﻴﺢ ﺩﺍﺩ ﻛﻪ ﺳــﺮﻳﺎﻟﺶ‬ ‫ﺑﻪ ﺻﻮﺭﺕ ﻏﻴﺮﻣﺴﺘﻘﻴﻢ ﺑﻪ ﺗﺎﺛﻴﺮﺍﺕ ﺟﻨﮓ ﻣﻲﭘﺮﺩﺍﺯﺩ‪.‬‬ ‫ﺍﻭ ﺩﺭ ﺍﻳــﻦ ﺑﺎﺭﻩ ﮔﻔﺖ‪ :‬ﺑــﻪ ﺍﻋﺘﻘﺎﺩ ﻣﻦ‪ ،‬ﺟﻨﮓ ﻭﺍﻗﻌﻲ ﺩﺭ ﺧﻮﺩ‬ ‫ﺍﻧﺴﺎﻥﻫﺎﺳــﺖ‪ ،‬ﺑﻪ ﻫﻤﻴــﻦ ﺩﻟﻴﻞ ﺩﺭ ﻭﺿﻌﻴﺖ ﺳــﻔﻴﺪ ﺟﺒﻬﻪ ﻭ‬ ‫ﺧﻂ ﻣﻘﺪﻡ ﺑﻪ ﺷــﻜﻠﻲ ﻛﻪ ﺩﺭ ﺳــﺎﻳﺮ ﻣﺠﻤﻮﻋﻪﻫﺎ ﺩﻳﺪﻩ ﻣﻲﺷﻮﺩ‪،‬‬ ‫ﺩﻳﺪﻩ ﻧﻤﻲﺷــﻮﺩ ﻳﺎ ﺑﻬﺘﺮ ﺍﺳﺖ ﺑﮕﻮﻳﻢ ﻛﻤﺘﺮ ﺑﻪ ﺁﻥ ﭘﺮﺩﺍﺧﺘﻪ ﺷﺪﻩ‬ ‫ﺍﺳــﺖ؛ ﺍﻣﺎ ﺁﺩﻡﻫﺎﻱ ﺍﻳﻦ ﺳﺮﻳﺎﻝ ﺑﺮﺍﻱ ﻣﺨﺎﻃﺒﺎﻥ ﺁﺷﻨﺎ ﻫﺴﺘﻨﺪ‪.‬‬ ‫ﻫﻤــﻪ ﺁﻧﻬﺎ ﺧﺎﻃﺮﺍﺕ ﺧﻮﺵ ﻭ ﻧﺎﺧﻮﺵ ﺩﻭﺭﺍﻥ ﺟﻨﮓ ﺭﺍ ﺩﺭ ﺫﻫﻦ‬ ‫ﺩﺍﺭﻧﺪ‪.‬‬

‫»ﺧﺮﺍﺵ« ﺑﻪ ﺁﺧﺮ ﺭﺳﻴﺪ‬ ‫ﺗﺼﻮﻳﺮﺑــﺮﺩﺍﺭﻱ ﻓﻴﻠﻢ ﻭﻳﺪﺋﻮﻳﻲ »ﺧــﺮﺍﺵ« ﭘﺲ ﺍﺯ ‪ 30‬ﺭﻭﺯ‬ ‫ﻛﺎﺭ‪ ،‬ﺑﺎ ﺣﻀﻮﺭ ﺑﺎﺯﻳﮕﺮﺍﻧﻲ ﭼﻮﻥ ﺑﻴﺘﺎ ﻓﺮﻫﻲ‪ ،‬ﻻﻟﻪ ﺍﺳﻜﻨﺪﺭﻱ‪ ،‬ﺑﻬﻨﺎﺯ‬ ‫ﺟﻌﻔﺮﻱ ﻭ ﭼﻨﮕﻴﺰ ﺟﻠﻴﻠﻮﻧﺪ ﺩﺭ ﻓﺮﻭﺩﮔﺎﻩ ﺍﻣﺎﻡ ﺧﻤﻴﻨﻲ)ﺭﻩ( ﺑﻪ ﭘﺎﻳﺎﻥ‬ ‫ﺭﺳــﻴﺪ‪.‬ﺧﺮﺍﺵ‪ ،‬ﻋﻨﻮﺍﻥ ﻧﺨﺴﺘﻴﻦ ﺳــﺎﺧﺘﻪ ﺑﻠﻨﺪ ﻣﺤﻤﺪ ﺣﻤﺰﻩﺍﻱ‬ ‫ﺍﺳﺖ ﻛﻪ ﺑﺮﺍﺳﺎﺱ ﻓﻴﻠﻤﻨﺎﻣﻪﺍﻱ ﺍﺯ ﺣﺠﺖ ﻗﺎﺳﻢﺯﺍﺩﻩﺍﺻﻞ ﺟﻠﻮﻱ‬ ‫ﺩﻭﺭﺑﻴﻦ ﺭﺿﺎ ﺷﻴﺨﻲ ﺭﻓﺖ‪ .‬ﺗﻬﻴﻪﻛﻨﻨﺪﻩ ﻭ ﻣﺠﺮﻱ ﻃﺮﺡ ﺍﻳﻦ ﻓﻴﻠﻢ‬ ‫ﻭﺣﻴﺪ ﺳﻌﻴﺪﻱ ﻭ ﻣﻬﺪﻱ ﻣﻌﺰﻱ ﻫﺴﺘﻨﺪ‪.‬‬ ‫ﺑــﻪ ﮔــﺰﺍﺭﺵ ﻓﺎﺭﺱ‪،‬ﺧﺮﺍﺵ‪ ،‬ﺩﺍﺳــﺘﺎﻥ ﺯﻧﻲ ﺍﺳــﺖ ﺑﻪ ﻧﺎﻡ‬ ‫ﺭﻭﺷــﻨﻚ ﺑﺎ ﺑﺎﺯﻱ ﻻﻟﻪ ﺍﺳــﻜﻨﺪﺭﻱ ﻛﻪ ﺑﻪ ﺍﺗﻬــﺎﻡ ﺍﺧﺘﻼﺱ ﺑﻪ‬

‫ﺣﺒﺲ ﻣﺤﻜﻮﻡ ﺷــﺪﻩ ﺍﺳــﺖ‪ .‬ﺑﻌﺪ ﺍﺯ ﮔﺬﺷــﺖ ‪ 2‬ﺳــﺎﻝ ﻭ ﺍﺛﺒﺎﺕ‬ ‫ﺑﻲﮔﻨﺎﻫﻲﺍﺵ‪ ،‬ﺍﻭ ﺍﺯ ﺯﻧﺪﺍﻥ ﺁﺯﺍﺩ ﻣﻲﺷــﻮﺩ ﻭ ﺣﺎﻻ ﺭﻭﺷــﻨﻚ ﺩﺭ‬ ‫ﭘﻲ ﺍﺣﻘﺎﻕ ﺣﻖ ﺍﺯ ﺩﺳﺖ ﺭﻓﺘﻪﺍﺵ ﺍﺳﺖ‪.‬ﻛﻮﺭﻭﺵ ﺳﻠﻴﻤﺎﻧﻲ‪ ،‬ﭘﻴﺎﻡ‬ ‫ﺩﻫﻜﺮﺩﻱ‪ ،‬ﭘﺎﺭﺳﻮﺍ ﭘﻮﺭﻗﺒﺎﺩﻱ‪ ،‬ﺣﺪﻳﺜﻪ ﺗﻬﺮﺍﻧﻲ‪ ،‬ﻋﻠﻴﺮﺿﺎ ﺍﻭﺳﻴﻮﻧﺪ‪،‬‬ ‫ﻣﺠﻴﺪ ﺳﻌﻴﺪﻱ ﻭ ﻓﺮﻳﺒﺎ ﻛﺎﻣﺮﺍﻥ‪ ،‬ﺑﺎﺯﻳﮕﺮﺍﻥ ﺩﻳﮕﺮﻱ ﻫﺴﺘﻨﺪ ﻛﻪ ﺩﺭ‬ ‫ﺍﻳﻦ ﻓﻴﻠﻢ ﺑﻪ ﺍﻳﻔﺎﻱ ﻧﻘﺶ ﭘﺮﺩﺍﺧﺘﻨﺪ‪.‬ﻣﺤﻤﺪ ﺣﻤﺰﻩ ﺍﻱ ‪،‬ﻛﺎﺭﮔﺮﺩﺍﻥ‬ ‫ﺍﻳﻦ ﻓﻴﻠﻢ ﺗﻠﻮﻳﺰﻳﻮﻧﻲ ﺩﺭ ﺣﺎﻝ ﺣﺎﺿﺮ ﻣﺸــﻐﻮﻝ ﻧﮕﺎﺭﺵ ﻓﻴﻠﻤﻨﺎﻣﻪ‬ ‫ﻧﺨﺴﺘﻴﻦ ﻓﻴﻠﻢ ﺳﻴﻨﻤﺎﻳﻲ ﺧﻮﺩ ﺍﺳﺖ ﻛﻪ ﻗﺮﺍﺭ ﺍﺳﺖ ﺑﺰﻭﺩﻱ ﺁﻥ ﺭﺍ‬ ‫ﺟﻠﻮﻱ ﺩﻭﺭﺑﻴﻦ ﺑﺒﺮﺩ‪.‬‬

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‫ﻓﺮﺯﺍﺩﺣﺴﻨﻲﺑﻪﺷﺒﻜﻪ‪ 3‬ﻣﻲﺁﻳﺪ‬ ‫ﻣﺪﻳﺮ ﮔﺮﻭﻩ ﺍﺟﺘﻤﺎﻋﻲ ﺷــﺒﻜﻪ ‪ 3‬ﺳﻴﻤﺎ ﺍﺯ ﺗﻮﻟﻴﺪ ﻭ ﭘﺨﺶ ﭼﻨﺪ‬ ‫ﺑﺮﻧﺎﻣﻪ ﺟﺪﻳﺪ ﺑﻌﺪ ﺍﺯ ﭘﺎﻳﺎﻥ ﻣﺎﻩ ﻣﺒﺎﺭﻙ ﺭﻣﻀﺎﻥ ﺧﺒﺮ ﺩﺍﺩ‪.‬‬ ‫ﻓﻀــﻞﺍﷲ ﺷــﺮﻳﻌﺖﭘﻨﺎﻫﻲ ﺑﻪ ﺍﻳﺴــﻨﺎ‪ ،‬ﮔﻔــﺖ‪ :‬ﺍﺯ ﺁﻧﺠﺎ ﻛﻪ‬ ‫»ﺧﻨﺪﻩ ﺑﺎﺯﺍﺭ« ﺩﺭ ﻣﺎﻩ ﺭﻣﻀﺎﻥ ﻣﻮﺭﺩ ﺍﺳــﺘﻘﺒﺎﻝ ﻣﺮﺩﻡ ﻗﺮﺍﺭ ﮔﺮﻓﺘﻪ‬ ‫ﺍﺳــﺖ‪ ،‬ﺑﻌﺪ ﺍﺯ ﺭﻣﻀﺎﻥ ﺭﻭﺯﻫﺎﻱ ﭘﻨﺠﺸﻨﺒﻪ ﻭ ﺟﻤﻌﻪ ﭘﺨﺶ ﺧﻮﺍﻫﺪ‬ ‫ﺷﺪ‪.‬ﻣﺪﻳﺮ ﮔﺮﻭﻩ ﺍﺟﺘﻤﺎﻋﻲ ﺷﺒﻜﻪ ‪ 3‬ﺳﻴﻤﺎ ﺩﺭﺑﺎﺭﻩ ﺩﻳﮕﺮ ﺑﺮﻧﺎﻣﻪﻫﺎﻱ‬ ‫ﺍﻳﻦ ﺷــﺒﻜﻪ ﻫﻢ ﮔﻔﺖ‪ :‬ﺍﮔﺮ ﻫﻤﻪ ﭼﻴــﺰ ﺧﻮﺏ ﭘﻴﺶ ﺑﺮﻭﺩ ﺩﺭ ﭘﺎﻳﻴﺰ‬ ‫ﻳــﻚ ﺑﺮﻧﺎﻣﻪ ﺭﻭﺗﻴــﻦ ﻫﻔﺘﮕﻲ ﺑﺎ ﺍﺟﺮﺍﻱ ﻓﺮﺯﺍﺩ ﺣﺴــﻨﻲ ﺧﻮﺍﻫﻴﻢ‬ ‫ﺩﺍﺷــﺖ؛ ﻃﺮﺡ ﺍﻳﻦ ﺑﺮﻧﺎﻣﻪ ﮔﻔﺖﻭﮔﻮ ﻣﺤﻮﺭ ﻧﻴﺰ ﺗﻮﺳﻂ ﺧﻮﺩ ﻓﺮﺯﺍﺩ‬ ‫ﺣﺴــﻨﻲ ﺍﺭﺍﺋﻪ ﺷﺪﻩ ﺍﺳﺖ‪.‬ﻭﻱ ﺑﺎ ﺗﺎﻛﻴﺪ ﺑﺮ ﺍﻳﻦ ﻛﻪ ﺑﻪ ﺩﻟﻴﻞ ﭘﺨﺶ‬ ‫ﻣﺴــﺎﺑﻘﺎﺕ ﻓﻮﺗﺒﺎﻝ ﻧﻤﻲﺗﻮﺍﻧﻨﺪ ﺑﺮﻧﺎﻣﻪﻫــﺎﻱ ﻣﺘﻨﻮﻉ ﺯﻳﺎﺩﻱ ﺭﺍ ﺑﻪ‬ ‫ﺟﺪﻭﻝ ﭘﺨﺶ ﺍﺿﺎﻓﻪ ﻛﻨﻨﺪ‪ ،‬ﺑﻪ ﻳﻜﻲ ﺍﺯ ﺳــﺮﻳﺎﻝﻫﺎﻱ ﺍﻳﻦ ﺷﺒﻜﻪ‬ ‫ﺍﺷﺎﺭﻩﻭﺍﻋﻼﻡﻛﺮﺩ‪:‬ﺳﺮﻳﺎﻝ»ﺗﻘﺎﻃﻊ«ﺩﺍﺭﺍﻱ‪ 26‬ﻗﺴﻤﺖﺍﺳﺖﻭﺩﺭ‬ ‫ﻫﺮ ﻗﺴــﻤﺖ ﺍﺯ ﺁﻥ ﺑﻪ ﻳﻜــﻲ ﺍﺯ ﺁﺳــﻴﺐﻫﺎﻱ ﺍﺟﺘﻤﺎﻋﻲ ﺟﻮﺍﻧﺎﻥ‬ ‫ﭘﺮﺩﺍﺧﺘﻪ ﻣﻲﺷــﻮﺩ؛ ﺍﻳﻦ ﺳــﺮﻳﺎﻝ ﻧﻴﺰ ﺑﺮﺍﻱ ﭘﺨﺶ ﺩﺭ ﭘﺎﻳﻴﺰ ﺁﻣﺎﺩﻩ‬ ‫ﻣﻲﺷﻮﺩ‪.‬ﺷــﺮﻳﻌﺖﭘﻨﺎﻫﻲ ﺍﻓﺰﻭﺩ‪ :‬ﺑﺮﻧﺎﻣﻪ »ﺷﻬﺮﻳﺎﺭ« ﻧﻴﺰ ﺩﺭ ﺣﻮﺯﻩ‬ ‫ﺩﺍﻧﺸــﮕﺎﻩ ﺑﻪ ﺻﻮﺭﺕ ﺯﻧﺪﻩ ﻭ ﺑﺎ ﺣﻀﻮﺭ ﺩﺍﻧﺸــﺠﻮﻳﺎﻥ ﺑﻪ ﻣﺴــﺎﺋﻞ‬ ‫ﻣﺮﺗﺒﻂ ﺑﺎ ﺩﺍﻧﺸــﮕﺎﻩ ﻫﺎ ﻭ ﺩﺍﻧﺸــﺠﻮﻳﺎﻥ ﻣﻲﭘﺮﺩﺍﺯﺩ‪» .‬ﺷﻬﺮﻳﺎﺭ« ﺍﺯ‬ ‫ﺑﺮﻧﺎﻣﻪﻫﺎﻱ ﭼﺎﻟﺸــﻲ ﻭ ﺍﺯ ﺳــﺎﺧﺘﺎﺭﻱ ﺷــﺒﻴﻪ »‪ «90‬ﻭ »ﻫﻔﺖ«‬ ‫ﺑﺮﺧﻮﺭﺩﺍﺭ ﺍﺳــﺖ‪.‬ﻭﻱ ﻫﻤﭽﻨﻴﻦ ﺍﺯ ﭘﺨــﺶ ﺑﺮﻧﺎﻣﻪﻫﺎﻱ ﺭﻭﺗﻴﻦ‬ ‫ﺷــﺒﻜﻪ ﻧﻈﻴﺮ »ﻧﻴﻤﺮﻭﺯ«‪» ،‬ﻛﻮﭼﻪ ﺑﺎﻍ« ﻭ »ﺩﻳﺮﻭﺯ‪ ،‬ﺍﻣﺮﻭﺯ‪ ،‬ﻓﺮﺩﺍ«‬ ‫ﺑﺎ ﺷﻜﻞ ﻭ ﻓﻀﺎﻱ ﻣﺘﻔﺎﻭﺕ‪ ،‬ﺑﻌﺪ ﺍﺯ ﻣﺎﻩ ﺭﻣﻀﺎﻥ ﺧﺒﺮ ﺩﺍﺩ‪.‬‬

‫ﻣﻨﻊﭘﺨﺶﺧﺸﻮﻧﺖﻫﺎﻱﺷﺪﻳﺪ‬ ‫ﺩﺭﺗﻠﻮﻳﺰﻳﻮﻥ‬ ‫ﻣﻌــﺎﻭﻥ ﺳــﻴﻤﺎ ﻃــﻲ ﻳــﻚ ﺑﺨﺸــﻨﺎﻣﻪ ﺟﺪﻳﺪ ﺑــﻪ ﻣﺪﻳﺮﺍﻥ‬ ‫ﺷﺒﻜﻪ ﻫﺎ‪ ،‬ﭘﺨﺶ ﻧﻤﺎﻱ ﻧﺰﺩﻳﻚ ﺍﺯ ﺧﺸﻮﻧﺖﻫﺎﻱ ﺷﺪﻳﺪ ﺑﻮﻳﮋﻩ ﻗﺘﻞ‬ ‫ﻭ ﺷﻜﻨﺠﻪ ﻭ ﻟﺤﻈﺎﺕ ﺟﺎﻥ ﺩﺍﺩﻥ ﻗﺮﺑﺎﻧﻴﺎﻥ ﺭﺍ ﻣﻤﻨﻮﻉ ﻛﺮﺩﻩ ﺍﺳﺖ‪.‬‬ ‫ﻃــﻲ ﺍﺑﻼﻏﻴﻪﺍﻱ ﺍﺯ ﺳــﻮﻱ ﻋﻠــﻲ ﺩﺍﺭﺍﺑﻲ‪ ،‬ﻣﻌﺎﻭﻥ ﺳــﻴﻤﺎ ﺑﻪ‬ ‫ﻣﺪﻳﺮﺍﻥ ﺷــﺒﻜﻪﻫﺎ‪ ،‬ﻣﺪﻳﺮﺍﻥ ﮔﺮﻭﻩ ﻭ ﻣﺪﻳﺮﺍﻥ ﺗﺎﻣﻴﻦ ﺑﺮﻧﺎﻣﻪ ﺍﻋﻼﻡ‬ ‫ﺷﺪ ﭘﺨﺶ ﻧﻤﺎﻱ ﻧﺰﺩﻳﻚ ﻭ ﻃﻮﻻﻧﻲ ﺍﺯ ﺧﺸﻮﻧﺖﻫﺎﻱ ﺷﺪﻳﺪ ﺑﻮﻳﮋﻩ‬ ‫ﻗﺘﻞ‪ ،‬ﺿﺮﺏ ﻭ ﺷــﺘﻢ‪ ،‬ﺧﻮﻧﺮﻳﺰﻱ‪ ،‬ﺷﻜﻨﺠﻪ ﻭ ﻟﺤﻈﺎﺕ ﺟﺎﻥ ﺩﺍﺩﻥ‬ ‫ﻗﺮﺑﺎﻧﻴﺎﻥ ﻣﻤﻨﻮﻉ ﺷــﺪ‪.‬ﺩﺭ ﺍﻳﻦ ﺑﺨﺸﻨﺎﻣﻪ ﺗﺎﻛﻴﺪ ﺷﺪﻩ ﻧﺸﺎﻥ ﺩﺍﺩﻥ‬ ‫ﻫﺮ ﮔﻮﻧﻪ ﺧﺸﻮﻧﺖ ﻛﻪ ﺑﻪ ﻧﺤﻮﻱ ﺑﺎﻋﺚ ﺟﺬﺍﺑﻴﺖ ﻭ ﺍﺯ ﻣﻴﺎﻥ ﺭﻓﺘﻦ‬ ‫ﻗﺒﺢ ﺍﻳﻦ ﻣﺴــﺎﻟﻪ ﺷــﻮﺩ‪ ،‬ﻣﻤﻨﻮﻉ ﺍﺳﺖ‪ .‬ﻣﻌﺎﻭﻥ ﺳــﻴﻤﺎ ﺍﺯ ﻣﺪﻳﺮﺍﻥ‬ ‫ﺧﻮﺍﺳــﺖ ﺁﺛﺎﺭ ﭘﺨﺶ ﺷــﺪﻩ‪ ،‬ﺗﺮﻭﻳﺞﺩﻫﻨﺪﻩ ﺭﻭﺍﺑﻂ ﺍﻧﺴﺎﻧﻲ ﺑﺎﺷﺪ ﻭ‬ ‫ﺍﻳﻦ ﻣﺴﺎﻟﻪ ﺩﺭ ﺗﻮﻟﻴﺪﺍﺕ ﺩﺍﺧﻠﻲ ﻭ ﭘﺨﺶ ﻓﻴﻠﻢﻫﺎ ﺑﺎﻳﺪ ﺭﻋﺎﻳﺖ ﺷﻮﺩ‬ ‫ﺗﺎ ﺁﺛﺎﺭ ﭘﺨﺶ ﺷﺪﻩ ﺑﺮﺍﻱ ﺑﻴﻨﻨﺪﮔﺎﻥ ﺁﺭﺍﻣﺶﺑﺨﺶ ﺑﺎﺷﺪ‪.‬‬ ‫ﺩﺭ ﺑﺨﺸــﻲ ﺩﻳﮕﺮ ﺍﺯ ﺍﻳﻦ ﺍﺑﻼﻏﻴﻪ ﺁﻣﺪﻩ ﺍﺳــﺖ‪ ،‬ﻧﺸــﺎﻥ ﺩﺍﺩﻥ‬ ‫ﺩﻋﻮﺍﻫﺎﻱ ﺧﺎﻧﻮﺍﺩﮔﻲ ﻧﻴﺰ ﻣﻤﻨﻮﻉ ﺍﺳﺖ ﻣﮕﺮ ﺁﻥﻛﻪ ﺑﻪ ﻣﺼﻠﺤﺖ ﻭ‬ ‫ﺍﻧﺘﻘﺎﻝﻳﻚﭘﻴﺎﻡﺍﺭﺯﺷﻲﻛﻤﻚﻛﻨﺪ‪.‬ﻧﻤﺎﻳﺶﻫﺮﮔﻮﻧﻪﺷﻜﻨﺠﻪﺧﻮﺩ‬ ‫ﻳﺎ ﺩﻳﮕﺮﻱ ﻭ ﻗﻄﻊ ﻋﻤﺪﻱ ﺍﻋﻀﺎﻱ ﺑﺪﻥ ﻣﻮﺟﻮﺩ ﺯﻧﺪﻩ ﻳﺎ ﻣﺮﺩﻩ ﻭ ﻣﺜﻠﻪ‬ ‫ﻛﺮﺩﻥ ﻣﻤﻨﻮﻉ ﺍﺳﺖ‪ .‬ﺩﺍﺭﺍﺑﻲ ﺗﺎﻛﻴﺪ ﻣﻲﻛﻨﺪ ﻧﺒﺎﻳﺪ ﺁﺛﺎﺭ ﺗﻠﻮﻳﺰﻳﻮﻧﻲ ﻛﻪ‬ ‫ﺑﻪ ﺷﻜﻞ ﺍﻓﺮﺍﻃﻲ ﻗﺘﻞ‪ ،‬ﺁﺩﻣﻜﺸﻲ ﻭ ﺧﻮﺩﻛﺸﻲ ﺭﺍ ﻛﻪ ﺗﺮﻭﻳﺞ ﺩﻫﻨﺪﻩ‬ ‫ﺧﺸﻮﻧﺖ ﺍﺳﺖ‪ ،‬ﻧﺸﺎﻥ ﺩﻫﺪ‪.‬ﻫﻤﭽﻨﻴﻦ ﭘﺨﺶ ﺻﺤﻨﻪﻫﺎﻱ ﻣﺮﺑﻮﻁ‬ ‫ﺑﻪ ﻟﺤﻈﻪﻫﺎﻱ ﺑﺮﺧﻮﺭﺩ ﺳﻼﺡ ﺳﺮﺩ ﻳﺎ ﮔﻠﻮﻟﻪ ﺑﻪ ﺑﺪﻥ ﻭ ﺯﺧﻤﻲ ﺷﺪﻥ‬ ‫ﻗﺴــﻤﺘﻲ ﺍﺯ ﺑﺪﻥ ﻳﺎ ﺷﻜﺴﺘﻪ ﺷﺪﻥ ﺍﺳﺘﺨﻮﺍﻥ ﻣﻤﻨﻮﻉ ﺷﺪﻩ ﺍﺳﺖ‪،‬‬ ‫ﺣﺘﻲ ﭘﺨﺶ ﺻﺪﺍﻱ ﺍﻳﻦ ﻣﻮﺍﺭﺩ ﻫﻢ ﻣﻤﻨﻮﻉ ﺍﻋﻼﻡ ﺷﺪ‪.‬‬

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آید می سه شبکه به حسنی فرزاد

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