Woolley & Wallis Modern British & 20th Century Art 7th June 2017 by Auction Technology Group

WOOLLEY & WALLIS

WOOLLEY & WALLIS SALISBURY SALEROOMS

MODERN BRITISH & 20TH CENTuRy ART wEDNESDAy 7TH JuNE 2017

MODERN BRITISH & 20TH CENTuRy ART Wednesday 7th June 2017

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20th Century Design Michael Jeffery Zoe Smith

424505 329477

Arms & Armour, Coins & meDAls Ned Cowell Gemma Bush

341469 341469

AsiAn Art John Axford MRICS ASFAV Alex Aguilar Doméracki Freya Yuan Marta Olszewska

424506 424583 424589 424591

english & europeAn CerAmiCs & glAss Clare Durham

424507

vAluAtions For insurAnCe & probAte Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

mArketing Tamzin Corbett

424590

ACCounts Janice Clift (Office Manager)

424500

generAl oFFiCe Pauline Jones Sharon Ringwood Nicola Young Hollie Grubb sAleroom mAnAger David Jordan

Furniture, Works oF Art & CloCks Mark Richards Jim Gale Suzy Becsy

411854 339161 411854

JeWellery Jonathan Edwards FGAA Marielle Whiting FGA Charlotte Glyde

424504 424595 424586

pAintings Victor Fauvelle Jo Butler

424503 424592

silver Rupert Slingsby Lucy Chalmers

424501 424594

tribAl Art & Antiquities Will Hobbs Gemma Bush

339752 339752

424500

boArD oF DireCtors Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart FRICS FRSA Managing Director CompAny seCretAry Natalie Milsted FCCA AssoCiAte DireCtors Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

424599

MODERN BRITISH & 20TH CENTuRy ART wednesday 7th June 2017 at 11am ViEwing TimEs Saturday 3rd June Monday 5th June Tuesday 6th June Wednesday 7th June

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.45am

EnquiriEs

Victor Fauvelle Tel: 01722 424503 vf@woolleyandwallis.co.uk

Jo Butler Tel: 01722 424592 jb@woolleyandwallis.co.uk

ArTisT’s rEsALE rigHT / DrOiT DE suiTE

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iLLusTrATiOns

ALL lots will be moved from the saleroom back to Salt Lane on 8th and 9th June - collection of lots on these days and Saturday 10th MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable. From 12th June collection will be from the Picture department at Carter House, 6-10 Salt Lane, Salisbury SP1 1EE. Payment is still made at Castle Street. COLLECTION OF SOLD AND UNSOLD LOTS MUST BE WITHIN 21 DAYS OF THE SALE - FAILURE TO COLLECT WITHIN THIS TIME MAY RESULT IN STORAGE FEES TELEPHOnE BiDDing

Front cover: Lot 59 Back cover: Lot 330

Please note that requests for telephone bids cannot be accepted after 5pm on 6th June

Extra images, a catalogue word search facility and condition reports are available at www.woolleyandwallis.co.uk Catalogue: £12.00 (£15.00 by post) Member of The Society

COLLECTiOn OF LOTs

of Fine Art Auctioneers

LiVE BiDDing

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Lot 256

Lots 1 to 42 The Private Collection of a Lady

1‡ SAM DoDD

2‡ EMMA FAull

3‡ YVonnE EDwArDS

4‡ niCk AnDrEw

20/21st Century

b.1956

b.1949

b.1957

Puffin

Palm Cockatoo; Crowned Crane

Westerley Winds I

Troposa

Signed and dated 2000 Acrylic on board 17 x 17cm

Two, both signed and dated 86, one titled Both watercolour 38 x 22.5cm and 46 x 29cm (2)

Signed, titled and dated 2006 on stretcher verso Oil on canvas, unframed 50 x 50cm

Signed and dated ‘05 verso Acrylic, unframed 61 x 61cm

Provenance: Cadogan Contemporary, London

Provenance: Purchased from the artist in Bridport

£200-300

£100-150

3 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

Provenance: Picture House Gallery, Poundbury £200-300

The Private Collection of a Lady

5‡ rEBECCA lArDnEr b.1971

Oyster catcher; Looks like rain A pair, both signed Both oil on canvas, unframed Each 30 x 30cm (2) Provenance: Neville Contemporary Art £200-300

6‡ louiSE BrAiThwAiTE 20/21st Century

Bay with waterskiers Signed with initials and dated 01 Oil on board 24 x 70cm Provenance: Will’s Art Warehouse, Affordable Art Fair, Bristol £150-250

7‡ noEl BArkEr b.1924

The odd one out Signed, also titled and dated 2007 verso Oil on board 30 x 30cm Provenance: Courcoux & Courcoux, Stockbridge

£100-200 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

The Private Collection of a Lady

8‡ FrED YATES 1922-2008

Walking down to the sea, Fowey, c.1982 Signed Oil on board 61 x 76cm Provenance: Courcoux & Courcoux, Stockbridge £1,500-2,500

9‡ PAul TrEASurE

10 ‡ CAiTlin PAlMEr

b.1961

b.1987

Heron Water

Sechelt, 50 degrees 05’N, 123 degrees 44’W

Titled on stretcher verso Oil on Kate Foreman fabric, unframed 50 x 60cm

Signed Mixed media on canvas 61 x 61cm

Provenance: Courcoux & Courcoux, Stockbridge

Provenance: The Jerram Gallery, Sherborne

£150-250

£300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

The Private Collection of a Lady

11 ‡ TErrY BArron kirkwooD

13 ‡ ChArliE MACkESY

20/21st Century

Rainbow Bright

Sailing; Digging on the Beach

Signed with initials, also signed and titled verso Oil on canvas laid on board 39 x 49cm

Two, both signed and dated 86 Both pencil or chalk and wash 18 x 15.5cm and similar (2)

Provenance: Purchased from the artist

Provenance: The Wykeham Galleries, Stockbridge (Sailing) Pippy Houldsworth Gallery, London (Digging)

£150-250

12 ‡ TErrY BArron kirkwooD 20/21st Century

Silver Grey; Horse sketch

Two, both signed with initials, one titled verso One oil on canvas laid on board, one watercolour 18 x 36cm and 20 x 29cm (2) Provenance: Purchased from the artist

b.1962

£150-250

14 ‡ GEoFFrEY DAShwooD b.1947

Study of mallards Signed Chalk on buff paper 43 x 29cm Provenance: The Wykeham Galleries, Stockbridge £100-150

£150-250

14 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

The Private Collection of a Lady

15 ‡ GuY TAPlin b.1939

Sanderlings Five birds on a stand, each bird signed, titled and numbered 16 Painted wood on metal pins and wood base 35 x 15cm (base); 26cm high Provenance: Courcoux & Courcoux, Stockbridge £1,000-1,500

16 ‡ GuY TAPlin b.1939

Diver, 1987 Signed, titled and numbered 6 Painted wood 56cm long Provenance: Courcoux & Courcoux, Stockbridge £1,000-1,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

The Private Collection of a Lady

17 ‡ SoPhiE rYDEr b.1963

Standing dog, 1988 Wire 80cm high x 66cm long Provenance: Courcoux & Courcoux, Stockbridge £1,000-1,500

18 ‡ MArk CorETh b.1958

Otter, 1992 Signed and numbered 6/6 Bronze 24cm high Provenance: Sladmore Gallery, London £700-1,000

19 ‡ ZoE DE l’iSlE whiTTiEr 20th Century

Fish table Bronze with a glass top 58cm high, 60cm diameter £400-600

19 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

The Private Collection of a Lady

20 ‡ AMAnDA BriSBAnE

21 ‡ DAViD PurSlow

22 ‡ JAniTA DouGlAS

23 ‡ hElEn MArTino

24 ‡ TiM ForTunE

b.1964

20th Century

20/21st Century

b.1959

Fish

Dragonfly

Ladybird Vase

Triangular bird vase

Bullrush

Signed and dated 2002 Sand cast glass 45cm long; 32cm high

Artist’s label verso Carved wood 19 x 13cm

Signed and dated 2002 Pottery 21cm high

Signed with initials Stoneware 37cm high

Signed with initials Bronze 49cm high

Provenance: Bridgegate Gallery, Shropshire

Provenance: Purchased from the artist

Provenance: The Marine House at Beer, Affordable Art Fair, Bristol

Provenance: Marine House at Beer, Affordable Art Fair, Bristol

Provenance: Purchased from the artist

£50-70

£80-120

£150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

£80-120

The Private Collection of a Lady

25 ‡ GEoFFrEY DAShwooD b.1947

Heron standing on a circular base, 1989 Signed and numbered 10/12 Green patinated bronze 72cm high Provenance: Courcoux & Courcoux, Stockbridge £3,000-4,000

26 ‡ GEoFFrEY DAShwooD b.1947

Wren on a cube, 1990 Signed and numbered 12/24 Brown patinated bronze 10cm high Provenance: Courcoux & Courcoux, Stockbridge £500-700

27 ‡ GEoFFrEY DAShwooD b.1947

Blue tit on a ball, 2006 Signed and numbered 6/15 and inscribed PE Blue patinated bronze 7.75cm high Provenance: Courcoux & Courcoux, Stockbridge £500-700

27 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

The Private Collection of a Lady

28 ‡ GEoFFrEY DAShwooD b.1947

Pair of puffins, 1993 Signed and numbered 3/12 Blue/green patinated bronze 28cm high Provenance: Courcoux & Courcoux, Stockbridge £2,000-3,000

29 ‡ GEoFFrEY DAShwooD b.1947

Moorhen standing on a lily pad, 1987 Signed and numbered 8/12 Green patinated bronze 20cm high x 25cm long Provenance: Courcoux & Courcoux, Stockbridge £700-1,000

30 ‡ GEoFFrEY DAShwooD b.1947

Teal on a circular base, 1988 Signed and numbered 7/12 Green and brown patinated bronze 18cm high x 25cm long Provenance: Courcoux & Courcoux, Stockbridge £700-1,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

The Private Collection of a Lady

31 ‡ GEoFFrEY DAShwooD

33 ‡ GEoFFrEY DAShwooD

b.1947

Grey squirrel on a cylinder base, 1989

Green woodpecker, 1990

Signed and numbered 2/12 Green/brown patinated bronze 26cm high

Signed and numbered 1/12 Green and red patinated bronze 17cm high x 29cm long

Provenance: Courcoux & Courcoux, Stockbridge

£1,000-1,500

£700-1,000

32 ‡ GEoFFrEY DAShwooD b.1947

Waxwing on a cube, 1992 Signed and numbered 3/12 Pink patinated bronze 14cm high

Provenance: Courcoux & Courcoux, Stockbridge £600-800

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

The Private Collection of a Lady

34 ‡ SAllY ArnuP 1930-2015

The fox and the frog, 1976 Signed and numbered 4/12 Bronze on a metal base 45.5 x 21.5cm (base); 26cm high Provenance: The Tryon Gallery, London £1,200-1,800

35 ‡ SiMon GuDGEon b.1958

Three swallows on a glass perch, 2002 Signed, numbered VIII/XII and dated MMII Bronze and glass 44 x 8.75cm (base); 25.5cm high (to top of glass) (5 pieces) Provenance: Wykeham Galleries, Stockbridge £600-800

35 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

The Private Collection of a Lady

36 ‡ niCk BiBBY b.1960

Kingfisher Signed, dated 92 and numbered 8/9 Green/blue and brown patinated bronze 17.5cm diameter (base); 34cm high Provenance: Pangolin Gallery, Gloucestershire £1,500-2,000

37 ‡ STAnlEY DoVE b.1931

Jazzman, 1994 Signed Green patinated bronze, unique 35cm high Provenance: Courcoux & Courcoux, Stockbridge £200-300

38 ‡ AniTA MAnDl b.1926

Badger cub, 2003 Signed with initials, numbered 7/12 and stamped PE Patinated bronze 14cm long x 10cm high Provenance: Wykeham Gallery, Stockbridge £300-500

38 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

The Private Collection of a Lady

39 ‡ ChriS MAnlEY 20th Century

Magpie on a stump Carved wood 36cm high Provenance: Purchased from the artist £200-300

40 ‡ ChriS MAnlEY 20th Century

Resplendent Quetzal Bronze with a stone base 151cm high, 29cm diameter base £600-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

41 ‡ ElAinE CAMPlinG

42 ‡ SEAMuS hYlAnD

20th Century

Sheep chair

Hall table

Painted upholstered pine 96cm high, 48cm deep

Maple and stone 80cm high, 29.5 x 47.5cm top

£200-300

£100-150

Other Properties

43 AlExAnDrA nEChiTA

45 ‡ SEAn CrAMPTon

American/romanian b.1985

1918-1999

My guitar and your music

Riders from the sea

Signed, stamped, dated 2003-2004 and numbered 24/60 Bronze 42cm high

Signed with initials and numbered 6/12 Bronze 24cm high x 53cm long Sean Crampton was the son of the architect Joshua Crampton and served with distinction in WWII and was awarded both the Military Cross and the George Medal

Provenance: P & O Fine Arts, Certificate of Authenticity, 23 May, 2008 £4,000-6,000

£800-1,200

44 ‡ hAMiSh MACkiE b.1973

Oyster Catcher in flight 45

Signed with initials, dated 2000 and numbered 2/12 Cold painted bronze sculpture on a granite base 51cm high £1,000-1,500

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

Lots 46 to 61 Sold by order of The Executors of the Estate of Keith Allison (1925-2016) Paul Viney writes: I had the great pleasure of knowing Keith for over twenty years. I first met him when I was in charge of the picture department at Woolley and Wallis. He asked me to carry out an insurance valuation for him and Libby, both in Stockton and also at their flat in London. When I did so I was bowled over by the quality of his collection - Keith clearly had a wonderful eye. He bought many of his pictures in the 1970s and 80s when he was working as a solicitor in London and he was quite adventurous for the time, buying works by artists who were perhaps not as much appreciated then as they are today. Over the years, I often used to call on Keith when I found myself passing Stockton. His conversation was always stimulating and we discussed everything from the Bloomsbury group to cricket, politics and much else besides. Now that he has gone I shall miss these visits but thankfully the memories will remain. nick Allison writes: My father was a solicitor and a keen fisherman, with an eye for a good painting. While a young lawyer in London he took an interest in the world of art and bought work by a range of 20th Century artists which he took pleasure in for the rest of his life. Several of these are included in this sale. Keith’s father was gassed whilst serving with his cavalry regiment in the First World War, and died after returning home. Keith hardly knew his much elder brother, a budding parliamentarian who was shot down over Europe and killed during the last year of the Second World War. He was brought up by his mother who moved him down from Yorkshire to Chichester, and thence to London where he entered Westminster School in 1939. War was declared early in his first term and Keith’s schooldays must have seemed strangely itinerant, as Westminster boys were evacuated and progressed erratically all round the country. On leaving school in 1943 Keith was offered a history scholarship at Trinity College, Cambridge, which he deferred in order to join the TA. Soon afterwards he was commissioned and transferred to the Royal Horse Artillery. In 1947 his military career ended and he was able to take up his studies at Cambridge. Keith’s legal career began when he was articled to Richards Butler in London. Later with his colleague Charles Humphries he founded the firm of Allison and Humphries. They were successful from the start and developed a good reputation. After Keith’s retirement, the firm was taken over by Field Fisher Waterhouse. When he retired Keith settled in the Wylye Valley in Wiltshire. He outlived his beloved wife Libby by three years and is survived by his two children.

From the estate of Keith Allison

46 ‡ John norThCoTE nASh r.A.

47 ‡ GwEnDolEn rAVErAT

1893-1977

1885-1957

The Flour Mill at Bures, Suffolk

Jeu de Boules, Vence, 1922; The Farm Pond, 1919

Signed Watercolour over pencil 41 x 54.5cm Provenance: Christie’s Modern British sale, 1st March, 1968, Lot 181 £2,000-4,000

Two, both signed Both wood engravings 10 x 15cm and 7 x 10cm (2) Provenance: Abbott & Holder, London £400-600

47 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

From the estate of Keith Allison

48 PAul nASh

49 ‡ John norThCoTE nASh r.A.

50 ‡ JuliAn TrEVElYAn r.A.

1889-1946

1893-1977

1910-1988

Derrick at Orford

Woody nightshade, illustration for Poisonous Plants, 1927

The Tug

Signed and dated 1930, also inscribed with notes Watercolour over pencil 37 x 55cm

literature: Andrew Causey, Paul Nash, Clarendon Press, Oxford 1980, p.204 and p.243, No. 691 in catalogue p.413

Provenance: Sotheby’s Modern British sale, Exhibited: Tate Gallery, 1957, No. 125 16th June, 1976, Lot 113 Purchased by Agnews for K.G.A. £5,000-7,000

Signed Woodcut 17.5 x 14.5cm Provenance: New Grafton Gallery, London, 27th October, 1980, No. M4320, Cat. 26 £600-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

Signed and numbered 24/50 Etching 35 x 48cm £400-600

From the estate of Keith Allison

51 ChriSToPhEr wooD

52 ChriSToPhEr wooD

1901-1930

On the Mediterranean coast, 1924

Vence, France

Oil on board 25.5 x 33.5cm

Oil on canvas 18 x 26cm

Provenance: The Redfern Gallery, London, 1947 C. H. Peacock, Esq. Sotheby’s Modern British, 13th Mar, 1974, Lot 92 Lady Willatt

Provenance: John Edmonds, Honiton The Redfern Gallery, London £12,000-18,000

literature: Christopher Wood 1901-1930, The Redfern Gallery, 1938, p.66, No. 57 £15,000-25,000

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

From the estate of Keith Allison

In October of 1921 the young Christopher Wood wrote to his mother, who had recently chastised him for his louche lifestyle – ‘’Dearest mother, you ask me what I am going to do: I have decided to try and be the greatest painter that ever lived’’ He was certainly ambitious, but even with his career so cruelly cut short by his suicide in 1929, he has still gone on to become one of the most important British painters of the 20th Century. It is possible that he might have achieved his ambition if he had lived. Wood was handsome, precociously skilled as a painter and had effortless charm and charisma. By the mid 1920s he had befriended many of the greatest artists of the day in Paris including Picasso, Jean Cocteau and also Diaghilev, who chose him from an international array of artists to design for his ballet, the only English painter to have achieved this distinction. He was certainly heading in the right direction for great achievement in his life and produced work of such maturity it defied his age. Ben Nicholson fell under Wood’s spell and as the leading light in the Seven and Five Group of artists from 1926 he introduced Wood to the group. Both he and Wood then began to steer the group, conceived with a conservative agenda, in a much more innovative direction and Wood’s strong reputation in Paris helped him to achieve this. His work has more than stood the test of time, collectors intrigued by the intensity he packs in his paintings, whatever the subject or size. These two examples are typical of his work from his time in France. The coastal scene from 1924 is cheerful, but with a darker background and sky giving the picture an edge. The scene in Vence is likely to date from 1927 when other views by him of Vence were painted and there certainly seems to be a change of mood from one painting to the next, caused perhaps by his increased addiction to opium at this time. They also illustrate how he absorbed influences from Cézanne, Picasso, Henri Rousseau and the Fauve movement in addition to the strong influence on his figurative work from Alfred Wallis, Paul Gauguin and Van Gogh. His opium addiction in the last few years of his life also added an unsettling quality to his later work, matched by paranoia in his personal life, but the innovation in these works show he was on the verge of breaking through to a new style at the time of his death.

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

From the estate of Keith Allison

53 ‡ EliZABETh ViolET BlACkADDEr r.A. r.S.A. Scottish b.1931

Chinese fish and fruit Signed and dated 1986 Watercolour over pencil 20.5 x 20.5cm Provenance: Mercury Gallery, London, December 2nd, 1986 £1,500-2,500

54 ‡ FrAnk DoBSon r.A.

55 ‡ CEri riChArDS

1886-1983

Design for a cup II

Willows in the Wind

Stamped Pen, ink and wash 18 x 15cm

Signed and dated ‘32 Watercolour and bodycolour with black chalk and pencil 24.25 x 34.25cm Provenance: Redfern Gallery, London Miss Leslie Birks, August 1946 Sotheby’s, Modern British sale, 16th December 1964, Lot 27

1903-1971

Provenance: Redfern Gallery, London, 26th November, 1986, Lot 231 £300-500

£400-600

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

From the estate of Keith Allison

56 ‡ williAM rATCliFFE 1870-1955

The Barge ‘Phil’ at the docks Signed Watercolour with pen and ink 38 x 43.5cm Provenance: Christie’s Modern British sale, 1st March, 1968, Lot 115 Christie’s Modern British sale, 18th July 1972, Lot 173 £800-1,200

57 ‡ ChriSTABEl AnniE CoCkErEll 1863-1951

Path through a pergola Pastel on linen, the frame inscribed An Old Garden and Recall it not see it 33.5 x 60cm Provenance: Sotheby’s Modern British sale, 13th November, 1985, Lot 185 £800-1,200

57 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

From the estate of Keith Allison

58 ‡ John MinTon 1917-1957

Night landscape, Jamaica Signed and dated 1950 Watercolour and bodycolour with pen and ink 44.5 x 28.5cm Provenance: The Piccadilly Gallery, London Charles Williams, Esq., October, 1963 Sotheby’s, Modern British sale, 20th April, 1966, Lot 144 For notes see lot 60 £5,000-7,000

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

From the estate of Keith Allison

59 ‡ John MinTon 1917-1957

Native Girl Signed and dated 1950 Watercolour and bodycolour with pen and ink 38.5 x 29.5cm Provenance: Sotheby’s, Modern British sale, 20th November, 1974, Lot 129 The Zwemmer Gallery, London For notes see lot 60 £4,000-6,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

From the estate of Keith Allison

60 ‡ John MinTon 1917-1957

Tropical Fruits Signed and dated 1951 Oil on canvas 101 x 127cm Provenance: Sotheby’s Modern British, 3rd November 1967, Lot 198 £40,000-60,000

These three works by Minton relate to his voyage to Jamaica in the Summer of 1950, the watercolours almost certainly painted in situ and the oil painted on his return to London. He was captivated by the beauty of the island, especially the exotic plant life and the way the islanders fitted into this unique environment. However he was also acutely aware of the political and racial tensions that existed and said of Jamaica in Vogue in 1951 ‘The island, like everywhere else, faces the problem of its equilibrium in a mad world.’ The trip made a profound impression and he continued to produce works inspired by Jamaica for several years. Minton was a prodigious talent and whilst this was recognised at an early age, he was never comfortable with the expectation that went with it. In many ways the situation in Jamaica seemed to reflect his own personal struggles. Minton’s studio at this time was 37 Hamilton Terrace in North London, large and light, it allowed him to start to paint on a much larger scale. This seemed to suit his style and he said of this new approach ‘I’ve discovered that one can paint anything as long as it’s BIG. It gives a subject an importance that little paintings don’t have.’ This is certainly true of Tropical Fruits a large work which he imbues with a natural richness, building up the foliage in layers to create depth and with light accentuating the main figure in the centre. The two watercolours have an immediacy and show the much more traditional side of the Island, make allusion to the vulnerability of this increasingly threatened way of life. This series of works were perhaps some of his finest, seen by critics to be exploring his own struggles as well as being his opportunity to prove that he was more than an illustrator by exhibiting the larger works at the Royal Academy. Later in the 1950’s Minton became disillusioned with his career, felt that he had been side-lined and that his peers were enjoying far more success than him. This led to a decline in his mental state and alcoholism which ended in suicide in 1957.

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

From the estate of Keith Allison

61 ‡ kEiTh VAuGhAn 1912-1977

Sunbathers Signed and dated 48 Oil on canvas 50 x 76cm Provenance: Charles Williams Andrew Faulds literature: Keith Vaughan, The Mature Oils 1946-1977, by Anthony Hepworth and Ian Massey, Ref. AH71, p.59 Exhibited: 1948, Reid and Lefevre, London, Keith Vaughan: Paintings and Gouaches, No. 11 1962, Whitechapel Gallery, London, Keith Vaughan: Retrospective, No. 75, not hung in exhibition 1962, Matthiesen Gallery, London, Keith Vaughan: Paintings and Drawings 1937-1962, No. 2 During the course of 1945/6 Keith Vaughan made a substantial change in the direction of his painting. He had been preoccupied with landscape up to this point, heavily influenced by Graham Sutherland, with Vaughan captivated by the older painter’s work. However two exhibitions in post war London transformed the direction of his art. The first was Paul Klee at the National Gallery and then at the Victoria and Albert Museum was a joint show of 25 works by Picasso and 30 by Matisse. Klee’s influence on Vaughan was profound and he changed direction and started to paint figures, mainly male figures as in the present picture. The figures are still often set in a landscape but the figures are crucial to the picture not merely bystanders in the landscape. £30,000-50,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

Other Properties

62 ADElSTEEn norMAnn norwegian 1848-1918

Pleasure trips on a Norwegian fjord Signed, dated 1880 and inscribed Düsseldorf Oil on canvas 103 x 156cm £6,000-8,000

63 ADElSTEEn norMAnn norwegian 1848-1918

Figures on a jetty by a fjord Signed Oil on canvas laid on panel 28 x 42cm £1,000-1,500

63 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

64 ADElSTEEn norMAnn norwegian 1848-1918

View of a Norwegian fjord with a village on the shore Signed Oil on canvas 70 x 104cm £4,000-6,000

65 ADElSTEEn norMAnn norwegian 1848-1918

Figure in a rowing boat on the shore of a fjord Signed and dated 79 Oil on canvas laid on panel 28 x 42cm £1,000-1,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

66 ‡ EDwArD JuliuS DETMolD

69 ‡ EDwArD JuliuS DETMolD

1883-1957

The Brigand

Changing pastures

Signed, also signed with initials Monotype 55 x 30cm

Signed Etching 18.5 x 37.5cm (plate size) £120-180

£200-300

67 ‡ EDwArD JuliuS DETMolD 1883-1957

The Sheikh Signed, also signed with initials Etching 56 x 30.5cm £200-300

68 ‡ EDwArD JuliuS DETMolD 1883-1957

70 ‡ EDwArD JuliuS DETMolD 1883-1957

Regal figures on horseback by Eastern palaces with peacocks and monkeys in the foreground Signed Etching, unframed 27 x 43cm (plate size) With another unframed, unsigned, eastern scene by the same hand (2) £200-300

At the edge of the lotus pool Signed Etching 20 x 20cm £250-350

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

71 ‡ EDwArD JuliuS DETMolD

74 ‡ EDwArD JuliuS DETMolD

1883-1957

Pansies, anemones and spring flowers in a bowl

Figure with a cart by a palace in the desert

Watercolour with gum arabic, circular 31cm diameter

Signed, also signed with initials Etching, unframed 20.5 x 34cm (plate size) With another unframed, unsigned etching by the same hand (2)

£400-600

72 ‡ EDwArD JuliuS DETMolD Roses

75 ‡ EDwArD JuliuS DETMolD

Signed with initials and dated 30 Watercolour, circular 31.5cm diameter

Horses and riders, possibly playing polo

1883-1957

£200-300

1883-1957

Provenance: The Fine Art Society Ltd., London, 1930

Signed, also signed with initials Etching, mounted, unframed 30 x 56cm (plate size)

£400-600

£150-250

73 ‡ EDwArD JuliuS DETMolD 1883-1957

Changing pastures Signed Etching, unframed 18.5 x 37.5cm (plate size) £120-180

75 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

76 ‡ MArCEl DYF French 1899-1985

Les Falaises Normandes, Veules-les-Roses Signed Oil on canvas 38.5 x 46.5cm Painted in 1940, this work is ID 5142 in the Marcel Dyf Catalogue Raisonné £2,000-3,000

77 EDGAr ThoMAS wooD

78 ‡ GrEnVillE CoTTinGhAM

1860-1935

1943-2007

Pozzuoli, Naples

The Royal Yacht Squadron, Isle of Wight

Signed, titled and dated 1920 Oil on canvas-board 23 x 28cm

Signed Oil on board 20 x 25cm

Provenance: G. K. Moore Collection Tib Lane Gallery, Manchester

£200-300

£150-200 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

79 EDMonD MAriE PETiTJEAn

80 ‡ JEAn kEuléYAn-lAFon

81 norMAn lloYD

French 1844-1925

French 1886-1973

Australian 1897-1985

View of a French Port

Harbour scene

Pont Neuf, Paris

Signed Oil on canvas 46 x 65cm

Signed Oil on panel 16 x 22cm

Signed Oil on canvas board 34 x 41.5cm

Provenance: M. Newman Fine Art, Duke Street, London Private collection UK

£100-150

£400-600

£2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

84 Each lot is subject to a buyerâ&#x20AC;&#x2122;s premium of 26.4% inclusive of VAT at 20%

82 ‡ hEnrY lAMB r.A.

83 ‡ hEnrY lAMB r.A.

84 ‡ hEnrY lAMB r.A.

85 ‡ hEnrY lAMB r.A.

86 ‡ hEnrY lAMB r.A.

1883-1960

Bank holiday, 1948

Portrait study of the head of a boy, possibly the artist’s son Valentine Lamb

Portrait study of a boy in a hat

Portrait study of an elderly gentleman with long hair

Seated lady; Three studies of a balding gentleman

Signed Black and red chalk 35 x 26.5cm

Signed Black and red chalk 29 x 25cm

£500-700

£400-600

Two, the first signed with initials Both pencil 38.5 x 24cm and 24 x 23cm (2)

Signed Oil on board 54 x 75cm £3,000-5,000

Signed verso Black and red chalk 25.5 x 23cm £600-800

87 ‡ hEnrY lAMB r.A. 1883-1960

Portrait study of the head of a gentleman and the head of a sleeping figure Two, the first red chalk, the second pencil 23 x 17.5cm and 20 x 20cm (2) £400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

£400-600

88 MoDErn BriTiSh SChool

89 williAM hEnrY GorE

90 ADriEn DEMonT

91 FrAnk hinD

92 MArk FiShEr r.A.

1857-1942

French 1851-1928

19/20th Century

1841-1923

20th Century

Workhorses watering in a summer landscape

Elegant figures by The Vaudeville Theatre, Paris

Indisposed, Granada

Sundown in Algeria

Signed Oil on canvas 36 x 53.5cm

Signed and dated 1919 Oil on panel 40.5 x 30.5cm

Signed with initials and dated 95 Oil on panel 38 x 22cm

Signed Oil on canvas 41 x 29cm

Provenance: Newbury District Museum, May 1988, No. 23

£100-150

£400-600

Figures on the Cornish coast Oil on board 30.5 x 40.5cm £150-250

£200-300

£250-350

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

93 ‡ BErTrAM niChollS

96 ‡ EDwArD S. Billin

1883-1974

1911-1995

Una Serata

Fox Hall Farm, Fulwood

Signed and dated 1926 Oil on board 35.5 x 40.5cm

Signed Oil on canvas board 40.5 x 50cm

Provenance: Aitken Dott & Son, Edinburgh The Fine Art Society, London, No. 24686: 12/10

Provenance: Leigh Underhill Gallery, London £200-300

£400-600

97 ‡ GwEnDolinE wEBB

94 ‡ BErTrAM niChollS

20th Century

A view in Sunbury

1883-1974

Signed on the stretcher verso Oil on canvas 48 x 66cm

English Bridge, Shrewsbury Signed and dated 1944 Oil on canvas 51 x 61cm

£150-250

Provenance: The Fine Art Society, London, 1946

£600-800

95 ‡ AllAn wAlTon 1892-1948

The Valley Signed Oil on canvas 51 x 61cm Exhibition: Sally Hunter Fine Art, Allan Walton, November 1989 A private collection 1994 £200-300

96 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

Lots 98 to 100 The Property of a Private Collector

98 ‡ EDwArD SEAGo r.w.S. 1910-1974

A road in Italy Signed, also signed verso Oil on canvas 51 x 61cm Painted c.1940 Provenance: Richard Green, London, 18th January, 1989, No. 37 literature: Edward Seago, A Canvas to Cover, Collins, London 1946, Illustrated facing pg.53 £15,000-20,000

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

99 ‡ luCY EliZABETh kEMP-wElCh r.A. 1869-1958

Gypsy caravan and horses on a sunny heath Signed Oil on canvas 43 x 56cm Provenance: Prior Gallery, Cheltenham, 12 December 1990 £8,000-12,000

100 FollowEr oF hEnrY hErBErT lA ThAnGuE Loading the Haycart Oil on canvas 41 x 61cm £600-800

100 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

Other Properties 101 ‡ wArwiCk rEYnolDS 1880-1926

Lioness, starry night Signed and dated 1925 Watercolour with pencil and charcoal 42 x 68cm £400-500

102 ‡ STAnlEY AnDErSon r.A. 1884-1966

Shady pasture Signed Watercolour 23 x 30.5cm Provenance: Artist’s address label verso

101

£400-600

103 ‡ GorDon BEninGFiElD 1936-1998

A water shrew and hoverfly Signed Watercolour with bodycolour on blue paper 16 x 23.5cm Provenance: The Moorland Gallery, London £300-500

104 ‡ GorDon BEninGFiElD 1936-1998

A long-tailed field mouse Signed Watercolour with bodycolour on buff paper 11.25 x 17.75cm Provenance: The Moorland Gallery, London £300-500

102

103

104 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

105 Sir John lAVErY r.A. irish 1856-1941

Portrait of Lady Morvyth Ward (1896-1959), daughter of the 2nd Earl of Dudley Signed, titled verso Oil on canvas, unframed 45.5 x 35cm Provenance: Katherine Fitzgerald, the artist’s secretary and thence by family descent Lady Morvyth Ward, stylishly depicted here by Lavery, was born in 1898 and was the third child of William Humble Ward, 2nd Earl of Dudley. With 30,000 acres of mineral rights and 200 coal and steel mines in the Black Country he was one of the richest industrialists in Britain and they lived a life far removed from the working people of this deprived area £6,000-8,000

105

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

106

106 ‡ FrAnCES MABEl hollAMS

108 ‡ GEoFFrEY DAShwooD

1877-1963

b.1947

Racing personalities from 1937:

Studies of red squirrels; Study of a grey squirrel

Frank Butters; Gerry Wilson and Golden Miller; Gordon Richards; Lord Derby; Peter Cazalet; Stanley Wootton; Sir Leonard Brassey; Steve Donoghue; Joseph Lawson

Two both signed, titled and one dated Autumn, 1981 Both pencil and watercolour 21 x 19.5cm and 23.5 x 15cm With a lithograph of a kingfisher by Dashwood signed and numbered 21/150 (3)

9, all signed and dated 37 All pencil, unframed Each 43 x 35cm (9)

£200-300

£1,200-1,800

109 ‡ GEoFFrEY DAShwooD

107 ‡ GorDon BEninGFiElD

b.1947

1936-1998

Study of a royal stag

Kingfisher

Signed and titled Pencil 23.5 x 19cm With a print of a stag and two prints of a woodcock and partridge by the same hand (4)

Signed with initials Pencil 24.5 x 19.5cm £150-200

107

£200-300

110 ‡ GEoFFrEY DAShwooD b.1947

Studies of a female sparrowhawk; A bird of prey Two both signed, the first titled Watercolour over pencil 20 x 14cm and 9.5 x 9.5cm (2) £200-300

108

109

110 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

111

112

111 ‡ PhiliP riCkMAn

113 ‡ PhiliP riCkMAn

1891-1982

Autumn woodland, chaffinch

Autumn woodland, great tits with goldcrests

Signed and dated 1959 Watercolour with bodycolour 54.5 x 40cm Provenance: The Tryon Gallery Ltd., London, No. 18 £700-1,000

Signed and dated 1962 Watercolour with bodycolour 58 x 40cm Provenance: The Tryon Gallery Ltd., London £700-1,000

112 ‡ PhiliP riCkMAn 1891-1982

Autumn in the Spey valley, crested tits and goldcrests Signed and dated 1962 Watercolour with bodycolour 58 x 40cm Provenance: The Tryon Gallery Ltd., London £700-1,000

113 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

114 ‡ SAMuEl John lAMornA BirCh r.A. 1869-1955

Lytham St. Annes, sketch of a windmill for a Railway poster Watercolour with bodycolour on buff paper 37 x 48.5cm Provenance: Mrs E. Lamorna Kerr (the artist’s daughter)

114

£150-250

115

115 ‡ hArrY EPworTh AllEn 1894-1958

View from the top of Malham Cove Signed Watercolour 22 x 36cm With a woodcut of Wardlow Mires, Derbyshire by the same hand (2) £200-300

116

116 ‡ hArrY EPworTh AllEn

117

1894-1958

Studies of fruit trees and a scarecrow by an ancient oak Three, all pencil, framed together 76 x 38cm (including mount to frame) £200-300

117 ‡ hArrY EPworTh AllEn 1894-1958

Studies of rock formations and a moorland village Six, all pencil, framed together 67 x 57cm (including mount to frame) With another two drawings of cacti framed together by the same hand (2)

118

£200-300

118 EMilY BArnArD

119 ‡ SAMuEl John lAMornA BirCh r.A.

fl. 1885-1905

1869-1955

Fashionable ladies wearing hats

A snowy river landscape

A pair, one signed Both pencil and watercolour Each 14.5 x 14cm (2)

Signed and dated 1905 Gouache 33 x 28cm

£150-250

£300-500

119 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

120 ‡ DEniS nolAn 20th Century

Dancers Signed on stretcher verso Oil on canvas 25.5 x 35cm £400-600

121 ‡ CAThlEEn SABinE MAnn irish 1896-1959

Portrait of a mother and children, seated in an interior Signed and dated 1936 Oil on canvas, unframed 151 x 115cm £500-700

122 ‡ CAThlEEn SABinE MAnn

120

irish 1896-1959

Portrait of the actress Elizabeth Allan Signed and dated 1939 Oil on canvas 92 x 71cm £300-400

123 ‡ luCiEn hEnri GrAnDGérArD French, 1880-1970

Ballerina Signed, also titled on a label verso Oil on panel 61 x 50cm £300-500

121

122

124 ‡ w. A. CoDiS 20th Century

A Boxer - said to be Jack Dempsey Signed Oil on canvas 61 x 46cm £120-180

123 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

124

125 ‡ AlBErT houThuESEn 1903-1979

Still Life Autumn, Trylogan Signed and dated 1940, also signed, inscribed Trylogan Shop Newydd above the Baker and dated November 1940 on the stretcher verso with additional label bearing artist’s address verso Oil on canvas 71 x 91cm Provenance: Lady Matthews, Wadsworth Hall, Doncaster By family descent Exhibited: Royal Academy 1943 Turner House Penarth, Albert Houthuesen Exhibition, November 1997 - January 1998 £800-1,200

126 ‡ ruTh FoSTEr 20th Century

Sutton Poyntz, Nr. Weymouth, Dorset Signed and dated 1936 Oil on canvas 41 x 51cm

125

£200-300

127 ‡ JAMES w. TuCkEr 1898-1972

Chalk Quarry, Amberley, Sussex Signed Watercolour over pencil 35 x 50.5cm Provenance: Atkinson Art Gallery, Southport £150-250

126

128 ‡ ErnEST AlFrED SAlliS BEnnEY

127

1894-1966

Betws-y-Coed Signed Watercolour 37 x 47cm Provenance: Artist’s label verso £200-300

129 ‡ williAM rATCliFFE 1870-1955

A country house and garden 128

129

Signed Pen, ink and watercolour 39 x 47cm £300-400 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

130 ‡ DunCAn GrAnT 1885-1978

Stained glass design Signed with initials and dated 70, also inscribed with sizes Pencil and pastel 22.5 x 28cm £500-800

131 ‡ EDMunD BlAMPiED 1886-1966

The butterfly, 1928 Signed and numbered 15/100 Etching 24.5 x 20cm £250-350

132 ‡ ClArE lEiGhTon American/British 1898-1989

Views from the Farmer’s Year Four Reproductions 20 x 25cm £150-250

130

133 ‡ AFTEr PAul iriBE French 1883-1935

La Mort de Circé ou La Revanche du cochon Twelve designs, bound in an album and dated 1928, published by Francois Bernouard, Paris 55 x 37cm £200-300

134 ‡ FrAnCiS EDGAr DoDD r.A., n.E.A.C. 1874-1949

Nan in a cane rocking chair

131

132

Signed Drypoint etching, 3rd proof, 1911 25 x 22.5cm Provenance: Foulsham House Prints, London With a print by Gerald Brockhurst of a girl in a beret (2) £250-350

133 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

134

135 ‡ DAME lAurA kniGhT r.A. 1877-1970

Lively figures at a banquet Two, one signed Both pencil and grey wash, one heightened with white 23.5 x 15cm and similar (2) £400-600

135

136

137

138

136 ‡ DAME lAurA kniGhT r.A.

137 ‡ DAME lAurA kniGhT r.A.

138 ClArE lEiGhTon

1877-1970

American/British 1898-1989

Putting on tights

Footlights

A couple by a window in a bedroom

Titled and numbered 7/46 in another hand Etching, 1946 20 x 17cm

Signed Etching 20 x 15cm

Signed and numbered 18/30 Woodcut 12.5 x 9.5cm

£300-500

£200-300

£120-180

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

139 ‡ williAM lEE-hAnkEY 1869-1952

A summer rural scene with harvesters near a village Signed Oil on canvas 51 x 61cm £800-1,200

140 norMAn GArSTin 1847-1926

Souvenir Signed and titled Watercolour 25 x 33cm £150-250

141 ‡ SAMuEl John lAMornA BirCh r.A. 1869-1955

View over a mountainous landscape from a terrace Signed Pencil with watercolour 24 x 34cm £200-300

139

142 AlBErT MoulTon FowErAkEr 1873-1942

A Dorset farm at dusk Signed Watercolour 21.5 x 33cm £150-250

143 ‡ GEorGE GrAhAM 1881-1949

Rainy night and windy ‘morrow

140

141

Signed Oil on canvas 90 x 122cm Exhibited: Royal Academy, 3371 £500-700

142 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

143

144 ‡ MiChAEl ForEMAn b.1938

Toad found himself flying through the air, revolving rapidly as he went, Illustration to The Wind in the Willows by Kenneth Grahame Signed Watercolour with pen, ink and pastel, published Pavilion, London, 2001, p.167 14 x 25cm Provenance: Chris Beetles Ltd., London

144

Exhibited: The British Art of Illustration 1900-2001, No. 370 £200-300

145 ‡ ErnEST howArD ShEPArD 1879-1976

‘Everybody said oo-oo-oo’, An illustration for the Reluctant Dragon by Kenneth Grahame Pencil, illustration for the 1953 edition published by Holiday House 13 x 22.5cm Provenance: Estate of the Artist Purchased by Mrs Susan Hawkes, Nov. 2002 The Fine Art Society, London

145

146

147

146 ‡ ErnEST howArD ShEPArD 1879-1976

A winter scene; Summer window; Window with a view Three, all signed, one with initials, two inscribed All with pen and ink over pencil, one with wash, one heightened with white, all unframed 35 x 25.5cm and similar (3) £100-200

147 ‡ ErnEST howArD ShEPArD 1879-1976

Jeremy and Ernest Pencil 22 x 15cm Provenance: Illustration for Jeremy, by Hugh Walpole, 1919 The Fine Art Society, London, December 2002, No. 31 Private collection £400-600

148 hEnrY FrEDEriCk luCAS-luCAS 1848-1943

Ch. Clodagh of Ouborough, a deerhound

Exhibited: E. H. Shepard, Nov.-Dec. 2002, No. 55

Signed twice, titled and dated 1925 Oil on canvas laid on panel 20 x 25cm

£150-250

£100-150

148

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

149 ArThur John BlACk 1855-1936

Sweet waters Signed, also signed and titled verso Oil on canvas 137 x 183cm Exhibited: Royal Academy Inscribed verso 1 Harley Studios, Cresswell Place, South Kensington, SW10 £1,200-1,800

150 ‡ AnTonio PECorAro italian b.1938

Figures on the coast Signed Oil on canvas 50 x 70cm £300-500

151 ‡ F. A. EnGElBACh

149

20th Century

Still life of flowers Signed and dated 1931 Oil on canvas 56 x 45.5cm £200-300

152 ‡ MAuriCE AlFrED DéCAMPS French 1892-1953

Still life of Carnations in a vase Signed Oil on canvas 38 x 46cm

150

151

Provenance: Christie’s, 29th April 2008, Lot 189 £200-300

153 ‡ DAnG lEBADAnG French b.1922

Still life of summer flowers Signed Oil on canvas 65 x 50cm £600-800

152 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

153

French 1859-1927

156 williAM hEnrY GorE

Jean malade

1857-1942

Signed Drypoint etching 25 x 34.5cm (plate size)

Nude studies

154 PAul CéSAr hEllEu

£400-600

155 ‡ rAY howArD JonES 1903-1996

A seated nude; A lady knitting Two, the first signed and dated ‘37 The first pencil and chalk, the second watercolour 28 x 35.5cm and 40.5 x 35.5cm (2)

154

£400-600

Two, both signed Both pencil 33.5 x 47 and 47.5 x 47cm (2) Provenance: Newbury District Museum, May 1988, No. 2 literature: Margaret Wheeler, William Henry Gore, 1992, p13 and plate 7 £300-500

157 ‡ uli niMPTSCh r.A. Swiss 1897-1977

Seated nude Signed Red pastel and chalk over pencil 55 x 43cm £100-150

158 VASCo lAZZolo 1915-1984

Portrait of a lady Signed and dated 83 Coloured chalk on buff paper, unframed 51 x 34.5cm

155

157

156

158

£200-300

159 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

160

161

159 ‡ Sir williAM ruSSEll FlinT P.r.w.S., r.A.

161 ‡ BErnArD MEninSkY

1880-1969

Portrait of the artist’s son in a bathtub

Study for The Seasons for Cambridge Gate; Study of a lady seated, The Choice Two, the second signed with initials, both inscribed and dated 16.8.66 and 1934 Both pencil, mounted, unframed 18.5 x 12cm and similar (2) £300-500

160 ‡ EDwArD wolFE r.A. 1896-1981

1891-1950

Signed Oil on canvas 76 x 51cm Provenance: Given to the vendor’s grandfather by Sir Michael Sadler, Leeds University £2,000-3,000

162 ErnEST CASTElEin 1881-1945

Portrait of James Hamilton

Portrait of Daphne in Art Deco dress

Signed Watercolour with pastel 52 x 38cm

Signed Oil on canvas 56 x 46cm

Provenance: The Millinery Works Gallery, London With a note from the sitter’s son verso

£600-800

£800-1,200

162 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

163

164

166

167

163 EuroPEAn SChool

164 ‡ PriSCillA hAnBurY

165 ‡ PhiliP nAViASkY

early 20th Century

1921-2008

Portrait of a matron

A walled garden with a statue in a niche and a sundial

Portrait of C. Satorski, possibly Cyril Satorsky the printmaker and illustrator, 1946

Oil on canvas, unframed 46.5 x 36.5cm It has been suggested that the sitter resembles Edith Cavell (1865-1915) £400-600

165

Signed Oil on canvas board 76 x 54.5cm Provenance: Woolley & Wallis, 2/9/09, Lot 69 £300-500

1894-1983

Oil on board 39 x 26.5cm Provenance: Abbott & Holder, London Cyril Satorsky was at the Royal College of Art from 1946-49, where Naviasky also studied

168

166 AuGuSTuS MorTon hElY-SMiTh r.B.A. 1862-1941

The Rise - A bit of the Torridge, near Meeth, Devon, 1915 Signed Oil on canvas laid on panel 41 x 30cm £200-300

167 ‡ ChArlES GErrArD

168 ‡ hAnS FEiBuSCh

1892-1964

German 1898-1998

Still life of a melon, apples and a bottle on a tray

A pool in a park

Signed Oil on canvas 61 x 51cm

Signed with initials and dated 85 Watercolour 48.5 x 36cm £200-300

Provenance: The Brook Street Art Gallery, London £200-300

£150-250

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

169

169 ChriSToPhEr riChArD wYnnE nEVinSon A.r.A. 1889-1946

Greenwich Twilight Signed Oil on canvas 40 x 51cm Provenance: Gladwell & Co. Ltd., London, sold as Greenwich Reach Miss Seaton of 110 Canon Street, London EC4 in 1946 Exhibited: R.B.A. London in 1944, no 153 We are grateful to Christopher Martin for his assistance in cataloguing this lot £8,000-12,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

170 ‡ ViCTor CoVErlEY-PriCE

172 ‡ iAn MACinnES Scottish 1922-2003

174 ‡ FrAnk nElSon wilCox

1901-1988

Full Gale

American 1887-1964

The Matterhorn from the Riffelhorn, Switzerland

Signed Oil on canvas board 68 x 82cm

Boothbay Harbour, Maine, USA

Signed Oil on canvas 80 x 100cm

£300-500

171 MoDErn BriTiSh SChool 20th Century

A view of Mevagissy harbour 170

Oil on canvasboard 25 x 35cm

173 M. MArESCA

Signed, also inscribed verso Watercolour 36 x 49cm £100-150

20th Century

Sunlight on the coast Signed Oil on canvas 59 x 81cm £300-500

£150-250

171

173

172

174 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

175 ‡ rAMon DillEY French b.1937

Les St Halbhan l’été, à Cannes ou Ceux De La Rivera Signed, also signed and titled verso Oil on canvas 81 x 100cm Provenance: Galerie Du Carlton, Cannes, France, with original brochure £500-800

176 williAM CuShinG lorinG American 1879-1961

A Chinese Junk and other vessels off the coast Signed Oil on canvas 51 x 103cm £600-800

177 AlBErTo VAlEnZuElA llAnoS Chilean 1869-1925

175

Coastal seascape in Chile with a figure on the shore Signed, inscribed San Vicente and dated 1895 Oil on canvas 61 x 96cm £500-800

178 ‡ AnDré ViGnolES French b.1920

Fleurs de Pommier Signed and dated 1957 Oil on canvas 27 x 40cm Provenance: Arthur Tooth and Sons £200-300

176

177 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

178

179 ArThur SZYk American 1894-1961

Verboten! Signed, inscribed N.Y. and dated 1942 Watercolour with bodycolour on silvered paper 34 x 34cm £2,000-3,000

180 ‡ rAYMonD Coxon 1896-1997

Shipwrecked Signed Oil on canvas 51 x 61cm Exhibited: Stoke-on-Trent City Museum & Art Gallery, Raymond Coxon Retrospective, 23 April - 1st June 1987 With a pencil and chalk sketch for a similar subject, 1941 (2) £300-500

181 ‡ BriAn DAViES 1942-2014

Still life of prawns, shells and fruit with a pewter tankard Signed Oil on canvas, unframed 56 x 46cm

179

£600-800

182 williAM SilAS SPAnTon 1845-1930

Portrait of Dora Slaughter Inscribed on stretcher verso Oil on canvas 76 x 63.5cm £200-300

180

181

183 ‡ CAMillE MATiSSE French 19/20th Century

Still life of dahlias in a vase Signed Oil on canvas 58 x 46cm £250-350

182

183 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

184

185

186

187

184 FEDEriCo SChiAnChi

186 ‡ GorDon ElliS

italian 1858-1919

Gathering storm, Les Hanois Lighthouse, 1964

fl. 1896-1937

Signed Oil on board 36 x 61cm

Signed Watercolour 27 x 37cm

£300-500

£100-150

View of Naples Signed Watercolour 26 x 35cm £100-200

185 ‡ norMAn wilkinSon

1920-1978

1878-1971

187 ‡ DAViD TinDlE r.A.

Warships at sea

b.1932

Signed Watercolour 34 x 54cm

A rocky shore

£300-500

Signed and dated 1955 Watercolour over pencil 38 x 56cm

188 PhiliPPA AnnA F. STEPhEnSon Jerusalem from Mount of Olives

188

Provenance: The Piccadilly Gallery, London, April 1956 £400-600 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

189 ‡ Sir FrAnk BrAnGwyn r.A. 1867-1956

Figures constructing a bridge Signed Etching 21 x 23cm £150-200

190 ‡ Sir FrAnk BrAnGwyn r.A. 1867-1956

The Stations of the Cross 189

190

Signed in pencil A set of 14 prints Each 19.25 x 20.5cm (14) £500-1,000

191 ‡ JoSeF hermAn r.A. 1911-2000

Miners Signed and numbered 23/50 Lithograph, unframed 58 x 81cm (sheet size)

191

£150-200

192

192 ‡ mAry newcomB 1922-2008

Condemned Trees 1994 Pencil heightened with white on grey brown paper 12.5 x 26cm Provenance: Krane Calman Gallery 16th May 1997 Captain Francis Burne £300-500

193

194

193 ‡ GeorG ehrlich A.r.A.

194 ‡ helen lAyField BrAdley

1897-1966

1900-1979

Three studies and a sketchbook

George and I had been to take a note...

One signed and one with studio stamp; the sketch book inscribed ‘Given me by Mrs Ehrlich in 1974 JKR’ Two pen and ink, one red chalk, unframed 30 x 21cm and smaller (4)

Inscribed Watercolour 23.5 x 25.5cm

£100-150

Provenance: From the artist’s family This is one of a number of illustrations produced for a specially bound copy of her first book for the The Mercury Gallery £400-600 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

195 ‡ SheilA Fell r.A. 1931-1979

Aspatria under snow Signed Oil on canvas 71 x 91cm £7,000-10,000

195

196

197

196 ‡ JAmeS keSSell

197 ‡ muriel G. lAnG

1915-1978

20th century

Bridge Street, Aberfan, Glamorgan

Sussex Place, London W2

Signed and dated 60 Oil on canvasboard 40 x 50cm

Signed, also signed and titled on a label verso Oil on board 38 x 54cm

Provenance: Royal Society of British Artists

exhibited: Royal Academy, 1961

£200-400

£200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

198 ‡ huGh StevenSon 1910-1956

Costume designs: Peasants and Pas de Trois Three, two signed, all inscribed, one with another design verso All watercolour over pencil, unframed Each 54.5 x 34.5cm (3) £150-250

199 ‡ Sir cecil BeAton cBe 1904-1980

Study of a lady in a purple dress with brolly Signed and inscribed Costume for Lydia Languishy ‘Isabel Jeans’, Heartbreak House, Bernard Shaw Watercolour 31 x 23.5cm £500-800

198

199

200 ‡ Sir cecil BeAton c.B.e.

201 John hAll thorPe

1904-1980

1874-1947

Proposal for a Theatre set design

Polyanthus

Signed Gouache on card 29 x 38cm

Signed and titled Woodcut in colours 29 x 25.25cm £150-250

£600-800

200

201

201A ‡ normAn lindSAy 1879-1969

The grey-eyed girl, 1918 Signed and numbered 42 Etching 25 x 18cm £800-1,200

201B ‡ normAn lindSAy 1879-1969

The dance of the innocence, 1918 Signed and numbered 42 Etching 21.25 x 16.25cm £800-1,200

201A

201B Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

202 ‡ clAude FliGht 1881-1955

Untitled, a hunting scene Signed and numbered 5/50 in pencil Linocut 43.5 x 15.5cm Flight was the husband of the artist Edith Lawrence (see lot 213) £400-600

203 GeorGe GroSz American/German 1893-1959

The Viaduct, 1916 Signed Graphite 29 x 22.25cm Provenance: The Mercury Gallery, London, March 14th, 1968 J. Lowen, Oxford exhibited: The Mercury Gallery, London, Summer Exhibition, 1967, No. 97 £1,200-1,800

202

203

204 ‡ cyril edwArd Power 1872-1951

Drawing of Charing Cross Station, Inscribed Charing X Station, Hampstead Line. Note clean cut Pattern on Roof Pencil 16.5 x 22.5cm This drawing bears a likeness to Power’s painting of The Tube Station but with the platform and tracks reversed although the Tube Station was identified as Bank Station. £300-500

204 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

205 ‡ lucy hArwood 1893-1972

Portrait of a boy, Ackworth House, thought to be John Harwood, the artist’s nephew Signed, dated 1937-8 and inscribed verso Oil on canvas 61 x 51cm Provenance: Estate of Sir Cedric Morris A private Collection exhibited: Fermoy Gallery, Kings Lynn, 1987 Ipswich Museum, 1987 Gardner Centre Gallery, University of Sussex, 1989 Sally Hunter Fine Art, London, Lucy Harwood, July-August 1989 £600-800

206 continentAl School 20th century

Woman with a hat and cherries Signed indistinctly Krios? Oil on canvas 55 x 46cm With a Japanese print (2)

205

£150-200

207 ‡ roBerto teSi italian 20th century

Two Admirals and a lady Signed Oil on board 48 x 68cm £600-800

208 Penny SioPiS South African b.1953

Saartjie Baartman 206

Signed, titled, dated ‘90 and numbered 4/20 Lithograph 28.5 x 48cm

207

£100-150

209 ‡ Sir eduArdo PAolozzi r.A. Scottish 1924-2005

Tottenham Court Road Underground Station design Signed and dated 1987, also inscribed Tottenham Court Road and A/C Dec 1st 1994 and numbered 4 Screenprint, unframed 30.5 x 30.5cm

208

209

£150-250 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

210 ‡ keith vAuGhAn 1912-1977

Industrial scene from the Blast Furnace Series, 1950 Signed Pen, ink and gouache with pencil 32 x 23cm £4,000-6,000

211 ‡ keith vAuGhAn 1912-1977

Figure Studies; Three figures Two, one dated 3/3 Nov/73, both with studio stamp verso Both pencil 27 x 19cm and 23 x 17cm (2) Provenance: The Estate of Professor John Ball (1931-2010) Private collection £400-600

212 ‡ PAul lucien mAze 1887-1979

Study of a Life Guard Watercolour over charcoal 59 x 46cm Provenance: Christie’s The Studio Sale of Paul Maze 6th March 1998 £300-500

210

211 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

212

213

214

215

213 ‡ edith lAwrence

215 ‡ edwArd weSSon r.i., r.B.A.

1890-1973

1910-1983

A view through the foliage

The boathouse, Burnham Overy Staithe, Norfolk

Signed Watercolour 33.5 x 48.5cm Lawrence was the wife of the artist Claude Flight (see lot 202) £200-300

214 ‡ ronAld crAmPton 1905-1985

Signed Watercolour 33 x 50.5cm £300-500

216 ‡ Sir williAm ruSSell Flint P.r.w.S., r.A. 1880-1969

Snow in Helhoughton Wood

A little Breton Girl

Signed Watercolour 33 x 49.5cm

Signed with initials and inscribed Pencil 20.5 x 14cm

Provenance: Artist’s studio label verso

£300-500

£100-150

216

217 continentAl School 20th century

Crouching nude tying up her hair Signed indistinctly Pastel 53 x 39cm £200-300

218 ‡ chArleS Ginner A.r.A. 1878-1952

Study for Spring day at Boscastle, 1943 Pencil, with numbered grid in pen and ink 42 x 26.5cm Provenance: For the painting - Arts Council Collection, No. 20 £500-700

217

218 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

220

219

221

222

219 ‡ ronAld oSSory dunloP r.A.

220 ‡ ronAld oSSory dunloP r.A.

221 ‡ PAmelA kAy r.w.S. b.1939

222 ‡ ronAld oSSory dunloP r.A.

1894-1973

Walpole Bay, Margate

1894-1973

Portrait of two ladies

Brighton beach

Signed Oil on canvas board 40 x 30cm

Signed Oil on canvas laid on board 25.5 x 43cm

Signed with initials Oil on canvas laid on board 20.5 x 30cm

View of a garden, Henley on Thames

£600-800

£1,000-1,500

Provenance: Chris Beetles, London £200-300

Signed Oil on canvas 51 x 41cm Provenance: Guildford Galleries, Surrey £800-1,200

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

223 ruSSiAn School

225 GermAn School

20th century

Seated workman holding a spade

Kammerrich-Werke, Steelworks, Bielefield, Germany

Oil on canvas 69 x 49cm

Signed indistinctly, possibly M. Schatz, and dated ‘54 Oil on board 59 x 80cm

£300-500

224 nicolAi nikolAievich Gorlov russian 1917-1987

Still life of fruit and a tea cup Signed and inscribed in cyrillic verso Oil on canvas 58 x 77cm

£200-300

226 leonid Petrovich tikhomirov russian b.1925

Summer meadow Signed, also inscribed in cyrillic and dated 1987 verso Oil on canvas 59 x 70cm

£300-500

£200-400

223

227 viAtcheSlAv A. Fedorov russian 1918-1985

On the banks of Angara Oil on board 50 x 69cm Provenance: Royal Academy Diploma Gallery, Soviet Paintings Sale, 1967, No.75 £300-500

224

226

225

227 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

228 ‡ dAme eliSABeth Frink r.A. 1930-1993

Lying down horse Signed and dated 71 Watercolour with pencil 50 x 63.5cm Provenance: Hester van Royen Gallery, London £6,000-8,000

228

229 GAneSh Pyne indian 1937-2013

The sacred snake Signed and possibly dated Mixed media on canvas laid on board 53 x 49cm Provenance: The property of a lady, purchased by her late husband in 1968 £5,000-8,000

229 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

Lots 230 to 256 A Private Collection 230 ‡ GerAld leSlie BrockhurSt r.A. 1890-1978

Dorette Signed, also signed and dated 1932 in the print Etching 22 x 18cm £800-1,200

231 ‡ GerAld leSlie BrockhurSt r.A. 1890-1978

Portrait of James McBey 230

231

Signed, also signed and titled and dated 1931 in reverse in the print Etching 26.5 x 19cm £400-600

232 ‡ GerAld leSlie BrockhurSt r.A. 1890-1978

Portrait of Henry Rushbury Signed and inscribed Henry Rushbury, also titled and signed and dated 1930 in reverse in the print Etching 25 x 18cm £400-600

233 ‡ GerAld leSlie BrockhurSt r.A. 1890-1978

The black silk dress

233

232

Signed, also signed and dated 1927 in reverse in the print Etching 22.5 x 16cm £200-300

234 ‡ GerAld leSlie BrockhurSt r.A. 1890-1978

Young womanhood Signed, also signed and dated 1931 in reverse in the print Etching 23 x 17.5cm £200-300

235 ‡ GerAld leSlie BrockhurSt r.A. 1890-1978

La Tresse Signed, also signed and dated 1926 in reverse in the print Etching 21 x 17.5cm

234

235

£200-300

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

A Private Collection

236 ‡ GerAld leSlie BrockhurSt r.A. 1890-1978

Tête Basque, a portrait of the artist’s first wife Anaïs Folin Signed and dated 1924 Pen and ink 21 x 14.25cm Provenance: The Fine Art Society Ltd., London, June 1970, No. M7197 £2,000-3,000

237 ‡ dAvid humPhreyS b.1937

The Pier Signed and dated 59 Oil on board 29 x 46cm £150-250

238 ‡ chArleS williAm BuSh 1919-1989

On the harbour wall Signed Oil on panel 22 x 42cm £250-350

236

237

238

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

A Private Collection

239 Sir dAvid younG cAmeron r.A., r.S.A., r.w.S. Scottish 1865-1945

The Monastery Signed and titled Pencil on buff paper 14.5 x 23.5cm £100-150

240 Sir dAvid younG cAmeron r.A., r.S.A., r.w.S. Scottish 1865-1945

The Chimera of Amiens; A Dutch Damsel; A cloister 239

Three, all signed, the second dated 92 All etchings 24 x 18cm, 26.5 x 19cm and smaller With an etching of an old lady by Edmund Blampied (4) £250-350

241 Sir dAvid younG cAmeron r.A., r.S.A., r.w.S. Scottish 1865-1945

A Venetian bridge; A Venetian fountain Two, both signed, one signed and dated 1894 in the print Both etchings 16.5 x 21cm and similar (2) £200-300

240

241 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

A Private Collection

242 Sir dAvid younG cAmeron r.A., r.S.A., r.w.S. Scottish 1865-1945

Studies of Church doors and Cathedral interiors Four, all signed All etchings, framed as a set Each 29 x 17.5cm and similar (4) £300-400

243 Sir dAvid younG cAmeron r.A., r.S.A., r.w.S. Scottish 1865-1945

Terme di Caracalla Signed Pen, ink and wash 61 x 37cm

242

£400-600

244 Sir dAvid younG cAmeron r.A., r.S.A., r.w.S. Scottish 1865-1945

St. Eugenia; The river Meuse Two, both signed, the first numbered 100 and dedicated verso Both etchings 25 x 34cm and 16.5 x 37cm (2) Inscription reads To Mrs Arthur Young, In remembrance of the pleasant but hurried visit to Antequerra in the Sketcher’s company. St. Eugenia is the patron saint of Antequerra but this did not prevent the communists from trying to burn it down. May 1934

244

£200-300

245 Sir dAvid younG cAmeron r.A., r.S.A., r.w.S. Scottish 1865-1945

Killundine; Newgate; Paps of Glencoe

245

Three, all signed All etchings 17.5 x 13.5cm and smaller (3) £200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

243

A Private Collection

246 ‡ Sir dAvid muirheAd Bone r.w.S.

247 ‡ Sir dAvid muirheAd Bone r.w.S.

Scottish 1876-1956

New Bridge and Cathedral, Gerona

A procession in Barcelona

Signed Pen, ink and watercolour 26 x 35cm

Signed and inscribed Barcelona pen, ink and watercolour 25.5 x 34cm

Provenance: The Fine Art Society Ltd., London, June 1970, No. M7200 £600-800

Provenance: T & R Annan & Sons, Ltd., Glasgow £300-500

246

248 ‡ Sir dAvid muirheAd Bone r.w.S. Scottish 1876-1956

Santa Maria del Sar, Santiago Compostela Signed and titled Pencil 25.5 x 28.5cm Provenance: Mercury Gallery, London, February 10th, 1969, No. 16

247

248

£300-500

249 ‡ lionel lindSAy 1874-1961

Gerona; Alcala Two, both signed, titled and numbered 60 and 12 Both etchings 21.5 x 30cm and 18 x 12cm With a small print by Muirhead Bone of an archway (3) £150-200

249 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

A Private Collection

250

251

250 ‡ JAmeS mcBey Scottish 1883-1959

Farewell to Venice Signed and numbered LXXII, also signed, titled Venice and dated 22 October 1925 in the print Etching 25 x 45cm £150-250

251 JAmeS ABBot mcneill whiStler American 1834-1903

Free Trade Wharf, 1877 Signed with a monogram in the print Etching, fifth (final) state on buff paper 9.5 x 18.5cm £300-500

252 JAmeS ABBot mcneill whiStler American 1834-1903

La Vieille aux Loques; La Marchande de Moutarde

252

Two, both signed in the print Both etchings 20.75 x 14.5cm and 15.5 x 9cm (2) £400-600

253 AttriButed to hArold hArvey 1874-1941

Cockerels by a corn stook Signed and dated ‘91 Oil on board 18 x 12cm With a small oil on panel landscape of a windy day by a different hand (2) £300-500

253 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

A Private Collection

254 ‡ Sir herBert JAmeS Gunn r.A. 1983-1964

Still life of a small Japanese statue before a mirror Signed Oil on board 30.5 x 23.5cm Provenance: T & R Annan & Sons Ltd., Glasgow £2,000-3,000

254

255 Arthur erneSt Streeton Australian 1867-1943

Trafalgar Square Signed and dated 1906 Watercolour 34.5 x 34.5cm Provenance: Sir David Orme Masson exhibited: National Gallery, Melbourne, 1925 £1,500-2,500

255 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

A Private Collection

256

256 ‡ John duncAn FerGuSSon Scottish 1874-1961

L’avenue de L’Observatoire Signed, titled Paris and dated 1906 verso Oil on panel 19 x 24cm Provenance: Given to vendor’s family by Sir David Young Cameron in 1965 T & R Annan & Sons, Ltd., Glasgow John Duncan Fergusson first visited Paris in the 1890s having tired of the constrained tuition he received at the trustees Academy art school in Edinburgh. Paris made a profound impression on him and when he met up with Samuel Peploe, another of the group who would become known as the Scottish Colourists, they radically changed their styles, injecting Scottish art with a new vitality. He trained at the Académie Colarossi and the Académie Julian at this time. It was in this period that he painted this work, choosing to paint in small format, preferring panel and therefore retaining the spontaneity of the piece. His work has often been described as sculptural in quality and his thick application of paint creates movement and light, hallmarks of the Scottish Colourist movement. In 1907 he moved to Paris on a more permanent basis and became part of the avant garde Paris scene. £30,000-50,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

Lots 257 to 261 A Private Collection

257

258

257 ‡ John BrAtBy r.A.

258 John BrAtBy r.A.

1928-1992

Portrait of Julian Lloyd Webber (b.1951)

Sunflowers

Signed Oil on canvas 91 x 61cm

Signed Oil on canvas 76 x 51cm

Provenance: Purchased directly from the artist by the vendor’s father

£3,000-4,000

£2,000-3,000

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

A Private Collection

259 ‡ John BrAtBy r.A.

260 John BrAtBy r.A.

261 John BrAtBy r.A.

1928-1992

Self portrait wearing a hat with still life of a clock, busts and bottles

Portrait of Guy the gorilla

Still life of tools with a portrait

Signed, also signed and inscribed verso To Jack, a present, a gorilla from which we came Oil on canvas 76 x 50.5cm

Signed, also signed and inscribed verso Remember Remember, be a stayer, + live a long as Sir Robert Maye and Keep on trucking Jack to a nonagenarian! Oil on canvas 76 x 50cm

Signed, also dedicated and signed on stretcher verso Oil on canvas 91 x 61cm Provenance: National Portrait Gallery, London, No. 24 Purchased directly from the artist by the vendor’s father £1,500-2,500

Provenance: Purchased directly from the artist by the vendor’s father £1,500-2,500

Provenance: Purchased directly from the artist by the vendor’s father £1,000-1,500

259

260 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

261

Other Properties 262 ‡ normAn BlAmey oBe, r.A.

263 ‡ michAel tAylor

1914-2000

Self portrait - the artist asleep in a chair, 1981

Study for a portrait of Sir Harry Pitt (1914-2005), the Vice Chancellor of the University of Reading (1964-1978)

b.1952

Inscribed and dated on a label verso Oil on canvas 102 x 77cm £600-800

Watercolour with bodycolour over pencil 24 x 24cm Provenance: The Fine Art Society, London, March 2003

262

£300-500

263

264 ‡ roBert kinG

265 JeAnne mellin herrick

b.1936

American 1927-2015

View of Santa Maria della Salute, Venice

Scallywag (b.1973)

Signed Gouache 29 x 39cm Provenance: Burlington Paintings, London, November 1989, No. 37

Signed and dated 1980 Gouache 38 x 49cm Scallywag was a grey by Sea Hawk ex Scammel by Dante, bred by Mrs James de Rothschild at Waddesdon Manor Stud. £400-600

£200-300

264

266 ‡ John heSeltine b.1923

Illustration of a couple by a car in a landscape Signed Gouache 44.5 x 45cm Provenance: Jeremy Wood Fine Art, 5th November 1988 £150-250

265

266

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

267 ‡ Frederick Gore r.A. 1913-2009

A Farm, Soller, Majorca Signed, also signed, titled and inscribed on the stretcher verso Oil on canvas 64 x 81cm £4,000-6,000

267

268 ‡ Frederick Gore r.A. 1913-2009

Chrysanthemums in a blue jug and oranges in a bowl Oil on canvas board 36 x 48cm Provenance: Alton Gallery, Barnes, 13.5.95, No. 762 £1,500-2,500

268 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

269

Each lot is subject to a buyerâ&#x20AC;&#x2122;s premium of 26.4% inclusive of VAT at 20%

270

269 ‡ mAry Fedden r.A.

270 ‡ mAry Fedden r.A.

1915-2012

Still life with a view through the window of Agatha Christie’s house Greenway in Devon

Still life of lilies and fruit

Signed and dated ‘01 Oil on canvas 61 x 51cm It is thought that the artist has used artistic licence here by placing the nearby railway in the painting, perhaps evocative of the Orient Express £8,000-12,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

Signed and dated 1997 Oil on board 40 x 50cm Provenance: Bought directly from the artist, January 18th, 1998 £6,000-8,000

271 ‡ mAry Fedden r.A. 1915-2012

Raleigh’s Rug Signed and dated 1991, also signed and titled on a label verso Oil on board 31 x 41cm £4,000-6,000

271

272 ‡ mAry Fedden r.A. 1915-2012

Couple in a landscape Signed and dated 1972 Gouache 28.5 x 38.5cm Provenance: Ian McVitie Weston, 1972 Property of Paintings in Hospitals, Cat. No. 1152 Duncan Campbell FA, London, 2003 £2,000-3,000

272 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

Lots 273 to 323 The Collection of the late Betty Sutton (Betty Middleton-Sandford)

273

273 ‡ JuliAn trevelyAn r.A. 1910-1988

The Cat Signed and dated ‘76 Oil on canvas, unframed 51 x 77cm £2,000-3,000

274 ‡ JuliAn trevelyAn r.A.

275 ‡ JuliAn trevelyAn r.A.

1910-1988

Shetland

Henley Regatta

Signed, titled and numbered 24/50 Aquatint 48 x 35cm £400-600

Signed and titled Aquatint, artist’s proof 48 x 35cm £300-500

274 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

275

The Collection of the late Betty Sutton

276 ‡ JuliAn trevelyAn r.A. 1910-1988

278 ‡ oSwell BlAkeSton

Etruria

1907-1985

Signed, titled and numbered 8/50 Aquatint 35.5 x 57cm

Safely Home; Black Hole

£300-500

277 ‡ Anthony GroSS r.A. 1905-1984

Two, both signed and titled verso Both oil on canvas 25 x 30cm and 19 x 25cm With an oil of The Harbour by the same hand (3) £200-300

Sunday Carnival Signed and titled Etching, artist’s proof from an edition of 50 17 x 25cm With another larger of a carnival by the same hand (2)

276

£150-250

277

278

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

The Collection of the late Betty Sutton

279

280

281

279 ‡ John BrAtBy r.A.

280 ‡ John BrAtBy r.A.

281 ‡ John BrAtBy r.A.

282 ‡ John BrAtBy r.A.

1928-1992

Self-portrait at home in Cupola

Daises in a milk bottle

Rose Buds; Leopards

Signed, titled and dated 23 Nov 78 Pencil and conte 28 x 20.5cm

Signed and dated ‘49 Watercolour with pencil 16 x 11.5cm

The artist’s feet and figures by a cave by the sea

£500-800

exhibited: Sandford Gallery, 30 year retrospective, 1980, Ref. SG/182/80.24

Two both signed and dated 50, the second dated 49 or 50 The first pencil and watercolour, the second conte, framed together 14 x 9.5cm and 14 x 17cm (2)

£300-500

Signed, dated 1949 and inscribed extensively Pencil 20 x 25cm

Provenance: Sandford Gallery, 30 year retrospective, 1980, Ref 183/80, 40 40

£200-300

£250-350

283 ‡ John BrAtBy r.A. 1928-1992

Sunflower not yet completely open Signed, titled, annotated and dated Aug 23 1968 Pencil 39.5 x 26cm £150-250

282 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

283

The Collection of the late Betty Sutton

284 ‡ John BrAtBy r.A. 1928-1992

Wimbledon Room Signed and inscribed The mantelpiece I broke my hand on and dated 1950 on backing board verso Mixed media 60.5 x 73cm exhibited: Young Contemporaries, London Sandford Gallery, 30 year retrospective, 1980, No. 26 £1,000-1,500

285 ‡ John BrAtBy r.A. 1928-1992

Portrait of Martin Chapman Signed, titled and dated 1952 on the stretcher verso Oil on board 28 x 23cm £300-500

286 ‡ John BrAtBy r.A.

284

1928-1992

Nell Dunn, c.1958 Signed and titled Pencil 56 x 37cm exhibited: Sandford Gallery, 30 year retrospective, 1980 £400-600

287 ‡ John BrAtBy r.A. 1928-1992

Rhododendrons

285

286

287

Inscribed Rhodos just bursting into bloom, annotated and dated May ‘69 Pencil 40 x 26cm £200-300

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

The Collection of the late Betty Sutton

288

288 ‡ John BrAtBy r.A. 1928-1992

Dutch Rabbits; Studies of William reaching Two, both signed, titled, dedicated for Betty and dated December 1980 Both pastels 39 x 55cm and 55 x 75cm (2) £600-800

289 ‡ roGer de Grey P.r.A. 1918-1995

St. Symphorien Bordeaux, West France Signed with initials Oil on canvas 92 x 92cm £2,000-3,000

289

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

The Collection of the late Betty Sutton

290 ‡ GeorGe ShirlAw 1934-2005

Self portrait with John Bratby R.A. (1928-1992) Signed, also signed, titled and dated 1974 verso Oil on canvas, unframed 50.5 x 60.5cm £100-200

291 ‡ Sir mAtthew Smith

290

1879-1959

Portrait of a girl Pencil 33.5 x 26cm exhibited: The Mayor Gallery, London, No. 6533, the artist’s last exhibition £300-500

291

292 ‡ AlAn dyer b.1944

Shipwreck - Cornwall Signed and titled, also signed, titled and dated 1980 on stretcher verso Oil on canvas 54 x 46cm £150-250

293 ‡ AlAn dyer b.1944

292

Abstract Signed on the stretcher verso Oil on canvas 121 x 121cm £100-150

294

294 ‡ AlAn dyer b.1944

Boy with a bird Signed, also signed and titled on stretcher verso Oil on canvas 53.5 x 50.5cm Provenance: Sandford Gallery, London, B2848, No. 37 £100-150

293 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

The Collection of the late Betty Sutton

295

296

295 ‡ John humPhrey SPender 1910-2005

Winter river Signed and dated ‘58 Oil on board 39 x 54cm Provenance: Artist’s label verso £200-300

296 ‡ John humPhrey SPender 1910-2005

Wind on the sea wall Signed and dated 1975 Pencil and watercolour 28.5 x 40cm

298

297

£300-500

297 ‡ John humPhrey SPender

298 ‡ huGh cronyn

299 ‡ cAvendiSh morton

1905-1996

1911-2015

1910-2005

Skulls and sails

Sea Grass

Haute Loire Garden Signed and dated 1980-82 Pencil 48 x 31.5cm Provenance: Sandford Gallery, London, B2894, No. 83

Signed Oil on canvas 40.5 x 50.5cm

Signed and dated 1965 Watercolour 36 x 54cm

Provenance: With artist’s label verso

exhibited: Royal Academy, 1956, No. 2

£100-150

£150-250

£100-150

299 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

The Collection of the late Betty Sutton

300 ‡ André mASSon French 1896-1987

Green abstract; Bird figure Two both signed, the first numbered 24/50 Lithograph and etching 26.5 x 20.5cm and 20 x 15cm (2) £250-350

301 ‡ John chriStoPherSon 1921-1996

Lane at Greenwich; Towards Diamond Terrace, Greenwich

300

Two, both signed with initials, the first titled and dated 20th June 1968 on a label verso, the second titled and dated 20th August 1979 on a label verso Both oil on board 20 x 25.5cm and 15 x 11.5cm With a print titled Magic Garden by the same hand (3) Provenance: First - Sandford Gallery, London, Ref. SG/5/81 Cork St. Gallery, London exhibited: Leicester Galleries, London, Dec. 1968, No. 30 £150-250

302 ‡ lindA kitSon b.1945

Views of Windsor A pair, both signed and titled Windsor Both pastel on paper Each 38 x 51cm With a pencil drawing of a banquet by the same hand (3)

301

£100-200

302 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

The Collection of the late Betty Sutton

303 ‡ BryAn orGAn b.1935

Study for Prince of Wales Signed, titled and dated July 1980 Pencil 63.5 x 38.5cm £100-200

304 AttriButed to AlBerto Burri italian 1915-1995

Abstract Signed indistinctly Lithograph 22.5 x 10.75cm £100-150

303

304

305

305 mAximilien luce French 1858-1941

Studies of a working man Three, signed on the backing paper and framed together One pencil and two conte 40.5 x 30.5cm (backing sheet size) Provenance: Sandford Gallery, London, Ref. SG/49/81

306

307

£400-600

306 erneSt Procter A.r.A.

307 wAlter GreAveS

1886-1935

1846-1930

The Kindergarten

Old Battersea Bridge, the Red Sail

1895-1972

Signed Watercolour 26 x 35cm

Signed, titled and numbered 4/50 Lithograph 21 x 25.5cm

Signed and dated 17 Pencil 16.5 x 22cm Provenance: Sandford Gallery, London, Ref SG/11/81

£50-100

308 ‡ cliFFord c. weBB r.B.A., A.r.e. Chesterholme

£50-80

£150-250

308 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

The Collection of the late Betty Sutton

309 ‡ ceri richArdS

311 roGer Fry

1903-1971

1866-1934

La Cathedrale Engloutie, 1963

The Clocktower, Roquebrune, c.1913

Signed indistinctly, also titled and inscribed after piano prelude by Claude Debussy verso Gouache on buff paper 20 x 13cm

Watercolour over pencil 35 x 25cm

Provenance: Fishcer Fine Art, London, No. c.1417 £100-150

exhibited: The Arts Council of Great Britain, Vision and Design, A/137, No. 101

310 ‡ roSemAry AllAn

£300-500

1911-2008

312 ‡ Anthony r. cooke

The shell cupboard Signed Pen and sepia ink, watercolour with bodycolour 34 x 24cm

309

Provenance Mrs Pamela Diamand Blond Fine Art, London, 14th March, 1980, No. 16 Sandford Gallery, London, April 1981

b.1933

Shoreham harbour mouth

£100-150

Signed with initials and dated ‘73, also signed, titled and inscribed with artist’s address on the stretcher verso Oil on canvas 92 x 153cm Provenance: The Everard Read Gallery, Johannesburg, South Africa £200-300

313 ‡ Judith ShAckleton b.1945

Pale painting Signed and titled on the stretcher verso Oil on canvas with added sand texture 46 x 56.5cm £150-200

310

312

311

313 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

The Collection of the late Betty Sutton

314

315

316

314 ‡ rodney JoSePh Burn r.A. 1899-1984

West Burton Sunset Signed with initials Oil on canvas 25.5 x 35.5cm £100-150

317

315 ‡ chArleS Bone

316 ‡ iAn hAy

1899-1974

b.1940

The Arun from Bury, Sussex

Twilight, Chelsea Creek

Signed Watercolour 34 x 72cm

Signed and dated ‘81 Pastel 44 x 60cm

Provenance: Sandford Gallery, London, Ref. B2481

Provenance: Sandford Gallery, London

£100-150

317 ‡ JAmeS chArleS middleton

318 AlFred hArtley

1894-1969

A view of the river Tees

St. Michael’s Mount from Newlyn Harbour, Cornwall

Signed Aquatint 27 x 38cm

Signed, also signed and titled verso Oil on panel 26 x 35.5cm £200-300

1855-1933

318

Provenance: The Leicester Galleries, London £100-150

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

The Collection of the late Betty Sutton

319 ‡ Sir huGh cASSon Pr.A. 1910-1999

The brass jug; Steps … Sienna Two, both signed with initials and titled (the first indistinctly) Both watercolour 13 x 7.5cm and 11.5 x 6.5cm (2) Provenance: The Sandford Gallery, London 1979, Ref SG/237/79/21 and SG/238/78/21 £150-250

319

320

320 ‡ FrAnceS richArdS 1903-1985

Lady in a jug Signed with initials and dated ‘78 Pen, ink and watercolour 41.5 x 27cm Frances Richards was the wife of artist Ceri Richards £100-150

321 ‡ Betty middleton-SAndFord 20th century

Autumn Glory

321

322

Signed with initials and dated 78, also signed and titled verso and numbered 3 Oil on canvas 90 x 60cm £100-200

322 ‡ Betty middleton-SAndFord 20th century

Lilies, cyclamen and summer flowers Signed with initials and dated 78 Oil on canvas 91.5 x 71cm £100-200

323 ‡ Anne Brooke 1916-2002

Towards Coniston, Wharfedale, Yorkshire

323

Signed Oil on canvas 35.5 x 56cm £100-150 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

Other Properties 324 ‡ mArGAret thomAS n.e.A.c. 1916-2016

Snow Garden Signed with a monogram Oil on canvas 51 x 76cm Provenance: Messum’s, London, Thomas/Chapman Exhibition, 2003, MT1122 A Private Collection, since 2003 £700-1,000

324

325 ‡ ken howArd r.A. b.1932

The Coffee Warehouse, Cricklewood, London Signed, inscribed Cricklewood and dated 2/3.8.82 Watercolour over pencil 34 x 54cm Provenance: Originally painted for McGregor Cory £400-600

326 ‡ BernArd dunStAn r.A. b.1920

The Royal Academy Library Signed with initials, dated 1984 and titled Watercolour over charcoal 10 x 10cm

325

Provenance: With a letter from the artist on headed paper verso £400-600

327 ‡ BernArd dunStAn r.A. b.1920

An Italianate church Signed with initials, loosely stuck to a Christmas Card addressed To all in the Library Chalk, possibly over a print 10 x 9cm £200-300

326 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

327

328

329

328 ‡ dAvid hockney r.A.

329 ‡ dAvid hockney r.A.

b.1937

The older Rapunzel; The Princess after many years in the glass mountain from the Six Fairy Tales

Cold water about to hit the Prince; Inside the Castle from Six Fairy Tales

Two, both etchings from an edition of 100 22 x 25cm and 39 x 29.5cm (2) Provenance: The Estate of Professor John Ball (1931-2010) Private collection

Two, both etchings from an edition of 100 38.5 x 27cm and 25.5 x 26.25cm (2) Provenance: The Estate of Professor John Ball (1931-2010) Private collection £400-600

£400-600 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

330 ‡ dAvid hockney r.A. b.1937

Godetias Signed and dated 73 Lithograph, artist’s proof 43 x 29cm (plate size) Provenance: Knoedler Gallery, 1973, No. K2152 £15,000-20,000

330

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

100

331 Sidney nolAn r.A. Australian 1917-1992

Elephant and Eland Signed Ripolin paint on board 61 x 49.5cm Painted in 1963 £2,500-3,500

332 ‡ Scottie wilSon Scottish 1888-1972

Whispers Signed Gouache 46 x 59cm £700-1,000

333 ‡ len tABner b.1946

Roxby Church, Dusk, Ridge Lane Signed, titled and dated Nov. 1985 Pencil over gouache 40 x 56cm £500-700

331

332

333 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

101

334 ‡ Peter howSon b.1958

Wrestlers Pastel on cream paper 30 x 40cm £1,200-1,800

334

335

336

335 ‡ lAurence StePhen lowry r.A.

336 ‡ John miller

1887-1976

1931-2002

His Family

Figure in a landscape

Signed and stamped with Fine Art Trade Guild blindstamp Lithograph 52 x 70cm

Oil on board 60 x 45cm

£1,500-2,500

Provenance: Passmore Edwards Gallery, Cornwall, 25th Sept., 1968 D. L. Mays, Cornwall exhibited: Newlyn Society of Artists, Autumn Exhibition, 1968 £400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

102

337 ‡ kAthArine church 1910-1999

Stourhead Signed and dated 52 Watercolour with bodycolour 37 x 53cm Provenance: Sally Hunter Fine Art, London, October 1999 £500-700

338 ‡ Gordon rAndAll 20th century

Thames Backwater at Shepperton (Desborough Channel); Zennox Two, both signed Both pen, ink and watercolour 37 x 46cm and similar (2) £200-300

339 ‡ michAel w. Potter

337

20th century

Glancing up from the road Signed Oil on paper or card 28 x 42cm Provenance: CGA Galleries, London, PTR/81 £300-400

340 ‡ michAel w. Potter 20th century

338

339

Wyndham House Garden Signed Oil on paper or card 30.5 x 40.5cm Provenance: CGA Galleries, London, PTR/85 £300-400

341 ‡ JuliAn ASkinS b.1961

Balcony Signed Oil paint and pastel 41 x 59cm

340

341

£200-300

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

103

342 ‡ evA FiScher croatian/italian 1920-2015

Il Campanile di Santa Francesca Romana Signed, also titled verso Oil on canvas 50.5 x 100.5cm £600-800

343 ‡ PhiliP hickS b.1928

Water Dance Oil on canvas 45.5 x 45.5cm Provenance: David Messum, London, Autumn Exhibition, 1997, No. 9, PH82

342

£100-150

344 ‡ AlAin le noSt French b.1934

La Rue Ensoleillée, The Sunny Street Signed and dated 1988 Oil on canvas 60 x 73cm £200-300

345 ‡ JoAn renton r.S.w. b.1935

Imperial Red and Poppies

343

344

Signed Oil on canvas 61 x 71cm exhibition: Summer Exhibition, August 1989 A Private Collection 1989 £400-600

346 ‡ JoAn renton r.S.w. b.1935

Still life with Honesty Signed Oil on board 50 x 50cm exhibition: Solstice Gallery, Edinburgh, Christmas 1991

345

£300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

346

104

347 ‡ PAmelA kAy r.w.S. b.1939

Portrait of Helen; Portrait of a girl with a teacup Two, both signed The first pastel on blue paper, the other charcoal 45.5 x 30cm and similar (2) Provenance: Chris Beetles, London The Catto Gallery, London, C275

347

348

349

£300-500

348 ‡ denniS PAGe b.1930

Campo Dei Fiori, Rome Signed Watercolour 30 x 24.5cm Provenance: The Wyckham Gallery, Stockbridge £200-300

350

351

352

349 ‡ nAn hunt

351 ‡ SAverio de Bello

353 ‡ chArleS cundAll r.A.

20th century

b.1951

1890-1971

An Essex landscape; A hilly landscape

San Stin, San Polo, Venice, 1999

Umbria, red house in the olive grove

Two, the first signed and dated 1971 Both watercolour 22 x 29.5cm and 30 x 22.5cm (2)

Signed Watercolour over pencil 47.5 x 28cm

Inscribed Umbria verso Gouache on tracing paper 40 x 31cm

£100-200

Provenance: Abbott & Holder, London Estate Sale

£150-250

350 ‡ edith JAGGer 1881-1977

£200-300

1924-2011

Nudes

Signed, later dedicated verso Oil on canvas 31 x 23cm

Four, all signed and dated 1976 and variously numbered /25 All etchings Two 19.5 x 14.5cm and two circular 16cm diameter (4)

£200-300

Still life of roses in a glass

353

352 ‡ dAvid Boyd

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

105

354 ‡ clAudiA williAmS r.c.A. welsh b.1933

Surveillant Les Enfants Signed and dated 86 Oil on canvas 73 x 100cm Provenance: Galerie Romanet, Paris £800-1,200

354

355

356

355 Juliet ezenwA-PeArce

356 ‡ tom J. nASh

nigerian b.1968

b.1931

African dance

Submerged below black

Signed and dated 2000 Watercolour 55 x 74cm

Signed and dated ‘64 Watercolour with collage 36 x 48cm

£200-300

Provenance: Richard Dembeck Gallery, London £600-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

106

357

358

359

357 ‡ dAmien hirSt

358 ‡ Steven Finer

359 ‡ John hitchenS

360 ‡ crAiGie AitchiSon r.A.

b.1965

b.1949

b.1940

Scottish 1926-2009

Butterfly spin painting

Head of a woman, 1990

Fox Path, Tegleaze

Crucifixion

Signed verso Acrylic on paper 45 x 45cm Painted at a children’s party at the artist’s house and signed on the reverse at the request of the vendor.

Acrylic on canvas 30.5 x 30.5cm

Signed, also signed, titled and dated 1986 verso Oil on canvas 43 x 152cm

Titled and dated 1984 verso Oil on canvas 46 x 35.5cm When once asked what he painted Craigie Aitchison replied ‘I do mostly black people, dogs, religious people and still lifes’, this was typical of his straightforward approach to his art and the simplicity of his painting. He created a unique style, placing cherished subjects on very powerful coloured backgrounds. The crucifixion was an especially personal subject for him, to which he returned frequently throughout his career.

Provenance: Bernard Jacobson Gallery, London, BJ.15 £800-1,200

£1,500-2,500

£15,000-20,000

£2,500-3,500

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

107

360 Lots marked â&#x20AC;Ą may be subject to an additional fee - please see ARR information on page 132

108

361 ‡ clive BlAckmore

362 ‡ clive BlAckmore

b.1940

Still life with cherry trees, Provence

Prussia Cove

Signed, titled and dated ‘90 verso Oil on board 56 x 104cm Provenance: The New Academy Gallery, London, No. 26

Signed and dated 1991 verso Oil on canvas 27 x 46cm Provenance: The New Academy Gallery, London, No. 25 £400-600

£800-1,200

361

362

364

363

365

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

109

363 ‡ tim newmAn

364 ‡ tim newmAn

b.1956

Pittosporum, rocks and sea (Peninnis - St. Mary’s)

Tresco - Appletree Bay

Signed and dated ‘97, also signed, titled and dated verso Gouache on card 40.5 x 30.5cm Provenance: Cornish Fauve Gallery £150-250

Signed and dated 93, also signed, titled and dated verso Gouache on card 25 x 32.5cm Provenance: Cornish Fauve Gallery £150-250

365 ‡ tim newmAn b.1956

Penzance Harbour Signed, also signed, titled and dated 1992 verso Gouache on paper 29 x 41.5cm £150-250

366

367

368

366 williAm GeAr r.A.

367 williAm GeAr r.A.

368 ‡ williAm GeAr r.A.

1915-1997

Red Green Yellow

Ragged Progress

Poggibonsi, Italy

Signed and dated 1966 Watercolour and gouache 48.5 x 64cm

Signed and dated ‘61 Mixed media on paper 53 x 75cm

£700-1,000

Signed and dated 44, also titled and dated December 44 verso Gouache, unframed 33.5 x 39cm £400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

110

369 ‡ vAlerie thornton 1931-1991

The Village, 1956/7 Signed Oil on canvas 61 x 76cm Provenance: The Redfern Gallery, London, 17/9/92, No. 1313 exhibited: The Leicester Galleries, Exhibition of Works by Artists of Fame & Surprise, Sept. 59, No.71 £1,000-1,500

369

370 ‡ Fred uhlmAn 1901-1985

East Anglian fishing village Signed Oil on board 28 x 40.5cm Provenance: The Redfern Gallery, London, February 24th 1953 £1,200-1,800

370 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

111

371 ‡ dAvid michie 1928-2015

Flowers in a garden Signed Oil on canvas 132 x 152cm £800-1,200

372 ‡ denniS creFField b.1931

Petworth Park, Autumn Equinox, Sunset Signed, titled and dated 1991 verso Oil on canvas 63 x 131cm Provenance: Front cover of Paintings of Petworth, Gillian Jason Gallery, 2nd July 1993 No. 2, catalogue included (2) The Estate of Professor John Ball (1931-2010) Private collection £800-1,200

371

372

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

112

373

374

373 ‡ SheilA GoodmAn 20/21st century

Early morning, Bournemouth Signed Pastel on buff paper 30.5 x 43cm £150-250

374 ‡ edwArd mcewAn BAird 1904-1949

South Esk Signed and dated 1943 Oil on canvas 51 x 61cm

375

Provenance: The Scottish Arts Council Lawrence Ogilvie £400-600

375 ‡ dAvid AtkinS b.1964

Late Summer Signed and dated 97 verso Oil on board 51 x 84cm £200-300

376 ‡ michAel wiShArt 1928-1996

Storm Terror, Brighton Beach

376

Signed with initials and dated 92, also signed, titled Storm Terror and dated 1992 verso Oil on canvas 41 x 76cm £500-700 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

113

377

378

379

380

381

377 ‡ GerAld m. BurnS

379 ‡ mimmo PAlAdino hon.r.A.

381 ‡ roBert kenny Smith

b.1961

italian b.1948

Scottish 20/21st century

Icon No. 3

Sogno Umido from the Ulysses Suite

Figures in a landscape

Signed Oil and gold leaf on canvas 51 x 51cm

Signed, dated 1989 and numbered 59/65 Woodcut 97 x 135 (sheet size)

Oil on board 51 x 51cm

£800-1,200

£250-350

378 ‡ mAriuS JoGnArelli

380 ‡ roBert kenny Smith

19/20th century

Scottish 20/21st century

Diane

Cyclists

Signed Oil on canvas 46 x 38cm

Signed, titled Prades and dated 2009 Oil on board 51 x 41cm

£1,500-2,000

£150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

£150-250

114

382 ‡ mAurice cockrill r.A. 1936-2013

2 Little oak tree Signed with initials, titled and dated 06 Ink on Japan paper 66 x 48cm Provenance: Thomson Roddick & Medcalf, Carlisle, 30th March 2010 From the Artist’s Studio £300-500

382

383

383 ‡ douGlAS SwAn

384 ‡ roBert AdAmS

385 ‡ Peter BlAke r.A.

386 ‡ leo mcdowell

American 1930-2000

1917-1948

b.1932

1936-2011

Untitled abstract

Untitled, two standing figures

Y is for Yacht

Etruscan Chariot

Signed and dated ‘60 Watercolour, unframed 39 x 29cm

Signed and dated 49 Lithograph 29.5 x 32cm

Signed, titled and numbered 21/95 Screenprint in colours, 1991 72 x 60.5cm

Signed Mixed Media 43 x 28cm

Provenance: Galerie Bernard Grenchen, Switzerland

£300-500

£200-300

Provenance: The Richmond Hill Gallery, Surrey £100-150

£500-700

384

385

386 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

115

388

387

387 ‡ roByn denny

389 ‡ richArd Smith

1930-2014

1931-2016

Melancholy Baby

Abstract design

Signed and dated 82/89 verso Acrylic on canvas, unframed 168 x 122cm

Pastel with tracing paper and blue twine collage 63 x 44cm

£1,000-1,500

£500-800

388 ‡ kim lim

390 ‡ richArd Smith

1936-1997

1931-2016

Relief

Blue Installation

Signed, dated 1993 and numbered 17/24 Lithograph 49 x 67cm (sheet size)

Painted metal 142cm (w) x 56cm (h)

389

£300-500

£150-250

390 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

116

391 ‡ douGlAS AnderSon b.1934

Snipe in a bluebell meadow Signed Oil on board 76 x 92cm £300-500

392 ‡ douGlAS AnderSon b.1934

A lynx in snow Signed Oil on board 76 x 60cm

391

392

£500-800

393 ‡ douGlAS AnderSon b.1934

A grey Wagtail over a river Signed Oil on board 40 x 26cm £200-300

394 ‡ douGlAS AnderSon b.1934

A fox crossing a track Signed Oil on board 50 x 40cm Provenance: Arthur Ackermann and Peter Johnson Ltd £200-300

393

394

395 willem SternBerG de Beer South African b.1941

Indo Chinese Tiger, Panthera Tigris Corbetti Signed Oil on canvas Circular 47cm diameter £300-500

396 willem SternBerG de Beer South African b.1941

Nyala mother and child - African Antelope Signed Oil on canvas-board 35.5 x 46cm

395

396

£300-500

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

117

397

398

397 ‡ roSemAry SArAh welch b.1946

Woodland work Signed Oil on canvas 46 x 61cm £500-700

398 ‡ theodoruS vAn oorSchot dutch 1910-1989

Monmartre, Paris

399

400

Signed Oil on canvas 61 x 91.5cm £150-250

399 ‡ chArleS e. GelB Austrian/American 20th century

Still life of Melons Signed and dated 65 27 x 33cm Provenance: Frost & Reed Ltd., Bristol, 14th Nov, 1966, No. 036440 £250-350

402

401

400 ‡ m. J. rendell

401 ‡ mArtin mooney

402 ‡ SeAn BolAn

20th century

irish b.1960

20th century

French city views

A view of Castell D’Empordà, Spain

A fox in a winter landscape

Two, both signed Both oil on board Each 41 x 51cm (2)

Signed and dated 1993 Oil on panel 50 x 100cm

Signed Watercolour 30 x 30cm; 12 x 15¼in

£200-300

£300-500

£100-150

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 132

118

403 roBert wylAnd American b.1956

Dolphin Love Signed and dated 2006 Watercolour 58 x 77cm With a lithograph by the same hand of dolphins, signed and numbered 26/450, 76 x 46cm (2) Provenance: P & O Fine Arts, Certificate of Authenticity, 23 May, 2008 £400-600

403

404

406

405

404 chArleS FAzzino

405 chArleS FAzzino

406 linG

American b.1955

Going Uptown

London

Views of Hong Kong

Signed, titled and numbered 383/475 3D Serigraph 16.5 x 21.5cm

Signed, titled and numbered 96/475 3D Serigraph 30 x 24cm

Provenance: Artist’s certificate verso

£500-700

Asian 20th century

Two, both signed Both watercolour, framed as a pair Each 30.5 x 68cm (2) £200-300

£300-500

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%

119

INDEX OF ARTISTS A Adams, Robert Aitchison, Craigie Allen, Harry E. Allen, Rosemary Anderson, Douglas Anderson, Stanley Andrew, Nick Arnup, Sally Askins, Julian Atkins, David

384 360 115, 116, 117 310 391, 392, 393, 394 102 4 34 341 375

B Baird, Edward M. 374 Balackmore, Clive 361, 362 Barker, Noel 7 Barnard, Emily 118 Beaton, Cecil 199, 200 Beer, Willem S. de 395, 396 Bello, Saverio de 351 Beningfield, Gordon 103, 104, 107 Benney, Ernest A. S. 128 Bibby, Nick 36 Billin, Edward S. 96 Birch, Samuel J. L. 114, 119, 141 Black, Arthur John 149 Blackadder, Elizabeth V. 53 Blake, Peter 385 Blakeston, Oswell 278 Blamey, Norman 262 Blampied, Edmund 131 Bolan, Sean 402 Bone, Charles 315 Bone, David M. 246, 247, 248 Boyd, David 352 Bradley, Helen L. 194 Braithwaite, Louise 6 Brangwyn, Frank 189, 190 Bratby, John 257, 258, 259, 260, 261, 279, 280, 281, 282, 283, 284, 285, 286, 287, 288 Brisbane, Amanda 20 Brockhurst, Gerald L. 230, 231, 232, 233, 234, 235, 236 Brooke, Anne 323 Burn, Rodney J. 314 Burns, Gerald M. 377 Burri, Attrib. to A. 304 Bush, Charles W. 238 C Cameron, David Y. Campling, Elaine Casson, Hugh Castelein, Ernest Christopherson, John Church, Katharine Cockerell, Christabel A. Cockrill, Maurice Codis, W. A. Continental School Cooke, Anthony R. Coreth, Mark Cottingham, Grenville Coverley-Price, Victor Coxon, Raymond Crampton, Ronald

239, 240, 241, 242, 243, 244, 245 41 319 162 301 337 57 382 124 100, 206, 217 312 18 78 170 180 214

Crampton, Sean Creffield, Dennis Cronyn, Hugh Cundall, Charles

45 372 298 353

D Dashwood, Geoffrey 14, 25, 26, 27, 28, 29, 30, 31, 32, 33, 108, 109, 110 Davies, Brian 181 Decamps, Maurice A. 152 Demont, Adrien 90 Denny, Robyn 387 Detmold, Edward J. 66, 67, 68, 69, 70, 71, 72, 73, 74, 75 Dilley, Ramon 175 Dobson, Frank 54 Dodd, Francis E. 134 Dodd, Sam 1 Douglas, Janita 22 Dove, Stanley 37 Dunlop, Ronald O. 219, 220, 222 Dunstan, Bernard 326, 327 Dyer, Alan 292, 293, 294 Dyf, Marcel 76 E Edwards, Yvonne Ehrlich, Georg Ellis, Gordon Engelbach, F. A. European School Ezenwa-Pearce, Juliet

3 193 186 151 163 355

F Faull, Emma Fazzino, Charles Fedden, Mary Fedorov, Viatcheslav A. Fell, Sheila Fergusson, John D. Fiebusch, Hans Finer, Steven Fischer, Eva Fisher, Mark Flight, Claude Flint, William R. Foreman, Michael Fortune, Tim Foster, Ruth Foweraker, Albert M. Frink, Dame Elisabeth Fry, Roger

2 404, 405 269, 270, 271, 272 227 195 256 168 358 342 92 202 159, 216 144 24 126 142 228 311

G Garstin, Norman Gear, William Gelb, Charles E. German School Gerrard, Charles Ginner, Charles Goodman, Sheila Gore, Frederick Gore, William H. Gore, William H. Gorlov, Nicolai N. Graham, George Grandgerard, Lucien H. Grant, Duncan

140 366, 367, 368 399 225 167 218 373 267, 268 89 156 224 143 123 130

Greaves, Walter Grey, Roger de Gross, Anthony Grosz, George Gudgeon, Simon Gunn, Herbert J. H Hanbury, Priscilla Hartley, Alfred Harvey, Attrib. to H. Harwood, Lucy Hay, Ian Helleu, Paul C. Hely-Smith, Augustus M. Herman, Josef Herrick, Jeanne M. Heseltine, John Hicks, Philip Hind, Frank Hirst, Damien Hitchens, John Hockney, David Hollams, Frances M. Houthuesen, Albert Howard, Ken Howson, Peter Humphreys, David Hunt, Nan Hyland, Seamus

307 289 277 203 35 254 164 318 253 205 316 154 166 191 265 266 343 91 357 359 328, 329, 330 106 125 325 334 237 349 42

I Iribe, After Paul

133

J Jagger, Edith Jognarelli, Marius Jones, Ray H.

350 378 155

K Kay, Pamela Kemp-Welch, Lucy E. Kessell, James Keuleyan-Lafon, Jean King, Robert Kirkwood, Terry B. Kitson, Linda Knight, Dame Laura

221, 347 99 196 80 264 11, 12 302 135, 136, 137

L Lamb, Henry Lang, Muriel G. Lardner, Rebecca Lavery, John Lawrence, Edith Lazzolo, Vasco Lebadang, Dang Lee-Hankey, William Leighton, Clare Lim, Kim Lindsay, Lionel Lindsay, Norman Ling Llanos, Alberto V. Lloyd, Norman Loring, William C. Lowry, Laurence S. Lucas-Lucas, Henry F. Luce, Maximilien

82, 83, 84, 85, 86, 87 197 5 105 213 158 153 139 132, 138 388 249 201A, 201B 406 177 81 176 335 148 305

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INDEX OF ARTISTS M MacInnes, Ian Mackesy, Charlie Mackie, Hamish Mandi, Anita Manley, Chris Mann, Cathleen S. Maresca, M. Martino, Helen Masson, Andre Matisse, Camille Maze, Paul L. McBey, James McDowell, Leo Meninsky, Bernard Michie, David Middleton, James C. Middleton-Sandford, B. Millery, John Minton, John Modern British School Mooney, Martin Morton, Cavendish N Nash, John N. Nash, Paul Nash, Tom J. Naviasky, Philip Nechita, Alexandra Nevinson, Christopher R. W. Newcomb, Mary Newman, Tim Nicholls, Bertram Nimptsch, Uli Nolan, Denis Nolan, Sidney Normann, Adelsteen Nost, Alain le O Oorschot, Theodorus v. Organ, Bryan

172 13 44 38 39, 40 121, 122 173 23 300 183 212 250 386 161 371 317 321, 322 336 59, 60, 61 88, 171 401 299 46, 49 48 356 165 43 169 192 363, 364, 365 93, 94 157 120 332 62, 63, 64 344 398 303

P Page, Dennis Paladino, Mimmo Palmer, Caitlin Paolozzi, Eduardo Pecoraro, Antonio Petitjean, Edmond M. Potter, Michael W. Power, Cyril E. Procter, Ernest Purslow, David Pyne, Ganesh

348 379 10 209 150 79 339, 340 204 306 21 229

R Randall, Gordon Ratcliffe, William Raverat, Gwendolen Rendell, M. J. Renton, Joan Reynolds, Warwick Richards, Ceri Richards, Frances Rickman, Philip Russian School Ryder, Sophie

338 56, 129 47 400 345, 346 101 55, 309 320 111, 112, 113 223 17

S Schianchi, Federico Seago, Edward Shackleton, Judity Shepard, Ernest H. Shirlaw, George Siopsis, Penny Smith, Matthew Smith, Richard Smith, Robert K. Spanton, William S. Spender, John H. Stephenson, Philippa A. F. Stevenson, Hugh Streeton, Arthur E. Swan, Douglas Szyk, Arthur

184 98 313 145, 146, 147 290 208 291 289, 390 380, 381 182 295, 296, 297 188 198 255 383 179

T Tabner, Len Taplin, Guy Taylor, Michael Tesi, Roberto Thomas, Margaret Thornton, Valerie Thorpe, John H. Tikhomirov, Leonid P. Tindle, David Treasure, Paul Trevelyan, Julian Tucker, James W. U Uhlman, Fred V Vaughan, Keith Vignoles, Andre W Walton, Allan Webb, Clifford C. Webb, Gwendoline Welch, Rosemary S. Wesson, Edward Whistler, James A. M. Whittier, Zoe de Lâ&#x20AC;&#x2122;Isle Wilcox, Frank N. Wilkinson, Norman Williams, Claudia Wishart, Michael Wolfe, Edward Wood, Christopher Wood, Edgar T. Wyland, Robert Yates, Fred

333 15, 16 263 207 324 369 201 226 187 9 50, 273, 274, 275, 276 127 370 58, 210, 211 178 95 308 97 397 215 251, 252 19 174 185 354 376 160 51, 52 77 403 8

A PrivAte ColleCtion of BurmAntofts fAienCe Thursday 22nd June 2017

A Burmantofts Faience charger by William J Neatby, dated 1887. Estimate: Â£300-500

ENQUIRIES Michael Jeffery | Tel: +44 (0) 1722 424505 | mj@woolleyandwallis.co.uk

furniture, Works of Art & CloCks Wednesday 5th July 2017

A pair of Venetian carved wood and painted blackamoor torchĂ¨res, 187.7cm high. Provenance: Moreton House, South Grove, Highgate. Estimate: ÂŁ2,000-3,000

ENQUIRIES Mark Richards | Tel: +44 (0) 1722 411854 | mr@woolleyandwallis.co.uk

old mAsters, British & euroPeAn PAintings Tuesday 12th September 2017 Entries are currently being accepted

Thomas Hudson (1701-1779) Portrait of the Duchess of Newcastle Inscribed Ds. of Newcastle Oil on canvas 126 x 104cm; 49½ x 41in Estimate: £2,000-3,000 ENQUIRIES Victor Fauvelle | Tel: +44 (0) 1722 424503 | vf@woolleyandwallis.co.uk Jo Butler | Tel: +44 (0) 1722 424592 | jb@woolleyandwallis.co.uk

triBAl Art & Antiquities Wednesday 20th September 2017 Entries are currently being accepted

An Aboriginal parrying shield, South East Australia, 80cm long. Estimate: ÂŁ800-1,200

ENQUIRIES Will Hobbs | Tel: +44 (0) 1722 339752 wh@woolleyandwallis.co.uk

Arms & Armour, medAls & Coins Wednesday 22nd November 2017 Entries are currently being accepted

A fine silver-gilt mounted Ottoman Turkish sword. Estimate: ÂŁ1,200-1,600

ENQUIRIES Ned Cowell | Tel: +44 (0) 1722 341469 nc@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT on the first £500,000 of the hammer price and 14.4% inclusive of VAT thereafter.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom. com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Debit cards: Delta, Switch, Connect

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. LOT SYMBOLS VAT Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

FIREARMS Lots marked ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Amanda Lawrence 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley and Wallis valuations are accepted by all leading insurance companies.

DIRECTIONS TO OLD SARUM

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Furniture, Works of Art, Clocks, Tribal Art and Arms & Armour, Coins & Medals. 2 Danebury Court, Old Sarum Park, Salisbury, Wilts SP4 6EB

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DIRECTIONS FROM WOOLLEY & CASTLE WALLISSTREET CASTLE STREET DIRECTIONS FROM WOOLLEY & WALLIS TO SALT LANE TO SALT LANE

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Design & Production by

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AUCTION TECHNOLOGY GROUP

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Woolley & Wallis Absentee Bid Form Modern British & 20th Century Art Wednesday 7th June 2017 PW070617

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/ or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print) �� Address �� Postcode �� Daytime Telephone �� Email�� All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders. Signature ��

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief Description

Price excluding buyer’s premium & VAT

130

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

INFORMATION FOR BUYERS 1.

Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 26.4% inclusive of VAT on the first £500,000 and 14.4% inclusive of VAT thereafter at the appropriate rate.

VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1.

Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8.

Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

131 Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

(f)

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1.

DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 26.4% inclusive of VAT on the first £500,000 and 14.4% inclusive of VAT thereafter at the appropriate rate.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a dagger or double dagger. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

PAYMENT

(a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8.

REMEDIES FOR PURCHASES

NON-PAYMENT

FAILURE

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

132 9.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY

Glossary

(a)

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width. Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Auction Calendar english & europeAn CerAmiCs & glAss 23rd May 2017 18th October 2017 Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk pAintings 7th June 2017 – Modern British & 20th Century Art 12th September 2017 – Old Masters, British & European Paintings Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk 20th Century Design 21st June 2017 – Arts & Crafts 22nd June 2017 – A Private Collection of Burmantofts Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk Furniture, Works oF Art & CloCks 5th July 2017 Mark Richards +44 (0) 1722 411854 • mr@woolleyandwallis.co.uk silver 18th & 19th July 2017 Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JeWellery 20th July 2017 Jonathan Edwards +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk tribAl Art & Antiquities 20th September 2017 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk AsiAn Art 14th & 15th November 2017 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk Arm & Armour, Coins & meDAls 22nd November 2017 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

WOOLLEY & WALLIS

www.woolleyandwallis.co.uk

MODERN BRITISH & 20TH CENTuRy ART

wEDNESDAy 7TH JuNE 2017