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WOOLLEY & WALLIS SALISBURY SALEROOMS

MODERN BRITISH & 20TH CENTURY ART Wednesday 29th November 2017 INCLUDING THE COLLECTION OF THE LATE DR. PETER MANGOLD


Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20th Century Design Michael Jeffery Zoe Smith

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Asian Art John Axford mrics asfav424506 Jeremy Morgan +44 (0)7812 601098 Alex Aguilar Doméracki  424583 Freya Yuan-Richards 424589 Marta Olszewska 424591 English & European Ceramics & Glass Clare Durham Furniture, Works of Art & Clocks Mark Yuan-Richards  Jim Gale Suzy Becsy

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Tribal Art & Antiquities Will Hobbs Gemma Bush

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Jewellery Marielle Whiting fga424595 Jonathan Edwards fgaa (Consultant) 424504 Charlotte Glyde 42458 Paintings Victor Fauvelle Jo Butler

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Board of Directors Paul Viney asfav Chairman John Axford mrics asfav Deputy Chairman Clive Stewart-Lockhart frics frsa Managing Director Company Secretary Natalie Milsted fcca424599 Associate Directors Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting fga

+44 (0)7775 788500

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500  •  Fax: 01722 424508  •  www.woolleyandwallis.co.uk


MODERN BRITISH & 20TH CENTURY ART Wednesday 29th November 2017 at 10am

ENQUIRIES

Victor Fauvelle Tel: 01722 424503 vf@woolleyandwallis.co.uk

Jo Butler Tel: 01722 424592 jb@woolleyandwallis.co.uk

ARTIST’S RESALE RIGHT / DROIT DE SUITE

‡ This symbol indicates that an additional levy may apply for this lot – please see our Terms & Conditions, Section 21, for details

λ This symbol indicates that Cites regulations may apply. Please see the auction information page GLOSSARY OF TERMS Please refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings

ILLUSTRATIONS

VIEWING IN SALISBURY Saturday 25th November Monday 27th November Tuesday 28th November Wednesday 29th November

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 8.30am – 9.45am

COLLECTION OF LOTS ALL lots will be moved from the saleroom back to Salt Lane on 30th November and 1st December - collection of lots on these days and Saturday 2nd MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable. From 4th December collection will be from the Picture department at Carter House, 6-10 Salt Lane, Salisbury SP1 1EE. Payment is still made at Castle Street. COLLECTION OF SOLD AND UNSOLD LOTS MUST BE WITHIN 21 DAYS OF THE SALE - FAILURE TO COLLECT WITHIN THIS TIME MAY RESULT IN STORAGE FEES TELEPHONE BIDDING

Front cover: Lot 71 Back cover: Lot 325

Please note that requests for telephone bids cannot be accepted after 5pm on 28th November

Extra images, a catalogue word search facility and condition reports are available at www.woolleyandwallis.co.uk Catalogue: £12.00 (£15.00 by post) Member of The Society

VIEWING IN LONDON Selected highlights on view in London Wednesday 22nd November 2.00pm – 7.00pm Thursday 23rd November 10.00am – 4.00pm at Second Floor, 17 Clifford Street, London, W1S 3RQ See website for details

of Fine Art Auctioneers

LIVE BIDDING

www.the-saleroom.com Please note there is a 3% plus VAT surcharge for using this service


Lot 298 (detail)


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Lots 1 to 11 Property of a Lady of Title 1 HANS HAMMER German 1878-1917

Two elegant ladies on the coast, gazing out to sea Signed and dated 1907 Oil on canvas 68 x 89cm Provenance: Royal Exchange Art Gallery, London £1,000-1,500

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2‡ PHILIP CONNARD R.A. 1875-1958

Riverside Garden Signed Oil on canvas 51 x 64cm £1,000-1,500

2 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


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Lots 1 to 11 Property of a Lady of Title

3‡ SAMUEL JOHN LAMORNA BIRCH R.A. 1869-1955

Watermill Signed and dated 1954 Oil on canvas 51 x 61cm £2,000-3,000

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4 LEXDEN LEWIS POCOCK 1850-1919

Apple picking Signed Oil on panel 35 x 51.5cm £1,500-2,000

4 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 1 to 11 Property of a Lady of Title

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5‡ DOROTHEA SHARP R.O.I., R.B.A. 1874-1955

The Red Ball Signed Oil on panel 30 x 40.5cm Provenance: Sotheby’s, London, 12th November 1986, Lot 135 £6,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

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Lots 1 to 11 Property of a Lady of Title

6‡ JOHN SKEAPING R.A. 1901-1980

Turned Loose Signed and dated 75 Oil on canvas 60 x 83cm Provenance: Arthur Ackermann & Son Ltd., London, 1st June 1984 £600-800

7‡ JOHN SKEAPING R.A. 1901-1,980

Fighting Stallions Signed and dated 76 Pastel on grey paper 54 x 47cm Provenance: Arthur Ackermann & Son Ltd., London, 3rd December 1984 £300-500

8 ERNEST PROCTER A.R.A.

6

1886-1935

The National Gallery, Trafalgar Square, London Watercolour 28 x 21cm Provenance: David Messum, Petits Mâitres, 1988 £300-500

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8

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 1 to 11 Property of a Lady of Title

9‡ RAOUL MILLAIS 1901-1999

The Bull Signed Chalk on buff paper 23 x 34cm £200-300

10 ‡ RAOUL MILLAIS 1901-1999

The Reception Signed Pen, ink and wash with chalks 25.5 x 16.5cm Provenance: Fosse Gallery, Gloucestershire £200-300

11 ‡ TOM KEATING 1917-1984

Self Portrait Signed and dated 1970 Oil on canvas 51 x 41cm

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£250-350

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Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

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Lots 12 to 52 Property from a Deceased Estate 15 ‡ JAMES MCBEY Scottish 1883-1959

Evening at Windsor Signed, also inscribed Windsor and dated 9 July 1941 Pen, ink and watercolour on buff paper 24 x 42cm Provenance: Guy Morrison, London, 25th January 1988, No. GM/34 £500-700

16 ‡ JAMES MCBEY Scottish 1883-1959

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Gerona from the River Signed, titled and dated 13 May 1921 Pen, ink and watercolour 20 x 35cm

12 ‡ ALEXANDER GRAHAM MUNRO

13 LOUIS NEVILLE

14 ‡ JULIAN BAILEY

fl. 1887-1919

b.1963

1903-1985

Dartmouth Landscape

Salé, Morocco

A Regatta off the Isle of Wight

Signed and inscribed Salé Pen, ink and watercolour 17.5 x 29.5cm

Signed and dated 1912 Watercolour over pencil 16.5 x 35cm

Provenance: Portland Gallery, London, No. P334

Provenance: The Church House Gallery, Sherborne, 8th May 1983

£100-200

Signed with initials Oil on board 14 x 16cm

Provenance: The Fine Art Society, London, 16th December 1983, No. 14976 Exhibited: Aberdeen Art Gallery Fine Art Society, Glasgow, Edinburgh and London James McBey, 1983 £150-250

Provenance: A card and receipt from the artist £200-300

£150-250

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16 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 12-52 Property from a Deceased Estate

17 ‡ EDWARD BURRA

19 ‡ PERCY WYNDHAM LEWIS

1905-1976

1882-1957

Study of the actress Pastora Imperio

Portrait of Sir David Low

Stamped signature Watercolour with pencil 64 x 44cm Provenance: Sotheby’s, 3rd July 2002, Lot 237 £600-800

18 WALTER RICHARD SICKERT R.A. 1860-1942

Portrait of Signor di Rossi Signed, inscribed Venezia and dated 1905 Charcoal on brown paper 23 x 15.75cm

Signed, titled and dated 1932 Pencil 27 x 19cm Sir David Low (1891-1963) was a cartoonist and caricaturist. Born in New Zealand he worked there and then in Australia before moving to the UK. He is noted for creating Colonel Blimp and was known for bravely satirising political figures of the day including Hitler and Stalin Provenance: Private collection from 1957 Christie’s, 7th March 1997 £400-600

Provenance: Thomas Agnew & Sons Ltd., London, 26th April 1985, No. 46925 Christie’s London, 9th November 1984, Lot 37 £500-700

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18 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

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20

Lots 12-52 Property from a Deceased Estate

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20 ‡ JOHN MURRAY THOMSON

23 WALTER RICHARD SICKERT R.A.

1885-1974

1860-1942

A portrait of a pug dog

Study of a woman resting

Signed, also signed and titled Sketch of an old friend on a label verso Watercolour on buff paper 25 x 22.5cm

Signed with initials Pen and ink 20 x 29cm

£150-250

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Provenance: The collection of Nancy Cotterell Private collection

21 ‡ SYLVIA GOSSE

£400-600

1881-1968

24 JAMES ABBOT MCNEILL WHISTLER

Le Chateau Dieppe

American 1834-1903

Signed in the print Etching 21 x 19.5cm

Annie seated

Provenance: Parkin Gallery, 21st September 1989 £100-150

22 ‡ HENRY WILKINSON DANIEL

Etching 13 x 9.5cm Provenance: Thomas Agnew & Sons Ltd., London, 15th June 1970, No. 32438 Arthur H. Harlow & Co, New York, No. 20164 £200-300

1875-1959

Farmer’s Boy Pen, ink and wash on buff paper 12 x 9cm Provenance: Label verso inscribed Ex Artist’s Studio, No. 45, 6-88 £50-80

24 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 12-52 Property from a Deceased Estate

25 ‡ HOWARD PHIPPS

28 LUCIEN PISSARRO

b.1954

French 1863-1944

Win green from Berwick Down; Chesil beach in February

Caricature of a lady, seated in profile

Two, both signed, titled, dated 1983 and 1984, the first numbered 83/150, the second artist’s proof Both woodcuts 10 x 12.5cm and 5 x 10cm (2)

Dated 1886 Charcoal and watercolour on buff paper 21 x 14.5cm

Provenance: Cassian de Vere Cole Fine Art, London, 15th April 1996 £100-200

26 ‡ ROBERT SARGENT AUSTIN R.A., R.W.S. 1895-1973

On the Loire Signed and dated 1924 Pen, ink and pencil 22 x 35.5cm Provenance: The Fine Art Society plc., London, July 2001

Provenance: Duncan R. Miller Fine Arts, London, 3rd July 2008 Private collection Exhibited: Spink, Lucien Pissarro, London, 1990, No. 8 The Fine Art Society, London, Lucien Pissarro, 2003, No. 5 £250-350

29 ‡ AUGUSTUS EDWIN JOHN O.M., R.A. 1878-1961

The Serving Maid

£100-150

Signed Etching 21 x 16.75cm

27 JOSEPH EDWARD SOUTHALL R.W.S.

Provenance: Thomas Agnew & Sons Ltd., London, No. 46910

1861-1944

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£200-300

Bon Viveur, Paris 26

Signed with a monogram, titled Paris, and dated 12.III.1910 Coloured chalks 16.5 x 9.5cm £100-200

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28

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

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Lots 12-52 Property from a Deceased Estate

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31

32

33

30 ‡ DENNIS ROXBY BOTT

32 ‡ MARTIN HARDIE

b.1948

1875-1952

Windmills, Tinos, Greece

Opening of the Canal at Zeebrugge

1883-1977

Signed, titled, inscribed and dated 1926 Pencil and watercolour on buff paper 26 x 36cm

Pen, ink and watercolour on grey paper 23 x 16cm

Signed and dated 1987 Watercolour over pencil 12 x 22.5cm Provenance: Bankside Gallery, London £100-150

31 ‡ ANN SHRAGER b.1948

Calais, 1977 Signed with initials Oil on canvasboard 19 x 29cm Provenance: Michael Parkin Fine Art Ltd., London, 14th February 1978, No. 28 £150-250

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34 ‡ IVIE HERSLET, LADY CRAIK-HENDERSON Rye, Sussex, c.1900

Provenance: Spink, London, No. K3 6218

Exhibited: The Alpine Gallery, My Mother Remembered, 8th-11th May 1979, No. 80

£100-200

£80-100

33 ‡ CLAUDE MUNCASTER R.W.S., R.O.I. 1903-1974

Chatham and Rochester from the ‘Lines’ Signed and dated Aug. 1927 Pen, ink and watercolour on grey paper 36 x 50.5cm Provenance: Spink & Son, London, 12th June 1985 £300-500

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 12-52 Property from a Deceased Estate

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36

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35 ‡ JOHN SKEAPING R.A.

38

1901-1980

37 ‡ LIONEL DALHOUSIE ROBERTSON EDWARDS R.I.

Grand Steeplechase de Paris

1878-1966

Signed and dated 67 Gouache 53 x 74cm

Going out to the starting post, Stoke Pero

Provenance: Arthur Ackermann & Son Ltd., London £400-600

36 ‡ TOBIT ROCHE

Signed with initials, titled and dated 1922 Pen, ink and watercolour with conte on brown paper 24.5 x 33.25cm Provenance: J. L. W. Bird, London, 5th May 1983, No. 112 A. E. Johnson, London, No. 1380 £600-800

b.1954

Kasauli Hills [India] Signed, titled and dated October ‘97 verso Oil on board 67 x 30cm Provenance: The Maas Gallery, London, 26th May 1999, No. CN1468 £120-180

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38 HARRY WATSON R.W.S., R.O.I. 1871-1936

Figures on a beach Watercolour on buff paper 19 x 26cm Provenance: Clarges Gallery, London £200-300

39 ‡ JAMES CAMPBELL 20th/21st Century

The Tower; The Bay II A pair, both signed Both pastel with charcoal 35 x 50cm and 38 x 51.5cm (2) Provenance: Alpha House Gallery, Sherborne £250-350

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

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Lots 12-52 Property from a Deceased Estate

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40 ‡ GARY ANDERSON R.S.W.

42 ‡ NICOLO D’ARDIA CARACCIOLO

Scottish b.1960

Irish 1941-1989

The Ritz Café, Millport [Scotland] not Paris

Via del Campuccio, Florence; Place de l’église

Signed Mixed media 11.5 x 27cm Provenance: Ewan Mundy Fine Art Ltd., Glasgow With another by the same hand of the Val D’Oro Restaurant, Glasgow, signed and dated ‘98 (2)

A pair, both signed with initials Both oil on board Each 30 x 20cm (2) Provenance: King Street Galleries Ltd., London, 19th June 1979, No. 464 & 465 £500-700

£250-350

41 ‡ IAN SIDAWAY b.1951

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Vesuvio Bakery Shop, Soho, New York Signed, titled and dated 1988, also stamped and inscribed on backing board verso Watercolour over pencil 35 x 47.5cm Provenance: Thos. Agnew & Sons Ltd., Young Contemporaries, 4th May-3rd June 1988, No.CMO 582

43 ‡ DAVID GENTLEMAN b.1930

Le Palais des Invalides, Paris Signed Pen, ink and watercolour 37 x 55cm Provenance: Mercury Gallery, London, 24th April 1991, Paris, pg. 60/1 £150-250

£120-180

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Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 12-52 Property from a Deceased Estate

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45

45 ‡ HARRIET MENA-HILL b.1963

46 ‡ EDGAR HOLLOWAY R.B.A.

47 ‡ EDGAR HOLLOWAY R.B.A.

Arched Courtyard I

1914-2008

1914-2008

Tempera on board 13.5 x 31.5cm

Self Portrait No. 25, Goodbye to all that!

The Airman II

Provenance: The Fine Art Society, London, March 1996, No. 14551

Signed and numbered 3/50 Etching 19.5 x 14.5cm

Signed, titled and numbered 9/50 Etching 24.5 x 17cm

Provenance: Wolseley Fine Arts, London, 1994, No. M274

Provenance: Wolseley Fine Arts, London, 1993, No. M271

£150-250

£150-250

£100-150

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44 ‡ MAGGI HAMBLING b.1945

Oscar Wilde and friend Signed and dated 26.5.96 Pencil 29 x 20cm Provenance: Marlborough Fine Art, 21st May 1997, No. 5898 Exhibited: National Portrait Gallery, A Statue for Oscar Wilde: new works by Maggi Hambling, 20th May-3rd August 1997, No 024 For a sculpture related to this Lot, see Lot 112 £200-300

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Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

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Lots 12-52 Property from a Deceased Estate

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48

48 ‡ JENNIFER WOOD

50 ‡ MARYAM AMOY

20th Century

20/21st Century

The Olive Tree; Summer Landscape Le Lavandou 1995

Single poppy in a vase

Two, the first signed, inscribed France, and dated 1989 verso The first oil on board, the second gouache 30.5 x 40.5 and 12 x 15.75cm (2)

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51

Provenance: Bourne Fine Art, London, 1989, No. W89/48 (the first) Crane Kalman Gallery, London 26th April 1996 (the second) £150-250

49 ‡ JENNIFER WOOD 20th Century

Hotel California, 1998; Study in blue and green, summer, 1997 Two, both signed, titled and dated verso Both gouache, one with chalk and one with collage 12 x 16cm and 7 x 29.5cm (2) £150-250

Signed and dated 2010 verso Oil on canvas laid on panel 20 x 19.5cm £50-80

51 ‡ ROBERT WOOLNER b.1946

The pattern of memory Signed and dated 01 Mixed media with collage 35 x 39cm Provenance: Alpha House Gallery £100-200

52 ‡ LINDY GUINNESS Irish b.1941

Landscape near Moulay Idriss, Morocco, 2000 Signed with initials and inscribed ‘20 Oil on board 20 x 26cm Exhibited: Browse & Darby, London, 1st-17th November 2000, No. 1027

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£250-350

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


The Collection of the late Dr. Peter Mangold Lot 57 (detail)


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Lots 53 to 111 The Collection of the late Dr. Peter Mangold Peter Mangold once described himself as an ‘artaholic’. It was a typically modest and dry comment, underplaying the great knowledge, sharp intellect and passion he bought to acquiring art. But he wasn’t wrong about the size of the collection. His home in Stonor, near Henley, was a fifteenth-century former inn whose cosy rooms and corridors could hardly contain his treasure trove of pictures, carvings and books. Born on 3 January 1947 to parents who had escaped persecution in Germany, Peter was brought up in Bedford in a cultured environment, his businessman father himself a keen collector, largely of Chinese and Japanese art. In 1965, Peter went to King’s College, Cambridge, on a scholarship, or exhibition, to read English. There he shared the enthusiasm of Dr Helena Mennie Shire – who specialised in medieval literature and art – for medieval iconography. Peter switched to history and also travelled abroad widely. He went on to obtain a PhD in international relations at the London School of Economics, later published as Superpower Intervention in the Middle East, the global region that was one of his main concerns as an historian. He was already acquiring art in his own right by this time, striking up a life-long friendship with, among others, William Weston, who would later have his own gallery. Alongside his prints and paintings that were largely mid-twentieth century, Peter started a distinct and informed collection of late medieval and early modern sculpture, carvings and furniture. It was testament to his interest in pan-European artistic and cultural development. Peter’s career was also taking off, first in research at the Foreign and Commonwealth Office and later at the BBC World Service. Over twenty years, Peter travelled widely for the Corporation in the Arab world and was a member of Chatham House, the Royal Institute of International Affairs, where he contributed to their journal. In 1987, Peter took over as head of the BBC Bengali Service until, after a decade broadcasting to Bangladesh and Bengal-speaking India, he became a full-time author and academic. His books included an exploration of Britain and the defeated French during WWII, the UK’s evertortuous relationship with the Middle East and a lively account of two political prima donnas in The Almost Impossible Ally: Harold Macmillan and General de Gaulle. In breaks from researching and writing Peter would come down from his attic office and attend to another of his passions, gardening. He gradually tamed a wild patch at Stonor, his cottage located near to where John Piper, who he admired greatly, had lived for much of his life. Always ready to share his enthusiasms with visiting friends (whether music, painting, fine churches or plants), Peter would uproot colourful specimens and stick them in a carrier bag for them to take home. In 2015, Peter was diagnosed with prostate cancer which seemed to be managed successfully but metastasised the following year. Yet even in hospital in early 2017 in the last months of his life, Peter continued to work on new books, completed two articles and a piece on Piper for a new work on the artist by Orde Levinson. Peter’s picture collection mirrors the academic and personal interests in his life. His profound knowledge of history both recent and ancient reflects in his appreciation of the work of Sutherland and Piper who, whilst both modern innovators, gained their inspiration from ancient landscapes and the romantic movement of the early 19th Century and were spiritually traditional. He also appreciated graphic works, which is an area that is often ignored by collectors as being secondary. However the prints that are in his collection are strong examples which are every bit as significant as original works. It is a tribute to his skill that the collection works so well as a group, and it is truly a collection motivated by a passion for art.


Lots 53 to 111 The Collection of the late Dr. Peter Mangold

53 ‡ DAVID BOMBERG 1890-1957

Vorticist figure, study for Reading from Torah, with a further composition verso Watercolour over pencil 27 x 18.3cm Provenance: Lilian Bomberg, the artist’s widow William Weston Gallery, No. 9054 The Collection of Dr. Peter Mangold Exhibited: Anthony D’Offay Gallery, London, 1981, No. 14 £2,000-3,000

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54 ‡ BEN NICHOLSON O.M. 1894-1982

Turkish Forms with leaf, from Greek and Turkish Forms Portfolio Paper stamped, inscribed BN copy, Artist’s copy Etching with drypoint 32 x 28cm (plate size) Provenance: The Collection of Dr. Peter Mangold £300-500

55 ‡ BEN NICHOLSON O.M. 1894-1982

Untitled Signed, numbered 16/50 and dated 67 Etching with drypoint, of irregular shaped plate 21 x 14cm

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Provenance: The Collection of Dr. Peter Mangold £1,000-1,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

55

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Lots 53 to 111 The Collection of the late Dr. Peter Mangold

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56 ‡ JOHN NORTHCOTE NASH R.A. 1893-1977

Farm buildings and hills Inscribed with artist’s notes Blue pen and watercolour, squared 22 x 29cm Provenance: Goldmark Gallery, Uppingham, No. 56067 From the John Nash Estate - stamped on backing board and inscribed 26/2/II Norfolk/Derbyshire Sketchbook by another hand The Collection of Dr. Peter Mangold £3,000-5,000

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 53 to 111 The Collection of the late Dr. Peter Mangold

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57 PAUL NASH 1889-1946

Objects on the sand Signed in pencil Watercolour and pencil with coloured chalk 35 x 45.5cm This work was painted in 1935 and represented a new direction for the artist. He had started to take an interest in the coast with his views painted at Rye in the early 1930s but in this composition his work becomes more surreal, with the strong shadows giving the found objects a monumental, even sculptural stature. Nash planned to include this work in what later became the memorial volume and returned to this theme on a number of occasions. Provenance: Leicester Galleries London, May – June 1938 (10) Collection of Edward James 1938 The Mayor Gallery, London, No 2487 The Collection of Dr. Peter Mangold Exhibited: Probably Redfern Gallery (51) 1935 as Shore New York World’s Fair 1939, No 802 Literature: Andrew Causey, Paul Nash 1980, No. 846, ill. Pl. 251 £20,000-30,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

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Lots 53 to 111 The Collection of the late Dr. Peter Mangold

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59

58 ‡ FELIKS TOPOLSKI R.A.

59 ‡ HENRY MOORE O.M., R.A.

Polish 1907-1989

1898-1986

Portrait of Henry Moore O.M., R.A.

Shelter-Sketch-Book

Inscribed Pencil 51 x 40cm

Signed and numbered 90/180 Published by Marlborough Fine Art Ltd, 1967 With 80 facsimile collotypes, original lithograph missing In original box, overall size 44 x 33.5cm

Provenance: Bohun Gallery, Henley-on-Thames, 1st June 2013, No. 3213 The Collection of Dr. Peter Mangold £1,500-2,500

Provenance: The Collection of Dr. Peter Mangold £200-400

60 ‡ HENRY MOORE O.M., R.A. 1898-1986

Reclining Figure and Ideas for Sculpture, 1949 Lithograph, printed at the studio of Cowell, Ipswich, 1949, Ref. Cramer 6 30.5 x 45cm Provenance: William Weston Gallery, London, 29th September 1996, No. 11979 Proof for a lithograph which was never editioned or issued and just a few trial proofs were produced. The Collection of Dr. Peter Mangold £600-800

60 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 53 to 111 The Collection of the late Dr. Peter Mangold

61 ‡ STANLEY WILLIAM HAYTER HON. R.A.

63 ‡ STANLEY WILLIAM HAYTER HON. R.A.

1901-1988

1901-1988

Icarus

Caribbean Sea

Signed, inscribed, numbered 32/50 and dated 86 Etching in colours 34 x 24cm

Signed, titled, numbered 36/50 and dated 69 Etching with aquatint in colours 65 x 49cm

Provenance: The Collection of Dr. Peter Mangold

Provenance: Robert Douwma Prints & Maps, London, 31st March 1990, No. 16902 The Collection of Dr. Peter Mangold

£400-600

62 ‡ STANLEY WILLIAM HAYTER HON. R.A.

£400-600

1901-1988

The Principle of Flight Signed, titled, inscribed 6th State and dated 44 Engraving, soft ground etching, mounted, unframed 37.5 x 25cm Provenance: William Weston Gallery, London, 24th January 2009, No. 15595 The Collection of Dr. Peter Mangold Literature: Black and Moorhead, The prints of Stanley William Hayter, no. 159

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£300-500

62 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

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Lots 53 to 111 The Collection of the late Dr. Peter Mangold

GRAHAM VIVIAN SUTHERLAND O.M. 1903-1980

If one British artist can be singled out as the conduit between the traditional and the modern in 20th century British art it has to be Graham Sutherland. Born in 1903 in Streatham, he later quickly realised that his first career as an engineer was not for him and enrolled at Goldsmiths College to train as a printmaker. His work from the 1920s was rooted in his love of landscape and strongly influenced by Samuel Palmer and William Blake as well as his tutor, the accomplished printmaker Frederick Griggs. Were it not for the great depression he might have remained a printmaker and possibly a more obscure figure in British art, but the decline in sales of prints pushed Sutherland towards oils and watercolours and he developed into perhaps the most influential British artist of the 1930s and 40s. Many of the next generation of British Artists including Keith Vaughan, John Minton, Christopher Wood and John Piper were greatly influenced by his work. All of the works by Sutherland in this collection show how he progressed from a landscape artist as a printmaker to being almost exclusively preoccupied with the principles of organic growth bn the late 1940s and into the 1950s. Of his standing forms, which paved the way for the ‘Heads’ of the early 1950s he said ‘The forms are based on the principles of organic growth, with which I have always been preoccupied. To me they are monuments and presences’ The background to these paintings was also a significant part of the composition and he often re-created very similar organic figures with different backgrounds to alter the atmosphere, the mood of the forms varying from kindly to brooding and even threatening. The head from this collection does bear a resemblance to a human head with the mouth and the nose clearly discernible, however the swirling abstract brushwork in the face, the slender neck and the pale colours create a vulnerability which is accentuated by the strong orange background. In all of these semi-abstract works Sutherland succeeds in triggering a response in the viewer based on form, blend of colour and hints of recognisable modelling blended with the surreal. He always insisted that his work was not designed to appear threatening, but to many viewers this can be their interpretation. 1952 was an important year for Sutherland, he exhibited at the Venice Biennale and had three rooms dedicated solely to him. The result of this was that his following became global and he was presented as the leading light in a new wave of British Art.

64 ‡ GRAHAM VIVIAN SUTHERLAND O.M. 1903-1980

Head, 1952 Later signed and dated 52 Gouache and chalk 33 x 23.5cm Provenance: Redfern Gallery, 9th April 1952 from whence purchased by Rex de C. Nan Kivell, Esq. Redfern Gallery, 20th April 1991, No. 894 Purchased by Dr Peter Mangold Exhibited: Biennale Internationale d’Arte di Venezia, 1952, No. 239 The Hanover Gallery, London Galleria D’Arte Galatea, Torino, No. 0341 British Council Fine Arts Department, Graham Sutherland watercolours, Vienna and Innsbruck, No. 42 Literature: John Hayes, The Art of Graham Sutherland, 1980, Phaidon Press Ltd., New York, p.127. In this book it is apparently unsigned at this stage and was thought to be dated 1951. £10,000-15,000


Lots 53 to 111 The Collection of the late Dr. Peter Mangold

64 Lots marked ‥ may be subject to an additional fee - please see ARR information on page 191

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Lots 53 to 111 The Collection of the late Dr. Peter Mangold

65 ‡ GRAHAM VIVIAN SUTHERLAND O.M. 1903-1980

Illustration for Hieroglyphics by Francis Quales, So have I seen a well built castle stand… Signed in pencil and dated 43, Lithograph in colours [Tassi 48] 25.5 x 36.5cm Provenance: Garton & Co., Devizes, 15th April 2000 The Collection of Dr. Peter Mangold £400-600

65

66

67

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Lots 53 to 111 The Collection of the late Dr. Peter Mangold

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68

66 ‡ GRAHAM VIVIAN SUTHERLAND O.M.

67 ‡ GRAHAM VIVIAN SUTHERLAND O.M.

68 ‡ GRAHAM VIVIAN SUTHERLAND O.M.

1903-1980

1903-1980

Maize and Gourd, Standing Maize

Illustration for Hieroglyphics, 1943, Ev’n so this little world of living clay...

La Forresta, Il Fiume, La Roccia The Rock

Signed and dated 1948, also inscribed with title verso Watercolour, gouache, chalk and charcoal 38 x 47cm

Signed in pencil and dated 43 Lithograph in colours [Tassi 46] 25 x 18cm One of 50 signed copies before the larger unsigned edition for Poetry London Provenance: The Rowley Gallery Garton & Co, Devizes, 24th April 1999 The Collection of Dr. Peter Mangold

Signed in pencil and numbered III/XV, also dated 5.11.72 in the print, from a suite of 6 Lithograph in black and violet [Tassi 123] 63 x 47cm Provenance: The Redfern Gallery, London, 30th July 1985 The Collection of Dr. Peter Mangold £300-500

£400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

1903-1980

Provenance: William Weston Gallery, London, 23rd March 1988, No. 8432/1 This watercolour relates to the lithograph titled Maize of 1948, one of Sutherland’s most important prints of this period in his career. See Roberto Tassi Graham Sutherland Complete Graphic Work No 49, Ill. The Collection of Dr. Peter Mangold £10,000-15,000


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Lots 53 to 111 The Collection of the late Dr. Peter Mangold

69 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 53 to 111 The Collection of the late Dr. Peter Mangold

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70

69 ‡ GRAHAM VIVIAN SUTHERLAND O.M.

70 ‡ GRAHAM VIVIAN SUTHERLAND O.M.

1903-1980

Turning Form I, 1947-8

Black Form on Green, c.1970

Watercolour, gouache and crayon 23 x 28cm

Pen, ink and watercolour with pencil 19 x 13cm Original study from Sutherland’s sketchbooks Provenance: Goldmark Gallery, Uppingham, 6th June 2012, No. 25047 The Collection of Dr. Peter Mangold £3,000-5,000

1903-1980

This gouache was painted during the artist’s time in Southern France with Francis Bacon and Eardley Knollys. Sutherland found the hot, dry landscape to be a fruitful source of inspiration. This is almost certainly a study for the oil painting of 1948 with the same title exhibited at the Tate Gallery Graham Sutherland 1982 No 140 ill. P.117, private collection. Provenance: Curt Valentin Gallery, New York, November 1955 No. 17175 Sotheby’s, The Eye of the Collector, Works from the Collection of Stanley J. Seeger, 14th June 2001, Lot 70 Garton & Co., Devizes, Wiltshire, 12th May 2002, No. 14412 The Collection of Dr. Peter Mangold

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

Exhibited: Bucholz Gallery, New York, Graham Sutherland, 1948, No. 30 Princeton University art Museum, Stanley Seeger collection, 1961, No. 129 Literature: Roger Berthoud, Graham Sutherland, a Biography, 1982 (pp. 133 & 139) John Hayes, The Art of Graham Sutherland, 1980, Phaidon Press Ltd., New York, p.142 for a similar study and pl. 50 for a similar print £4,000-6,000


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Lots 53 to 111 The Collection of the late Dr. Peter Mangold

71

71 ‡ JOHN PIPER 1903-1992

Lewknor, Oxfordshire, Textured wall, Traceried windows, 1964 Collage on paper with charcoal and watercolour 50 x 70cm Provenance: Bohun Gallery, Henley-on-Thames, 15th June 2012, No. 2990 The Collection of Dr. Peter Mangold Published: As a lithograph in A retrospective of Churches, 1964, part of the series of 24 lithographs, edition of 70, ref. Levinson 133 £10,000-15,000

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 53 to 111 The Collection of the late Dr. Peter Mangold

72 ‡ JOHN PIPER 1903-1992

Flames, study for stained glass for St. Mark’s, Broomhill, Sheffield west window, installed 1963-4 Mixed media and gouache 56 x 36cm (max - irregular shape) Provenance: Piper Estate Bohun Gallery, Henley-on-Thames, 22nd November 2005, No. 11640 Piper wrote about his plan for St Mark’s ‘We worked on eight windows for Eton College Chapel… and the big task of the Baptistry Window at Coventry Cathedral… and it has clearly influenced my design at St Mark’s in its simplicity and directness of approach. The flames, yellow on blue, with the sparks and tongues of red and orange, provide an abstract pattern which I hope will unite and contrast happily with the design of Mr Pace’s geometrical tracery’ The Collection of Dr. Peter Mangold £4,000-6,000

72

73 ‡ JOHN PIPER 1903-1992

Freshwater Bay, Isle of Wight, 1953 Inscribed Freshwater and dated 13:1:53 Pen and ink 23 x 29cm Provenance: Bohun Gallery, Henley-on-Thames The Collection of Dr. Peter Mangold £1,000-1,500

73 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

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Lots 53 to 111 The Collection of the late Dr. Peter Mangold

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74 ‡ JULIAN TREVELYAN R.A. 1910-1988

Mediterranean Landscape, 1930 Signed and dated 30 Pencil on blue/grey paper 26 x 34.5cm Provenance: Bohun Gallery, Henley-on-Thames, 21st June 2013, No 3241 The Collection of Dr. Peter Mangold £600-800

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 53 to 111 The Collection of the late Dr. Peter Mangold

75 ‡ JULIAN TREVELYAN R.A. 1910-1988

Ponte Vecchio Signed, titled and numbered 35/100 Etching in colours 35 x 48cm Provenance: Bohun Gallery, Henley-on-Thames The Collection of Dr. Peter Mangold £500-700

75

76

77

76 ‡ JULIAN TREVELYAN R.A.

77 ‡ JULIAN TREVELYAN R.A.

1910-1988

1910-1988

Pleasure Steamer, 1968

Amorphic Forms, c.1932, printed 1998

Signed, titled and inscribed Artist’s proof Lithograph in colours, from an edition of 350 49 x 36cm

Stamped JOT, titled and numbered 3/50 Etching with aquatint 15.5 x 24.5cm

Provenance: Bohun Gallery, Henley-on-Thames, 13th September 2014, No. 3488 The Collection of Dr. Peter Mangold

Provenance: Bohun Gallery, Henley-on-Thames, 19th February 2005, No. 11403 The Collection of Dr. Peter Mangold

£600-800

£400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

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Lots 53 to 111 The Collection of the late Dr. Peter Mangold

78 ‡ NORMAN STEVENS A.R.A. 1937-1988

The Terrace, 1984 Oil on canvas 35 x 46cm Provenance: Redfern Gallery, London, 8th January 1985 The Collection of Dr. Peter Mangold £3,000-4,000

79 ‡ ROBIN TANNER 1904-1988

Wiltshire Rickyard Signed and inscribed Etching, artist’s proof not taken from the edition of 50, 1974 21 x 23cm (plate size) Provenance: Garton & Co., Devizes, 29th April 2001 The Collection of Dr. Peter Mangold £300-400

78

79

80

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 53 to 111 The Collection of the late Dr. Peter Mangold

80 PAUL NASH 1889-1946

Winter Wood Signed and titled in pencil Woodcut, 1922 from an edition of 50 [Postan W21] 15 x 11cm Provenance: Redfern Gallery, London, 30th July 1985 The Collection of Dr. Peter Mangold £300-500

81 ‡ ROGER WAGNER b.1957

Song of the Servant No. 4, Surely he has borne our griefs, 1990 Titled on backing board verso Oil on canvas 75 x 102cm Provenance: University of Warwick, New Icons Exhibition Tour, October 1989 August 1990 The Collection of Dr. Peter Mangold

81

£400-600

82 ‡ ELEANOR FEIN b.1940

Magritte’s Eggs, 2011 Signed Oil on canvas 30 x 30cm Provenance: Bohun Gallery, Henley-on-Thames, 4th December 2011, No. 2785 The Collection of Dr. Peter Mangold £200-300

83 ‡ SIR PETER BLAKE R.A. ELECT. b.1932

Crash, Rialto bridge, Venice with bomber plane Signed and numbered 17/75 Lithograph 20.5 x 13.5cm

82

From the Venice suite of 20 prints Provenance: Bohun Gallery, Henley-on-Thames, 21st February 2009, No. 1911 The Collection of Dr. Peter Mangold £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

83

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Lots 53 to 111 The Collection of the late Dr. Peter Mangold

84 ‡ MAGGI HAMBLING b.1945

War Requiem II Victim XXXXI Signed and dated 2014 verso Oil on canvas, unframed 30.5 x 25cm Provenance: Bohun Gallery, Henley-on-Thames, 24th June 2015, No. 3729 The Collection of Dr. Peter Mangold £2,000-3,000

84

85 ‡ COLIN BISHOP

86 ‡ MICHAEL FAIRCLOUGH

late 20th/early 21st Century

b.1940

Briantspuddle Heath, Dorset 8:08am-4.31pm, 28th January 2014

At Sea - Dusk XVI

Signed, titled and dated verso Oil and mixed media on board 26 x 29cm

Signed with initials Oil on paper on panel 20 x 23cm

Provenance: Bohun Gallery, Henley-on-Thames, 25th April 2015, No. 3678 The Collection of Dr. Peter Mangold

Provenance: Bohun Gallery, Henley-on-Thames, 20th October 2012, No. 3038 The Collection of Dr. Peter Mangold

£200-300

£200-300

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86 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 53 to 111 The Collection of the late Dr. Peter Mangold

87 ‡ WILHELMINA BARNS-GRAHAM 1912-2004

Dolphins, 2003 Signed, titled and dated 2003 Acrylic on paper 25 x 25cm Provenance: Bohun Gallery, Henley-on-Thames, 14th February 2015, No. 3637 Barns-Graham Charitable Trust No. 3328 The Collection of Dr. Peter Mangold £2,000-3,000

87

88 ‡ WILHELMINA BARNS-GRAHAM 1912-2004

Millennium Series Blue II, 2000 Signed, dated 2000 and numbered 45/75 Screenprint in colours on stamped Graal paper 24 x 31cm Provenance: Bohun Gallery, Henley-on-Thames, 6th February 2011, No. 2589 The Collection of Dr. Peter Mangold £300-500

88

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Lots 53 to 111 The Collection of the late Dr. Peter Mangold

89 ‡ MARY FEDDEN R.A.

91 ‡ JOHN EDGAR PLATT

1915-2012

1886-1967

Basket of Lemons, 1971

Two birds

Signed and numbered 3/70 Lithograph in colours 75 x 55cm

Woodcut in colours Signed in pencil 47 x 22cm

Provenance: Bohun Gallery, Henley-on-Thames, 31st October 2015, No. 3791 The Collection of Dr. Peter Mangold

Provenance: The Collection of Dr. Peter Mangold

£400-600

92 ‡ JOHN BANTING

90 ‡ IAN HOWARD b.1952

Crux Collage and mixed media on board 21 x 15cm Provenance: Bohun Gallery, Henley-on-Thames, 11th February 2017 The Collection of Dr. Peter Mangold £150-250

£150-250

1902-1972

The Secret Visit, 1931 Pen, ink and wash 23.5 x 16cm Provenance: Goldmark Gallery, Uppingham, 12th January 2014, No. 27939 The Collection of Dr. Peter Mangold £300-500

93 ‡ ADRIAN HEATH 1920-1992

Untitled, 1960 Signed and dated ‘60 Watercolour 55.5 x 76cm Provenance: The Collection of Dr. Peter Mangold £1,000-1,500

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90

91

92 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 53 to 111 The Collection of the late Dr. Peter Mangold

94 ‡ MATTHEW HILTON b.1948

Spatial forms abstract Linocut 80 x 90cm Provenance: Plank Liddiard Fine Art, London The Collection of Dr. Peter Mangold £300-400

95 ‡ MASSIMO CAMPIGLI Italian 1895-1971

La Scalinata, The Steps Signed, dated 55 and numbered 11/95 Lithograph in 4 colours, published paris 1955 53 x 35cm Provenance: Stamped verso Fogg Art Museum, USA William Weston Gallery, 10th March 1995, London, No. 10216 The Collection of Dr. Peter Mangold £500-800

93

94

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95

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Lots 53 to 111 The Collection of the late Dr. Peter Mangold

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96 ERNST LUDWIG KIRCHNER German 1880-1938

Aus der Apokalypse, 1918 (Der Mann mit dem feurigen Schwert) Signed, titled and inscribed Probedruck [Proof copy] Woodcut in colours [Schiefler 366; Dube H367 prior to 1st state 1918] 12.5 x 14cm Provenance: Garton & Co., Devizes, 8th October 2003, No. 14321 The Collection of Dr. Peter Mangold £8,000-12,000

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 53 to 111 The Collection of the late Dr. Peter Mangold

97

97 ‡ EMIL NOLDE German/Dutch 1867-1956

Hamburg Landsungsbrücke, 1910 Signed Etching with aquatint [Schiefler - Mosel 139 III] 30.5 x 40cm Provenance: Jan Johnson, Old Master & Modern Prints, Montreal, No. 4012 The Collection of Dr. Peter Mangold £6,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

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Lots 53 to 111 The Collection of the late Dr. Peter Mangold

98

98 ‡ MAX BECKMANN German 1884-1950

Die Kriegserklärung Signed Etching with drypoint, 1914, from an edition of 50 [Gallwitz 57] 19.5 x 24.5cm Provenance: Kestner Museum, Hannover William Weston Gallery, London, 23rd October 1978, No.3151 The Collection of Dr. Peter Mangold £5,000-7,000

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 53 to 111 The Collection of the late Dr. Peter Mangold

99 CAMILLE PISSARRO French 1830-1903

Le Femme sur la Route, Peasant woman on a Country Road, 1879 Etching with aquatint, from an edition of c.14 (no issued edition) [Delteil 18, second state of 4] Leymarie-Melot, p.18 15 x 21cm Provenance: William Weston Gallery, London, 30th April 1997, No. 10212 The Collection of Dr. Peter Mangold Literature: Exhibition, Camille Pissarro, London, Paris, Boston, 1981 (another impression 4th state) £800-1,200

99

100 ‡ ANDRÉ DERAIN French 1880-1954

Baigneuse nue aux arbres, 1919 [Nue Debout, 1910] Signed indistinctly Etching 17.5 x 9.25cm Provenance: William Weston Gallery, London, 21st June 2006.1974, No. 3098 The Collection of Dr. Peter Mangold £1,000-1,500

100 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

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Lots 53 to 111 The Collection of the late Dr. Peter Mangold

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101 ‡ PABLO PICASSO Spanish 1881-1973

Jacqueline Lisant, Jacqueline Reading No. 1, 1957 Numbered 18.12.57 reversed within the plate Lithograph, one of 5 proofs aside from the edition of 50 54 x 44cm Provenance: William Weston Gallery, London The Collection of Dr. Peter Mangold £6,000-8,000

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 53 to 111 The Collection of the late Dr. Peter Mangold

102 ‡ PABLO PICASSO Spanish 1881-1973

Portrait of Paloma, Christmas 1952, Picasso’s daughter Signed in pencil, numbered 7 in pencil from the edition of 50 (5 proofs were also issued) Chalk drawn lithograph in black ink Drawn on zinc at Vallauris December 24th 1952, edition printed at the Atelier Mourlot, Paris 1953 57 x 47cm (sheet size); 47 x 37.5cm (to mount) In this study Paloma is 3½ years old. Her mother was Françoise Gilot, who Picasso met in 1943 when she was 21 and he was 61. They had two children together, Claude in 1947 and Paloma in 1949. She left Picasso in 1953. This sensitive portrait was drawn when Picasso returned for Christmas to Vallurais in 1952 and is a delightful and very personal example of his lithography from this period, perhaps his best period in this medium. Provenance: William Weston Gallery, London The Collection of Dr. Peter Mangold Literature: Mourlot Picasso Lithographs no. 230 Hatje-Rau Picasso Lithographs no. 564 Bloch Picasso Catalogue No. 728 £4,000-6,000

102

103 ‡ PABLO PICASSO Spanish 1881-1973

Buste de Femme de Face, from Gongora: Vingts Poemes Inscribed Gongora and dated 26.2.47 II reversed in the plate Etching with aquatint, 1 of 3 impressions before the facing of the plate. The issued edition was 276 impressions, printed in 1948. 39 x 28cm Provenance: Originally from the private collection of the printer Lacourière Private collection USA William Weston Gallery, London, 27th May 2010, No. 16481 The Collection of Dr. Peter Mangold Literature: Baer-Geiser, 749 Ba, Bloch 482 £1,000-1,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

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Lots 53 to 111 The Collection of the late Dr. Peter Mangold

104 ‡ GEORGES BRAQUE French 1882-1963

Etude de Nu, 1907-1908 Signed and numbered 24/30 Etching, published by Galerie Maeght, Paris 1953, printed at the studio of Visat, Paris, 1953 27 x 20cm Provenance: William Weston Gallery, London, 16th June 2007, No. 14998 The Collection of Dr. Peter Mangold Literature: Vallier, Braque, L’Oeuvre Gravé No. 1 £8,000-12,000

104

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 53 to 111 The Collection of the late Dr. Peter Mangold

105 ‡ HENRI MATISSE French 1869-1954

Nu de Trois Quarts, La Tête Penchée, 1906 Signed with initials and numbered 20/25 in the stone Lithograph, printed at the studio of Duchatel, Paris 1906 44.5 x 27.5cm Provenance: William Weston Gallery, London, 25th April 2004, No. 13384 The Collection of Dr. Peter Mangold Literature: Duthuit-Matisse - Matisse L’Oevre Gravé, No. 401 £5,000-8,000

105

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Lots 53 to 111 The Collection of the late Dr. Peter Mangold

106 ‡ HENRI MATISSE

108 ‡ HENRI MATISSE

French 1869-1954

French 1869-1954

Portrait de Jeune Polonaise, portrait of a Polish Girl, 1917

Nu Bleu sur Fond Jaune, 1952

Signed and numbered 13/15 in pen Drypoint etching 17 x 12cm [Duthuit-Matisse 73] Matisse inventory (planche) no. 99 inscribed in pencil on the reverse Provenance: William Weston Gallery, London, 30th April 1998, No. 10897 The Collection of Dr. Peter Mangold £2,000-3,000

Signed with initials within the plate Colour lithograph derived from the cut paper original, by Tériade for Verve, Paris 1958 28 x 26cm Provenance: William Weston Gallery, 14th May 2014, No. 018199 Created and editioned at the Mourlot Studio, Paris 1954, under the supervision of Matisse The Collection of Dr. Peter Mangold £200-300

107 ‡ HENRI MATISSE French 1869-1954

Untitled, 1932, [Le Guignon] from the suite Poesies, illustrations for the poems of Stéphane Mallarmé Etching, proof pull print aside from the main edition of 45 32 x 24cm Provenance: Goldmark Gallery, Uppingham, 21st January 2012, No. 45380 The Collection of Dr. Peter Mangold £500-800

106

107

108 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 53 to 111 The Collection of the late Dr. Peter Mangold

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111

110

109 ‡ STEVEN HENDERSON

110 ‡ PRUE PIPER

111 ‡ SIR TERRY FROST R.A.

b.1956

b.1938

1915-2003

Garfish

Large jug with eyed hawk moth design

Screenprinted earthenware bowl for Haxby

Painted driftwood 52cm long

Signed and titled Painted earthenware 19cm high

Printed facsimile signature, numbered 14/50 33cm diameter

Provenance: The Collection of Dr. Peter Mangold £150-250

Provenance: Bohun Gallery, Henley-on-Thames, 11th February 2017 The Collection of Dr. Peter Mangold £100-150

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

Provenance: The Collection of Dr. Peter Mangold £150-250

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Other Properties 112 ‡ MAGGI HAMBLING b.1945

Wilde Talking, 1997, Study for the Charing Cross Memorial Bronze mounted on board 31 x 23cm (bronze approx.) 53 x 48cm (board) For a drawing related to this Lot, see Lot 44 Provenance: Malborough Fine Art, London, 28th May 1997 From a deceased estate, as Lots 12-52 With an article by Rachel Campbell-Johnson, The Wilde One, featuring this Lot £500-700

113 ‡ LAWRENCE MURLEY 20/21st Century

Sculpture of a Green Salamander Signed with initials, dated 1998 and numbered LXXII Picasso marble 33cm long Provenance: Courcoux & Courcoux, Stockbridge, 3rd October 2000 £600-800

112

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114 ‡ JONATHAN KENWORTHY b.1943

Genet cat Signed, dated ‘68 and numbered 4/7 Bronze on a stone base 18cm high £1,000-1,500

114

115 ‡ GILL WILES b.1942

Cantering Down Signed and numbered 8/11 Bronze on a marble base 33cm high (including base) £700-1,000

115

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117 ‡ SALVADOR DALI Spanish 1904-1989

Jeune vierge autosodomisée par les cornes de sa propre chastetée

116 ‡ MOSÈ ANGELO TAMBURRINI 1905-2001

Nude female torso Signed, numbered 4/9 and stamped with a foundry mark Bronze on a wooden plinth 58cm high (91cm high with plinth) Provenance: Nicholas Bowlby, Tunbridge Wells, 14-15 September 1996 £800-1,200

Signed, numbered 20/150 and stamped AIRAINDOR 46 x 36cm Created in 1977 Literature: Robert et Nicolas Descharnes, “Dali, le dur et le mou, sculptures et objets”, Paris 2004, n° 514. page 206 £1,500-2,500

118 ‡ ANN CHRISTOPHER R.A. b.1947

Abstract figure Steel, with a perspex base 38cm high (48cm high with base) For a drawing by this artist see Lot 144 Provenance: Winner of Harrison Cowley award 1968, West of England College of Art £200-300

119 ENGLISH SCHOOL 20th Century

Two cloaked figures Signed with a monogram and numbered 1/1 Bronze 60cm high £100-200

116

117

118

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120

120 ‡ GUY TAPLIN

121 ‡ GUY TAPLIN

b.1939

b.1939

Gannet

Canada Goose

Signed and titled Painted wood with glass bead eyes 33cm (h) x 84cm (l)

Signed twice and titled, also inscribed Joan & Guy with a boating scene to the base Painted wood with glass bead eyes 20cm (h) x 57cm (l)

£2,000-3,000

£1,500-2,500

121 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


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122

122 ‡ GUY TAPLIN b.1939

Mallard Signed, titled and dated 1988 Painted wood with glass bead eyes 19cm (h) x 41cm (l) £1,500-2,500

123 ‡ GUY TAPLIN b.1939

Ruddy Duck Signed and titled Painted wood with glass bead eyes 18cm high £1,000-1,500

123 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


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124 ‡ GUY TAPLIN b.1939

Heron Signed and titled Painted wood on a metal support and driftwood base 127cm high Provenance: Courcoux & Courcoux, Stockbridge £3,000-4,000

124 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


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125

125 ‡ GUY TAPLIN b.1939

Six Ibis Signed and titled Painted wood birds on a driftwood and metal support 77 x 24cm (base) Provenance: Bought directly from the artist £6,000-8,000

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


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Lots 126 to 166 Property of a Gentleman 126 ‡ WALTER BAYES

127 MARK SENIOR

1869-1956

1862-1927

The artist’s wife seated under a tree

Ducks on a coastal path

Signed with a monogram Oil on canvas 38 x 32cm Sold with a copy of Dusty Answer by Rosamund Lehmann, for which this painting was used as the front cover Provenance: Michael Parkin Fine Art Ltd., London Exhibited: The Leicester Galleries Michael Parkin Gallery £400-600

Signed indistinctly, also signed and titled indistinctly on stretcher verso Oil on canvas 36 x 26cm Provenance: David Messum, Beaconsfield, No. 37 £300-500

128 ‡ ELIZABETH MUNTZ British/Canadian 1894-1977

Two girls on a sunny day Oil on board, with a study of a river in winter verso 25.5 x 30.5cm Provenance: Michael Parkin Fine Art Ltd., Summer Exhibition of British art 1840-1940, London, No. 31 £300-500

126

127

128

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


58

Lots 126 to 166 Property of a Gentleman

129 MODERN BRITISH SCHOOL c.1950

Beach huts and bathers Oil on canvas 53 x 81cm Provenance: David A. Cross Fine Art, Bristol £400-600

129

130

131

130 ‡ PAUL JAMES LOGAN WYETH

131 ‡ PAUL JAMES LOGAN WYETH

1920-1983

1920-1983

Vissel, Lot, France

On the Lot, France

Signed and dated 77 Oil on canvas 61 x 51cm

Signed and dated 79 Oil on board 61 x 51cm

£400-600

£400-600 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 126 to 166 Property of a Gentleman

132 ‡ JAMES BOLIVAR MANSON 1879-1945

Portrait of Miss Mary Manson, the artist’s sister Signed and dated 1943 Oil on canvas 61 x 51cm Provenance: The Alma Gallery, Bristol £400-600

133 CAMDEN TOWN SCHOOL 20th Century

A lady seated at a desk with a vase of daffodils Oil on canvas 65 x 55cm £500-800

134 NEWLYN SCHOOL c.1900

Young lady in a blue hat Oil on canvas 92 x 61cm £400-600

132

133 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

134

59


60

Lots 126 to 166 Property of a Gentleman

135 ‡ CHARLES WALTER SIMPSON 1885-1971

Wild horses watering Signed Oil on canvas 71 x 92cm £800-1,200

135

136

137

136 ‡ GORDON STEWART CAMERON

137 ‡ ALFRED H. PALMER

1916-1994

1911-1985

A farm in the Sidlaws

Chrysanthemums and Rosehips

Signed Oil on canvas 87 x 97cm

Signed Oil on board 52 x 62cm

£600-800

Provenance: The Alma Gallery, Bristol £300-500 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 126 to 166 Property of a Gentleman

138 ‡ ROBERT BUHLER R.A.

141 ‡ CLIVE BLACKMORE

1916-1989

b.1940

St. Didier, Near Macon

Ramatuelle

Signed and titled Mixed media 42 x 55cm

Signed and dated I. 86 Pastel over pencil 44 x 54cm

Provenance: The Alma Gallery, Bristol

£200-300

£600-800

139 ‡ DICK BOULTON 20th Century

Deck Chair Pastel 49 x 32cm Provenance: The Alma Gallery, Bristol £300-500

142 ‡ DICK BOULTON 20th Century

Wedmore Signed and dated 87 Pastel 37 x 50cm Provenance: The Alma Gallery, Bath £200-300

138

140 ‡ DICK BOULTON 20th Century

A story for Pooh Signed and titled on backing board verso Pastel 70 x 52cm Provenance: The Alma Gallery, Bristol £300-500

139

141

140

142

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

61


62

Lots 126 to 166 Property of a Gentleman

143 ‡ PETER BURMAN b.1950

River Deben Signed Oil on board 39 x 55cm Provenance: The Alma Gallery, Bath £200-300

144 ‡ ANN CHRISTOPHER R.A. b.1947

Abstract landscape Signed and dated 1973 Pencil 39 x 51cm

143

For a sculpture by this artist see Lot 118 £200-300

145 ‡ ROBERT MOORE 20th Century

Wooded landscape after Cezanne Signed Oil on canvas 61 x 76cm £200-300

146 ‡ PETER CURRAN 20th Century

Hot air balloons Signed, inscribed Balloons and dated ‘87 Watercolour 36 x 54cm £200-300

144

145

146 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 126 to 166 Property of a Gentleman

147 ‡ GORDON STEWART CAMERON 1916-1994

The Garden Studio Signed Oil on canvas 103 x 120cm Exhibited: Royal Scottish Academy, 1982, Cat. No. 107 £600-800

147

148 ‡ JOHN CUNNINGHAM Scottish 1926-1998

Boats at Tayvallich Signed Oil on canvas 66 x 76cm Provenance: Signed and titled Artist’s label verso £400-600

148 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

63


64

Lots 126 to 166 Property of a Gentleman

149

150

151

149 ‡ WILLIAM SELBY

150 ‡ WILLIAM SELBY

151 ‡ GARY BONN

b.1933

b.1933

Scottish 20th Century

Still life of three vases of flowers, apples and a pen

Black mug and Clementines

In the Lowthers; Treecine West Linton

Signed Oil on canvas 30.5 x 30.5cm

Two, both signed, also both signed, titled and dated 1998 verso Both Acrylic on metal, unframed 41 x 41.5cm and 31 x 47cm (2)

Signed Oil on board 76 x 92cm Provenance: Adam Gallery, Bath

Provenance: Thompson’s Marylebone, London, No. 1039

£200-400

£200-300

£600-800

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 126 to 166 Property of a Gentleman

152

153

152 ‡ ARNOLD VAN PRAAG b.1926

Asleep in the train, 1990 Oil on board 33 x 25cm Provenance: The Alma Gallery, Bristol £200-300

153 ‡ ARNOLD VAN PRAAG b.1926

Susannah and the Elder, 1990 Oil on board 48 x 40cm Provenance: The Alma Gallery, Bristol £200-300

154

155

154 ‡ CAROLINE LE BRETON

155 ‡ ADRIAN BAKER

b.1966

20th Century

A Clifton scene, Bristol

The Mermaid’s Story

Signed Oil on board 31 x 28cm

Signed and dated 92 Pastel and chalk 27.5 x 28cm

Provenance: The Alma Gallery, Bristol

Provenance: The Alma Gallery, Bristol

£150-200

£150-200

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

65


66

Lots 126 to 166 Property of a Gentleman

156 ‡ DAME ELISABETH FRINK R.A. 1930-1993

Running man Signed and dated 76 Watercolour over pencil 78 x 56cm Provenance: The Alma Gallery, Bristol £2,000-3,000

156

157 ‡ DAME ELISABETH FRINK R.A. 1930-1993

Leaping man Signed and dated 88 Watercolour, unframed 64 x 45cm Provenance: The Alma Gallery, Bristol £1,500-2,500

157 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 126 to 166 Property of a Gentleman

158

158 ÉDOUARD VUILLARD French 1868-1940

Les deux Belles-Soeurs, plate XII from the series Paysages et Interieurs, 1899 Signed Lithograph, 3rd state of 3, edition of 100 36 x 29cm Provenance: Christie’s, 3rd July 2001, Lot 240 £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

67


68

159

Lots 126 to 166 Property of a Gentleman

160

159 ‡ PATRICK PROCTOR R.A. 1936-2003

Guilin, China Series Signed, stamped and numbered 30/75 Aquatint 59.5 x 44.5cm £500-800

160 ‡ PATRICK PROCTOR R.A. 1936-2003

Nasturtiums, Wusih, China Series Signed, stamped and numbered 30/75 Aquatint 60 x 45cm £500-800

161 ‡ PATRICK PROCTOR R.A. 1936-2003

Da Miou Mountains, Kweilin, China Series 161

Signed, stamped and numbered 30/75 Aquatint 45 x 59.5cm £500-800 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 126 to 166 Property of a Gentleman

162 ‡ PATRICK PROCTOR R.A. 1936-2003

Camels, Tomb of Zhu Yuan Shang, China Series Signed, stamped and numbered 30/75 Aquatint 45 x 59.5cm £500-800

162

163 ‡ PATRICK PROCTOR R.A. 1936-2003

Lake Tai-Hu, Wusih, China Series Signed, stamped and numbered 30/75 Aquatint 45 x 59.5cm £500-800

163

164 ‡ PATRICK PROCTOR R.A. 1936-2003

Yellow Dragon Cave, Hangchow, China Series Signed, stamped and numbered 30/75 Aquatint 45 x 59.5cm £500-800

164 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

69


70

Lots 126 to 166 Property of a Gentleman

165 ‡ PATRICK PROCTOR R.A. 1936-2003

Lion Rocks Garden, Soochow, China Series Signed, stamped and numbered 30/75 Aquatint 45 x 59.5cm £500-800

165

166 ‡ PATRICK PROCTOR R.A. 1936-2003

Forbidden City, Peking, China Series Signed, stamped and numbered 30/75 Aquatint 45 x 59.5cm £500-800

166

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


71

Lots 167 to 179 Property of a Gentleman

167

167 ‡ PAUL FEILER 1918-2013

Gandria Signed and dated 54 Mixed media with collage 26.5 x 23cm (paper size) Provenance: Redfern Gallery, London, 25th April 2005, No. 6523 £2,000-3,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


72

Lots 167 to 179 Property of a Gentleman

168 ‡ ANTHONY FROST b.1951

Circle on a spit Signed, titled and dated 87 Acrylic on paper with collage 47 x 46cm Provenance: Purchased from the artist by the present owner £600-800

169 ‡ ANTHONY FROST b.1951

New Diamond (Took a spill); Diamond Durge A pair, both signed and dated 86 on labels Both acrylic with collage Each 10.5 x 14.5cm (2) Provenance: Purchased from the artist by the present owner £400-600

168

169

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 167 to 179 Property of a Gentleman

170 ‡ SIR TERRY FROST R.A. 1915-2003

Untitled Signed and dated 59/60 verso Watercolour 37 x 28cm Provenance: W.H. Lane, Cornwall, 2008 Literature: Mel Gooding, Terry Frost: Act & Image, 2000, pl. 48 £2,000-3,000

170

171 ‡ SIR TERRY FROST R.A. 1915-2003

Spring spirals Signed and dated 90 Watercolour 56 x 76cmw This watercolour is the study for the banner at the Tate St. Ives, Frost submitted his design and was chosen for the comission Provenance: Purchased directly from the artist by the present owner £2,000-3,000

171 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

73


74

Lots 167 to 179 Property of a Gentleman

172

172 ‡ MARY FEDDEN O.B.E., R.A. 1915-2012

Mediterranean landscape Signed and dated 1977 Gouache on card 17 x 19.5cm £2,000-3,000

173 ‡ MARY FEDDEN O.B.E., R.A. 1915-2012

Blackbird Signed Watercolour over pencil 14.5 x 20.25cm Provenance: W.H. Lane, Cornwall, 2008 £1,000-1,500

173 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 167 to 179 Property of a Gentleman

174 ‡ MARY FEDDEN O.B.E., R.A. 1915-2012

Girl in Red II Signed and dated 1983 Gouache 25.5 x 18cm Provenance: Royal West of England Academy, Bristol, Annual Exhibition 1983, No. 35 £1,200-1,800

174

175 ‡ ALAN PARKER b.1965

Portrait of my Father and Mr. Clevver Signed, titled and dated 1/90 Watercolour with gold-leaf 23 x 18.5cm Provenance: The Mall Galleries, London

175

£200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

75


76

Lots 167 to 179 Property of a Gentleman

176

176 ‡ KEITH VAUGHAN 1912-1977

Landscape with burning fields Signed with initials Oil on cardboard 38.5 x 44.5cm Provenance: Christie’s, London, 9th November 1990, Lot 225 £12,000-18,000

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 167 to 179 Property of a Gentleman

177

177 ‡ KEITH VAUGHAN 1912-1977

Beasts Signed and dated 74 Gouache 47 x 42.5cm Provenance: Redfern Gallery, London, 16th June 1994, No. 1986 The Waddington Galleries, London, No. B002* £6,000-8,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

77


78

Lots 167 to 179 Property of a Gentleman

178

178 ‡ KEITH VAUGHAN 1912-1977

Blue landscape Signed and dated 65 Gouache 14 x 19.5cm Provenance: Redfern Gallery, London, 16th June 1994, No. 1986 £5,000-7,000

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 167 to 179 Property of a Gentleman

179

179 ‡ KEITH VAUGHAN 1912-1977

Bathers by a cliff Signed and dated 55 Pen, ink and gouache 17 x 11.5cm Provenance: Redfern Gallery Ltd., London, 30th March 1983 £4,000-6,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

79


80

Lots 180 to 202 Property from the Estate of the Late Colonel John Venner 180 ‡ KEITH VAUGHAN 1912-1977

The Lovers With studio stamp verso Pencil 28.5 x 21.5cm Provenance: The Artist’s Estate Agnew’s, London Wolseley Fine Art, London 25th September 1991 £400-600

180

181

181 ‡ KEITH VAUGHAN 1912-1977

April is the Cruelest Month, Illustration for The Waste Land by T.S. Eliot Signed and inscribed Incised into gesso, on board 24 x 15cm Provenance: The New Grafton Gallery, London Austin Desmond Contemporary Books Private American Collection Austin Desmond Fine Art Ltd stock No 938, April 1987 £500-700

182 ‡ KEITH VAUGHAN 1912-1977

Male Nude by Table 1947 Signed and dated 47 Pencil 33 x 17cm Provenance: Mercury Gallery, London 16th February 2000, No 1649 £400-600

182 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 180 to 202 John Venner Collection

183 ‡ KEITH VAUGHAN 1912-1977

Nuer; Nude on a bed Both pencil 18 x 11cm; 16 x 20cm (2) Provenance: 1. Cambridge Arts 9th August 1995 2. Agnew’s London 26th February 1998 No. CM4375 The second drawing may relate to Vaughan’s illustrations for The Adventures of Tom Sawyer £400-600

183

184 ‡ KEITH VAUGHAN 1912-1977

Two figure studies; Two standing figures in a landscape c.1948 3, all pencil 11 x 9cm and similar (3, in 2 frames) Provenance: (For single) David Holmes Contemporary Art £400-600

184

185 ‡ KEITH VAUGHAN 1912-1977

Two figures undressing II; Two figures in a shower I Two, both with artists estate stamp One pen and ink, one pencil 19.5 x 20cm and 21.5 x 13cm (2) Provenance: The artist’s estate The Redfern Gallery Private collection London Julian Lax, Hampstead, London 2nd October 1999 £400-600

185 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

81


82

Lots 180 to 202 John Venner Collection

186

186 ‡ KEITH VAUGHAN

187 ‡ KEITH VAUGHAN

1912-1977

1912-1977

Beach scene; Boy and Apple Tree

Study for September II; Group of four small drawings on one sheet

Two, both with the artist’s estate stamp Pen and black ink 8 x 10cm; 8 x 9cm (2)

2, the first signed, also signed, titled, dated 1955 and dedicated: For Peter with Gratitude from Keith 12 June / 68 (in biro over the original pen and ink inscription) Both Pencil 10 x 14.5cm; 14.5 x 19cm (2)

Provenance: Julian Lax, Hampstead London, 13th November 2000 £400-600

This is a study for the large oil of September painted by Vaughan in 1956 Provenance: 4 studies - Wenlock Fine Art £400-600

187

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 180 to 202 John Venner Collection

188 ‡ KEITH VAUGHAN 1912-1977

Sketch of Jonny Walsh c.1950 and three further sketches Four, all pencil, all unframed 10 x 15cm and similar (4) Provenance: (Jonny Walsh) David Holmes Contemporary Art £300-500

189 ‡ KEITH VAUGHAN 1912-1977

Two men with a spear; Male nude with arms back; Man leaning forward Three, all pencil 19.5 x 17cm; 16.5 x 11cm; 14.5 x 6cm (3) Provenance: Two men with a spear St Jude’s Kensington Church Street 30th May 1991 £300-500

188

189 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

83


84

Lots 180 to 202 John Venner Collection

190 ‡ KEITH VAUGHAN 1912-1977

Carrying Figure on Green Textile, printed c.1958 With monogram of the Edinburgh Weavers to the selvedge 91 x 110cm Provenance: John McGuinness Austin Desmond Fine Art Ltd., purchased by Colonel John Venner 3rd July 1998 £200-300

190

191 ‡ KEITH VAUGHAN 1912-1977

5 books illustrated by Keith Vaughan Rimbaud, Arthur A season in Hell, John Lehmann Ltd 1949, with eight colour lithographs by Vaughan, printed at the Baynard press Newby, P.H. The Spirit of Jem, John Lehmann Ltd 1947 New Writing and Daylight, Winter 1943/4 John Lehmann at the Hogarth Press 1944 Cutforth, René, Korean Reporter, William Clowes and Sons Ltd, 1952 Twain, Mark, The Adventures of Tom Sawyer, Paul Elek Ltd 1947 All with dust jackets 22 x 14.5cm and similar (5)

191

£200-300

192 ‡ KEITH VAUGHAN 1912-1977

Journal and Drawings, Alan Ross, London 1966 Journal 1939-1977, John Murray publishers Ltd 1966 Yorke, Malcolm, Keith Vaughan his life and work, Constable and Co 1990 Ross, Alan and Minton, John, Time was away a notebook in Corsica, John Lehmann 1948 Poems of Death, Illustrated by Michael Ayrton 1945 With other biographies/texts relating to Eric Gill, John Minton, and other exhibition catalogues many relating to Keith Vaughan (20) £200-300

192

192 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 180 to 202 John Venner Collection

193

193 ‡ JOHN MINTON 1917-1957

Apple Pickers; Eve Two, both pen and ink 9 x 8cm and 6.5 x 7.5cm (2) Both painted c.1951 Provenance: Sandra Lummis Fine Art, London 28th September 1994 £600-800

194 ‡ JOHN CRAXTON 1922-2009

Scillonian Head Black ink 25.5 x 20.5cm Provenance: Christopher Hull Gallery, London Exhibition No. 78 1984 Alan Dixon Collection David Holmes Contemporary Art 3rd September 1997 £800-1,200

194 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

85


86

Lots 180 to 202 John Venner Collection

195

196

195 FRANCIS EDWARD COLTHURST

196 ‡ RALPH BROWN

1874-1945

1928-2013

Study of male nude from the back

Model Standing; Torso, Paris; Female Nude

Signed with initials and dated 1900, also inscribed One of set winning siver medal R.A.S and also inscribed lower right, possibly by the model Pencil 77 x 56cm

Three, all signed, two dated 54 and one 82 All pencil One 47 x 28cm and two smaller (3)

Provenance: Philip Graham and Stephen Boyd, St Judes’s, London, 1990

Provenance: Alpha House Gallery, Dorset, in 1991 and 1995 £200-300

£200-300

197 ‡ WILLIAM DRING R.A. 1904-1990

Female Nude Pencil 21 x 8cm Provenance: Julian Hartnoll, London, 1st October 1991 With a figure study by a different hand, pencil, 41 x 59cm (2) £150-250

198 ‡ MICHAEL AYRTON 1921-1975

Fishermen Lithograph 62 x 37cm (to mount) Provenance: Hilary Chapman Fine Prints, 7th November 1994 £100-150

197

198

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 180 to 202 John Venner Collection

199 ERIC GILL 1882-1940

201 LUDWIG VON HOFMANN

Designs for sculpture

1861-1945

Pencil 11 x 8.5cm

Reclining nude with seated nude verso

Provenance: The Antique and Book Collector, 26th June 1997

Signed with initials and dated 1892 31 x 21cm

£800-1,200

Provenance: Julian Hartnoll, London

200 ‡ DUNCAN GRANT 1885-1978

Climbing male nude Signed and inscribed This way up Charcoal 46 x 29cm Provenance: Gekoski, London, 17th August 1999 £600-800

£400-600

202 LUDWIG VON HOFMANN 1861-1945

Naked Youth his head clasped in his arms Signed with initials lower right 28 x 18.5cm Provenance: Julian Hartnoll, London £300-500

199

200

201

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

202

87


88

Lots 203 to 213 Property of a Lady 203 PHILIPP BAUKNECHT German, 1884-1933

Three Friends Watercolour 31 x 46cm Provenance: Estate of the artist with the Davos Nachlass [estate] stamp beneath the mount The Piccadilly Gallery, London, Godfrey Pilkington Sold to the step-father of the present owner, 20th May 1967 £800-1,200

203

204 HILDA FEARON 1878-1917

Leaving the Theatre Signed Oil on canvas 51 x 61cm £700-1,000

204 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 203 to 213 Property of a Lady

205

206

205 ‡ GRAZIANO POMPILI

208 ‡ MARTIN ENGELMAN

Italian b.1943

Marisa

Dry landscape Signed and dated 92 Textured oil on paper 30 x 40.5cm

Signed, dedicated and dated 1969 partially beneath the paint Gouache 65 x 50cm

Provenance: Acquired from the artist

Provenance: Acquired from the artist

£150-250

£200-300

206 ‡ GEOFFREY ROBINSON

209 ‡ DAVID HAZELWOOD

b.1945

Collector’s items No. 4

The Valley, Skirmett

Signed and dated 83, also signed, titled and dated on a label verso Collage and mixed media 34 x 28.5cm

Signed Watercolour with bodycolour 34 x 48.5cm Provenance: Acquired from the artist Exhibited: The Mall Galleries, London, Moments of Eternity, 29th July to 9th August 1976, No. 31

Dutch 1924-1992

1932-1994

207

Provenance: Acquired from the artist £100-200

£100-150

207 JEAN MARCHAND French 1883-1940

Ceret, c.1912/13 Signed Watercolour with pencil 21 x 27cm Provenance: Crane Kalman Gallery, London, 24th January 1964 £200-300

208 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

209

89


90

Lots 203 to 213 Property of a Lady

210

211

210 ‡ PAUL MOUNT

211 ‡ PAUL MOUNT

212 ‡ PAUL MOUNT

213 ‡ PAUL MOUNT

1922-2009

1922-2009

1922-2009

1922-2009

Abstract design

Middle Eastern village

Mistral

Signed verso Oil on canvas, unframed 40.5 x 50.5cm

Signed and dated 1985 verso Oil on canvas 30 x 35.5cm

Signed and titled verso Oil on canvas 40 x 51cm

A town with a bridge over a river and tower

Provenance: Acquired from the artist

Provenance: Acquired from the artist

Provenance: Acquired from the artist

£200-300

£150-250

£200-300

Signed and dated 85 Oil on canvas 51 x 61cm Provenance: Acquired from the artist £300-400

212

213

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


91

Lots 214 to 231 Property of a Lady 214 ‡ FRED YATES 1922-2008

Fowey, Cornwall Signed Oil on canvas 146 x 89cm Provenance: John Martin Gallery, London, 21st November 2007 £3,000-5,000

214 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


92

Lots 214 to 231 Property of a Lady

215

215 ‡ FRED YATES 1922-2008

The Clairvoyant Signed Oil on canvas 80 x 80cm Provenance: ClarkArt Ltd, Manchester, 29th September 2009 £1,500-2,000

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 214 to 231 Property of a Lady

216 ‡ FRED YATES 1922-2008

Self portrait in a baseball cap Signed Oil on canvas 72 x 49cm £2,000-3,000

216

217 ‡ FRED YATES 1922-2008

Bed time Signed Oil on canvas 80 x 80cm Provenance: Fred Yates Studio Sale, Paris, 1st November 2014 £1,000-1,500

217 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

93


94

Lots 214 to 231 Property of a Lady

218 ‡ FRED YATES 1922-2008

As wild as you can get them Signed Oil on canvas 76 x 102cm Provenance: John Martin Gallery, London, 16th May 2007 £2,000-3,000

218

219 R.I. MURRAY 20/21st Century

Boats in a harbour Signed and dated 18 1999 Oil on canvas board 36 x 45cm £50-100

220 ‡ JOHN DUFFIN b.1965

Double life, Waterloo Station, London (2); Meeting at the British Museum 219

220

Three, all signed, titled and numbered 70 & 73/90 and 14/90 All etchings All 37.5 x 24.5cm (3) £300-500

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 214 to 231 Property of a Lady

221

222

221 ‡ TESSA NEWCOMB

222 ‡ TESSA NEWCOMB

223 ‡ EDWARD GENTRY

224 ‡ TREVOR SOWDEN

b.1955

b.1955

b.1943

b.1933

Dog show

Dog crossing

Stoke Bridge, Ipswich

Backwater

Oil on board 15 x 26cm

Oil over pencil on board 30 x 15cm

£400-600

£400-600

Signed and titled verso Oil on canvasboard 55 x 67cm

Signed and titled on backing paper Gouache 19.5 x 19.5cm

£100-200

Provenance: Artist’s label verso £100-200

223

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

224

95


96

Lots 214 to 231 Property of a Lady

225 ‡ STAN KAMINSKI b.1952

Santa Maria della Salute, Venice Signed Gouache 62 x 62cm £800-1,200

225A ‡ GARY BUNT b.1957

Down by the gasworks Signed, also signed, titled, dated 2008 and inscribed verso He told her/that he loved her/ down by the gaswork gates/he held her tight/and kissed her/real love/just cannot wait Oil on canvas 40 x 50cm Provenance: Portland Gallery, London, February 2009, No. 41 £1,500-2,500

226 ‡ GARY BUNT b.1957

Down in the valley

225

Signed, also signed, dated 2008 and inscribed verso Two men went/down to the valley/they went because/they had heard/there was an old man/ in an old blue shed/who would show them/his beautiful bird Oil on canvas 60 x 80cm Provenance: Portland Gallery, London, 2008, No. 10 £4,000-6,000

227 ‡ JOHN THOMPSON 1924-2011

A queue, Group series 2884 Signed, also signed with initials and numbered G2884 Mixed media 49 x 38cm £400-600

228 ‡ JOHN THOMPSON 1924-2011

Talking to the boss, Group series 2868 Signed, also signed with initials and numbered G2868 Mixed media 49 x 38.5cm £600-800

225A Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


Lots 214 to 231 Property of a Lady

226

227 Lots marked ‥ may be subject to an additional fee - please see ARR information on page 191

228

97


98

229

Lots 214 to 231 Property of a Lady

230

229 ‡ JOHN THOMPSON

231 ‡ JOHN THOMPSON

1924-2011

1924-2011

Street scene, Group Series 2932

The race

Signed Mixed media 74 x 54cm

Signed, also signed with initials Mixed media 29 x 41cm

Provenance: The Catto Gallery, London, No. 19723

Provenance: The Catto Gallery, London

£500-800

£400-600

230 ‡ JOHN THOMPSON 1924-2011

Figures in a street at night, Group series 2873 231

Signed, also signed with initials and numbered G2873 Mixed media 48 x 38cm £400-600

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


99

Other Properties

232

233

232 HENRY SILKSTONE HOPWOOD

233 ENGLISH SCHOOL

1860-1914

c.1920

The Steamer Deck

Portrait of a lady wearing a fur stole, thought to resemble Virginia Woolf

Signed Oil on panel 21.5 x 26cm

Oil on canvas, unframed 61 x 51cm

£700-1,000

£600-800

233A ‡ M. CAVALIN Continental c. 1920

Portrait of a lady in evening dress, full length seated in an elegant interior Signed Oil on canvas 190 x 150cm £500-800

234 ‡ FRANK FRIGYES 1890-1976

Portrait of a seated lady Signed Oil on canvas 100 x 79cm £400-600

233A Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

234


100

235 HERBERT THOMAS DICKSEE 1862-1942

Waiting; Study of a Scottish deerhound head Two, both signed Both etchings, unframed 21 x 42.5cm and 15 x 25cm (plate size) (2) Provenance: By descent from the artist £300-500

236 SIR FRANK DICKSEE P.R.A. 1853-1928

Hesperia Etching on satin by Herbert Dicksee with a remarque of oranges, unframed 72 x 44.5cm (plate size) Provenance: By descent from the artist With a landscape etching by the same hand (2)

235

£100-150

237 ‡ GEOFFREY HEATH WEDGWOOD 1900-1977

Piazza del Popolo, Rome Signed and titled Etching 28 x 31cm £60-100

238 SIR LIONEL ARTHUR LINDSAY 1874-1961

236

237

St. Eugenia Signed, below mount Etching 25.5 x 34cm £100-150

239 ‡ ANTHONY GROSS R.A. 1905-1984

Chasteaux Correze Numbered 435/500 in pencil, also signed and dated 29 in the print Etching 15 x 22.5cm; (plate size)

238

239

Provenance: Merivale Editions label verso £100-200

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


101

240 ‡ SIR MAX BEERBOHM 1872-1956

H. G. Wells forseeing things Signed and titled Pencil and watercolour 29 x 20cm Provenance: The Spectator Sotheby’s, 11th March 1992, Lot 39 W. S. Fine Art Ltd., Andrew Wyld, London (1018 SWS) Literature: The Spectator (supplement), 14th February 1931 Rupert Hart-Davis, A Catalogue of the cariacatures of Max Beerbohm, 1972, p.156, no. 1759 N. John Hall, Max Beerbohm Caricatures, 1997, p.64, plate 49 £800-1,200

240

241

241 ‡ JOHN NAPPER

243 ‡ MARIE LAURENCIN

244 MINTO DEY

1916-2001

242 CHARLES REBEL STANTON

French 1883-1956

c.1925

Portrait of a young lady

1890-1954

April

Signed, dated 1986 and inscribed For Wanda and Mark Watercolour 29 x 26.25cm

The Golden Age of the Flapper

Young lady wearing pearls and a feathered cap with her pet dog

Signed Watercolour with bodycolour 47 x 35cm

Signed and numbered 91/125 Lithograph 44 x 32cm

£200-300

£200-300

£500-700

242

243

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

244

Signed, titled and dated 1925 Watercolour on buff paper 22 x 16.5cm £150-250


102

245 ‡ RUDOLPH IHLEE 1883-1968

Bendfelines, 1952 Signed Oil on canvas 38 x 46cm Exhibited: Tullieries, 1933 Campistro, 1932 £700-1,000

245

246 SIR GEORGE CLAUSEN R.A.

247 SIR GEORGE CLAUSEN R.A.

1852-1944

1852-1944

Lake Albano

The Orchard

Signed and titled Watercolour 17 x 24cm

Signed Watercolour over pencil 21.5 x 30.25cm

It is thought this was painted while the Clausen’s were on one of the Art Workers Guild holidays before the Great War.

The Orchard is an inter-war period work, probably painted when at Clausen’s country retreat of Hillside, in Essex.

£800-1,200

£400-600

246

247 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


103

248

249

248 ‡ SIR FRANK BRANGWYN R.A.

249 ‡ SIR FRANK BRANGWYN R.A.

250 ‡ SIR FRANK BRANGWYN R.A.

251 ‡ LEONARD RICHMOND

1867-1956

1867-1956

1867-1956

1889-1965

Bricklayers

Winchelsea Marsh, Sussex

Who’s for Europe Sires

The destruction of Arras

Signed twice with a monogram and inscribed William de Belleroche Black and red chalk on buff paper 69 x 47cm

Signed titled and dated 1895 Watercolour 56 x 76cm

Titled and inscribed U.S.A. Poster and On the run for the World’s Freedom Pencil and charcoal 38 x 51cm

Signed Pastel on grey paper 24 x 31cm

£500-700

Provenance: Paul Liss, Oxfordshire

This is thought to be a study for an American WWI recruitment poster

£800-1,200

£400-600

250

251

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

£100-150


104

252

253

252 ‡ STANLEY LLOYD

253 ‡ FREDERICK SAMUEL BEAUMONT

254 ‡ DONALD MCGILL

255 ‡ R. C. COX

1881-1954

1861-1954

1875-1962

early 20th Century

Salisbury Market

The interior of William Holman Hunt’s studio

I’m always gripped by the sea; I’m feeling a perfect kid again here

Watching and playing tennis

Signed and dated 1926 Watercolour on arches paper 44 x 58cm

Two both signed Both watercolour with bodycolour 22.5 x 14.5cm and 19 x 14cm (2)

Provenance: Label with studio address verso

Provenance: Chris Beetles Ltd., London, The Michael Winner Collection, March-April 2006, No. 15 (second only)

Signed Oil on board 43 x 48cm £300-500

£600-1,000

A pair, one signed below the mount Both watercolour Each 21 x 24cm (2) £300-500

£150-250

254

255

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


105

256 ‡ JAMES LYNCH b.1956

259 ‡ CHARLES CUNDALL R.A.

Evening

1890-1971

Egg tempera on panel Signed and dated 92 30 x 25.5cm

Early morning street scene

£800-1,200

£200-400

257 ‡ GEORGE BISSILL

260 ‡ GEORGE HOUSTON

1896-1973

1869-1947

A farmstead in winter

The Clyde at Erskine Ferry

Signed Oil on canvas 51 x 61cm

Signed, titled and dated 1930 Watercolour 35 x 50cm

£400-600

£200-300

Oil on canvas, squared 51 x 61cm

258 ‡ STEPHEN SPURRIER R.A. 1878-1961

Cleaning the yard Signed Oil on canvasboard 39 x 39cm £100-150

256

257

259 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

258

260


106

261 ‡ EUSTACE NASH

262 PHILIP F. WALKER

1886-1969

Exh.1883-1914

The Schooner Result at a quayside

Bungay, Suffolk, View of Earsham Church, looking across the River Waveney from Bungay Common and Golf Course

Signed Pen ink and watercolour 39 x 32cm The Result, a three-masted sailing schooner, was launched in 1893, the last sailing ship to be built by Paul Rodgers and Co in Carrickfergus, Northern Ireland and was a working ship until 1967. For a brief time in 1917 Result served in the Royal Navy as a Q ship luring German submarines, with some success and she saw action several times but ultimately had to be withdrawn as the Germans became well versed at identifying Q ships. She is now on land at the Ulster Folk and Transport Museum. £200-300

Signed, also signed and titled on a label verso Oil on canvas 40 x 56cm £200-300

263 ‡ REGINALD G. BRUNDRIT R.A. 1883-1960

Willow trees by a river Signed and dated ‘40 Oil on board 40 x 60cm £300-500

261

264 JOSEPH EDWARD SOUTHALL R.W.S. 1861-1944

Beached boats, bathers and dog, Southwold

262

Signed with a monogram and dated 2.VII.39 Watercolour 14 x 23cm

263

Provenance: The Fine Art Society, London, No. 22545: 03/05 £300-500

265 PHILIP WILSON STEER O.M. 1860-1942

Coastal scene

264

265

Signed and dated 1913 Watercolour over pencil 24 x 34.5cm £150-250

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


107

266 CONTINENTAL SCHOOL 19/20th Century

Portrait of a lady in a yellow patterned shawl Signed indistinctly Vita Panpheten? Oil on canvas, oval 83 x 70cm £400-600

267 THOMAS COOPER GOTCH 1854-1931

The Culprit, A Comedy Oil on canvas 61 x 51cm With a further oil signed Corvin of a figure in Tudor costume (2) Exhibited: Royal Academy, London 1906, No. 786 as Sketch

266

267

Provenance: Mrs P.D. MacLellan, Newlyn, granddaughter of T.C. Gotch The Orion Gallery 1972, purchased from the above Private collection £800-1,200

268 ‡ ALBERT VICTOR ORMSBY-WOOD 1904-1977

Study of a lady with golden hair Pencil and watercolour 39 x 23cm £100-150

269 ‡ ALBERT VICTOR ORMSBY-WOOD 1904-1977

Study of a woman wearing a hat, unfinished Pencil with watercolour 55 x 23cm £100-150

268

270 ‡ ALBERT VICTOR ORMSBY-WOOD 1904-1977

Nude dressing Pencil Signed with initials and dated 46 79 x 20cm £200-300 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

269

270


108

271 ‡ ELINOR BELLINGHAM-SMITH 1906-1988

Portrait of a lady in evening dress; Two dancers Two, both signed with initials Both pen, ink and watercolour 50 x 35cm and 36 x 25.5cm (2) £300-500

272 ‡ FREDERICK SAMUEL BEAUMONT

271

1861-1954

French 1886-1941 & Jean Giraudoux

Rowallan, Haslemere

Rues & Visages de Berlin

Signed and titled Watercolour 31 x 24cm

Four, all etchings from Les Editions de la Roseraie, Paris, 1930, with title page and folder 43.5 x 34cm (folder size)

£300-500

272

273 CHARLES LABORDE

£100-150

274 ‡ GORDON BENINGFIELD

275 JEAN EMILE LABOUREUR

276 ‡ HENRY JENKINS

1936-1998

French 1877-1943

Kingfisher

A Bouquinistes in Paris, with lady browsing

Studies of students at Heatherley’s school of Art; Girl watching puppets; Mother Mary Mulachy

Signed with initials Pencil 24.5 x 19.5cm £80-120

Signed and numbered 16/18 ep in pencil Etching 29.5 x 20cm £200-300

1906-1975

Three, the first two signed with initials and dated ‘68 and ‘70 All black chalk on buff paper 37 x 26.5cm £200-300

273

274

275

276 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


109

277 MORTIMER MENPES R.I., R.B.A.

280 ‡ GRAHAM ARNOLD

1860-1938

Okebourne Chace

The Duchess of Sutherland

Signed Pencil 23 x 15cm

Signed in pencil and with monogram in the plate Etching 25 x 20cm £100-150

278 ‡ JAMES STROUDLEY 1906-1988

Study of figures in a garden, possibly for a fresco Pen, ink and wash over pencil, in an arched frame, squared for transfer 40 x 38cm £200-300

b.1932

£250-350

281 MILLER SMITH R.B.A. 1854-1937

At the kitchen door; An old Cottage Garden, both Costessey, Nr. Norwich

277

278

A pair, one signed Both watercolour Each 60 x 30cm (2) Provenance: Gavin Graham Gallery, London, October 1992 £300-500

279 ‡ PAUL SAMPLE 20th Century

282 MABEL SPURRIER

Cartoons of the American Revolution

Exh.1920-40

A pair, both signed and dated 1966 Both pen and ink Each 45 x 57.5cm (2)

Signed Watercolour 43 x 38.5cm

£100-200

A view of Eton

£150-250

279

280

281

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

282


110

283

283 LEWIS GEORGE FRY 1860-1933

The Old Sawmill Signed, also signed and titled verso Oil on canvas 77 x 62.5cm

284

284 FOLLOWER OF TRANQUILLO CREMONA

285 ‡ GEORGE D. MACDOUGALD

286 BRAZILIAN SCHOOL

287 ‡ ALFRED AARON WOLMARK

early 20th Century

1877-1961

19/20th Century

A man in a straw hat; Boats

Portrait of a seated lady holding a fan

The Old Rookery

under a palm tree

Oil on canvas 77 x 63cm

Signed Oil on board 38 x 28cm

£300-500

£200-300

A pair, both signed indistinctly Koeniz? Rio Both oil on canvas Each 40 x 30cm (2)

Portrait of Lord Ronald Sutherland-Leveson-Gower (1845-1916), seated

£200-300

£150-250

Signed, also inscribed on a label verso painted before 1910 Oil on canvas, unframed 77 x 64cm £150-200

285

286

287 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


111

288 ‡ FREDERICK HALL 1860-1948

A small flock of sheep in the shade Signed Oil on panel 33 x 40.5cm Provenance: The Sheen Gallery, London £2,000-4,000

288

289

290

289 ‡ ANDRÉ CHARIGNY

290 ‡ FREDERICK SAMUEL BEAUMONT

French 1902-2000

1861-1954

Troupeau au fond du montagne

Versailles Palace terrace

Signed, also titled on artist’s label verso Oil on canvasboard 22 x 27cm

Signed and inscribed Versailles Oil on panel 26 x 36cm

£300-500

Provenance: Artist’s label verso £400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


112

291 DERWENT LEES 1885-1931

Lyndra at Aldbourne Signed and dated ‘15 Oil on panel 31 x 41cm Provenance: The Redfern Gallery, London, 1934 or 1939 R. Nan Kivell, Esq. The Fine Art Society, February 1972, No. 4855 Belgrave Gallery, 12th-27th February 1981 £3,000-5,000

291

292 ‡ AUGUSTUS EDWIN JOHN O.M., R.A. 1878-1961

Lamentation Pen, ink and wash on buff paper 29.5 x 32cm Provenance: Christie’s, London, 7th March 1997, lot 55 It is possible that the artist’s family were used as the models for this work £200-300

292

293 AUGUSTUS EDWIN JOHN O.M., R.A. 1878-1961

Portrait of a female nude reclining, probably his daughter Poppet Pol in her 20s Signed Pencil on paper [torn] 33.5 x 49cm With another drawing Attributed to the artist, a portrait study of Mrs J. H. Hirsch £400-600

293 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


113

294

294 ‡ AUGUSTUS EDWIN JOHN O.M., R.A. 1878-1961

Portrait of Elizabeth Arden, cosmetics magnate Oil on canvas 61 x 51cm Provenance: Elizabeth Arden Patricia Graham Young, her niece Charlie Young James D. Julia, Fairfield MA, USA, 16th August 2017, Lot 1252 Literature: Illustrated Fortune magazine I am a famous woman in this Industry, October 1938, p.59 Lindy Woodhead, Elizabeth Arden & Helena Rubinstein, p.190, a copy of which is included with the Lot. Lindy Woodhead in her book War Paint (pg.190) relates that the sitter did not like her first portrait by John and insisted on a second sitting which resulted in this painting which she felt depicted her as much steelier and tougher than the first which was more whimsical. Ms. Arden is said to have hung this painting in her Fifth Avenue apartment and sent the first to be hung in her management office in London. £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


114

295 RICHARD STONE REEVES American 1919-2005

A portrait of Rheingold in a landscape Signed, inscribed Rheingold and dated ‘74 Oil on canvas 56 x 71cm Rheingold was winner of the Prix de L’Arc de Triomphe, 1973 £2,000-3,000

295

296

297

296 ‡ CLARENCE HAILEY

297 ‡ NEIL CAWTHORNE

1867-1949

b.1936

The Boss with the jockey F. Rickaby up

Coming to challenge, Newmarket, The Rowley Mile

Signed, inscribed Newmarket and dated 1914 Oil on canvas 51 x 69cm

Signed and dated ‘85 Oil on canvas 51 x 66cm

£1,000-1,500

Provenance: MacConnall Mason, London, 31st July 1985 £500-700 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


115

298

298 ‡ SIR DAVID YOUNG CAMERON R.A., R.S.A., R.W.S.

299 ‡ JAMES KAY

300 ‡ BERTRAM NICHOLLS

Scottish 1858-1942

1883-1974

Scottish 1865-1945

Mouth of the Kelvin

Italian landscape

View over moorland and mountains Signed Oil on canvas 51 x 92cm

Signed and dated ‘97, also with dedication to My esteemed friend… Rowan… in pencil, possibly later Oil on canvas 46 x 69cm

Signed and dated 1926 Oil on canvasboard 20 x 28cm

Provenance: Part Barbizon House label verso

Exhibited: Glasgow East-End Industrial Exhibition 1903-1904

£6,000-8,000

£800-1,200

299

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

300

£400-600


116

301 ‡ MICHAEL LYNE 1912-1989

Heading to the Meet Signed Oil on canvas 41 x 51cm £2,000-3,000

302 GABRIEL SPAT American 1890-1967

Courses à Chantilly Signed Oil on panel 14.5 x 35cm Provenance: The Racing Scene Gallery, New York £200-300

301

303 BARBARA SHIFFNER

302

303

1896-?

304 ‡ NEIL CAWTHORNE

Portraits of foxhounds

b.1936

Two, one inscribed, 1st Prize, 2 couples, Peterboro’, V.W.H. Cricklade, Welfare, Handy, Scanty, Hester and dated 1927, also signed on a label verso Both oil on panel Each 23 x 31cm (2)

First morning out

V.W.H. is the Vale of the White Horse Hunt at Cricklade

£200-300

Signed Oil on canvas board 33 x 43cm

£300-500

304 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


117

305

305 ‡ HAROLD SPEED 1872-1957

The Heart of the City Signed and dated 1942, also signed, titled and inscribed with the artist’s address verso Oil on canvas 89 x 102cm This painting depicts St. Paul’s Cathedral during the Blitz in the Second World War £2,500-3,500

306 ‡ HAROLD SPEED 1872-1957

Toledo Signed, titled and dated 1904 Oil on canvas 46 x 61cm £800-1,200

306 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


118

307 CONTINENTAL SCHOOL

310 ‡ MARY DOWNING

early 20th Century

A lady in white in an orchard

early 20th Century

Sketch of water meadows with lilies Pastel on brown paper 59 x 80cm

Signed Oil on canvas 25 x 30cm

£200-300

£100-150

308 ENGLISH SCHOOL

311 ‡ MARIA SZANTHO

early 20th Century

A lady with a tambourine

Hungarian 1897-1998

Three graces in a coastal landscape

307

Oil on canvas 30 x 38cm

Signed Oil on canvas 85 x 70cm

£50-100

£300-500

309 ‡ JACOB KRAMER 1892-1962

312 MICHAEL RYASNYANSKIY

Storm, Falmouth

Russian 1926-2003

Signed, also signed and titled verso Oil on canvas 35.5 x 46cm

Russian soldiers at Stalingrad, c.1955 Inscribed in pencil verso, possibly in another hand, also painted with a study and inscribed verso Purchased from the artist’s studio Kiev c.1991 Oil on canvasboard 38 x 19cm

£300-500

£100-200

308

310

309

311

312

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


119

313 ‡ LEONARD APPLEBEE

315 WALTER TAYLOR

1914-2000

Still life of Iris and spring flowers in a blue jug

Still life of lemons and oranges Signed with initials and dated 46 Oil on canvasboard 15 x 31cm £300-500

314 ‡ FREDA MARSTON 1895-1949

1860-1943

Signed Oil on board 45 x 38cm £100-150

316 ‡ FLORENCE ENGELBACH 1872-1951

Nursery Rhymes Tempera on panel 35.5 x 62.5cm

Delphinium and summer flowers in a glass vase

Provenance: W. F. Wilson, Uckfield

Signed Oil on canvas 56 x 46cm

317 ‡ MICHAEL D’AGUILAR

Provenance: Stacy Marks, London M58 part labels verso £200-300

313

£400-600

1924-2011

La Traviata Act II, Violetta et Papa Germont Signed with initials, also signed and titled verso Oil on canvasboard 20 x 25.5cm £150-250

314

316

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

315

317


120

318 ‡ EDWARD ARDIZZONE R.A. 1900-1979

Charity Ball at the Auberge des Pyramides, Cairo Signed with initials (faint) Pen, ink and watercolour 16 x 20cm Provenance: John Mitchell, London, 20th Century Drawings, 1985 Published in The Field, 6th July 1985, p.79 £400-600

318

319 ALICE WILSON 19th/20th Century

La Fontaine Carpeaux, Paris Signed Pen, ink and watercolour 27 x 32.5cm £120-180

320 BLOOMSBURY GROUP c.1945

Amaryllis; Girl Reading; Window in Toledo; Partridge and Grouse; Fruit and Flowers; Brittany Peasant; Country Lane 319

320

7 lithographs from a set of 8, numbered 62 from a limited edition of 250, published by Miller’s, Lewis, 1945, unframed without original folder 45 x 35.5cm (7) £600-800

321 LEONARD BASKIN American 1922-2000

Portrait of an artist, possibly Donatello Signed and dated 1964 Pen, ink and watercolour 101 x 68cm £200-300

322 LEONARD BASKIN American 1922-2000

Portrait of an artist in a hat, possibly Hercules Segher Signed and dated 1962 Pen, ink and grisaille watercolour 102 x 69cm £200-300

321

322 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


121

323 CHRISTOPHER WOOD 1901-1930

Nude study Blue and red chalks on buff paper 42.5 x 26.5cm Provenance: From a deceased estate £1,500-2,500

323

324 CHRISTOPHER WOOD 1901-1930

Fruit pickers at work Pen and ink on buff paper 18 x 22cm Provenance: From a deceased estate £700-1,000

324 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


122

325 ‡ LAURENCE STEPHEN LOWRY R.A. 1887-1976

Figure study Signed and dated 1949 Oil on canvas 22.5 x 15cm For an image of this lot in the frame, see back cover Provenance: Alex Reid & Lefevre Gallery, London, 1953, where purchased by the present owner £30,000-50,000

L.S. Lowry was already drawing at the age of 8. After leaving school at 16 Lowry worked full time for a firm of accountants until his retirement aged 65. Partly as a result of his full time employment he remained a solitary figure in the art world and developed a unique approach to painting, creating a style and intensity of observation that never waned throughout his career. After he moved to Pendlebury in Lancashire with his parents in 1909, Lowry initially stopped painting his surroundings, but in 1916 he was waiting for a train and became captivated with workers leaving the factories and mills in the area and it suddenly dawned on him that he was surrounded by inspiration for his work. This event set the mould for his painting for the next 30 years and his views of Manchester and the surrounding industrial areas have become icons of Modern British Art and are now appreciated on a global level. Lowry’s use of just four colours and white, applied directly from the tube gives his work an abrupt feel which suited the subjects he chose, but the complexity of the application of the paint, often building up the layers methodically to create depth was a technique he formulated on his own. The present painting, from 1949, was painted at a time when Lowry was beginning to tire of industrial scenes populated with his trademark small figures. Many of the mills had been modernised and for the painter this reduced the appeal. However he moved on to observing the people of the area and was especially preoccupied with those that had clearly lived in the area for all their lives. He depicted young and old, and painted them exactly as they were, with no idealisation. Lowry remained a remote figure in the art world even in his last years despite the acclaim he received in his lifetime. He turned down a knighthood as well as other accolades, but perhaps his stoic refusal to be swayed by the outside world is what kept his work so genuine and distinctive.

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


123

325

Lots marked ‥ may be subject to an additional fee - please see ARR information on page 191


124

326 ‡ LAURENCE STEPHEN LOWRY R.A. 1887-1976

Man lying on a wall Signed and numbered 19/500 Limited edition reproduction 40 x 50cm £2,500-3,000

326

327

328

327 LAURENCE STEPHEN LOWRY R.A.

328 ‡ LAURENCE STEPHEN LOWRY R.A.

1887-1976

1887-1976

His Family

Market scene, Northern town

Signed and stamped with Fine Art Trade Guild blindstamp Lithograph 52 x 70cm

Signed Limited edition print 46 x 60cm

£1,000-1,500

£1,500-2,000 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


125

329

330

331

329 ‡ JULIAN TREVELYAN R.A.

330 ‡ JULIAN TREVELYAN R.A.

331 ‡ JULIAN TREVELYAN R.A.

1910-1988

1910-1988

1910-1988

Abstract in blue

Carpathian Church

Marlborough College

Signed and dated 65 Oil on board 22 x 49cm

Signed, titled and numbered 18/50 Aquatint 38 x 49.5cm (plate size)

Signed, titled and numbered 71/75 Etching with aquatint 47.5 x 35cm (plate size)

£2,500-4,000

£500-800

£200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


126

332 ‡ REX SAVIDGE 20th Century

The Browning’s Church, Hydra Signed, titled and dated 23 October 1990 Watercolour over pencil 32 x 41cm £80-120

333 ‡ JOHN NEALE 20th Century

Santa Maria della Salute, Venice

332

333

Signed Oil on board 51 x 38cm Provenance: Ruskin Gallery, Stratford-On-Avon 1975 £150-250

334 ‡ SIMON HARLING b.1950

Garden at Polesden Lacey Signed and dated 78 Oil on canvas 30.5 x 45.5cm Provenance: Portal Gallery, London £400-600

335 ‡ HERMINE EMILIE WAGNER French 20th Century

Rue Lafitte, 1956 Signed Oil on canvas 55 x 46cm Provenance: G. M. Lotinga Ltd., London

334

£150-250

336 COLIN CAMBELL COOPER 1856-1937

Chartres Signed, titled and dated Octr. 5th 1900 Watercolour 23 x 31cm Provenance: From the Estate of Colin Campbell Cooper Collection Helene Seeley, Cooper’s neice Sherrill Helene Seeley Henderson, Cooper’s grandniece £100-150

335

336 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


127

337 ‡ JOAN MIRO Spanish 1893-1983

Nous avons No. 3 Signed and numbered IX/XV Etching with aquatint 13 x 18cm (plate size) £700-1,000

338 ‡ JOAN MIRO Spanish 1893-1983

Joan Miro and Catalonia Signed in the print Lithograph 40 x 58cm £200-300

337

339 ‡ LAURENCE STEPHEN LOWRY R.A. 1887-1976

His Family Signed and stamped with Fine Art Trade Guild blindstamp and stamped number 341 Lithograph, published by Adam Collection Ltd., Ref. No. ASP9L 72, mounted, unframed 52 x 70cm £800-1,200

340 ‡ MARC CHAGALL Russian/French 1887-1985

Adam et Eve chassés du Paradis terrestre Lithograph, mounted, unframed 36 x 26cm Provenance: From a deceased estate

338

£400-600

339 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

340


128

341 ‡ JOHN YARDLEY b.1933

Still life of daffodils Signed Oil on canvas 46 x 38cm £600-1,000

342 THOMAS TODD BLAYLOCK 1876-1929

The Evening Hour Signed and titled Woodcut on grey silk 18.5 x 23cm £100-200

343 THOMAS TODD BLAYLOCK 1876-1929

Tulips Signed Linocut 27 x 18cm £100-200

344 THOMAS TODD BLAYLOCK 1876-1929

Low tide, Poole harbour Signed Woodcut 28.5 x 21cm £100-200

341

342

343

344 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


129

347

348

345

345 ‡ SIR KYFFIN WILLIAMS R.A.

347 ‡ PRINSEP

Welsh 1918-2006

Still life of dried flowers, bottles and jugs

View through a churchyard Signed with initials Pen, ink and wash 34 x 24cm Painted c.1970

mid 20th Century

Signed and dated ‘49 Watercolour 37 x 53.5cm £200-400

£800-1,200

346 ‡ SIR KYFFIN WILLIAMS R.A. Welsh 1918-2006

Landscape with telegraph poles Signed with initials Pen, ink and wash 23.5 x 34cm Painted c.1970

346 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

£1,000-1,500

348 STOW WENGENROTH American 1906-1978

Houses in new England Signed Lithograph from an edition of 85 21 x 39cm £200-300


130

349 ARCHIBALD KNOX 1864-1933

A tree at Santon, Isle of Man Signed, titled and inscribed A present to Lionel on a label verso Watercolour 41 x 55cm Provenance: Bregazzi & Co., Douglas, Isle of Man £2,500-3,500

349

350 ARCHIBALD KNOX 1864-1933

A peaceful landscape, Isle of Man Watercolour 43 x 56cm Provenance: Bought from the Isle of Man Museum, Douglas Knox Collection sale 1958 £1,500-2,500

350 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


131

351 ‡ SIR WILLIAM RUSSELL FLINT P.R.A. 1880-1969

Beach scene at low tide Signed, inscribed indistinctly Watercolour 25 x 33cm; 10 x 13in £4,000-6,000

351

352

353

352 ‡ JANE CORSELLIS

353 ‡ WALTER GOODIN

b.1940

1907-1992

Afternoon walk, St. Malo

Boats at North Landing, Flamborough

Signed Oil on board 20 x 25cm

Signed Oil on board 60 x 74cm

Provenance: Business Art Galleries, The new Academy Gallery, London

£400-600

£400-600 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


132

354

354 ‡ SOLOMON EPSTEIN

355 ‡ WILLIAM ROBERTS R.A.

Russian b.1925

1895-1980

Self portrait with the artist’s daughter and cat

The Rape of the Sabines

Signed and dated 81, also inscribed in cyrillic and dated verso Oil on canvas, unframed 169 x 176cm

Signed Pencil and watercolour, squared for transfer 50 x 34cm

Epstein was a St. Petersburg artist known for painting portraits and for his large canvases. £1,000-1,500

A study for the original oil sold at Bonhams, London, 18th November 2015, Lot 79. This study was originally in the collection of Ernest Cooper, who also owned the finished oil. He was a friend and loyal patron of Roberts and both pictures were sold in the same sale in 1972 at Sotheby’s. They were part of a series of large canvases painted around this time, many of which depicted Bible stories and Classical Mythology interpreted in a modern style which shows influence from artists such as Sir Stanley Spencer R.A. The Rape of the Sabine women was a Roman mythological tale where Romulus, in an effort to populate his new city of Rome set out to find wives for his men. Women were abducted from surrounding communities and the word ‘rape’ in this context technically relates more closely to the word ‘abduction’. Provenance: Ernest Cooper Esq Sotheby’s, London, 22nd November 1972, Lot 90A Christie’s London 5th March 1999 lot 62, purchased by the present owner Exhibited: Southampton Art Gallery Worthing Art Gallery Paintings and drawings by William Roberts, 1972 no. 55 The Arts council of Great Britain William Roberts catalogue no. 198 £25,000-35,000 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


133

355 Lots marked ‥ may be subject to an additional fee - please see ARR information on page 191


134

356 ‡ RONALD OSSORY DUNLOP R.A.

359 ‡ BRENDA NAYLOR

1894-1973

Dance studies of Darcey Bussell

View of a town on a river Signed Oil on board 17 x 31cm £400-600

1926-2016

Two, both signed One pastel, one pastel and wash on buff paper 36 x 23.5cm and similar (2) £200-400

357 RONALD OSSORY DUNLOP R.A. 1894-1973

356

Middle Eastern courtyard with figures in the shade Signed Oil on board 46 x 56cm £500-700

360 ‡ JACQUELINE WILLIAMS b.1962

Late afternoon in the studio Oil on board 102 x 91cm £500-700

358 ‡ CHARLOTTE HALLIDAY b.1935

Winter street scene Signed and dated 1987 Pencil and watercolour on blue paper 30 x 25.5cm £100-150

357

358

359

360 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


135

361 ‡ KEN HOWARD R.A. b.1932

St. Paul’s Cathedral Signed Oil on canvas 61 x 51cm £1,500-2,500

362 KEN HOWARD R.A. b.1932

Troops in Belize Signed and dated ‘78 Watercolour 35 x 52cm This scene depicts a patrol of ‘Woofers’ in 1978 against a background of Xunantunich, a Mayan temple with a 230 Sqn Puma helicopter £400-600

363 ‡ KEN HOWARD R.A. b.1932

Mousehole, study of a girl reading Signed Watercolour 32.5 x 18.5cm Provenance: Bought directly from the artist £300-400

361

362 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

363


136

364 ‡ PAUL LUCIEN MAZE

365 ‡ SIR CECIL BEATON C.B.E.

French 1887-1976

1904-1980

La casaque jaune, racing scene

Proposal for a Theatre set design

Signed Pastel on buff paper 36 x 26cm

Signed Gouache on card 29 x 38cm

£500-800

£300-500

364

365

366

367

366 ‡ KAY GALLWEY

367 ‡ ERNEST KNIGHT

b.1936

1915-1995

Boats on the shore

Concarneau market, Brittany, France, 1969

A pair, both signed Both oil on canvas Each 30 x 36cm (2)

Signed Oil on canvasboard 35 x 45cm

£200-400

£200-400 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


137

368 ‡ LIONEL DALHOUSIE ROBERTSON EDWARDS R.I. 1878-1966

Colonel Colman out hunting on his grey Signed Watercolour with bodycolour on grey/blue paper 38 x 52cm With a copy of the book The Wiles of the Fox written and illustrated by Edwards 2 £1,500-2,500

369 THOMAS IVESTER LLOYD 1873-1942

Through the gate Signed Watercolour with bodycolour on buff paper 33 x 28cm £200-300

368

370 ‡ LIONEL DALHOUSIE ROBERTSON EDWARDS R.I.

371 ‡ PETER BIEGEL

1878-1966

A long way in front of them! The Kilkenny, Bodleyglass

Crawley & Horsham, studies of hounds and huntsmen Inscribed and dated 1961 Pencil and watercolour heightened with white 24.5 x 34cm Provenance: David Ker Fine Art, London, J068

1913-1987

Signed, titled and dated ‘56 Watercolour over pencil 24 x 36cm Provenance: Guy Morrison, London, GML/129 £400-600

£500-700

369

370

371

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


138

372 ‡ ROWLAND SUDDABY 1912-1972

Winter landscape Signed Oil on canvas 30 x 40cm £700-1,000

373 ‡ DOMINIQUE MAYET French b.1925

Mountain landscape in winter Signed Oil on canvas 90 x 117cm Provenance: Galerie Charpentier, Paris £600-800

372

374 ‡ GEORGE BISSILL 1896-1973

Snow scene, Somerset Signed, also signed and inscribed Near Bath, Somerset on a backing panel verso Oil on canvas laid on board 38 x 43cm £300-500

375 ‡ NORMAN ADAMS 1927-2005

Very rough sea on the rocks, Scarp Signed with initials and dated 77 twice and titled Watercolour with pencil 25.5 x 29cm Provenance: Mary Birckett £150-250

373

374

375 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


139

376 ‡ ETHELBERT WHITE R.W.S. 1891-1972

Continental landscape with a castle beyond Signed Oil on canvas 46 x 54cm £1,000-1,500

377 ‡ ETHELBERT WHITE R.W.S. 1891-1972

Figures in a wood Signed Oil on canvas 56 x 46cm £250-350

378 VICTOR FRANÇOIS TARDIEU French 1870-1937

An autumn town scene Signed Oil on canvas, unframed 33 x 46cm £500-800

376

377

378

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


140

379

380

379 ‡ DERRICK L. SAYER

381 ‡ PETER L. FOLKES

383 ‡ THEODORE HANCOCK

1917-1992

b.1923

1923-1989

Figures in an Abstract landscape

Susanna and the Elders

Coastal scene

Signed, titled and dated 1973 on a label verso Mixed media 53.5 x 36cm

Signed and dated 1952 Watercolour 28 x 38cm

Signed, inscribed and dated 31 May 1991 Pen, ink and watercolour 20 x 29cm

£250-350

£200-300

£120-180

382 ‡ JOHN MELVILLE

380 ‡ ALAN STENHOUSE GOURLEY

1902-1986

Yellow hills

1909-1991

Signed Mixed media on linen 63 x 76cm

A market scene Signed Oil on canvas 64 x 76cm

£200-300

£200-300

381

382

383 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


141

384 ‡ FRED UHLMAN 1901-1985

Boats on the sea at sunset Signed twice Oil on canvasboard 30 x 40cm £1,000-1,500

385 ‡ FRED UHLMAN 1901-1985

Chateau La Tourette, Pauillac, Bordeaux Signed and dated 43 Oil on board 24 x 30.5cm Provenance: The Redfern Gallery, London, March 1945 £400-600

384

386 ‡ MATTHEWS 20th Century

The Ponte Vecchio and Florence Signed Oil and biro on canvasboard 41 x 62cm £150-250

387 ‡ JOHN HOUSTON 1930-2008

Sunrise in Galway Signed, inscribed verso Oil on board 50 x 59cm £400-600

385

386 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

387


142

388

389

388 ‡ DAME ELISABETH FRINK R.A.

390 ‡ DAME ELISABETH FRINK R.A.

1930-1993

1930-1993

The Great Bow, 1974

Anthony and Cleopatra, 1982

Signed, titled and numbered 13/30 Lithograph, [Wiseman 101] 57 x 38cm (sheet size)

Signed and numbered 29/179 Aquatint, edition by Royal Shakespeare Company, [Wiseman 128] 75 x 57cm

£150-250

£200-300

389 ‡ DAME ELISABETH FRINK R.A. 1930-1993

391 ‡ DAME ELISABETH FRINK R.A.

Osprey; Shearwater

1930-1993

Two, both signed and numbered 53/150 Both lithographs, published Christie’s, [Wiseman 90 and 91] Each 64 x 46cm (2) £800-1,200

Wild cat from ‘Eight Animal’ series, 1970 Signed and numbered 22/70 Colour lithograph, published by Leslie Waddington Prints Ltd., [Wiseman 34] 52 x 65.5cm (sheet size) £300-400

390

392 ‡ DAME ELISABETH FRINK R.A. 1930-1993

Horse and Rider I; Horse and Rider 1970/1 Two both signed and inscribed A/P, [Wiseman 43 and 49] Both lithographs, on T.H Saunders paper, unframed [damaged] Both 58.5 x 77.5cm (2) £200-300

391

392 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


143

393 ‡ SIMON PALMER b.1956

Waiting for the Romantic Novelist Signed and titled Pen and ink with watercolour with bodycolour 67.5 x 42cm £3,000-5,000

394 ‡ PAUL DAWSON 20th Century

Trompe L’oeil of books; Sunlit interior Two, both signed Both watercolour 32 x 44.5cm and 44.5 x 32cm (2) £200-300

395 ‡ FELIX KELLY 1914-1994

Nelson’s Column, St. Paul’s and Big Ben, Capriccio Watercolour with bodycolour 16.5 x 10.75cm Provenance: Partridge Fine Arts Ltd., London, No. 49 £300-500

393

394 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

395


144

396 ‡ DIANA ARMFIELD R.A., R.W.S.

397 ‡ LOUIS LE BRETON

b.1920

Korcula, Croatia

Santa Maria Formosa, Venice, Italy

Signed Oil on board 33 x 40cm

Signed with initials Pastel on buff paper 27 x 20cm Exhibited: Royal Academy of Arts, London, Summer Exhibition, 2004, No. 5

French 1909-1957

Provenance: The Brook Street Gallery, London The Sheen Gallery, London, August 2008 £300-500

Provenance: Christie’s, 11th March 2008, Lot 415

398 ‡ BERNARD FINEGAN GRIBBLE

£300-500

1873-1962

Galleons off the coast, possibly a British ship with captured Spanish vessel Signed Oil on canvas 54 x 71cm £200-300

396

397

398

399 ‡ DAVID HOWELL b.1939

400 ‡ CHARLES R. MANNERS

Winter in Venice

20th Century

Signed Watercolour 20 x 20cm

Botelle woods

Provenance: The Wykeham Gallery, Stockbridge, 2009, No. 10688

Signed Watercolour 46 x 65cm £80-120

£200-300

399

400

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


145

401 ‡ MARCEL DYF French 1899-1985

Fleur et mandoline Signed Oil on canvas 46 x 55cm Provenance: Catalogue raisonné No. ID1327 £3,000-5,000

401

402

403

402 ‡ CECIL D’OYLY-JOHN

403 ‡ CECIL D’OYLY-JOHN

1906-1993

1906-1993

A sunny Continental town

Cannes

Signed Oil on canvas 43 x 58.5cm

Signed, also titled verso Oil on canvas 43 x 59cm

£300-500

£500-700

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


146

404 ‡ GEORGES ROBIN French 1903-2003

Dans La Baie de Lermot (Près St. Brieuc) Signed Oil on canvas 46 x 55.5cm Provenance: Medaille d’Or Hors-Concours du Salon des Artistes Français premier prix de paysagistes 1948. Societaire et Membre du Jury du Salon d’Hiver. Médaille d’Or de L’Exposition Internationale 1937. £1,500-2,500

405 ENGLISH SCHOOL 20/21st Century

Autumn landscape Oil on canvas 76 x 102cm £300-500

406 ‡ FRANCIS HOYLAND b.1930

A girl sleeping, seated on a verandah; A seated artist

404

Two both signed with initials Both oil on board 22 x 28cm and 20 x 30cm (2) £150-250

407 ‡ MARY POTTER 1900-1981

Moor House, Friston; Thorpeness [?], Winter light Two, both watercolour 10 x 13.5cm and 10 x 10cm (2)

405

406

Provenance: Thompson’s, Aldeburgh, 10 July 2007, No. 15871/TGA11081 and 2 June, 2006, No. 9918/36 £120-180

408 ‡ CHARLES WILLIAM CAIN 1893-1962

Moonlight on the Tigris Signed Oil on canvas laid on board 33 x 40.5cm £150-200

407

408 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


147

409 ‡ DAVID JAGGER 1891-1958

Still life of roses and gerbers in a bowl Signed Oil on canvas 46 x 46cm Provenance: British Empire Society of Arts part exhibition label verso £600-800

410 ‡ EDWARD WESSON R.I., R.B.A. 1910-1983

The Chichester Canal at Birdham Signed Oil on board 30.5 x 42.5cm £400-600

411 ‡ EDWARD WESSON R.I., R.B.A. 1910-1983

Hastings East Beach

409

Signed Oil on board 25 x 35cm Provenance: Guildhall Art Gallery, London £300-500

412 ‡ EDWARD WESSON R.I., R.B.A. 1910-1983

Still life of roses in a glass bowl Signed Watercolour over pencil 13.25 x 46cm £200-300

410

411 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

412


148

413 ‡ DERRICK GORDON JOHNSON 1934-1967

Guernsey views Seven, all signed and dated ‘64 and ‘65 All oil on board, unframed One 50 x 60cm and six 40 x 51cm (7) £200-300

414 ‡ GEORGE DEVLIN R.S.W. Scottish b.1937

Afternoon at Castanet Signed Pastel 20 x 21.5cm

413

Provenance: Portland Gallery, London, No. 22, October 1991 £150-250

415 ‡ JACK MILLER 20th Century

Sailing boats and dinghies on the shore A pair, both signed and dated 1944 Both pen, ink and watercolour, unframed 57 x 75cm (2) £150-250

416 MODERN BRITISH SCHOOL early 20th Century

Still life of apples and a ginger jar Pastel on buff paper 34 x 46.5cm £150-200

414

415

416 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


149

417 ‡ GEORGE HAMMOND STEEL 1900-1960

Mother and child, 1950

420 ‡ PAT COOKE 1935-2000

The Club performer Watercolour 12.5 x 15cm

Signed Oil on board 15 x 20cm

Provenance: Peterloo Gallery, Manchester T. H. Lessar

£400-600

£300-500

418 ‡ PETER BROWN

421 ‡ LUCIEN POTRONAT

1921-2005

Goring Lock Signed and dated ‘00, also signed, titled and dated verso Oil on board 30.5 x 40.5cm Provenance: W. H. Patterson, London

French 1889-1974

Country villas in Provence, France A pair, both signed Both oil on canvas Each 46 x 54cm (2) £300-500

417

£200-300

419 ‡ ALEXANDER HOSSACK b.1954

Trees by a stream Signed Oil on canvasboard 37 x 49cm £120-180

418

420 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

419

421


150

422

422 SEIF WANLY

423 SEIF WANLY

Egyptian 1906-1979

Egyptian 1906-1979

Rabah

The Cossak Dancers

Signed Oil on board 48 x 56cm

Signed and dated 57 Oil on board 33 x 47cm

Provenance: A gift from the artist to his nephew, the present owner

Provenance: A gift from the artist to his nephew, the present owner

£3,000-5,000

£1,000-1,500

423 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


151

424 SEIF WANLY

426 ADHAM WANLY

Egyptian 1906-1979

Egyptian 1908-1959

Nude studies

Small scenes of an archer and several of dancers and ballet dancing

A set of four, all signed All gouache on paper Each 28 x 28cm (4) Provenance: A gift from the artist to his nephew, the present owner

7, all signed All gouache Each 4 x 7cm and similar (5 in one frame, 2 separate)

£1,500-2,500

Provenance: A gift from the artist to his nephew, the present owner

425 SEIF WANLY

£400-600

Egyptian 1906-1979

12 studies for larger paintings All signed All Gouache Each 8 x 8cm, in three frames (3) Provenance: A gift from the artist to his nephew, the present owner £1,000-1,500

424

425

426 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


152

428

427 ‡ BERNARD MENINSKY

428 ‡ ARTHUR HILTON

1891-1950

Abstract composition

Portrait of the artist’s son in a bathtub

Signed, inscribed and dated indistinctly in pencil Oil on canvasboard 35.5 x 40.5cm

Signed Oil on canvas 76 x 51cm Provenance: Given to the vendor’s grandfather by Sir Michael Sadler, Leeds University

1897-1960

With a Crane Kalman Gallery Arthur Hilton catalogue, 14th September3rd October 1959 (not obviously connected)

429 ‡ HENRY ELLIOTT BLAKE 1902-1983

Research Chemist Signed and dated ‘46, also signed, titled and dated verso Oil on canvas 53 x 61cm £200-300

£100-200

£1,000-1,500

427

430 ‡ DAVID SHAW 1952-1988

Ned’s Shed Signed Oil on canvas 96 x 96cm £150-200

429

430

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


153

431

432

433

434

435

431 ‡ TOM COATES R.W.S.

432 R. G.

b.1941

20th Century

Sunlight on rooftop of Palace Hotel

Surreal painting of a girl and frame with doves, a heart, goldfish and a horse

Signed with initials Oil on board 43 x 22cm Provenance: W. H. Patterson, London, No. 59

Signed with initials Watercolour with bodycolour and some collage 48 x 34cm

£200-400

£100-200

433 CONTINENTAL SCHOOL

434 ‡ LAWRENCE JAMES ISHERWOOD

435 ‡ HERBERT DAVIS RICHTER

early 20th Century

1917-1988

1874-1955

A dancer or lady in a full dress

Red sun and figures in the rain

Figures in a sunny street scene

Pastel on linen 59 x 50cm

Signed Oil on board 35 x 40cm

Signed Oil on canvasboard 35 x 40cm

£200-300

£500-800

£80-120

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


154

436 ‡ WALTER JOHN BEAUVAIS

438 ‡ WALTER JOHN BEAUVAIS

440 ‡ WALTER JOHN BEAUVAIS

1942-1998

1942-1998

1942-1998

Tea in the park

A stroll in the park

The Town Square

Signed Oil on canvas 30.5 x 25.5cm

Signed Oil on board 20 x 25.5cm

Signed Oil on board 20 x 25.5cm

£300-500

£200-300

£200-300

437 ‡ WALTER JOHN BEAUVAIS

439 ‡ WALTER JOHN BEAUVAIS

b.1942

1942-1998

Figures on a sunlit beach

Deauville races

Signed Oil on canvas 51 x 61cm

Signed with initials Oil on panel 20 x 25.5cm

£400-600

£250-350

436

437

438

439

440 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


155

441 ‡ CHARLES NEAL

444 ‡ MAURICE SHEPPARD

b.1951

b.1947

View to bothy, bluebell woods

A mystery of rain day trees, Manor of Rusthall

Signed Oil on canvas 76 x 92cm

Signed, also signed and titled on the frame verso Oil on canvasboard 33 x 40.5cm

Provenance: Inscribed verso Cerney House and Ashey House Gallery on labels verso £1,000-1,500

442 ‡ ELIZABETH OLDS 1897-1991

View across moors and farmland Signed with a monogram and dated 1917 Oil on canvas 40.5 x 50.5cm

£150-250

445 ‡ GRENVILLE COTTINGHAM 1943-2007

On the beach, Bembridge, Isle of Wight Signed Oil on canvasboard 23 x 36cm Provenance: The Sheen Gallery, London, March 2006 £200-300

£150-200

441

443 ‡ JEAN D’HONDT 20th Century

Les Bateaux sur la Rivière Signed Oil on canvas 46 x 55cm Provenance: Galerie Spilliaert, Lille 1985 Woolley & Wallis, 7th December 2011, Lot 408 £300-500

442

444

443

445

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


156

446 ROLAND WAKELIN

448 ‡ JOHN LIVESEY

Australian 1887-1971

1926-1990

View over the log pile

Rhododendrons and Iris

Signed Oil on panel 47 x 60cm

Signed and dated 55, also signed and titled on a label verso Oil on canvasboard 53 x 44cm

£700-1,000

£200-300

446

447 ‡ COLIN CAIRNS CLINTON CAMPBELL

449 ‡ MCANALLY

1894-1970

20th Century

Still life of flowers in a jug and leaves in a mug

Still life of fruit and vessels by a window with a view of a harbour

Signed Oil on panel 46 x 38cm

Signed Oil on board 46 x 61cm

£200-300

£150-200

450 ‡ HANS WALTER SCHELLER Swiss 1896-1964

Still life of lilies in a blue vase Signed Oil on canvas 51 x 51cm Provenance: Artist’s label verso, titled Weisse Blumen £150-200

447

449

448

450 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


157

451 ‡ ROBERT KELSEY Early snows Loch Arklet

1909-1991

455 ‡ DEREK GEORGE MONTAGUE GARDNER

A view of Windsor

1914-2007

Signed Oil on canvas 92 x 92cm

Signed Oil on board 62 x 76cm

Gribbin Head, South Cornwall

Provenance: Thompson Gallery, London

£200-300

b.1949

£600-800

452 ‡ IAN STRANG 1886-1952

Port Ellen, Islay, Scotland Signed and dated 1921 Oil on canvasboard 25 x 35cm

453 ALAN STENHOUSE GOURLEY

454 EDMUND GEORGE FULLER

Signed and dated 1952, also signed and titled on a label verso Oil on canvas 31 x 41cm £200-300

1858-1944

Sunlight on the shore Signed Oil on canvas 33 x 43cm; 13 x 17in £200-300

£200-400

451

452

454

453

455

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


158

456 ‡ BILL COOPER

458 ‡ KEITH GRANT

20th Century

457 ‡ JOSSELIN BODLEY

Monmartre

1893-1975

Signed Oil on canvas 40.5 x 61cm This artist taught at Sherborne School, Dorset

The Port, St. Tropez, France

Gull in the North

£100-200

Signed, also titled on stretcher verso Oil on canvas 51 x 61cm Provenance: From a deceased estate

b.1930

Mixed media 73.5 x 54cm Provenance: Ministry of Works No. 6056 New Art Centre, London £300-500

£300-500

456

459 ‡ HUGH BOYCOTTBROWN 1909-1990

September afternoon, Strand on the Green Signed Oil on board 23 x 33cm Provenance: The Wapping Group of Artists £200-300

457

458

460 ‡ SEAN O’CONNOR Irish 1909-1992

Storm Clouds over Dunloe Mountains, Killarney, Ireland Signed, also signed, titled and dated 1968 Oil on board 41 x 51cm £300-500

459

460

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


159

461

462

463

461 ‡ JOHN HITCHENS

462 ‡ GEOFFREY ROBINSON

463 ‡ GEOFFREY ROBINSON

b.1940

b.1945

b.1945

Wood Light

Angela’s red shoes

Signed, also signed and titled verso and inscribed and dated 1981 on the stretcher verso Oil on canvas 46 x 91cm

Signed Oil on board 30.5 x 40.5cm

Still life with a blue teapot in a blue landscape

£400-600

Provenance: Purchased by current owner directly from the artist £1,500-2,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

Signed Oil on canvas 40 x 50.5cm £400-600


160

464

464 ‡ JOHN KINGSLEY

465 ‡ DAWN SIDOLI N.E.A.C.

466 ‡ RAY EVANS R.I.

Scottish b.1956

b.1933

b.1920

Plaza de los Aljibes

Still life of fruit in a bowl with a blue jug

Avebury; In the Breacon Beacons

Signed Oil on canvas 86 x 91cm

Signed and dated ‘01 Oil on board 38 x 44cm

Two, both signed Both mixed media 31 x 41cm and 30 x 37cm

Provenance: Eton Contemporary Fine Art, Eton

£300-500

£150-250

£1,200-1,500

465

466

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


161

467 ‡ CHARLES WILLIAMS N.E.A.C. b.1965

Young woman Signed with initials Oil on canvas 30.5 x 25.5cm With a copy of Charles Williams Paintings 1995-2004, Exhibition catalogue Bakerfield Museum of Art, California, 2004/5 £500-800

467

468

469

470

470A

468 ‡ CHARLES WILLIAMS N.E.A.C.

469 ‡ BO HILTON

470 ‡ BO HILTON

470A ‡ BRIAN McCARTHY

b.1965

b.1961

b.1961

Irish b.1960

Looking out to sea

Seated nude with pot plants

Seated nude before a window

Pole Dancer

Signed with initials Oil on canvas 25.5 x 20.5cm

Signed Oil on canvas 30 x 25cm

With a copy of Charles Williams Paintings 1995-2004, Exhibition catalogue Bakerfield Museum of Art, California, 2004/5

£200-300

Signed, also signed and dated 25.1.01 Oil on canvas 30 x 25cm

Signed, also signed titled and dated 4/2009 verso Acrylic on canvas, unframed 180 x 100cm

£200-300

£300-500

£300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


162

471

473

472

474

471 ‡ PETER HOWSON O.B.E.

473 ‡ PETER HOWSON O.B.E.

Scottish b.1958

Scottish b.1958

The Fighter

Contender

Signed Charcoal and coloured chalks on grey paper 39 x 29cm

Signed and dated 2009 Pen, ink and wash with red chalk 25.5 x 18.5cm

Provenance: Eton Contemporary Fine Art, Eton

Provenance: Eton Contemporary Fine Art, Eton

£600-800

£500-700

472 ‡ PETER HOWSON O.B.E.

474 ‡ PETER HOWSON O.B.E.

Scottish b.1958

Scottish b.1958

Rise

Hope

Signed and dated 2012 Pencil heightened with white on cream paper 39.5 x 29cm

Signed and dated ‘07 Pen, ink and wash 19.5 x 12.5cm

Provenance: Eton Contemporary Fine Art, Eton

Provenance: Eton Contemporary Fine Art, Eton £400-600

£600-800

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


163

475

475 ‡ BEN JOHNSON

476 ‡ BEN JOHNSON

477 ‡ BEN JOHNSON

b.1946

b.1946

b.1946

Goodman’s Yard

Paris café

Powerhouse Ceiling

Acrylic on canvas 58 x 86cm

Signed and dated 68 Oil on canvas 22 x 16cm

Signed, titled, dated 1981 and numbered XI/XII AP Reproduction artist’s proof, unframed 64 x 97cm

This has been seen by the artist who confirmed to the vendor that it was painted when he was a student in Paris

£200-300

£1,500-2,500

£300-500

476

477

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


164

478 ‡ WILLIAM GEAR R.A. 1915-1997

Untitled 1958 Signed and dated ‘58 Mixed media 49 x 59cm £700-1,000

478

479 ‡ WILLIAM GEAR R.A. 1915-1997

Untitled 1976 Signed and dated ‘76 Mixed media 47 x 68cm £500-700

479 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


165

480

480 ‡ MARY FEDDEN R.A. 1915-2012

Bowl of fruit Signed and dated 09 Oil on canvas 61 x 51cm £6,000-8,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


166

481 ‡ JOHN BRATBY R.A. 1928-1992

Sunflower Signed Oil on canvas 91 x 61cm Provenance: Purchased directly from the artist by the vendor’s father £2,000-3,000

481

482 ‡ JOHN BRATBY R.A. 1928-1992

Self portrait with a Three Nuns tin Signed and dated 1975, also signed and inscribed This will mean you have four nuns/Thanks for the perfume & everything Jack verso Oil on canvas 76 x 60.5cm Provenance: Purchased directly from the artist by the vendor’s father £1,500-2,500

482 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


167

483 ‡ JOHN BRATBY R.A. 1928-1992

Guy the Gorilla Signed twice, and dated Summer 1976 Oil on canvas 76 x 50.5cm Provenance: Purchased directly from the artist by the vendor’s father £1,500-2,500

483

484 ‡ JOHN BRATBY R.A. 1928-1992

Gritti Palace, Venice from the terrace, with a still life and a fur coat Signed Oil on canvas, unframed 122 x 91.5cm Provenance: Purchased directly from the artist by the vendor’s father

484 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

£1,500-2,500


168

485 ‡ FRED YATES 1922-2008

The Dreamer Signed verso Oil on canvas 100 x 100cm Provenance: Bought directly from the artist £2,000-3,000

485

486 ‡ FRED YATES 1922-2008

Martha’s Sunday Best Signed Oil on canvas 50 x 50cm Provenance: Bought directly from the artist £800-1,200

486 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


169

487 ‡ FRED YATES 1922-2008

England versus Ireland Signed, also inscribed verso A surprise painting! Oil on canvas 33 x 46cm Provenance: Bought directly from the artist £400-600

487

488 ‡ SIMEON STAFFORD b.1956

St. Michael’s Mount Signed Oil on canvas 81 x 81cm £800-1,200

488 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


170

489 ‡ GRAEME WILCOX Scottish b.1967

Commuter Signed and titled verso Oil on board 13 x 13cm £250-350

490 ‡ BRYAN ORGAN b.1935

Study of a stag, squared for transfer

489

490

Signed and dated 1973 Pencil on board unframed 113 x 81cm £100-150

491 ‡ DAVID TINDLE R.A. b.1932

Shop window, Oxford Street Signed and dated 61, also signed and titled on a label verso Watercolour with bodycolour on linen 35 x 40.5cm £300-400

491

492

492 ‡ ANTHONY WHISHAW b.1930

Woman with pink shoes Signed with initials and numbered 93/94, also inscribed unique variant Etching with watercolour 18 x 31cm Provenance: Artist’s studio label verso £150-250

493 SIDNEY NOLAN Australian 1917-1992

Descent 1966; Lighthouse 1966; Still Life 1966 Three, all signed All screenprints on paper 56.5 x 46cm (3)

493

Provenance: Tate Reference No P04659; P04661; P04662 Gifted to Eric and Greta Szabo in the late ‘60s who worked for the artist £500-800

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


171

494

495

494 ‡ JOE R. HARGAN

495 ‡ HELMUT MIDDENDORF

496 SCOTTISH SCHOOL

Scottish b.1952

German b.1953

20th Century

The Music Recital

Untitled, standing nude

Signed and dated 93 Oil on canvas 25.5 x 25.5cm

Signed and dated 82 Watercolour 40 x 29cm

Still life of a bottle and carafe with apples on a table

£500-700

Provenance: Harcourts Gallery, San Francisco, No. BTN 79X

Inscribed verso To Hermoine [sic] DG, Oct 1934 Oil on linen laid on board 40 x 50cm

£400-600

£200-300

496

497 ‡ ROBERT CHAILLOUX French 1913-2006

Honesty in a pewter mug Signed Oil on board 35 x 27cm £500-800

498 ‡ SALLIANN PUTNAM R.W.S., N.E.A.C. 20/21st Century

Still life in the red room Signed Oil on board 25 x 25cm £200-400

497

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

498


172

499 SIDNEY NOLAN Australian 1917-1992

Landscape with shotgun Signed and numbered 29/75 Limited edition reproduction 53 x 68cm With a signed limited edition lithograph by Daniel S. Lang (1931-2013) of Streetlight dated 1973 (2)

499

501

502

500

£200-400

500 ‡ LIBBY JANUARY

502 ‡ CRAIGIE AITCHISON R.A.

20/21st Century

Scottish 1926-2009

Fishy

Portrait of Simon de Wrongel

Signed with a monogram Pastel 34 x 40cm

Signed and numbered 2/200 Reproduction 46 x 36cm

£100-150

£200-300

501 ‡ MAURICE COCKRILL R.A.

503 ‡ MIMMO PALADINO

1936-2013

Italian b.1948

2 Little oak tree

Sogno Umido from the Ulysses Suite

Signed with initials, titled and dated 06 Ink on Japan paper 66 x 48cm

Signed, dated 1989 and numbered 59/65 Woodcut 97 x 135cm (sheet size)

Provenance: Thomson Roddick & Medcalf, Carlisle, 30th March 2010 From the Artist’s Studio

£150-250

£100-150

503 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


173

504

505

506

507

504 ‡ CAMILLE HILAIRE

505 ‡ STEVEN FINER

506 ‡ ANDREW BICK

507 ‡ MICHAEL CANNEY

French 1916-2004

b.1949

b.1963

1923-1999

Les fenêtres

Head of a woman, 1990

[say it] re-said; Again II

Capriccio 4

Signed, also signed and titled verso Oil on canvas 92 x 73cm

Acrylic on canvas 30.5 x 30.5cm

A pair, both signed, titled and dated 2004/5 and 2005/6 verso Both mixed media on panel, unframed 60 x 75cm and 74.5 x 64cm (2)

Signed, titled and dated ‘91 on backing board verso Pastel 15 x 14cm

£200-300

Provenance: Katherine House Gallery, Marlborough

£700-1,000

Provenance: Bernard Jacobson Gallery, London, BJ.15 £400-600

£300-500 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


174

508

509

508 ‡ ROBERT CLATWORTHY R.A.

509 ‡ ROBERT CLATWORTHY R.A.

510 ‡ ROBERT KENNY SMITH

511 ‡ ADRIAN JOHNSON

512 ‡ ADRIAN JOHNSON

b.1960

b.1960

1928-2015

1928-2015

Scottish 20/21st Century

Portraits

Portrait of a man

Seated figure

Standing figure

Cyclists

Signed with initials twice and dated 2002 Acrylic 28 x 19.5cm

Signed with initials and dated 2003 Acrylic on card 56 x 38cm

Signed, titled Prades and dated 2009 Oil on board 51 x 41cm

A pair, both oil on board Each 30 x 25cm (2)

Signed with initials Oil on canvas 60 x 60cm

£400-600

£500-700

£100-150

510

511

£200-300

£200-300

512

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


175

513

514

515

516

513 ‡ TINA SPRATT

514 ‡ TINA SPRATT

515 ‡ MARIUS JOGNARELLI

516 ‡ GERARD M. BURNS

b.1976

b.1976

19/20th Century

b.1961

Girl in a red dress with lilies

Girl in a red shawl sleeping

Diane

Icon No. 3

Signed with initials Oil on canvas 41 x 60cm

Signed with initials Pastel 64 x 44cm

Signed Oil on canvas 46 x 38cm

Signed Oil and gold leaf on canvas 51 x 51cm

£800-1,200

£600-800

£1,200-1,800

£400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


176

517

517 ‡ JOHN BOYD Irish b.1957

Dodo Variations IV Signed, also signed and titled on a label verso Oil on canvas, unframed 96.5 x 96.5cm Provenance: Cross Gallery, Dublin £1,500-2,500

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


177

518 ‡ JOHN BOYD Irish b.1957

Elephantus V Signed, also signed and titled on stretcher verso Oil on canvas, unframed 60 x 60cm Provenance: Cross Gallery, Dublin £800-1,200

518

519 ‡ JOHN BOYD Irish b.1957

Signum II Signed, also signed and titled on stretcher verso Oil on canvas, unframed 60 x 60cm Provenance: Cross Gallery, Dublin £800-1,200

519 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191


178

520

521

520 ‡ GEORGE ROWLETT

521 ‡ GEORGE ROWLETT

b.1941

b.1941

Winter sun through the trees, Russia Dock Woods, Rotherhithe; School party on the Thames Path, Rotherhithe, bright winter morning

Afterglow over Sheppey from Whitstable, June evening; June sun setting from Whitstable, lavender, red and yellow

A pair, both signed, titled and dated 1997 and 1998 verso Both oil on board Each 20.5 x 30.5cm (2)

A pair, both signed, titled and dated 2000 verso Both oil on board Each 20.5 x 30.5cm (2)

Provenance: Art Space Gallery, London The Discerning Eye, No. 3/63 & 3/64

Provenance: Art Space Gallery, London The Discerning Eye, No. 3/65 & 3/67

£1,000-1,500

£1,000-1,500

Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


179

522

523

524

522 ‡ GEORGE ROWLETT

523 ‡ KIT BARKER

524 ‡ DENIS BOWEN

b.1941

1916-1988

1921-2006

Work on the Rotherhithe tunnel, cold afternoon, passing cruiser; Blue, red, yellow cranes over Brunel’s tunnel

Skeney Scar, Farnes

Silver abstract landscape

Signed, titled and dated 65 verso Oil on canvas 60 x 91.5cm

Signed, dated 1962 and numbered 128 on a label verso Mixed media, unframed 44 x 70cm

A pair, both signed, titled and dated 1998 verso Both oil on board Each 20.5 x 30.5cm (2) Provenance: Art Space Gallery, London The Discerning Eye, No. 3/62 & 3/66

Provenance: The Waddington Galleries, London £500-800

£1,000-1,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

£50-100


180

525

526

527

528

525 ‡ MARJ BOND

527 ‡ VICTORIA CROWE

528 PAUL B. TRAVIS

b.1939

b.1945

1891-1975

Three figureheads

Venice, Night fragment

African Scene

Signed Oil on board with applied feathers 60 x 60cm

Signed Acrylic and collage with gold leaf and wax 12 x 16.5cm

Signed and dated 1956 Watercolour 34 x 50cm

£300-500

526 ‡ SUSAN BONE R.O.I., R.B.A. b.1953

529

Provenance: Thackeray Gallery, London, 30th May 2002 £300-500

£200-300

529 ‡ ROBERT OSCAR LENCIEWICZ 1941-2002

A man of knowledge

Portrait of a gentleman

Signed Oil on board 38 x 38cm

Studio stamped Red pen and pencil 27.5 x 15cm

£300-500

£120-180 Each lot is subject to a buyer’s premium of 26.4% inclusive of VAT at 20%


181

530

531

530 ‡ PETER BIBBY

531 ‡ ROBERT TAVENER

20th Century

1920-2004

Jon and Anke’s Garden

Harvesting near Glyndebourne, Sussex (No.1)

Signed, titled and dated ‘78 verso Tempera 24 x 31cm

Signed, titled and numbered 37/50 Linocut 48 x 65cm

£200-300

£200-300

532 ‡ JOHN BRUNSDON 1933-2014

Harbour Signed, titled and numbered 15/50 Etching 60 x 40cm With another, smaller of Tree Clearing by the same hand (2) £120-180

533 ‡ JOHN BRUNSDON 1933-2014

Coastal scene on the Lleyn Peninsula Signed, titled and numbered 109/350 Aquatint 60 x 45cm £100-150

532

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 191

533


182

INDEX OF ARTISTS A Adams, Norman Aitchison, Craigie Amoy, Maryam Anderson, Gary Applebee, Leonard Ardizzone, Edward Armfield, Diana Arnold, Graham Austin, Robert S Ayrton, Michael

375 502 50 40 313 318 396 280 26 198

B Bailey, Julian 14 Baker, Adrian 155 Banting, John 92 Barker, Kit 523 Barns-Graham, Wilhelmina 87, 88 Baskin, Leonard 321, 322 Bauknecht, Philipp 203 Bayes, Walter 126 Beaton, Sir Cecil 365 Beaumont, Frederick S 253, 272, 290 Beauvais, Walter J 436, 437, 438, 439, 440 Beckmann, Max 98 Beerbohm, Sir Max 240 Bellingham-Smith, Elinor 271 Beningfield, Gordon 274 Bibby, Peter 530 Bick, Andrew 506 Biegel, Peter 371 Birch, Samuel J L 3 Bishop, Colin 85 Bissill, George 257, 374 Blackmore, Clive 141 Blake, Henry E 429 Blake, Peter 83 Blaylock, Thomas T 342, 343, 344 Bloomsbury Group 320 Bodley, Josselin 457 Bomberg, David 53 Bond, Marj 525 Bone, Susan 526 Bonn, Gary 151 Bott, Dennis R 30 Boulton, Dick 139, 140, 142 Bowen, Denis 524 Boycott-Brown459 Boyd, John 517, 518, 519 Brangwyn, Sir Frank 248, 249, 250 Braque, Georges 104 Bratby, John 481, 482, 483, 484 Brazilian School 286 Breton, Caroline le 154 Breton, Louis le 397 Brown, Peter 418 Brown, Ralph 196 Brundrit, Reginald G 263 Brunsdon, John 532, 533 Buhler, Robert 138 Bunt, Gary 225A, 226 Burman, Peter 143 Burns, Gerard M 516 Burra, Edward 17 C Cain, Charles W Camden Town School Cameron, Gordon S Cameron, Sir D Y

408 133 136, 147 298

Campbell, James Campigli, Massimo Canney, Michael Caracciolo, Nicolo D’A Cavalin, M Cawthorne, Neil Chagall, Marc Chailloux, Robert Charigny, Andre Christopher, Ann Clatworthy, Robert Clausen, Sir George Clinton, Colin C Coates, Tom Cockrill, Maurice Colthurst, Francis E Connard, Philip Continental School Cooke, Pat Cooper, Bill Cooper, Colin C Corsellis, Jane Cottingham, Grenville Cox, R C Craxton, John Cremona, Tranquilo Crowe, Victoria Cundall, Charles Cunningham, John Curran, Peter D D’Aguilar, Michael Dali, Salvador Daniel, Henry W Dawson, Paul Derain, Andre Devlin, George Dey, Minto D’Hondt, Jean Dicksee, Herbert T Downing, Mary D’Oyly-John, Cecil Dring, William Duffin, John Dunlop, Ronald O Dyf, Marcel

39 95 507 42 233A 297, 304 340 497 289 118, 144 508, 509 246, 247 447 431 501 195 2 266, 307, 433 420 456 336 352 445 255 194 284 527 259 148 146 317 117 22 394 100 414 244 443 235 310 402, 403 197 220 356, 357 401

E Edwards, Lionel D R Engelbach, Florence Engelman, Martin English School Epstein, Solomon Evans, Ray

37, 368, 370 316 208 119, 233, 308, 405 354 466

F Fairclough, Michael Fearon, Hilda Fedden, Mary Fedden, Mary Feiler, Paul Fein, Eleanor Finegan, Bernard Finer, Steven Flint, Sir William R Folkes, Peter L Frigyes, Frank Frink, Dame Elisabeth 

86 204 89, 480 172, 173, 174 167 82 398 505 351 381, 453 234 156, 157, 388, 389, 390, 391, 392

Frost, Anthony Frost, Sir Terry Fry, Lewis G Fuller, Edmund G G Gallwey, kay Gardner, Derek G M Gear, William Gentleman, David Gentry, Edward Gill, Eric Goodin, Walter Gosse, Sylvia Gotch, Thomas C Gourley, Alan S Grant, Duncan Grant, Keith Gross, Anthony Guinness, Lindy H Hailey, Clarence Hall, Frederick Halliday, Charlotte Hambling, Maggi Hammer, Hans Hancock, Theodore Hardie, Martin Hargan, Joseph R Harling, Simon Hayter, Stanley W Hazelwood, David Heath, Adrian Henderson, Steven Herslet, Ivie Hilaire, Camille Hilton, Arthur Hilton, Bo Hilton, matthew Hitchens, John Hofmann, Ludwig von Holloway, Edgar Hopwood, Henry S Hossack, Alexander Houston, George Houston, John Howard, Ian Howard, Ken Howell, David Howson, Peter  Hoyland, Francis I Ihlee, Rudolph Isherwood, Lawrence J J Jagger, David January, Libby Jenkins, Henry Jognarelli, Marius John, Augustus E Johnson, Adrian Johnson, Ben Johnson, Derrick G K Kaminski, Stan Kay, James Keating, Tom Kelly, Felix

168, 169 111, 170, 171 283 454 366 455 478, 479 43 223 199 353 21 267 380,453 200 458 239 52 296 288 358 44, 84, 112 1 383 32 494 334 61, 62, 63 209 93 109 34 504 428 469, 470 94 461 201, 202 46, 47 232 419 260 387 90 361, 362, 363 399 471, 472, 473, 474 406 245 434 409 500 276 515 29, 292, 293, 294 511, 512 475, 476, 477 413 225 299 11 395


183

INDEX OF ARTISTS Kelsey, Robert Kenworthy, Jonathan Kingsley, John Kirchner, Ernst L Knight, Ernest Knox, Archibald Kramer, Jacob

451 114 464 96 367 349, 350 309

L Laborde, Charles Laboureur, Jean E Laurencin, Marie Lees, Derwent Lenciewicz, Robert O Lewis, Percy W Lindsay, Lionel Livesey, John Lloyd, Stanley Lloyd, Thomas I Lowry, Laurence S Lynch, James Lyne, Michael

273 275 243 291 529 19 238 448 252 369 325, 327, 328, 339 256 301

M Macdougald, George D 285 Manners, Charles R 400 Manson, James B 132 Marchand, Jean 207 Marston, Freda 314 Matisse, Henri 105, 106, 107, 108 Matthews386 Mayet, Dominique 373 Maze, Paul L 364 McAnally449 McBey, James 15, 16 McCarthy, Brian 470A McGill, Donald 254 Melville, John 382 Mena-Hill, Harriet 45 Meninsky, Bernard 427 Menpes, Mortimer 277 Middendorf, Helmut 495 Millais, Raoul 9, 10 Miller, Jack 415 Minton, John 193 Miro, After Joan 338 Miro, Joan 337 Modern British School 129, 416 Moore, Henry 59, 60 Moore, Robert 145 Mount, Paul 210, 211, 212, 213 Muncaster, Claude 33 Munro, Alexander G 12 Muntz, Elizabeth 128 Murley, Lawrence 113 Murray, R I 219 N Napper, John Nash, Eustace Nash, John N Nash, Paul Naylor, Brenda Neal, Charles Neale, John Neville, Louis Newcomb, Tessa Newlyn School Nicholls, Bertram Nicholson, Ben

241 261 56 57, 80 359 441 333 13 221, 222 134 300 54, 55

Nolan, Sidney Nolan, Sidney Nolde, Emil O O’Connor, Sean Olds, Elizabeth Organ, Bryan Ormsby-Wood, Albert V

326 493, 499 97 460 442 490 268, 269, 270

P Paladino, Mimmo 503 Palmer, Alfred H 137 Palmer, Simon 393 Parker, Alan 175 Phipps, Howard 25 Picasso, Pablo 101, 102, 103 Piper, John 71, 72, 73 Piper, Prue 110 Pissarro, Camille 99 Pissarro, Lucien 28 Platt, John E 91 Pocock, Lexden L 4 Pompili, Graziano 205 Potronat, Lucien 421 Potter, Mary 407 Praag, Arnold van 152, 153 Prinsep347 Procter, Ernest 8 Proctor, Patrick 159, 160, 161, 162, 163,  164, 165, 166 Putnam, Salliann 498 R R G Reeves, Richard S Richmond, Leonard Richter, Herbert D Roberts, William Robin, Georges Robinson, Geoffrey Robinson, Geoffrey Roche, Tobit Rowlett, George Ryasnyanskiy, Michael S Sample, Paul Savidge, Rex Sayer, Derrick L Scheller, Hans W Scottish School Selby, William Senior, Mark Sharp, Dorothea Shaw, David Shaw, David Sheppard, Maurice Shiffner, Barbara Shishaw, Anthony Shrager Ann Sickert, Walter R Sidaway, Ian Sidoli, Dawn Simpson, Charles W Skeaping, John Smith, Miller Smith, Robert K Southall, Joseph E Sowden, Trevor Spat, Gabriel

432 295 251 435 355 404 206 462, 463 36 520, 521, 522 312 279 332 379 450 496 149, 150 127 5 430 430 444 303 492 31 18, 23 41 465 135 6, 7, 35 281 510 27, 264 224 302

Speed, Harold Spratt, Tina Spurrier, Mabel Spurrier, Stephen Stafford, Simeon Stanton, Charles R Steel, George H Steer, Philip W Stevens, Norman Strang, Ian Stroudley, James Suddaby, Rowland Sutherland, Graham V Szantho, Maria T Tamburrini, Mose A Tanner, Robin Taplin, Guy Tardieu, Victor F Tavener, Robert Taylor, Walter Thompson, John Thomson, John M Tindle, David Topolski, Feliks Travis, Paul B Trevelyan, Julian

305, 306 513, 514 282 258 487 242 417 265 78 452 278 372 64, 65, 66, 67, 68, 69, 70 311 116 79 120, 121, 122, 123, 124, 125 378 531 315 227, 228, 229, 230, 231 20 491 58 528 74, 75, 76, 77, 329, 330, 331

U Uhlman, Fred V Vaughan, Keith   Vuillard, Edouard

384, 385 176, 177, 178, 179, 180, 181, 182, 183, 184, 185, 186, 187, 188, 189, 190, 191, 192 158

W Wagner, Hermine E Wagner, Roger Wakelin, Roland Walker, Philip F Wanly, Adam Wanly, Seif Watson, Harry Wedgwood, Geoffrey H Wengenroth, Stow Wesson, Edward Whistler, James A M White, Ethelbert Wilcox, Graeme Wiles, Gill Williams, Charles Williams, Jacqueline Williams, Sir Kyffin Wilson, Alice Wolmark, Alfred A Wood, Christopher Wood, Jennifer Woolner, Robert Wyeth, Paul J L Y Yardley, John Yates, Fred 

335 81 446 262 426 422, 423, 424, 425 38 237 348 410, 411, 412 24 376, 377 489 115 467, 468 360 345, 346 319 287 323, 324 48, 49 51 130, 131 341 214, 215, 216, 217, 218, 485, 486, 487


The Studio Pottery Collection of Professor Luke Herrmann Wednesday 13th December 2017

Hans Coper (1920-1981) A large and impressive thistle form vase, 30cm high Estimate: £20,000-30,000

Dame Lucie Rie DBE (1902-1995) A fine sgraffito bowl with bronze rim, 19.5cm diam Estimate: £20,000-£30,000

Dame Lucie Rie DBE (1902-1995) A porcelain sgraffito bottle vase with flaring rim and blue bands, 15.5cm high Estimate: £20,000-£30,000

ENQUIRIES: Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk


Silver & Vertu Tuesday 23rd & Wednesday 24th January 2018 Entries are currently invited for this sale

An Arts & Crafts three-piece silver tea set, by William H. Hasler, Birmingham 1911 Estimate: ÂŁ300-500

ENQUIRIES: Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk


Jewellery Thursday 25th January 2018 Entries are currently invited for this sale

An Indian gold necklace, circa 1950, in the shape of yasmin buds and set with cabochon rubies, 250g Estimate: ÂŁ10,000-20,000 ENQUIRIES: Charlotte Glyde | Tel: +44 (0)1722 424586 | cg@woolleyandwallis.co.uk


Watches Thursday 25th January 2018 Entries are currently invited for this sale

A rare and fine documentary English gold and enamel duplex pocket watch made for the Chinese market c.1820, by William Ilbery Sold for ÂŁ101,120 ENQUIRIES: Adrian Hailwood | Tel: +44 (0)7775 788500 | ah@woolleyandwallis.co.uk


Modern British Art from the Collection of the late Geoffrey Harley Wednesday 7th February 2018

A single owner collection put together throughout the lifetime of Geoffrey Harley with a broad range of works by British artists including William Scott RA, Duncan Grant, Michael Ayrton, Dame Elisabeth Frink RA, John Bellany RA, Sir Matthew Smith, Craigie Aitchison RA, Keith Vaughan, Lynn Chadwick RA and many others

ENQUIRIES: Victor Fauvelle | Tel: +44 (0)1722 424503 | vf@woolleyandwallis.co.uk Jo Butler | Tel: +44 (0)1722 424592 | jb@woolleyandwallis.co.uk


Old Masters, British & European Paintings Wednesday 7th March 2018 Entries are currently invited for this sale

Giovanni della Rocca (Italian 1788-1858) Fisherfolk playing cards on the shore of the Bay of Naples with Vesuvius beyond (detail) Signed, oil on canvas, 35 x 76cm Estimate: ÂŁ3,000-5,000

ENQUIRIES: Victor Fauvelle | Tel: +44 (0)1722 424503 | vf@woolleyandwallis.co.uk Jo Butler | Tel: +44 (0)1722 424592 | jb@woolleyandwallis.co.uk


190

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom. com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

The colours printed in the catalogue are not necessarily true.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM Asian Art sales The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. All other sales The Buyer shall pay the hammer price together with a premium thereon of 22% plus VAT @20% (totalling 26.4% inclusive) on the first £500,000 and 14.4% inclusive of VAT @20% thereafter.

SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.


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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Debit cards: Delta, Switch, Connect

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

LOT SYMBOLS VAT Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.


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Valuations Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount.

PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Amanda Lawrence 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley and Wallis valuations are accepted by all leading insurance companies.

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AUCTION TECHNOLOGY GROUP


193

Woolley & Wallis Absentee Bid Form Modern British & 20th Century Art Wednesday 29th November 2017 PW291117

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/ or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)���������������������������� ��������������������������������������������������� Address�������������������������������������������� ��������������������������������������������������� ��������������������������������������������������� _________________________ Postcode ����������������� Daytime Telephone���������������������������������� Email����������������������������������������������� All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders. Signature�������������������������������������������

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief Description

Price excluding buyer’s premium & VAT


SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

194

INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price.

Asian Art sales: The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

All other sales: The Buyer shall pay the hammer price together with a premium thereon of 22% plus VAT @20% (totalling 26.4% inclusive) on the first £500,000 and 14.4% inclusive of VAT @20% thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.


195 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS

Asian Art sales: The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

All other sales: The Buyer shall pay the hammer price together with a premium thereon of 22% plus VAT @20% (totalling 26.4% inclusive) on the first £500,000 and 14.4% inclusive of VAT @20% thereafter.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

5. VALUE ADDED TAX

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

6. PAYMENT

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque five weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

7. TITLE AND COLLECTION OF PURCHASES

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot

(a) (i) (ii) (b)

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR PURCHASES

NON-PAYMENT

OR

FAILURE

TO

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;


196 (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

Glossary

(a)

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

(b)

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(c) (d) (e) (f) (g) (h) (i) (j) (k)

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width. Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.


Auction Calendar Asian Art 14th & 15th November 2017 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Jeremy Morgan +44 (0) 7812 601098 • jm@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk Arms & Armour, Medals & Coins and Militaria 22nd November 2017 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk Paintings 29th November 2017 – Modern British & 20th Century Art 7th February 2018 – Modern British Art from the Collection of the late Geoffrey Harley Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk 20th Century Design 13th December 2017 – The Studio Pottery Collection of Professor Luke Herrmann 14th December 2017 – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk Silver 23rd & 24th January 2018 – Silver & Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk Jewellery 25th January 2018 – Jewellery & Watches Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Watches 25th January 2018 – Jewellery & Watches Adrian Hailwood +44 (0) 7775 788500 • ah@woolleyandwallis.co.uk English & European Ceramics & Glass 20th February 2018 – Fine Porcelain & Pottery Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk Tribal Art & Antiquities 21st February 2018 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk


www.woolleyandwallis.co.uk

Profile for Auction Technology Group

Woolley & Wallis Modern British Art  

29th November 2017

Woolley & Wallis Modern British Art  

29th November 2017

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