Tennants Summer Fine Art Sale 15 July 2017

Summer Sale Saturday 15 July 2017 at 10.00am

Lot 288

Front Cover Illustration: Lot 58 Back Cover Illustration: Lot 188

The Auction Centre, Leyburn North Yorkshire DL8 5SG Telephone: 01969 623780 Facsimile: 01969 624281 enquiry@tennants-ltd.co.uk www.tennants.co.uk

Lot 379

Summer Fine Art Sale Saturday 15 July 2017

Part I at 10.00am Pictures, including Modern and Contemporary Art, Glass, Ceramics, Asian, Watches, Jewellery, Silver, Objects of Vertu

Lot 383

Part II at 10.00am 20th Century Design, Clocks, Barometers, Rugs, Carpets, Works of Art, Garden Statuary, Furniture Viewing Sunday 9 July 11.00am to 4.00pm Monday 10 July 10.00am to 4.00pm Tuesday 11 July 10.00am to 4.00pm Wednesday 12 July 10.00am to 4.00pm Thursday 13 July 10.00am to 4.00pm Friday 14 July 10.00am to 2.00pm

Lot 384

Live bidding is available on this sale by registering at: www.the-saleroom.com

All lots illustrated online at www.tennants.co.uk Tennants

Order of Sale and Contents

Special Notices

Part I at 10.00am

Telephone Bidding Requests for telephone bidding must be registered one hour prior to the close of the view day. We will not accept requests on sale days. Lines are booked on a first come first served basis and are subject to a minimum lot value of £500. Full name, address and telephone numbers will be required together with proof of identity and address. Bank and credit/debit card details are also necessary to secure the line.

Pictures including Modern and Contemporary Art

1-132

Glass

133-145

British Ceramics

146-181

Continental Ceramics

182-186

Asian Ceramics and Works of Art

187-225

Watches

227-290

Jewellery

291-447

Silver and Objects of Vertu

448-511

Part II at 10.00am 20th Century Design

515-724

Clocks and Barometers

725-753

Rugs and Carpets

754-800

Works of Art and Garden Statuary

801-834

Furniture

836-995

For all Buyers (and particularly for Glass and Ceramic Buyers) Only certain lots have reference to damage and restoration.

However, the absence of any such notice does not imply that the piece is free from defects, nor does it indicate that other defects are not also present. All potential buyers are deemed to have viewed all pieces they intend to bid for, and to have fully satisfied themselves as to the condition of the same.

Material from Endangered Species Clients intending to import/export any item derived from natural history specimens into/from a non-European country should first check for any Import/Export and possession restrictions prior to bidding/selling.

Certain species are also subject to CITES regulations when exporting/importing these items out of the EU. CITES regulations are given on www.ukcites.gov.uk or may be obtained from: The Animal and Plant Health Agency Centre for International Trade Horizon House Deanery Road Bristol BL1 5AH wildlife.licensing@apha.gsi.gov.uk 0117 372 3700 Those species that are covered by the US Endangered Species Act (USESA) or The Migratory Bird Treaty Act (MBTA): potential US bidders should check with USF&W (US Fish and Wildlife Services) for trade/possession restrictions in the US prior to bidding.

Buyer’s Premium and VAT A buyer’s premium of 20% of the hammer price is payable on each lot. VAT at the current rate is applicable on the buyer’s premium for each lot.

Storage and Collection Please refer to our Terms of Business at the back of the catalogue.

Fine Art Specialists

SATURDAY 15 JULY AT 10.00AM PART I

SATURDAY 15 JULY AT 10.00AM

Picture Descriptions The forename(s) (or asterisks where not known) and surname of the artist indicates in the opinion of TENNANTS a work by the artist.

School accompanied by the name of a place or country and a date means that in our opinion the picture was executed at that time and in that location; e.g. Flemish School, 17th century.

The initials of the forename(s) and the surname of the artist indicates in the opinion of TENNANTS a work of the period of the artist which may be wholly or in part his work.

After ….an artist is in our opinion a copy of any date after a work by that artist.

The surname of the artist indicates in the opinion of TENNANTS a work of the school or by one of the followers of the artist or in his style and of uncertain date.

Bears signature indicates in our opinion that this is not the signature of the artist.

A picture catalogued with the forename(s) and surname of the painter is in our opinion a work by that artist; e.g. Joseph Mallord William Turner. When an artist’s forename(s) is not known, a series of asterisks followed by the surname of the artist, whether proceeded by an initial or not, indicates that in our opinion the work is by the artist.

The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

The term Bears signature and/or dated and or inscription means that in our opinion the artist’s name and/or date and/or inscription have been added by another hand.

All references to signature, inscriptions and dates refer to the present state of the work.

Dimensions are given height before width.

Pictures are framed unless otherwise stated.

Attributed to …. is in our opinion probably a work by the artist.

Studio of ….. is in our opinion a work from the studio of the artist which may or may not have been executed under his direction. circle of …. is in our opinion a work of the period of the artist executed under his immediate influence.

Follower of …. is in our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

Manner of …. is in our opinion a work in a style related to that of the artist, but of a later date.

Artists’ Resale Right All items in this catalogue that are marked with “” are potentially qualifying items, and the royalty charge will apply if the hammer price is more than the UK sterling equivalent of €1,000.

The royalty charge will be added to purchase invoices, and must be paid before items can be cleared. All royalty charges are paid to either the Design and Artists Copyright Society (“DACS”) or the Artists’ Collecting Society (“ACS”) by the auctioneers, and no handling costs or additional fees with respect to these changes will be retained by the auctioneer.

PIcTUReS, IncLUDIng MoDeRn AnD conTeMPoRARY ART 1 After Rembrandt Harmensz van Rijn (1606-1669) Dutch “The Adoration of the Shepherds with the Lamp” Thought to be an impression of the second final state Bartsch no.45, c.1654, etching, 10cm by 12.5cm £250 - 400 (plus 24% BP*)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART 2 gerald Leslie Brockhurst RA, Re (1890-1978) “The Amberley Boy” Signed in pencil, a black and white etching, together with a further signed etching by the same artist “The Two Melisandes”, 19cm by 14.5cm and 14cm by 8.5cm respectively (2) Melisandes depicts Anais Folin, the artist’s first wife, holding their baby daughter. Reputedly Anais could only stand for a brief 20 minutes following the birth, and as such the artist etched the image onto the plate in this time.

£250 - 400 (plus 24% BP*)

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3 Dirk Jan Van Der Laan (1759-1829) Dutch Figures in a frozen landscape Signed and dated 1790, watercolour and gouache, 28cm by 34cm £300 - 500 (plus 24% BP*)

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4 Attributed to Sir Thomas Lawrence PRA (1769-1830) Portrait of a gentleman, head and shoulders, believed to be the artist John Martin (1789-1854), wearing a black jacket and white cravat Pencil with coloured chalks, 18.5cm by 14cm John Martin first exhibited his famous “Sadak, In search of the Waters of Oblivion” at the RA in 1812 and it is possible that Martin would have come to Lawrence’s attention at this time.

By 1821 Sir Thomas Lawrence famously referred to the artist John Martin as “The most popular artist of the day”.

£600 - 800 (plus 24% BP*)

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BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 243

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5 george Weatherill (1810-1890) The Lower Harbour, Whitby, by moonlight with a steam tug and other shipping Signed, pencil and watercolour heightened with white, 12cm by 20.5cm The Property of a Gentleman

£500 - 800 (plus 24% BP*)

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6 george Weatherill (1810-1890) “Sunset Whitby Harbour, Yorkshire” Signed, reputedly inscribed to reverse of watercolour with title, pencil and watercolour with scratching out, 13cm by 23cm The Property of a Gentleman

£500 - 800 (plus 24% BP*)

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7 george Weatherill (1810-1890) Beached vessels before Whitby Abbey with various figures at low tide Pencil and watercolour, 6.5cm by 11.5cm Provenance: Walker Galleries Ltd, Harrogate The Property of a Gentleman

£600 - 800 (plus 24% BP*)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

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8 george Weatherill (1810-1890) Fisher folk trawling in low tide below the pier, with shipping beyond Watercolour, 6.5cm by 14.5cm 9

The Property of a Gentleman

£400 - 600 (plus 24% BP*) 9 george Weatherill (1810-1890) Beached ship with fisher folk upon the sands and a view of Whitby Abbey beyond Signed, watercolour heightened with white, with scratching out, 12cm by 20cm Provenance: Walker Galleries Ltd, Harrogate The Property of a Gentleman

£700 - 1000 (plus 24% BP*)

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10 george Weatherill (1810-1890) Sheep and cattle grazing before an extensive view of Whitby Signed and dated 1878, pencil and watercolour, 24.5cm by 41.5cm The Property of a Gentleman

£400 - 600 (plus 24% BP*) 11 george Weatherill (1810-1890) “Red House Farm, Aislaby” Signed, watercolour, 10cm by 16.5cm Provenance: Walker Galleries Ltd, Harrogate The Property of a Gentleman

£400 - 600 (plus 24% BP*)

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BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 243

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12 Mary Weatherill (1834-1913) “Robin Hood’s Bay” Signed and dated 1877, pencil and watercolour with scratching out, 19cm by 37.5cm The Property of a Gentleman

£400 - 600 (plus 24% BP*) 13 Arthur Reginald Smith RWS, RSW (1872-1934) “Rylstone Fell” Signed, with original artist’s inscribed label verso, watercolour, 27.5cm by 42.5cm £200 - 300 (plus 24% BP*) 14

14 Joseph Kirkpatrick (1872-1930) Country girls holding a lamb before a coastline Signed, watercolour, 76.5cm by 54.5cm £500 - 800 (plus 24% BP*) 15 John Duncan RSA, RSW (1866-1945) Scottish “The Shining Land” Signed, with original inscribed Stirling Art Association label verso, pencil and watercolour, 48.5cm by 73cm £500 - 700 (plus 24% BP*)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

16 georges Stein (1818-1890) French “L’Opera, Paris” Signed and inscribed “Paris”, pencil and watercolour, 39cm by 28cm £1200 - 1500 (plus 24% BP*)

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17 Victor gabriel gilbert (1847-1933) French The Flower Seller, Place de la Trinité Signed, pencil and gouache, 38cm by 28cm £800 - 1200 (plus 24% BP*)

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BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 243

SATURDAY 15 JULY AT 10.00AM

18 Archibald Thorburn (1860-1935) “Brambling” Signed, watercolour and gouache, 16cm by 24cm Provenance: Produced for Lord Lilford’s Coloured Figures of the Birds of the British Isles, Vol IV, No. 20

£2000 - 3000 (plus 24% BP*)

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19 Archibald Thorburn (1860-1935) “Pied Flycatcher” Signed, watercolour and gouache, 23.5cm by 17cm Provenance: Produced for Lord Lilford’s Coloured Figures of the Birds of the British Isles, Vol II, No. 41

£2000 - 3000 (plus 24% BP*) 20  Rowland Henry Hill (1873-1952) Venice Signed and dated 1923, watercolour heightened with white, 25.5cm by 36cm £200 - 300 (plus 24% BP*)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

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21  William Heaton cooper (1903-1995) “Silver Bay - Ullswater” Signed, bears inscribed label verso detailing March 1968, watercolour, 37cm by 55cm £500 - 800 (plus 24% BP*)

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23 circle of Frans Jacobus van den Blyk (1806-1876) Dutch Shipping on calm waters off a pier side Oil on card? laid onto board, 26cm by 36.5cm £400 - 600 (plus 24% BP*)

22  William Heaton cooper (1903-1995) “The River Liza and Ennerdale Water” Signed, watercolour, 38cm by 55cm Provenance: The Fine Art Society, 1955 Heather Newman, Early British Watercolours, Glos

24 John Wilson carmichael (1799-1868) Scarborough from the East Signed and dated 1862, oil on canvas, 59cm by 101cm £2500 - 4000 (plus 24% BP*)

£600 - 900 (plus 24% BP*)

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25  Marc Aldine (1875-1957) French Venetian canal with gondolier Signed, oil on canvas, 35cm by 52cm Marc Aldine is a pseudonym for Antoine Bouvard

£3000 - 5000 (plus 24% BP*) 26  Arthur A Friedenson (1872-1955) Boats in a harbour, possibly Kirkcaldy Signed, with inscribed artist’s label and further inscriptions verso including No. 5, oil on board, 26cm by 34cm £600 - 900 (plus 24% BP*) w w w.t e n n a n t s .c o.u k

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27  owen Bowen RoI, PRcamA (1873-1967) Fishing boats and fisher folk upon a shore Signed, oil on canvas, 39.5cm by 56cm £400 - 600 (plus 24% BP*)

28 Albert Woods (1871-1944) Shipping off a pier in a calm Signed and dated 1918, oil on canvas, 44cm by 60cm £300 - 500 (plus 24% BP*) 13

PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

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29 Follower of Jan Frans Soolmaker (1635-1685) Flemish Figures droving animals amongst ruins Oil on canvas, 49.5cm by 64cm £300 - 500 (plus 24% BP*)

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30 Follower of Louis gabriel Moreau (1740-1806) French Hunting party at the riverside Oil on panel, 32.5cm by 23cm £250 - 400 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 243

SATURDAY 15 JULY AT 10.00AM

31 Follower of Tommaso Ruiz (active c.1710-c.1760) Italian Panoramic view of Valetta Harbour, Malta Oil on canvas, 55cm by 140cm £1200 - 1800 (plus 24% BP*) 32 circle of Abraham Pether (1756-1812) Nocturne landscape Oil on canvas, 29.5cm by 34.5cm £300 - 500 (plus 24% BP*) 33 William Mellor (1851-1931) “Llyn, Nr Capel Curig, North Wales” Signed, inscribed verso, oil on canvas, 29cm by 44cm £300 - 500 (plus 24% BP*)

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36 William Mellor (1851-1931) “On the Burbage, Derbyshire” Signed, oil on canvas, 59.5cm by 90cm £800 - 1200 (plus 24% BP*)

37 William Mellor (1851-1931) “Grasmere Lake from Langrigg Side, Westmorland” Signed, inscribed verso, oil on canvas, 60cm by 90cm £2000 - 3000 (plus 24% BP*)

34 William Mellor (1851-1931) “On the Greta, Ingleton” Signed, oil on canvas, 74.5cm by 125.5cm £1000 - 1500 (plus 24% BP*) 35 William Mellor (1851-1931) “Ramsgill, Nidd Valley, Yorkshire” Signed, inscribed in pencil verso, oil on board, 37.5cm by 22cm (oval) £250 - 400 (plus 24% BP*)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

38 Alfred Augustus glendening (1840-1921) “Bisham on Thames” Signed and dated 1878, oil on canvas, 31cm by 59.5cm Provenance: The Willow Gallery, London

£700 - 1000 (plus 24% BP*)

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39 William Manners (1860-1930) “Falls of Dochart, Killin” Signed and dated 1900, oil on canvas, 89.5cm by 69cm £400 - 600 (plus 24% BP*)

40 Alfred William Parsons RA PRWS (1847-1920) “Spring Time” Signed and dated 1883, with original artist’s label verso, oil on canvas, 82cm by 123cm

41 William Henry Mander (1850-1922) River landscape Signed and indistinctly dated, oil on canvas, 48cm by 73.5cm £400 - 600 (plus 24% BP*)

Provenance: Anonymous Sale, Christie’s 11th May 1938, according to label on reverse

£3000 - 5000 (plus 24% BP*)

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BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 243

SATURDAY 15 JULY AT 10.00AM

42 Marie Ten Kate (1831-1910) Dutch The Young Artist - Children before a thatched cottage with artists’ materials Signed, oil on canvas, 59.5cm by 79cm £1000 - 1500 (plus 24% BP*) 43 Joseph Horlor (1809-1887) Milkmaid and cattle before a cottage Horse drawn cart hauling timber with figures in a mountainous landscape Signed and dated (18)58, oil on canvas, 44.5cm by 64.5cm (2) £600 - 800 (plus 24% BP*) 44 Horace Mann Livens (1862-1936) River landscape with cottage A river landscape Signed, oil on canvas, 100cm by 74.5cm (2)

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Provenance: Sutcliffe Galleries, Harrogate

£600 - 800 (plus 24% BP*) 45 Johannes Franciscus Spohler (1853-1894) Dutch Canal side street scene with figures Signed, with artist’s inscribed label verso, oil on panel, 19.5cm by 15cm £700 - 1000 (plus 24% BP*) 46 Johannes Franciscus Spohler (1853-1894) Dutch Street scene with figures Signed, oil on panel, 19cm by 14cm £500 - 800 (plus 24% BP*)

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47 edmond Marie Petitjean (1844-1925) French “Hôpital-Camfront, le Moulin Vert” Signed, oil on canvas, 43.5cm by 63cm £700 - 1000 (plus 24% BP*)

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48  ernest Higgins Rigg (1868-1947) Feeding time - Country girl tending the calves Signed, oil on canvas, 69cm by 89.5cm £800 - 1200 (plus 24% BP*)

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49 Sir Herbert edwin Pelham Hughes-Stanton RA PRWS (1870-1937) “Cagnes” Signed and dated 1930, oil on canvas, 44.5cm by 59.5cm Provenance: MacConnal-Mason & Sons, Ltd. Sold together with copy receipt of purchase 18 March 1968

£800 - 1200 (plus 24% BP*)

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BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 243

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50 Kershaw Schofield (1872-1941) “In the Vale of York” Signed and dated ?, oil on canvas, 49cm by 74cm £500 - 800 (plus 24% BP*)

51  Arthur A Friedenson (1872-1955) “Near Wareham, Dorset” Signed and indistinctly dated, signed and inscribed in pencil verso, oil on board, 31.5cm by 39cm £500 - 800 (plus 24% BP*)

52  Donald Wood (1889-1953) “Summer Ploughing” Signed, with original inscribed label verso, oil on canvas, 92cm by 81cm £1200 - 1800 (plus 24% BP*) 52

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

53  Herbert Royle (1870-1958) “Loch Long” - View of a loch with figure beside cottages and sheep grazing Signed, inscribed on stretcher verso, oil on canvas, 39cm by 59cm £2000 - 3000 (plus 24% BP*)

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54  Herbert Royle (1870-1958) “Winter in Wharfedale” Signed, with original inscribed artist’s label verso, oil on canvas board, 49cm by 59cm £1500 - 2500 (plus 24% BP*)

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BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 243

SATURDAY 15 JULY AT 10.00AM

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55 Heywood Hardy (1842-1933) “Trencher-Fed Pack” Signed, oil on canvas, 62cm by 92.5cm Provenance: Harrods Ltd Picture Department, London

£18000 - 25000 (plus 24% BP*)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

56  Arthur Wardle RI RBc (1864-1949) “Near the Finish” Signed and dated (18)85, signed, inscribed and dated verso, oil on canvas, 49cm by 74cm £600 - 900 (plus 24% BP*)

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57 Wright Barker (1864-1941) Group of horses and a foal Oil on canvas, 66cm by 99cm Provenance: Sutcliffe Galleries, Harrogate Sold together with the bill of sale from the above dated 20th June 1988

£3000 - 5000 (plus 24% BP*)

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58 John Ley Pethybridge (1865-1905) “A Jack and two Knaves” Signed, oil on canvas, 48.5cm by 59cm £700 - 1000 (plus 24% BP*)

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BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 243

SATURDAY 15 JULY AT 10.00AM

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59 george Wright (1860-1942) Hare Coursing Fox Hunting Stag Hunting Otter Hunting Signed, oil on canvas, 20.5cm 30.5cm Provenance: Arthur Ackermann & Son Ltd, London Private Collection, North Yorkshire

£4000 - 6000 (plus 24% BP*)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

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60 george Augustus Holmes RBA (1822-1911) An elegant young lady in riding attire at a cottage door Signed, oil on canvas, 66cm by 94.5cm £1500 - 2500 (plus 24% BP*)

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61 Alexander Fraser the elder (1786-1865) “The Scotsman’s Address” Signed and dated 1843, inscribed with title and artist’s address on stretcher verso, oil on canvas, 59.5cm by 49cm £400 - 600 (plus 24% BP*)

62 William Kidd (1790-1863) Valentine’s Day Signed, oil on canvas, 54cm by 69cm £1000 - 1500 (plus 24% BP*)

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BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 243

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63 Attributed to Michelangelo Maestri (act. 1802-1812) Italian Allegorical Figure in a painted oval Oil on canvas, together with a companion, 30.5cm by 24.5cm (2) £400 - 600 (plus 24% BP*) 64 James Holland RWS (1799-1870) “Statue of Erasmus, Rotterdam” Signed, inscribed “Painted for John Dillon” and dated 1855 verso, oil on canvas, 56cm by 38cm It is likely that the John Dillon referred to on the reverse of the canvas was the father of the artist Frank Dillon (1823-1909)

£500 - 800 (plus 24% BP*) 65 edward Thompson Davis (1833-1867) “Reading The News” Signed, inscribed and dated 1865 verso, oil on panel, 16.5cm by 19.5cm £800 - 1200 (plus 24% BP*)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART 66 edouard Frere (1819-1886) French The Bird Trap Signed and dated 1872, oil on panel, together with the companion work with original artist’s inscribed label verso “No.2 Il est pris”, 29cm by 39.5cm (2) Provenance: Thomas Agnew and Sons

£4000 - 6000 (plus 24% BP*)

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68 charles Joseph grips (1825-1920) Belgian Lace maker in an interior Signed and dated 1862, with fragments of an original label verso, oil on panel, 30.5cm by 24cm £700 - 1000 (plus 24% BP*) 67

67  Bernard Pothast (1882-1966) “Helping Mother” Signed, oil on canvas, with partially lost inscribed exhibition label verso for Aug-Sept 1939, oil on canvas, 75cm by 64cm £700 - 1000 (plus 24% BP*)

69 Alex de Andreis (1880-1929) Belgian “Savouring The Colour” - Seventeenth century gentleman holding a glass of wine in an interior Signed, oil on canvas, 52.5cm by 31cm £300 - 500 (plus 24% BP*) 70 Fritz Wagner (19th/20th century) german “A Quiet Moment” Signed, oil on board, 19cm by 24cm Provenance: Burlington Paintings, London

£200 - 300 (plus 24% BP*) 71 Miss Alice Mary Havers (1850-1890) Mother and children returning from the apple orchard Signed, oil on canvas, 49.5cm by 74.5cm The artist was Mrs Frederick Morgan

£400 - 600 (plus 24% BP*)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

72 Joseph Urbain Melin (1811-1886) French Diana the Huntress with her hounds bathing in a pool Signed, oil on canvas, 38.5cm by 28cm £500 - 800 (plus 24% BP*) 73 Frederick (Fred) Stead ARcA (1863-1940) “Mending Nets” Signed, with fragment of original label verso, oil on canvas, 50cm by 39cm £700 - 1000 (plus 24% BP*)

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74 Hilda Fearon RI (1878-1917) “Hyde Park” Elegant figures at leisure Each signed, one signed and inscribed verso, oil on board, 23cm by 31.5cm (2) £1000 - 1500 (plus 24% BP*) 75 Algernon Talmage RA (1871-1939) Figures and horse mounted guardsmen before Marble Arch Signed, oil on board, 24cm by 34cm £600 - 900 (plus 24% BP*)

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76 circle of Sir Peter Lely (1618-1680) Portrait of a lady, three-quarter length seated, wearing a burnt orange satin dress and white chemise with a string of pearls With 1965 indistinctly inscribed label verso referring to the name of the sitter and Christie’s stencils S39FY & 250FP, oil on canvas, 124cm by 101cm £1500 - 2500 (plus 24% BP*) 77 circle of Thomas Hudson (1701-1779) Portrait of Mrs Thomas Hext, née Gertrude Hawkins (1698-1786), half-length, wearing a blue satin dress with white chemise, in a feigned oval Inscribed “G Hext”, oil on canvas, together with a companion picture of her husband Thomas Hext (1699-1767), wearing a blue velvet jacket, white powdered wig and white shirt and cravat, in a feigned oval, inscribed “T Hext” (thrice) and dated 1721, 73cm by 60.5cm and 74cm by 61.5cm respectively (2) A label verso states that Mrs Thomas Hext married in 1725 and was buried at St. Austell, along with her husband, in 1767

£1500 - 2000 (plus 24% BP*)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

78 circle of Jonathan Richardson (b.c.1665-1745) Portrait of a young gentleman, half-length, wearing a fur hat with white chemise and overcoat Oil on canvas, 92cm by 74cm (oval) unframed £800 - 1200 (plus 24% BP*) 79 Follower of William Hogarth (1697-1764) Portrait of a gentleman, half-length, wearing a red turban and waistcoat, in a feigned oval With inscribed label verso, oil on canvas, 76cm by 63cm, unframed Provenance: The Monro Collection by repute Private Collection, North Yorkshire

£500 - 800 (plus 24% BP*) 80 circle of Thomas Hudson (1701-1779) Portrait of a young fashionable lady, half-length, wearing a black hat decorated with white feathers and pearls, an aquamarine and pink satin dress and bodice trimmed with lace, in a feigned oval Bears inscribed label verso “Miss Fen***.

Granddaughter to John Wedgewood Esq of Harra***, drawn in the year 1755”, 74cm by 61cm £800 - 1200 (plus 24% BP*)

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SATURDAY 15 JULY AT 10.00AM

81  Hippolyte Franćois Léon Duluard (1871-1953) French Portrait of a musketeer, half-length, wearing a feathered wide brimmed hat, armour and a fine lace collar Signed, oil on panel, 80cm by 62.5cm £1500 - 2500 (plus 24% BP*)

81

82 Federico Andreotti (1847-1930) Italian Portrait of a beauty, head and shoulders, wearing a shawl Signed, oil on canvas, 46cm by 35cm £600 - 900 (plus 24% BP*)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

83

83  cecil Kennedy (1905-1997) “Summer” Signed, inscribed on stretcher verso, oil on canvas, 49cm by 39cm Provenance: The Fine Art Society, London Private Collection UK, September 1972

£10000 - 15000 (plus 24% BP*)

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MoDeRn AnD conTeMPoRARY ART

Lot 103

PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

84

86

85

86A

84 edith Lawrence (1890-1973) “France” Signed, inscribed numbered 20/50 and priced at £2.2.0, linocut printed in colours, 23.5cm by 33cm

86 edith Lawrence (1890-1973) “Cricket” Signed, inscribed and numbered 19/25 in pencil, priced £2.2.0, a linocut printed in colours, 23cm by 33.5cm

Provenance: From the Estate of Edith Lawrence

Literature: “The Art and Craft of Linocutting and Printing” by Claude Flight, B.T Batsford Ltd, London, 1935, p.62, plate 15

£1200 - 1800 (plus 24% BP*) 85 edith Lawrence (1890-1973) “Canal, Middelburg, Holland” Signed, inscribed, numbered 21/50 in pencil, priced £2.2.0, a linocut printed in colours, 23cm by 33cm Provenance: From the Estate of Edith Lawrence

£1500 - 2500 (plus 24% BP*)

Provenance: From the Estate of Edith Lawrence

£2500 - 3500 (plus 24% BP*) 86A edith Lawrence (1890-1973) “Holland” Signed and numbered 13/50 in pencil, linocut printed in colours, 22.5cm by 32.5cm Literature: “The Art and Craft of Linocutting and Printing” by Claude Flight, B.T Batsford Ltd, London, 1935 p.62, plate 5 Provenance: From the Estate of Edith Lawrence

£1200 - 1800 (plus 24% BP*)

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SATURDAY 15 JULY AT 10.00AM

87 claude Flight RBA (1881-1955) “The Art and Craft of Linocutting and Printing” B.T. Batsford, Ltd, London, 1934, together with “The Practise of Linocutting and Printing in Colours and Black and White” by Claude Flight, J Brice Smith Ltd, “Linocuts, a Handbook of Linoleum-cut Colour Printing, Claude Flight, John Lane The Bodley Head Limited, with two letters from the aforementioned publishers addressed to Claude Flight at Donhead St. Andrew, Wilts referring to the revised edition of said publication dated 30th October 1946 and 6th November 1946, a small collection of linocuts printed in colours by Claude Flight of various Christmas and greetings cards to include: claude Flight RBA (1881-1955) “Here’s to the Old Year, Here’s to the New! A very good health To all of you” Linocut printed in colours, together with three further Christmas linocuts by the artist “PEACE BE TO THEE, AND peace be to thine house and peace be unto all that thou hast”, “Fair fa’ ye, honest sonsy face, Great chieftain of the pudding race!”, “I sent so many greetings That Father Christmas Stuck…”, a further linocut by the artist and two Christmas cards by Edith Lawrence “Swift Fly My Greetings to You” and “Christmas Comes Again”, 14.5cm by 9cm, 9.5cm by 7cm, 14cm by 19cm and 20cm by 14cm respectively (a collection), unframed Provenance: From the Estate of Edith Lawrence

£250 - 400 (plus 24% BP*)

87 (part lot)

88 claude Flight RBA (1881-1955) A collection of extensively inscribed and annotated reproductions, black and white photographs of extant works by Claude Flight and textile and applique collaborative examples designed by Claude Flight and executed by Edith Lawrence to include “Round and Round”, “Football Match”, “Heading the Ball”, “In the Row”, “Passing the Shop Windows”, “In the Rain”, “Passing buses”, “Into the Sea”, an exhibition invitation for Claude Flight dated Thursday June 2nd 1927 for exhibition at the Redfern Gallery, together with a further invitation for a joint exhibition of Claude Flight and Edith Lawrence at Wood Cottage, Donhead, St. Andrew, date unknown, and further miscellaneous black and white photographs of Claude Flight and Edith Lawrence to include Claude Flight in his studio making linocuts, The Artist, Claude Flight, outside his Cave home in Chantemesle near Montres, France, a dynamic pose of a young lady, possibly Edith Lawrence, a sheet of passport sized black and white photographs of Edith Lawrence in various poses (one missing), a sheet of black and white passport sized photographs of Claude Flight in various poses, wearing his military uniform (two missing) and other related photographs etc. (a collection) Provenance: From the Estate of Edith Lawrence

£300 - 500 (plus 24% BP*) 88 (part lot) w w w.t e n n a n t s .c o.u k

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

89 christopher Richard Wynne nevinson (1889-1946) “Survivors at Arras” Signed in pencil and dated 1918, a black and white dry point etching, 28cm by 23cm

90  After Laurence Stephen Lowry RA (1887-1976) “A Hillside” Signed in brown crayon, numbered 33/75, a black and white lithograph, 47cm by 60cm

The Tate Gallery holds an example of this 1917-8 work illustrated: British Artist’s at the Front, No. 1 1918.

A brief commentary noted that “The rest of Arras after the War will have to be built again”.

Provenance: Alexander Gallery, Bristol

£5000 - 7000 (plus 24% BP*)

£1500 - 2500 (plus 24% BP*)

89

90

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SATURDAY 15 JULY AT 10.00AM

91

91  After Laurence Stephen Lowry RA (1887-1976) “The Contraption” Signed in pencil, with the blind stamp for the Fine Art trade Guild, from an edition of 750, a colour reproduction, together with the accompanying preparatory sketch, 31cm by 29.5cm and 24.5cm by 17cm respectively (2) £1500 - 2500 (plus 24% BP*)

92

92  After Laurence Stephen Lowry RA (1887-1976) “Burford Church” Signed in pencil, numbered 607/850, published

by Grove Galleries Ltd, Manchester, a colour reproduction, 63cm by 47cm £700 - 1000 (plus 24% BP*) 93  Attributed to Laurence Stephen Lowry RA (1887-1976) Study of a house in a wooded landscape Initialled, pencil, with charcoal and pencil to the reverse of the sheet and possible obscured inscription, unframed, 12cm by 17cm Provenance: from the vendor’s housekeeper who had met Lowry as a teenager

£1500 - 2500 (plus 24% BP*)

93

94  Alexander Millar (b.1950) A study of a Gadgy with bottle Signed, pencil, 18.5cm by 13.5cm £400 - 600 (plus 24% BP*)

Background: Lot 91 (preparatory sketch)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

95 george Leslie Hunter (1877-1931) Figures before a bridge Signed, mixed media, 14cm by 23cm £500 - 800 (plus 24% BP*)

95

97

96

96  William conor (1881-1968) Irish Seated violin player Signed (twice) mixed media, 30cm by 22.5cm £1000 - 1500 (plus 24% BP*)

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97  William conor (1881-1968) Irish “The Ballad Singer” Signed, with inscribed and dated label 1909 verso, mixed media, 24cm by 20cm Provenance: John Magee Limited, Belfast

£1000 - 1500 (plus 24% BP*)

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SATURDAY 15 JULY AT 10.00AM

99

98  Tom Mcguinness (1926-2006) Miners underground Signed and dated 1965, mixed media, 10cm by 24.5cm £500 - 800 (plus 24% BP*) 99  norman Stansfield cornish (1919-2014) Figures before Eddy’s Fish and Chip Shop Signed, mixed media, 27cm by 36.5cm

100  norman Stansfield cornish (1919-2014) “Colour mixing, a little demonstration” Signed, signed and inscribed in pencil on mount, watercolour, 15.5cm by 21.5cm Provenance: G.H Marshall visited Norman Cornish’s house in 1973, Norman did this drawing for a demonstration in colour mixing and gifted it to him Thence by descent

£200 - 400 (plus 24% BP*)

Provenance: Directly from the artist to G.H Marshall Thence by descent

£2500 - 3500 (plus 24% BP*)

Background: Lot 99 (detail)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

101

101  norman Stansfield cornish (1919-2014) “General Bar Scene Spennymoor” (1950) Signed, mixed media, 53cm by 81cm Provenance: University of Northumbria (NC524) Private Collection, North East of England

£12000 - 15000 (plus 24% BP*)

40

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SATURDAY 15 JULY AT 10.00AM

102

106

102  Dame Laura Knight RA, RWS, Re, RWA, PSWA, DBe (1877-1970) Figures preparing backstage at the ballet Signed, pencil and watercolour heightened with white, 24.5cm by 19cm £500 - 800 (plus 24% BP*) 103  cecil Beaton (1904-1980) “The Lady Politick would-BE-/Volpone-Ben Johnson/ Rough Suggestion” Signed and inscribed, mixed media, 52.5cm by 37cm £1000 - 2000 (plus 24% BP*) 104  geoffrey Woolsey Birks YWS (1929-1993) Figures before smoking chimneys, Lancashire towards Rossendale Signed, oil on paper, 36cm by 52.5cm, unframed £300 - 500 (plus 24% BP*) 105  geoffrey Woolsey Birks YWS (1929-1993) Pennine Way Signed, mixed media, 43cm by 63cm, unframed £250 - 400 (plus 24% BP*) 106  Mackenzie Thorpe (b.1956) “Soul” Signed, pastel, 37.5cm by 59cm £700 - 900 (plus 24% BP*)

103

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

107 Walter elmer Schofield (1885-1974) American Cornish coastal view Inscribed to reverse “W.E. Schofield certified by S.E. Schofield”, oil on board, 34.5cm by 39.5cm Provenance: The artist’s family Private Collection

£1200 - 1800 (plus 24% BP*)

107

108  Ken Howard oBe, RA (b.1932) “S. Giovanni e Paulo” Signed, inscribed and dated (20)07 verso, oil on canvas, 59.5cm by 49cm £3500 - 4500 (plus 24% BP*)

108

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SATURDAY 15 JULY AT 10.00AM

109

110

111

109  William gear RA, FRSA, RBSA (1915-1997) Scottish “Wild Landscape” Signed and dated (19)66, acrylic, 54.5cm by 76cm £300 - 500 (plus 24% BP*) 110  William gear RA, FRSA, RBSA (1915-1997) Scottish “Tortured Landscape” Signed and dated (19)66, oil, pastel and acrylic, 57cm by 71cm Exhibited: Karl & Faber, Munich 1988/89

£300 - 500 (plus 24% BP*)

112

111  John Lowrie Morrison “Jolomo” oBe (b.1948) “Evening Rain, Passing Otter Ferry” Signed and dated 2002, signed, inscribed and dated verso, 38cm by 38cm £700 - 1000 (plus 24% BP*)

112  John Lowrie Morrison “Jolomo” oBe (b.1948) “Autumn Morning, Tobermory, Isle of Mull” Signed, signed, inscribed and dated 2005 verso, oil on canvas, 59.5cm by 59.5cm Provenance: Jolomo Studio, Argyll

£2500 - 4000 (plus 24% BP*)

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

113  James Lawrence Isherwood (1917-1989) “Rain, National Gallery” Signed, inscribed and priced at 40gns verso, oil on board, 43.5cm by 58.5cm £300 - 500 (plus 24% BP*)

114  James Lawrence Isherwood (1917-1989) “Potato Pickers at Leyland, Lancs” Signed, inscribed verso and dated 32gns, oil on board, 34cm by 43cm £300 - 500 (plus 24% BP*)

115  David Breuer-Weil (b.1965) “Dana Point Pacific” Initialled, initialled, signed and dated December 2016 verso, oil on canvas, 63cm by 87cm £2000 - 3000 (plus 24% BP*)

114

115

116  David Breuer-Weil (b.1965) “Southwinds, flying the nest” Signed and dated 2016, signed inscribed and dated July 11 2016 verso, oil on canvas, 26.5cm by 66cm £1000 - 1500 (plus 24% BP*)

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SATURDAY 15 JULY AT 10.00AM

117  Brian Shields ‘Braaq’ FBA (1951-1997) Dog at mill gates Signed and inscribed “Ann”, oil on board, 18.5cm by 19cm £800 - 1200 (plus 24% BP*)

118  Brian Shields ‘Braaq’ FBA (1951-1997) “Come on Gerroff… Yerdaft Sod…” Signed, inscribed “Ann” and dated (19)79, oil on panel, 29cm by 41cm £7000 - 9000 (plus 24% BP*) 117

118

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

120

119  gill Watkiss (b. 1938) “Visiting St Leven Church” Signed and dated 2009, oil on canvas, 78cm by 58cm £800 - 1200 (plus 24% BP*)

119

120  gill Watkiss (b.1938) “Godrevy Lighthouse” Signed and dated (20)17, oil on canvas, 44cm by 59cm £1200 - 1800 (plus 24% BP*) 121  gill Watkiss (b.1938) “Watching the storm, Cape Cornwall” Signed and dated 2016, oil on canvas, 59.5cm by 74.5cm £800 - 1200 (plus 24% BP*)

121

46

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SATURDAY 15 JULY AT 10.00AM

122  Attributed to Rowland Wheelwright RBA (1870-1955) The Bather Indistinctly signed, oil on canvas, 54.5cm by 39cm £600 - 800 (plus 24% BP*)

123  John Steven Dews (b.1949) “Garthpool, In the Humber with Hull Tugs Scotsman and Prizeman” Signed, oil on canvas, 75cm by 121cm £1000 - 1500 (plus 24% BP*) 122

123

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

124  Simeon Stafford (b.1956) “St Ives” Signed, inscribed verso, oil on canvas, 80cm by 80cm £500 - 800 (plus 24% BP*)

124

125

125  Simeon Stafford (b.1956) “St Michael’s Mount” Signed, inscribed verso, oil on canvas, 80cm by 80cm £700 - 1000 (plus 24% BP*)

48

126

126  Simeon Stafford (b.1956) Football match Signed, oil on canvas, 79.5cm by 79cm £1000 - 1500 (plus 24% BP*)

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SATURDAY 15 JULY AT 10.00AM

127  Peter Biegel (1913-1988) Horses and foals grazing on moorland Signed, oil on canvas, 75.5cm by 100cm £1200 - 1800 (plus 24% BP*)

127

128  Peter Biegel (1913-1988) Horse drawn gypsy caravan and figures in an extensive landscape Signed, oil on canvas, 75.5cm by 100cm £1200 - 1800 (plus 24% BP*)

128

129  Peter Biegel (1913-1988) “Autumn Morning - Horses exercising” Signed, oil on canvas, 62cm by 75.5cm Provenance: The Tryon Gallery Ltd, London Sold together with the bill of sale from the above dated 6th September 1967 receipt

£1000 - 1500 (plus 24% BP*)

129

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PICTURES, INCLUDING MODERN AND CONTEMPORARY ART

130  John Bratby (1928-1992) “Two figures of Patti in red raincoat with three Istanbul (1990) mosques” Signed, oil on canvas, 121.5cm by 91cm Exhibited: National Portrait Gallery 1991, No 26 (ii) Sold together with a copy of the accompanying National Portrait Gallery catalogue, illustrated page 43

£700 - 1000 (plus 24% BP*) 131  graham Sutherland oM (1903-1980) “Datura” Initialled and dated (19)57, inscribed verso “To Douglas with love G.S. 57”, oil on canvas, 15cm by 11cm Provenance: Sotheby’s, Modern British Paintings, 11th December 2006, lot 143

£2500 - 3500 (plus 24% BP*) 132  coqué Martinez (1926-2009) Spanish Cock Fighting Signed, oil on canvas, 59.5cm by 45cm £400 - 600 (plus 24% BP*)

130

131 50

132

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%. Lots marked  will be subject to an additional fee - please see Droit de Suite information on page 243

Artists’ Index Aldine, M, 25

Gear, W, 109, 110

Maestri, attrib M, 63

Spohler, JF, 45, 46

Andreotti, F, 82

Gilbert, VG, 17

Mander, WH, 41

Stafford, S, 124-126

Barker, W, 57

Glendening, AA, 38

Manners, W, 39

Stead, F, 73

Beaton, C, 103

Grips, CJ, 68

Martinez, C, 132

Stein, G, 16

McGuinness, T, 8

Sutherland, G, 131

Biegel, P, 127-129 Birks, GW, 104, 105

Hardy, H, 55

Melin, JU, 72

Bowen, O, 27

Havers, AM, 71

Mellor, W, 33-37

Talmage, A, 75

Bratby, J, 130

Hill, RH, 20

Millar, A, 94

Ten Kate, M, 42

Breuer-Weil, D, 115, 116

Hogarth, foll W, 79

Moreau, foll LG, 30

Thorburn, A, 18, 19

Brockhurst, GL, 2

Holland, J, 64

Morrison, JL, 111, 112

Thorpe, M, 106

Nevinson, CRW, 89

van den Blyk, circle FJ, 23

Holmes, GA, 60 Carmichael, JW, 24

Horlor, J, 43

Conor, W, 96, 97

Howard, K, 108

Cooper, WH, 21, 22

Hudson, circle T, 77, 80

Parsons, AW, 40

Cornish, NS, 99-101

Hughes-Stanton, Sir HEP, 49

Pether, circle A, 32

Wagner, F, 70

Hunter, GL, 95

Pethybridge, JL, 58

Wardle, A, 56

Petitjean, EM, 47

Watkiss, G, 119-121

Pothast, B, 67

Weatherill, G, 5-11

Davis, ET, 65 de Andreis, A, 69

Isherwood, JL, 113, 114

Van Der Laan, DJ, 3

Dews, JS, 123

Weatherill, M, 12

Duluard, HFL, 81

Kennedy, C, 83

Rembrandt, after, 1

Wheelwright, attrib R, 122

Duncan, J, 15

Kidd, W, 62

Richardson, circle J, 78

Wood, A, 28

Kirkpatrick, J, 14

Rigg, EH, 48

Wood, D, 52

Knight, Dame L, 102

Royle, H, 53, 54

Wright, G, 59

Fearon, H, 74 Flight, C, 87 ,88

Ruiz, foll T, 31

Fraser, A, the elder, 61

Lawrence, attrib Sir T, 4

Frere, E, 66

Lawrence, E, 84-86A

Schofield, K, 50

Friedenson, AA, 26, 51

Lely, circle Sir P, 76

Schofield, WE, 107

Livens, HM, 44

Shields, B, 117, 118

Lowry, after LS, 90-92

Smith, AR, 13

Lowry, attrib LS, 93

Soolmaker, foll JF, 29

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Glass 135 A Firing Glass, mid 18th century, of flared form, Dutch engraved with O Vriendshap Laat U Dierbre Band Altoos Verknoten Hart en Hand, the reverse with shaking hands, 20cm high; A 19th Century Firing Glass, engraved with Masonic initials and 220, 8.5cm high; and A Sherry Glass, engraved with Masonic emblems, 10cm high (3) £150 - 200 (plus 24% BP*)

GLASS

133

133 An Ale Glass of Large Proportions, mid 18th century, the drawn trumpet bowl engraved with hops and barley on a plain stem with air tear and folded foot, 30cm high £400 - 500 (plus 24% BP*) 134 A Wine Glass, circa 1740, the bell shaped bowl with annular basal knop on a baluster stem and circular foot, 15.5cm high £200 - 300 (plus 24% BP*)

140 52

136 A Green Glass Sealed Wine Bottle, 18th century, of onion shape, the seal with a lion passant, 19cm high £200 - 300 (plus 24% BP*) 137 An Anglo-Irish Amber Glass Pedestal Bowl, circa 1810, the navette shaped bowl on a knopped panel stem and diamond shaped foot, 27cm wide; and A Bohemian Glass Beaker, 19th century, painted with a river landscape in an oval panel on a geometric cut ground, 13.5cm high (2) £300 - 400 (plus 24% BP*)

141

138

138 A Perrin Geddes & Co “Prince of Wales Service” Finger Bowl, circa 1806, of flared cylindrical form engraved with the Prince of Wales’ feathers and motto ICH DIEN on a diamond cut ground and fluted foot, 13.5cm diameter This finger bowl is from a service commissioned by The liverpool Corporation from Perrin Geddes & Co of Warrington to commemorate the visit of the Prince of Wales to liverpool in 1806. The initial order was placed for 198 pieces but then a further order was placed bringing the total up to 342 pieces at a cost on delivery in 1808 of £1,306-18-0

£500 - 700 (plus 24% BP*) 139 A Naval Interest Glass Rummer, circa 1804, engraved with men o’war and inscribed CAPTURE OF GIBRALTAR BY THE BRITISH FLEET 1704, on a square foot, 11.5cm high £200 - 300 (plus 24% BP*)

140 A Davenport Patent Glass Rummer, circa 1806-1810, the bucket shaped bowl decorated with two landscape panels and geometric border on a double knopped stem and circular foot, marked Patent, 15.5cm high Better known for its ceramics, Davenport founded its glass works in 1801 and in 1806 patented a method of decorating glass in imitation of wheel engraving

£600 - 800 (plus 24% BP*) 141 Two Davenport Patent Glass Rummers, en suite to the preceding lot, 15.5cm and 13.5cm high £300 - 500 (plus 24% BP*) 142 A Davenport Patent Glass Goblet, circa 1806-1810, the ovoid bowl decorated with a band of formal leaves on a double knopped stem and circular foot, marked Patent, 11cm high; and A Similar Goblet, with a foliate border, 11cm high (2) £300 - 400 (plus 24% BP*)

142 BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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144 A Railway Commemorative Glass Coin Goblet, circa 1850, the ovoid bowl engraved with HIGH LEVEL BRIDGE NEWCASTLE, the reverse with initials in a cartouche, the hollow knopped stem enclosing a threepenny bit dated 1763, on a circular foot, 25.5cm high Designed by Robert stephenson, the High level Bridge in Newcastle was opened by Queen Victoria on 16 January 1850

144

143 A Glass Goblet, circa 1830, the semifluted ovoid bowl inscribed SUCCESS TO THE TOWN AND TRADE OF BLACKBURNE (sic), the reverse with initials hung with foliate swags, 13.5cm high; A Small Wine Glass, the conical bowl engraved with a crowned T, the reverse with initials, on a hollow stem enclosing a groat dated 1836, 14.5cm high; An Armorial Carafe, 16cm high; A Similar Beaker, 11.5cm high; and A Small Plate, 16.5cm diameter (5) £300 - 400 (plus 24% BP*)

146

£300 - 400 (plus 24% BP*)

BRITISh CeRAmICS

145 A Set of Twelve Bohemian Amber Flash Armorial Plates, 2nd half 19th century, engraved with the arms of the Rothschild family over the motto CONCORDIA INTEGRITAS INDUSTRIA within a wrythen fluted rim with panels of flowers, 20cm diameter

146 A Bow Porcelain Figure Group of Sheep, circa 1752, modelled as a recumbent sheep and lamb on a mound base, 13cm wide

For a similar pale amethyst flash example see Christie’s south Kensington, 20.5.04, lot 320

£600 - 800 (plus 24% BP*)

For a similar undecorated example see Bradshaw (Peter) Bow Porcelain Figures, pg.81, pl.53 The Property of a lady

£500 - 700 (plus 24% BP*) 147 A Pair of Chelsea Porcelain Dishes, circa 1760, of shaped circular form, painted with sprays of flowers within a broad scroll moulded and pierced border with panels of birds amongst foliage highlighted in gilt, gold anchor marks, 22.5cm diameter £1000 - 1500 (plus 24% BP*)

145

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BRITIsH CERaMICs

150 A Pair of Derby Porcelain Baskets, circa 1760, of oval form, painted with fruiting branches and moths with pierced basketweave border and ropetwist handles, 17cm wide £1500 - 2000 (plus 24% BP*) 151 A Pair of Derby Porcelain Figures of Pugs, circa 1780, sitting on scroll moulded mound bases, 7.5cm high; and A Similar Pug, 7cm high (3) The Property of a lady

£400 - 600 (plus 24% BP*)

148

152 A Brown Glazed earthenware ewer, possibly 15th century, with single strap handle, 40cm high; and A Similar Twinhandled Urn Shaped Pot, 36cm high (2) £300 - 400 (plus 24% BP*)

150

148 A Pair of Chelsea Porcelain Baskets, circa 1760, of circular form, painted with flowersprays within scroll moulded and pierced borders, painted with various birds, 16.5cm diameter £800 - 1200 (plus 24% BP*) 149 A Chelsea Porcelain Figure of Apollo, circa 1760, the loosely draped figure standing holding a lyre, on a separate scroll moulded base titled in gilt and painted with butterflies, gold anchor marks, 42cm high overall £500 - 700 (plus 24% BP*)

149 54

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153 A London Delft Pill Slab, circa 1740, of canted rectangular form painted in blue with the arms of the Worshipful Company of apothecaries over the motto OPIFER QUE PER ORBEM DICOR and the arms of the City of london, 27cm by 24cm For an example with very similar decoration see archer (Michael) Delftware in the Fitzwilliam Museum, pg.324, item J.23

£4000 - 6000 (plus 24% BP*) 154 An english Delft Colander Bowl, circa 1760, of circular form, the pierced interior with bands of geometric and foliate decoration, the exterior with birds perched on branches, 18.5cm diameter The Property of a lady

£300 - 500 (plus 24% BP*)

153

155

158 A Staffordshire Saltglazed Stoneware Teapot and Cover, circa 1750, octagonal baluster form moulded with panels of animals and busts, 10.5cm high The Property of a lady

155 An english Delft Potted meat Pot, circa 1760, of oval form, painted in blue with a squirrel and fruiting vine, 16cm wide Potted meat dishes appear to be a rare survivor in English delft, for three examples see The Kassebaum Collection, sotheby’s london, 7.10.92, lots 89, 90 and 92 The Property of a lady

£300 - 500 (plus 24% BP*) 156 A Staffordshire Tortoiseshell Glazed Coffee Pot and Cover, circa 1750, of baluster form with crabstock handle and foliate knop, 18.5cm high

£250 - 350 (plus 24% BP*) 159 A Staffordshire White Saltglazed Stoneware Teapot and Cover, circa 1760, of globular form with crabstock handles and spout, painted in colours with a couple dancing in a garden, the reverse with a piper, 19cm long Provenance: shand-Kydd Collection The Property of a lady

£250 - 350 (plus 24% BP*)

The Property of a lady

£300 - 500 (plus 24% BP*) 157 A Staffordshire Agateware Pecten Shell Teapot and Cover, circa 1750, with scroll handle and spout, marbled in brown and cream, 14cm high The Property of a lady

£400 - 600 (plus 24% BP*)

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162 A William Greatbatch Creamware Teapot and Cover, circa 1770-1782, of baluster form with pierced arcaded shoulder and foliate sheathed spout, printed and overpainted with The Prodigal Son Receives His Patrimony, the reverse with The Prodigal Son Taking Leave within puce panel borders, 13.5cm high The Property of a lady

£300 - 500 (plus 24% BP*)

160 (detail)

163 A Creamware mug, circa 1770, of cylindrical form with entwined strap handle, painted in colours with a piper sitting on a rock, 16.5cm high

160

The Property of a lady

£250 - 350 (plus 24% BP*) 164 A Staffordshire Tortoiseshell Glazed Puzzle Pipe, circa 1760, of traditional entwined form, the three bowls moulded as human heads, 30cm long

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160 A Staffordshire White Saltglazed Stoneware Coffee Pot and Cover, circa 1760, of baluster form with acorn finial and leaf sheathed spout, painted in colours with a lady beside a fountain below a green lattice border, 24cm high

The Property of a lady

£300 - 500 (plus 24% BP*) 165 A Prattware Plaque, circa 1790, modelled and painted with a fashionable lady holding an umbrella on an oval panel, 29cm high

The Property of a lady

£500 - 700 (plus 24% BP*) 161 A William Greatbatch Creamware Teapot and Cover, circa 1770-1782, of cylindrical form with loop handle and leaf sheathed spout, printed and overpainted with The Prodigal Son Receives His Patrimony, the reverse with The Prodigal Son Taking Leave within puce panels, 12.5cm high

The Property of a lady

£400 - 600 (plus 24% BP*)

For a similar example see Bonhams New Bond street, 18.9.12, lot 76 The Property of a lady

£500 - 700 (plus 24% BP*)

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166 A Pearlware Flask, circa 1800, of oval form, moulded and painted with busts of Ceres holding a cornucopia on a scale blue ground, 14cm; and A Prattware Navette Shaped Scent Bottle, decorated with classical figures, 7.5cm (2) The Property of a lady

£300 - 400 (plus 24% BP*) 167 A Pratt Type Figure of a horse, possibly St Anthony, Newcastle, circa 1810, standing four square with brown sponged markings and blue and ochre saddle on a green washed rectangular base, 15.5cm high £700 - 1000 (plus 24% BP*) 168 A Pair of Staffordshire Pearlware models of Swans, circa 1800, modelled with blue wings on green washed bases, 8.5cm For a similar example see the Rous lench Collection, Christie’s london, 29.5.00, lot 119 The Property of a lady

£300 - 400 (plus 24% BP*) 169 A Pratt Type Pottery Bear Jug and Cover, circa 1800, naturalistically modelled seated holding a figure of a gentleman between its forepaws, 26.5cm high

170 A Treacle Glaze Pottery Bear Jug and Cover, early 19th century, naturalistically modelled sitting holding a dog in its forepaws, 28.5cm high Provenance: Ex stanley J seeger Collection

£300 - 500 (plus 24% BP*) 171 A Pearlware Bear Jug and Cover, early 19th century, naturalistically modelled sitting holding a monkey between its forepaws, 26cm high Provenance: Ex stanley J seeger Collection

£300 - 500 (plus 24% BP*)

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172 A Pratt Type Pottery Bear Jug and Cover, circa 1800, naturalistically modelled sitting holding a caricature figure of Napoleon between its forepaws, the hat inscribed BONEY, 28cm high Provenance: Ex stanley J seeger Collection

£400 - 600 (plus 24% BP*) 173 A Pair of Treacle Glazed Pottery Figures of Lions, possibly Brameld, circa 1840, the recumbent animals on mound bases, 11cm wide The Property of a lady

174 A Chamberlains Worcester Plate, painted with the arms of Thompson of sheriff Hutton within a gilt scroll border, painted mark in red, 21.5cm diameter; A Similar Plate, painted with the crest of Reed within a panelled border, 21.5cm diameter; A Similar Coffee Cup and Saucer, painted with the arms of Hope on an Imari ground; and A Flight, Barr & Barr Worcester Sauce Tureen and Cover, painted with the arms of Hawkins of Nash Court, Kent, 18cm high (4) £250 - 350 (plus 24% BP*)

£300 - 400 (plus 24% BP*)

Provenance: Ex stanley J seeger Collection

£400 - 600 (plus 24% BP*)

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177 A Wedgwood Black Basalt Portland Vase, mid 19th century, of typical form, impressed WEDGWOOD, 26cm high £500 - 700 (plus 24% BP*) 178 A measham Bargeware Smoker’s Compendium, circa 1890, typically applied with foliage, comprising a candlestick, goblet, tobacco jar and tamper and spittoon, 44cm high £600 - 800 (plus 24% BP*)

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175 A Derby Porcelain Plate, circa 1820, painted with the arms of Tynte and Kemeys within a blue border with gilt foliate scrolls, painted mark in red, 25.5cm diameter; A Flight, Barr & Barr Worcester Porcelain Plate, circa 1820, painted with arms of Walmsley of Foston Hall, Derby within a claret border and gadrooned rim, printed and impressed marks, 26cm diameter; and A John Ridgway Plate, painted with the arms of Westhead within a claret, blue and gilt border, printed mark, 26cm diameter (3) Derby plate made for the marriage of John Kemeys-Tynte of Cefn Mabley in County Glamorgan. For similar examples see sotheby’s Olympia, 6.4.04, lot 167

£200 - 300 (plus 24% BP*)

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176 A Pair of Pottery Caricature Figures of Gladstone and Disraeli, late 19th century, both modelled standing, Gladstone holding an umbrella and bag, Disraeli leaning on a column, both on marble square bases, impressed W&R marks, 43cm high There is some dispute as to where these figures were made with both Wayte and Ridge of staffordshire who produced pottery figures and Wittman and Roth pottery importers of london being thought to be responsible

£500 - 800 (plus 24% BP*)

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179 A measham Bargeware Toby Jug and Cover, dated 1892, as the snufftaker, applied with flowers and inscribed INOCH KENT CH.GRESLEY 1892, 23cm high £300 - 500 (plus 24% BP*) 180 A Royal Worcester Porcelain Baluster ewer,

by John Stinton, 1907, with leaf sheathed scroll handle and shoulders, painted with highland cattle in landscape within green, salmon pink and gilt borders, signed, printed mark in puce, 33.5cm high £700 - 1000 (plus 24% BP*) 181 A Set of Six Royal Worcester Porcelain Coffee Cups and Saucers, 1938 and 1940, painted by Edward Townsend and Harry ayrton with still life of fruit on a mossy bank, signed, printed marks in puce; together with Six Silver Gilt Coffee Spoons, london 1937 and 1938, contained in a fitted leather case £500 - 700 (plus 24% BP*)

181 BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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ASIAN CeRAmICS AND WoRkS oF ART 187 A Peking Glass Bottle Vase, of ovoid form with cylindrical neck, bears four character Daoguang reign mark, 21cm high £500 - 700 (plus 24% BP*) 188 A Chinese Painted Pottery model of a horse, Tang Dynasty (618-906AD), the standing beast with one foreleg raised, fitted with saddle and fittings, with remains of cold painted decoration, 52cm high 183

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CoNTINeNTAL CeRAmICS 182 A Set of Four meissen Style Porcelain Figures of the Seasons, late 19th century, as classical maidens standing beside putti holding flowers, a sheaf of corn, fruiting vine and a brazier, bear crossed swords marks in underglaze blue, 32cm high £600 - 800 (plus 24% BP*) 183 A Gilt metal mounted Vienna Porcelain Tankard and Cover, circa 1900, of cylindrical form with coronet thumbpiece, painted with Ulysses and achilles in landscape on a gilt ground painted with vignettes, swags and foliage, the cover with further classical figures, mark in underglaze blue and titled in black, 17cm high £800 - 1200 (plus 24% BP*)

With Oxford authentication certificate, sample no.C112b25, dated 20th February 2012

£2000 - 3000 (plus 24% BP*) 189 A Pair of Tang Style Sancai Glazed Pottery Figures of Attendants, 20cm high; A Similar Figure of a Tomb Guardian, 51cm high; A Small Fragmentary Terracotta head; and A Terracotta Figure of a Guardian (5) £300 - 400 (plus 24% BP*) 190 A Chinese Fahua Type Glazed Jue, in Ming style, of traditional form on three supports with masks, 16cm wide £200 - 300 (plus 24% BP*)

184 A Gilt metal mounted Vienna Porcelain Tankard and Cover, circa 1900, of cylindrical form with coronet thumbpiece, painted with classical figures in landscape on a claret, black and cream ground gilt with foliage, the cover with further classical figures, shield mark in blue and titled Darius in gilt, 16cm high £800 - 1200 (plus 24% BP*) 185 A Pair of Sèvres Style Porcelain Plates, 19th century, painted and gilt with an armorial within a two-tone blue border gilt with foliate swags, bear pseudo sèvres marks in blue, 25.5cm diameter £200 - 300 (plus 24% BP*) 186 A Pair of Continental Porcelain Figures of a Lady and Gentleman, circa 1880, wearing romantic 18th century dress, she examining a skein of wool, he a chain, on mound bases, bear anchor marks in red, 43cm high £300 - 500 (plus 24% BP*)

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194 A Pair of Chinese Porcelain “Dragon” Bowls, Guangxu marks, painted in underglaze blue with five-clawed dragons in pursuit of flaming pearls above waves, six character marks in underglaze blue, 11cm diameter For a similar pair see sotheby’s New York, 17.9.13, lot 338 Provenance: By descent from Elizabeth shield who was a companion to lucie Castleman, the daughter of one of the founders of the Rock Island Railroad, on her travels in Europe and the Far East in the 1880s and 1900s

£700 - 1000 (plus 24% BP*)

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191 A Gilt metal mounted Chinese Porcelain Turquoise Glazed meiping, 19th century, incised with scrolling foliage on a leaf cast foot, 39cm high, converted to a lamp base £300 - 400 (plus 24% BP*) 192 A Chinese Porcelain “Dragon” Jar, of ovoid form with short cylindrical neck, painted in underglaze blue within formal borders, bears six character Xuande mark, 40cm high £1000 - 1500 (plus 24% BP*)

194 (detail)

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193 A Chinese Porcelain Jar, Jaijing reign mark, carved with dragons amongst lotus blossom, six character reign mark in underglaze blue, 15cm high Provenance: Bears collection label for M H soames Collection, the collection of Major M H soames of little Berkhamstead, Hertfordshire, was sold by sotheby’s in two sales 29 June 1954 and 26 July 1954

£300 - 400 (plus 24% BP*)

194A  A Chinese Porcelain Wall Pocket, of baluster vase form, painted in underglaze blue with rows of geometric panels below a ruyi band neck, twin sinuous handles, possibly Qianlong, 32.5cm high £400 - 600 (plus 24% BP*) 195 A Blanc de Chine Figure of Guanyin, Qing Dynasty, sitting on a rock holding a scroll, a vase and finger citron at her side, on a scroll moulded base, impressed seal mark, 34cm high £300 - 400 (plus 24% BP*)

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196 A Chinese Porcelain Garden Seat, 19th century, of traditional barrel form, painted in famille rose enamels with birds and insects amongst flowering branches within gilt line borders, 46cm high £500 - 800 (plus 24% BP*) 197 A Pair of Chinese export Porcelain Figures of Parrots, Qing Dynasty, 19th century, with blue plumage on green washed rocky moulded bases, 22cm high £300 - 400 (plus 24% BP*) 198 A Chinese Porcelain Cong Vase, painted en grisaille and with iron red with a continuous winter landscape with inscribed titles, bears He Xuren Chupin seal mark, 30cm high £500 - 700 (plus 24% BP*) 199 An Imari Porcelain Jar and Cover, circa 1700, typically painted with a fenced garden within foliate panelled borders, 78cm high £300 - 500 (plus 24% BP*) 194a

198 (detail)

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asIaN CERaMICs aND WORKs OF aRT 201 A Chinese Jade handle, worked in relief with flowering branches, 16.5cm long £200 - 300 (plus 24% BP*) 202 A Jade Disc Pendant, carved with a bat and kylin, the reverse with seal marks, 5cm diameter, wooden stand £200 - 300 (plus 24% BP*) 203 A Cantonese Ivory Card Case, mid 19th century, typically carved and pierced with figures amongst buildings and trees, 11.5cm high £300 - 500 (plus 24% BP*) 204 A Chinese Rhinoceros horn Libation Cup, Qing Dynasty, of shaped oval form, the exterior carved in relief with cranes amongst water lilies, the shallow interior carved with further water lilies, 13cm long £2000 - 3000 (plus 24% BP*) 205 A Set of Four Chinese export Pith Paper Paintings, 19th century, painted with dignitaries sitting in interiors, 28cm by 19cm £300 - 500 (plus 24% BP*) 206 A Group of Six Chinese export Pith Paper Paintings, 19th century, each painted with birds amongst foliage, the largest 18cm by 28cm £300 - 500 (plus 24% BP*)

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200 A Japanese Imari Porcelain Jar and Cover, circa 1700, of baluster form, typically painted with a fenced garden within lappet shaped panels of birds and foliage, 62cm high £600 - 800 (plus 24% BP*)

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207 A Chinese export Lacquer Workbox and hinged Cover, early 19th century, of canted rectangular form, the interior with an arrangement of compartments and lift-out trays over a frieze drawer, on paw feet, the whole decorated with figures in landscapes in panels on a foliate ground and with a monogram, 37cm wide £250 - 350 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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208 A Japanese Ivory okimono, meiji period, as a scholar sitting beside a scroll holder surmounted by a child, signed to red lacquer plaque, 11.5cm long £200 - 300 (plus 24% BP*) 209 A Japanese Ivory Netsuke, meiji period, as two actors wearing Noh masks and holding a banner, signed, 6cm high £200 - 300 (plus 24% BP*) 210 A Japanese Ivory Netsuke, meiji period, as a group of Noh masks, signed, 4.5cm; and A Small okimono, as Oni tormenting a recumbent figure, 6.5cm wide (2) £200 - 300 (plus 24% BP*) 211 A Japanese Ivory Bridge Group, meiji period, as two fishermen on a small bridge, one with a net, one with a pole, on a wooden plinth, signed to ivory plaque, 21cm long £200 - 300 (plus 24% BP*) 212 A Japanese Ivory Netsuke, meiji period, as recumbent horse, signed, 4.5cm long; A Similar, as a standing horse, 4.5cm high; Another, as a mermaid, 5.5cm long; Another, as a chick hatching from an egg, 4.5cm long; and Another, as an octopus in a jar, 5.5cm long (5) £350 - 450 (plus 24% BP*)

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213 A Japanese Ivory okimono of a Geisha, meiji period, standing holding a figure of an immortal, a child at her feet playing with a brocade ball and dog, incised signature, 25cm high £700 - 1000 (plus 24% BP*)

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214 A Japanese Ivory Figure Group, meiji period, of a boy sitting on a plank with various objects being held by two other boys, on a wooden table base, 32cm long £1500 - 2000 (plus 24% BP*)

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215 A Japanese Ivory Figure Group, meiji period, of a farmer working a waterwheel, another holding a fishing rod and basket, another sitting picking radishes on a base modelled as a stream, signed in a red lacquer tablet YAGUCHI MYOKEI, 19cm high, on a wooden plinth £2500 - 4000 (plus 24% BP*) 216 A Japanese Ivory Netsuke, meiji period, as a rat carrying a gourd on its back, signed, 2.5cm long £150 - 200 (plus 24% BP*)

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217 A Set of Four Japanese Ivory Figures of musicians, meiji period, each as a kneeling Geisha in traditional dress, one signed, 7cm high £200 - 300 (plus 24% BP*) 218 A Japanese Ivory okimono, meiji period, as a farmer holding a brush containing a snake, two toads at his feet, on a mound base, signed, 21cm high £300 - 500 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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219 A Japanese Cloisonné Baluster Vase, meiji period, with flared neck, decorated with insects amongst flowering branches on a blue ground, 31cm high £200 - 300 (plus 24% BP*) 220 A Pair of Japanese Cloisonné enamel Baluster Vases, meiji period, with flared necks, decorated with birds amongst prunus on a blue ground, 16cm high £300 - 400 (plus 24% BP*) 224

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221 A Japanese Cloisonné Baluster Vase, meiji period, with flared trumpet neck, decorated with panels of animals and scrolls on a foliate scroll ground, 46.5cm high £200 - 300 (plus 24% BP*)

223 A Pair of Japanese White metal mounted Bronze Vases, meiji period, of baluster form with flared necks applied with dragons above waves, seal marks, 15cm high £250 - 350 (plus 24% BP*)

222 A Pair of Japanese Cloisonné enamel Baluster Vases, meiji period, with flared trumpet necks, decorated with dragons on a blue ground, 15.5cm high £300 - 400 (plus 24% BP*)

224 A Japanese Bronze Tiger, meiji period, naturalistically modelled, seal mark, 27cm long £500 - 700 (plus 24% BP*)

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225 A Japanese Bronze Tiger, meiji period, naturalistically modelled crouching, seal marks, 36cm long £500 - 700 (plus 24% BP*) 226 No lot

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WATCHES

WATCHES All lots are sold as is, and the absence of any reference to the condition of a watch does not imply the lot is in good condition and without defects, repairs or restorations. Most watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. Tennants makes no representation or warranty that any watch is in working order. As watches often contain fine and complex mechanisms, bidders should be aware that a general service, change of battery or further repair work, for which they are solely responsible, may be necessary.

228 A Stainless Steel Automatic Calendar Centre Seconds Wristwatch with Power Reserve Indication, signed Corum, model: Corum Romulus, ref: 02.0001, circa 2009, lever movement, striped silvered dial with polished baton markers, date aperture, power reserve indication disc, large screw down crown, bezel with Roman numerals, screw back numbered 2112632, Corum stainless steel bracelet with a concealed double deployant clasp, 43mm wide, with Corum boxes and instruction booklet £800 - 1200 (plus 24% BP*)

230 A Steel and Gold Automatic Calendar Centre Seconds Wristwatch, signed Rolex, Oyster Perpetual, model: Date, ref: 69173/69000A, 1983, (calibre 2135) lever movement signed and numbered 306038, adjusted to five positions and temperature, champagne coloured dial with Roman numerals, date aperture, screw down crown, screw back numbered inside 69000A, case serial number 8076566, Rolex steel and gold jubilee bracelet with a deployant clasp numbered 62523D 18, 25mm wide £1000 - 1500 (plus 24% BP*)

227 A Lady’s Steel and Gold Automatic Calendar Centre Seconds Wristwatch with Diamond Set Dial, signed Rolex, Oyster Perpetual, Superlative Chronometer Officially Certified, model: Datejust, ref: 69173/69000A, circa 1989, (calibre 2135) lever movement signed and numbered 272621, adjusted to five positions and temperature, mother of pearl dial with diamond set hour markers, date aperture, screw down crown, screw back, numbered inside 69000A, Rolex steel and gold jubilee bracelet with a deployant clasp numbered 62523 D-18, 25mm wide, with Rolex box £2500 - 3000 (plus 24% BP*)

229 A Lady’s 18ct Gold Automatic Calendar Centre Seconds Wristwatch, signed Rolex, Oyster Perpetual, Superlative Chronometer Officially Certified, model: Datejust, ref: 6917/6900, 1978, (calibre 2030) lever movement signed and numbered 428928, adjusted to five positions and temperature, gold coloured dial with baton markers, date aperture, screw down crown, screw back numbered inside 6900, convention mark 18k750, case serial number 5896822, Rolex 18ct gold President bracelet with a concealed deployant clasp, 25mm wide, with Rolex boxes and booklet £2000 - 3000 (plus 24% BP*)

231 A Steel and Gold Automatic Calendar Chronograph Wristwatch, signed Breitling, model: Windrider Shadow Flyback, ref: B35312, circa 2002, lever movement, mother-of-pearl dial with baton markers, outer tachymeter scale, three dials for seconds, and chronograph registers, date aperture, buttons in the band to operate chronograph, rotating bezel, screw back with Breitling monogram and numbered 199029, Breitling steel and gold bracelet with a deployant clasp, 38mm wide £1800 - 2200 (plus 24% BP*)

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232 A Lady’s Steel and Gold Automatic Centre Seconds Wristwatch, signed Rolex, Superlative Chronometer Officially Certified, model: Oyster Perpetual, ref: 67193/67000, 1993, (2130) lever movement signed and numbered adjusted to five positions and temperature, 3156129, gold coloured dial with baton markers, screw down crown, screw back numbered inside 67000, case serial number S989417, Rolex steel and gold jubilee bracelet with a deployant clasp numbered 62523 D-18, 24mm wide, with Rolex box, guarantee paperwork, booklet and a service guarantee card £1200 - 1500 (plus 24% BP*) 233 A Lady’s Stainless Steel Wristwatch with Diamond Set Dial, signed Tag Heuer, model: Alter Ego, ref: WP131C, circa 2007, quartz movement, mother of pearl dial with diamond set hour markers, crown at 4, back cover secured by six screws and numbered XZ5994, Tag Heuer polished stainless steel bracelet with a concealed double deployant clasp, 30mm wide, with Tag Heuer boxes, instructions and guarantee card £600 - 800 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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234 A Stainless Steel Automatic Calendar Chronograph Wristwatch, signed Tag Heuer, model: Monaco, ref: Calibre 12 CAW2111-0, circa 2016, lever movement signed, blue dial with baton markers, fifths of seconds track, two square silvered dials for seconds and 30-minute register, date aperture at 6, buttons in the band to operate chronograph, glazed back cover numbered RHR8337, Tag Heuer strap with a stainless steel deployant clasp numbered FC 5014, 40mm wide, with Tag Heuer boxes, instruction booklet and guarantee card.

Illustrated on page 67 £1800 - 2200 (plus 24% BP*) 235 A Lady’s Steel and Gold Wristwatch, signed Cartier, model: Tank Francaise, ref: 2384, circa 2005, quartz movement, silvered dial with Roman numerals, secret signature at 10, cabochon set crown, back cover numbered 457349CE, Cartier steel and gold bracelet with a concealed double deployant clasp, 20mm by 25mm.

Illustrated on page 67 £400 - 500 (plus 24% BP*)

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236 A Rare Military Stainless Steel Single Push Chronograph Wristwatch, signed Lemania, circa 1955, lever movement signed Lemania Watch Co and numbered 475254, black dial with luminous Arabic numerals, military broad arrow and a circle T for tritium, two dials for seconds and 30-minute register, single button in the band to operate chronograph, fixed bars between the lugs, screw back inscribed with a military broad arrow and numbered with military numbers 0552/920-3305 75254, 39mm wide £800 - 1200 (plus 24% BP*) 237 A Stainless Steel Automatic Calendar Chronograph Wristwatch, signed International Watch Company, Schaffhausen, model: Der Fliegerchronograph, circa 2000, self-winding lever movement, black dial with Arabic numerals and luminous triangle and baton markers, outer fifths of seconds track, three dials for seconds, 30-minute and 12-hour registers, day/date apertures, buttons in the band to operate chronograph, screw down crown, screw back numbered 2695886, IWC strap and stainless steel buckle, 39mm wide £1500 - 2000 (plus 24% BP*)

238 A Stainless Steel Automatic Chronograph Wristwatch, signed Breitling, model: Navitimer Premier, ref: A40035, circa 2000, lever movement, black dial with Arabic numerals, three dials for seconds and chronograph registers, buttons in the band to operate chronograph, snap-on back signed and numbered A40035 3709, Breitling steel buckle, 37mm wide, with Breitling boxes £1200 - 1500 (plus 24% BP*) 239 A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Hamilton, model: Khaki Team Earth Tribute to Harrison Ford, ref: H604551, circa 2013, (calibre 2824-2) lever movement, black dial with luminous Arabic numerals, date aperture, back cover secured by six screws, large onion crown, Hamilton strap, 43mm wide, with Hamilton boxes and instruction/ warranty booklet £400 - 500 (plus 24% BP*)

240 A Stainless Steel Chronograph Wristwatch, signed Rodania, circa 1970, lever movement, black dial with luminous baton markers, outer tachymeter scale, three dials for seconds, 30-minute and 12-hour registers, tonneau shaped case with buttons in the band to operate chronograph, screw back numbered 1358/72 2966.20, 41mm wide £800 - 1200 (plus 24% BP*) 241 A Royal Air Force Stainless Steel Centre Seconds Military Wristwatch, signed Hamilton, 1967, (calibre 75S) lever movement signed, dust cover, black dial with Arabic numerals and luminous triangle, dot and baton markers, dial with a circle T for tritium and a military broad arrow, fixed bars between the lugs, screw back inscribed with a military broad arrow and military numbers 6B-9614045 H-67 3356, inside back cover numbered 1473442, 37mm wide £300 - 500 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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242 A Stainless Steel Chronograph Wristwatch, signed Breitling, Genève, model: Top Time, ref: 2002, circa 1965, lever movement, silvered dial with baton markers, outer tachymeter scale, two dials for seconds and 45-minute register, buttons in the band to operate chronograph, case back numbered 2002, 37mm wide £600 - 800 (plus 24% BP*) 243 A Rare Stainless Steel Chronograph Wristwatch, signed Heuer, model: Carrera, ref: 2447N, circa 1967, (calibre Valjoux 72) lever movement signed Heuer Leonidas SA, black dial with baton markers, three dials for seconds, 30-minute and 12-hour registers, outer fifths of seconds track, buttons in the band to operate chronograph, screw back stamped inside Heuer Leonidas SA, 35mm wide £5000 - 7000 (plus 24% BP*)

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244 A Stainless Steel Chronograph Wristwatch, signed Breitling, model: Top Time “Racing”, ref: 2211, circa 1970, lever movement, black dial with square and baton markers, central chequered mark with two dials for seconds and 45-minute register, outer tachymeter scale, retro orange chronograph hand, cushion shaped case with buttons in the band to operate chronograph, screw back numbered 2211 1271351, 38mm wide The Breitling Top Time “Racing” refers to reference 2211, characterised by the chequered centre to the dial and retro orange chronograph hand

£600 - 800 (plus 24% BP*)

245 A Stainless Steel Centre Seconds Wristwatch, signed Rolex, Oyster, Precision, ref: 6082, 1951, lever movement signed Rolex chronometer and numbered E66269, patented superbalance, silvered dial with Arabic numerals, outer fifths of seconds track, Rolex super oyster crown, inside screw back signed and numbered 6082, case serial number 721522, 34mm wide, with a Rolex spring loaded riveted oyster bracelet with deployant clasp 64 4 £800 - 1200 (plus 24% BP*)

246 A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed International Watch Co, Schaffhausen, circa 1968, lever movement, silvered dial with baton markers, date aperture, screw back with engraved presentation inscription, case numbered 2094901, 35mm wide £500 - 700 (plus 24% BP*) 247 A Stainless Steel Automatic Calendar Centre Seconds Wristwatch, signed Zenith, circa 1975, lever movement, blue dial with baton markers, date aperture, tonneau shaped case, glazed screw back, 37mm wide £300 - 500 (plus 24% BP*)

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248 An 18ct Gold Rectangular Wristwatch, signed Vacheron & Constantin, Genève, circa 1950, lever movement signed and numbered 441323, adjusted to temperature, champagne coloured dial with Roman and baton markers, subsidiary seconds, snap-on back numbered inside 306322, convention mark 18k0.750 for 18ct gold, tear drop lugs, 26mm by 31mm £800 - 1200 (plus 24% BP*)

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249 A Steel and Gold Calendar Centre Seconds Wristwatch, signed Cartier, model: Panthere, ref: 187949C, circa 1990, quartz movement, cream coloured dial with Roman numerals, date aperture at 5, secret signature at 7, protected cabochon set crown, case back numbered 012842, Cartier steel and gold bracelet with a concealed double deployant clasp, 28mm wide £800 - 1200 (plus 24% BP*)

250 A Good 18ct Gold Wristwatch, signed Vacheron Constantin, Genève, circa 1980, (calibre 1003/1) 17-jewel lever movement signed and numbered 714893, movement stamped twice with the Geneva seal, adjusted to heat, cold, isochronism and five positions, gold coloured grain finished dial, cushion shaped case, back cover numbered 547457 and a convention hallmark 750 for 18ct gold, inside back cover numbered 33023 P 547457, Vacheron Constantin 18ct gold integral textured bracelet, 30mm wide, with a Vacheron Constantin leather pouch £1500 - 2000 (plus 24% BP*)

251 An 18ct Gold Ingot Wristwatch, signed Corum, ref: 14400, circa 1985, lever movement, ingot gold dial stamped Union Bank of Switzerland, 999.9 Gr.10 2091, case back secured by four screws and numbered 14400 348410, convention mark 750 for 18ct gold, Corum strap and a Corum gilt metal buckle, 21mm by 36mm, with a Corum pouch The property of Robert Hardy CBE

£1000 - 1500 (plus 24% BP*)

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252 A Stainless Steel Calendar Centre Seconds Wristwatch, signed Rolex, Precision, model: Oyster Date, ref: 6694, 1967, lever movement signed and numbered 394, champagne coloured dial with baton markers, date aperture, screw down crown, inside screw back signed and numbered 6694, dated II67, case serial number 1604426, Rolex stainless steel oyster bracelet with a deployant clasp 78350H, end links stamped 557, 34mm wide £500 - 700 (plus 24% BP*)

253 A Stainless Steel Chronograph Wristwatch, signed Omega, model: De Ville, ref: 145.017, 1968, (calibre 860) lever movement signed and numbered 27713101, silvered dial with baton markers and outer fifths of seconds track, two dials for seconds and 30-minute register, buttons in the band to operate chronograph, screw back numbered inside 145.017, Omega stainless steel bracelet with deployant clasp numbered 1098, 36mm wide £1200 - 1500 (plus 24% BP*) 254 A Stainless Steel Automatic Calendar Centre Seconds Alarm Wristwatch, signed Jaeger LeCoultre, model: Memovox, circa 1970, lever movement, silvered dial with baton markers, inner blue minute track, date aperture, tonneau shaped case with alarm crown in the band, screw back numbered 1271561, 39mm wide £600 - 800 (plus 24% BP*)

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255 A Stainless Steel Chronograph Wristwatch, signed Heuer, model: Camaro, circa 1968, (calibre 7733) lever movement signed Heuer Leonidas SA, black dial with baton markers and outer fifths of seconds track, two dials for seconds and 30-minute registers, cushion shaped case with buttons in the band to operate chronograph, screw back, 38mm wide £800 - 1200 (plus 24% BP*) 256 A Gold Plated Automatic Calendar Centre Seconds Alarm Wristwatch, signed Jaeger LeCoultre, model: Memovox, circa 1965, (calibre K825) lever movement signed and numbered 1807780, buffer rotor, silvered dial with baton markers, central alarm disc, alarm crown in the band, steel back numbered 1064560 and inside 855, 37mm wide £700 - 900 (plus 24% BP*)

257 A Stainless Steel Automatic Day/Date Centre Seconds Wristwatch, signed Tudor, model: Oyster Prince Day Date, ref: 70170, circa 1980, lever movement signed, blue dial with baton markers, date and day apertures, screw down crown, screw back engraved original oyster case by Rolex Geneva, case serial number 904946, Rolex Tudor stainless steel oyster bracelet with a deployant clasp, 38mm wide £800 - 1200 (plus 24% BP*)

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258 A Fine 18ct Gold Diamond Set Automatic Calendar Centre Seconds Wristwatch, signed Piaget, model: Polo, ref: P10241, circa 2010, lever movement, silvered sun burst dial with diamond set baton markers, date aperture at 6, diamond set bezel, back cover secured by four screws and numbered 926991, convention mark 750, Piaget 18ct gold bracelet with a concealed double deployant clasp, 38mm wide, with Piaget boxes, instruction booklet and warranty card £12000 - 15000 (plus 24% BP*)

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259 An 18ct Gold Automatic Calendar Centre Seconds Wristwatch, signed Rolex, Oyster Perpetual, Superlative Chronometer Officially Certified, model: Datejust, ref: 16248/16200, circa 1988, (calibre 3135) lever movement signed and numbered 5424055, adjusted to five positions and temperature, cream coloured dial with Roman numerals, date aperture, screw down crown, screw back numbered inside 16200, case serial number L248873, convention mark 18k750, Rolex 18ct gold jubilee bracelet with bark finished central links and a deployant clasp 8210, 35mm wide, with Rolex boxes, small pouch, and a service guarantee card £6000 - 7000 (plus 24% BP*)

260 A Lady’s Limited Edition 18ct Gold Wristwatch, signed Cartier, model: Tortue, ref: 1945, 1997, quartz movement, white dial with Roman numerals signed Cartier 1847 and initialled LC, secret signature at 10, cabochon set crown, back cover secured by four screws and numbered MG234632, convention mark 18k750, 24mm by 29mm, with Cartier box, two bracelet links, and a spare Must de Cartier strap

261 A Lady’s 18ct Gold Diamond Set Wristwatch, signed Piaget, circa 1970, lever movement, gold coloured bark finished dial with baton markers, hinged bark finished front cover set with a line of diamonds, snap-on back with a back winding crown and numbered 3960 A6 192205, Piaget 18ct gold bark finished integral bracelet, 23mm wide £1000 - 1500 (plus 24% BP*)

Produced in 1997 for the 150th Anniversary of Cartier

£3000 - 4000 (plus 24% BP*)

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262 A Rare 18ct Gold Wristwatch, signed Corum, model: Indian Head, circa 2000, quartz movement, gold dial depicting an enamel decorated Indians head and diamond set stars to the border, dial inscribed Liberty 1909, engine turned snap-on back depicting a United States of America $5 eagle coin, Corum strap and a gilt metal Corum buckle, 31mm wide £2000 - 3000 (plus 24% BP*) 263 A 14ct Gold Automatic Centre Seconds Wristwatch, signed Rolex, Superlative Chronometer Officially Certified, model: Oyster Perpetual, ref: 1008, 1968, (calibre 1570) lever movement signed and numbered D266768, adjusted to five positions and temperature, gold coloured dial with baton markers, screw down crown, screw back signed and numbered inside 1255668 1008, London import mark and stamped with a convention mark 14k0.585, Rolex buckle stamped 750, 34mm wide £1000 - 1500 (plus 24% BP*)

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264 An 18ct Gold Automatic Centre Seconds Wristwatch, signed Omega, Chronometer Officially Certified, model: Constellation, 1970, (calibre 712) lever movement signed and numbered 23183605, adjusted to five positions and temperature, gold coloured dial with baton markers, screw back with constellation monogram, inside back cover with maker’s mark OWC and numbered 3675435, London hallmark, 33mm wide, with Omega boxes £600 - 800 (plus 24% BP*)

266 A Rare 18ct Pink Gold Square Shaped Chronograph Wristwatch, signed Baume & Mercier, Genève, circa 1945, lever movement signed, overcoil hairspring, black dial with gilt coloured Roman numerals and signed Baume & Mercier Ultra Prima, outer fifths of seconds track, inner tachymeter scale, two dials for seconds and a 30-minute register, case with square chronograph buttons in the band, back cover signed and numbered 96789, inside back cover with convention mark 18k750, 26mm wide £5000 - 7000 (plus 24% BP*)

265 A Lady’s 18ct Gold Wristwatch, signed Patek Philippe, Geneve, ref:3266/60, circa 1969, lever movement signed and numbered 984211, adjusted to heat, cold, isochronism and five positions, gyromax balance, champagne coloured dial with baton markers, snap-on back stamped inside 2630974 3266/60, convention mark 18k0.750, bracelet with clasp stamped 750, 16mm wide £700 - 900 (plus 24% BP*)

267 A 9ct Gold Wristwatch, signed Rolex, model: Precision, 1960, lever movement signed and numbered N94581, silvered dial with dagger markers, seconds dial, snap-on back stamped inside with maker’s mark ALD and numbered 13345 76705, Birmingham hallmark, 33mm wide £350 - 450 (plus 24% BP*)

268 An 18ct Gold Limited Edition Rectangular Wristwatch, signed Longines, Limited series 139 of 400, model: Dolce Vita Heritage, ref: L5 669 6, circa 2000, lever movement, silvered dial with Art Deco style numerals, seconds dial, case back secured by four screws and numbered 29834166, convention mark 18k750, Longines gilt metal buckle, 26mm by 37mm, with Longines boxes £500 - 700 (plus 24% BP*)

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269 A Stainless Steel Diamond Set Automatic Calendar Chronograph Wristwatch, signed Roamer, circa 2010, lever movement, silvered dial with dagger markers, date aperture at 12, buttons in the band to operate chronograph, diamond set bezel, glazed back cover secured by six screws and numbered 101631, Roamer strap with a steel double deployant clasp, 40mm wide £800 - 1200 (plus 24% BP*)

271 A Royal Air Force Centre Seconds Military Wristwatch, signed Omega, 1943, (calibre 30T2) lever movement signed and numbered 9677841, silvered dial with Arabic numerals, duralumin finished case with a stainless steel snap on back engraved with Air Ministry and issue marks A.M 6B/159 6824/43, fixed bars between the lugs, inside back cover numbered 10542203, 34mm wide £400 - 600 (plus 24% BP*)

270 A Stainless Steel Automatic Centre Seconds Wristwatch, signed Tudor, model: Oyster Prince 34, ref: 7950, 1956, lever movement, “tuxedo” dial with an outer guilloche baton marker chapter ring and a black quarter sectioned centre, screw down crown, screw back numbered 232808 7950, inside back cover signed and dated IV56, 33mm wide £350 - 450 (plus 24% BP*)

272 A 9ct Gold Centre Seconds Wristwatch, signed Rolex, model: Precision, 1960, lever movement signed and numbered 32719, silvered dial with dagger markers, blued centre seconds hand, snap-on back stamped inside with maker’s mark ALD and numbered 12847 S3059, Birmingham hallmark, 35mm wide £450 - 550 (plus 24% BP*)

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273 A 9ct Gold Centre Seconds Wristwatch, signed Rolex, Oyster Precision, ref: 6022, 1952, lever movement signed and numbered 70661, adjusted to two positions, patented superbalance, silvered dial with Arabic numerals, outer fifths of seconds track, blued centre seconds hand, screw down crown, inside back cover with maker’s mark RWC.Ltd and numbered 6022 and serial number 840503, Glasgow 9ct gold import mark and stamped 0417-10k, 33mm wide £600 - 800 (plus 24% BP*)

274 A Rare Diver’s Large Wrist Compass, signed Officine Panerai, S.R.L, No.228, circa 1970, circular black rubber base, case back signed and numbered, revolving bezel with two luminous markers, plexi glass dome, dial with luminous capital letters for the cardinal points and indexes, immersed in water and shock-absorber liquid, 71mm wide £1000 - 1500 (plus 24% BP*)

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275 A Fine Limited Edition Stainless Steel Diamond Set Automatic Calendar Chronograph Wristwatch, signed Franck Muller, Genève, Master of Complications, model: Conquistador Cortez, ref: 10000 HCC, limited number 68 of 859, circa 2010, lever movement, engine turned black dial with cream coloured enamel Arabic numerals, two silvered dials for 30-minute and 12-hour registers, date aperture at 6, large square shaped case with chronograph buttons in the band, screw down crown, diamond set stepped bezel, sides and lugs, back cover signed, Franck Muller strap and diamond set steel buckle, 40mm wide, with Franck Muller boxes and certificate of origin £8000 - 10000 (plus 24% BP*)

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276 A Stainless Steel Chronograph Wristwatch, signed Omega, model: Speedmaster, Professional, ref: 145022, circa 1985, (calibre 861) lever movement signed and numbered 48220428, dust cover, black dial with luminous baton markers and outer fifths of seconds track, three dials for seconds, 30-minute and 12-hour registers, buttons in the band to operate chronograph, tachymeter scale bezel, screw back with the Speedmaster monogram and inscribed Flight-Qualified By NASA For All Manned Space Missions, The First Watch Worn On The Moon, inside back cover numbered 145022, Omega stainless steel bracelet with a deployant clasp numbered 1171/1, 42mm wide £1500 - 2000 (plus 24% BP*)

277 A Fine and Rare “Ed White” Pre-Moon Stainless Steel Chronograph Wristwatch, signed Omega, model: Speedmaster, so called “Ed White”, ref: 105.003, 1964, (calibre 321) lever movement signed and numbered 22081032, column wheel chronograph, dust cover, matte finished black dial with luminous baton markers and a fifths of seconds track, three dials for seconds, 30-minute and 12-hour registers, buttons in the band to operate chronograph, tachymeter bezel, screw back with the Speedmaster monogram, inside back cover numbered 105.003-64, later stainless steel Omega bracelet with a deployant clasp numbered 1039 3/71, 39mm wide The pre-moon Speedmaster reference 105.003 is colloquially referred to as the “Ed White” Speedmaster because this model type and reference was worn by NASA Astronaut Edward Higgins “Ed” White (1930-1967) when he was the first American to walk in space in 1965. The reference 105.003 is rare as it was only in production for around three years from 1963 and then superseded by the ‘professional’ reference version 105.012 which, famously, was worn on the moon landing in 1969. Typical features of the “Ed White” pre-moon Speedmaster are the straight lugs, no crown guards and just signed on the dial Omega Speedmaster without the professional signature.

£3000 - 5000 (plus 24% BP*)

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278 A Fine 18ct White Gold Regulator Dial Automatic Calendar Dual Time Zone Wristwatch, signed Vacheron Constantin, Genève, Regulateur, Chronometer, model: Malte Dual Time Regulator, ref: 42005/000G, circa 2005, (calibre 1206) lever movement signed and numbered 934245, adjusted to five positions, automatic rotor stamped 18c, silvered regulator dial with two dials for 24-hour indication and date combined with seconds, case with adjustment button at 10 for the 24-hour time zone and a adjustment pusher for the date, hinged back cover signed and stamped inside 750, inside case with a glazed movement cover and numbered to the border 42005/1 778804 and with a convention mark, Vacheron Constantin strap and 18ct white gold Vacheron Constantin buckle numbered 050023, 38mm wide, with Vacheron Constantin boxes, certificate of origin booklet and booklet manual £8000 - 10000 (plus 24% BP*)

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279 An 18ct Gold Full Hunter Chronograph Pocket Watch, signed Thos Russell & Son, Makers to the Queen, 12 Church St, Liverpool, circa 1895, lever movement signed and numbered 91588, enamel dial with Roman numerals, outer fifths of seconds track, slide lever in the band to operate chronograph hand, plain polished case with indistinct maker’s mark and hallmarks, case numbered 91588, 55mm wide £800 - 1200 (plus 24% BP*) 280 An 18ct Gold Open Faced Presentation Pocket Watch with Meteorological Interest, signed Arnold and Chas Frodsham, 84 Strand, London, No.9875, 1858, gilt fusee lever movement signed and numbered, bimetallic balance, enamel dial with Roman numerals, seconds dial, engine turned back cover stamped inside with maker’s mark FM and numbered 9875, London hallmark, cuvette with engraved presentation inscription 1859 Presented by the President of the Board of Trade to Captn Henry Toynbee for the best Meteorological registers since 1855, 49mm wide Henry Toynbee was born 1819 at Heckington, near Boston Lincolnshire.

At the age of fourteen he entered the mercantile marine as a midshipman on the Dunvegan Castle. He soon obtained the appointment as third officer on one of the vessels of the famous line of East Indiamen owned by Messrs T & W Smith and eventually he commanded several of the best known vessels in the fleet. Captain Toynbee was famous himself as a navigator and trained a large number of navigators of his time holding a daily navigation school don his ship. In particular, he was an expert “Lunarian” and he contributed several papers to the Society on the rating of chronometers by lunar distances. In 1866 he left the mercantile service and became Marine Superintendent of the Meteorological Office, where he published the Barometer Manual. He contributed to the information as to weather conditions in the Southern Ocean, which was collected by Sir George Airy in the preparation for the Transit of Venus Expeditions. See Royal Astronomical Society, page 301

£700 - 900 (plus 24% BP*) 281 An 18ct Gold Open Faced Lever Pocket Watch, signed Lewis Samuel, Liverpool, No.445, 1827, gilt fusee lever movement signed and numbered 445, balance cock foot inscribed Patent, three armed balance, diamond endstone, large Liverpool jewel windows, dust cover inscribed A Tribute of Affection to his Wife, gold dial with Roman numerals and applied three colour gold scroll mounts, blued steel serpentine hands, engine turned back cover and elaborately engraved sides with scroll and floral decoration, maker’s mark EK&Co, Chester hallmark, 47mm wide £800 - 1200 (plus 24% BP*)

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282 An Open Faced Military Pocket Watch, signed Rolex, circa 1940, (calibre 540) lever movement signed, black dial with gilt coloured Arabic numerals, dial signed and numbered A.20581, seconds dial, nickel plated case, back cover engraved with military marks A.20581 G.S.MK.II and a broad arrow, the band numbered A.20581, 49mm wide £500 - 700 (plus 24% BP*) 283 A Rare Silver William’s Patent Fast Beating Chronograph Pocket Watch, signed William’s Patent, No.4762, Sole Maker John Taylor, Rochdale, 1892, lever movement signed and with the patent number 4762 and numbered 2033, enamel dial with Roman numerals, subsidiary dial for 1/16th of a second, outer seconds track, slide in the band to operate chronograph, case back with a vacant cartouche, Chester hallmark and numbered 16690, maker’s mark CH, 55mm wide William’s patent No.4762 was introduced in March 1890. For similar examples see Shenton (Alan) Pocket Watches 19th & 20th Century, pg.334

£300 - 500 (plus 24% BP*) 284 An 18ct Gold Half Hunter Pocket Watch, 1913, lever movement, silvered dial with Arabic numerals, seconds dial, front cover with blue enamel Arabic numerals, inside back cover numbered 83564, London import mark, 48mm wide, with a two colour chain, clasp and T-bar stamped 18ct & PT £600 - 800 (plus 24% BP*) 285 An 18ct Gold Twenty Dollar Coin Watch, signed Audemars Piguet, Genève, circa 1980, (calibre 2003) lever movement signed and numbered 60114, adjusted to temperatures and four positions, silvered dial with Arabic and baton markers, snap-on back stamped inside with convention mark 18k0.750, inside coin back signed and numbered 5490, United States of America $20 coin, the front depicting Liberty and dated 1900, reverse with the bald-headed eagle, concealed button in the band to release front cover, 34mm wide £600 - 800 (plus 24% BP*) 286 A Gold and Enamel Verge Pocket Watch, signed J Ante Rey a Genève, circa 1840, gilt fusee verge movement signed, engine turned silvered dial with Roman numerals, case elaborately decorated with multi-coloured enamel flowers throughout, inside back cover numbered 805, gilt metal cuvette numbered 805, 41mm wide £800 - 1200 (plus 24% BP*)

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287 A Triple Cased Gold Repoussé Shagreen Verge Pocket Watch, signed Wm Sterck, London, 1758, gilt fusee verge movement signed and numbered 1391, diamond endstone, square baluster pillars, later enamel dial with Roman numerals, steel beetle and poker hands, both gold cases with maker’s mark HT and London hallmarks, plain inner case, repoussé second case with scroll and floral borders, central mythological scene depicting figures in robes winged cherubs, lower edge of the scene is signed J Gastrell (John Gastrell), third outer case with gilt metal mounts and overlaid with shagreen, borders decorated with pique pins, 57mm wide £1500 - 2000 (plus 24% BP*)

287 (detail)

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288 A Fine and Rare Early 18th Century Gold Repeating Verge Pocket Watch, signed Daniel Quare, London, No.654, circa 1710, gilt fusee verge movement signed D Quare London and numbered 654, diamond endstone, three armed steel balance, turned pillars, dust cover signed DanL Quare London and inscribed inside 654, plunge pendant to operate repeat with two hammers striking on a bell, enamel dial with Roman and outer Arabic numerals, blued steel poker and tulip hands, inner gold case with elaborately pierced borders and engraved with scroll, floral, birds and mask decoration, case back numbered 654 below the pendant, inside case back beneath the bell stamped with case maker’s mark WI for William Jaques and numbered 654, third case overlaid with leather and gilt metal pique pins to the borders, square hinge, with a gilt metal 18th century crank key (second case missing), 47mm wide Daniel Quare (1649-1724) was an important clock, watch and instrument maker. He was admitted to the Clockmakers’ Company in 1671 and became a Master of the Company in 1708. After 1709 he went into partnership with one of his ex-apprentices, Stephen Horseman, who carried on the business after Quare’s death, until going bankrupt in 1733. It is said that he made a repeating watch for William III and other clock and watch examples for the Royal family. W.I is the mark of William Jaques, watch case maker, born c. 1665, Free in the Clockmakers’ Company 1687, died 1719. Jaques was one of the leading casemakers in London at the end of the 17th century and was one of the more prolific workshops of the time, making cases for makers such as Joseph Windmills, Simon Decharmes and John Bushman

288 (detail)

£3000 - 5000 (plus 24% BP*)

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289 A Rare 18ct Gold Pocket Chronometer with Original Mahogany Deck Box, signed Dent, Watchmaker to the Queen, London, No.6099, 1842, gilt fusee movement signed and numbered 6099, chronometer detent escapement, free sprung blued helical hairspring, bimetallic compensation balance with timing screws and weights, diamond endstone, gold coloured dial with Roman numerals, seconds dial, blued steel moon hands, engine turned back cover, ribbed band, inside back cover with maker’s mark HH and numbered 6099, London hallmark, 50mm wide, with original outer mahogany box, lid with an inlaid ivory plaque signed Dent and numbered 6099 £3000 - 4000 (plus 24% BP*)

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290 A Fine and Rare Gold Repoussé Pair Cased Repeating Verge Pocket Watch, signed John Ellicott, London, No.073, circa 1750, gilt fusee verge movement signed and numbered 073, three armed balance, diamond endstone, turned pillars, plunge pendant to operate repeat with two hammers striking on a bell, silver dust cover signed, enamel dial with Roman and outer Arabic numerals, blued steel beetle and poker hands, inner gold case with elaborately pierced borders and engraved with scroll, floral, birds and mask decoration, inside case back beneath the bell indistinctly stamped with maker’s mark ?H, the fine outer repoussé case with a square hinge, pierced sound fret scroll framed panels, borders and bezel decorated with figures, vases of flowers and birds, central classical scene with figures playing musical instruments within a woodland background, inside case back indistinctly stamped with maker’s mark ?H, 51mm wide John Ellicott (London 1706-1772) was an eminent clock and watch maker of the 18th century. He conducted business from Austin Friars Street and later at Swithin’s Alley, Royal Exchange. He was elected Fellow of the Royal Society in 1738 and he was best known for his work on temperature compensated pendulums and the cylinder escapement. Later in his career he was appointed as Clockmaker to King George III.

£3000 - 5000 (plus 24% BP*)

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JEWELLERY

JEWELLERy Coloured Stones It should be noted that gemstones are often treated to improve their appearance.

Heating, for instance, can intensify the colour or transparency of sapphires and rubies, whilst oiling can improve the clarity of emeralds. The international jewellery trade generally accepts these methods.

Once heated, the colour enhancement is permanent, though there may be some effect on the durability of the gemstone in question. Once a gemstone has been oiled, the process may need to be repeated in the future to maintain the clarity.

291 A Cultured Pearl and Diamond Brooch, three graduated pearls to an openwork scroll frame set throughout with old cut diamonds in white claw settings, suspending a central old cut diamond pendant above an articulated diamond set swag with a larger old cut diamond pendant drop, total estimated diamond weight 3.00 carat approximately, measures 4.5cm by 4.5cm £1500 - 2000 (plus 24% BP*)

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292 A Diamond Three Stone Ring, graduated old cut diamonds in white claw settings, to yellow scroll shoulders on a plain polished shank, total estimated diamond weight 3.25 carat approximately, finger size O½ £5000 - 8000 (plus 24% BP*) 293 An Art Deco Diamond Half Hoop Ring, five graduated old cut diamonds with old cut diamond accents in a white carved setting, to carved shoulders on a plain polished shank, total estimated diamond weight 1.15 carat approximately, finger size M½ NB: One accent diamond deficient

£1000 - 1500 (plus 24% BP*) 294 A Set of Three Graduated Victorian Diamond Set Star Brooches, each with a central old cut diamond within a border of six smaller old cut diamonds, to twelve diamond set radial arms, total estimated diamond weight for the set 2.35 carat approximately, in a fitted case £500 - 800 (plus 24% BP*)

295 A Diamond Brooch/ Pendant, an oval old cut diamond within a border of smaller old cut diamonds in white collet and claw settings, to a shaped frame set throughout with old cut diamonds suspending graduated diamond set kite shaped drops, with a hinged diamond set bail on a fine figaro link chain, total estimated diamond weight 6.25 carat approximately, measures 7cm by 3cm, chain length 43cm, in a fitted Garrard & Co Ltd case NB: One pendant drop deficient

£3000 - 5000 (plus 24% BP*) 296 A Pear Cut Diamond Solitaire Ring, in a white claw setting, to knife edge shoulders on a plain polished shank, estimated diamond weight 1.00 carat approximately, finger size J½ £2000 - 4000 (plus 24% BP*) 297 A Platinum Diamond Solitaire Ring, an octagonal cut diamond between tapered baguette cut diamonds in claw settings, to tapering shoulders on a plain polished shank, total estimated diamond weight 1.70 carat approximately, finger size P £2500 - 3000 (plus 24% BP*)

298 A Platinum Diamond Solitaire Ring, an old cut diamond in a claw setting between tapered baguette cut diamonds, on a plain polished shank, total estimated diamond weight 1.45 carat approximately, finger size L½ £800 - 1200 (plus 24% BP*) 299 A Diamond and Pearl Bar Brooch, a knife edge bar set with old cut diamonds in white milgrain settings with a button pearl and old cut diamond pendant drop suspended from two trace chains, total estimated diamond weight 2.10 carat approximately, measures 2.3cm by 4.5cm £700 - 1000 (plus 24% BP*) 300 An 18 Carat White Gold Diamond Solitaire Ring, a round brilliant cut diamond in a claw setting to knife edge shoulders on a plain polished shank, estimated diamond weight 1.25 carat approximately, finger size P £2000 - 3000 (plus 24% BP*)

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JEWELLERY

301 A Pair of Platinum Diamond Set Double Cufflinks, a platinum bar set with round brilliant cut diamonds and chain linked to a plain bar, total estimated diamond weight 0.15 carat approximately, 1.6cm long £400 - 600 (plus 24% BP*) 302 A Demantoid Garnet and Diamond Scroll Brooch/ Pendant, a round cut demantoid garnet in a white claw setting within a scroll frame set throughout with old cut diamonds, total estimated diamond weight 1.50 carat approximately, measures 2.5cm in diameter £300 - 500 (plus 24% BP*) 303 A Pair of 18 Carat White Gold Diamond Solitaire Earrings, a round brilliant cut diamond in a claw setting, total estimated diamond weight 1.25 carat approximately, with post fittings £2000 - 3000 (plus 24% BP*)

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304 A Turquoise and Diamond Cluster Ring, an oval cabochon turquoise within a border of old cut diamonds in white claw settings, to split shoulders and shank, total estimated diamond weight 0.80 carat approximately, finger size M £300 - 500 (plus 24% BP*) 305 An Emerald and Diamond Cluster Ring, an octagonal cut emerald within a border of round brilliant cut diamonds in white claw settings, to knife edge shoulders on a plain polished shank, total estimated diamond weight 1.20 carat approximately, finger size L½ £1600 - 1800 (plus 24% BP*) 306 An 18 Carat White Gold Peridot and Diamond Ring, an octagonal cut peridot in a claw setting, to round brilliant cut diamond set forked shoulders, on a plain polished shank, total estimated diamond weight 0.25 carat approximately, finger size K £300 - 400 (plus 24% BP*)

307 An Arts & Crafts Motherof-Pearl and Enamel Necklace, of abstract floral form with a central motherof-pearl plaque in a yellow milgrain setting to four petals enamelled in tones of blue and green with white bar decoration, suspended from a mother of pearl link to a white trace chain, pendant measures 3.5cm in diameter, drop length 5.5cm, chain length 42cm £200 - 400 (plus 24% BP*) 308 An 18 Carat White Gold Watermelon Tourmaline and Diamond Ring, an octagonal cut watermelon tourmaline in a claw setting and within a border of round brilliant cut diamonds with a diamond set underbezel, to diamond set shoulders, on a plain polished shank, total estimated diamond weight 0.40 carat approximately, finger size K½ £1000 - 1500 (plus 24% BP*)

309 An Art Nouveau Blue Tourmaline and Seed Pearl Brooch, by Murrle Bennett & Co., an oval cut blue tourmaline in a yellow claw setting to a scroll frame set with a seed pearl and suspending an oval cut blue tourmaline drop, measures 2.5cm by 2.5cm £350 - 550 (plus 24% BP*) 310 A Multi-Gemstone and Cultured Pearl Necklace, faceted aquamarine and apatite beads spaced at intervals by cultured pearls, to a blue topaz set hook clasp, length 127cm £150 - 250 (plus 24% BP*)

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311 A Multi-Gemstone and Cultured Pearl Necklace, smooth polished and faceted tanzanite, iolite, moonstone and rose quartz beads spaced at intervals by cultured pearls, to a fancy box clasp, length 136cm £150 - 250 (plus 24% BP*) 312 An Aquamarine and Diamond Ring, an octagonal cut aquamarine within a border of eight-cut and baguette cut diamonds in white milgrain settings, to knife edge shoulders on a plain polished shank, total estimated diamond weight 0.25 carat approximately, finger size L £300 - 500 (plus 24% BP*)

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313 A Solitaire Diamond Ring, an octagonal cut diamond in a white claw setting, to stepped shoulders each inset with three graduated baguette cut diamonds in rubbed over settings, on a plain polished shank, total estimated diamond weight 3.25 carat approximately, finger size N½ £6000 - 8000 (plus 24% BP*) 314 A Sapphire and Diamond Cluster Ring, a central round brilliant cut diamond within a graduated three tier border of round cut sapphires and round brilliant cut diamonds in white claw settings, to knife edge shoulders on a plain polished shank, total estimated diamond weight 1.00 carat approximately, finger size K £600 - 800 (plus 24% BP*)

315 An Art Deco Star Sapphire and Diamond Clip Brooch,

by Raymond yard, a blue star sapphire in a white claw setting within a matt finish geometric scroll frame set with old cut and baguette cut diamonds, total estimated diamond weight 1.00 carat approximately, measures 3cm by 3.5cm £7000 - 9000 (plus 24% BP*) 316 A Pair of 18 Carat White Gold Diamond Solitaire Earrings, a round brilliant cut diamond in a claw setting, total estimated diamond weight 0.50 carat approximately, with post fittings £300 - 400 (plus 24% BP*)

318 A Diamond Solitaire Ring, an old cut diamond in a white claw setting to shoulders each set with graduated baguette cut diamonds in rubbed over settings, on a plain polished shank, total estimated diamond weight 1.25 carat approximately, finger size N £1200 - 1500 (plus 24% BP*) 319 A Diamond and Pearl Bar Brooch, a central old cut diamond in a white milgrain setting to an eight-cut diamond set bar terminating each end with a pearl, total estimated diamond weight 0.65 carat approximately, measures 5cm long £300 - 500 (plus 24% BP*)

317 A Diamond Three Stone Ring, graduated old cut diamonds in white claw settings, to forked shoulders on a plain polished shank, total estimated diamond weight 3.10 carat approximately, finger size O½ £3500 - 5500 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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JEWELLERY

320 A Mother-of-Pearl and Diamond Dress Stud Set, comprising a pair of chain linked cufflinks, four buttons and two studs, each set with a round cut diamond in a white milgrain setting to a mother-of-pearl plaque in white octagonal frames, in a fitted case £300 - 500 (plus 24% BP*) 321 An Art Deco Style Diamond Cluster Ring, two round brilliant cut diamonds spaced by two round brilliant cut diamond accents within a rectangular frame of round brilliant cut diamonds in white milgrain settings, on a plain polished flat sided shank, total estimated diamond weight 0.80 carat approximately, finger size M½ £800 - 1000 (plus 24% BP*) 322 A Sapphire and Diamond Cluster Ring, two baguette cut sapphires within a border of round brilliant cut diamonds and baguette cut sapphire accents in white claw settings, to forked shoulders on a reeded shank, total estimated diamond weight 1.80 carat approximately, finger size J £1500 - 2000 (plus 24% BP*)

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323 A Diamond Cross-Over Ring, two old cut diamonds in white claw settings to angular cross-over shoulders, one channel set with graduated baguette cut diamonds, the other set with graduated old cut diamonds, on a plain polished shank, total estimated diamond weight 2.00 carat approximately, finger size K½ £2200 - 2500 (plus 24% BP*) 324 A Diamond Bar Brooch, three old cut diamonds in white claw settings to a flat sided bar, total estimated diamond weight 1.00 carat approximately, 6.3cm long £300 - 500 (plus 24% BP*) 325 An Art Deco Diamond and Sapphire Bracelet, a central panel of articulated pierced links set throughout with old cut and eight-cut diamonds in white milgrain settings to a bracelet set with a central row of calibré cut sapphires between rows of eight-cut diamonds, total estimated diamond weight 3.50 carat approximately, length 17.5cm £3500 - 5500 (plus 24% BP*)

326 An Art Deco Diamond Bar Brooch, a tapered bar set with graduated old cut diamonds in white claw settings, total estimated diamond weight 2.15 carat approximately, length 6.6cm £200 - 400 (plus 24% BP*) 327 An Art Deco Style Diamond Cluster Ring, a round brilliant cut diamond in an octagonal white milgrain setting within a pierced square frame set with four round brilliant cut diamonds and four baguette cut diamonds, on a plain polished flat sided shank, total estimated diamond weight 1.25 carat approximately, finger size L½ £1200 - 1500 (plus 24% BP*)

329 An Art Deco Diamond Plaque Ring, a pierced octagonal shaped plaque set throughout with old cut diamonds in white settings, to notched shoulders on a plain polished shank, total estimated diamond weight 2.00 carat approximately, finger size M½ £400 - 600 (plus 24% BP*) 330 A Sapphire Dress Stud Set, comprising a pair of chain linked cufflinks, four buttons and two studs, each set with a round cut sapphire in a white milgrain setting to a cushion shaped engine turned plaque, in a fitted case £300 - 500 (plus 24% BP*)

328 A Sapphire and Diamond Plaque Ring, six oval cut sapphires in white milgrain settings with eight-cut diamond accents to a rectangular top, to yellow flat sided shoulders on a plain polished shank, finger size N £400 - 600 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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331 A Pair of Diamond Drop Earrings, by Bulgari, a round brilliant cut diamond suspends a second round brilliant cut diamond by an articulated link, in yellow rubbed over settings, total estimated diamond weight 6.00 carat approximately, with post fittings £35000 - 40000 (plus 24% BP*) 332 An 18 Carat White Gold Smokey Quartz and Diamond Ring, an oval cut smokey quartz in a claw setting above a pierced gallery, to round brilliant cut diamond set forked shoulders, on a plain polished shank, total estimated diamond weight 0.35 carat approximately, finger size N £300 - 400 (plus 24% BP*)

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333 An 18 Carat Gold Diamond Solitaire Ring, a round brilliant cut diamond in a white claw setting to yellow knife edge shoulders on a plain polished shank, estimated diamond weight 0.80 carat approximately, finger size L £700 - 1000 (plus 24% BP*) 334 A Carved Bolder Opal Bull’s Head Bolo Tie, by Gübelin, the slide realistically carved with a yellow nose ring, to a braided leather tie terminating in yellow aiglets, the bull’s head slide measures 4cm by 4.5cm, tie length 100cm £1600 - 1800 (plus 24% BP*)

335 An 18 Carat Gold Diamond Cluster Ring, an octagonal cut diamond within a border of round brilliant cut diamonds in white claw settings, to yellow tapered shoulders on a plain polished shank, total estimated diamond weight 1.25 carat approximately, finger size N½ £700 - 1000 (plus 24% BP*) 336 An 18 Carat Gold Diamond Solitaire Ring, an octagonal cut diamond in a white claw setting between baguette cut diamonds in rubbed over settings, on a plain polished shank, total estimated diamond weight 1.75 carat approximately, finger size N £2000 - 3000 (plus 24% BP*)

337 An 18 Carat Gold Diamond Solitaire Ring, a round brilliant cut diamond in a white claw setting, on a yellow plain polished shank, estimated diamond weight 0.60 carat approximately, finger size P½ £600 - 800 (plus 24% BP*) 338 A Pair of Princess Cut Diamond Solitaire Earrings, in yellow rubbed over settings, total estimated diamond weight 0.65 carat approximately, with post fittings £300 - 400 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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JEWELLERY

339 A Black Enamel and Ruby Brooch/Pendant and Earring Suite, an enamel plaque suspends a larger enamel plaque with a central hammered yellow dome with two radiating bands set with graduated round cabochon rubies, brooch/pendant measures 5.5cm by 4cm, the earrings measure 4cm by 3cm, with clip fittings £500 - 800 (plus 24% BP*) 340 An 18 Carat Gold Diamond Five Stone Ring, round brilliant cut diamonds in half rubbed over scroll settings on a plain polished shank, total estimated diamond weight 1.10 carat approximately, finger size M½ £500 - 800 (plus 24% BP*) 341 A Pair of Diamond and Citrine Cluster Earrings, a round brilliant cut diamond in a yellow claw setting within a dome pavé set with round cut citrines and an outer border of round brilliant cut diamonds, total estimated diamond weight 4.00 carat approximately, measure 2.8cm in diameter, with French clip fittings £1500 - 2000 (plus 24% BP*)

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342 An 18 Carat Gold Diamond Solitaire Ring, a round brilliant cut diamond in a white claw setting to yellow knife edge shoulders on a plain polished shank, estimated diamond weight 1.00 carat approximately, finger size N £1500 - 2000 (plus 24% BP*) 343 An 18 Carat Gold Citrine and Diamond Ring, an octagonal cut citrine in a yellow claw setting, to shoulders each set with a tapering baguette cut diamond in a white rubbed over setting, total estimated diamond weight 0.30 carat approximately, finger size O½ £500 - 700 (plus 24% BP*) 344 An 18 Carat White Gold Kunzite and Diamond Ring, an oval cut kunzite between baguette cut diamonds in claw settings, on a plain polished shank, total estimated diamond weight 0.40 carat approximately, finger size O½ £400 - 600 (plus 24% BP*)

345 A Diamond Line Bracelet, round brilliant cut diamonds in yellow half rubbed over settings to individual hinged links, total estimated diamond weight 5.20 carat approximately, length 18.5cm £2000 - 4000 (plus 24% BP*) 346 An 18 Carat Gold Diamond Cluster Pendant, four round brilliant cut diamonds in white rubbed over settings to a yellow bail on an 18 carat gold foxtail link chain, total estimated diamond weight 0.75 carat approximately, pendant measures 1cm in diameter, chain length 41cm £300 - 400 (plus 24% BP*)

348 An Amethyst, Turquoise and Cultured Pearl Ring and Earring Suite, the ring with a round cabochon amethyst in a yellow claw setting within a border of cultured pearls spaced by pairs of turquoise, to knife edge shoulders on a plain polished shank, finger size N, the earrings with a round cabochon amethyst within a border of turquoise and suspending a pear cabochon amethyst drop, with clip fittings, length 3.2cm £800 - 1200 (plus 24% BP*)

347 A French Diamond Brooch, a round brilliant cut diamond within a border of smaller eight-cut diamonds in white claw settings to a two tier yellow leaf spray frame, set with eight-cut diamond accents, total estimated diamond weight 0.95 carat approximately, measures 4.6cm in diameter £800 - 1200 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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349 An 18 Carat Gold Citrine and Diamond Ring, an octagonal cut citrine in a white claw setting, to shoulders each inset with three princess cut diamonds, total estimated diamond weight 0.50 carat approximately, finger size P½ £400 - 600 (plus 24% BP*) 350 An 18 Carat Gold Citrine and Diamond Ring, a cushion cut citrine in a white claw setting to shoulders each inset with three princess cut diamonds, total estimated diamond weight 0.40 carat approximately, finger size P £400 - 600 (plus 24% BP*) 351 An Italian Diamond and Enamel Brooch, three clusters of round brilliant cut diamonds in white claw settings to textured yellow abstract flower heads within a border of flower heads decorated in blue and green enamel, total estimated diamond weight 0.25 carat approximately, measures 4cm by 4.5cm £800 - 1200 (plus 24% BP*)

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352 A Multi-Coloured Sapphire, Peridot and Diamond Pendant, a square barrel pendant pavé set with round cut yellow and purple sapphires and peridots as a floral motif within a border of round brilliant cut diamonds, on an 18 carat white gold trace chain, total estimated diamond weight 0.25 carat approximately, pendant measures 1.6cm by 1.6cm, chain length 40.5cm £650 - 850 (plus 24% BP*) 353 An Art Deco Amethyst and Diamond Bar Brooch, an octagonal cut amethyst in a white claw setting between stepped plaques set with eight-cut diamonds in milgrain settings to a knife edge bar, total estimated diamond weight 0.15 carat approximately, 7cm long £500 - 800 (plus 24% BP*)

354 A Pair of 18 Carat Gold Sapphire and Diamond Earrings, a diamond shaped stud pavé set with round brilliant cut diamonds suspends an oval cut sapphire in a yellow claw setting above a frame channel set with square cut diamonds, total estimated diamond weight 1.50 carat approximately, drop length 3.2cm, with French clip fittings £1500 - 2000 (plus 24% BP*) 355 A French Citrine and Diamond Ring, an oval checkerboard cut citrine in a yellow double claw setting, to shoulders each set with four round brilliant cut diamonds in rubbed over settings, on a plain polished shank, total estimated diamond weight 1.30 carat approximately, finger size O £2000 - 2500 (plus 24% BP*)

356 A Sapphire and Diamond Ring, an oval cabochon sapphire in a yellow rubbed over setting to scroll shoulders inset with eight-cut diamonds, on a tapering shank, total estimated diamond weight 0.30 carat approximately, finger size O £500 - 800 (plus 24% BP*) 357 A Ruby and Diamond Bracelet, alternating diamond-shaped links of calibré cut rubies and round brilliant cut diamonds in yellow rubbed over settings, total estimated diamond weight 2.00 carat approximately, length 17cm, width 1.5cm £8500 - 9500 (plus 24% BP*) 358 A Pair of Citrine Pendant Earrings, a yellow domed stud suspends a tassel drop of faceted citrine beads, length 8.5cm, with post fittings £400 - 600 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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359 A Pair of 18 Carat White Gold Ruby and Diamond Cluster Earrings, a round cut ruby within a border of round brilliant cut diamonds in claw settings, total estimated diamond weight 0.40 carat approximately, with post fittings £400 - 600 (plus 24% BP*) 360 A Cultured South Sea Pearl Necklace, a strand of 41 off-round cultured pearls knotted to a white scroll clasp, set centrally with a cultured pearl and two eight-cut diamonds, length 48cm £400 - 600 (plus 24% BP*)

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361 An 18 Carat Gold Limited Edition Fabergé Diamond and Red Enamel Egg Pendant Necklace, a red enamel egg shaped pendant set with a round brilliant cut diamond in a yellow rubbed over setting, to a beaded chain with a pavé set diamond heart shaped link, total estimated diamond weight 0.45 carat approximately, pendant measures 2cm by 1cm, chain length 42.5cm, with original box, case and papers £500 - 800 (plus 24% BP*) 362 A Ruby and Cultured Pearl Necklace, faceted ruby beads spaced at intervals by cultured pearls, to a heartshaped toggle clasp, length 65cm £100 - 150 (plus 24% BP*)

363 A Diamond Solitaire Pendant, a round brilliant cut diamond in a white claw setting, to a split bail on an 18 carat white gold fine curb link chain, stated diamond weight 1.13 carat, chain length 50cm NB: The diamond is accompanied by a Diamond Grading Report by The GIA Gem Trade Laboratory, Report number 10760745, dated July 13 1999, stating that the diamond weighs 1.13 carat, D colour, SI2 clarity

£2500 - 3500 (plus 24% BP*) 364 A Ruby and Diamond Cross Pendant, a central princess cut diamond to calibré cut ruby set arms in white milgrain settings, on a fine trace chain, estimated diamond weight 0.15 carat approximately, pendant measures 2.3cm by 1.4cm, chain length 40.5cm long £350 - 550 (plus 24% BP*)

365 A Pair of 18 Carat White Gold Diamond Set Heart Shaped Earrings, each set with three round brilliant cut diamonds in rubbed over settings, total estimated diamond weight 0.80 carat approximately, measure 8mm in diameter, with post fittings £300 - 400 (plus 24% BP*) 366 An 18 Carat White Gold Purple Sapphire and Diamond Three Stone Ring, an oval cut purple sapphire between two round brilliant cut diamonds in claw settings, on a plain polished shank, total estimated diamond weight 0.50 carat approximately, finger size M £1500 - 2000 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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JEWELLERY

367 A Ruby and Diamond Crescent Brooch, graduated oval cut rubies spaced by pairs of old cut diamonds in yellow claw settings, total estimated diamond weight 0.30 carat approximately, measures 6.5cm long £400 - 600 (plus 24% BP*) 368 A Diamond Solitaire Ring, an old cut diamond in a white claw setting to eightcut diamond set shoulders, on a yellow plain polished shank, total estimated diamond weight 0.95 carat approximately, finger size N £800 - 1200 (plus 24% BP*) 369 An 18 Carat Rose Gold Princess Cut Diamond Solitaire Ring, by Boodles, in a white claw setting, to pink diamond set rose-coloured fork shoulders and gallery, on a reeded shank, total estimated diamond weight 4.70 carat approximately, finger size N, in a Boodles box £28000 - 32000 (plus 24% BP*)

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370 A Pearl and Diamond Ring, three graduated button pearls spaced by four old cut diamond accents and terminating at each end with a rose cut diamond, in carved yellow settings, on a plain polished shank, total estimated diamond weight 0.20 carat approximately, finger size Q½ £500 - 800 (plus 24% BP*) 371 A Pearl Necklace with a Diamond Set Clasp, a strand of graduated pearls knotted to a lozenge shaped clasp set with three graduated old cut diamonds in white milgrain settings with diamond accents, total estimated diamond weight 0.40 carat approximately, length 48cm £400 - 600 (plus 24% BP*) 372 A Peridot and Diamond Brooch/Pendant, an octagonal cut peridot in a yellow claw setting, within an openwork scroll border set throughout with old cut and rose cut diamonds, suspending two knife edge bar drops each set with an old cut diamond and terminating with a kite cut peridot, total estimated diamond weight 0.15 carat approximately, measures 5.6cm by 2cm £300 - 500 (plus 24% BP*)

373 An 18 Carat Gold Ruby and Diamond Cluster Ring, an oval cut ruby in a yellow rubbed over setting and rope frame within a border of round brilliant cut diamonds in white rubbed over settings, to yellow knife edge shoulders on a plain polished shank, total estimated diamond weight 0.45 carat approximately, finger size O £500 - 800 (plus 24% BP*)

376 Fifteen Loose Round Brilliant Cut Diamonds, estimated diamond weights 0.40 carat - 0.45 carat approximately £800 - 1200 (plus 24% BP*)

374 An 18 Carat Gold Diamond Solitaire Ring, a round brilliant cut diamond in a white claw setting, to yellow knife edge shoulders on a plain polished shank, estimated diamond weight 2.45 carat approximately, finger size J½ £2500 - 4500 (plus 24% BP*)

378 Twenty Loose Round Brilliant Cut Diamonds, estimated diamond weight 0.28 carat each approximately £1000 - 1500 (plus 24% BP*)

377 Twenty One Loose Round Brilliant Cut Diamonds, estimated diamond weight 0.20 carat each approximately £800 - 1200 (plus 24% BP*)

375 A Double Strand Cultured Pearl Necklace with a 9 Carat Gold Diamond Set Clasp, two strands of 86:90 uniform cultured pearls knotted to a clasp set with an old cut diamond in a yellow claw setting within a border of split pearls, total estimated diamond weight 1.00 carat approximately, length 77cm £500 - 800 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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379 A Diamond Swallow Brooch, realistically modelled and set throughout with old cut diamonds in white milgrain settings, with ruby set eyes, total estimated diamond weight 2.95 carat approximately, measures 3cm by 5.3cm, cased by Asprey £8000 - 10000 (plus 24% BP*) 380 No Lot 381 A Victorian Star and Crescent Brooch, an old cut diamond in a white star setting to a crescent set throughout with graduated old cut diamonds, total estimated diamond weight 3.15 carat approximately, measures 3cm in diameter £350 - 550 (plus 24% BP*)

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382 A Sapphire and Diamond Cluster Ring, an oval cut sapphire in a yellow claw setting within an oval shaped border of old cut diamonds in white claw settings, on a yellow plain polished shank, total estimated diamond weight 1.50 carat approximately, finger size J½ £5000 - 8000 (plus 24% BP*) 383 A Victorian Diamond, Pearl and Enamel Cockerel and Hen Brooch, modelled as a cockerel and two hens, set throughout with rose cut diamonds, with ruby cabochon eyes and red enamel combs, to a yellow knife edge bar terminating at each end with a pearl, total estimated diamond weight 0.30 carat approximately, measures 1.8cm by 5cm £600 - 800 (plus 24% BP*)

384 A Victorian Demantoid Garnet and Pearl Insect Brooch, with an oval cut demantoid garnet thorax and a pearl abdomen, to seed pearl and demantoid garnet set wings, measures 1.5cm by 3.8cm, cased by Garrard & Co Ltd. £1600 - 1800 (plus 24% BP*) 385 A Victorian Terrier Dog Brooch, realistically modelled with textured fur and rose cut diamond eyes, measures 1.7cm by 2.5cm £800 - 1000 (plus 24% BP*) 386 A Pair of Diamond Solitaire Earrings, an old cut diamond in a yellow claw setting, with hook fittings, total estimated diamond weight 1.20 carat approximately £500 - 800 (plus 24% BP*)

387 A Sapphire Signet Ring, an oval cut sapphire inset to a yellow tapering mount, on a plain polished shank, finger size V £300 - 500 (plus 24% BP*) 388 An 18 Carat Gold Diamond Three Stone Ring, round brilliant cut diamonds in white claw settings, to yellow knife edge shoulders on a plain polished shank, total estimated diamond weight 1.25 carat approximately, finger size N £1000 - 1500 (plus 24% BP*) 389 A Pair of Victorian 18 Carat Gold Enamelled Double Oval Cufflinks, each painted depicting a horse’s head, figure-of-eight bar linked £1900 - 2200 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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JEWELLERY

390 A Victorian Coral, Diamond and Blue Enamel Brooch, a domed centre set with an old cut diamond and four pink coral in a star setting on a blue enamel ground, to a beaded frame with four blue enamel points each set with a pink coral, measures 3.5cm in diameter £300 - 500 (plus 24% BP*) 391 An 18 Carat Gold Diamond Two Stone Twist Ring, old cut diamonds in white claw settings to yellow twist shoulders on a plain polished shank, total estimated diamond weight 1.65 carat approximately, finger size O½ £1200 - 1800 (plus 24% BP*)

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392 A Diamond Cluster Ring, a round brilliant cut diamond within a border of smaller round brilliant cut diamonds in white milgrain settings, to shoulders each set with a round brilliant cut diamond, on a plain polished shank, total estimate diamond weight 1.15 carat approximately, finger size O½ £800 - 1000 (plus 24% BP*) 393 A 14 Carat White Gold Aquamarine and Diamond Ring, an oval cut aquamarine in a claw setting and flanked each side by four round brilliant cut diamonds, to forked shoulders on a plain polished shank, finger size K½ £500 - 800 (plus 24% BP*)

394 An Arts & Crafts Moonstone Necklace, a pierced oval shaped pendant with oval and round cabochon moonstones in yellow milgrain settings amongst leaves and scrolling vines, with a central moonstone drop and suspending two further moonstones, to a moonstone set bail on a figure-of-eight trace chain, pendant measures 7.5cm by 3cm, chain length 38cm NB: The chain is incomplete and is deficient of the clasp

£300 - 500 (plus 24% BP*) 395 An 18 Carat White Gold Aquamarine and Diamond Cluster Ring, an oval cut aquamarine in a white claw setting spaced each side by two baguette cut diamonds in rubbed over settings, to diamond set shoulders, total estimated diamond weight 0.20 carat approximately, finger size M £700 - 1000 (plus 24% BP*)

396 An 18 Carat Gold Diamond Solitaire Ring, an octagonal cut diamond in a white claw setting between baguette cut diamonds in rubbed over settings, on a plain polished shank, total estimated diamond weight 1.00 carat approximately, finger size N½ £800 - 1200 (plus 24% BP*) 397 A Diamond Solitaire Ring, an old cut diamond in a white claw setting with an extended underbezel, to yellow knife edge shoulders on a plain polished shank, estimated diamond weight 0.95 carat approximately, finger size Q £1000 - 1200 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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JEWELLERY

398 An Emerald and Diamond Brooch, a central fleur-de-lis with chased floral decoration and set throughout with octagonal cut emeralds and old cut diamonds in yellow collet settings, to a circular grainti frame, suspending two pendant drops from chain swags, with a glazed locket back containing hairwork, total estimated diamond weight 0.40 carat approximately, measures 9cm by 5cm £300 - 500 (plus 24% BP*) 399 A Ruby and Diamond Navette Ring, an oval plaque set with old cut and rose cut diamonds within a border of off-round cut rubies in yellow collet settings, to tapering shoulders, on a plain polished shank, total estimated diamond weight 0.65 carat approximately, finger size K½ £1800 - 2000 (plus 24% BP*)

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400 A Platinum Sapphire and Diamond Three Stone Ring, a round cut sapphire in a yellow claw setting between old cut diamonds in white claw settings, on a plain polished shank, total estimated diamond weight 0.90 carat approximately, finger size K £1500 - 2000 (plus 24% BP*) 401 An Opal and Diamond Ring, an oval opal between old cut diamond accents in a carved yellow setting, on a plain polished shank, total estimated diamond weight 0.45 carat approximately, finger size O½ £1200 - 1400 (plus 24% BP*) 402 An Emerald and Diamond Cluster Ring, an oval cut emerald in a yellow rubbed over setting, within a border of old cut diamonds in claw settings, to carved shoulders on a plain polished shank, total estimated diamond weight 0.70 carat approximately, finger size M £650 - 850 (plus 24% BP*)

403 A Victorian Carved Malachite Cameo Pendant, Depicting the Medusa Rondanini, the oval cameo carved in high relief and within a cannetille and grainti frame with a double bail, on a belcher chain, pendant measures 3.4cm by 2.9cm, chain length 47cm £300 - 500 (plus 24% BP*) 404 A Roman Jasper Intaglio Pendant, depicting Nike, the oval intaglio in a later cannetille frame, measures 3.5cm by 2.8cm NB: The bail is detached from the pendant but present with the lot

£350 - 550 (plus 24% BP*) 405 A Sapphire and Diamond Cluster Ring, a round cut sapphire within a border of old cut diamonds in yellow claw settings, to knife edge shoulders on a plain polished shank, total estimated diamond weight 0.40 carat approximately, finger size P½ £300 - 500 (plus 24% BP*)

406 A 22 Carat Gold Carved Agate Cameo Ring, an oval green agate carved in relief with the bust of a classical soldier, in a yellow rubbed over setting, on a plain polished shank, finger size K £1500 - 2000 (plus 24% BP*) 407 A Sapphire and Diamond Cluster Ring, an oval cut sapphire within a border of round brilliant cut diamonds in white claw settings, to yellow tapering shoulders on a plain polished shank, total estimated diamond weight 1.20 carat approximately, finger size E £800 - 1000 (plus 24% BP*) 408 An Onyx and Diamond Cameo Brooch/Pendant, an oval onyx cameo depicting the figure of Cupid, within a rose cut diamond set knife edge frame and surmounted by a laurel leaf swag set throughout with seed pearls and rose cut diamonds, suspended from a rose cut diamond set bail, total estimated diamond weight 0.20 carat approximately, measures 6.2cm by 3cm £400 - 600 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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JEWELLERY

409 A Diamond Cluster Ring, a round brilliant cut diamond within a border of smaller round brilliant cut diamonds in white milgrain settings, to notched shoulders on a plain polished shank, total estimated diamond weight 2.15 carat approximately, finger size N½ £2000 - 3000 (plus 24% BP*)

412 An Emerald and Diamond Brooch, two graduated octagonal cut emeralds in yellow collet settings within scroll frames set with old cut diamonds in white collet settings, total estimated diamond weight 2.90 carat approximately, measures 4cm by 2.2cm £1500 - 2000 (plus 24% BP*)

410 A Pair of Diamond Cluster Earrings, a rose cut diamond within a border of smaller rose cut diamonds in closed backed white collet settings, total estimated diamond weight, 2.00 carat approximately, measure 2cm in diameter, with screw back fittings £400 - 600 (plus 24% BP*)

413 A Pearl Necklace with an Emerald and Diamond Set Clasp, four strands of graduated pearls knotted to a clasp set with an octagonal cut emerald in a yellow collet setting within a scroll frame set with old cut diamonds in white collet settings, total estimated diamond weight 0.95 carat approximately, shortest length 34.5cm £500 - 800 (plus 24% BP*)

411 An 18 Carat White Gold Diamond Solitaire Ring, a round brilliant cut diamond in a claw setting, to diamond set shoulders, on a plain polished shank, total estimated diamond weight 0.65 carat approximately, finger size L £700 - 1000 (plus 24% BP*)

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414 A Diamond Solitaire Ring, an old cut diamond in a white claw setting, to diamond set shoulders, on a plain polished shank, total estimated diamond weight 3.75 carat approximately, finger size O £8000 - 10000 (plus 24% BP*)

415 A Diamond Three Stone Ring, graduated round brilliant cut diamonds in white claw settings above a carved scroll gallery, to knife edge shoulders on a plain polished shank, total estimated diamond weight 1.95 carat approximately, finger size R £3000 - 5000 (plus 24% BP*) 416 A Pearl Necklace with an Emerald and Diamond Set Clasp, a strand of graduated pearls knotted to a clasp set with an octagonal cut emerald in a yellow collet setting, within a border of old cut diamonds in white collet settings, total estimated diamond weight 0.40 carat approximately, length 52.5cm £400 - 600 (plus 24% BP*)

418 A Pear Cut Diamond Cluster Ring, an old pear cut diamond within a conforming border of graduated old cut diamonds in white rubbed over settings, to knife edge shoulders on a plain polished shank, total estimated diamond weight 2.65 carat approximately, finger size N £3000 - 5000 (plus 24% BP*) 419 A Diamond Five Stone Ring, graduated round brilliant cut diamonds in white claw settings, to diamond set knife edge shoulders, on a plain polished shank, total estimated diamond weight 1.40 carat approximately, finger size O £1400 - 1600 (plus 24% BP*)

417 An Emerald and Diamond Horseshoe Brooch, a central row of octagonal cut emeralds between rows of rose cut diamonds, total estimated diamond weight 0.90 carat approximately, measures 2.2cm in diameter £200 - 400 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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JEWELLERY

420 A Pair of Emerald and Diamond Earrings, an oval cut emerald in a yellow claw setting topped by three round brilliant cut diamonds, total estimated diamond weight 0.15 carat approximately, measure 1.7cm by 0.9cm, with post fittings £200 - 400 (plus 24% BP*) 421 A Pair of Art Deco Jade, Diamond and Onyx Earrings, a kite shaped onyx inset with a round brilliant cut diamond suspends three chain linked round brilliant cut diamonds in white milgrain settings with a carved and pierced kite shaped jade drop, total estimated diamond weight 0.40 carat approximately, drop length 8cm, with post fittings The Property of a Lady

£800 - 1200 (plus 24% BP*)

422 A Diamond Necklace, a central old cut diamond within a border of smaller old cut diamonds in white claw settings, suspends an old pear cut diamond within a border of smaller old cut diamonds, to a graduated necklace formed of alternating old cut and baguette cut diamonds in rubbed over settings, with a diamond cluster clasp, total estimated diamond weight 11.50 carat approximately, drop length 2.8cm, chain length 39cm £7000 - 9000 (plus 24% BP*) 423 A Pair of Diamond Mesh Earrings, a round brilliant cut diamond stud suspends a mesh link drop set with alternating round brilliant cut diamonds and adonised links to fine chains, total estimated diamond weight 1.40 carat approximately, length 9cm, with hook fittings The Property of a Lady

£400 - 600 (plus 24% BP*)

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424 An Art Deco Onyx and Diamond Bow Brooch, carved onyx within a border of eight-cut diamonds in white milgrain settings, total estimated diamond weight 0.65 carat approximately, measures 0.4cm by 4cm, cased by Boodle & Dunthorne £300 - 500 (plus 24% BP*)

427 A Pair of Emerald and Diamond Cluster Earrings, an oval cut emerald in a white claw setting within a scroll frame pavé set with round brilliant cut diamonds, total estimated diamond weight 0.60 carat approximately, with post fittings £200 - 400 (plus 24% BP*)

425 An Emerald and Diamond Cluster Ring, an octagonal cut emerald within a border of round brilliant cut diamonds in individual white milgrain settings, to diamond set forked shoulders on a plain polished shank, total estimated diamond weight 0.70 carat approximately, finger size M £800 - 1000 (plus 24% BP*)

428 An Emerald and Diamond Cluster Ring, an octagonal cut emerald within a border of round brilliant cut diamonds in white milgrain settings, to yellow knife edge shoulders on a plain polished shank, total estimated diamond weight 1.20 carat approximately, finger size N £1200 - 1400 (plus 24% BP*)

426 An 18 Carat Gold Emerald and Diamond Cluster Ring, an oval cut emerald within a border of round brilliant cut diamonds in white claw settings, to yellow knife edge shoulders on a plain polished shank, total estimated diamond weight 0.60 carat approximately, finger size R £800 - 1200 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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JEWELLERY

429 A Pair of Diamond Cluster Earrings, an old cut diamond within a frame of single old cut diamonds alternating with diamond set fleur-de-lis motifs, in white milgrain settings, total estimated diamond weight 7.40 carat approximately, measure 1.9cm in diameter, with later French clip fittings £8500 - 9500 (plus 24% BP*) 430 A Diamond Cluster Ring, three tiers of graduated round brilliant cut diamonds in white claw settings, to yellow knife edge shoulders on a hinged shank, total estimated diamond weight 3.60 carat approximately, finger size P½ £1500 - 2000 (plus 24% BP*)

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431 A Diamond Necklace, the front with floral swags set throughout with round brilliant cut and eight-cut diamonds with two baguette cut diamond accents, in white claw and rubbed over settings, to a chain formed of alternating diamond set lozenge shaped and solitaire links, total estimated diamond weight 8.40 carat approximately, drop length 3.5cm, chain length 41cm NB: one eight-cut diamond deficient

£2500 - 3500 (plus 24% BP*) 432 A Blue Enamel Diamond Solitaire Ring, a round brilliant cut diamond in a white claw setting within a ‘bowl’ top and to taping shoulders in blue enamel, on a plain polished shank, estimated diamond weight 0.20 carat approximately, finger size M £250 - 350 (plus 24% BP*)

433 A Victorian Lady’s Diamond, Opal, Ruby and Blue Guilloche Enamel Serpent Brooch Fob Watch, signed S. Smith & Sons, cylinder movement, a coiled serpent with cabochon ruby eyes and set with bands of graduated old cut diamonds and opals to a blue guilloche enamel head and body, total estimated diamond weight 0.35 carat approximately, the brooch measures 3cm by 2cm approximately, in a fitted case retailed by S. Smith & Sons, 9 Stand, London WC £1200 - 1500 (plus 24% BP*) 434 A Ruby and Diamond Three Stone Ring, an oval cut ruby between old cut diamonds in white claw settings, to scroll motif shoulders on a plain polished shank, total estimated diamond weight 1.35 carat approximately, finger size J £2000 - 4000 (plus 24% BP*)

435 A Triple Strand Pearl Necklace with Diamond Set Blue Guilloche Enamel Clasp, three strands of 79:74:85 graduated pearls knotted to a large oval clasp, set throughout with rose cut diamonds in white collet settings to a blue guilloche enamel ground, total estimated diamond weight 3.00 carat approximately, length of the shortest strand 50cm NB: The necklace is accompanied by a Pearl Report from The Gem & Pearl Laboratory, dated 19th May 2017, stating that the necklace is comprised of 222 natural saltwater pearls and 16 bead-nucleated cultured pearls Provenance: By repute once the property of the Empress of Abyssinia, wife of Haile Selassie and purchased by the family of the vendor in 1942 from Fisher Court Jewellers (1939) Ltd.

£15000 - 18000 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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JEWELLERY

436 An 18 Carat White Gold Diamond Three Stone Ring, round brilliant cut diamonds in bar settings on a tapering shank, total estimated diamond weight 0.75 carat approximately, finger size N½ £300 - 400 (plus 24% BP*) 437 A Platinum Diamond Half Hoop Ring, seven channel set round brilliant cut diamonds on a plain polished flat sided shank, total estimated diamond weight 0.70 carat approximately, finger size N £500 - 700 (plus 24% BP*) 438 An Art Deco Diamond Double Clip Brooch, the pierced lozenge shaped plaque set throughout with old cut and baguette cut diamonds in white milgrain settings, total estimated diamond weight 4.65 carat approximately, measures 2.7cm by 5.8cm £400 - 600 (plus 24% BP*)

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439 A Platinum Diamond Solitaire Ring, a round brilliant cut diamond in a claw setting, to diamond set shoulders, on a plain polished shank, total estimated diamond weight 3.75 carat approximately, finger size K NB: The diamond is accompanied by a Diamond Certificate from HRD Antwerp Institute of Gemmology, Certificate Number 14032173003, dated October 6th, 2014, stating the diamond to weigh 3.35 carat, I colour, VS1 clarity

£36000 - 38000 (plus 24% BP*) 440 A Diamond Necklace, the front with articulated white knife edge bars set with round brilliant cut diamonds in white milgrain settings, suspending six graduated knife edge bar drops each set with two graduated round brilliant cut diamonds, on a fine trace chain, total estimated diamond weight 6.00 carat approximately, drop length 2.8cm, chain length 42cm £2500 - 3500 (plus 24% BP*)

442 A Pair of 18 Carat White Gold Diamond Set ‘Atlas’ Cuff Earrings, by Tiffany & Co., bright polished Roman numerals on a brushed ground between two rows of round brilliant cut diamonds, with post fittings £1600 - 1800 (plus 24% BP*)

445 A Diamond Half Hoop Ring, eight round brilliant cut diamonds in white collet and claw settings, on a plain polished shank, total estimated diamond weight 1.20 carat approximately, finger size O £400 - 600 (plus 24% BP*)

443 A Diamond Solitaire Ring, an old cut diamond in a white claw setting with shoulders each set with a tapered baguette cut diamond in a rubbed over setting, on a plain polished shank, total estimated diamond weight 1.10 carat approximately, finger size L £800 - 1200 (plus 24% BP*)

446 An 18 Carat Two Colour Gold Diamond Solitaire Ring, a round brilliant cut diamond in a white rubbed over setting to a broad tapering shank with four yellow bars, estimated diamond weight 0.80 carat approximately, finger size M½ £800 - 1200 (plus 24% BP*)

444 A Diamond Line Bracelet, round brilliant cut diamonds in white claw settings to individual articulated box links, total estimated diamond weight 8.20 carat approximately, length 18cm £4000 - 6000 (plus 24% BP*)

447 A Platinum Diamond Half Hoop Ring, seven round brilliant cut diamonds in claw settings, on a plain polished shank, total estimated diamond weight 0.50 carat approximately, finger size M½ £300 - 400 (plus 24% BP*)

441 A Diamond Cluster Ring, seven round brilliant cut diamonds in white claw settings, to knife edge shoulders on a plain polished shank, total estimated diamond weight 1.40 carat approximately, finger size N £850 - 950 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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SILVER AND OBJECTS OF VERTU

450

450 A George VI Silver Four Piece Tea Service, William Suckling Ltd, Sheffield 1942, of rounded rectangular form with reed, ribbon and bead rim, and scroll handles, the hot water pot 20cm high, 64oz 10dwt £500 - 700 (plus 24% BP*)

448

SILVER AND OBJECTS OF VERTu 448 An Old Sheffield Plate Four-Light Candelabrum, crossed arrows mark for T & J Creswick, circa 1830, on acanthus decorated triform base with lion supports, the spirally fluted baluster stem supporting three reeded branches, the central light with flame finial, 66cm high £400 - 600 (plus 24% BP*)

449 128

449 A Matched Pair of Elizabeth II Silver Candlesticks, C J Vander Ltd, Sheffield, 1996 and 2001, in the Adam taste on fluted oval base with tapering stem and urn shape socket, bead borders, filled, 28cm high £200 - 400 (plus 24% BP*)

451 An Edwardian Silver Presentation Oil Lamp, Walker & Hall, Sheffield 1905, of neo-classical design, with cut glass well, the fluted tapering column on square base decorated with swags, with presentation inscription to Mr Robert Shepherd from Durham County District I.O.R., 1907, later fitted for electricity, 55cm high excluding fitting £400 - 600 (plus 24% BP*)

452 An Elizabeth II Four Piece Silver Tea Service, Wakely & Wheeler, London 1972, circular on fluted foot, the teapot and hot water jug with fluted knop finial, the hot water jug 16.5cm high, 59oz 12dwt £500 - 700 (plus 24% BP*) 453 A George V Silver Four Piece Tea Service, James Deakin & Sons, Sheffield 1917, of shaped oval bellied form with pierced gallery, the scroll supports with Art Nouveau terminals, the hot water jug 21.5cm high, 77oz 4dwt £800 - 1200 (plus 24% BP*)

452 BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

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454 A George V Irish Silver Five Piece Tea Service, Charles Lambe, Dublin 1930, circular form with chased and engraved Celtic knot borders, comprising teapot, two hot water jugs, sugar bowl and cream jug, the teapot 18cm high, 84oz 12dwt £1000 - 1500 (plus 24% BP*)

456 A George V Irish Silver Four Piece Tea Service, Charles Lambe, Dublin 1921, of circular form with chased and engraved Celtic knot borders, comprising teapot, hot water jug, sugar bowl and cream jug, 64oz 16dwt, the teapot 17cm high £700 - 1000 (plus 24% BP*)

456

457 A Modern Silver Table Service of Flatware, Argentum Ltd, Sheffield 1989, in an Art Deco style pattern, eight place settings, comprising: table knives with steel blades; table forks; dessert knives with steel blades; dessert forks; dessert spoons; soup spoons; fish knives; fish forks; teaspoons; coffee spoons and four serving spoons, housed in a fitted canteen with further spaces, 94oz 14dwt weighable silver (84) £2000 - 3000 (plus 24% BP*)

455 A Silver Four Piece Tea Service of Queen Anne Style, Elkington & Co, Birmingham 1937, of faceted baluster form, the teapot and hot water jug with hinged covers, the hot water jug 23cm high, 60oz 10dwt £700 - 1000 (plus 24% BP*)

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458 A Pair of Elizabeth II Silver Café au Lait Pots of Queen Anne Style, Wakely & Wheeler, London 1968, of plain tapering form with domed hinged cover, 24cm high, 43ozt £400 - 600 (plus 24% BP*) 459 A George V Silver Twin-Handled Tray, Viners Ltd, Birmingham 1930, rectangular with shaped rim, 56cm wide over handles, 61oz 8dwt £600 - 800 (plus 24% BP*)

458

460 A George V Silver Four Piece Tea Service, Roberts & Belk, Sheffield 1925, rectangular with cut corners and engraved borders, the teapot and hot water jug with ebonised wood handles and pineapple finials, the hot water jug 18.5cm high, 52oz 14dwt £600 - 800 (plus 24% BP*)

460

461 A Mexican Silver Five-Light Candelabrum, Tane Orfevres, Mexico City, 2nd half 20th century, 925 standard, also marked J. Marmolejo, with four scroll arms to an openwork central design on plain tapering stem, the spreading circular foot with shell and gadroon border, 40cm high, 53ozt £500 - 800 (plus 24% BP*) 462 A German Silver Neo-Classical Four-Light Candelabrum, Wilhelm Conrad Hessenberg, Frankfurt, probably 1st quarter 19th century, the cylindrical pedestal decorated with classical figures, three with titles: Clio; Erato and Melpomene, the circular base and column with acanthus decoration supporting three foliate scrolling branches and a central figural support, detachable nozzles, 63cm high, 48oz 2dwt £1000 - 1500 (plus 24% BP*) 461

130

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SATURDAY 15 JULY AT 10.00AM

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464

462

463 A Swedish Parcel-Gilt Silver Tankard, mark probably of Niclas Fernlöf, Karlstad, 18th century, date letter M, the cylindrical body with mask and foliate strapwork embellishments above the three ball feet decorated with Bacchanalian figures, the scroll handle with foliate strapwork and matching ball thumbpiece, the hinged cover inset with a medallion depicting King Gustav II Adolph within a foliate border, the underside engraved with initials, gilt interior, 20cm high, 31oz 14dwt £1800 - 2400 (plus 24% BP*)

464 A Pair of Dutch Pierced Silver Baskets, maker’s mark R between stars, .833 standard, 1920, oval with shaped rim, the sides decorated with ram’s heads and floral swags on pierced scrolling foliage and floral diaperwork, one inscribed to the underside Eritia Ena Romelia de Beaufort 1929, 24.5cm wide, 36oz 8dwt £700 - 900 (plus 24% BP*)

465 A Russian Silver Cigarette Case, left facing Kokoshnik mark, makers mark IA (cyrillic), circa 1900, the cover repousse decorated with a Troika scene, the reverse with monogram, sapphire set thumbpiece and gilt interior, 9.5cm wide, 5oz 2dwt £400 - 500 (plus 24% BP*)

465

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131

SILVER AND OBJECTS OF VERTU 466 A Chinese Export Silver and Enamel Casket, pseudo English marks and maker’s mark WO, mid-19th century, of shaped rectangular form with hinged cover, the incuse corners each mounted with a Chinese figure, the sides and cover each set with an imitation malachite enamel panel, allover chased and engraved with fruiting vines and scrolling foliage, on four foliate bracket feet, fabric lined interior, 10.5cm high, 13cm wide, 37oz 18dwt gross weight £700 - 1000 (plus 24% BP*)

466

466 (detail)

467 A Pair of Victorian Silver Candlesticks with Electroplated Three-Light Branches, the candlesticks Carrington & Co, London 1887, the Corinthain column with pierced capital, on square base decorated with vases and swags and with gadroon border, the branches with Corinthian column sockets and gadroon borders, 52cm high £1500 - 2000 (plus 24% BP*) 468 A Pair of Late Victorian Scottish Silver TwinHandled Strawberry Dishes, Hamilton & Inches, Edinburgh 1900, decorated in the Carolean manner, chased with stylised strawberries and flowers within bead borders, with shaped rim and shell handles, 16.5cm diameter, 18ozt £300 - 500 (plus 24% BP*)

467

469 A George III Scottish Silver Tea urn, William Davie, Edinburgh 1790, of Neo-Classical form with twin reeded handles standing on square base with ball feet, the lift off cover and body engraved with floral swags, flowers, wrigglework and punch decorated borders, the front oval reserve engraved with a coat of arms, the motto scroll Laus Deo and peacock crest probably for the Arbuthnot family, 40cm high, 38oz 14dwt £700 - 1000 (plus 24% BP*) 132

468

469 BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

470

470 An Extensive Victorian/George V Silver Service of King's Pattern Flatware, various makers, London, 1890, 1894 and 1911, the majority John Aldwinckle & Thomas Slater, London 1890, comprising: thirty six table forks; thirty six dessert forks; thirty six dessert spoons; thirty table spoons; twelve oyster forks; twelve egg spoons; nine teaspoons; one mustard spoon; four salt spoons; a stilton scoop; a pair of asparagus tongs; a sifter spoon; two butter knives; a soup ladle; a pair of basting spoons; a pair of serving/salad spoons; a pair of pickle forks; and a crumb scoop, housed in a fitted four tier canteen with Goldsmiths & Silversmiths label, 463oz 10dwt (189) ÂŁ6000 - 10000 (plus 24% BP*)

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471 A Pair of George III Silver Candlesticks, John Parsons & Co, Sheffield 1792, the urn shaped socket with detachable nozzle, above a tapering knopped stem, reeded borders and foliate decoration, base with turned wood insert, 20.5cm high £400 - 600 (plus 24% BP*)

471

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472 A Matched Pair of George II Silver Sauceboats, William Shaw & William Priest, London 1755 and 1759, with shaped rim, leaf capped flying scroll handle and on three shell and hoof feet, engraved with a crest and the initial W, 18cm long handle to spout, 16oz 4dwt £400 - 600 (plus 24% BP*)

134

473 A George III Silver Teapot and Stand, John Emes, London 1798/99, oval with foliate engraved borders, crest and initials within wreaths to the sides, the stand with reeded border, on bracket feet and with conforming engraving, the teapot 16cm high, 17oz 4dwt (2) £500 - 800 (plus 24% BP*)

474 (detail)

475 (detail)

474 A George II Provincial Silver Basting Spoon, Isaac Cookson, Newcastle 1731, Hanoverian pattern, the terminal later engraved with initials, 34cm long, 5oz 12dwt £200 - 300 (plus 24% BP*)

474

475

475 A George III Irish Provincial Silver Serving Spoon, John Toleken, Cork, circa 1800, stamped Toleken Sterling, Old English pattern, the heel engraved with initials HA, crest to terminal, 33cm long, 4oz 6dwt £200 - 300 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

476 A George III Silver Coffee Pot, John King, London, 1776, of plain baluster form with foliate embellished spout, the hinged cover with gadroon border and flame finial, the scroll handle with shell upper terminal, engraved with a stag head crest, 27.5cm high, 29oz 12dwt £500 - 700 (plus 24% BP*) 477 An Early George III Silver Mug, Thomas Wallis, London 1768, of plain baluster shape on circular spreading foot with leaf capped scroll handle, 12.5cm high, 12ozt £300 - 500 (plus 24% BP*) 476

477

478 A George I Scottish Silver Pedestal Sugar Box, James Mitchellsone, Edinburgh 1725, also Assaymaster mark of Edward Penman, oval on stepped spreading foot, the hinged cover with knop finial, the front engraved with a crescent moon crest and the motto scroll Augeor Dum Progredior probably that of the Durham family, 12cm wide, 11.5cm high, 14oz 6dwt For a similar shaped English example see Christie’s, London, 12th September 2007, Lot 237

£4000 - 6000 (plus 24% BP*) 478

479

479 A Pair of George II Cast Silver Candlesticks, William Gould, London 1743, with knopped stem and on shaped square base, chased and engraved with rocaille decoration, the detachable nozzles with conforming decoration, 21cm high, 36oz 8dwt £800 - 1200 (plus 24% BP*)

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480

480 An Early George III Silver Coffee Pot, maker’s mark rubbed, possibly W & J Priest or W & R Peaston, London 1764, of plain baluster shape, with foliate embellished spout and knop finial to cover, the scroll handle with shell upper terminal, engraved with crest and the motto scroll Laetus Sorte Mea, 28cm high, 28ozt £500 - 700 (plus 24% BP*) 135

SILVER AND OBJECTS OF VERTU

481 A Composite George III/IV Silver Part Service of Old English & Thread Pattern Flatware, comprising: twelve table forks, Richard Crossley, London, 1796; twelve dessert forks, William Eley, London, 1796; twelve dessert spoons - six Smith & Fearn, 1795; six William Chawner, 1829; six table spoons, Smith & Fearn, London, 1790; and six teaspoons, Smith & Fearn, London, 1795; together with twelve table knives and twelve dessert knives with steel blades, William Comyns & Sons, London, 1975, and thirteen assorted George III Old English pattern teaspoons, the majority either with crest or initials, weighable silver 79oz 12dwt (85) £1000 - 1500 (plus 24% BP*)

481 482

482 A Large and Impressive Victorian Silver Five-Light Candelabrum, Edward, Edward Jnr, John & William Barnard, London 1842, on circular base with knopped baluster stem, decorated with lion masks, fruiting vines and gothic strapwork, the four scroll branches with campana shape sockets above drip pans and with detachable nozzles, the central socket with knop finial, 80cm high, 246ozt £4000 - 6000 (plus 24% BP*) 483 A George III Silver Salver, Paul Storr, London 1815, with gadroon and foliate shell border, on three foliate bracket feet, the centre flat chased with C scrolls, flowers and foliage, 26.5cm diameter, 25oz 6dwt £1500 - 2000 (plus 24% BP*) 483 136

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

484

484 A Pair of Victorian Silver Wine Coasters, Joseph Angell II, London 1872, the waisted sides pierced and with shell and foliate scroll rim, the turned wood base with central silver boss engraved with a stag head crest within a chased surround, 14cm diameter £400 - 600 (plus 24% BP*) 485 A George III Silver Coffee Pot, maker’s mark rubbed TH script, possibly for Thomas Heming, London 1789, vase form with two reeded girdles to the shoulder, the domed hinged cover with urn finial and engraved border, on circular foot, engraved with crest below the spout, 30cm high, 25ozt £500 - 700 (plus 24% BP*)

486

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486 A Composite Part Service of George I/II Silver Hanoverian Pattern Flatware, various maker’s including Ebenezer Coker, Isaac Callard, Paul Hanet and James Wilks, London, 1724-1758, many punches indistinct, comprising: eight table spoons (four with double drop); eight dessert spoons; eight table forks; and six dessert forks, some crested or with initials, together with eight pistol handled table knives, unmarked with later steel blades, engraved with the initial S beneath a coronet; and A Pair of Victorian Silver Fiddle Pattern Table Spoons, Chawner & Co, London 1870, weighable silver 53oz 16dwt (40) £600 - 800 (plus 24% BP*)

487

485 (detail)

487 A George II Silver Tea Caddy Set, John Newton, London possibly 1737, poorly struck date letter to sugar box only, all marked to base only, comprising two tea caddies and a sugar box, rounded rectangular with lift off covers, the caddies with slide-off bases, all with C scroll and foliate decoration, all bases inscribed with initials S.C., the caddies 13.5cm high, 30oz 16dwt £800 - 1200 (plus 24% BP*)

485

488 A George III Silver Twin-Handled Cup, John Langlands I, Newcastle, 1769, plain with central reeded girdle, the scroll handles both also struck with maker’s mark, on spreading circular foot 15.5cm high, 14oz 8dwt £300 - 400 (plus 24% BP*)

488

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489 A Set of Four George III SIlver Candlesticks, John younge & Co, Sheffield 1785, the circular base with bead and leaf border, to a knopped baluster stem with stiff leaf decoration, the detachable nozzles numbered 1-4, the bases engraved with a coat of arms and ‘4*41”11’, bases filled, 29cm high £600 - 800 (plus 24% BP*)

489

490 A Pair of George II Silver Sauceboats, maker’s mark rubbed, London 1746, with shaped rim, leaf capped flying scroll handle and on three supports with hoof feet, 17.5cm long handle to spout, 17oz 16dwt £250 - 350 (plus 24% BP*)

490

491 A George III Irish Silver Coffee Pot, mark of Carden Terry, Cork, overstriking another, circa 1775, of baluster form on pedestal foot, the domed cover with spirally fluted knop finial, carved wood handle with shell terminals, the body chased with rocaille decoration featuring a dolphin, birds, fruiting vines, shell-work and C scrolls, a vacant cartouche to either side, marked to base with maker’s mark overstriking another twice, STER and LING, marked to right of handle with maker’s mark overstriking another, Hibernia and crowned harp; marked to cover with indistinct maker’s mark, Hibernia and crowned harp, 31cm high, 30oz 2dwt £4000 - 5000 (plus 24% BP*)

491

492 A George II Chinoiserie Silver Tea Caddy, Emick Romer, London 1759, of rectangular bombe shape, the hinged cover with figural finial, the sides embossed and chased in relief with figures in Oriental settings, standing on four scroll feet, 15cm high, 9oz 14dwt £700 - 1000 (plus 24% BP*) 492

138

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SATURDAY 15 JULY AT 10.00AM

493 A Pair of William IV Silver Candlesticks, John Settle & Henry Wilkinson, Sheffield 1830, circular with tapering stem and gadroon borders, the base and detachable nozzle engraved with the initial N, filled, 29cm high.

Illustrated on page 134 £400 - 600 (plus 24% BP*) 494 A Large Late Victorian Silver Twin-Handled Tray, Goldsmiths & Silversmiths Co (Gibson & Langman), London 1897, rectangular with shaped rim, 142oz 2dwt, 76cm wide over handles £1500 - 2000 (plus 24% BP*) 495 Of Bradford Football Club Interest: A Victorian Silver Presentation Ewer, Martin Hall & Co, London 1873, ovoid form on circular foot with bearded mask spout, the body chased with Gothic style decoration, inscribed “Presented To H.W.T.Garnett

By The Bradford Football Club, Nov 24th 1880”, 25cm high, 21oz 16dwt Harry Wharfedale Tennant Garnett (1851-1928) was born in Otley and played Rugby Union as a Forward at representative level for both England, winning a cap against Scotland in 1877, and Yorkshire, appearing as captain.

He also played at club level for Bradford F.C. during the 1870s, again appearing as captain. It is not known exactly what the reason for this presentation was, but it may well be a commemoration of the club’s move to a permanent ground in Park Avenue, Bradford.

£700 - 1000 (plus 24% BP*)

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495

496 A Victorian Silver Wager Cup, Charles Stuart Harris, London 1884, of typical design, modelled as a bearded man in Elizabethan dress, the hinged baluster cup on scroll supports, both bowls with gilt interior, 23.5cm high, 11oz 14dwt £500 - 700 (plus 24% BP*)

496

498 A Pair of Late Victorian Corinthian Column Candlesticks, Charles Boyton, London 1896/97, with bead borders and detachable nozzles, filled, 28.5cm high £500 - 800 (plus 24% BP*)

497 A Victorian Silver Castle-Top Card Case, Nathaniel Mills, Birmingham, 1840, with views of Windsor Castle and Kenilworth Castle, between pierced scrolling foliate decoration, 10cm long, 2oz 4dwt Provenance: Sizergh Castle, Cumbria

£800 - 1200 (plus 24% BP*)

497

498

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500

499

499 A Victorian Silver Mounted Glass Claret Jug, Richards & Brown, London 1867, the mount chased with fruiting foliage and Bacchanalian masks, with naturalistic handle, the cover with lion and shield thumbpiece, the glass body engraved with ribbon-tied swags and flowering foliage, 26cm high £400 - 600 (plus 24% BP*)

501

500 A Set of Six George V Silver Novelty Owl Menu Holders, Sampson Mordan & Co, Chester, 1911, modelled perched on a branch with glass eyes, on circular base, with registered design number 433091, 3.5cm high, 4ozt £500 - 700 (plus 24% BP*)

502

140

501 A Set of Six George V Silver Novelty Owl Menu Holders, John Collard Vickery, Chester 1913, modelled perched on a branch with glass eyes, on circular base, with registered design number 433091, 3.5cm high, 4oz £500 - 700 (plus 24% BP*)

502 A 9ct Gold Presentation Cigarette Box, Edward Barnard & Sons, London 1936, rectangular with cut corners and engine turned engraving, the cover with Greek key border, the front with presentation inscription for long service, the cover centred with initials, wood lining, 18cm wide, 564g gross £3000 - 4000 (plus 24% BP*) 503 A Continental Silver Mounted Enamel Snuff Box, the mounts with rubbed maker’s mark, Paris, date letter P probably 1778/79, rectangular with hinged cover, each side painted with a cartouche featuring figures loading boats in a river landscape within Fromery Workshop style raised gilt borders and puce diaperwork, 6cm wide £300 - 500 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

504 A Gilt-Metal and Enamel Singing Bird Box, attributed to Karl Griesbaum, early 20th century, rectangular with rounded corners, decorated in blue and white enamels and painted with pastoral scenes, the top with figures in a woodland setting, the hinged cover revealing a singing, turning and flapping bird on a pierced grille, 10cm wide £2500 - 3000 (plus 24% BP*)

504

505 (detail)

505 A Swiss Vari-Colour Gold Snuff Box, probably Geneva, circa 1780 maker’s mark DMC a crown above, also stamped with initials KK, and with two French post 1893 marks for gold, the oval box set with enamelled oval reserves finely painted with putti in various landscapes, the borders decorated with musical and other trophies, 7cm wide, 129g Provenance: Christie’s Geneva, 19.11.80, lot 323A

£3000 - 5000 (plus 24% BP*)

506 A French Enamelled, Goldmounted and Tortoiseshell Snuff Box, maker’s mark indistinct, discharge marks for Eloi Brichard (1756-1762) and Paris date letter T for 1759/60, the oval box with hinged cover, decorated with green and red striped enamel, the green sections further painted with trailing flowers, all within engraved gold borders, the cover set with an oval plaque painted with a music recital scene within a foliate and bead decorated enamel border, 9cm wide Provenance: Christie’s Geneva, 19.11.80, lot 322

£4000 - 6000 (plus 24% BP*) 506 (detail)

503

505 506

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507 (detail)

507

507 An Arts & Crafts Enamelled Copper and White Metal Casket, apparently unmarked circa 1900, rectangular with hinged cover, the cut corners with figures in relief, the sides set with enamelled copper panels depicting the months of the year with a proverb for each, the cover with two children sat by a pond in a summer landscape, cedar lined interior, 17.5cm wide £300 - 500 (plus 24% BP*)

508

508 An Arts & Crafts Silver Bowl, M Beaver Ltd, Birmingham 1929, with hammered finish, the rim decorated with fruiting vines and a ropework border, on turned wood base, 22oz 6dwt, 23cm diameter £300 - 500 (plus 24% BP*) 509 An Arts & Crafts Silver Wine Coaster, Omar Ramsden, London 1928, with spot-hammered finish and decorative pierced border, the turned wood base (detached) applied with a Tudor rose boss to each side, inscribed OMAR RAMSDEN ME FECIT, 12cm diameter, 7oz 14dwt excluding wood base £500 - 700 (plus 24% BP*) 509

142

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510 The Topham Trophy: An Elizabeth II Silver Horse Racing Trophy, mark of William Comyns & Sons Ltd (Richard Comyns), London 1967 and signed H. Abbo, the cube form top supported on a pyramid base, decorated in shallow relief with abstract designs, on wood plinth base with applied plaques inscribed “The Topham Trophy 1968” and “Won

By Surcharge”, 42cm high including base Exhibited: Walker Art Gallery, Liverpool, 1968 The Topham Chase has been run at Aintree since 1949, one of only three races run over the Grand National fences. As a keen benefactor of the arts Mirabel Topham introduced the annual competition to design the trophy for that year’s race, the winning entry being presented at the April meeting at Aintree.

The 1968 race was won by Surcharge, owned by Mrs L. Jackson, trained by J. Barclay and ridden by S. Davenport.

£3000 - 5000 (plus 24% BP*)

510

511 A Part Service of Georg Jensen Silver Pyramid Pattern Flatware, with GJ (1933-44) monogram mark, stamped Sterling Denmark, and English import marks for London 1934-36, comprising: six table forks; four table knives, with steel blades; five dessert spoons; five dessert forks; and a butter knife, weighable silver 27oz 8dwt (21) £500 - 700 (plus 24% BP*) 512-514 No Lots

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20TH CenTURY DeSIgn Post 1950 Furniture Some furniture offered in this sale was not originally intended for use in a private home and will be sold as Works of Art. It is possible that some furniture does not comply with the Furniture and Furnishings Fire/Safety Regulations 1989 and, for this reason, should not be used in a private home.

515 A William Moorcroft Big Poppy Pattern Pedestal Bowl, on a pewter base, stamped TUDRIC MOORCROFT 01309 MADE IN ENGLAND H, 20cm diameter, 9.5cm high £400 - 600 (plus 24% BP*) 516 A William Moorcroft Macintyre eighteenth Century Pattern Vase, circa 1908, of baluster form with classical swags of roses and forget-me-nots, brown printed Macintyre mark and green painted signature to base, 23cm £300 - 400 (plus 24% BP*) 517 A Pair of Royal Doulton Lambeth Stoneware Vases, by Florence E Barlow, circa 1902-09, of baluster form, each with pâte-sur-pâte decoration of geese in wood landscape, circle mark, lion and crown, incised 387, FEB monogram, assistant’s monograms ttt (Eleanor Tosen) RH (Rosina Harris), 48cm £1500 - 2000 (plus 24% BP*) 518 A Doulton Lambeth Vase, by Margaret E Thompson, painted with Art Nouveau figures in a rolling green landscape beneath pink clouded blue skies, with printed and impressed marks and painted artist’s monogram to base, 31.5cm Margaret Thompson was trained at Goldsmith’s Art Institute where she was awarded several medals including Gold at the Royal College in 1898 before working for Doulton.

517

520 A Hancock & Sons Morris Ware Vase, by George Cartlidge, No. C-11-1, decorated with purple chrysanthemums on a mottled ground, with painted and impressed marks, 26.5cm £300 - 400 (plus 24% BP*) 521  Dame Lucie Rie (1902-1995) and Hans Coper (1920-1981): A Stoneware Bowl, of elliptical form, pitted oatmeal glaze to exterior and green-yellow interior, impressed LR and HC seal, 7.5cm high, 14.5cm wide (damaged) £300 - 500 (plus 24% BP*)

£300 - 500 (plus 24% BP*) 519  Alfred (1870-1901) and Louise Powell (1882-1956) for Wedgwood: A Cream Jug, Coffee Cup and Saucer, painted with sprigs of flowers, factory marks and painted LP 977, printed label Richard Dennis Wedgwood Exhibition 1982 P61/2 LP, jug 13.5cm Illustrated Batkin (Maureen) Wedgwood Ceramics 1846-1959 A new appraisal, published by Richard Dennis, page 148, plate 355

£100 - 200 (plus 24% BP*)

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522  Michael Ambrose Cardew (1901-1983): A Wenford Bridge Pottery Stoneware Bowl, the interior with kite pattern under a tenmoku glaze, impressed MC and Wenford Bridge Pottery seals, 34cm diameter £400 - 600 (plus 24% BP*)

523  Joanna Constantinidis (1927-2000): A Stoneware Vase, with extended rim, the surface with rust brown and iron speckles, impressed C seal, 11.5cm £100 - 150 (plus 24% BP*)

524  David Andrew Leach (1911-2005): A Porcelain Lidded Box, covered in a celadon glaze with pink crackle, impressed DL seal, 11.5cm; A Lowerdown Pottery Stoneware Vase, impressed L+ seal, 7cm; A Leach Pottery Porcelain Vase, covered in a tenmoku glaze, impressed pottery seal mark and ENGLAND, 8.5cm; and A John Maltby (b.1936) Stoneware Vase, signed Maltby and impressed SP (Stoneshill Pottery) 9cm (4) £100 - 150 (plus 24% BP*)

527  Victor Priem (Latvian, 1925-1989): A Stoneware Flat Bottle, abstract geometric pattern, signed Victor Priem 134, 72cm; and Two Other Vases (3) Victor Priem (born in Riga, Latvia) joined the German Air Force, but was captured by the Allies and brought to the UK as a prisoner of war. He was selected to act as an interpreter in a prison camp near Brighton.

At the end of the war he was allowed to stay in the UK as long as he worked as an agricultural labourer. After a full working day, he cycled to Brighton College of Art, where he was training as an art teacher. It was there he also met his wife, Veronica.

After completing his training, he worked in a secondary school in West Yorkshire, occasionally working with staff from Ripon College of Education. He later joined the Art Department of that College, where he was mainly responsible for pottery and sculpture. Many pieces of his work were commissioned and purchased privately by friends and colleagues. He had two exhibitions at the Manor House, Castle Yard, Ilkley, as well as other galleries in Yorkshire.

525  David Lloyd Jones (1928-1994): A Stoneware Bowl, wax resist decoration, speckled blue oatmeal glaze, impressed LJ seal mark, 36cm diameter £100 - 200 (plus 24% BP*)

522

530 146

526  David Lloyd Jones (1928-1994): A Stoneware Bowl, wax resist decoration, speckled glaze, impressed LJ seal marks, 34cm diameter; and A Porcelain Bowl, wax resist decoration, speckled glaze, unmarked, 17.5cm diameter (2) £100 - 200 (plus 24% BP*)

£80 - 120 (plus 24% BP*)

531

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SATURDAY 15 JULY AT 10.00AM

528  Victor Priem (Latvian, 1925-1989): A Stoneware Vase, blue glaze, signed Victor Priem 136, 25cm; and Three Other Pieces (4) £100 - 150 (plus 24% BP*) 529  John Smith (20th Century): A Stoneware Bowl, Cover and Stand, with white slip decoration under a tenmoku glaze, impressed JS 78, labelled A John Smith Pot John Smith Pottery Bewdley Museum Bewdley, Worcestershire Telephone Bewdley 3573, 27cm; and Two Other Pieces of Studio Pottery (5) £150 - 200 (plus 24% BP*) 530 A Clarice Cliff Bizarre Persian “Inspiration” Pattern Twin-Handled Lotus Jug, painted in shades of blue, turquoise and ochre, with printed factory mark, 29cm high £700 - 900 (plus 24% BP*)

532

531 A Pair of Clarice Cliff Crocus Pattern Candlesticks, tapering square section form, with printed marks to base, 20.5cm high £300 - 400 (plus 24% BP*)

533

532 An Art Deco goldscheider Figure, design by Stefan Dakon (1902-1992), circa 1937, model 7562, a boy skier wearing green trousers and hat, carrying a pair of skis, on a black oval base, impressed, printed and painted marks, Dakon MADE IN AUSTRIA Goldscheider Wien 7562/185/16 H 8, 26cm Stefan Dakon (1902-1992) was an Austrian artist who worked with Josef Lorenzl producing Art Deco bronze figures. Dakon’s models were used by members of the Association of Bronze Producers Wiener Bronzen “Vienna Bronze” as well as the ceramics manufacturer Goldscheider from Vienna. He also designed models for the Austrian ceramics manufacturer Keramos.

£600 - 900 (plus 24% BP*)

533 An Art Deco goldscheider Figure, circa 1936, model 7274, a school girl with her terrier, wearing a green check dress and hat, brown satchel at her feet, on a black oval base, impressed, printed and painted marks, MADE IN AUSTRIA Goldscheider Wien 7274/107/0 $ S G, 24.5cm £400 - 600 (plus 24% BP*) 534 An Art Deco goldscheider Figure, designed by Josef Lorenzl, circa 1926, model 5802, a female nude with arms outstretched, Art Deco hairstyle, on a black circular base, impressed, printed and painted marks, Lorenzl MADE IN AUSTRIA Goldscheider Wien 5802/600/16 $ XIID, 29cm (damaged arm) £100 - 200 (plus 24% BP*)

534

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20th century design

535 A Lenci Polychrome Pottery Figure of a Boy, designed by sandro Vacchetti, wearing a yellow and blue cardigan and black check shorts, on a circular base, signed Lenci MADE IN ITALY XI-?4-XIII, painters monogram #, 42cm high (damaged) £300 - 500 (plus 24% BP*) 536  Guido Gambone (1909-1969): A Bottle Vase, the raised thick lava glaze in turquoise and white, with printed donkey mark and GAMBONE ITALY, 47.5cm high £800 - 1200 (plus 24% BP*) 537 An Art Deco Atelier Primavera Model of an Ermine, moulded PRIMAVERA 13886, stamped PRIMAVERA MADE IN FRANCE, 31.5cm established in 1912 as the design studio of the Paris department store Les grands Magasins du Printemps. Many of Primavera’s ceramics were made at a factory in saint-radegonde-en-touraine (indre-et-Loire).

£200 - 300 (plus 24% BP*)

536

539

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538  Marcel Vertes (Hungary 1895-1961): A Faience Plate, nude with Donkey, signed and numbered 10/100, stamped VERTES EDITIONS TAPIS-VERT VALLAURIS MADE IN FRANCE, 31.5cm £100 - 150 (plus 24% BP*)

542 René Lalique (1860-1945): “Coquilles” An Opalescent and Clear glass Plate, No.3011, the underside, moulded with four scallop shells, wheel etched R LALIQUE FRANCE, script etched No.3011, 23.5cm diameter £200 - 300 (plus 24% BP*)

539 René Lalique (1860-1945): “Salmonides” A Frosted glass Vase, with blue staining, moulded with leaping salmon, engraved R Lalique France and moulded R LALIQUE FRANCE, 29cm

543 René Lalique (1860-1945): “Deux Figurines” A Pair of Frosted glass Porte-Menu, No.3500, moulded with two nude maidens, engraved R.Lalique France No.3500, 5.5cm £100 - 150 (plus 24% BP*)

Marcilhac No.1015, model created 9 July 1928.

£3000 - 5000 (plus 24% BP*) 540 René Lalique (1860-1945): “Danaides” A Clear, Frosted and Opalescent glass Vase, No.972, moulded with nude maidens pouring water, wheel engraved R.LALIQUE FRANCE, engraved No.972, 18.5cm £700 - 1000 (plus 24% BP*) 541 René Lalique (1860-1945): “Muguet” A Frosted and Blue Stained glass Bowl, No.417, moulded with lily of the valley, stencilled mark R LALIQUE FRANCE, 24cm diameter £250 - 350 (plus 24% BP*)

541

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544 A gallé Cameo glass Vase, of bottle form, with acid etched overlaid decoration of purple fuchsias on a lilac ground, cameo signature Gallé to body, 32cm £300 - 400 (plus 24% BP*) 545 A Large Whitefriars Textured Banjo Vase, designed by Geoffrey Baxter, in kingfisher blue, Pat. no.9681, 32cm £500 - 800 (plus 24% BP*)

545

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546

546 Johann Philipp Ferdinand Preiss (german, 1882-1943): “Sun Worshipper”, A Cold-Painted Bronze and Ivory Figure, of a young woman, wearing a short dress, on a sectional green onyx base, signed F.Preiss on the onyx, 19cm Literature: Shayo (Alberto) Ferdinand Preiss, Art Deco Sculptor The fire and the flame, Suffolk, 2005, p.178

£2000 - 3000 (plus 24% BP*) 547 Demetre H Chiparus (Romanian, 1888-1950): “Pierrot” A Bronze and Ivory Figure, modelled playing a mandolin, signed in the cast C H Chiparus, 66cm £4000 - 6000 (plus 24% BP*)

547

150

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548

548 Roberto Montini (Italian,1882-1963): A Bronze and Ivory Figure of Dante Alighieri, circa 1920s, signed in the cast and on the base Montini, on a stepped marble and black slate base mounted with an inlaid rosewood clock, 31cm wide, 34cm high £1200 - 1800 (plus 24% BP*) 549 Josef Lorenzl (1892-1950): An Ivory and Cold-Painted Bronze Figure, circa 1925, modelled as a dancer, on a green onyx base, signed in the cast Lorenzl, 19.5cm high £800 - 1200 (plus 24% BP*)

550

550 Louis Sosson (act.1905-1930): “Dutch Boy” A Patinated Bronze and Ivory Figure, dressed in National costume, holding a boat, on an alabaster base, signed L.Sosson, 29cm £400 - 600 (plus 24% BP*) 551 An Art Deco Travel Clock “Le numero 7 De Juvenia”,

by Didisheim Goldschmidt Fils & Company for Juvenia, Swiss, circa 1930, in the form of a perfume bottle, the mother-of-pearl face with Arabic numerals in an onyx and brass case, 8cm by 6.5cm £400 - 600 (plus 24% BP*)

551

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20TH CENTURY DESIGN

552 A Liberty & Co Tudric Pewter Biscuit Box and Cover, designed by Archibald Knox, of slightly swollen square section, cast with squared florets and leaves and having a square drop-in cover with double flange handle, stamped 6 “TUDRIC” ENGLISH PEWTER LIBERTY & CO 0194, 12cm £250 - 350 (plus 24% BP*) 553 A Liberty & Co Silver and enamel Vase, possibly

by Archibald Knox, decorated with green and blue enamelled stylised flowers, number 2240 and registration number 467111, 13cm £100 - 200 (plus 24% BP*) 554 A Pair of Irish Arts & Crafts Copper Tankards,

by Fivemiletown Art Works, decorated with repeating patterns and stylised flower heads, each inscribed Fivemiletown art works, 16cm £200 - 300 (plus 24% BP*) 555 A 20th Century Stained and Leaded glass Roundel, depicting St George and the Dragon, monogrammed W L and dated 1938, 32cm diameter £100 - 200 (plus 24% BP*) 556 Ten Rolls of 1970s Crown Hand Blocked Wallpaper, black, white and grey stripes, stamped MADE IN ENGLAND CROWN SHADE BEFORE HANGING and A28383 CREEL Purchased in 1973

£100 - 150 (plus 24% BP*)

557

557 A Robert “Mouseman” Thompson Oak Coal Purdonium, the front panelled cupboard door with wrought-iron hinges and latch with Allen key head screws, with recessed carved mouse signature, 46cm by 37cm by 49cm £400 - 600 (plus 24% BP*) 558 A Pair of Robert “Mouseman” Thompson Oak Candlesticks, octagonal column and bases, each with wrought iron sconces, one with carved mouse signature, 18.5cm Given by Robert Thompson to his housekeeper Alexandrina Dey (born 28 May 1884).

£400 - 600 (plus 24% BP*) 559 A Robert “Mouseman” Thompson Oak Table Brush Holder, carved as an owl holding a mouse in its talon, 20.5cm Given by Robert Thompson to his housekeeper Alexandrina Dey (born 28 May 1884).

£400 - 600 (plus 24% BP*)

558

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560 A Robert “Mouseman” Thompson Oak Stool, with later tapestry upholstered drop in seat, on four octagonal legs joined by stretchers, pop marks, with carved mouse signature, 34cm high (good colour) Given by Robert Thompson to his housekeeper Alexandrina Dey (born 28 May 1884).

£300 - 400 (plus 24% BP*) 561 A Pair of Robert “Mouseman” Thompson Carved Oak Bookends, one carved with the head of a devil, the other a monk, with carved mouse signature, 15.5cm high £700 - 1000 (plus 24% BP*)

560

562 A Pair of Robert “Mouseman” Thompson Single Mouse Oak Bookends, each with carved mouse signature, 15.5cm £200 - 300 (plus 24% BP*) 563 A Robert “Mouseman” Thompson Oak Table Lamp, with carved mouse signature, 26cm high (excluding fitting) £200 - 500 (plus 24% BP*) 561

564 A Pair of Robert “Mouseman” Thompson Oak Candlesticks, each with wrought-iron drip trays, tapering supports and circular bases, each with carved mouse signature, 20cm high £300 - 400 (plus 24% BP*)

563

565 A Robert “Mouseman” Thompson Small Oak Bowl, with carved mouse signature, 16.5cm diameter £150 - 200 (plus 24% BP*)

564

566 A Robert “Mouseman” Thompson Oak Trinket Box and Cover, of rectangular form, the cover with carved mouse signature, 18cm by 11.5cm by 8.5cm £150 - 200 (plus 24% BP*) 562 565

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570

567

572 568

569 571

567 A Robert “Mouseman” Thompson Oak Table Lighter, with carved mouse signature, 10cm square, 8cm high £100 - 150 (plus 24% BP*) 568 A Robert “Mouseman” Thompson Oak Table Lighter, of octagonal form, with carved mouse signature, 7cm £70 - 100 (plus 24% BP*) 569 A Robert “Mouseman” Thompson Oak Table Lighter, of octagonal form, with carved mouse signature, 7cm £70 - 100 (plus 24% BP*) 570 A Robert “Mouseman” Thompson Oak Fruit Bowl, with carved mouse signature to exterior, 23.5cm diameter £200 - 300 (plus 24% BP*)

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571 A Robert “Mouseman” Thompson Oak Twin Ashtray, with carved mouse signature, 15.5cm by 7.5cm; and A Robert “Mouseman” Thompson Oak Single Ashtray, of standard rectangular form, with carved mouse signature (2) £100 - 150 (plus 24% BP*) 572 A Robert “Mouseman” Thompson Oak Horseshoe Pin Tray, mounted with an iron horseshoe, with carved mouse signature, 13cm by 12cm £100 - 150 (plus 24% BP*) 573 A Robert “Mouseman” Thompson Oak Open Delft Rack, three fixed shelves below a penny moulded frieze, the two uprights each carved with a mouse signature, 123cm by 10cm by 97cm £400 - 600 (plus 24% BP*)

574 A Robert “Mouseman” Thompson Oak Open Delft Rack, three fixed shelves below a penny moulded frieze, the two uprights each carved with a mouse signature, 77cm by 9cm by 68cm £300 - 500 (plus 24% BP*) 575 A Robert “Mouseman” Thompson Oak 2ft 5in Coffee Table, the rectangular top on two octagonal legs joined by a stretcher, with carved mouse signature, 74cm by 38cm by 45cm £400 - 600 (plus 24% BP*) 576 A Robert “Mouseman” Thompson Oak Octagonal Coffee Table, on a cruciform base, with carved mouse signature, 50cm diameter, 46cm high £300 - 500 (plus 24% BP*)

577 A Robert “Mouseman” Thompson Oak Mantel Shelf, the support with carved mouse signature, 12.5cm by 153.5cm £100 - 150 (plus 24% BP*) 578 A Robert “Mouseman” Thompson Oak Double Footstool, on four octagonal legs joined by stretchers, with carved mouse signature, 86cm by 25cm by 26.5cm £300 - 400 (plus 24% BP*) 579 A Robert “Mouseman” Thompson Oak Magazine Rack, with carrying handle between two octagonal uprights, with carved mouse signature, 43cm by 27cm by 46cm £250 - 350 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

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580

580 A Robert “Mouseman” Thompson Panelled Oak Sideboard, with raised upstand, adzed all over, with two cupboard doors enclosing two short over three long drawers, wrought-iron hinges and handles, on four octagonal block feet, with carved mouse signature, 173cm by 47cm by 94cm £2500 - 3500 (plus 24% BP*)

581 A Robert “Mouseman” Thompson Scrubbed Oak 4ft 6in Table, the single plank top on two substantial octagonal legs joined by a stretcher, with carved mouse signature, 138cm by 73cm, 74cm high £1000 - 1500 (plus 24% BP*)

581

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584 A Robert “Mouseman” Thompson Oak Chest of Drawers, with raised upstand above two short over four long graduated drawers, on four octagonal feet, with carved mouse signature, 91.5cm by 46cm by 108cm £2000 - 3000 (plus 24% BP*) 585 A Robert “Mouseman” Thompson Oak Monk’s Chair, with curved back and shaped arms, over three panels, the centre with a shield carved with a dove, monogrammed J.F.W.H and dated 1951, leather seat, on four octagonal legs joined by a cross stretcher, with carved mouse signature, 79.5cm £1200 - 1800 (plus 24% BP*)

582

582 A Set of Four Robert “Mouseman” Thompson Burr Oak Panel Back Chairs, with aperture handle, slung leather seats and on octagonal front legs joined by a rush rail, each with carved mouse signature, 85cm high £1000 - 1500 (plus 24% BP*)

583 A Set of Seven Robert “Mouseman” Thompson Panel Back Oak Dining Chairs, with slung leather seats on octagonal front legs joined by a rush rail, each with carved mouse signature, 85cm high £1500 - 2500 (plus 24% BP*)

586 A Robert “Mouseman” Thompson Oak Monk’s Chair, with curved back and shaped arms, over three lattice panels, on four octagonal legs joined by a cross stretcher, with carved mouse signature, dated 1998, 81cm £800 - 1200 (plus 24% BP*)

583

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585 584

587 A Pair of Robert “Mouseman” Thompson Carved Oak Bookends, each carved with the initials T.G.W, one with recessed mouse signature, 16cm high £400 - 600 (plus 24% BP*)

591 A Pair of Robert “Mouseman” Thompson Oak Chandeliers, each with a ceiling mounting boss above a central octagonal port with carved oak leaves and acorns below, four cruciform style arms with four upward facing brass electric light bulb holders, each with mouse signature, 56cm drop £400 - 600 (plus 24% BP*)

588 A Robert “Mouseman” Thompson Burr Oak Dish Topped Stool, the adzed top on four octagonal legs joined by stretchers, with carved mouse signature, 40cm by 27.5cm by 38cm (good colour) £300 - 500 (plus 24% BP*)

592 A Pair of Robert “Mouseman” Thompson Oak Double Wall Brackets, semi-circular design with two upward facing brass electric light bulb holders, each with carved mouse signature, 32cm wide £200 - 300 (plus 24% BP*)

589 A Pair of Robert “Mouseman” Thompson Oak Candlesticks, by Richard (Dick) Pollard, of octagonal form, one with carved mouse signature, 26cm high Richard (DIck) Pollard worked at Kilburn pre-war and was the eldest brother of Sid Pollard of Bagby. Made for Christine Pollard (born 1912), the sister of Richard and Sid Pollard for her 21st birthday in 1933

£300 - 500 (plus 24% BP*) 590 A Robert “Mouseman” Thompson Oak Standard Lamp, octagonal column and stepped base, with carved mouse signature, 138cm £300 - 400 (plus 24% BP*)

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589

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599 A Robert “Mouseman” Thompson Oak Octagonal Dining Table, the adzed top on a cruciform base, with carved mouse signature, 134cm by 74cm £1200 - 1800 (plus 24% BP*) 600 A Robert “Mouseman” Thompson Oak Lattice Back Dining Chair, with cow hide upholstered seat, on two octagonal turned front legs, with carved mouse signature, 85cm £300 - 400 (plus 24% BP*)

594

593 A Pair of Robert “Mouseman” Thompson Oak Table Lamps, of octagonal form, each with carved mouse signature, 26cm high (each) £300 - 400 (plus 24% BP*) 594 A Robert “Mouseman” Thompson 3ft Oak Square Dining Table, the dowelled top on a cruciform base, with carved mouse signature, 91cm square, 74cm high £1000 - 1500 (plus 24% BP*) 595 A Robert “Mouseman” Thompson Oak Stool, with lattice leather top, on four octagonal legs joined by stretchers, with carved mouse signature, 36.5cm (good colour) £400 - 600 (plus 24% BP*)

158

596 A Robert “Mouseman” Thompson Oak Tea Trolley, with two tiers both with raised sides joined by four square section legs, on castors, with carved mouse signature, 81.5cm by 41cm, 72cm high £200 - 300 (plus 24% BP*) 597 A Robert “Mouseman” Thompson Octagonal Oak Coffee Table, on a cruciform base, with carved mouse signature, 51cm diameter 48cm high £300 - 500 (plus 24% BP*) 598 A Robert “Mouseman” Thompson nest of Three Oak Tables, each with adzed top raised on octagonal legs and block feet joined by stretcher, each with carved mouse signature, the largest 61cm by 38cm by 47.5cm £500 - 800 (plus 24% BP*)

601 A Robert “Mouseman” Thompson Oak Stool, with lattice leather seat, on four octagonal legs joined by stretchers, with carved mouse signature, 34cm by 26cm by 37cm £200 - 300 (plus 24% BP*) 602 A Robert “Mouseman” Thompson 3ft Oak Coffee Table, circa 1960s, the rectangular adzed top on octagonal legs, joined by a stretcher, with carved mouse signature to one leg, 91cm by 37.5cm by 44cm £400 - 600 (plus 24% BP*) 603 A Robert “Mouseman” Thompson Oak Tea Trolley, with two tiers both with raised sides joined by four square section legs, on castors, with carved mouse signature, 86cm by 38.5cm by 74cm £350 - 450 (plus 24% BP*)

604 A Robert “Mouseman” Thompson Oak Table Lamp, octagonal column on a square base, with carved mouse signature, 25.5cm £70 - 100 (plus 24% BP*) 605 A Robert “Mouseman” Thompson 3ft Oak Coffee Table, the adzed rectangular top on octagonal legs joined by a stretcher, with carved mouse signature, 92cm by 36.5cm 45cm £300 - 500 (plus 24% BP*) 606 A Robert “Mouseman” Thompson Oak Cheese Board, with carved mouse signature on the handle, 38.5cm; and A Robert “Mouseman” Thompson Oak Ashtray, of standard rectangular form, with carved mouse signature, 10cm (2) £100 - 150 (plus 24% BP*) 607 Four Robert “Mouseman” Thompson Oak napkin Rings, each with carved mouse signature, 5cm £100 - 150 (plus 24% BP*) 608 A Robert “Mouseman” Thompson Oak Fruit Bowl, with carved mouse signature to the interior, 29.5cm; and A Robert “Mouseman” Thompson Oak Ashtray, of standard rectangular form, with carved mouse signature, 10cm (2) £200 - 300 (plus 24% BP*) 609 A Robert “Mouseman” Thompson Octagonal Oak Coffee Table, on a cruciform base, with carved mouse signature, 47.5cm high £450 - 550 (plus 24% BP*)

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SATURDAY 15 JULY AT 10.00AM

610 A Robert Mouseman Thompson Oak Pipe Rack, with six holders, shaped square back and carved mouse signature, 28cm by 17cm £250 - 350 (plus 24% BP*) 611 A Robert “Mouseman” Thompson nest of Three Oak Tables, on four octagonal legs, each with carved mouse signature, the largest 60cm by 37cm by 48cm £500 - 700 (plus 24% BP*) 612 A Robert “Mouseman” Thompson 3ft Oak Coffee Table, the rectangular top on two octagonal legs joined by a stretcher, with carved mouse signature to one leg, 91.5cm by 36cm by 45cm £300 - 500 (plus 24% BP*) 613 A Pair of Robert “Mouseman” Thompson Single Mouse Oak Bookends, each with carved mouse signature, 16cm £200 - 300 (plus 24% BP*)

614 A Robert “Mouseman” Thompson Kidney Shaped Oak Tea Tray, with two carved mice handles, 48cm £200 - 300 (plus 24% BP*) 615 A Robert “Mouseman” Thompson Oak Rocking Chair, with two lattice back panels, shaped arms and tan hide seat, with carved mouse signature, 97cm £800 - 1200 (plus 24% BP*) 616 A Robert “Mouseman” Thompson Oak Book Trough, with carved mouse signature, 45.5cm £200 - 300 (plus 24% BP*) 617 A Robert “Mouseman” Thompson Carved Oak Trinket Box and Cover, of rectangular form and with carved mouse signature, 18cm by 11cm, 8cm high £150 - 250 (plus 24% BP*)

618 A Robert “Mouseman” Thompson Burr Oak Dish Topped Stool, on octagonal legs joined by stretchers, with carved mouse signature, 41cm by 27cm by 38cm high £500 - 700 (plus 24% BP*) 619 A Robert “Mouseman” Thompson Oak Fruit Bowl, circular and with carved mouse signature, 24.5cm diameter £150 - 250 (plus 24% BP*) 620 A Robert “Mouseman” Thompson Oak Stool, with lattice leather top, on four octagonal legs joined by stretchers, with carved mouse signature, 38cm high £300 - 400 (plus 24% BP*) 621 No Lot

622 A Robert “Mouseman” Thompson Octagonal Oak Coffee Table, on a cruciform base, with carved mouse signature, 49cm by 47.5cm £300 - 500 (plus 24% BP*) 623 A Robert “Mouseman” Thompson Oak Ashtray, of standard rectangular form, with carved mouse signature, 10cm; and A Colin “Beaverman” Almack Oak Ashtray, of square form, with carved beaver signature, 9.5cm (2) £100 - 150 (plus 24% BP*) 624 A Pair of Robert “Mouseman” Thompson Oak Single Mouse Bookends, each with carved mouse signature, 15cm £100 - 150 (plus 24% BP*)

599

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159

THe nORTH RIDIng COLLege COLLeCTIOn OF ROBeRT ‘MOUSeMAn’ THOMPSOn & ACORn InDUSTRIeS FURnITURe Lots 625-679 Tennants Auctioneers is delighted to have been instructed by the University of Hull to sell a large collection of Yorkshire oak furniture by Robert ‘Mouseman’ Thompson and Acorn Industries from their Scarborough Campus, commissioned between 1949 and 1970 by the North Riding College.

The Scarborough Campus on Filey Road has been a centre of learning since it was first built in 1909, designed by Scarborough-born Fred Rowntree, a notable Arts and Crafts architect. The campus was built for Orleton Preparatory School, who occupied the site from 1910-1940, before becoming home to the North Riding College, the North’s prestigious teacher training college from 1948-1993. Since then, the campus has been home to University College Scarborough (19932000), and has been until this year part of the University of Hull.

Left: Detail of Robert ‘Mouseman’ Thompson’s mouse signature on the tea trolley.

Below: The Scarborough Campus, shortly after it was built for Orleton Preparatory School.

“As Principal of Scarborough Campus, I am delighted to have commissioned Tennants to exhibit and sell the various pieces of Mouseman and Acorn furniture that have been a part of this campus for so many years.

Thousands of staff and students have been part of the history of this campus since 1909 and we know that the beautiful and distinctive furniture has been used by them since the early 1950s. It was enjoyed by the college staff in the lounge for afternoon tea and was at the heart of the campus refectory. Many students who came back to see us recently as part of The Seaside Story: Chapters of Scarborough Campus exhibition fondly remembered the mice!

We hope that as the latest chapter in the history of this campus comes to an end with the University of Hull moving all programmes back to Hull, that this furniture will go on to be enjoyed and cherished as it has been on this campus for decades.”

Linda Hockley, Campus Principal

160

Above: A Robert ‘Mouseman’ Thompson Oak 4’6” Refectory Table Estimate £1500-2000

It was in 1948, for the opening of the North Riding College that the first commissions of Yorkshire oak furniture were given to Robert ‘Mouseman’ Thompson. Not only was his furniture local, but it was very well suited to the rigours of life in an institution – simply designed and constructed, and extremely durable.

G J Grainger, who founded his own furniture company Acorn Industries, was one of a number of craftsmen inspired to follow in the footsteps of Robert ‘Mouseman’ Thompson. Grainger was commissioned in the 1960s to add to the college’s collection of oak furniture.

Right: North Riding College dining room, c.1949, with 12’ refectory tables & benches

Left: Letter to Robert Thompson, commissioning a tea trolley, which would later be made in 1962 Above: The Robert ‘Mouseman’ Thompson Oak Tea Trolley Estimate £300-400 Above Right: The Scarborough Campus Reception Hall, photographed shortly after it was built Right: A pair of Acorn Industries oak chairs, in situ in the Scarborough Campus Reception Hall Estimate £200-300 (Photograph courtesy of Cliff Miller)

A Robert ‘Mouseman’ Thompson Oak 12’ Refectory Table Estimate: £2000-3000 Pair of matching benches Estimate £300-500

A set of six Robert ‘Mouseman’ Thompson Oak Chairs Estimate £600-900

The Collection comprises:

Acorn Industries

• • • • • •

One 6’ sideboard Twelve 6’ refectory tables One pair of armchairs One set of three chairs Eleven pairs of 6’ benches One lectern

Robert ‘Mouseman’ Thompson

• • • • •

Four 6’ refectory tables One 4½’ refectory table Two pairs of 6’ benches Two sets of six chairs One set of three chairs

• • • • •

One pair of 10’ benches Six pairs of 12’ benches Six 12’ refectory tables A custom tea trolley Two 10’ refectory tables

The Auction Centre, Leyburn, North Yorkshire, Dl8 5SG Telephone: +44 (0)1969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk

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627

630

625 A Robert “Mouseman” Thompson Oak 12ft Refectory Table, on two shaped supports, joined by a stretcher, with carved mouse signature 366cm by 74cm by 74cm high £2000 - 3000 (plus 24% BP*) 626 A Pair of Robert “Mouseman” Thompson Oak 12ft Benches, on three shaped supports, joined by a rail (top), unmarked, 366cm wide, 45cm high £300 - 500 (plus 24% BP*) 627 A Robert “Mouseman” Thompson Oak 12ft Refectory Table, on two shaped supports, joined by a stretcher, with carved mouse signature 366cm by 74cm by 74cm high £2000 - 3000 (plus 24% BP*)

162

628 A Pair of Robert “Mouseman” Thompson Oak 12ft Benches, on three shaped supports, joined by a rail (top), unmarked, 366cm wide, 45cm high £300 - 500 (plus 24% BP*)

632 A Pair of Robert “Mouseman” Thompson Oak 12ft Benches, on three shaped supports, joined by a rail (top), unmarked, 366cm wide, 45cm high £300 - 500 (plus 24% BP*)

636 A Pair of Robert “Mouseman” Thompson Oak 12ft Benches, on three shaped supports, joined by a rail (top), unmarked, 366cm wide, 45cm high £300 - 500 (plus 24% BP*)

629 A Robert “Mouseman” Thompson Oak 12ft Refectory Table, on two shaped supports, joined by a stretcher, with carved mouse signature, 365.5cm by 74cm by 74cm £2000 - 3000 (plus 24% BP*)

633 A Robert “Mouseman” Thompson Oak 12ft Refectory Table, on two shaped supports, joined by a stretcher, with carved mouse signature, 366cm by 74.5cm by 74.5cm £2000 - 3000 (plus 24% BP*)

637 A Robert “Mouseman” Thompson Oak 10ft Refectory Table, on two shaped supports, joined by a stretcher, with carved mouse signature, 304.5cm by 75cm by 72.5cm £1500 - 2000 (plus 24% BP*)

630 A Pair of Robert “Mouseman” Thompson Oak 12ft Benches, on three shaped supports, joined by a rail (top), unmarked, 366cm wide, 45cm high £300 - 500 (plus 24% BP*)

634 A Pair of Robert “Mouseman” Thompson Oak 12ft Benches, on three shaped supports, joined by a rail (top), unmarked, 366cm wide, 45cm high £300 - 500 (plus 24% BP*)

638 A Pair of Robert “Mouseman” Thompson Oak 10ft Benches, on two shaped supports, joined by a rail (top), unmarked, 305cm wide, 44.5cm high £400 - 600 (plus 24% BP*)

631 A Robert “Mouseman” Thompson Oak 12ft Refectory Table, on two shaped supports, joined by a stretcher, with carved mouse signature, 365.5cm by 74cm by 74.5cm £2000 - 3000 (plus 24% BP*)

635 A Robert “Mouseman” Thompson Oak 12ft Refectory Table, on two shaped supports, joined by a stretcher, with carved mouse signature, 366cm by 74.5cm by 73cm £2000 - 3000 (plus 24% BP*)

639 A Robert “Mouseman” Thompson Oak 10ft Refectory Table, on two shaped supports, joined by a stretcher, with carved mouse signature, 304cm by 74.5cm by 74cm £1500 - 2000 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

640 A Robert “Mouseman” Thompson Oak 4ft 6in Dowelled Top Rectangular Refectory Table, on two shaped supports, joined by a floor stretcher, with carved mouse signature, 137cm by 68.5cm, 74cm high £1500 - 2000 (plus 24% BP*) 641 A Robert “Mouseman” Thompson Oak 6ft Dowelled Top Rectangular Refectory Table, on two shaped supports, joined by a floor stretcher, with carved mouse signature (damaged) 183cm by 75cm, 73cm high (varnished top) £300 - 500 (plus 24% BP*) 642 A Pair of Robert “Mouseman” Thompson Oak 6ft Benches, on shaped supports, joined by a rail, one with carved mouse signature (damaged) 183cm by 27.5cm, 44cm high £600 - 900 (plus 24% BP*)

640

643 A Robert “Mouseman” Thompson Oak 6ft Dowelled Top Rectangular Refectory Table, on two shaped supports, joined by a floor stretcher, with carved mouse signature (damaged) 183cm by 74cm, 74cm high £700 - 1000 (plus 24% BP*)

644 A Pair of Robert “Mouseman” Thompson Oak 6ft Benches, on two shaped supports, joined by a rail (top), unmarked, 182.5cm wide, 44cm high £400 - 600 (plus 24% BP*)

645 A Robert “Mouseman” Thompson Oak 6ft Dowelled Top Rectangular Refectory Table, on two shaped supports, joined by a floor stretcher, with carved mouse signature, 183cm by 75cm, 72.5cm high £700 - 1000 (plus 24% BP*) 646 A Set of Six Robert “Mouseman” Thompson Oak Panel Back Chairs, solid seats, joined by rails, each with recessed carved mouse signature to front left leg, 71cm £600 - 900 (plus 24% BP*) 647 A Robert “Mouseman” Thompson Oak 6ft Dowelled Top Rectangular Refectory Table, on two shaped supports, joined by a floor stretcher, with carved mouse signature, 182.5cm by 74.5cm, 73cm high £700 - 1000 (plus 24% BP*)

646

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648 A Set of Six Robert “Mouseman” Thompson Oak Panel Back Chairs, solid seats, joined by rails, each with recessed carved mouse signature to front left leg, 71cm £600 - 900 (plus 24% BP*)

163

20TH CENTURY DESIGN

649 649 (detail)

649 A 1960s Robert “Mouseman” Thompson Oak Tea Trolley, each of the three tiers with raised sides with a hinged side fitted with a bolt for easy access to trays and joined by four square section legs, on castors, with carved mouse signature, 116.5cm by 50cm by 103cm high £300 - 500 (plus 24% BP*)

651 An Acorn Industries Oak 6ft Oak Sideboard, with raised upstand, the rectangular top above four drawers to one end and sliding panel doors to other, on four square section legs, with recessed carved acorn signature, 183cm by 60cm, 80cm high

650 Three Robert “Mouseman” Thompson Oak Panel Back Chairs, solid seats, joined by rails, each with recessed carved mouse signature to front left leg, 71cm (all damaged) £100 - 200 (plus 24% BP*)

652 An Acorn Industries Oak 6ft Rectangular Refectory Table, on two shaped supports, joined by a stretcher, with recessed carved acorn signature, 183cm by 73cm, 73cm high £200 - 300 (plus 24% BP*)

The proprietors of Acorn Industries were G J Grainger and Sons, Brandsby, North Yorkshire.

£400 - 600 (plus 24% BP*)

653 A Pair of Acorn Industries Oak 6ft Benches, on two shaped supports, joined by a rail, with recessed carved acorn signature (on support) 183cm wide, 45cm high £200 - 300 (plus 24% BP*) 654 An Acorn Industries Oak 6ft Refectory Table, on two shaped supports, joined by a stretcher, with recessed carved acorn signature, 183cm by 75cm, 73cm high £150 - 200 (plus 24% BP*)

651

164

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

655 A Pair of Acorn Industries Oak 6ft Benches, on two shaped supports, joined by a rail, with recessed carved acorn signature (on support) 183cm wide, 45.5cm high £200 - 300 (plus 24% BP*)

652

656 An Acorn Industries Oak 6ft Refectory Table, on two shaped supports, joined by a stretcher, with recessed carved acorn signature, 183cm by 75cm, 73cm high £200 - 300 (plus 24% BP*) 657 A Pair of Acorn Industries Oak 6ft Benches, on two shaped supports, joined by a rail, with recessed carved acorn signature (on support) 182.5cm wide, 46cm high £200 - 300 (plus 24% BP*) 658 An Acorn Industries Oak 6ft Refectory Table, on two shaped supports, joined by a stretcher, with recessed carved acorn signature, 182.5cm by 74.5cm, 74cm high £200 - 300 (plus 24% BP*) 659 A Pair of Acorn Industries Oak 6ft Benches, on two shaped supports, joined by a rail, with recessed carved acorn signature (on support) 183cm wide, 46cm high £200 - 300 (plus 24% BP*) 660 An Acorn Industries Oak 6ft Refectory Table, on two shaped supports, joined by a stretcher, with recessed carved acorn signature, 182.5cm by 74.5cm, 73.5cm high £200 - 300 (plus 24% BP*)

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671

665 A Pair of Acorn Industries Oak 6ft Benches, on two shaped supports, joined by a rail, with recessed carved acorn signature (in the centre) 183cm wide, 45cm high £200 - 300 (plus 24% BP*)

669 A Pair of Acorn Industries Oak 6ft Benches, on two shaped supports, joined by a rail, with recessed carved acorn signature (in the centre) 183cm wide, 45cm high £200 - 300 (plus 24% BP*)

662 An Acorn Industries Oak 6ft Refectory Table, on two shaped supports, joined by a stretcher, with recessed carved acorn signature, 183cm by 76cm, 74cm high £200 - 300 (plus 24% BP*)

666 An Acorn Industries Oak 6ft Refectory Table, on two shaped supports, joined by a stretcher, with recessed carved acorn signature, 183cm by 75.5cm, 73.5cm high £200 - 300 (plus 24% BP*)

670 An Acorn Industries Oak 6ft Refectory Table, on two shaped supports, joined by a stretcher, with recessed carved acorn signature, 183cm by 75cm, 73.5cm high £200 - 300 (plus 24% BP*)

663 A Pair of Acorn Industries Oak 6ft Benches, on two shaped supports, joined by a rail, with recessed carved acorn signature (on support) 183cm wide, 45cm high £200 - 300 (plus 24% BP*)

667 A Pair of Acorn Industries Oak 6ft Benches, on two shaped supports, joined by a rail, with recessed carved acorn signature (in the centre) 183cm wide, 45cm high £200 - 300 (plus 24% BP*)

664 An Acorn Industries Oak 6ft Refectory Table, on two shaped supports, joined by a stretcher, with recessed carved acorn signature, 182.5cm by 75cm, 73cm high £200 - 300 (plus 24% BP*)

668 An Acorn Industries Oak 6ft Refectory Table, on two shaped supports, joined by a stretcher, with recessed carved acorn signature, 183cm by 75.5cm, 73.5cm high £200 - 300 (plus 24% BP*)

661 A Pair of Acorn Industries english Oak 6ft Benches, on two shaped supports, joined by a rail, with recessed carved acorn signature (on support) 182.5cm wide, 45cm high £200 - 300 (plus 24% BP*)

671 A Pair of Acorn Industries Oak 6ft Benches, on two shaped supports, joined by a rail, with recessed carved acorn signature (in the centre) 182.5cm wide, 45cm high £200 - 300 (plus 24% BP*) 672 An Acorn Industries Oak 6ft Refectory Table, on two shaped supports, joined by a stretcher, with recessed carved acorn signature, 182.5cm by 75cm, 73.5cm high £200 - 300 (plus 24% BP*)

165

20TH CENTURY DESIGN

673 A Pair of Acorn Industries Oak 6ft Benches, on two shaped supports, joined by a rail, with recessed carved acorn signature (in the centre) 183cm wide, 45cm high £200 - 300 (plus 24% BP*) 674 An Acorn Industries Oak 6ft Refectory Table, on two shaped supports, joined by a stretcher, with recessed carved acorn signature, 182.5cm by 75cm, 73.5cm high £200 - 300 (plus 24% BP*) 675 An Acorn Industries Oak Lectern, on a quatrefoil column and base, with a recessed carved acorn signature, 120cm £100 - 150 (plus 24% BP*)

676 A Pair of Acorn Industries Oak Arm Chairs, with drop-in black vinyl seats and backs, on tapering square section legs, each with recessed carved acorn signature, 95cm high £200 - 300 (plus 24% BP*)

678 A Set of Six Thomas “gnomeman” Whittaker Oak Panel Back Chairs, solid seats, joined by rails, each with recessed carved gnome signature, 69cm £200 - 300 (plus 24% BP*)

677 Three Acorn Industries Oak Panel Back Chairs, solid seats, joined by rails, each with recessed carved acorn signature to front left leg, 70cm £100 - 200 (plus 24% BP*)

679 A Set of Ten Yorkshire Oak Panel Back Chairs, solid seats, joined by rails, unmarked, 72cm £400 - 600 (plus 24% BP*)

680 An Acorn Industries Oak Refectory Table, the rectangular top on shaped supports joined by a stretcher carved with a recessed acorn signature, 152.5cm 51.5cm by 74cm £250 - 350 (plus 24% BP*) 681 A Colin “Beaverman” Almack Oak 5ft 5in Refectory Table, on two shaped supports joined by a stretcher, with carved beaver signature, 165cm by 80cm by 65cm £500 - 700 (plus 24% BP*)

681

682 A Set of Six (4+2) Colin “Beaverman” Almack Oak Panel Back Dining Chairs, on turned octagonal front legs joined by stretchers, with recessed and protruding carved beaver signature, armchairs 89cm, singles 86cm £500 - 700 (plus 24% BP*) 682

166

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

684

683 An Albert “eagleman” Jeffray Oak Delft Rack, the panelled back with three fixed shelves, with adzed shaped uprights, with recessed carved eagle signature, 178cm by 22cm by 123cm high £100 - 200 (plus 24% BP*) 684 A Derek “Fishman” Slater Panelled Oak Three Piece Suite, comprising a sofa, with drop-ends, on four turned octagonal and block feet, joined by stretchers, with recessed carved fish signature, 205cm wide, 73cm deep, 91cm high; and a pair of chairs, with drop-ends, on two turned octagonal and block feet, joined by stretchers, each with recessed carved fish signature, 72cm wide, 73cm deep, 91cm high Derek Slater was trained by Acorn Industries in 1964, he then used a fish trademark and later changed to a lizard

685 A Thomas “gnomeman” Whittaker Oak Two-Section Bookcase, each section fitted with three adjustable shelves with penny moulded frieze, carved linenfold sides and panelled back, one section with carved gnome signature, one shelf with “hiding” gnome signature, section one 141.5cm by 23cm by 101cm, section two 10cm by 22.5cm by 101.5cm £600 - 800 (plus 24% BP*) 686 A Thomas “gnomeman” Whittaker Oak Stool, the adzed circular seat carved with a lion rampant, raised on three chamfered square section legs, with recessed carved gnome signature, 37cm by 41cm high £100 - 150 (plus 24% BP*)

£400 - 600 (plus 24% BP*)

685 685 (detail)

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167

20TH CENTURY DESIGN

687 A Thomas “gnomeman” Whittaker Oak Spinning Chair, the adzed circular seat below a shaped back carved with a lion passant, raised on three chamfered square section legs, with recessed carved gnome signature, 92cm £100 - 150 (plus 24% BP*) 688 A Thomas “gnomeman” Whittaker Oak Stool, the shaped seat on four splayed chamfered square section legs, with carved gnome signature, 60cm by 28cm by 39cm high £150 - 250 (plus 24% BP*) 690

689 A Thomas “gnomeman” Whittaker Oak Stool, the top with a carved Yorkshire rose, on three legs, with recessed carved gnomeman signature, 32cm by 40cm £100 - 150 (plus 24% BP*) 690 A Peter “Rabbitman” Heap 5ft Oak Refectory Table, the dowelled three plank top on octagonal supports joined by a stretcher, with carved rabbit signature, 153cm by 82.5cm by 74cm £700 - 1000 (plus 24% BP*) 691 A Peter “Rabbitman” Heap Oak Rocking Chair, with lattice panel back and shaped arms, with carved rabbit signature, 105cm £300 - 500 (plus 24% BP*)

693

168

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

692 A Peter “Rabbitman” Heap Oak Magazine Rack, with panelled sides and carved rabbit signature, 40cm by 22cm by 33cm £200 - 300 (plus 24% BP*) 693 A Michael “Seahorse” Riley Panelled Oak Breakfront Bookcase, with glazed upper section above a lower section with four central graduated long drawers enclosed by twin cupboard doors opening to reveal a shelved interior, with carved seahorse signature, 171.5cm by 48cm by 203.5cm £700 - 1000 (plus 24% BP*) 694 A Michael “Seahorse” Riley nest of Three Oak Tables, each on octagonal legs joined by stretchers, the largest with carved seahorse signature, largest 71cm by 44.5cm by 45.5cm £200 - 300 (plus 24% BP*) 695 A Michael “Seahorse” Riley Panelled Oak Television Cabinet, the rectangular top over a pair of cupboard doors beside a fall front over a base drawer, with carved seahorse signature, 132cm by 52.5cm by 59.2cm £200 - 300 (plus 24% BP*) 696 A Michael “Seahorse” Riley Oak Coffee Table, with slatted shelf stretcher and carved seahorse signature, 64.5cm by 64.5cm by 43cm £100 - 150 (plus 24% BP*)

w w w.t e n n a n t s .c o.u k

700

697 A Michael “Seahorse” Riley Oak Coffee Table, with slatted shelf stretcher and carved seahorse signature, 50cm by 50cm by 43cm £100 - 150 (plus 24% BP*) 698 A Michael “Seahorse” Riley Panelled Oak Magazine Rack, with carrying handles and carved seahorse signature, 48cm by 19cm by 40cm £70 - 100 (plus 24% BP*)

699

700 Stan “Woodpecker” Dodds (1928-2012): A Carved Oak elephant Model, mounted on a wooden plinth base, with recessed carved woodpecker signature, 16cm high £800 - 1200 (plus 24% BP*)

701 Stan “Woodpecker” Dodds (1928-2012): A Carved Oak Unicorn, (unchained) with crown around neck, with front legs on a shield with the York City crest, on a shaped stepped rectangular base, 29.5cm wide, 32cm £700 - 1000 (plus 24% BP*)

699 Stan Dodds (1928-2012): A Carved Oak group, of a Mahout riding an Indian elephant, the elephant is using the trunk to push a log, 22cm long 20.5cm high Stan Dodds worked for Robert Thompson’s from 1942 until his retirement in 1994. This carving was wrapped in 1969 newspaper and is sketched on the back of a 1961 calendar page.

£1000 - 1500 (plus 24% BP*)

701

169

20TH CENTURY DESIGN

702 Stan “Woodpecker” Dodds (1928-2012): A Carved Oak Model of a Lion, mounted on a wooden plinth base, holding a shaped painted shield emblazoned with a unicorn rampant on a field of blue, 25.5cm high £500 - 700 (plus 24% BP*) 703 Stan “Woodpecker” Dodds (1928-2012): A Carved Oak Spirit of ecstasy, on a circular base, with recessed carved woodpecker signature, 26.5cm £700 - 1000 (plus 24% BP*) 704 Stan “Woodpecker” Dodds (1928-2012): A Carved Oak Crucifix, the corpus carved front and back, mounted on a cross bearing carved “I.N.R.I.” scroll, 117cm by 63cm £1000 - 1500 (plus 24% BP*) 705 Stan “Woodpecker” Dodds (1928-2012): A Carved Oak Leaf Dish, with carved woodpecker signature, 44cm by 24cm £500 - 600 (plus 24% BP*)

702

703

706 Stan “Woodpecker” Dodds (1928-2012): A Carved Oak Teapot Stand, of octagonal form with recessed carved woodpecker signature within a carved border, 15cm £200 - 300 (plus 24% BP*) 707 Stan “Woodpecker” Dodds (1928-2012): A Pair of Carved Oak Candlesticks, with carved woodpecker signature, 17cm high £150 - 250 (plus 24% BP*) 708 Stan “Woodpecker” Dodds (1928-2012): A Carved Oak Bowl, with recessed carved woodpecker signature, 19cm diameter £70 - 100 (plus 24% BP*) 709 Stan “Woodpecker” Dodds (1928-2012): A Carved Oak Book Trough, with carved woodpecker signature, 42.5cm wide £200 - 300 (plus 24% BP*) 710 Stan “Woodpecker” Dodds (1928-2012): A Carved Oak Alms Dish, with carved rim and early recessed carved rabbit signature, 28cm diameter Stan Dodds used the rabbit as a signature until the late 60s when Peter Heap, a fellow Kilburn craftsman, registered it as his own trademark.

£300 - 400 (plus 24% BP*) 711 Stan “Woodpecker” Dodds (1928-2012): A Carved Oak Cheese Board, with early carved rabbit signature, 27.5cm by 15cm Stan Dodds used the rabbit as a signature until the late 60s when Peter Heap, a fellow Kilburn craftsman, registered it as his own trademark.

£70 - 100 (plus 24% BP*) 704

170

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

712 Stan “Woodpecker” Dodds (1928-2012): A Carved Iroko Wood Bowl, with adzed finish and early carved rabbit signature, 24.5cm diameter

708

Stan Dodds used the rabbit as a signature until the late 60s when Peter Heap, a fellow Kilburn craftsman, registered it as his own trademark

707

707

£120 - 180 (plus 24% BP*) 713 A Bob “Wrenman” Hunter Oak Magazine Rack, with sloping panelled sides, octagonal uprights and scroll carved feet, with carved wren signature, 43cm by 27cm by 48.5cm £150 - 250 (plus 24% BP*)

711

714 A Set of Three Sid Pollard Panel-Back Oak Dining Chairs, lattice leather seats on octagonal front legs, unmarked, 86cm £250 - 350 (plus 24% BP*)

710

705

712

706

715 An Arts & Crafts Arthur Simpson of Kendal Oak Desk, the rectangular top over a hinged frieze above an open compartment enclosed by two sets of two drawers, the panelled back enclosing a hinged frieze above an open compartment, on four tapering legs, unmarked, 135cm by 59.5cm by 79cm £400 - 600 (plus 24% BP*)

709

715

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171

20TH CENTURY DESIGN

716 An Arts & Crafts Arthur Simpson of Kendal Oak Armchair, shape no.9141, with carved splat, lattice leather seat, and shaped arms on tapering square section front legs with circular disk labelled ARTHUR SIMPSON THE HANDICRAFTS, KENDAL, 90cm £150 - 200 (plus 24% BP*) 717 An Arts & Crafts Hubert Simpson of Kendal Mahogany Three Section Bookcase, the central glazed four door section with adjustable shelves enclosed by two open sections each with three fixed shelves, unmarked, 487.5cm by 31cm by 120cm £1000 - 1500 (plus 24% BP*) 718 An Arts & Crafts Hubert Simpson of Kendal nest of Three Walnut Occasional Tables, the moulded rectangular tops on square section legs joined by stretchers, the smallest with paper label ARTHUR W SIMPSON (Hubert Simpson) FOR HANDICRAFTS KENDAL, the largest 51cm by 35cm by 62cm £200 - 300 (plus 24% BP*)

719 Attributed to Wylie & Lochhead: A Pair of Arts & Crafts Oak Chairs, each with slanted splats pierced with up-turned hearts, rush seats and floor level stretchers, each front seat rail stamped 2402 348’, 105cm £300 - 500 (plus 24% BP*) 720 A Liberty & Co Thebes Stool, in stained mahogany, the square section seat raised on four turned legs, unmarked, 42cm square £250 - 350 (plus 24% BP*) 721 An Arts & Crafts Oak Dropleaf Occasional Table, on two shaped supports with exposed joints and joined by a shelf stretcher, 83.5cm by 66cm by 66cm £100 - 150 (plus 24% BP*)

717

172

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

722 A Gordon Russell Mahogany and Bombay Rosewood Sideboard, designed by David Booth, the double doors with machine cut decoration and circular handles, enclosing a shelved interior with cutlery drawer, on four tapering legs, labelled GORDON RUSSELL LIMITED, BROADWAY, WORCS, 122cm by 46cm by 84cm £500 - 700 (plus 24% BP*)

722

724

723 A 1960s Gordon Russell Mahogany Dining Suite, comprising extending table on four tapering square section legs, with one leaf labelled GORDON RUSSELL LLIMITED, BROADWAY, WORCS, 153CM extended by 78cm by 76.5cm and a set of four dining chairs (5) £200 - 400 (plus 24% BP*)

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724 A Gordon Russell Mahogany and Bombay Rosewood Dining Room Suite, comprising an extending dining table, on two legs joined by a stretcher on four antler feet, labelled DESIGN NO.X7120 DATED March 1964 MATERIALS Mahogany and Bombay Rosewood, CABINET MAKER C E Grantham DESIGNER W H Russell FSIA, MADE BY GORDON RUSSELL LIMITED FURNITURE MANUFACTURERS BROADWAY, 230cm extended by 106cm by 76cm, and a set of six chairs with blue upholstered seats and tapering legs, 85.5cm high (7) £300 - 500 (plus 24% BP*)

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725

726

727

clocks and barometers 725 an oval brass engraved striking alarm carriage clock with the trademark Js mark for J. soldano on the escapement Platform, circa 1870, scroll carrying handle, engraved throughout with scroll and floral decoration, enamel dial with Roman numerals, alarm dial, scroll and floral engraved mask surround, twin barrel movement with a silvered platform lever escapement stamped JS for J.Soldano and numbered 350, striking on a gong, movement backplate numbered 350 and 2517, 18cm high over handle The JS escapements are usually found in Soldano clocks and were in all probability produced for him in Switzerland. See Charles (Allix) Carriage Clocks Their History and Development, pg.450.

£500 - 700 (plus 24% BP*) 726 a brass striking and repeating carriage clock, circa 1890, carrying handle and repeat button, bowed glass side panels, enamel dial with Roman and Arabic numerals, twin barrel movement with lever escapement and striking on a gong, 18cm high over handle, with outer fitted travelling case £400 - 500 (plus 24% BP*) 727 an oval brass miniature carriage timepiece, signed Henri Jacot, circa 1890, carrying handle, enamel dial with Roman numerals, single barrel movement with a silvered platform lever escapement, movement backplate stamped HJ for (Henri Jacot), and numbered 9998, 10cm high over handle £400 - 500 (plus 24% BP*)

728

728 an Unusual brass Grande sonnerie alarm carriage clock, circa 1850, case highly elaborate with floral and leaf decoration throughout, carrying handle and repeat button, base with acanthus leaves and leopards upon a central urn, enamel dial with Roman numerals, Breguet style hands, central alarm hand, unusual subsidiary hand below 6 for petite sonnerie/grande sonnerie/silent selections, twin barrel movement wound from the front, platform cylinder escapement stamped on the cock Fumey, striking on two bells, 18cm high over handle J-M Fumey was a maker of platform escapements in the mid 19th century. In the 1855 Paris Exhibition he was awarded a Bronze medal.

£1500 - 2000 (plus 24% BP*)

174

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

729

729 a Gilt metal and Paste set boudoir timepiece, circa 1900, surmounted by two birds and decorated with acanthus leaf borders and swags, bevelled glass panels, paste set bezel, white marble base, enamel dial with blue Roman numerals, single barrel movement with a platform cylinder escapement, 23.5cm high £200 - 300 (plus 24% BP*) 730 a brass striking repeating alarm carriage clock with Unusual calendar and moonphase displays, retailed by muller, twickenham, circa 1890, carrying handle and repeat button, enamel dial with Roman and Arabic numerals, two subsidiary dials for day/date and moonphase aperture, twin barrel movement with a silvered platform lever escapement, striking on a gong, movement backplate numbered 1150, 19cm high over handle £1500 - 2000 (plus 24% BP*) 731 a brass engraved striking and repeating alarm carriage clock, signed miroy Freres, Paris, circa 1860, scroll and floral engraved throughout, carrying handle and repeat button, enamel dial with Roman numerals, alarm dial, twin barrel movement with a platform lever escapement, striking on a bell, movement backplate signed and numbered 5385, 14.5cm high over handle £400 - 500 (plus 24% BP*)

730

731

732 a Good Grande sonnerie alarm carriage clock, retailed by tiffany & co, new York, circa 1890, brass and silvered case with carrying handle, repeat button, porcelain side panels and the dial signed to the lower right hand corner Simonnet, panels are depicting lady’s in robes on a Roman style veranda setting, Roman numeral chapter ring, alarm dial, underside with grande sonnerie selection lever for hours and quarters/quarters only/silent, twin barrel movement with a silvered platform lever escapement, grande sonnerie striking on two gongs, movement backplate signed by the retailer and numbered 3823, 20cm high over handle £2500 - 3000 (plus 24% BP*)

732 (detail)

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733 (detail)

733 a Good brass engraved Porcelain mounted striking and repeating carriage clock, retailed by Hamilton crighton & co, Paris, circa 1880, carrying handle and repeat button, scroll and floral engraved decoration, pink porcelain side panels and the dial with turquoise enamel dot gilt borders and depicting cranes within foliage, Roman numeral chapter ring, twin barrel movement with a platform lever escapement, striking on a gong, movement backplate stamped with maker’s mark AB with a star in an oval cartouche possibly for (Achille Brocot), 18cm high over handle £2500 - 3000 (plus 24% BP*)

733

734

734 an ormolu bronze striking mantel clock with Garniture, circa 1880, elaborate case with scroll and floral decoration, 51⁄4 -inch enamel dial with Roman and Arabic numerals, indistinct signature, twin barrel movement striking on a bell, movement backplate stamped Vincenti, 44cm high, with a pair of three-light scroll and floral decorated candelabra, 31cm high £700 - 900 (plus 24% BP*)

176

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SATURDAY 15 JULY AT 10.00AM

735

735 an ormolu and Porcelain mounted striking mantel clock with Garniture, circa 1880, urn finial with swag mounts, front and side blue porcelain panels depicting gilt painted flower and figural scenes, paw feet, 4-inch blue porcelain dial with Roman numerals, twin barrel movement striking on a bell, backplate stamped Japy Freres and numbered 3335, 43cm high, with a pair of five-light ormolu and porcelain mounted garniture, 46cm high ÂŁ600 - 800 (plus 24% BP*) 736 a rare and Impressive limited edition Giant chronometer carriage clock, signed sinclair Harding, no.554/22, circa 1998, carrying handle and repeat button, bevelled glass panels, Roman numeral chapter ring, moonphase aperture, two subsidiary dials for day/date, signed and numbered on a plaque, large twin chain fusee movement with a platform detent chronometer escapement numbered, striking on a bell, 41cm high over handle, with Sinclair Harding price list and booklets ÂŁ8000 - 10000 (plus 24% BP*)

736 (detail) 736

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737 A Brass Atmos Clock, signed Jaeger LeCoultre, model: Embassy Red, circa 1969, case with red faux marble front and side panels, base with the start/stop lever, Roman numeral dial chapter ring and a large balance wheel below and spirit level, 22cm high, with Jaeger LeCoultre fitted outer case, guarantee booklet and instruction booklet £400 - 600 (plus 24% BP*)

737

739

738 A Bronze and Sienna Marble Striking Mantel Clock, signed LeRoy & Fil A Paris, No.1778, circa 1860, case showing the theme of the arts and sciences depicting a bronze figural lady in robes holding a scientific instrument and leaning on a globe and books to the side, base with applied musical instruments and acanthus leaf borders, 4-inch dial with Roman numerals, twin barrel movement striking on a bell, movement backplate signed and numbered, 50.5cm high £400 - 600 (plus 24% BP*)

739 An Unusual Scottish Mahogany Wall Timepiece with a Visible Balance Wheel Dial Display, signed A. Galloway, Mauchline, circa 1840, shell motif and scroll case front, 8-inch dial with Roman numerals, central floral decoration and a visible balance aperture, single fusee lever movement, 38cm high £600 - 800 (plus 24% BP*)

738

178

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

740 an Unusual double dialled Grid Iron Pendulum Wall timepiece, signed dauphin, a chalon s/s, circa 1890, convex enamel dials with Roman numerals, one side with centre seconds, visible grid iron type pendulum, 27cm wide £700 - 900 (plus 24% BP*)

741 an ebony Veneered striking table clock, signed John Green, st martins court, london, circa 1770, inverted bell top with carrying handle, side glass panels, bracket feet, pull repeat cord, 63⁄4 -inch silvered dial with Roman and Arabic numeral chapter ring, date aperture and mock pendulum aperture, strike/not strike selection lever at 9, twin fusee movement with later anchor escapement, striking on a bell, movement backplate engraved throughout with scroll, floral and a central basket of flowers decoration, secured by movement brackets, 46cm high over handle £1500 - 1800 (plus 24% BP*)

740 (detail)

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CLOCKS AND BAROMETERS

744

742

742 a mahogany chiming table clock, circa 1890, applied gilt metal scroll mounts, side viewing windows, 8-1/2-inch dial with a silvered Roman numeral chapter ring, triple barrel movement with four hammers chiming on four gongs and a further hammers striking the hours, 70cm high £650 - 750 (plus 24% BP*) 743 a mahogany striking table clock, signed rogers & clarke, london, circa 1810, arched single pad top with carrying handle, side frets, bun shaped feet, 8-inch convex enamel dial with Roman numerals and signed, strike/silent selection lever above 12, twin fusee movement with anchor escapement and striking on a bell, movement backplate with engraved borders and signed to the centre, movement secured by brackets, 47cm high over handle £1200 - 1800 (plus 24% BP*) 744 an ebonised chiming table clock, signed samuel dixon, 23 cornhill, london, circa 1890, arched top with flame and urn finials, side carrying handles and pierced sound frets, floral and mask front canted corners, scroll feet, pull repeat cord, 8-inch silvered dial with a Roman chapter ring, three dials for chime/silent, fast/slow and full chime/Westminster chime, large triple fusee movement chiming on a nest of eight bells and striking the hours on a gong, 64cm high £1000 - 1500 (plus 24% BP*)

743 180

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

745

746

747

745 a Good oak thirty Hour Pre-numbered longcase clock, signed Jonas barber, circa 1735, caddied pediment, double moulded trunk door, plain rectangular plinth, 101⁄4 -inch brass dial with a silvered Roman numeral signed chapter ring, large finely pierced single hand, four pillar movement with anchor escapement, latched pillars, outside countwheel striking on a bell, 192cm high £1800 - 2200 (plus 24% BP*)

746 a Good oak thirty Hour longcase clock, signed Jonas barber, Winster, numbered 137, circa 1752, flat top pediment, arched trunk door, plain rectangular plinth, 11-inch brass dial with a silvered Roman and Arabic signed chapter ring, four seasons spandrels, finely matted and scroll engraved dial centre with date aperture, four pillar movement with anchor escapement, latched pillars, movement frontplate numbered 137, outside countwheel striking on a bell, 207cm high £1800 - 2200 (plus 24% BP*)

747 a Good oak thirty Hour longcase clock, signed Jonas barber, Winster, numbered 305, circa 1755, flat top pediment, arched trunk door, plain rectangular plinth, 11-inch brass dial with a silvered Roman and Arabic signed chapter ring, four seasons spandrels, finely matted and scroll engraved dial centre with date and lunar apertures, four pillar movement with anchor escapement, latched pillars, movement frontplate numbered 305, outside countwheel striking on a bell, 210cm high £1800 - 2200 (plus 24% BP*)

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CLOCKS AND BAROMETERS

749 a Good oak thirty Hour longcase clock, signed Jonas barber, Winster, numbered 677, circa 1764, flat top pediment, mahogany crossbanded trunk door, 11-inch square brass dial with a silvered Roman and Arabic signed chapter ring, matted dial centre engraved with scroll and sunburst decoration, arched date aperture, four pillar movement with anchor escapement and outside countwheel striking on a bell, latched pillars, movement frontplate numbered 677, 201cm high £1500 - 2000 (plus 24% BP*)

748

748

749

749

748 A Good Oak Thirty Hour Longcase Clock with Lunar Indication, signed Jonas Barber, Winster, Numbered 561, circa 1762, broken arched pediment, turned columns, wavy shaped trunk door flanked by fluted pilasters, plain plinth with canted corners, 11-inch square brass dial with Roman and Arabic signed chapter ring, engraved scroll dial centre with lunar and date apertures, four pillar movement with anchor escapement and outside countwheel striking on a bell, latched pillars, movement frontplate numbered 561, 212cm high Jonas Barber Jnr was born c.1718-20 and continued the family business at Winster until his death in 1802, aged 82. He was one of the finest clockmakers in the North West, his work being of a very high standard, even in his thirty hour clocks. This example, number 561, is recorded and listed in Cave-Brown-Cave (BW) Jonas Barber Clockmaker of Winster Winster, pg.230, where he lists the lives and work of the Barber family. For more information regarding the Barber family see Loomes (Brian) Clockmakers of Northern England England, pg.83.

£1800 - 2200 (plus 24% BP*)

182

750 BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

750 an edwardian mahogany chiming longcase clock, flat top pediment, side fret doors, glazed trunk door with canted corners, plinth with recessed panel, 13-inch arched brass dial with a Silvered Arabic chapter ring, seconds dial, moonphase aperture, triple weight driven movement, chiming on five tubular bells, 218cm high £1000 - 1500 (plus 24% BP*)

751 a Good mahogany eight day centre seconds longcase clock, signed J. kaye, liverpool, circa 1770, swan neck pediment with gilt decorated eglomise blue glass panels, nicely figured trunk door flanked with fluted pilasters, plinth with raised quatre form panel, 131⁄4 -inch arched brass dial with a silvered signed chapter ring, dial centre with an engraved winged cherub and scroll decoration, date aperture, moonphase in the arch, four pillar movement with rack striking on a bell, 256cm high £2500 - 3000 (plus 24% BP*)

752 an Unusual eight day longcase clock With rocking eye automata, signed barnaby matthews, dublin, circa 1740, arched top with a blind fret front panel, Corinthian capped columns, later inlaid marquetry floral, bird and urn d-ended trunk door panels, later marquetry plinth, 133⁄4 -inch arched brass dial with a silvered signed chapter ring, finely matted dial centre with recessed seconds dial and date aperture, ringed winding holes, painted face in the arch with rocking automata eyes, four pillar movement with anchor escapement and inside countwheel striking on a bell, possibly later case, 265cm high £3000 - 4000 (plus 24% BP*) 753 a mahogany stick barometer, signed spear collage Grn, dublin, 19th century, broken arched pediment, concealed mercury tube with a single vernier silvered dial, thermometer box, turned cistern, 101cm high £400 - 500 (plus 24% BP*)

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752

753 183

RUGS AND CARPETS

rUGs and carPets 754 Fine Part silk tabriz carpet Iranian azerbaijan, late 20th century The cream field of scrolling vines and palmettes around a flowerhead medallion framed by mint green spandrels and ice blue borders of palmettes and scrolling leaves, flanked by meandering vine guard stripes, 302cm by 195cm £1200 - 1800 (plus 24% BP*) 755 Haji Jalili Prayer rug Iranian azerbaijan, late 19th century The madder field with two lions flanked by columns beneath the Mihrab centred by a hanging lamp, the upper ivory spandrels with a lattice of floral vines enclosed by ivory, leaf and flowerhead borders, flanked by triple meandering vine guard stripes, 186cm by 132cm The Property of a Gentleman In the late 19th century some of the finest rugs and carpets made in Iran came from the town of Marand some 40 miles north West of Tabriz.

The workshops owned by one Haji Jalili produced a small number of outstanding weavings. These rugs and carpets remain much sort after today. For further notes and illustrations of Haji Jalili weavings see Rugs and Carpets, page 75, by Andrew Middleton, pub. by Michell Beazley in 1996

£800 - 1200 (plus 24% BP*)

756

756 Fine shirvan rug east caucasus, 19th century The deep indigo field with a column of stepped polychrome latch hook medallions surrounded by numerous tribal and geometric motifs enclosed by ivory borders of polychrome hooked motifs flanked by barber poles and sky blue outer borders, 253cm by 128cm The Property of a Gentleman

£1000 - 1500 (plus 24% BP*) 757 Unusual nahavand rug West Iran, circa 1930 The midnight blue field with Tree of Life surrounded by plants and animals enclosed by rosette borders, 196cm by 135cm £300 - 500 (plus 24% BP*) 755

184

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SATURDAY 15 JULY AT 10.00AM

759

758 large Feraghan carpet West Iran, circa 1860 The indigo field with an allover design of plants and palmettes within a lattice of angular vines enclosed by wide madder borders of angular plants and urns issuing flowers flanked by meandering vine guard stripes, 530cm by 360cm

759 tabriz carpet, of unusual size Iranian azerbaijan, circa 1950 The deep brick red field with an allover design of flowing vines and palmettes enclosed by ivory borders of floral meandering vines flanked by double guard stripes, 428cm by 385cm £2500 - 3500 (plus 24% BP*)

760 tekke carpet emirate of bukhara, circa 1900 The madder field with six columns of quartered güls enclosed by borders of radiating octagons flanked by multiple guard stripes, 346cm by 242cm £400 - 600 (plus 24% BP*)

Provenance: Ex Pepper Arden Hall, North Yorkshire

£500 - 800 (plus 24% BP*)

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761 kashgai carpet south West Iran, late 19th century The ivory field of stylised plants enclosed by pale lemon borders of stylised meandering vines flanked by multiple guard stripes, 290cm by 194cm £300 - 500 (plus 24% BP*) 762 Good narrow Heriz runner Iranian azerbaijan, 1st quarter 20th century The madder field with a column of polychrome flowerheads flanked by tribal devices and zoomorphic motifs enclosed by borders of stylised meandering vines and ivory guard stripes, 327cm by 80cm

763 tekke ensi emirate of bukhara, circa 1900 The madder quartered field of candelabra motifs enclosed by borders of serrated leaf plants, 135cm by 115cm £300 - 500 (plus 24% BP*) 764 karabagh rug south caucasus, circa 1900 The chestnut field with urns issuing flowers around an indigo medallion framed by spandrels and indigo samovar borders, 210cm by 148cm £250 - 350 (plus 24% BP*)

NB Dated

£400 - 600 (plus 24% BP*)

761

765 Ghom carpet central Iran, circa 1950 The indigo field with an allover design of large flowerheads and scrolling serrated leaves enclosed by stylised borders flanked by guard stripes, 328cm by 228cm £500 - 800 (plus 24% BP*) 766 “ak” tekke rug emirate of bukhara, circa 1900 The ivory field with two columns of “Salor” güls enclosed by borders of hooked motifs and diamond güls flanked by lady finger guard stripes, 190cm by 145cm £400 - 600 (plus 24% BP*)

762 186

765 BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

768 ersari carpet emirate of bukhara, 19th century The madder field with three columns of “elephant foot” güls enclosed by compartmentalised borders of stellar motifs, 274cm by 225cm £400 - 600 (plus 24% BP*)

766

767 tekke carpet (reduced in size, now as a rug) emirate of bukhara, mid 19th century The deep madder field with three columns of quartered güls flanked by secondary güls enclosed by borders of octagons and geometric devices, 264cm by 152cm £600 - 900 (plus 24% BP*)

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769 Veramin rug central Iran, circa 1950 The ivory field of Mina Khani design, enclosed by crimson borders of meandering vines and samovar motifs flanked by sky blue guard stripes, 207cm by 150cm £400 - 600 (plus 24% BP*)

770 Heriz carpet Iranian azerbaijan, circa 1900 The tomato field of angular vines centred by a deep indigo salmon pink and mustard medallion framed by pale indigo spandrels and deep indigo borders of serrated leafy vines and polychrome flowerheads flanked by mustard guard stripes, 400cm by 288cm The Property of a Gentleman

£1200 - 1800 (plus 24% BP*) 771 Unusual Heriz carpet Iranian azerbaijan, circa 1900 The brick red field with columns of polychrome stylised flowerheads enclosed by indigo borders of samovar motifs flanked by pale lemon guard stripes, 345cm by 243cm The Property of a Gentleman

£800 - 1200 (plus 24% BP*)

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RUGS AND CARPETS

772

773

772 saroukh carpet West Iran, circa 1930 The pale lemon field with a one-way design of stylised plants and flowers enclosed by indigo borders flanked by triple meandering vine guard stripes, 410cm by 310cm £700 - 1000 (plus 24% BP*)

773 tabriz carpet Iranian azerbaijan, circa 1950 The raspberry field of Shah Abbas design enclosed by ivory borders of palmettes and meandering vines flanked by indigo guard stripes, 382cm by 305cm £1000 - 1500 (plus 24% BP*)

lots 774-784 The following 11 weavings form part of a collection of rugs and carpets consigned by a gentleman in Hong Kong. The collection is primarily of rugs and carpets woven in the vast barren area know in the 19th century and before as East Turkestan, Chinese Turkestan or Sinkiang. The area remained unexplored by westerners until the early years of the 20th century. One branch of the ancient Silk Road runs through the southern part of Sinkiang. The area is home to the Uighur people (of Turkic origin). The oasis towns of Khotan and Yarkand are found on the Silk Road. Carpet weaving in Khotan can be traced back to the 16th century and probably took place much earlier.

774 rare silk Piled rug east turkestan, probably khotan, circa 1920 The field with a mythical deity beneath the Mihrab attended by an elephant framed by upper spandrels and coral borders of meandering vines and rosettes flanked by guard stripes, 165cm by 114cm

188

VAT This lot is sold whilst subject to Temporary Importation and VAT is due at the reduced rate which applies to the hammer price only

£400 - 600 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

775 ersari main carpet central amu darya region, 19th century The madder diamond lattice field of stellar motifs and hooked cruciform motifs surrounded by tribal devices and enclosed by borders of stepped chequered güls and minor guard stripes, 228cm by 182cm VAT This lot is sold whilst subject to Temporary Importation and VAT is due at the reduced rate which applies to the hammer price only

£600 - 900 (plus 24% BP*) 776 khotan carpet east turkestan, circa 1900 The terracotta field sparsely decorated with flowerheads and three roundels framed by stepped spandrels and borders of scrolled devices flanked by meandering vine outer guard stripes, 341cm by 182cm VAT This lot is sold whilst subject to Temporary Importation and VAT is due at the reduced rate which applies to the hammer price only

£900 - 1200 (plus 24% BP*) 777 khotan carpet east turkestan, circa 1900 The terracotta field with a lattice of flowering angular vines enclosed by borders of hooked and scrolled devices flanked by pale lemon guard stripes, 345cm by 160cm VAT This lot is sold whilst subject to Temporary Importation and VAT is due at the reduced rate which applies to the hammer price only

£600 - 900 (plus 24% BP*)

775

778 khotan silk rug east turkestan, circa 1925 The soft terracotta field centred by an indigo roundel surrounded by urns issuing pomegranates enclosed by spandrels and narrow meandering vine borders, 176cm by 88cm VAT This lot is sold whilst subject to Temporary Importation and VAT is due at the reduced rate which applies to the hammer price only

£400 - 600 (plus 24% BP*) 779 Pair of ningxia throne covers north West china, late 19th century Each with a champagne field centred by a skeletal roundel flanked by lower spandrels enclosed by flowerhead borders and plain indigo guard stripes, 143cm by 72cm, now joined VAT This lot is sold whilst subject to Temporary Importation and VAT is due at the reduced rate which applies to the hammer price only

£400 - 600 (plus 24% BP*)

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RUGS AND CARPETS 780 antique turkish silk rug Possibly kum kapi, Istanbul The blue green field or urns issuing flowers enclosed by palmette and meandering vine borders flanked by rosette guard stripes, 176cm by 132cm This finely knotted rug follows a 17th century design VAT This lot is sold whilst subject to Temporary Importation and VAT is due at the reduced rate which applies to the hammer price only

£500 - 800 (plus 24% BP*) 781 khotan rug east turkestan, early 20th century The madder field centred by a column of flowerheads flanked by flowering plants and cloudband borders, 276cm by 123cm VAT This lot is sold whilst subject to Temporary Importation and VAT is due at the reduced rate which applies to the hammer price only

£600 - 900 (plus 24% BP*)

780

783

782 ningxia seat cover north china, circa 1900 The mustard field centred by a dragon surrounded by four further dragons enclosed by crab claw borders, 73cm by 71cm VAT This lot is sold whilst subject to Temporary Importation and VAT is due at the reduced rate which applies to the hammer price only

£200 - 400 (plus 24% BP*) 783 khotan rug east turkestan, 19th century The brick red field with three indigo roundel medallions containing stellar devices enclosed by compartmentalised polychrome borders of flowerheads flanked by salmon pink outer guard stripes, 257cm by 117cm VAT This lot is sold whilst subject to Temporary Importation and VAT is due at the reduced rate which applies to the hammer price only

£400 - 600 (plus 24% BP*)

785 190

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SATURDAY 15 JULY AT 10.00AM

786 Fine afshar rug south east Iran, 19th century The deep indigo field with four latch hook diamond medallions surrounded by numerous tribal motifs framed by spandrels and ivory Harshang and flowerhead borders flanked by sawtooth guard stripes, 214cm by 147cm The Property of a Gentleman

£600 - 900 (plus 24% BP*) 787 kashan carpet central Iran, circa 1960 The ice blue field with an allover design of scrolling vines and palmettes enclosed by meandering vine borders and ivory guard stripes, 421cm by 297cm £1000 - 1500 (plus 24% BP*)

786

784 ningxia or tibetan temple rug The indigo field depicting a Monk with sensor surrounded by Buddhist motifs, 180cm by 121cm VAT This lot is sold whilst subject to Temporary Importation and VAT is due at the reduced rate which applies to the hammer price only

£500 - 800 (plus 24% BP*) 785 Fine tabriz carpet Iranian azerbaijan, circa 1950 The mid indigo field with an allover design of Shah Abbas design framed by raspberry borders of palmettes flanked by pale lemon guard stripes of meandering vines, 398cm by 289cm NB Signed in one border

£1400 - 1800 (plus 24% BP*)

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791 Fine kashgai rug south West Iran, 19th century The abrashed sky blue field with numerous flowers, flowerheads and serrated leaves around an ivory stepped octagon framed by madder spandrels and narrow borders of angular meandering vines flanked by further borders and barbers’ poles, the ends with chevron bands, 270cm by 153cm The Property of a Gentleman The Kashgai were the largest and most powerful tribe of South West Iran. They were refined tribal weaves. The weavers have used excellent vegetable dye and fine lustrous wool in the making of this rug

£700 - 1000 (plus 24% BP*)

791

789 Ghom carpet central Iran The ivory field of palmettes, vines and animals enclosed by blood red meandering vine borders, 320cm by 220cm £350 - 450 (plus 24% BP*)

788

788 karabagh khelleh, mid 19th century The ink blue field of Mina Khani design centred by a stepped strawberry and turquoise stepped anchor medallion framed by spandrels and Kufic borders flanked by meandering vine guard stripes and barber poles, 598cm by 200cm

790 kashan rug central Iran, circa 1930 The ivory field of flowering vines around an indigo pole medallion framed by spandrels and deep indigo borders of palmettes and meandering scrolling vines flanked by carnation guard stripes, 208cm by 127cm The Property of a Gentleman

792 Joshaghan carpet central Iran, circa 1960 The ice blue field with a lattice of stylised plants centred by an ivory stepped medallion framed by madder borders of angular meandering vines flanked by ivory guard stripes and arrowhead minor guard stripes, 351cm by 234cm Signed in outer guard stripe Signed Rahumi Brothers The signing of Iranian carpets is not uncommon and is seen on weavings from Mashad, Tabriz and Isfahan. A signature on a Joshaghan is however rare The Property of a Gentleman

£600 - 900 (plus 24% BP*)

Weaving in Kashan originated hundreds of years ago. During the 20th century rugs such as this example were rightly prized throughout the Western world for the excellency of their weave, lustrous wool and dye quality

£400 - 600 (plus 24% BP*)

Provenance: Lady Coningham, widow of Air Marshal Sir Arthur Coningham, who married (1st) Sir Howard Frank, a founder of Knight Frank (& Rutley)

£600 - 900 (plus 24% BP*)

192

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SATURDAY 15 JULY AT 10.00AM

793 Good Heriz caret Iranian azerbaijan, circa 1910 The cream field of angular vines centred by a coral pink medallion framed by coral borders of stylised flowerheads and meandering vines £900 - 1200 (plus 24% BP*) 794 Fine Isfahan rug central Iran, circa 1950 The ivory field of scrolling vines centred by a flowerhead medallion framed by spandrels and mushroom borders of palmettes and leafy vines flanked by double guard stripes, signed in Farsi at one end and woven on silk, 235cm by 151cm £600 - 900 (plus 24% BP*) 795 donegal carpet by alexander & James morton to a design by c F a Voysey, circa 1900 The pale lavender field with an allover design of shrub roses enclosed by borders of leafy plants and further roses, 492cm by 435cm

795

Provenance: From the present owner’s grandfather, James Morton See Malcolm Haslam Arts & Crafts Carpets, published 1991, pg.94

£3000 - 5000 (plus 24% BP*) 796 Good kashan carpet central Iran The ivory field with an allover design of scrolling flowering vines framed by similar borders and rosette guard stripes, 440cm by 320cm £1000 - 1500 (plus 24% BP*) 796

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RUGS AND CARPETS

797 borlu carpet of unusual size central/West anatolia, circa 1900 The coral pink field with columns of stylised flowerheads and angular vines enclosed by borders of geometric flowers and plants flanked by meandering vine guard stripes, 300cm by 240cm £500 - 800 (plus 24% BP*)

799 sultanabad carpet West Iran, circa 1920 The tomato red field of diamond lattice design containing stylised palmettes and vines enclosed by indigo borders of stylised meandering floral vines flanked by ivory spandrels, 370cm by 291cm £900 - 1200 (plus 24% BP*) 800 Good kashan carpet central Iran, circa 1960 The field with an allover design of palmettes and scrolling vines enclosed by pale camel borders of scrolling vines flanked by ice blue guard stripes, 440cm by 315cm £1200 - 1800 (plus 24% BP*)

798 savonnerie design carpet china, circa 2000 The cream field with a central oval floral panel framed by leafy borders, 427cm by 305cm £500 - 800 (plus 24% BP*)

797

799 194

800 BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

Works oF art and Garden statUarY 801 an Ivory Plaque, northern French, 14th century, carved with the Madonna and Child flanked by two attendants within a Gothic arch, the upper register with a further half figure, 12cm high For a related panel see Sotheby’s New Bond Street, 2.12.08, lot 18

£400 - 600 (plus 24% BP*)

801

802

802 Giovanni antonio Gualterio (rome, act.1582-1620): an Ivory of christ crucified, monogrammed and dated 1613, 31cm high, on a later cross with ivory plaque and attendant saints on a reliquary base For a similar example monogrammed and dated 1585 see Sotheby’s, 10.12.15, lot 386. Another similar example is recorded dated 1614 and these form part of a group of similar sculptures produced for various clients including Cardinal Fernando de Medici, other examples are in the Grünes Gewölbe in Dresden, the Duke of Riva’s Collection in Madrid, and in a private collection in Paris. See also Trusted (Marjorie) Baroque and Later Ivories, Victoria & Albert Museum, London, 2013, catalogue no.284

£4000 - 6000 (plus 24% BP*)

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803 an Ivory Figure of a saint, probably south German, 17th century, wearing flowing robes standing on a scroll pedestal, 22cm high £500 - 700 (plus 24% BP*)

804

803

804 an Ivory and Wood Figure Group, probably south German or austrian, 3rd quarter 19th century, modelled as a tavern scene with a priest reading to three craftsmen seated about a table, on a canted rectangular base and bun feet, 22cm wide £3000 - 5000 (plus 24% BP*) 805 a French Ivory and Wood nelson commemorative, circa 1900, surmounted by a triptych figure of Nelson, carved and inscribed NELSON DONNENT L’ORDRES, on a globe opening to reveal two panels depicting Nelson on deck and MORT DE NELSON, on three scroll feet, 27cm high £500 - 700 (plus 24% BP*) 806 after emanuel Villanis (1858-1914): a bronze bust of lucrece, on a square socle, titled and with cast signature and foundry mark, 37cm high £300 - 500 (plus 24% BP*) 805 (details) 196

805

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

812 after Giambologna (1529-1608): a bronze model of the cesarini Venus, on a green marble base, 47cm high £400 - 600 (plus 24% BP*)

816 after emanuel Villanis (1858-1914): an alabaster bust of tzigane, on a tapering square socle, titled 53cm high £300 - 500 (plus 24% BP*)

813 a cipriani: an alabaster bust of a maiden, her hair tied up with a scarf, on a circular socle, signed, 58cm high £300 - 500 (plus 24% BP*)

817 after antonio canova (1757-1822): a marble Figure of the Venus Italica, on a circular plinth, 86cm high £400 - 600 (plus 24% BP*)

814 after emanuel Villanis (1858-1914): an alabaster bust of rouk, on a square socle, 63cm high £400 - 600 (plus 24% BP*) 815 H marceau: an alabaster Figure of a Girl, standing loosely dressed holding flowers, two doves at her feet, on a marble base, signed, 68cm high £300 - 500 (plus 24% BP*)

808

807 after emanuel Villanis (1858-1914): “bohemienne” a bronze bust of a maiden, titled and signed in the cast signature, circular foundry mark VRAI BRONZE GARANTI PARIS, 28cm high £400 - 600 (plus 24% BP*) 808 after aime-Jules dalou (French, 1839-1902): a bronze bust of boulognaise, on an ebonised circular socle, 48cm high For a similar example signed and dated 1878 see Bonhams Knightsbridge, 15.6.10, lot 92

£300 - 500 (plus 24% BP*)

809 after claude michel clodian (1738-1814): a Pair of bronze Figures of bacchante and satyre a l’outre, on marble bases, 42cm high £250 - 350 (plus 24% BP*) 810 J cautier: a bronze bust of sola, titled, signed, 63cm high £300 - 500 (plus 24% BP*) 811 after edouard drouot (French, 1859-1945): a bronze Figure of a Youth, sitting on a rock, a tortoise at his feet, signed E DROUOT on a marble base, 48cm high £700 - 1000 (plus 24% BP*) 811

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818 a Pair of French empire style Gilt and Patinated bronze Four-light candelabra, 2nd half 19th century, with foliate sheathed sconces and branches on fluted columns and tricorn bases with paw feet and plain plinths, 49cm high £600 - 800 (plus 24% BP*) 819 a Greek revival bronze Urn, late 19th/early 20th century, in the manner of Ferdinand Levillain, with scroll handles cast with classical equestrian figures on three figural legs and a tricorn rouge marble base, 32cm high £300 - 500 (plus 24% BP*) 820 a French Gilt bronze desk stand, late 19th century, cast with fruiting fronds, comprising a shaped rectangular inkstand with two covered wells, a blotter, a hand seal and an oval dish, each piece stamped E GROS, the inkstand 31cm wide £200 - 300 (plus 24% BP*)

822

821 a tortoiseshell tea caddy, early 19th century, of domed rectangular form, opening to reveal two lidded compartments, on bun feet, 18.5cm wide £500 - 700 (plus 24% BP*) 822 a Pair of austrian cold Painted bronze bookends, early 20th century, naturalistically modelled as owls perched on books, on green onyx bases, 18.5cm high £200 - 300 (plus 24% BP*)

823 richard cosway ra (1742-1821): Portrait miniature of William Joseph denison, wearing a blue coat, white waistcoat and cravat, oval, 8cm by 4.5cm Provenance: Lord Londesborough Gallerie Fischer, Lucerne 16-22 June 1959, lot 668 Schidlof Galleries, London 1961 Christie’s King Street, 15 October 1996, lot 50 William Joseph Denison was an uncle by marriage of Lord Albert Denison, first Baron Londesborough

£4000 - 6000 (plus 24% BP*) 824 attributed to nicholas Freese (act.1794-1814): Portrait miniature of a Gentleman, half length, wearing a blue coat and white stock, oval, 6.5cm by 5cm, the reverse with locket of hair £300 - 400 (plus 24% BP*) 825 a Pair of Portrait silhouettes of alexander Hamilton and a Gentleman, circa 1800, both bust length wearing white stocks, oval, 8cm by 6cm, in ebonised frames

823

824

198

Alexander Hamilton was one of the founding fathers of the United States of America

£200 - 300 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

826 a staffordshire enamel dog’s Head bonbonniere, circa 1770, modelled as the head of a Dalmatian, the cover painted with a similar dog within a scroll border, 6cm long £300 - 400 (plus 24% BP*) 827 russian school (19th century): an Icon Painted with the annunciation within a moulded “frame”, 31cm by 26cm; a similar Icon with the annunciation, 31cm by 26cm; and a similar example, decorated with the Resurrection surrounded by twelve scenes, 31cm by 25cm (3) £300 - 500 (plus 24% BP*) 828 a 19th century Half block model of a sailing ship, with scroll carved prow, on an ebonised backboard with brass label numbered 86, 144cm wide £700 - 1000 (plus 24% BP*) 829 a regency style brass Hall lantern, of cylindrical form with four glass panels enclosed by balustrading, 88cm high £700 - 1000 (plus 24% BP*) 830 a terracotta Garden Urn, in Renaissance style, of ovoid form cast with putti, foliage and scrollwork, on a separate stand with three mythical beast monopodium supports and tricorn base, on a circular plinth, 135cm high £500 - 700 (plus 24% BP*)

826

831 a Victorian stone Figure of the Virgin mary, standing wearing robes, her hands clasped in prayer, on a rocky base, 134cm high £300 - 400 (plus 24% BP*) 832 a Pair of cast Iron campana Urns, 19th century, with gadroon border hung with fruit swags flanked by loop handles on fluted socles and octagonal bases, currently painted in white and colours, 50cm high £400 - 600 (plus 24% BP*) 833 a carved marble bench, in Persian style, with pierced foliate decoration on fluted baluster legs, 134cm wide £300 - 400 (plus 24% BP*) 834 a Gothic revival carved stone Font, of hexagonal form, decorated with roundels on a column with six pilasters on an hexagonal base, 92cm high £900 - 1200 (plus 24% BP*) 835 No Lot

828

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furniture Measurements: Furniture: width by depth by height Chairs: width by depth is the seat area Mirrors: height by width 836 A Late George iii Oak Dresser and rack, early 19th century, the bold cornice above three fixed shelves, the base of five drawers around an arched apron with spindle supports and a potboard, raised on bracket feet, 188cm by 44cm by 223cm £1000 - 1500 (plus 24% BP*) 837 An early 18th Century Joined Oak Dresser, the top section with a profile cut gallery with brass cup hooks between shaped supports, two fielded cupboard doors below, all between canted sides, the base with slatted slides, 145cm by 48cm by 186cm £700 - 1000 (plus 24% BP*)

836

838 A George iii Oak Dresser and rack, 3rd quarter 18th century, with a bold cornice above two shelves, the base with three frieze drawers above an arched apron, raised on chamfered supports joined by a potboard, 151cm by 44cm by 186cm £600 - 800 (plus 24% BP*) 839 A George iii Oak and Mahogany Crossbanded enclosed Dresser, late 18th century, with two long and one short frieze drawer above four fielded panel cupboard doors all between fluted canted stiles, raised on bracket feet, 148cm by 53cm by 84cm £400 - 600 (plus 24% BP*) 840 A George iii Oak Dresser, late 18th century, the plank top above three frieze drawers, raised on four chamfered legs, 200cm by 49cm by 82cm £800 - 1200 (plus 24% BP*)

837 200

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

841 A George iii Oak Dresser of Small Proportions, late 18th century, the later three-quarter gallery back above three frieze drawers and an arched apron, raised on square chamfered legs joined by a potboard, 136cm by 39cm by 83cm £500 - 700 (plus 24% BP*) 842 A George iii Oak and Mahogany Crossbanded Dresser and rack, late 18th century, with a shaped cornice above three shelves and two cupboard doors, the base of three frieze drawers above an arched apron and raised on cabriole forelegs, 158cm by 45cm by 190cm £700 - 900 (plus 24% BP*)

842

843 A Late 17th Century Oak Dresser, the rectangular top above three two-as-one geometric moulded drawers, raised on bobbin turned forelegs joined by a peripheral stretcher, 214cm by 54cm by 83cm (rear legs retipped) £700 - 1000 (plus 24% BP*)

843

844 A 17th Century Oak three-Drawer Dresser, the moulded top above two-as-one moulded drawers and plinth moulding, raised on baluster turned and block forelegs, 184cm by 43cm by 79cm (rear legs retipped) £700 - 1000 (plus 24% BP*)

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848 An english Joined Oak Double Gateleg eight to ten Seater Dining table, late 17th century, with two rounded drop leaves to form an oval, raised on spiral turned supports and stretchers with block feet, 166cm extended by 150cm by 70cm £800 - 1200 (plus 24% BP*) 849 An 18th Century Joined Oak Chest on Stand, of two short over three long geometric moulded drawers, the base of two frieze drawers, raised on baluster turned legs with block feet joined by a peripheral stretcher, 100cm by 58cm by 149cm £800 - 1200 (plus 24% BP*)

848

845 An 18th Century Joined Oak Cupboard, the later dentil cornice above a lunette carved frieze and two fielded panel doors decorated with parquetry lozenges, with four fielded panels below and raised on compressed bun feet, 160cm by 65cm by 193cm Provenance: Ex Pepper Arden Hall, North Yorkshire

£400 - 600 (plus 24% BP*) 846 An 18th Century Joined Oak triangular Dropleaf table, with three hinged leaves to form a circle, raised on gun barrel and block supports joined by a shelf with shaped apron terminating in pad feet, 58cm diameter extended, 73cm high For a similar tables see Chinnery (Victor) Oak Furniture, The British Tradition, pg.305

£300 - 500 (plus 24% BP*) 847 An english Joined Oak Double Gateleg table, circa 1690, with two rounded drop leaves to form an oval above a single drawer, raised on block and turned gun barrel turned supports with splayed legs, 79cm by 67cm by 69cm £250 - 350 (plus 24% BP*) 849

202

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SATURDAY 15 JULY AT 10.00AM

850 A 17th Century Oak refectory Dining table, of three plank construction with cleated ends, raised on gun barrel turned supports joined by a peripheral stretcher, 214cm by 84cm by 78cm (good colour and patina) £3000 - 5000 (plus 24% BP*) 851 A Harlequin Set of eight Ash, elm and rush-Seated Ladder Back Chairs, 2nd half 19th century, raised on turned legs with pad feet joined by bobbin stretchers, 50cm by 41cm by 102cm; and A Pair of Similar Armchairs, with turned front rails, 62cm by 45cm by 108cm (10) £550 - 750 (plus 24% BP*)

850

852 A Harlequin Set of Six 19th Century Ash and elm rush-Seated Chairs, with double spindle back supports, with turned front supports, 50cm by 42cm by 92cm £300 - 500 (plus 24% BP*) 853 A Joined Oak Armchair, the foliate carved and domed top rail above a fielded back support, with downswept arms above a boarded seat, raised on ring turned gun barrel supports joined by a peripheral stretcher, 67cm by 49cm by 115cm (rear legs retipped) £300 - 500 (plus 24% BP*) 855

854 A 17th Century Joined Oak Wainscot Armchair, with foliate carved top rail above three fielded panels, downswept arms and boarded seat, with gun barrel turned supports joined by a peripheral stretcher, 67cm by 43cm by 116cm (rear legs retipped) £500 - 700 (plus 24% BP*)

854

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855 A Primitive Ash Yoke-Back Armchair, early 19th century, with some traces of paint, with curved top rail above a spindle back and arm supports, raised on four chamfered legs, 61cm by 39cm by 84cm £300 - 500 (plus 24% BP*)

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856

856 A Late 17th Century Joined Oak Dining Chair, with carved top rail above a panel carved in relief, the boarded seat raised on bobbin turned forelegs joined by a stretcher, 48cm by 36cm by 102cm; A Pair of early 18th Century Joined Oak and fruitwood Back Stools, with solid splats and boarded seats, raised on turned and block legs joined by a stretcher, 45cm by 37cm by 97cm; and An early 18th Century Oak Chair, with shaped splat above a boarded seat, raised on turned and spindle forelegs with double stretchers, 45cm by 33cm by 103cm (4) £300 - 500 (plus 24% BP*)

857 An early 18th Century Joined Oak Mural Livery Cupboard, with spindle turned hinged door, 70cm by 26cm by 42cm £400 - 600 (plus 24% BP*) 858 A 17th Century Walnut Spice Cabinet, the geometric moulded door enclosing an arrangement of eight drawers, 33cm by 21cm by 29.5cm £400 - 600 (plus 24% BP*)

858

864 857

204

866 861

861

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

859 A Joined Oak Chest, late 17th century, with hinged lid above two geometric moulded panels, with moulded stiles and muntins, 94cm by 53cm by 73cm £300 - 500 (plus 24% BP*) 860 A 17th Century Joined Oak Chest, the boarded hinged lid above a candle box, with lunette carved frieze above a fielded panel all between carved stiles and muntins, the base with a long drawer, 88cm by 49cm by 70cm £300 - 500 (plus 24% BP*) 861 A Primitive three-Legged Stool, probably Welsh, Glamorgan, circa 1800, the oak seat with two chamfered and one plain leg, 28cm by 23cm by 38cm; and A Primitive elm Seated four-Legged Stool, early 19th century, of rectangular form, 33cm by 22cm by 29cm (2) £250 - 350 (plus 24% BP*) 862 An 18th Century Joined Oak tripod Candle Stand, the octagonal shaped four-pegged top above a chamfered support with three splayed legs, 34cm by 34cm by 74cm £300 - 500 (plus 24% BP*) 863 An english Joined Oak Side table, the boarded top above a two-as-one geometrically moulded drawer, with profile cut forelegs joined by a peripheral stretcher, 17th century with alterations, 82cm by 49cm by 67cm £300 - 400 (plus 24% BP*)

864 An english Joined Oak Stool, circa 1650, the six-pegged rectangular top above an S shaped scrolled frieze, raised on bobbin turned legs joined by a peripheral stretcher, 53cm by 35cm by 53cm (repairs) £300 - 500 (plus 24% BP*) 865 An english Joined Oak Stool, circa 1640, the six-pegged rectangular moulded top above a carved apron, raised on baluster turned legs joined by a peripheral stretcher, 49cm by 29cm by 53cm (various old decay) £400 - 600 (plus 24% BP*) 866 An early 17th Century english Joined Oak Stool, the four-pegged rectangular top above a moulded and carved frieze, raised on turned legs with block feet, 46cm by 26cm by 55cm £400 - 600 (plus 24% BP*) 867 A Matched Pair of english Oak Joint Stools, with rectangular moulded tops above moulded friezes, raised on turned baluster supports joined by a peripheral stretcher, each 41cm by 27cm by 46cm £300 - 400 (plus 24% BP*)

860

869 A Late 17th Century Oak Straight front Chest, with three two-as-one drawers with geometric moulding and brass pear shaped handles, raised on turnip feet, 94cm by 56cm by 87cm £300 - 500 (plus 24% BP*) 870 A Late 17th Century Oak Geometric Moulded Straight front Chest of Drawers, of two short over three long drawers, 95cm by 55cm by 87cm; and An Associated 17th Century Geometric Moulded Cabinet, with bold cornice and cupboard doors enclosing an arrangement of small drawers, the base with three frieze drawers, 88cm by 26cm by 99cm (2) £400 - 600 (plus 24% BP*) 871 A 17th Century Joined Oak Chest, the hinged lid with fielded panels above a carved frieze with two lozenge carved panels below, 92cm by 37cm by 53cm £300 - 400 (plus 24% BP*)

868 A 17th Century english Joined Oak Side table, the plank top above a moulded frieze, raised on gun barrel turned legs joined by a peripheral stretcher, 83cm by 55cm by 67cm £300 - 500 (plus 24% BP*)

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873 A Victorian Pine Gothic Revival Refectory Table, late 19th century, of rectangular form with canted corners, raised on an X frame support and stretcher with trefoil carving, 243cm by 111cm by 82cm £900 - 1200 (plus 24% BP*) 874 A Set of Twelve Victorian Gothic Revival Oak Dining Chairs, after A W Pugin, recovered in green fabric, with chamfered supports joined by an H stretcher raised on castors, singles 46cm by 49cm by 92cm, carvers 57cm by 52cm by 97cm £900 - 1200 (plus 24% BP*)

872

872 A Matched Pair of 19th Century Yew and Elm Yorkshire Windsor High Back Smoker’s Chairs, each with pierced decorative splats above curved armrests and hand grips with turned spindle supports above a moulded seat, raised on ring turned legs joined by an H stretcher, 47cm by 46cm by 115cm £800 - 1000 (plus 24% BP*)

875 A George II Walnut and Feather Banded Bureau, 2nd quarter 19th century, the fall enclosing a fitted interior of pigeon holes, drawers and a small cupboard above a sliding well, two short over two long drawers below with brass engraved backplate handles, raised on bracket feet, 94cm by 52cm by 99cm £800 - 1200 (plus 24% BP*)

877 876

206

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SATURDAY 15 JULY AT 10.00AM

876 A Fine Victorian Burr Walnut Piano Top Davenport, stamped Maple & Co, London, circa 1870, the sprung mechanism with a three-quarter pierced gallery above a hinged cover enclosing a green gilt tooled writing surface with two small drawers, pin trays and ink bottle holders, four real and four sham drawers to the sides, raised on carved supports and a platform base, 57cm by 56cm by 96cm ÂŁ2000 - 3000 (plus 24% BP*)

877 A Late 19th Century Satinwood and Polychrome Painted Double Door Wardrobe, in neo-classical style, the dentil cornice above two cupboard doors painted with flower garlands, scrolls and figures, the interior with brass hooks and hanging space, the base with two deep drawers, raised on a plinth base, 129cm by 57cm by 228cm; A Pair of Single Satinwood Bedsteads, with panel footboards and headboards painted with classical figures between turned posts on block supports with turned legs and castors, 123cm high; A Satinwood and Polychrome Decorated Two-Drawer Washstand, decorated overall with floral swags and portrait medallions with three-quarter gallery back above turned legs and shaped stretcher, 101cm by 56cm by 89cm; A Similar Three-Drawer Bowfront Chest, painted with floral swags and musical trophies, raised on turned legs, 92cm by 48cm by 87cm; A George III Mahogany Demi-Lune Hall Table, later decorated with husks and flower garlands, raised on square tapering legs with block feet, 128cm by 69cm by 72cm; and A Pair of 19th Century Polychrome Painted Bedroom Chairs, with curved top rails, spindle back supports and pink upholstered drop-in seats, 50cm by 39cm by 86cm (8) Provenance: Ex Pepper Arden Hall, North Yorkshire

ÂŁ1000 - 1500 (plus 24% BP*)

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881 A Late Victorian ebonised, Satinwood and Marquetry inlaid Breakfront Display Cabinet, circa 1900, with pink and grey marble staged top, ormolu mounts of swags and urns with a central tapering support inset with a porcelain roundel flanked by glazed cupboard doors enclosing a blue velvet lined interior, raised on a platform base, 120cm by 45cm by 117cm £1000 - 1500 (plus 24% BP*) 882 A George ii Walnut, featherBanded and Pine-Sided Chest on Chest, 2nd quarter 18th century, with a cavetto moulded cornice above three short and three long graduated drawers all between canted fluted stiles, the base with a pull-out brushing slide above three graduated drawers, raised on bracket feet, 107cm by 57cm by 181cm £1200 - 1500 (plus 24% BP*)

883 A Pair of Victorian Walnut Writing tables, stamped Shoolbred & Co, each with a red and gilt leather tooled skiver above long frieze drawers, raised on spindle turned and block legs joined by a stretcher and raised on castors, 106cm by 61cm by 76cm £800 - 1200 (plus 24% BP*) 884 A George iii Mahogany and Brass Bound Oval Oyster Bucket, late 18th century, of staved construction, with brass swing handle, the body with four brass bands, 38cm wide, 49cm maximum height with handle £300 - 500 (plus 24% BP*)

878

878 A George ii Walnut and featherbanded Chest on Chest, mid 18th century, the cavetto cornice above two short and three long drawers all between fluted canted stiles, the base of three graduated drawers and raised on bracket feet, 103cm by 57cm by 174cm £1200 - 1800 (plus 24% BP*) 879 A regency Mahogany and ebony Strung Secretaire Bookcase, early 19th century, with moulded astragal doors enclosing three adjustable shelves, the base with fall front drawer enclosing satinwood veneered drawers, pigeons and a green leather writing surface, three drawers below, raised on bracket feet, 123cm by 55cm by 221cm £500 - 700 (plus 24% BP*) 880 A George ii Walnut, ebony and Boxwood Strung Chest on Chest, mid 18th century, the cavetto cornice above three short and six long drawers, raised on bracket feet, 106cm by 56cm by 181cm (alterations) £500 - 700 (plus 24% BP*)

208

881

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SATURDAY 15 JULY AT 10.00AM

885 A George ii Style Walnut Scallop edge top tripod table, the moulded top decorated with anthemion enclosing a curved needlework panel of gros and petit point flowering plants, raised on a turned vasiform support with three carved cabriole legs, 74cm by 72cm £1000 - 1500 (plus 24% BP*)

885

890

886 A George iii Mahogany and Barber’s Pole Strung Serpentine Shaped triple foldover tea, Card and Gaming table, late 18th century, with three hinged leaves with the base section decorated with a gaming board and ratchet compartment, raised on cabriole legs with pad feet, 84cm by 42cm by 76cm (restorations) £400 - 600 (plus 24% BP*)

889 A George iV rosewood two-tier Bed Step, 2nd quarter 19th century, of rectangular form, each tread of worn green velvet within a carved border raised on lappet carved supports, the base of block supports joined by a stretcher, the largest tier 81cm by 65cm, total height 62cm £400 - 600 (plus 24% BP*) 890 A regency rosewood and Brass Mounted Grille Door Side Cabinet, early 19th century, of small proportions, the frieze decorated with anthemion above a gathered silk hinged door enclosing an adjustable shelf, raised on brass cast paw feet, 67cm by 19cm by 88cm £400 - 600 (plus 24% BP*)

887 A Victorian rosewood Oval Loo table, circa 1850, the flip-top raised on a tapering support with carved socle, circular platform base and four scrolled cabriole legs with castors, 122cm by 91cm by 76cm £350 - 450 (plus 24% BP*)

891 A William iV rosewood and Pietra Dura tripod table, 2nd quarter 19th century, with circular marble top inlaid with an urn with flowering foliage and exotic birds, raised on a turned and lappet carved support with triform base, carved feet and recessed castors, 59cm by 72cm £700 - 1000 (plus 24% BP*)

888 A Set of four George iii Mahogany Hall Chairs, late 18th century, each with shaped back supports and circular dished seats above scrolling front supports united by a stretcher to the rear, 41cm by 50cm by 99cm £800 - 1200 (plus 24% BP*) 891

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894

894 A Good Quartetto of rosewood and Burr Yewwood Crossbanded nesting tables, 2nd quarter 19th century, of rectangular graduated form, raised on turned legs joined by a curved stretcher, the largest 46cm by 31cm by 72cm £500 - 700 (plus 24% BP*) 892

892 A George ii Walnut and featherbanded Chest on Stand, circa 1750, the cavetto cornice above two short and three long drawers with engraved brass backplate handles, the base of one long drawer and three short drawers above an arched apron, raised on later cabriole legs with block feet, 104cm by 56cm by 173cm £1000 - 1500 (plus 24% BP*) 893 A regency rosewood, ebonised and Brass Mounted Open Bookcase, early 19th century, with moulded cornice centred by a fluted tablet above three shelves, the base as two cupboard doors with six sham drawers all between brass and ebonised reeded stiles, raised on cast claw feet, 150cm by 43cm by 218cm £1500 - 2000 (plus 24% BP*)

893 210

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SATURDAY 15 JULY AT 10.00AM

898 A George iii Mahogany and Satinwood Banded Secretaire Bookcase, early 19th century, the swan neck pediment above moulded astragal glazed doors enclosing three adjustable shelves, above a deep drawer inlaid with shell patera enclosing an attractive fitted interior of pigeon holes and drawers above a blue baize writing surface, three drawers below, raised on bracket feet, 107cm by 52cm by 234cm £800 - 1000 (plus 24% BP*)

899 A Walnut and feather-Banded Dome top Bureau Bookcase, the mirrored doors enclosing an arrangement of pigeon holes and small drawers with pull-out candle slides below, the fall enclosing a fitted interior of sliding well, pigeon holes and small drawers, with two short over two long drawers, raised on later bracket feet, 102cm by 52cm by 220cm £2000 - 3000 (plus 24% BP*)

896

895 A George iii Mahogany Secretaire Bookcase, late 18th century, the swan neck pediment inlaid with shell patera above an arcaded frieze with lancet astragal glazed doors enclosing adjustable shelves, the base with a deep two-as-one drawer with fall front enclosing pigeon holes, small drawers, cupboard door and a green baize lined writing surface, three drawers below, raised on splayed bracket feet, 109cm by 55cm by 140cm Provenance: Purchased from Harrods with original purchase invoice dated 18 March 1970

£400 - 600 (plus 24% BP*) 896 A rare regency Harlequin Pedestal Writing table, early 19th century, of octagonal shaped form, with crossbanded top above two pivoting drawers, the top drawer fitted with a green and gilt leather tooled writing surface with compartments and pen trays, with opposing non-fitted drawer, two dummy drawers all fitted with lion mask loop handles, raised on a tapering support with four carved sabre legs terminating in hairy paw feet and castors, 52cm by 52cm by 75cm £1200 - 1500 (plus 24% BP*) 897 A George iii Chippendale Style Mahogany Secretaire Bookcase, late 18th century, of attractive proportions, the fret carved swan neck pediment above a Greek Key and blind fret carved frieze above astragal glazed doors enclosing adjustable shelves, the base fitted with a deep secretaire drawer enclosing pigeon holes and drawers, four long drawers below, raised on bracket feet, the top possibly associated, 75cm by 51cm by 221cm £1200 - 1500 (plus 24% BP*)

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902 A Late regency rosewood Davenport, 2nd quarter 19th century, with a brass pierced three-quarter gallery above a green and gilt leather tooled writing surface enclosing a burr maple veneered interior with one sham and one real cupboard door below enclosing four small drawers, raised on a platform base with spindle supports, 53cm by 53cm by 88cm £350 - 550 (plus 24% BP*) 903 A Mahogany Straight front Chest of Drawers, in George III style, the moulded top above four drawers and fluted column supports, raised on shaped bracket feet, 72cm by 41cm by 72cm £500 - 600 (plus 24% BP*) 904 A Victorian figured Walnut and tulipwood Banded foldover Card table, circa 1870, of serpentine shaped form with green leather top and green baize lined interior with shaped apron, raised on cabriole legs with gilt foliate mounts and sabots, 93cm by 47cm by 75cm £350 - 550 (plus 24% BP*) 901

900 A George iii Oak and elm Chest on Chest, 3rd quarter 18th century, with a cavetto cornice above two short and six long drawers, raised on bracket feet, 104cm by 53cm by 182cm £400 - 600 (plus 24% BP*)

901 A George iii Mahogany Linen Press, circa 1800, the bold cornice above two cupboard doors enclosing seven sliding trays and two drawers below, raised on shaped bracket feet, 132cm by 63cm by 165cm £500 - 700 (plus 24% BP*)

905 An 18th Century Mahogany Chest on Stand, with engraved brass strapwork and hinged lid, the base of three frieze drawers with engraved solid backplate handles and shaped apron, raised on bracket feet, 139cm by 56cm by 92cm £500 - 700 (plus 24% BP*)

902 905 212

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SATURDAY 15 JULY AT 10.00AM

906 A regency Satinwood, Crossbanded and Brass inlaid foldover Card table, early 19th century, of rounded rectangular form with green baize lined interior, raised on a curved support with quadripartite base and splayed legs with brass stringing, brass capped toes and castors, 89cm by 44cm by 71cm £1200 - 1500 (plus 24% BP*) 906

908

907 A regency Mahogany Serpentine Shaped Sideboard, 2nd quarter 19th century, with reeded edge above a central frieze drawer and arched apron flanked by two small and two deep drawers, raised on ring turned reeded tapering legs with brass capped toes and castors, 182cm by 68cm by 94cm £400 - 600 (plus 24% BP*) 908 A George iii Mahogany Cellaret, late 18th century, inlaid with shell and leaf patera, the hinged lid enclosing a pine lined interior of six dividers, with brass swan neck carrying handles all between canted stiles, the base with a shaped apron and square tapering legs, brass caps and leather castors, 38cm by 34cm by 66cm £1200 - 1500 (plus 24% BP*) 909 A George iii Style Mahogany Breakfront Bookcase, late 19th/early 20th century, with acanthus moulded pediment above a Greek Key frieze and three astragal doors enclosing shelves, the base with three cupboard doors, raised on a plinth base and carved bracket feet, 138cm by 48cm by 212cm £700 - 1000 (plus 24% BP*) 909

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910 A William & Mary Walnut, ebony, Marquetry inlaid and Oak-Sided Chest on Stand, with two short over three long graduated drawers, the base with a long frieze drawer above a shaped apron, raised on spiral turned legs joined by a flattened stretcher, 17th century and later, 100cm by 57cm by 149cm £3500 - 4500 (plus 24% BP*)

910

911 A William iV rosewood Pedestal Occasional table, 2nd quarter 19th century, with square top above a reeded support with quadripartite base and brass compressed feet, 45cm by 45cm by 75cm £250 - 350 (plus 24% BP*) 912 A Late 19th Century Jerusalem Olivewood Davenport, the foliate carved hinged top section fitted as a correspondence rack above a hinged writing surface enclosing two drawers, the base with a cupboard door enclosing four drawers, raised on a plinth base with turned spindle supports, 64cm by 57cm by 100cm £500 - 700 (plus 24% BP*)

912

214

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SATURDAY 15 JULY AT 10.00AM

913 An irish Killarney Work inlaid Arbutus and Yewwood folding top Games table, 3rd quarter 19th century, the top centred with an oval panel depicting Muckross Abbey flanked by fern leaves with a geometric patterned banding and foliate border, the hinged leaf enclosing a chequer and backgammon board, the inlaid frieze above an octagonal baluster pillar with quadripartite base on carved paw feet, 79cm by 42cm by 80cm £2000 - 3000 (plus 24% BP*)

913 (detail)

915 A Mahogany Circular Centre table, 2nd quarter 19th century, with reeded edge above a geometric brick form frieze, raised on an acanthus carved bulbous support with three carved legs terminating in claw feet, 97cm by 75cm £1200 - 1800 (plus 24% BP*)

914 A Pair of George iii Mahogany tripod Candlestands, early 19th century, of octagonal shaped form, raised on chamfered baluster shaped supports with scrolled toes, 25cm by 25cm by 90cm £500 - 700 (plus 24% BP*)

916 A fine Victorian Walnut, rosewood and thuya foldover Card table, circa 1870, the hinged lid enclosing a green baize lined interior, raised on fluted, turned and lappet carved tapering legs terminating in castors, 96cm by 57cm by 73cm £1000 - 1500 (plus 24% BP*) 913

915

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916

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917

917 An impressive Late Victorian Mahogany and Satinwood Banded Cylinder Desk, labelled flashman & Co, upholsterers to Her Majesty, Dover, the staged top with four crossbanded frieze drawers above a tambour front enclosing an arrangement of drawers and pigeon holes, the base with a central frieze drawer stamped and labelled FLASHMAN & CO above an arched apron flanked by eight graduated drawers with fluted stiles, 152cm by 92cm by 143cm £4000 - 6000 (plus 24% BP*) 918 A George iii Mahogany Chest on Chest, late 18th century, with blind fret carved frieze above two short and three long drawers all between canted fluted stiles, three deep drawers below, raised on bracket feet, 118cm by 59cm by 182cm £700 - 1000 (plus 24% BP*) 919 A rare Late George iii Mahogany free-Standing Waterfall Bookcase, early 19th century, with four graduated tiers with reeded dividers, raised on a stand with scrolled brackets and vasiform shaped supports joined by a turned stretcher, the cabriole legs with brass capped toes and castors, 94cm by 48cm by 130cm Provenance: Aldbrough Hall, Aldbrough St John, Richmond

919

£500 - 800 (plus 24% BP*)

216

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SATURDAY 15 JULY AT 10.00AM

920 A George iii Mahogany and Brass Bound Oval Wine Cooler, circa 1800, of staved construction with brass lion mask handles, raised on a stand with square tapering legs and fret cut brackets with recessed leather castors, 72cm by 56cm by 61cm Provenance: Aldbrough Hall, Aldbrough St John, Richmond

£400 - 600 (plus 24% BP*) 921 A Carved Mahogany Oval Wine Cistern, early 19th century, with lead lined interior and gadrooned body with vine and leaf carved handles, raised on a plinth base with recessed castors, 100cm by 64cm by 48cm Provenance: Aldbrough Hall, Aldbrough St John, Richmond

£700 - 1000 (plus 24% BP*) 920

922 A Late regency Mahogany Wine Cooler, 2nd quarter 19th century, with hinged lid enclosing a lead lined interior, the tapering body with spiral turned supports, raised on brass cast claw feet with recessed castors, 68cm by 53cm by 60cm Provenance: Aldbrough Hall, Aldbrough St John, Richmond

£400 - 600 (plus 24% BP*) 921

923 A George iii Mahogany and Crossbanded Serpentine Shaped Sideboard, circa 1800, the parquetry decorated top above a long frieze drawer flanked by four dummy drawers with three drawers and a small cupboard to each end panel, raised on square fluted legs, 167cm by 77cm by 91cm Provenance: Aldbrough Hall, Aldbrough St John, Richmond

£400 - 600 (plus 24% BP*)

922

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924 A regency rosewood and Brass Mounted Library table, early 19th century, of rounded rectangular form, raised on C scroll end supports joined by a turned stretcher, the associated platform bases with cast paw feet and castors, 92cm by 56cm by 75cm £500 - 700 (plus 24% BP*)

217

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925 A George iii Mahogany Double Pedestal Desk, late 18th century, with green and gilt leather writing surface, central hinged section with adjustable easel, with central frieze drawer flanked by eight graduated drawers with opposing sham drawers, raised on a platform base, 135cm by 60cm by 75cm £2000 - 3000 (plus 24% BP*)

925

926 A Victorian Mahogany Double Pedestal Partners Desk, stamped t Willson, 68 Great Queen Street, London, mid 19th century, the moulded top with inset worn red writing surface above six frieze drawers, the pedestals fitted with three drawers and opposing cupboard doors, raised on plinth bases with recessed castors, 184cm by 120cm by 76cm Willson, Thomas, 68 Gt Queen St, London, furniture broker, etc (1799-1854). The impressed mark T.WILLSON 68 GREAT QUEEN STREET LONDON has been found stamped on some late 18th/early 19th century furniture. Available material suggests that the Willsons were likely to have been dealers in good quality second-hand furniture (brokers). Although some of the 1838-54 entries refer to ‘Furniture Works’, the term may have been employed to describe a repair workshop and not necessarily a manufactory. Pieces of furniture bearing the distinctive stamp range in date over the years c.1780 to c.1840, and are of mahogany unless otherwise stated. For further reading see Dictionary of English Furniture Makers 1660-1840, pg.985

£2000 - 3000 (plus 24% BP*)

926

218

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SATURDAY 15 JULY AT 10.00AM

928

927 A George iii Mahogany, Boxwood and ebony Strung Serpentine Shaped Chest, early 19th century, with moulded top above three long graduated drawers all between canted corners, raised on later tapering legs with block feet, 110cm by 60cm by 88cm £700 - 1000 (plus 24% BP*)

928 An early Victorian rosewood Library Writing table, circa 1860, with a burgundy leather writing surface with Greek Key border above four frieze drawers, raised on turned and carved tapering legs with brass capped toes and castors, 153cm by 90cm by 77cm £1500 - 2000 (plus 24% BP*)

929 A fine George iii Style Satinwood and Polychrome Painted Cabinet, of D shape form, the top painted with a border of flower garlands above two bowfront cupboard doors decorated with neo-classical style panels, raised on bracket feet, 112cm by 56cm by 90cm £2000 - 3000 (plus 24% BP*)

929

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930

930 A regency rosewood Library Bookcase, in the manner of Gillows, early 19th century, of breakfront form, the upper section with four glazed doors enclosing adjustable shelves all between reeded stiles and trusses, the base with four brass grille doors with gathered silk lining, 222cm by 55cm by 188cm £4000 - 6000 (plus 24% BP*) 931 A fine rosewood and Gilt Metal Mounted Breakfront Open Bookcase-Cabinet, in the manner of Gillows of Lancaster, early 19th century, the mirrored superstructure above two brass framed mirrored doors between S shaped scrolled supports above brass grille doors flanked by adjustable shelves, all between fluted stiles with acanthus carved trusses, raised on carved block feet, 185cm by 46cm by 149cm £4000 - 6000 (plus 24% BP*)

931 220

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SATURDAY 15 JULY AT 10.00AM

932

932 An early 19th Century Mahogany Serving table, in the manner of Gillows, of D shaped form with later three-quarter gallery back, formerly fitted with a brass rail, a single frieze drawer with moulded edge above four ring turned and reeded tapering legs, 165cm by 79cm by 92cm £800 - 1200 (plus 24% BP*)

933 A Continental Joined Chest, the domed canopy lid above two chip carved fielded panels with circle carved stiles and muntins, raised on a later plinth base and feet, 92cm by 47cm by 56cm £300 - 400 (plus 24% BP*)

934 A Dutch Walnut and Marquetry inlaid Bureau, mid 19th century, the rectangular top above a hinged fall front decorated with urns issuing floral and foliate sprays with birds within a chequer banded border, the interior with a sliding well, cupboard door and graduated drawers, the base of three long drawers above a shaped apron, 124cm by 63cm by 114cm £1800 - 2500 (plus 24% BP*)

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938

939

935 A 19th Century Continental and Gilt Metal Mounted twoDrawer Sewing table, the quarter-veneered top above one real and one sham drawer, raised on splayed legs joined by a stretcher, 55cm by 55cm by 72cm £500 - 600 (plus 24% BP*)

222

936 A William iV Mahogany twin-Pedestal extending Dining table, 2nd quarter 19th century, with four additional leaves and two D end sections raised on column supports with circular moulded socles and quadripartite bases with compressed bun feet and castors, 344cm extended by 130cm by 74cm £800 - 1200 (plus 24% BP*)

937 A Victorian Mahogany Wind-Out extending Dining table, late 19th century, with three original additional leaves above a plain frieze, raised on acanthus carved cabriole legs with ball and claw feet and recessed castors, 296cm extended by 137cm by 75cm £700 - 1000 (plus 24% BP*)

938 A rare Late George iii Mahogany Scissor-Action twin-Pillar Dining table, early 19th century, of rounded rectangular form with reeded edge and two drop leaves, each raised on a turned gun barrel support with pivoting brackets, raised on fluted cabriole legs terminating in carved claw feet with recessed castors, with one original additional leaf, 311cm extended by 137cm by 71cm £1000 - 1500 (plus 24% BP*)

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

939 A Good regency Mahogany Dining table, in the manner of Gillows, early 19th century, of rounded rectangular form with reeded edge, with three original additional leaves and a pine free-standing storage cabinet, raised on eight ring turned and reeded tapering legs with brass capped toes and castors, 283cm extended by 130cm by 73cm (good colour and patina) £2000 - 3000 (plus 24% BP*) 940 A Victorian Mahogany Circular Centre table, circa 1860, the later specimen top with samples including villette violet, brecccia, lapis, Alicante red, herreguia, antique, maurain and Swedish green, raised on a vasiform support with circular base and scroll toes, 126cm by 74cm £2000 - 3000 (plus 24% BP*)

940

941 A Set of Six William iV rosewood Balloon Back Dining Chairs, circa 1835, with shaped top rails above C scroll carved splats with blue and floral upholstered overstuffed seats, raised on carved and turned spindle forelegs, 48cm by 40cm by 84cm; and A Set of Six William iV Balloon Back Chairs, raised on cabriole forelegs, upholstered to match, 48cm by 40cm by 84cm (12) £500 - 700 (plus 24% BP*)

941

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942 A Set of Six George III Gothic Revival Dining Chairs, early 19th century, with carved top rails above chamfered splats and reeded uprights, with needlework seats decorated with flowers and foliage within an urn, serpentine shaped seat rails and fluted forelegs joined by an H stretcher, 56cm by 45cm by 94cm Provenance: Aldbrough Hall, Aldbrough St John, Richmond

£400 - 600 (plus 24% BP*) 942

943 A Set of Eight Mahogany and Boxwood Strung Dining Chairs, circa 1820, recovered in close-nailed pink and green striped fabric, with curved back supports, reeded uprights above overstuffed seats and raised on ring turned reeded forelegs joined by an X stretcher, including two carvers, singles 48cm by 42cm by 87cm, carvers 51cm by 47cm by 86cm £800 - 1200 (plus 24% BP*)

944 A Set of Ten Victorian Mahogany Dining Chairs, circa 1860, recovered in fruit and green foliate fabric, comprising eight singles with carrying handles to the top rails above padded back support and overstuffed seats, raised on turned and fluted forelegs with castors, including two carvers, singles 48cm by 43cm by 100cm, carvers 58cm by 46cm by 104cm £800 - 1000 (plus 24% BP*)

945 A Set of Twelve Victorian Mahogany Dining Chairs, circa 1880, with ribbon tied top rails above carved splats, green floral moquette overstuffed seats and shaped seat rails, raised on cabriole forelegs, 49cm by 46cm by 92cm £1000 - 1500 (plus 24% BP*)

945

224

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SATURDAY 15 JULY AT 10.00AM

946 A Set of Ten George III Style Mahogany Dining Chairs, 1st half 20th century, with carved top rails and gothic tracery pierced splats between reeded uprights, with yellow fabric covered drop-in seats, raised on chamfered and reeded forelegs, singles 55cm by 43cm by 100cm, the two carvers 58cm by 45cm by 100cm £500 - 700 (plus 24% BP*)

946

947 A Set of Eight George III Style Mahogany Ladder Back Dining Chairs, late 19th century, upholstered in close-nailed blue leather, with serpentine shaped seat rails raised on cabriole forelegs terminating in pad feet, including two carvers, singles 48cm by 42cm by 105cm, carvers 60cm by 46cm by 114cm; and A Double-Chair Back Settee, en suite, 105cm by 46cm by 114cm (2) £700 - 1000 (plus 24% BP*) 947

948 A Set of Eight Brown Oak Dining Chairs, circa 1830, with gadrooned and curved top rails above later recovered drop-in seats (four in purple, four in green), raised on splayed forelegs, including one carver, singles 48cm by 43cm by 87cm, the carver 50cm by 46cm by 86cm £500 - 700 (plus 24% BP*) 949 A Set of Six George I Style Irish Walnut Dining Chairs, with carved top rails above pierced splats and upholstered drop-in seats, the plain seat rails raised on acanthus carved forelegs with carved claw feet, 57cm by 43cm by 102cm £1200 - 1500 (plus 24% BP*)

w w w.t e n n a n t s .c o.u k

949

225

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950 A Pair of Carved Chippendale Style Mahogany Armchairs, late 19th/ early 20th century, the carved top rails above acanthus decorated pierced splats, with outswept arms and carved hand grips above striped drop-in seats, raised on cabriole forelegs with ball and claw feet, 66cm by 49cm by 106cm £300 - 500 (plus 24% BP*)

953 A John Broadwood & Sons rosewood Cased 8’6” Barless Concert Grand Piano, serial no.54296, circa 1920, raised on square tapering legs with castors £1500 - 2000 (plus 24% BP*)

954 A John Broadwood & Sons 8’ Mahogany and rosewood Cased Historic Concert Grand Piano, circa 1820, raised on hexagonal shaped tapering supports with brass capped toes and castors £2000 - 3000 (plus 24% BP*)

951 No Lot 952 A Steinway & Sons of new York/ Hamburg rosewood Cased 6’ Grand Piano, serial no.115439, circa 1905, raised on square tapering legs with block feet and brass castors £2000 - 4000 (plus 24% BP*)

952

226

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

955 A Steinway Welte 6’9” Green roll Model O Mahogany Cased reproducing Semi-Concert Grand Piano, serial no.229307, circa 1924, the gilded frame stamped MINIATURE REG US PATENT OF STEINWAY & SONS NEW YORK HAMBURG PATENT GRAND CONSTRUCTION OCTOBER 3RD 1899, raised on square tapering legs with block feet and castors with green roll mechanism and a vast collection of music rolls (list available) some contained within a early 20th century mahogany cabinet £10000 - 15000 (plus 24% BP*)

953

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956

956 A rare Louis XiV Style Steinway Model B Duo-Art, 7’6” Concert Grand Piano, serial no.244255, circa 1926 and player no 244255, the cream and polychrome painted case with musical trophies, floral swags and oval medallions, raised on a gilt gesso base decorated with anthemion and acanthus scrolls, with square tapering legs and block feet; and A Substantial Matching Music Seat, the hinged lid with a velvet overstuffed seat enclosing music dividers, 90cm by 48cm by 53cm (2) £20000 - 30000 (plus 24% BP*)

228

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SATURDAY 15 JULY AT 10.00AM

957 An edwardian Satinwood and Polychrome Painted Carlton House Desk, early 20th century, painted overall with flower garlands, husks, ribbons and neoclassical style panels, the superstructure with six small drawers and three cupboard doors flanked by hinged compartments, the base with five frieze drawers around a kneehole, raised on square tapering legs with spade feet and castors, 128cm by 63cm by 97cm £2000 - 3000 (plus 24% BP*)

957

958 A Late 19th Century Satinwood and rosewood Crossbanded Cylinder Desk, stamped edwards & roberts, the staged top above three short drawers and tambour front inlaid with ribbons, swags and an urn enclosing a fitted interior of pigeon holes, small drawers and a sliding green baize writing surface, all above an arched apron flanked by two small drawers, raised on square tapering legs, 81cm by 60cm by 125cm £1000 - 1500 (plus 24% BP*)

958

959 An edwardian Satinwood, tulipwood Banded and Polychrome Painted Bonheur de Jour, early 20th century, decorated overall with flower garlands and ribbons, the three-quarter gallery above two short and one long drawer above a small writing surface with long frieze drawer below, raised on square tapering legs, 51cm by 39cm by 101cm £400 - 600 (plus 24% BP*) 960 A Good Quality edwardian Carved Mahogany Display Cabinet, early 20th century, with a dentil cornice above glazed cupboard doors enclosing a green watered silk interior, all between canted corners with reeded and acanthus carved pillar supports, 130cm by 52cm by 188cm £300 - 500 (plus 24% BP*) 959

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961 A fine edwardian Mahogany, Satinwood Banded and Polychrome Decorated Cabinet, early 20th century, of breakfront and tiered form with a brass three-quarter balustrade gallery above a central cupboard door decorated with swags, ribbons and musical trophies enclosing adjustable shelves flanked by open niches, raised on a platform base, 138cm by 45cm by 128cm £1500 - 2000 (plus 24% BP*)

961

962 A Lacquered Chinoiserie Decorated tilt-top Pedestal table, late 19th/early 20th century, richly painted in gilt with a central landscape panel, raised on a baluster turned support with triform base, 60cm diameter, 59cm high £250 - 350 (plus 24% BP*)

963 A Pietra Dura and red Marble table top, in 17th century style, of rectangular form, the central section made up of various marbles and hardstones including lapis lazuli, jaspers and chalcedony with a foliate border of birds, 241cm by 120cm by 3cm £3000 - 5000 (plus 24% BP*)

962

963 230

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SATURDAY 15 JULY AT 10.00AM

964 A Cosmati White Marble and Micro-Mosaic Panel or table top, probably 13th/14th century, decorated with roundels with various marbles and red and green porphyry, 109cm by 57cm by 7cm By repute a Private Collection in Belgium

£4000 - 6000 (plus 24% BP*) 964

965 A fine Pietra Dura and Marble table top, inlaid with lozenges in various marbles surrounded by a black and white border, 180cm by 114cm by 3cm £2500 - 3500 (plus 24% BP*)

966

966 A Pair of Grey Painted, Parcel Gilt and Gesso D Shaped tables, with white marble tops decorated in scrolling green ribbons and leaves above friezes decorated in bold relief in the neo-classical style with swags and ribbons, raised on square tapering legs with spade feet, 79cm by 36cm by 84cm £1200 - 1500 (plus 24% BP*)

968 A Victorian Carved Gesso and Parcel Gilt Overmantel Mirror, mid 19th century, with acanthus and flower decorated frame, the rectangular plate surmounted by C scroll cresting, a shell and decorative plume, 170cm by 117cm £500 - 700 (plus 24% BP*)

967 An Ottoman Style Octagonal inlaid and Mother-of-Pearl Decorated table, late 19th century, adapted as a sewing box, the hinged lid with pietra dura marble top decorated with flowers, the base decorated with geometric motifs, 41cm by 41cm by 55cm £400 - 500 (plus 24% BP*)

969 A George ii Giltwood and Gesso Pier Glass, 2nd quarter 18th century, the mercury mirror plate within a rockwork frame headed by a scrolled decorative plume, 121cm by 59cm £1000 - 1500 (plus 24% BP*) 969

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970 A Gilt and Gesso Wall Mirror, in rococo style, the bevelled glass mirror plate within an acanthus scrolled framed head by a decorative plume, 110cm by 77cm £300 - 500 (plus 24% BP*) 971 A regency Style Gilt and Gesso Convex Mirror, late 19th century, with ebonised slip and ball surmounted frame surmounted by an eagle plume, 104cm by 63cm £300 - 500 (plus 24% BP*) 972

972 A 19th Century White Painted and Parcel Gilt Corner Sofa, in Louis XV style, recovered in cream, blue, pink and floral button fabric, with padded arms and overstuffed seat, the carved seat rail raised on cabriole forelegs, maximum diameter 210cm by 52cm by 102cm £1000 - 1500 (plus 24% BP*)

976

973 A 19th Century Giltwood and Gesso two-Seater Sofa, in Louis XV style, recovered in brown and gold velvet, with a moulded and acanthus carved frame with padded back, arms and overstuffed seat, raised on cabriole forelegs with scroll toes, 173cm by 70cm by 117cm £400 - 600 (plus 24% BP*) 974 A Pair of french Louis XV Style Beech framed Child’s Bergères, late 19th century, upholstered in close-nailed yellow fabric, with moulded frames, padded back, arms and overstuffed seat, raised on cabriole legs, 55cm by 45cm by 79cm £400 - 600 (plus 24% BP*)

976 A Victorian Mahogany framed Seven Piece Drawing room Suite, late 19th century, in Regency style, comprising two-seater sofa upholstered in green foliate fabric with padded back support, arms and seat, with acanthus carved hand grips, arm supports and legs with scrolled forelegs and castors, 136cm by 58cm by 104cm, a set of four single dining chairs, upholstered to match, 45cm by 43cm by 93cm, and a pair of open armchairs, with anthemion carved hand grips, arm supports and scrolled toes with castors, upholstered in yellow foliate fabric, 64cm by 57cm by 105cm, all en-suite £1200 - 1500 (plus 24% BP*)

975 No Lot

232

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

981

977 A Victorian rosewood framed tub Shaped two-Seater Sofa, mid 19th century, recovered in green floral button back fabric with overstuffed seat, the moulded show frame with carved hand grips, flower carved cabriole forelegs with scrolled toes and castors, 130cm by 55cm by 85cm £300 - 500 (plus 24% BP*)

985

978 A Pair of Charles X Mahogany fauteuils, early 19th century, recovered in close-nailed yellow and gold striped moquette, with curved top rails, reeded arm supports and overstuffed seat, raised on cabriole forelegs with scrolled toes, 59cm by 50cm by 92cm £500 - 700 (plus 24% BP*)

979 A George iV rosewood framed Settee, 2nd quarter 19th century, recovered in pink velvet, with rounded arm supports and overstuffed seat all between carved arm supports with gadrooned feet and raised on castors, 160cm by 69cm by 90cm £400 - 600 (plus 24% BP*) 980 A George iii Mahogany Gainsborough Library Armchair frame, with outswept arms, the seat rail centred by carved anthemion, raised on cabriole legs with ball and claw feet, 68cm by 54cm by 107cm £1200 - 1500 (plus 24% BP*)

981 A George iii Mahogany Library Armchair, early 19th century, recovered in close-nailed multi-coloured striped velvet with padded back support, arms and seat, raised on splayed forelegs joined by an H stretcher, 65cm by 48cm by 97cm £400 - 600 (plus 24% BP*) 982 An edwardian Seven Piece Mahogany, Satinwood Banded and Boxwood Strung Show-frame Salon Suite, early 20th century, recovered in brown geometric fabric, comprising a twosettee sofa with padded back support, pierced splat and armrest above an overstuffed seat, raised on square tapering legs, 120cm by 54cm by 90cm, a pair of armchairs, 58cm by 50cm by 94cm, and four single chairs all ensuite, 44cm by 40cm by 88cm £400 - 600 (plus 24% BP*)

986

w w w.t e n n a n t s .c o.u k

233

FURNITURE

987 A Lenygon & Morant Ltd Howard easy Armchair, covered in printed cotton, monogrammed H&S, with two squab cushions and rounded arm supports, raised on beech legs with brass castors, the underside labelled Lenygon & Morant Ltd Makers of Howard Chairs and Settees, 48 South Audley Street, London W1, rear left leg stamped twice Howard Chairs Ltd, London, England, 69cm by 82cm by 75cm £1000 - 1500 (plus 24% BP*) 987

983 A George iii Style WingBack Armchair, late 19th century, recovered in cream and green foliate fabric, with outswept arms and a squab cushion above a gadrooned seat rail, raised on acanthus carved cabriole legs with ball and claw feet, 85cm by 57cm by 109cm £500 - 700 (plus 24% BP*) 984 A Victorian Style threeSeater Sofa, upholstered in pink cotton fabric with two squab cushions above a plain seat rail, raised on simulated rosewood turned forelegs with brass capped toes and castors, 176cm by 71cm by 90cm £400 - 600 (plus 24% BP*)

985 A Walnut framed Armchair, in 17th century style, recovered in woolwork fabric depicting Aesop’s Fable “The Fox and the Grape”, with padded back support and seat, carved downswept arms with spindle supports and block legs joined by a stretcher, 66cm by 57cm by 110cm Illustrated on page 233 £300 - 500 (plus 24% BP*)

986 A Victorian Howard & Sons Open Armchair, 3rd quarter 19th century, recovered in button back green velvet with overstuffed arms and seat, with turned supports and legs terminating in brass capped toes and castors stamped Howard & Sons, the back left leg stamped 36(?)44, 70cm by 72cm by 80cm Illustrated on page 233 £400 - 600 (plus 24% BP*)

988 A french Louis XV Style Kingwood and tulipwood Bureau Plat, late 19th century, with a green and gilt leather writing surface above three frieze drawers, raised on slender cabriole legs with rococo style cast mounts and sabots, 120cm by 66cm by 75cm £1000 - 1500 (plus 24% BP*)

988

234

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

SATURDAY 15 JULY AT 10.00AM

989 A Louis XV Style Kingwood, rosewood, Marquetry inlaid and Ormolu Mounted Vitrine, late 19th/early 20th century, labelled Litchfields, Hanway Street, Oxford Street, the moulded top above a glazed door enclosing velvet lined shelves, raised on stout cabriole legs with rococo style cast mounts, 75cm by 42cm by 183cm £700 - 1000 (plus 24% BP*)

990

990 A rosewood, tulipwood, Marquetry inlaid and Brass Mounted two-tier Étagère, in Louis XV style, of graduated form, crossbanded and richly inlaid with flowering foliage, the largest tier with brass carrying handles, raised on cabriole legs with brass cast mounts and sabots, 90cm by 56cm by 83cm £700 - 1000 (plus 24% BP*)

989

991 A french Louis XV Style Kingwood and Gilt Metal Mounted Bureau Plat, late 19th century, with worn leather skiver above two frieze drawers and a shaped apron, raised on cabriole legs with gilt rococo style cast mounts and sabots, 146cm by 71cm by 78cm £700 - 1000 (plus 24% BP*) 991

w w w.t e n n a n t s .c o.u k

235

FURNITURE

992 A napoleon iii Ormolu Mounted, Cut Brass, tortoiseshell and ebonised Boulle Centre table, inlaid with acanthus scrolling foliage above a serpentine shaped drawer, raised on cabriole legs with caryatid mounts and sabots, 150cm by 94cm by 78cm £1000 - 1500 (plus 24% BP*) 993 A Good Quality ebonised thuya and Marquetry inlaid Centre table, late 19th century, with clover leaf drop flaps with ormolu mounts, raised on turned and reeded tapering legs joined by a shaped stretcher, 85cm by 95cm extended by 76cm £700 - 1000 (plus 24% BP*)

992

992 (detail)

994 A Victorian ebonised, Marquetry inlaid and Gilt Metal Mounted Bonheur de Jour, in Louis XV style, with superstructure and a central mirrored cupboard door flanked by six drawers above a worn leather writing surface with serpentine shaped drawer and cabriole legs with gilt metal mounted sabots, 115cm by 60cm by 120cm £300 - 500 (plus 24% BP*)

995 A french tulipwood and Gilt Metal Mounted Bureau Plat, in Louis XVI style, the rectangular top with black and gilt leather tooled skiver above an arrangement of six drawers with brass foliate mounts, raised on square tapering legs with brass capped toes, 135cm by 75cm by 75cm £700 - 1000 (plus 24% BP*)

993

236

BP* - Buyer’s Premium of 24% inclusive of VAT @ 20%

Valuations Department Our nationwide Valuations Service provides a confidential and professional service to Private Clients, as well as Solicitors, Executors and Trustees.

Detailed valuations of specific items or full house contents can be prepared for • • • • •

Asset Management Insurance Inheritance Tax Family Division Current Market Value

This can prove to be a priceless document in the event of loss or damage.

Please contact Gussie Wood on 01969 623780 to discuss your specific requirements.

Our fees are highly competitive.

Harrogate & Oakham Offices To book an appointment or to arrange a confidential visit to your home, please contact: Mill House South Street Oakham Rutland LE15 6HY 01572 724666 oakham@tennants-ltd.co.uk

34 Montpellier Parade Harrogate North Yorkshire HG1 2TG 01423 531661 harrogate@tennants-ltd.co.uk General antique valuations every Monday 10.00am-4.00pm

General antique valuations every Tuesday 9.30am-3.30pm

Opening hours: Monday to Friday 9.00am-5.00pm

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Opening hours: Tuesday to Friday 9.30am-4.30pm Saturday 9.30am-1.30pm Sunday and Monday Closed

Deliveries and Shipping For all UK deliveries and International Shipments please contact: Bradley’s Antique Packing Services Ltd 01325 281332 info@antiquepacking.co.uk

w w w.t e n n a n t s .c o.u k

Mailboxes Etc 0113 242 8715 info@mbeleedscity.co.uk

Bridgefields 01748 850606 info@bridgefields.co.uk

237

Spring Sale Results 24 and 25 March 2017

238

Lot

Price

Lot

Price

Lot

Price

Lot

1

£1,000

52

£280

109

£1,600

161

3

£300

53

£190

110

£350

162

5

£750

54

£500

111

£2,900

163

6

£180

55

£1,800

112

£1,800

164

7

£550

56

£1,700

113

£1,300

9

£110

57

£18,000

114

£700

10

£250

58

£48,000

115

11

£550

59

£180

116

12

£450

60

£320

13

£1,400

61

£800

14

£250

64

15

£1,300

66

17

£750

67

18

£900

68

19

£280

20

£220

21 23

Price

Lot

Price

£480

218

£900

£1,300

219

£950

£1,200

221

£1,600

£3,500

223

£550

165

£850

224

£1,100

166

£1,000

225

£1,000

£1,200

167

£1,600

226

£5,400

£700

168

£1,000

228

£650

117

£400

169

£600

229

£5,500

118

£1,000

170

£300

230

£100

£1,000

119

£1,400

171

£450

231

£1,500

£70,000

120

£550

172

£1,900

232

£800

£1,600

121

£1,100

173

£900

233

£750

£280

122

£850

174

£1,300

235

£750

69

£650

124

£650

176

£2,600

236

£450

70

£1,400

127

£2,500

178

£2,700

238

£900

£900

72

£1,400

128

£1,700

180

£2,700

239

£3,500

£700

73

£350

129

£2,900

181

£1,600

240

£550

24

£1,600

74

£110

131

£900

182

£7,500

241

£2,800

25

£1,400

76

£150

132

£900

183

£480

242

£2,600

26

£800

78

£90

134

£1,800

184

£5,100

243

£1,300

27

£800

79

£700

135

£1,400

185

£1,900

244

£1,600

28

£200

81

£300

136

£1,200

186

£2,600

245

£1,400

29

£300

82

£1,300

137

£1,600

187

£2,000

246

£650

30

£580

83

£280

138

£950

188

£280

247

£900

31

£2,500

84

£750

139

£1,000

190

£3,700

251

£3,650

32

£1,600

85

£700

140

£650

192

£5,200

254

£7,000

33

£450

87

£400

141

£700

194

£5,800

255

£750

34

£550

88

£280

142

£950

195

£500

256

£2,500

35

£900

89

£550

143

£1,600

196

£700

258

£1,800

36

£280

91

£500

144

£1,900

197

£1,900

259

£10,000

37

£350

92

£500

145

£420

198

£750

260

£1,100

38

£380

93

£450

146

£850

199

£1,500

261

£10,500

39

£280

94

£180

147

£950

200

£480

262

£600

40

£2,000

98

£250

148

£750

202

£800

263

£2,500

41

£1,000

99

£1,200

150

£550

203

£2,400

264

£5,000

42

£1,500

100

£380

152

£650

204

£2,500

265

£2,200

43

£400

101

£1,800

153

£1,500

205

£450

266

£950

44

£550

102

£500

154

£6,800

206

£1,600

267

£500

45

£450

103

£650

155

£7,500

207

£1,400

268

£1,200

47

£480

104

£250

156

£2,700

208

£420

269

£1,900

48

£280

105

£380

157

£900

209

£800

270

£2,700

49

£800

106

£400

158

£1,000

214

£1,800

273

£1,000

50

£850

107

£320

159

£650

215

£650

275

£1,100

51

£800

108

£950

160

£950

216

£400

276

£3,600

e n q u i r y @ t e n n a n t s - l t d .c o.u k

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

277

£2,900

340

£2,500

388

£1,000

435

£700

482

£2,600

279

£3,500

341

£280

389

£300

436

£280

483

£6,000

281

£650

342

£500

390

£800

438

£400

484

£7,000

282

£1,300

343

£280

391

£740

439

£420

486

£6,500

284

£1,200

344

£2,000

392

£2,200

440

£280

487

£500

287

£250

345

£1,450

393

£2,800

441

£600

488

£1,800

288

£600

346

£320

394

£750

442

£280

489

£1,400

289

£1,100

347

£550

395

£1,200

443

£420

490

£1,800

291

£850

348

£1,700

396

£450

444

£400

491

£2,500

292

£3,400

349

£400

397

£480

445

£450

492

£2,900

293

£2,000

350

£950

398

£350

446

£650

493

£3,200

294

£2,800

351

£600

399

£170

447

£650

494

£950

295

£800

352

£1,100

400

£220

448

£160

495

£3,500

297

£1,200

353

£700

401

£1,100

449

£250

496

£3,200

298

£750

354

£650

402

£300

450

£450

497

£1,600

299

£65,000

355

£320

403

£320

451

£650

498

£3,000

300

£1,100

357

£700

404

£190

452

£450

499

£1,000

301

£1,500

358

£800

405

£380

453

£450

500

£750

302

£2,200

359

£500

406

£220

454

£600

502

£3,200

303

£350

360

£7,200

407

£650

455

£350

503

£1,000

304

£1,200

361

£1,000

408

£700

456

£180

504

£600

307

£900

363

£420

409

£300

457

£650

505

£260

308

£950

364

£600

410

£350

458

£90

506

£320

312

£4,400

365

£850

411

£1,100

459

£300

507

£4,200

313

£1,300

366

£2,500

412

£450

460

£60

508

£300

314

£2,400

367

£550

413

£800

461

£150

509

£400

315

£950

368

£220

415

£480

462

£4,800

510

£220

316

£3,000

369

£2,800

416

£450

463

£550

511

£500

320

£1,700

371

£200

417

£800

464

£900

512

£150

323

£1,250

372

£680

418

£600

465

£300

513

£380

324

£1,800

373

£1,300

419

£250

466

£160

514

£170

325

£380

374

£1,600

421

£480

467

£120

515

£750

326

£220

375

£500

422

£160

468

£140

516

£350

327

£1,300

376

£650

423

£950

469

£200

517

£350

328

£1,700

377

£380

424

£100

470

£240

519

£850

329

£650

378

£250

425

£600

471

£400

520

£600

330

£1,600

379

£400

426

£500

472

£150

521

£220

332

£350

380

£1,400

427

£420

473

£280

522

£6,000

333

£300

381

£1,700

428

£250

475

£300

523

£1,700

334

£380

382

£1,750

429

£1,800

476

£180

524

£2,200

335

£900

383

£550

430

£750

477

£200

526

£500

336

£800

384

£750

431

£300

478

£350

527

£1,700

337

£450

385

£430

432

£750

479

£14,000

528

£550

338

£3,000

386

£650

433

£300

480

£9,500

529

£1,300

339

£600

387

£320

434

£550

481

£2,300

530

£850

w w w.t e n n a n t s .c o.u k

Spring Sale Results 24 and 25 March 2017

239

Spring Sale Results 24 and 25 March 2017

240

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

531

£800

579

£1,800

627

£380

679

£1,900

730

£550

532

£3,400

580

£300

630

£200

680

£1,600

731

£550

533

£1,700

581

£320

631

£200

681

£2,500

732

£1,600

534

£400

582

£420

633

£600

682

£4,200

733

£6,500

535

£600

583

£1,400

634

£380

683

£380

734

£950

536

£350

584

£550

636

£220

684

£1,600

735

£3,800

537

£550

585

£1,600

637

£250

685

£420

736

£1,700

538

£1,000

586

£600

638

£350

686

£900

738

£750

539

£650

587

£1,000

639

£200

687

£1,600

739

£1,800

540

£2,500

588

£220

640

£300

688

£3,800

740

£1,600

541

£650

589

£220

644

£220

689

£2,800

741

£1,100

542

£750

590

£350

645

£380

690

£3,200

742

£850

543

£1,400

591

£180

646

£280

691

£9,000

743

£950

544

£5,800

592

£2,800

647

£300

692

£8,500

744

£1,100

545

£2,200

593

£2,400

648

£700

693

£2,000

745

£700

546

£2,700

594

£1,500

649

£180

695

£180

746

£2,200

547

£550

595

£1,500

650

£150

696

£1,000

747

£5,800

548

£600

596

£480

651

£90

697

£900

748

£8,500

549

£380

597

£140

652

£350

698

£600

749

£550

550

£650

598

£150

653

£450

699

£550

750

£1,100

551

£320

599

£300

654

£650

700

£550

751

£400

552

£3,000

600

£200

655

£350

702

£2,500

752

£800

553

£4,200

601

£220

656

£100

703

£1,100

753

£1,500

554

£800

602

£350

657

£400

704

£3,000

754

£900

555

£1,100

603

£200

658

£1,300

706

£800

755

£550

556

£1,000

604

£420

659

£3,800

707

£3,500

756

£5,000

557

£850

605

£380

660

£2,200

708

£420

757

£1,000

558

£850

606

£280

661

£150

710

£2,500

758

£8,500

559

£420

607

£320

662

£450

711

£1,900

759

£1,500

561

£900

608

£1,900

663

£2,900

712

£2,000

760

£2,000

562

£600

609

£1,600

664

£140

714

£1,600

762

£480

563

£420

612

£1,000

665

£1,300

715

£1,300

763

£900

564

£650

613

£2,000

666

£35,000

716

£4,500

764

£1,600

565

£320

614

£1,200

667

£140

717

£850

766

£2,000

568

£1,100

615

£170

668

£3,800

719

£750

768

£1,700

569

£1,300

616

£1,700

669

£2,000

720

£950

769

£800

570

£4,000

617

£700

670

£500

721

£700

770

£1,100

571

£2,500

618

£1,300

671

£2,500

722

£280

771

£550

572

£1,500

619

£800

672

£2,700

723

£3,000

772

£800

573

£850

620

£400

673

£6,500

724

£380

773

£1,100

574

£1,000

621

£250

674

£1,400

725

£650

774

£1,600

575

£400

622

£160

675

£800

726

£8,000

775

£1,500

576

£280

624

£650

676

£1,600

727

£900

776

£700

577

£3,800

625

£700

677

£2,200

728

£3,000

777

£1,000

578

£2,200

626

£1,250

678

£1,300

729

£800

778

£2,400

e n q u i r y @ t e n n a n t s - l t d .c o.u k

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

779

£2,500

830

£750

884

£3,800

946

£380

997

£300

780

£3,000

831

£350

885

£1,500

947

£450

998

£1,000

781

£2,800

832

£380

887

£900

948

£280

999

782

£650

834

£250

888

£11,000

949

£280

1000

£3,000

783

£2,600

835

£450

889

£1,200

950

£350

1001

£2,900

784

£2,500

836

£1,100

890

£450

951

£400

1002

£650

785

£1,800

837

£1,100

892

£1,300

952

£380

1003

£1,300

786

£1,100

839

£800

893

£1,400

953

£280

1004

£800

787

£2,600

840

£4,200

894

£1,800

954

£2,400

1005

£1,450

788

£3,000

841

£3,200

896

£600

955

£1,500

1006

£1,200

789

£2,000

842

£800

897

£1,000

956

£400

1008

£2,200

790

£3,200

843

£500

903

£300

957

£1,700

1009

£650

792

£380

846

£200

905

£350

959

£2,000

1011

£2,300

793

£950

848

£500

908

£800

960

£2,600

1012

£550

794

£2,700

850

£1,600

909

£2,500

962

£700

1013

£1,300

795

£2,300

851

£5,500

910

£1,500

963

£1,200

1014

£1,000

796

£2,300

852

£1,500

911

£400

964

£1,800

1015

£350

797

£1,000

853

£320

912

£2,200

965

£700

1017

£650

798

£2,800

854

£250

914

£700

966

£1,400

1018

£550

799

£650

855

£350

915

£2,200

968

£280

1019

£650

800

£3,800

857

£280

916

£800

969

£2,600

1020

£650

801

£2,700

859

£750

917

£380

970

£1,400

1021

£1,200

804

£1,000

860

£2,000

918

£450

971

£500

1022

£1,800

805

£650

861

£600

919

£700

972

£250

1023

£1,000

806

£5,000

862

£1,800

920

£550

973

£1,800

1024

£350

808

£900

863

£320

921

£650

974

£750

1025

£1,600

809

£11,000

864

£4,500

922

£600

975

£700

1026

£900

810

£26,000

865

£550

923

£320

976

£380

1027

£450

811

£26,000

866

£550

924

£650

977

£900

1029

£450

812

£1,400

867

£400

927

£650

978

£550

1030

£650

813

£500

868

£1,900

928

£2,500

980

£2,000

1031

£700

814

£600

869

£700

929

£550

981

£1,100

1032

£1,100

815

£500

870

£650

930

£2,000

982

£2,300

1033

£800

816

£1,400

871

£1,200

931

£5,000

983

£800

1034

£350

817

£1,600

872

£1,700

932

£900

984

£950

1036

£380

818

£400

873

£1,500

933

£480

985

£280

1037

£1,000

819

£500

874

£4,800

934

£400

986

£280

1039

£500

820

£1,200

875

£900

935

£1,300

987

£420

1042

£1,300

821

£380

876

£1,600

936

£700

988

£4,800

1043

£850

823

£900

877

£6,000

938

£250

989

£800

1044

£850

824

£700

878

£500

939

£420

990

£950

1045

£1,800

825

£480

879

£420

940

£900

992

£550

1046

£2,700

826

£1,600

880

£2,200

942

£650

994

£750

1047

£850

828

£900

881

£700

944

£200

995

£700

829

£900

883

£10,000

945

£320

996

£350

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£850

Spring Sale Results 24 and 25 March 2017

241

Terms of Business

GENERAL

4. Disputes

1. Definition

Any dispute not herein proved for shall be settled at the sole discretion of TENNANTS.

Auctioneer reserves the right to bid on behalf of the vendors for any lot and to withdraw, consolidate or divide any lot or lots.

THE SELLER

7. Registration

5. Payment

Prospective buyers need to register before the sale, giving their full name, address, contact telephone number(s) and email address. First time buyers will be required to provide proof of identity (i.e. driving licence/ passport), a valid debit or credit card and a copy of a utility bill or a document showing their name and address. Upon receipt of the above a paddle will be issued, which is only valid for the current sale. This card may be used to indicate your bids to the Auctioneer during the sale.

If successful, the bidder must ensure that their number can be seen by the Auctioneer and that it is their number that is called out. Should there be any doubts as to price or buyer, please draw the Auctioneer’s attention to it immediately.

TENNANTS OF YORKSHIRE FINE ART AND ANTIQUE AUCTIONEERS LTD are referred to as TENNANTS throughout these Terms of Business. The representative of TENNANTS conducting the auction is referred to as the “Auctioneer”.

2. Attribution and Condition of Lots Every effort is made to ensure the accuracy of any statement as to authorship, attribution, origin, date, age, provenance and condition of any lot whether or not such statement forms part of the description of any such lot. Whether any such statement is made orally or in the catalogue it is an expression of opinion given after careful consideration and research.

Each buyer by making a bid for a lot acknowledges that they have satisfied themselves fully as to the attribution and condition of the lot. In respect of pictures, it should be noted that these have not been removed from their frames unless specifically mentioned in the Condition Report. If any damage is done to any lot at the viewing or before, during or after the sale, such damage shall be made good by the person committing such damage, principals being responsible for the acts of their servants, such damage to be assessed by the TENNANTS. 3. Third Party Liability Every person on TENNANTS premises before, during or after a sale shall be deemed to be there at their own risk and shall have no claim against TENNANTS in respect of any injury they may sustain or any accident which may occur.

242

The “net sale proceeds” received from the buyer in cleared funds will be forwarded to the vendor no later than 28 working days after the auction (TENNANTS endeavour to settle non-catalogue sales within 14 working days after the auction). Where the buyer makes a payment more than 23 working days after the auction TENNANTS shall send to the vendor the “net sale proceeds” within 5 working days of receipt of cleared funds. The “net sale proceeds” are the hammer price less commission and expenses set out in the Property Receipt and Instruction Form.

The vendor waives any right to interest that may be earned during the period from payment by the buyer to receipt of the “net sale proceeds” by the vendor.

THE BUYER 6. The Buyer The highest bidder acknowledged as such by the Auctioneer will be the buyer.

If any dispute arises, the Auctioneer shall have absolute discretion to settle the matter.

The Auctioneer shall rule the bidding and no bid shall be retracted. The Auctioneer reserves the right to refuse any bid. The bidder in the room who is successful in purchasing any lot or lots is entirely responsible for paying for such lot or lots in accordance with TENNANTS Terms of Business. Purchases made on behalf of a third party are entirely the responsibility of the bidder in the room. The

8. Buyer’s Premium A buyer’s premium of 17.5% of the hammer price is payable on each lot in Antiques and Interiors sales, 18.5% in Specialist sales and 20% in Fine Art sales. The buyer’s premium is subject to VAT at the current rate.

9. Value Added Tax All charges are subject to VAT at the current rate.

10. Auctioneers’ Margin Scheme The Auctioneers Margin Scheme allows auctioneers to sell items without VAT on the hammer price. Under the Auctioneers Margin Scheme an amount equivalent to VAT at the current rate is added to the buyer’s premium. This amount cannot

e n q u i r y @ t e n n a n t s - l t d .c o.u k

be refunded. The VAT element will not be shown separately on the buyer’s invoice.

11. Payment Payment is due immediately after the auction in pounds sterling.

The following methods of payment may be used: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of £9,000.

Wire transfers should be sent to: Barclays Bank, High Row, Darlington, DL3 7QS Sort Code: 20-25-29 Account no: 30874329 Account name: Tennants Auctioneers Client account IBAN: GB37BARC20252930874329 SWIFTBIC: BARCGB22 Credit cards: Visa or Mastercard for which there is a 1.3% surcharge plus VAT Card payments where the card holder is not present will only be accepted for transactions up to £500.

Payment can be made and purchases collected during the auction. Accounts not paid within 14 days will automatically be subject to an interest charge of 5% above base rate from the day of sale 12. Internet Bidding A charge of 3% will be levied on all items purchased by this method.

13. Ownership of Purchases The ownership of the lot(s) purchased will not pass to the buyer until the buyer has paid TENNANTS in full the total amount due and TENNANTS

w w w.t e n n a n t s .c o.u k

have applied such payment to the lot.

14. Transfer of Risk Each lot shall be the buyer’s sole responsibility from the fall of the hammer and shall be sold with all faults and imperfections, TENNANTS not being responsible for the correct description, genuineness or authenticity of any lot and making no warranty whatsoever.

The buyer is deemed to have inspected each lot and satisfied himself as to its condition. In specific circumstances, a lot incorrectly described which proves to be a forgery may be returned to TENNANTS within 14 days of the sale and a full refund made.

15. Commission Bids If instructed, TENNANTS will execute bids and advise prospective buyers. This service is free. Lots will always be purchased as cheaply as is allowed by such other bids and reserves as are on the Auctioneer’s book. In the event of identical bids, the earliest will take precedence. There must always be a maximum limit indicated, ie the amount to which the buyer would bid if they were attending the auction themself. “Buy” or unlimited bids will not be accepted.

Commission bids placed by telephone are accepted at the client’s risk. TENNANTS urge their clients to place such commission bids within one hour of the close of the view day.

16. Telephone Bids Requests for telephone bidding must be registered one hour prior to the close of the view day. We will not accept requests on sale days. Lines are booked on a first come first served basis and are subject to a minimum

lot value of £500. Full name, address and telephone numbers will be required together with proof of identity and address.

Bank and credit/debit card details are also necessary to secure the line. If we are unable to contact you we will bid up to the lower estimate on your behalf.

17. Absentee Bidding Whilst every effort will be made to execute absentee bidding, TENNANTS cannot be held responsible for any default or neglect in connection with this service. All such arrangements therefore are made entirely at the prospective buyer’s risk.

18. Storage and Collection Please note furniture, carpets, clocks and larger works of art lots will remain in the salerooms for seven working days following each sale, after which they will be removed to store and arrangements for collection must be made in advance.

Storage charges will be levied on all lots not collected within fourteen days of the sale. This will include a handling fee of £5 per consignment as well as a storage charge of £5 per lot per day. No goods may be collected until these charges have been paid.

DROIT DE SUITE ROYALTY CHARGES From 14 February 2006 all United Kingdom art market professionals (which includes auctioneers) are required to collect a royalty payment for all works of art that have been produced by living artists, and those who have died with the last 70 years. This payment is calculated on qualifying works of art which are sold for a hammer price more than the UK sterling equivalent of €1,000

(the UK sterling equivalent will fluctuate in line with prevailing exchange rates.

It is the responsibility of the buyer to acquaint themselves with the actual Euro to UK sterling exchange rate on the day of the sale. The actual qualifying threshold will be calculated by the Artist’s Resale Right Service Hub based on the European Central Bank reference rate published at 2.15pm on the day of the sale, and can be found on www.dacs.org.uk.

All items in this catalogue that are marked with “” are potentially qualifying items, and the royalty charge will apply if the hammer price is more than the UK sterling equivalent of €1,000. The royalty charge will be added to purchase invoices, and must be paid before items can be cleared.

All royalty charges are paid to either the Design and Artists Copyright Society (“DACS”) or the Artists’ Collecting Society (“ACS”) by the auctioneers, and no handling costs or additional fees with respect to these charges will be retained by the auctioneer.

The royalty charge for qualifying items which achieve a hammer price of more than the UK sterling equivalent of €1,000 is as follows: Up to €50,000 - 4% €50,000.01 to £200,000 - 3% €200,000.01 to €350,000 - 1% €350,000.01 to €500,000 - 0.5% Exceeding €500,000 - 0.25% For further information please visit www.dacs.org.uk or www.artistscollectingsociety. org. There is no VAT payable on this royalty charge.

243

Summer Fine Art Sale

The Auction Centre, Leyburn North Yorkshire DL8 5SG

Bidding Slip

Telephone: 01969 623780 Facsimile: 01969 624281 enquiry@tennants-ltd.co.uk www.tennants.co.uk

Date of Sale: Saturday 15 July 2017 Lot No

Description

Maximum bid (excluding Premium)

I authorise Tennants to bid on the above listed lot(s) on my behalf.

(Please refer to the Standard Terms of Business and Special Notices in this Catalogue).

Name...................................................................................................................................................................................................................

Address................................................................................................................................................................................................................ ............................................................................................................................................................................................................................ .................................................................................................Post Code ...........................................................................................................

Telephone ............................................................................................................................................................................................................

Email ...................................................................................................................................................................................................................

Signature .............................................................................................................................................................................................................

w w w.t e n n a n t s .c o.u k

247

Lot 823

The Auction Centre, Leyburn, North Yorkshire DL8 5SG 01969 623780 enquiry@tennants-ltd.co.uk www.tennants.co.uk