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WOOLLEY & WaLLis Fine Old Masters & 19th Century Paintings Wednesday 4th December 2013

www.woolleyandwallis.co.uk

WOOLLEY & WaLLis SALISBURY SALEROOMS

Fine Old Masters & 19th Century Paintings Wednesday 4th December 2013


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AsiAn Art John Axford MRICS ASFAV Sophie Lister Alexandra Doméracki Freya Yuan CloCks Richard Price english & euroPeAn CerAMiCs & glAss Clare Durham Furniture Will Hobbs Mark Richards Jim Gale JeWellery Jonathan Edwards FGAA Marielle Whiting FGA

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424590

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424507

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339752

generAl oFFiCe Linda Garthwaite Pauline West Sharon Ringwood Nicola Young sAlerooM MAnAger David Jordan

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424500

BoArd oF direCtors Paul Viney ASFAV Chairman

Clive Stewart-Lockhart FRICS FRSA Managing Director

AssoCiAte direCtors Janice Clift Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

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PAintings 4th December 19th March 2014 Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk 20th Century design 11th December – British Art Pottery, including Studio Pottery Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk Furniture, Works oF Art 7th January 2014 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk silver 21st & 22nd January 2014 Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JeWellery 23rd January 2014 Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk

John Axford MRICS ASFAV Deputy Chairman

CoMPAny seCretAry Jim Macarthur CA

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triBAl Art 11th February 2014 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk 424599

CloCks, WAtChes & sCientiFiC instruMents 19th February 2014 Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk english & euroPeAn CerAMiCs & glAss 25th February 2014 Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk


Fine Old Masters & 19th Century Paintings Wednesday 4th December 2013 at 11.00am

Enquiries Front cover: Lot 148 Back cover: Lot 108 This page: Lot 131 Overleaf: Lot 128

Viewing Times Saturday 30th November 10.00am – 1.00pm Monday 2nd December 10.00am – 5.30pm Tuesday 3rd December 10.00am – 4.00pm Wednesday 4th December 9.00am – 10.45am

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Picture Sales 2014 Entries are now being accepted for all 2014 sales

Roger Marcel Limouse (French 1894-1990) Still life Estimate: ÂŁ1,500-2,500

Wednesday 19th March 2014 Paintings, Prints, Miniatures & Sculpture Wednesday 4th June 2014 Modern & Contemporary Art September 2014 Fine Old Masters & 19th Century Paintings November 2014 Modern British Art


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MiniATurEs 1. λ Frederick Buck (1771-1839/40) A gentleman, possibly Joseph Wells Half length, facing right Oval, in a gilt frame 68 x 55mm £300-500

2. λ English School early 19th Century Alexander Bower of the Light Company, 84th Regiment of Foot, between 1794-1800 Head and shoulders, in uniform, facing right Oval, in a gilt frame with a hair back 60 x 42mm £250-350

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3. Follower of John Raphael Smith Portraits of gentlemen and ladies Set of four, all pastel, oval Three 25.5 x 20.5cm; 10 x 8in and one smaller (4) £200-300

3 part 4. λ English School c.1800 Portrait of a gentleman and a lady A pair, in a double case Each 69 x 54mm (2) £350-450

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5 5. λ English School c.1810 An Officer of the 83rd Foot Regiment Oval, in a carved ivory frame 63 x 50mm £500-800 6. λ English School early 19th Century A lady, head and shoulders Oval, in an ivory frame 76 x 63mm £150-250

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6 7. λ Jacob Spornberg (1768-c.1845) An Officer, in profile, facing right Signed and inscribed N. 5. Old Bond Street Bath verso 78 x 63mm £150-250 8. λ English School 19th Century A gentleman, head and shoulders Oval in an ornate silver gilt brooch frame with a hair and seed pearl back 41 x 31mm £200-300

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9. λ After Moritz M. Daffinger Napoleon François Charles Joseph Bonaparte, Duke of Reichstadt (1811-1832) son of Napoleon and his second wife, Marie Louise Signed Jane Oval, in a rectangular ebonised frame 115 x 85mm £150-250

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5 10. λ English School early 19th Century A gentleman, head and shoulders wearing black Oval, in a gilt frame 60 x 47mm £100-200

11. λ English School early 19th Century A lady, head and shoulders, facing left Oval, in a gilt frame with a hair back 60 x 47mm £80-120

10 12. λ English School 19th Century A gentleman, head and shoulders, facing right Oval in a red leather case 55 x 45mm With three further portraits, one of a lady signed Dumas (4) £200-300

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13. λ English School c.1810/20 A gentleman, head and shoulders, in blue Oval, in a gilt frame with a hair back and initials GB in seed pearls 70 x 57mm £100-150 12 part

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14. λ English School early 19th Century A gentleman, head and shoulders facing right Oval in a rectangular ebonised frame 85 x 70mm £100-150

15. λ English School 19th Century Anne, wife of Thomas Barfold Esq., of Gayhurst, Bucks. Oval, in a rectangular ebonised frame 72 x 57mm With 4 further portrait miniatures of ladies (5) £180-280


6 16. λ Attributed to Horace Hone (1756-1825) Portrait of a young Captain of the 85th Foot Signed with initials H.H. Oval, in a gilt frame with a hair back 70 x 56mm £800-1,200

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17. λ Sir William Charles Ross R.A. (1794/5-1860) Mrs Penrose Fitzgerald, née Austen, half length, seated Rectangular in a standing picture frame 113 x 85mm £300-500

18. λ English School 18th Century A lady, head and shoulders, wearing pink Oval, in a gilt frame with a tortoiseshell back 37 x 30mm With a portrait of a boy wearing blue with a hair back (2) £120-180

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19. λ English School early 19th Century A gentleman in profile, facing left 80 x 65mm With 4 miniatures including one of a lady in a cream dress and bonnet 63 x 52mm and a print (5) £100-150

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22 20. Augustin Amant Edouart (French 1788-1861) Silhouette of a lady spinning Signed and dated 1837 270 x 180mm With a further silhouette of a gentleman by the same hand and a pair of silhouettes of a lady and a gentleman heightened with gold pen by a different hand (4) £150-200

23 21. English School 19th Century Reverse glass silhouette of Cyril Vincent b.1790 70 x 58mm With four other silhouettes one thought to be Charles Bunyon, Ann Vincent, Arron Vincent and Robert Ruskell (5) £100-150

22. λ Indian School 19th Century Mughal and ladies playing instruments 85 x 120mm £200-300 23. λ French School 19th Century Lovers in a classical setting Circular 160mm £200-300


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OiL PAinTinGs AnD WATErCOLOurs 24. Thomas Creswick R.A. (1811-1869) A mother and child on a path by a river Signed Oil on canvas 53.5 x 71cm; 21 x 28in £800-1,200

25. Richard Dodd Widdas (1826-1885) Huntsmen on horseback Signed Oil on canvas 41 x 63.6cm; 16 x 25in £500-700

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26. William Henry Waring (act.1886-1928) A risky shot Signed Oil on canvas 26 x 36cm; 10 x 14in Provenance: Frost & Reed 20/4/78, No. 53613 £200-300

27. Charles Smith (act.1857-1908) River Dee, Llangollen, North Wales Signed, also signed and titled verso Oil on canvas 51 x 77cm; 20 x 30¼in £400-600

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28 28. ‡ John Cyril Harrison (1898-1985) Partridges; Grouse A pair, both signed Both watercolour 56 x 78cm; 22 x 30½in (2) Provenance: The Tryon Gallery, A11691 and A11692 £4,000-6,000

30 29. Maude Walker (fl.1887-1892) A lady at her dressing table Signed and dated 91 Oil on board 31 x 26.5cm; 12¼ x 10½in £300-500

30. Maude Earl (1864-1943) Study of a Sheepdog Inscribed verso Oil on board 25 x 19cm; 9¾ x 7½in £400-600


10 31. Frederick Golden Short (1863-1936) On the Beaulieu Signed and dated 1881 Oil on canvas 16.5 x 30.5cm; 6½ x 12in £200-300 32. Charles Leslie (1835-1890) Highland landscape Signed and dated 1885 Oil on canvas 31 x 61cm; 12 x 24in £300-500

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33. Harry Tuck (19/20th Century) Helping hands Signed, also signed and titled on stretcher verso Oil on canvas 30.5 x 61cm; 12 x 24in £200-400 34. Attributed to P. Lari (Italian 19th Century) A young fisher girl Signed, also signed and inscribed indistinctly on the stretcher verso Oil on canvas 46.5 x 29.5cm; 8¼ x 11½in £150-250

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35 35. George Goodwin Kilburne (1839-1924) Doubts and Fears Signed Oil on canvas 51 x 66cm; 20 x 26in £3,000-5,000

36. Thomas John Ewbank (Scottish fl.1826-1862) The Milkmaid’s Gossip Signed, also signed, titled and inscribed verso: A scene on the Oxton Moor Cheshire Oil on canvas 38 x 55cm; 15 x 21¾in £800-1,200

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38 37. Maude M. Turner (Exh. 1891-1908) Peeling Apples Signed, also signed and inscribed verso Watercolour 51 x 76cm; 20 x 30in Exhibited: Old Dudley Art Society, Conduit Street, London £300-500 39

38. Maude M. Turner (Exh. 1891-1908) In the poppy garden Signed Watercolour 95 x 63cm; 37½ x 24¾in £400-600 39. George Goodwin Kilburne (1839-1924) A good catch Signed Watercolour 26 x 36cm; 10¼ x 14in £800-1,200

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40. James Jackson Curnock (1839-1892) The black pool in the Lledr, North Wales Signed and dated 1869, also titled on a label verso Watercolour 54 x 80cm; 21¼ x 31½in £400-600


13 41. George Hardy (1822-1909) Wild flowers Signed and dated 1862 Oil on canvas 36 x 30.5cm; 14 x 12in ÂŁ4,000-6,000

41 42. George Hardy (1822-1909) Pap Signed and dated 1861, also titled and inscribed. Exhibited at The Royal Academy, verso Oil on panel 20.5 x 25.5cm; 8 x 10in ÂŁ2,000-3,000

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14 43. Bledwin Dowling (19th Century) Courting in the kitchen Signed and dated 1867 Oil on panel 38 x 48.5cm; 15 x 19in £2,000-3,000

44. George T. Romilly (fl.1852-1875) Saying Grace Signed Oil on canvas 56 x 64cm; 22 x 25in Exhibited: Royal Society of British Artists 1853 No. 466 £2,000-3,000 43

45. Oliver Clare (1953-1927) Still lifes of fruit on a mossy bank A pair, both signed Both oil on board Each 23 x 27cm; 9 x 10½in (2) £700-1,000

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15 46. Edmond Marie Petitjean (French 1844-1925) Willows in Winter; Poplars in autumn A pair, both signed Both oil on board Each 21 x 35cm; 8¼ x 13¾in (2) Provenance: Kaplan Gallery £800-1,200

47. Seymour Walker (fl.1887-1926) A Troop Ship Signed and titled verso, also inscribed with the artist’s address: Staincliffe, Seaton Carew, West Hartlepool Oil on board 22 x 35cm; 8½ x 13¾in £300-500

48. English School 19th Century Fishing boats on a choppy sea Oil on canvas 40.5 x 60.5cm; 16 x 24in £150-250

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49 49. Wright Barker (1864-1941) Counting the flock Signed Oil on canvas, unframed 101 x 157cm; 39¾ x 61¾in Provenance: Auckland City Art Gallery, MU12 £3,000-5,000

50. Henry William Banks Davis R.A. (1833-1914) In the river bed, upper Wye Signed and dated 1909 Oil on canvas 127 x 101.5cm; 50 x 40in Provenance: Auckland City Art Gallery, MU/36 £1,500-2,500

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51. Charles Napier Hemy R.A. (1841-1917) Fisherman returning to port Signed with initials and dated 1913 Oil on canvas 75 x 49.5cm; 29½ x 19½in £600-800

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17 52. William Shayer, Senior (1788-1879) Carting timber in the New Forest Signed Oil on canvas 51 x 61cm; 20 x 24in ÂŁ1,500-2,500

52 53. William Shayer, Senior (1788-1879) Horses and traders on the coast Signed Oil on canvas 46 x 61cm; 18 x 24in ÂŁ1,500-2,500

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55 54. Albert Goodwin R.W.S. (1845-1932) Mont Rosa from Como’s hills Signed and titled Watercolour with gum arabic 27 x 37cm; 10¾ x 14½in £1,000-1,500

55. Albert Goodwin R.W.S. (1845-1932) From East Hill, Hastings looking west Signed and titled Watercolour 25 x 35cm; 10 x 13¾in £800-1,200 55A 55A. Jean Jacques Henner (French 1829-1905) Femme vue dans un paysage Signed Oil on canvas 36 x 63cm; 14 x 24½in £800-1,200

56. Austrian School 19th Century Portrait of a lady in a floral shawl and hat Vienna canvas maker’s stamp verso Oil on canvas 63 x 51cm; 24¾ x 20in £600-800

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57. Philip John Ouless (1817-1885) Yacht race off Gorey Signed and dated 1849 Oil on canvas 51 x 68cm; 20 x 26¾in £2,000-3,000

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57 58. George Wilhelm Opdenhoff (Dutch 1807-1873) Dutch ships in choppy seas Signed Oil on panel 23 x 28cm; 9 x 11in £400-600

59. W. J. Hodge (19/20th Century) Steam Yacht Zaida Signed and titled Oil on board 44 x 63cm; 17¼ x 23¾in £200-400

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61 60. Lawrence Alma Tadema R.A. O.M. (1836-1912) Apple Blossom Oil on canvas laid down on panel 35.5 x 22cm; 14 x 8½in Exhibited: Wilberforce Bryant, Kingston-on-Thames, Royal Exchange Gallery £600-800 61. Follower of William Etty R.A. A standing female nude Oil on canvas 62 x 50cm; 24¼ x 19¾in £200-300 62. Benjamin D. Sigmund (fl.1880-1904) The way through the wood Signed Watercolour with bodycolour 23.5 x 17cm; 9¼ x 6in £800-1,200 63. Pieter Cornelis Dommersen (Dutch 1834-1908) Dutch street scene Signed and dated 1876 Oil on canvas 51 x 41cm; 20 x 16in £3,000-5,000 62


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65 64. Attributed to William Powell Frith R.A. (1819-1909) The first born Watercolour with bodycolour and gum arabic 47 x 59cm; 18½ x 23¼in £300-500

65. Follower of George Richmond Four children and their pet dog in a garden Watercolour 34 x 43cm; 13¼ x 17in £400-600

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66. Hugh Cameron (1835-1918) Children at play, Largo Bay Signed and dated 1913 Oil on canvas 40.5 x 61cm; 16 x 24in £1,500-2,500

67. ‡ Margaret Harcourt (20th Century) Still life with Strawberries Oil on board 53 x 80cm; 21 x 31½in £800-1,200

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68 68. Follower of Peter Monamy A Royal Yacht (possibly the Carolina) firing a salute and other boats in a busy shipping scene Oil on canvas 100 x 127cm; 39¼ x 50in £3,000-5,000

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69. William Harry Williamson (1820-1883) Fishing smacks off the coast signed Oil on canvas 21 x 30.5cm; 8¼ x 12in £300-500

70. William James Callcott (1843-1890) Shepherd and sheep on a rocky coast Signed, also inscribed Conne Mara Sound Oban on a label verso Watercolour 33 x 50cm; 13 x 19½in £300-500

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71 71. English School 19th Century Pastoral scenes A set of 3, all oil on board, ovals Each 18 x 24cm; 7 x 9½in (3) £500-700

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72. William Turner of Oxford (1789-1862) Magdalen College Tower from the meadows Signed Watercolour 36 x 54cm; 14 x 21¼in Provenance: Abbott & Holder Exhibited: Thomas Agnew’s 100th Exhibition of Watercolours, 1973, No. 35752 £1,500-2,000

73. Robert Frier (Scottish fl.1953) Stormy highland scene with fisherman Signed and dated 1967 Watercolour 30 x 52cm; 11¾ x 20½in £200-400

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75 74. James Baker Pyne (1800-1870) The Drachenfels and the Island of Nonnenwerth on the Rhine Signed, dated 1863 (?) and numbered 372 Watercolour 33 x 50cm; 13 x 20in £500-800

76 75. Continental School 19th Century Chillon; Bosquet de ..., Lac de Genive A pair, both titled verso Both oil on panel Each 9½ x 13½cm; 3¾ x 5¼in (2) £200-300

76. Andrea Vasari (Italian 1873-1961) Figures resting in an Italian lake landscape Signed Watercolour heightened with white 36.5 x 52cm; 14¼ x 24¼in £150-250


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77. Gideon Yates (act.c.1790-c.1837) British and Continental landscapes A set of 25, all signed with a monogram, titled and dated 1824 verso All watercolour Each approx. 12.5 x 22.5cm; 5 x 9in (25) ÂŁ1,500-2,500

78. Hendrik Pieter Koekkoek (Dutch 1843-1890) Figure in a landscape before a cottage A pair, both signed Both oil on canvas 25.5 x 36cm; 10 x 14in (2) ÂŁ800-1,200

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79 79. Charles Edward Johnson (1832-1913) A Summer’s Day, Arundel Reach Signed and dated 1887 Oil on canvas 115 x 183cm; 45¼ x 72in £5,000-8,000

80. Sir John Gilbert (1817-1897) finished by Catherine A. Eggar Banks (19th Century) Ploughing in stormy weather Titled and Inscribed on a label verso by Mrs J. Oldham Banks Oil on canvas 77 x 192cm; 30 x 75½in Provenance: Brook Gallery, Wilton, April 2nd 1974 £1,000-1,500

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81 81. English School c.1860/70 The Battle of Alma, Crimean War, 20th September 1854 Inscribed Duke of Cambridge on the lower margin with further indistinct inscriptions Oil on canvas 62 x 92cm; 24½ x 36in £300-500 82. John Linnell (1792-1882) Figure by a stream at dusk Signed Oil on panel 40 x 51cm; 16 x 20in £500-800

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84 83. Thomas Sidney Cooper (1803-1902) Sheep on a chalk down with cliffs beyond, 1861 Signed Oil on panel 25.5 x 40.5cm; 10 x 16in Provenance: Christie’s, March 1st 1929 £3,000-5,000

84. John Brett R.A. (1831-1902) View of Glendalough, Ireland Signed, dated 1855 and inscribed Oil on board 38 x 60cm; 15 x 235/8in Provenance: From the collection of Brixie Jarvis We are grateful to Charles Brett for his assistance in confirming the attribution of this painting £800-1,200


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85. James Hardy Jr. (1832-1889) The day’s bag on a forest floor Bears date 1861 Oil on canvas 90 x 71cm; 35½ x 28in £3,000-5,000

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86 86. English School 19th Century The country angler, portrait of a fly fisherman seated in a landscape Oil on canvas 91.5 x 72cm; 36 x 28¼in £2,000-3,000


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88 87. Attributed to Sir Thomas Lawrence P.R.A. (1769-1830) Portrait of Admiral Sir Edward Codrington KCB (1770-1851) Black, white and red chalk on buff paper 30 x 24cm; 11¾ x 9½in This drawing is possibly related to a portrait of the Admiral in oils by Lawrence painted in 1826 Admiral Sir Edward Codrington was a hero of the Battle of Trafalgar and the Battle of Navarino. His family home was at Winterslow, Nr. Salisbury £600-800 87

89 88. Attributed to Paolo Landriani (Italian 1755-1839) A stage design with a Roman military encampment With collection stamp AR (in blue) Pen, ink and grisaille washes 37 x 51cm; 14½ x 20in £400-600

90 89. William Payne (c.1760-c.1830) Plymouth Sound Signed Pen, ink and watercolour 28 x 38cm; 11 x 15in £500-800

90. Dutch School early 18th Century Fishermen by a river in a wooded landscape Oil on canvas 33 x 43cm; 13 x 17in £600-800


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91 91. Attributed to John Hoppner R.A. (1758-1910) Portrait of John Browne of Salperton Park, Gloucester Oil on canvas 76 x 63cm; 30 x 25in Provenance: By descent in the family of the sitter until purchased by the present owner ÂŁ3,000-5,000


34 92. Joseph Thors (c.1843-1898) Shepherd and flock at dusk Signed Oil on canvas 23 x 33cm; 9 x 13in £400-600

93. Henry John Boddington (1811-1865) A canal with barges Oil on panel 27.5 x 36cm; 10¾ x 14in £400-600 92 94. John Rathbone (1750-1807) Wooded river landscapes A pair, both oil on panel Each 17.5 x 24cm; 7 x 9½in (2) Provenance: Christie’s 27/7/84, lot 23 £800-1,200

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95 95. William Gillard (c.1812-1897) Guarding the day’s bag Signed Oil on canvas 92 x 61cm; 36 x 24in £700-1,000

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96. George Paice (1854-1925) Michael Roy Signed, titled and dated 22 Oil on canvas 56 x 69cm; 22 x 27in £350-450

97. English School late 19th Century Highland sheep by a loch Oil on canvas 50.5 x 76cm; 20 x 30in £300-500

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98 98. G. Hugo Kotschenreiter (German 1854-1908) Reading the News Signed and dated 91 Oil on panel 26 x 18cm; 10 x 7in Provenance: Frost & Reed, No. 18567 £400-600

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99 99. Attributed to Erskine Nichol (Scottish 1825-1904) after Frans Hals The Fisher Boy Bears signature and dated 1875 Oil on panel 45 x 38cm; 17¾ x 15in A copy of the original in the Royal Museum of Fine Arts, Antwerp £400-600

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100. A. E. D**** 1890 Portrait of a young lady Signed indistinctly and dated 1890 Oil on canvas 46 x 36cm; 18 x 14in £100-150

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37 101. After Bartolomé Esteban Murillo Immaculate Conception of the Escorial Possibly signed indistinctly below mount Watercolour with gum arabic 62 x 43cm; 24¼ x17in A copy of the original in the Prado, Madrid £200-300

102. Frédéric Grosclaude (French/Swiss c.1849-1892) Portrait of Peter Broome-Giles (1919-1882), General surgeon, Staunton-on-Wye Signed and dated 1873 Pastel, oval 61 x 51cm; 24 x 20in £200-300

103. François Bonvin (French 1817-1887) A woman washing a copper pan Signed and dated 58 Oil on canvas 46 x 33cm; 18 x 13in £6,000-8,000 103

104. Thomas Jones Barker (1815-1882) A medieval Jousting scene Signed Oil on canvas 51 x 76cm; 20 x 30in £400-600

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107 105. Circle of Sir Thomas Lawrence P.R.A. Head study of a lady Oil on canvas, oval 35 x 30cm; 13¾ x 11¾in £600-800 106. Thomas Francis Dicksee (1819-1895) Portrait of Master Bateman Signed, titled and dated Feby. 8th 1855 on artist’s labels verso Oil on panel, oval 28 x 22.5cm; 11 x 9in Provenance: Artist’s invoice verso £800-1,200

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107A 107. After Thomas Gainsborough Portrait of Mary Gainsborough, daughter of Thomas Gainsborough Oil on canvas 76 x 63.5cm; 30 x 25in A copy of the original at the Tate Gallery, London £800-1,200 107A. Manner of Michiel Jansz. van Miereveldt Portrait of a gentleman, head and shoulders, wearing a buff tunic and a green sash Oil on panel 64 x 58cm; 25¼ x 22¾in £1,500-2,500


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108. Benedetto Luti (Italian 1666-1724) Portrait of a young lady Pastel 39 x 31cm; 15¼ x 12¼in Provenance: Leonard Koetser Gallery Lady Quilter £2,000-3,000 109. Manner of Guido Reni, 18/19th Century Study of the Virgin Oil on canvas, in a carved wood frame 26 x 21cm; 10¼ x 8¼in £600-800

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Lots 110 to 121 – The Property of a Gentleman

110 110. Maria Spilsbury (1777- c.1823) A family in a cottage interior Inscribed verso on the stretcher and the frame: Miss Spilsbury No. 3 and St George’s Row Oil on canvas 64 x 77cm; 25¼ x 30¼in £1,000-1,500

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111. Attributed to Jan Jacobsz. Van Der Stoffe (Dutch 1611-1682) Cavalry observing a skirmish near a hilltop castle Oil on canvas, in a carved wood frame 42 x 65cm; 16½ x 25½in £2,500-3,500


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112 112. Attributed to Joseph Parrocel (French 1646-1704) Cavalry officers forming up with an action beyond Oil on canvas 50 x 67cm; 19¾ x 26½in £3,000-5,000 113. After Antonio Allegri, called Il Correggio Madonna and Child, La Zingarella Oil on panel 52 x 40cm; 20½ x 15¾in A 17th/18th century copy of the original in the Capodimonte Museum, Naples £1,500-2,500

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42 114. Follower of Aert Van Der Neer A moonlit river landscape with a barge by a windmill Oil on panel 50 x 61cm; 19½ x 24in £1,000-1,500

114 115. Follower of Joseph Mallord William Turner R.A. Gondolas on the lagoon, Venice in a fog Oil on canvas 66 x 92cm; 26 x 36in £1,000-1,500

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The Property of a Gentleman

116 116. Attributed to Pieter Wouverman (Dutch 1623-1682) River scene with numerous figures and horses near a ferry Oil on canvas 46 x 63.5cm; 18 x 24¾in £6,000-8,000

117. Johann Christian Vollerdt (German 1708-1769) Winter landscape with skaters on a river and a distant village and castle Signed lower right: Vollerdt Pinxit Oil on panel 21.5 x 31cm; 83/8 x 12¼in £3,000-5,000 117

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The Property of a Gentleman

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119

118. Circle of Adriaen Van Ostade A peasant in an interior carving a pipe Oil on panel 19.5 x 14.5cm; 7¾ x 5¾in £1,000-1,500

119. After Guido Reni Portrait of Beatrice Cenci Stamped verso: Peint par le Chevr ANTOINE CHATELAIN Via di Ripetta No 226 à Rome and also inscribed verso Mr Halford Oil on canvas 62 x 50cm; 24½ x 19¾in An early 19th century copy of the original in The Palazzo Barbarini, Rome £800-1,200

120. After Hans Holbein Portrait of Desiderius Erasmus (1466-1536) Oil on panel 26.5 x 21cm; 10½ x 8¼in An early copy of the 1523 original by Holbein £3,000-5,000

120


45

Other Properties

121

122

121. After Carlo Dolci The Penitent Magdalene Oil on panel 15 x 12.5cm; 57/8 x 47/8in A copy of the original in the Fitzwilliam Museum, Cambridge £80-120

123

122. German School 18/19th Century Portrait of a bearded man and a old man in a coat A pair, both oil on canvas Each 39 x 29cm; 15¾ x 11½in (2) £150-250

124. German School c.1870/80 Figures sheltering in a cave with soldiers approaching Oil on canvas 39.5 x 50cm; 15½ x 19¾in £300-500

123. Dutch School (17/18th Century) Family in an interior Oil on panel, in a carved wood frame 55 x 44.5cm; 21½ x 17½in £300-500

124


46

Lots 125 to 133 – The Property of a Lady, sold by Order of her Executors 125. English School late 17th Century Portrait of a gentleman, three quarter length, standing in a landscape Oil on canvas 91.5 x 73.5cm; 36 x 29in £1,500-2,500

126. English School 18th Century Portraits of a gentleman and Mrs Newton A pair, one inscribed verso Pastel on black paper, oval Each 24.5 x 19cm; 9½ x 7½in (2) £300-500

127. After Hans Holbein the Younger Portrait of Thomas More Inscribed Thomas Morus Martyr A. 1535 Oil on panel 20 x 17cm; 8 x 6½in A copy based on the portrait of Thomas Moore in the National Portrait Gallery £300-500

125

126

127


47

128 128. Frederick de Moucheron (Dutch 1633-1686) and Johannes Lingelbach (Dutch 1622-1674) An Italianate landscape with figures making merry by a river at dusk Oil on canvas in a carved wood frame 73.5 x 86.5cm; 29 x 35in ÂŁ5,000-8,000 129. Follower of Aert van der Neer Boats on a moonlit river Oil on canvas 61.5 x 97cm; 24 x 38in ÂŁ1,000-1,500

129


48

The Property of a Lady

130 130. Circle of William Dobson Portrait of a civil war officer, half length wearing a breastplate and holding a pike Signed indistinctly MD? and dated 1641, coat of arms with a lion bearing a Bowen knot Oil on canvas, in a carved wood frame 93 x 72cm; 36½ x 28¼in £6,000-8,000


49

131. Aelbert Cuyp (Dutch 1620-1691) Portrait of a lady, aged 26, half length Signed, inscribed AE 26 and dated 1642 Oil on panel 64 x 54cm; 25¼ x 21¼in £6,000-8,000

131


50

132

132. English School 17/18th Century A group of scholars in discussion Oil on canvas 31 x 42cm; 12 x 16½in £200-300 133. Russian School 19/20th Century Madonna and child Oil on panel, unframed 36.5 x 27.5cm; 14¼ x 10¾in £200-300

134

133

Other Properties 134. Russian School 19/20th Century A saint seated Inscribed in Cyrillic Oil on panel, unframed 35 x 28cm; 14 x 11in £200-300

135. Follower of Hendrik Avercamp Dutch winter landscape with skaters on a river Oil on canvas 86 x 119cm; 34 x 46¾in £1,000-2,000

135


51

136 136. Follower of Willem Van de Velde Shipping in a calm Oil on canvas 69 x 86cm; 27 x 34in £2,000-3,000

137. Follower of David Teniers Rural scenes, with rustics by cottages A pair, both bearing initials Both oil on panel Each 11 x 15cm; 4¼ x 6in (2) £800-1,200

137


52

138

139 138. Circle of Theobald Michau Peasants and a herdsman by cottages A pair, both oil on copper Each 17 x 20.5cm; 6½ x 8in (2) £1,000-1,500

139. Robert Freebairn (1765-1808) Italianate landscapes A pair, both thought to be signed Both oil on canvas Each 31 x 26cm; 12 x 10¼in (2) Provenance: Royal Hibernian Academy, 1902-1903, No.79 £600-800


53 140. Follower of Caspar Netscher Portrait of a girl as a shepherdess in a classical landscape Oil on canvas 61 x 51cm; 24 x 20in ÂŁ2,000-3,000

141. Manner of Cornelius Johnson Portrait of a gentleman and a portrait of a lady in painted ovals A pair, both bearing inscriptions and dates Both oil on canvas Each 76 x 63.5cm; 30 x 25in (2) ÂŁ1,000-1,500

140

141


54

142


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144 142. Sir Joshua Reynolds P.R.A. (1723-1792) Portrait of Mrs. Latitia Sparrow (1746-1838) Oil on canvas in a carved wood frame 75 x 61cm; 29½ x 24in Provenance: By descent in the family of the sitter until purchased by present owner Literature: David Mannings, Sir Joshua Reynolds - A Complete catalogue of his paintings, No. 1656, p.421 Leslie and Taylor - Life and Times of Sir Joshua Reynolds, Vol. 1, Ch. IV, p.266 We are grateful to David Mannings for his assistance in cataloguing this lot on the basis of a photograph Mrs. Sparrow was the only daughter of Thomas Popham Esq. and Sara of Bagborough House, Somerset. Painted in 1766, appointments with Mrs. Sparrow are recorded in Reynolds’ Accounts Books for May, 14th-19th. A payment of 35 gns. is recorded in the Ledgers on 6th June 1767 £10,000-15,000 143. No lot

144. Italian School 18th Century The rape of Ganymede Oil on canvas, unframed 140 x 191.5cm; 55 x 75½in £2,000-3,000


56

145 145. Follower of Angelica Kauffman An allegorical scene with putti offering apples and a dove Oil on canvas, oval 45 x 57cm; 17¾ x 22½in £2,000-3,000 146. Attributed to Peeter Neeffs (Flemish 1620-1675) Interior of Antwerp Cathedral with figures at prayer and visiting Oil on panel 59 x 88cm; 23¼ x 34½in £2,500-3,500

147. French School 1734 Madame Pauline de Grignon, Marquise de Simiane’s Spaniel Prior to lining inscribed and dated verso: Caniche de Mlle Pauline de Grignon, Marquise de S. a peint 1734 N’ Oil on canvas, in a carved wood frame 55 x 65cm; 21½ x 25½in Madame de Grignon was the granddaughter of Marie de Rabutin-Chantal, Marquise de Sévigné (1626-1696) the French aristocrat and well known correspondent. Her letters to her daughter from 1671 to her death in 1696 were especially widely read and Madame de Grignon was instrumental in their publication in 1734/7 and 1754. Provenance: Christie’s Sacombe Park Hertfordshire, sale on the premises, Monday 11th October 1993, lot 243 (Sale catalogue included with the picture) Exhibited: Rouen, Fleurs et Animaux, Art Français XVIIe-XV111e, 16th Mai 1936 £2,000-3000


57

146

147


58 148. François Hubert Drouais (French 1727-1775) Portrait of Lady Amelia Darcy (1754-1784), later 9th Baroness Conyers and wife of Francis Godolphin Osborne, Marquess of Carmarthen, the 5th Duke of Leeds Half length, standing, wearing a blue silk dress with white lace sleeves, holding a basket of flowers Inscribed: peint a paris par Drouais en avril 1764 Oil on canvas, oval in a fine period carved wood frame 71 x 58.5cm; 28 x 23in Provenance: Amelia Darcy 9th Baroness Conyers George William Frederick Osborne 6th Duke of Leeds 10th Lord Conyers (1775-1838) Francis Godolphin Darcy-Osborne 7th Duke of Leeds 11th Lord Conyers (1798-1859) Sackville George Lane-Fox 12th Lord Conyers (1827-1888) Marcia Amelia Mary Lane-Fox 13th Baroness Conyers (1863-1926) Sackville George Pelham 5th Earl of Yarborough 14th Lord Conyers (1888-1948) Lady Diana Mary Miller née Pelham (1920-2013) This compelling portrait of Amelia Darcy was painted when she was just 10 years old and depicts a confident child who was born into a privileged family background. She was an only child, her two older brothers having died in infancy and this portrait, painted by one of the most fashionable portraitists in Paris, reflects her cherished status to her parents. Her father, Robert Darcy, 4th Earl of Holderness, was a successful diplomat but after the accession of George III to the throne was dismissed from his post as Secretary of State. In recompense he received a handsome pension of £4,000 a year and was able to set about improving his estates, which included Hornby Castle and Aston Hall in Yorkshire and Sion Hill in Middlesex. The portrait was commissioned in Paris in 1764 and by this time the highly acclaimed Drouais was at the height of his powers. An assiduous artist, he quickly became a favourite of Louis XV and his family. As a result the French nobility and ruling class, as well as Parisian society, jostled to sit for him. Amongst his sitters were Louis XV, MarieAntoinette, The Comte de Provence (later Louis XVIII), Madame du Barry, Madame de Pompadour and numerous others. Commissioning a portrait from Drouais would certainly not have been straightforward and is a reflection of the influence that Holderness still wielded. In 1773, aged 19, Amelia married Francis Godolphin Osborne (1751-1799) who later became 5th Duke of Leeds. Amelia then became the Marchioness of Carmarthen and after the death of her father in 1778 she also inherited the titles Baroness Darcy de Knayth and Baroness Conyers, as well as Countess of Mertola (Portugal). Francis and Amelia had three children between 1775 and 1777, George later 6th Duke of Leeds, Francis and Mary Henrietta. However, just 7 months after her father›s death, Amelia eloped with Captain John “Mad Jack” Byron. A divorce quickly ensued and Amelia married Captain Byron just one month after it was finalised in June 1779. Amelia and her new husband eventually set up home in Paris where she gave birth to three more children. The first two children died in infancy but their third child, Augusta Maria was born in January 1783 making her the sixth child Amelia had borne in eight years. Amelia›s short but eventful life ended just twelve months later when she died aged 29, probably from tuberculosis. Captain Byron subsequently married Catherine Gordon in London in 1785, returning immediately to Paris to escape his debtors. In 1788 they had a son, George, later the poet Lord Byron. £100,000-150,000


59

148


60

INDEX OF ARTISTS A A. E. D**** Allegri, After Antonio Avercamp, Foll. of Hendrik

100 113 135

B Banks, Catherine A. Eggar Barker, Thomas Jones Barker, Wright Boddington, Henry John Bonvin, Francois Brett, John Buck, Frederick

80 104 49 93 103 84 1

C Callcott, William James Cameron, Hugh Clare, Oliver Continental School Cooper, Thomas Sidney Creswick, Thomas Curnock, James Jackson Cuyp, Aelbert D Daffinger, After Moritz M. Davis, Henry William Banks Dicksee, Thomas Francis Dobson, Circle of William Dolci, After Carlo Dommersen, Pieter Cornelis Dowling, Bledwin Drouais, Francois Hubert Dutch School

70 66 45 75 83 24 40 131

9 50 106 130 121 63 43 148 90, 123

E Earl, Maude 30 Edouart, Augustin Amant 20 English School 2, 4, 5, 6, 8, 10, 11, 12, 13, 14, 15, 18, 19, 21, 48, 71, 81, 86, 97, 125, 126, 132, 141 Etty, Foll. of William 61 Ewbank, Thomas John 36 F Freebairn, Robert French School Frier, Robert Frith, Attrib. to William G German School Gilbert, Sir John Gillard, William Goodwin, Albert Grosclaude, Frederic

139 23, 147 73 64

122 80 95 54, 55 102

H Harcourt, Margaret Hardy Jr., James Hardy, George Harrison, John Cyril Hemy, Charles Napier Henner, Jean Jacques Hodge, W. J. Holbein the Younger, After Hans Holbein, After Hans Hone, Attrib to Horace Hoppner, Attrib. to John I Indian School J Johnson, Charles Edward K Kauffman, Foll. of Angelica Kilburne, George Goodwin Koekkoek, Hendrik Pieter Kotschenreiter, G. Hugo L Landriani, Attrib. to Paolo Lari, Attrib. to P. Lawrence, Attrib. to Sir Thos. Lawrence, Circle of Thos. Leslie, Charles Lingelbach, Johannes Linnell, John Luti, Benedetto M Michau, Circle of Theobald Mierevelt, Manner of M. J. van Monamy, Foll. of Peter Moucheron, Frederick de Murillo, After Bartolome Esteban N Neefs, Attrib. to Peeter Neer, Foll. of Aert van der Netscher, Foll. of Caspar Nichol, Attrib. to Erskine O Opdenhoff, George Wilhelm Ostade, Circle of Adriaen Ouless, Philip John

67 85 41, 42 28 51 56 59 127 120 16 91

22, 144

79

145 35, 39 78 98

88 34 87 105 32 128 82 108

138 107A 68 128 101

146 114, 129 140 99

58 118 57

P Paice, George Parrocel, Attrib. to Joseph Payne, William Petitjean, Edmond Marie Pyne, James Baker

96 112 89 46 74

R Rathbone, John Reni, After Guido Reni, Manner of Guido Reynolds, Sir Joshua Richmond, Foll. of George Romilly, George T. Ross, Sir William Charles Russian School

94 119 109 142 65 44 17 133, 134

S Shayer Jr., William Shayer Snr., William Short, Frederick Golden Sigmund, Benjamin D. Smith, Charles Smith, Foll. John Raphael Spilsbury, Maria Spornbert, Jacob Stoffe, Attrib. to Jan J. van der T Tadema, Lawrence Alma Teniers, Foll. of David Thors, Joseph Tuck, Harry Turner, Foll. of Joseph M. Turner, Maud M. Turner, William of Oxford

53 52 31 62 27 3 110 7 111

60 137 98 33 115 37, 38 72

V Vasari, Andrea Velde, Foll. of Willem van der Vollerdt, Johann Christian

76 136 117

W Walker, Maude Walker, Seymour Waring, William Henry Widdas, Richard Dodd Williamson, William Harry Wouverman, Attrib. to Pieter

30 47 26 25 69 116

Y Yates, Gideon

77


Modern British Art Tuesday 26th November 2013 Sir George Clausen R.A. (1852-1944) Summer Night, St John’s Wood Signed, oil on canvas, 39 x 46cm Estimate: £15,000-20,000

ENQUIRIES

Michael Jeffery Tel: +44 (0) 1722 424505 michaeljeffery@woolleyandwallis.co.uk Victor Fauvelle Tel: +44 (0) 1722 424503 victorfauvelle@woolleyandwallis.co.uk


British Art Pottery Wednesday 11th December 2013 Three Lucie Rie bowls. Estimates from £500 to £1,500

ENQUIRES

Michael Jeffery Tel: +44 (0) 1722 424505 michaeljeffery@woolleyandwallis.co.uk


Furniture & Works of Art Tuesday 7th January 2014

Thomas Sharp (1805-1882) Bust of Augustus FitzClarence, marble, signed and dated 1831, 24½in (62cm) high. Estimate: £2,000-3,000

Enquires

Will Hobbs Tel: +44 (0) 1722 339752 willhobbs@woolleyandwallis.co.uk


Silver Tuesday 21st & Wednesday 22nd January 2014 A late 18th century French two-coloured gold mounted blonde tortoiseshell snuff box. Estimate: ÂŁ700-900

ENQUIRIES Rupert Slingsby Tel: +44 (0) 1722 424501 rupertslingsby@woolleyandwallis.co.uk


Paintings Wednesday 19th March 2014 Entries are currently being accepted for this sale

ENQUIRIES

Victor Fauvelle Tel: +44 (0) 1722 424503 victorfauvelle@woolleyandwallis.co.uk

Gladys Maccabe (Irish b.1918) Garden fĂŞte Signed, also titled verso Oil on board, unframed 51 x 64.5cm Estimate: ÂŁ600-800


Auction Information OPENING HOURS Monday to Friday 9am to 5.30pm and 10am to 1pm on Saturdays. VIEwING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIddING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. we now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING wITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk. You will be asked to show your documents, or fax or email copies.

LIVE ONLINE BIddING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com In completing the bidder registration on www.thesaleroom.com and providing your credit card details and unless alternative arrangements are agreed with woolley and wallis Salisbury Salerooms Ltd, you: 1. authorise woolley and wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom. com, and 2. confirm that you are authorised to provide these credit card details to woolley and wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that woolley and wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONdITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

SALE RESULTS These will be posted on our website shortly after the sale.

COMMISSION BIddING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

TELEPHONE BIddING It is usually possible to bid on the telephone by prior arrangement with the office.


PAYMENT ANd CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

ARTIST’S RESALE RIGHT / dROIT dE SUITE ‡ droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. we are no longer able to accept card payments of over £1,000 where the cardholder is not present.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1dB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYd30974100957707 BIC code LOYdGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: delta, Switch, Connect

droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.ukcites.gov.uk

Please enquire for the accepted exchange rate on the day of the sale. Royalties for droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 PACkING ANd SHIPPING woolley & wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk APS 0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk


Valuations PROBATE VALUATIONS we offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

we also carry out valuations for Family division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

woolley and wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Absentee Bid Form Fine Old Masters & 19th Century Paintings Wednesday 4th December 2013 PW041213

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Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in this Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print) ���������������������������� ���������������������������������������������������� Address �������������������������������������������� ���������������������������������������������������� ���������������������������������������������������� ������������������������� Postcode ����������������� daytime Telephone ���������������������������������� Email����������������������������������������������� debit/Credit Card details: VISA OTHER

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Brief description

Price excluding buyer’s premium & VAT


SOCIETY OF FINE ART AUCTIONEERS ANd VALUERS and the ROYAL INSTITUTION OF CHARTEREd SURVEYORS CONDITIONS OF BUSINESS received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

INFORMATION FOR BUYERS 1.

Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2.

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4.

The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5.

VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the dealers Margin Scheme or because VAT is due at 20% on importation into the Uk. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6.

we are, primarily, agents for the seller. we are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7.

Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8.

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9.

Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1.

Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2.

Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3.

Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. we may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4.

Loss and damage waiver. we are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5.

Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6.

Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7.

we may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8.

Electrical items. These are subject to detailed statutory safety controls. where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9.

Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. we reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. we will assume that you have approved the catalogue description of your lots unless informed to the contrary.


where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

(f)

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. we reserve the right to charge for storage in these circumstances at a reasonable daily rate.

2.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

3.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. we disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE woolley & wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1.

DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means woolley & wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which woolley & wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6.

PAYMENT

(a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7.

TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8.

REMEDIES FOR PURCHASES

NON-PAYMENT

OR

FAILURE

TO

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) we shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions


9.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY

Glossary

(a)

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. we undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. we shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (when the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. dimensions are given height before width. Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500


Page width 202mm. Use this box to centre artwork! Specialist Departments

Auction Calendar

Please dial +44 (0)1722 followed by the number listed below

AsiAn Art John Axford MRICS ASFAV Sophie Lister Alexandra Doméracki Freya Yuan CloCks Richard Price english & euroPeAn CerAMiCs & glAss Clare Durham Furniture Will Hobbs Mark Richards Jim Gale JeWellery Jonathan Edwards FGAA Marielle Whiting FGA

424506 424591 424506 424506

07741 242421

vAluAtions For insurAnCe & ProBAte Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

Modern British Art 26th November Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk 424509

MArketing Tamzin Corbett

424590

ACCounts Janice Clift (Office Manager) Ruth Pike

424500 424599

424507

339752 411854 339161

424504 424595

Modern British Art Michael Jeffery Victor Fauvelle

424505 424503

PAintings Victor Fauvelle Jo Butler

424503 424592

silver Rupert Slingsby Lucy Chalmers

424501 424594

20th Century design Michael Jeffery

424505

triBAl Art Will Hobbs

339752

generAl oFFiCe Linda Garthwaite Pauline West Sharon Ringwood Nicola Young sAlerooM MAnAger David Jordan

424500

424500

BoArd oF direCtors Paul Viney ASFAV Chairman

Clive Stewart-Lockhart FRICS FRSA Managing Director

AssoCiAte direCtors Janice Clift Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

PAintings 4th December 19th March 2014 Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk 20th Century design 11th December – British Art Pottery, including Studio Pottery Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk Furniture, Works oF Art 7th January 2014 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk silver 21st & 22nd January 2014 Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JeWellery 23rd January 2014 Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk

John Axford MRICS ASFAV Deputy Chairman

CoMPAny seCretAry Jim Macarthur CA

Page width 202mm. Use this box to centre artwork!

triBAl Art 11th February 2014 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk 424599

CloCks, WAtChes & sCientiFiC instruMents 19th February 2014 Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk english & euroPeAn CerAMiCs & glAss 25th February 2014 Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk


WOOLLEY & WaLLis Fine Old Masters & 19th Century Paintings Wednesday 4th December 2013

www.woolleyandwallis.co.uk

WOOLLEY & WaLLis SALISBURY SALEROOMS

Fine Old Masters & 19th Century Paintings Wednesday 4th December 2013

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Woolley & Wallis Fine Old Masters & 19th Century Paintings 4 December  

As one of the leading regional auctioneers, established since 1884, Woolley and Wallis holds around thirty specialist sales a year spread be...

Woolley & Wallis Fine Old Masters & 19th Century Paintings 4 December  

As one of the leading regional auctioneers, established since 1884, Woolley and Wallis holds around thirty specialist sales a year spread be...

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