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COMPARATIVE AR 230 ELEMENTS OF THE CHURCH :

Aisle

Aisle: Passageways of achurch or cathedral separated from the nave by rows of pillars generally running along the north and south side Ambulatory

Ambulatory: A continuous aisle which wraps a circular structure or an apse at its base designed for use in processions

Choir: The area located between the sanctuary and the nave by definition

choir

The place wher the psalms are sung . Loosely used to define the whole East end of a cathedral and as a synonym for chancel .Traditionally inaccessible to the public reserved for the clergy or members of the choir

Nave: The central area of the western branch of a cathedral bordered By aisles the center of a church or cathedral intended for seating Of parishioners Crossing: The central space of a church or cathedral the intersection of The nave transepts and chancel Transepts: The secure storing chamber for holy relics and sacred vestments

Sacristv: The north and south projecting extensions of a cruciform style church or

Nave

crossing

Cathedral crossing at right angles to the greater length Spire: A tapering often elegant structure set atop a tower in certain instances the tower itself has been designed as a spire


COMPARATIVE AR 230 BULDINGS OTHER THAN TEMPLES: US Capital Building in Washington DC

Villa La Rotonda

Baroque Palace in France


‫‪COMPARATIVE‬‬ ‫‪AR 230‬‬ ‫ٍشادو ذط٘س ‪-: FRANK LOYDRAIT‬‬ ‫‪ -1‬ذذش‪ٝ‬ش اىَغاقػ األفق‪ٞ‬ح ‪:‬‬

‫اػرَذ فشاّل ى٘‪ٝ‬ذ سا‪ٝ‬د اىذش‪ٝ‬ح ف‪ ٜ‬اىَغاقػ األفق‪ٞ‬ح ‪,‬فقاً ترذش‪ٝ‬شٕا ٍِ اىق‪٘ٞ‬د ٗ اىق٘اػذ‬‫ٗاألشناه اىْٖذع‪ٞ‬ح‬ ‫ ماُ (فشاّل )‪ٝ‬رؼاٍو ٍغ اىَغقػ تاّغ‪ٞ‬ات‪ٞ‬ح سائؼح ف‪ٞ‬جؼو اىرناٍو ٗ اىرجاّظ أعاط ىٔ ‪ّٗ,‬جذ‬‫رىل ف‪ٍ ٜ‬غاقطٔ د‪ٞ‬س مو فشاؽ ‪ٝ‬نَو األخش م٘دذج ماٍيح‬ ‫ػشق سا‪ٝ‬د ذجذ‪ٝ‬و ٗ ذشث‪ٞ‬ل اى٘دذاخ تطش‪ٝ‬قح سائؼح ٗتأعي٘ب سائغ ٗذؼث‪ٞ‬ش‪ ٛ‬دق‪ٞ‬ق ‪,‬أد‪ٞ‬اّا ماُ ‪٘ٝ‬صع‬‫اى٘دذاخ أٗ ‪ٝ‬جَؼٖا د٘ه ػْصش ٍؼَاس‪ٕ ٛ‬اً ٍصو سمِ اىَذفأج أٗ اىغيٌ اىذاخي‪ٜ‬‬ ‫‪-‬ادرشأٍ ىيَْاع‪ٞ‬ة األسض غث‪ٞ‬ؼ‪ٞ‬ح ٗ ذؼاٍئ ٍؼٔ تذساعح رىل اىفشاؽ ٗ ٍذ‪ٞ‬طٔ‬

‫‪ -2‬اىرن٘‪ ِٝ‬اإلّشائ‪ ٜ‬ىيَثْ‪: ٚ‬‬ ‫ماُ فشاّل ‪ٝ‬غر٘د‪ ٜ‬اىْظاً اإلّشائ‪ ٜ‬ىَثاّ‪ ٍِ ٔٞ‬اىطث‪ٞ‬ؼح فَصال ى٘ الدظْا اىرن٘‪ ِٝ‬اإلّشائ‪ ٜ‬ىَصْغ جّ٘غُ٘ ىيشَغ راخ‬ ‫األػَذج اىنص‪ٞ‬شج ّجذ أّ اعر٘د‪ ٚ‬رىل ٍِ صٕشج "تٖجح اىصثاح "اىر‪ ٜ‬ذرأىف ٍِ خَغح أظالع ٍق٘عح ذرشؼة ٍِ اىَشمض‬

‫‪ -3‬جَاه اىَادج ٍِ جَاه اىطث‪ٞ‬ؼح ‪:‬‬

‫إُ اىؼالقح ت‪ ِٞ‬اىطث‪ٞ‬ؼح ٗاىذ‪ٞ‬اج اىؼع٘‪ٝ‬ح ٗآىر‪ٍٖ ٜ‬ا ّشأخ آساء سا‪ٝ‬د ذظٖش ىْا ت٘ظ٘ح ف‪ ٜ‬م‪ٞ‬ف‪ٞ‬ح اعرؼَاه ٍ٘اد اىثْاء ‪.‬سأ‪ْٝ‬آ‬ ‫‪ٝ‬غرؼَو ٍ٘اد تْاء ػي‪ ٚ‬غث‪ٞ‬ؼرٖا قذس اىَغرطاع‬

‫‪ -4‬اىؼَاسج اىؼع٘‪ٝ‬ح ‪:‬‬


‫‪COMPARATIVE‬‬ ‫‪AR 230‬‬ ‫ٍشادو ذط٘س ‪-: FRANK LOYDRAIT‬‬ ‫ٍثادءٓ اىفيغف‪ٞ‬ح ‪:‬‬ ‫اىَثْ‪ ٍِ ٚ‬اىطث‪ٞ‬ؼح ٗاى‪ٖٞ‬ا ‪-‬اىَشّٗح ف‪ ٜ‬اىرصَ‪ٝ - ٌٞ‬رٌ ذصَ‪ ٌٞ‬اىَثْ‪ ٍِ ٚ‬اىذاخو إى‪ ٚ‬اىخاسض‬ ‫ إػجاتٔ تاىطث‪ٞ‬ؼح ٗإعرخذأٍ ىَ٘ادٕا ػي‪ ٚ‬غث‪ٞ‬ؼرٖا ‪ -‬ذشن‪ٞ‬ئ أتْ‪ٞ‬ح ذْاعة ػصشٓ ‪-‬‬‫إعرخذاً اىرذػ‪َٞ‬اخ اىخشعاّ‪ٞ‬ح ‪ -‬اىرخط‪ٞ‬ػ ىيَغقػ األفق‪ ٜ‬اىذش اىَفر٘ح ‪-‬‬


COMPARATIVE AR 230 MAISON DE PENPLE :


COMPARATIVE AR 230 VILLA SAVOYE


COMPARATIVE AR 230 WEISSENHOFSIEDLUNG APARTMENT


COMPARATIVE AR 230 VILLA CONTEMPORAINE


‫‪COMPARATIVE‬‬ ‫‪AR 230‬‬ ‫‪GEODESIC DOME‬‬ ‫اىقثح اىج‪٘ٞ‬د‪ٝ‬غ‪ٞ‬ح‪ ،‬مَا ‪٘ٝ‬د‪ ٜ‬اعَٖا‪ ٜٕ ،‬ذيل اىر‪ ٜ‬ذذَو ذشن‪ٞ‬و شنو مشٗ‪ٛ‬‬ ‫أٗ مشٗ‪ٝ‬ح جضئ‪ٞ‬ا‪ْٝ .‬ظش ٍِ تؼ‪ٞ‬ذ‪ ،‬فئّٔ ‪َٝ‬نِ أُ ذشثٔ مشج اىغ٘ىف اىؼَالقح ٍغ مو‬ ‫األخاد‪ٝ‬ذ غف‪ٞ‬فح عي‪َٞ‬ح‪ .‬ػِ قشب‪ٗ ،‬قثح ٕ‪ ٜ‬ف‪ ٜ‬األعاط ػثاسج ػِ ٍجَ٘ػح ٍِ‬ ‫األعاعاخ أٗ ى٘داخ ٍصغشج ٍذث٘ك ٍؼا ىرشن‪ٞ‬و خي‪ٞ‬ػ اىَؼاٗظح اىر‪ٝ ٜ‬ثذٗ أّٖا‬ ‫ذَرذ أمصش ٍِ ٕ‪ٞ‬نو ػظَ‪ ٜ‬مشٗ‪ٝ‬ح‪َٝٗ .‬نِ ىٖزٓ األَّاغ ى٘داخ صغ‪ٞ‬شج ذرشاٗح ت‪ِٞ‬‬ ‫اىصالش‪ ٜ‬تغ‪ٞ‬طح ىر٘ظخ عذاع‪ٞ‬ح ‪ ،‬در‪ ٚ‬ذيل اىَعيؼح‪ .‬تطش‪ٝ‬قح ٍِ ‪ٝ‬رذذز‪ ،‬قذ‬ ‫ػشض ٕزا اىٖ‪ٞ‬نو إظفاء ذأش‪ٞ‬ش ٍخذس ػي‪ ٚ‬اىذ٘اط ٗادذ ‪ٗ ،‬ذذذ‪ ٛ‬اى٘ػ‪ ٜ‬اىثصش‪ٛ‬‬ ‫ىرأخز ف‪ ٜ‬اىؼذ‪ٝ‬ذ ٍِ األشناه اىر‪ ٜ‬ذشنو اىنشج‪ .‬مص‪ٞ‬ش ٍِ اى٘قد‪ ،‬قذ دشص‬ ‫اىَشاقة ذجشتح اىشؼ٘س ذأش‪ٞ‬ش ًٍْ٘ مَا ‪ٝ‬غش‪ٗ ٛ‬ادذ إى‪ ٚ‬ػذد تٖذٗء ػذد األشناه‬ ‫اىَعيؼح اىر‪ ٜ‬ذغط‪ ٜ‬عطذٔ‬


COMPARATIVE AR 230 ISLAND CHAPLE


COMPARATIVE AR 230 RICHARD FULLER Richard Eugene Fuller founded the Seattle Art Museum, along with his mother, Margaret MacTavish Fuller. Richard Fuller served as the museum’s president and main benefactor from 1933 until his retirement in 1973, after which he held the title Director Emeritus until his death. Many other Seattle cultural organizations were also beneficiaries of Fuller’s generosity, as were the Northwest artists whose work Fuller unfailingly purchased and whose careers he nurtured. The Seattle-King County Association of Realtors named Richard Fuller First Citizen of 1939. He was the first recipient of the prestigious award


COMPARATIVE AR 230 NERVI PALZZO DEL LAVORO


COMPARATIVE AR 230 CHANDIGARH ASSEMBLY BUILDING


COMPARATIVE AR 230 LA TORRETTE


‫‪COMPARATIVE‬‬ ‫‪AR 230‬‬ ‫‪TORRE VELSCA IN MILAN BY BBPR‬‬ ‫ٕزا اىَششٗع ىثشض عنْ‪ٍ ٜ‬رؼذد االعرخذاٍاخ الػادج تْاء‬ ‫اىفعاء اىذعش‪ ٛ‬دٍشٕا اىقصف ػاً ‪ .1943‬ذ٘قؼد ذخط‪ٞ‬ػ‬ ‫اىَذُ األّظَح اىَؼَ٘ه تٖا ف‪ ٜ‬اى٘قد ٍثْ‪ ٚ‬اسذفاع‬ ‫ٍْخفط‪ٗ ،‬ادراله اىَؤاٍشج ميٖا ٍٗخصصح ىَناذة‪ .‬قشاس‬ ‫‪BBPR‬ماُ ىرؼ‪ ِٞٞ‬جضء ٍِ ٍؤاٍشج ٗاألٍامِ اىؼاٍح‪ ،‬إظافح‬ ‫إى‪ ٚ‬دجٌ صغ‪ٞ‬ش ٍغ ٗص٘ه ٗاىَذالخ اىرجاس‪ٝ‬ح ٗتْاء ‪28‬‬ ‫ٍغر٘‪ٝ‬اخ ‪ :‬اشْاُ ‪ْٝ‬رَُ٘ إى‪ٍ ٚ‬غر٘‪ ٙ‬اىطاتق اىغفي‪، ٜ‬‬ ‫ٗاشْ‪ ِٞ‬آخش‪ ِٝ‬ىالعرخذاً اىرجاس‪ٗ ٛ‬اىثاق‪ٝ ٜ‬صو إى‪ٚ‬‬ ‫ٍغر٘‪ 17 ٙ‬اىجَغ ت‪ ِٞ‬اىَناذة ٗ اإلعناُ‪ 18 .‬ػي‪ٚ‬‬ ‫ٍغر٘‪ ٙ‬اىخذٍاخ اىَشرشمح ػِ اىَغامِ ٍٗغر٘‪ ٙ‬أػي‪ٚ‬‬ ‫ٍِ ‪ٗ ،19‬تاىرضاٍِ ٍغ تذء أٗعغ ٍجيذاخ‪ٍٗ ،‬غر٘‪ٝ‬اخ ىذ‪ٖٝ‬ا‬ ‫أمثش ٍْطقح اىغطذ‪ٞ‬ح ٗدذٕا ٕ‪ ٜ‬ىالعرخذاً اىغنْ‪،ٜ‬‬ ‫ٗتؼعٖا ‪ٝ‬جش‪ ٍِ ٛ‬غاتق‪ ِٞ‬اىَغامِ‪.‬‬


COMPARATIVE AR 230 LOUIS KAHN BUILDING Housing students

Museum

The parliament building in Bangladesh


COMPARATIVE AR 230 JAMES STIRLING Museum

Faculty of History in Britain


COMPARATIVE AR 230 JORN UTZON AND OVE ARUP OPERA HOUSE SIDNEY INTERIOR DETAILS


COMPARATIVE AR 230 GUGGENHEIM MUSEUM AND THE BUILDING BEHIND IT


COMPARATIVE AR 230 GUGGENHEIM IN BILBAO - SPAIN

ar320 bakhashween  

comparative homeworks ar320-42

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