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WOOLLEY & WALLIS

WOOLLEY & Wallis SALISBURY SALEROOMS

Old Masters, British & European Paintings with Portrait Miniatures Wednesday 15th March 2017

P aintings W ednesday 15 th M arch 2017

www.woolleyandwallis.co.uk


Specialist Departments

Auction Calendar

Please dial +44 (0)1722 followed by the number listed below

Asian Art John Axford MRICS ASFAV Alex Aguilar Doméracki  Freya Yuan Marta Olszewska English & European Ceramics & Glass Clare Durham

424506 424583 424589 424591

424507

Furniture, Works of Art & Clocks Mark Richards  Jim Gale Suzy Becsy

411854 339161 411859

Jewellery Jonathan Edwards FGAA  Marielle Whiting FGA

424504 424595

Paintings Victor Fauvelle Jo Butler

424503 424592

Silver Rupert Slingsby Lucy Chalmers 

424501 424594

20th Century Design Michael Jeffery Zoe Smith

424505 329477

Tribal Art & Antiquities Will Hobbs Gemma Bush

339752 339752

Arms & Armour, Coins & Medals Ned Cowell Gemma Bush

341469 341469

Arms & Armour, Medals & Coins and Militaria 28th March 2017 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk

Valuations for Insurance & Probate Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA 

424509 424598

Marketing Tamzin Corbett

424590

Accounts Janice Clift (Office Manager)

424500

General Office Pauline Jones Sharon Ringwood Nicola Young Kirstie Tapper Saleroom Manager David Jordan

Silver 25th & 26th April 2017 – Fine Silver & Objects of Vertu Including The Arthur Holder Collection Part III Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk

424500

Jewellery 27th April 2017 – Fine Jewellery Jonathan Edwards +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Asian Art 16th & 17th May 2017 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk

John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart FRICS FRSA Managing Director

Associate Directors Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

Furniture, Works of Art & Clocks 12th April 2017 Mark Richards +44 (0) 1722 411854 • mr@woolleyandwallis.co.uk

424500

Board of Directors Paul Viney ASFAV Chairman

Company Secretary James Macarthur CA

20th Century Design 29th March 2017 – Clarice Cliff, Art Deco & Design 21st June 2017 – Arts & Crafts 22nd June 2017 – A Private Collection of Burmantofts Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk

424599

English & European Ceramics & Glass 23rd May – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk Paintings 7th June 2017 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk 20th Century Design 21st June 2017 – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk


Old Masters, British & European Paintings with Portrait Miniatures Wednesday 15th March 2017 at 11am Viewing Times Saturday 11th March Monday 13th March Tuesday 14th March Wednesday 15th March

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.45am

Enquiries

Victor Fauvelle Tel: 01722 424503 vf@woolleyandwallis.co.uk

Jo Butler Tel: 01722 424592 jb@woolleyandwallis.co.uk

ARTIST’S RESALE RIGHT / DROIT DE SUITE

COLLECTION OF LOTS

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ALL lots will be moved from the saleroom back to Salt Lane on 15th, 16th and 17th March - collection of lots on these days and Saturday 18th MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable.

for this lot – please see our Terms & Conditions, Section 21, for details CITES

λ This symbol indicates that Cites regulations may apply.

Please see the auction information page GLOSSARY OF TERMS

Please refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings

From 20th March collection will be from the Picture department at Carter House, 6-10 Salt Lane, Salisbury SP1 1EE. Payment is still made at Castle Street. COLLECTION OF SOLD AND UNSOLD LOTS MUST BE WITHIN 21 DAYS OF THE SALE - FAILURE TO COLLECT WITHIN THIS TIME MAY RESULT IN STORAGE FEES TELEPHONE BIDDING

ILLUSTRATIONS Front cover: Lot 471 (detail) Back cover: Lots 62, 35 & 34 Overleaf: Lot 386 Extra images, a catalogue word search facility and condition reports are available at www.woolleyandwallis.co.uk Catalogue: £12.00 (£15.00 by post)

Please note that requests for telephone bids cannot be accepted after 5pm on 14th March LIVE BIDDING

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INDEX Miniatures - 

1-31

A Private Collection Other Properties

32-93

Artist’s Easels

94-99

Prints100-120 A Private Collection 

121-175

Watercolours 

176-295

A Private Collection 

296-321

Oil Paintings

322-539

Member of The Society

of Fine Art Auctioneers


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MINIATURES Lots 1 to 31 - A Private Collection

1

2

3

4

5

6

1. λ English School early 17th Century Portrait miniature of a gentleman, bust length wearing an elaborate wide ruff Oval, in a gold frame 40 x 30mm £500-800

3. λ English School 17th Century Portrait miniature of a Sir P. Maynald, bust length, with a wide lace collar Oval, in a gilt metal frame 29 x 22mm £400-600

2. λ English School early 17th Century Portrait miniature of a gentleman, bust length, with a wide lace collar Oval, in a gilt metal frame 31 x 27mm £600-800

4. λ English School mid 17th Century Portrait miniature of a gentleman, bust length, with a linen collar Oval, in a gilt metal frame 40 x 31mm £400-600

5. λ English School 17th Century Portrait miniature of a gentleman, bust length, wearing a buff coat and red ribbons Oval, gilt metal frame 55 x 44mm £300-500 6. λ Circle of Gervase Spencer Portrait miniature of a gentleman, bust length in a full-bottomed wig and garter sash over armour Oval, in a gold frame 30 x 22mm £600-800


4 7. λ William Bate (c.1759-c.1845) Portrait miniature of Ninon de L’Enclos (1620-1705), head and shoulders, in a blue dress Inscribed on the reverse of the enamel, set into the lid of a tortoiseshell and gold rectangular box 42 x 35mm; the box 80 x 60mm Provenance: Lawrence Gould Antiques 12/11/08 Ninon de L’Enclos, author and courtesan, was revered as a freethinker. Always of independent means she mixed in the highest circles in Parisian life. This miniature seems to be based on the portrait etching of her by Antoine-Jean-Baptiste Coupé £800-1,200

7

8. λ Attributed to James Nixon (c.1741-1812) Portrait miniature of a boy, three-quarter length, wearing a red suit and holding a ball Oval, in gilt metal frame with a hair back 62 x 48mm Provenance: Lawrence Gould Antiques 9/11/04 £400-600

8

9

9. λ English School c.1800 Portrait miniature of a gentleman, head and shoulders, facing right, wearing a light blue coat with a black collar Oval, modern gold plated frame, blue glass back 65 x 53mm £400-600 10. λ English School c.1790 Portrait miniature of a gentleman head and shoulders, wearing a blue coat with a red collar, in profile facing left Oval, gold frame, hair back with initials JCB in gold 46 x 37mm £400-600 11. λ Continental School c.1818 Portrait miniature of Jan Modeska, head and shoulders, in uniform Inscribed indistinctly verso Oval, in a gold plated frame 68 x 54mm £400-600

10

11


5 12. λ Charles Jagger (1770-1827) Portrait miniature of a lady, head and shoulders, with pearls in her hair Signed Oval, gold frame, hair back 70 x 55mm Provenance: Lawrence Gould Antiques 12/11/08 £600-800 13. λ William Armfield Hobday (1771-1831) Portrait miniature of John Taylor (d.1859), head and shoulders wearing a black coat Oval, in a gold plated frame, hair back 70 x 55mm Provenance: Lawrence Gould Antiques 11/11/03 £400-600

12

13

14

15

14. λ English School early 19th Century Portrait miniature of a gentleman, head and shoulders, facing right, wearing a dark blue coat with a black collar Oval, in a gold plated frame 65 x 53mm £400-600 15. λ P. Gaslin? (mid 19th Century) Portrait miniature of a young girl, head and shoulders wearing a white dress with blue ribbons Signed indistinctly Oval, in a gilt metal frame 53 x 45mm £500-800 16. λ Flemish School 17th Century Portrait miniature of a gentleman, head and shoulders, wearing a plumed hat Enamel, with an arcadian landscape verso, in a gold frame 22 x 18mm £200-300

16


6 17. λ English School late 18th century Portrait miniature of a lady, bust length, wearing a red ribbon in her hair Oval, blue glass mount, gold plated frame and hair back 28 x 23mm £400-600 18. λ Follower of Nathaniel Plimer Portrait miniature of a lady, bust length in a blue dress with a white ribbon in her hair Oval, gold plated frame, hair back 53 x 36mm £200-300 17

18

19. λ After Jean-Baptiste Greuze Innocence Oval, in a hinged gilt metal case 46 x 33mm After the original in The Wallace Collection £300-500 20. λ William Haines (1778-1848) Portrait miniature of Hester Mills, head and shoulders, wearing a brown gown Signed, oval, in a gold plated frame 68 x 56mm £300-500

19

20

21. λ French School c.1820 Portrait miniature of an officer in dark blue uniform Rectangular, with canted corners, gilt metal frame 42 x 33mm £300-500 22. λ English School mid 19th Century Portrait miniature of a gentleman, bust length, in black Oval, in a gold foliate scroll frame 40 x 30mm £300-500

21

22

23. λ Francis Hargreaves (19th Century) Portrait miniature of Elizabeth Crosfield (1815-1893), daughter of George and Margaret Crosfield, later married Octavius Waterhouse on 2nd August 1836 in Liverpool, head and shoulders, wearing Quaker dress Inscribed and dated verso, in a gold plated frame 85 x 65mm Provenance: Bonham’s London, 1st July 2003, lot 163 £400-600


7 24. λ Circle of George Engleheart Portrait miniature of a gentleman, head and shoulders, wearing a grey suit and white stock, facing left Oval, in a gold frame, blue glass and hair back with the initials WR 77 x 58mm £400-600 25. λ English School c.1820/30 Portrait miniature of Mary Elliott, née Simpson, wife of Henry Rodney Elliott, bust length, wearing white Oval, gilt metal frame, the reverse with a blue glass surround, hair and seed pearl initials 63 x 42mm £300-500 26. λ English School early 19th Century Portrait miniature of a gentleman, head and shoulders, facing left, wearing a blue coat Oval, in a gold plated frame with a hair back 65 x 53mm £400-600 27. λ German School early 19th century Portrait miniature of Wilhelm Friedrich Ernst Graf Zu Schaumberg-LippeBuckeburg (1724-1777), Half length wearing blue uniform and the order of the golden fleece Rectangular, in a gold plated frame 55 x 41mm Provenance: Lawrence Gould Antiques 9/6/06 Friedrich was the 2nd son and heir of Albert Wolfgang, Count of Schaumburg-Lippe and Margaret Gertrude, Countess of Oeynhausen. He was Grandson of George I as his mother was the illegitimate daughter of George I and his mistress Ehrengard Melusine von der Schulenburg, Duchess of Kendal £500-700

23

24

25

26

28. λ English School c.1810 Portrait miniature of a gentleman, head and shoulders wearing a blue coat Thought to be inscribed verso Adam Frederick Oval, in a gold plated frame, blue glass and hair back 54 x 45mm £350-450

27

28


8

29

30

29. λ James Scouler (1741-1812) Portrait miniature of a gentleman, head and shoulders, in a blue coat Signed with initials and dated indistinctly, thought to be 1771 Oval, blue glass surround, gold frame with hair back and seed pearl initials JMB 60 x 50mm Provenance: Lawrence Gould Antiques 15/11/07 £700-1,000

31

31. λ Continental School late 19th Century Portrait miniature of an officer, wearing blue uniform with a gold Cross Belt Engraved verso: Wm Webb Ob. 18th Oct 1797 Oval, in a gold frame 35 x 20mm £150-250

30. λ Samuel Shelley (1750/56-1808) Portrait miniature of a gentleman, head and shoulders, facing left, in a blue coat and lace stock Signed verso Oval, gold plated frame, glass back 45 x 35mm £600-800 32

Other Properties 32. Three ebonised frames for portrait miniatures Two 130 x 85mm (a pair) and one 70 x 58mm (sight sizes) (2) £100-200 33. λ After Sir Joshua Reynolds A George III lacquered brass mounted, gilt-composition ebonised and tulipwood miniature hanging display cabinet with portraits of Charles Stanhope, 3rd Earl of Harrington and Mrs Edwin Lascelles, later Lady Harewood to doors 232 x 166mm (portraits), 342 x 510 x 112mm (cabinet) £2,500-3,000 33


9 34. λ George Chinnery (1774-1852) Portrait miniature of Maria Graham, half length, wearing a green jacket Oval, in a gold frame 86 x 68mm Painted c.1795 This portrait of Maria Graham would have been painted by George Chinnery in Bombay. She married her first husband, Captain Robert Graham, RN in Bombay and travelled with him to Chile in 1821. However he died of fever en route and shunning the British community Graham lived among the Chilean people. She published her ‘Journal of a residence in Chile’ in 1822 and other books about her stay earning the gratitude of Chileans for her invaluable social document. Her second husband was the painter Augustus Wall Calcott (1779-1844) whom she married in 1827. With her literary background and his wide circle of artistic connections they became a key part of the cultural scene in London. £4,500-5,500 35. λ Isaac Ware Slater (1784-1836) Portrait miniature of an officer, head and shoulders wearing uniform and a white sash Signed verso Set into the lid of a circular gold mounted tortoiseshell box 70mm diameter Previously thought to be James Gubbins of the King’s Own Dragoons, this could also depict a Portuguese officer from the Peninsular War. £500-700 36. λ French School 1795 Portrait miniature of a gentleman, head and shoulders wearing a striped jacket and waistcoat Signed indistinctly Bellicas… and dated 1795 Set into the lid of a circular tortoiseshell box with gold mounts 67mm diameter £200-300

35

34

36


10

37. λ English School c.1720 Portrait miniature of a young James III, head and shoulders, wearing armour Oval, in the original metal locket frame 45 x 37mm £1,500-2,000

37

38

38. λ Ozias Humphry (1742-1810) Portrait miniature of John Frederick Sackville, 3rd Duke of Dorset, head and shoulders in profile, wearing a red coat with fur collar Signed with a monogram and dated 1781 on a paper verso Oval, in a gilt frame 47 x 36mm £1,200-1,800 39. λ English School 18th Century Portrait miniature of the Earl of Northampton, head and shoulders, wearing a bright blue coat with white trim Oval, in a gold frame with engraved crown and initial N verso 40 x 32mm £600-800

39

40

40. Nicolas André Courtois (French 1734-c.1797) Portrait miniature of a gentleman, head and shoulders, wearing crimson with a white stock Signed Enamel, oval, in the original decorative gold frame 35 x 28mm Painted c.1775 £900-1,100

41

41. Continental School 17/18th Century Jesus as the Saviour of the World Oil on copper 10.5 x 8cm; 4 x 3in £100-150


11 42. λ George Engleheart (1752-1829) Portrait miniature of Lady Susan Westmorland, bust length in a white dress with a blue ribbon Oval, in a gilt metal frame with a hair back 53 x 43mm £2,500-3,500 43. λ Christian Wilhelm Jacob Unger (German 1775-1855) Portrait miniature of Ida, Princess Zu Schaumberg-Lippe, wife of Prince Georg Wilhelm, Prince of Schaumberg-Lippe, daughter of Prince Georg Zu Waldeck (1795-1869), head and shoulders, wearing white with a red cloak Signed and dated 1816 Oval, in the original 18ct gold locket frame 65 x 51mm £3,000-5,000 44. English School 18th Century Portrait miniature of Matthews Beachcroft, Director of The Bank of England (died 16th July 1759), head and shoulders, wearing a bright blue coat and yellow waistcoat Inscribed on frame verso Watercolour on paper, oval, in the original gold frame and leather case 34 x 30mm £1,800-2,200 45. λ George Engleheart (1752-1829) Portrait miniature of Sir William Loraine, 4th Baronet (1749-1809), head and shoulders, wearing a brown jacket and white cravat Engraved on the frame with name of artist and sitter Oval, in the original gold frame with blue glass and hair verso 73 x 60mm £2,200-2,500

42

43

44

45


12 46. λ English School late 18th Century Portrait miniature of a gentleman, bust length wearing blue Oval, in a gold frame 38 x 28mm and similar With another of a gentleman c.1780 in a gold frame later converted to a brooch (2) £250-350 47. λ English School c.1800 Portrait miniature of a gentleman, half length in blue Oval, gilt frame 53 x 43mm With another of a gentleman 60 x 45mm (2) £120-180

46

48. λ English School early 19th century Portrait miniature of a gentleman, head and shoulders Oval, gilt frame, a silhouette of a gentleman in profile verso 70 x 53mm £200-300 49. λ English School 19th Century Portrait miniature of a lady, head and shoulders, with a white headdress Oval, in a gilt metal frame 57 x 45mm With 3 further miniatures and an enamel (5) £100-150

47

50. λ English School early 19th Century Portrait miniature of a gentleman, head and shoulders, in blue Oval, in a red leather hinged case 68 x 55mm With a further miniature of a gentleman, late 18th century, in uniform 32 x 27mm (2) £200-300

48

49

51. λ Richard Cosway (1742-1821) Portrait miniature of an Officer of the 1st Royal Regiment of Foot as worn in the period of 1796-1816, head and shoulders, wearing uniform and a white jabot Believed to be signed and dated 1809 verso Oval, in a gilt frame with blue glass, pearls and a lock of hair 81 x 71mm £3,000-5,000 52. λ Andrew Robertson (1771-1845) Portrait miniature of General Atkinson of the 2nd Royal Surrey Militia (1777-1845), head and shoulders, wearing red uniform Oval, in the original gold frame with a plaited hair back and locks of hair with seed pearls verso 65 x 53mm Painted c.1810 £3,000-5,000

50


13

51

52

53

54

53. λ Charles Shirreff (c.1750-c.1809) Portrait miniature of an officer, head and shoulders wearing uniform Oval, in the original gold frame, the reverse decorated with a cannon, arms, locks of hair and a blue glass disc with initials RJ 61 x 51mm £2,200-2,500

54. λ Sampson Towgood Roch (Irish 1759-1847) Portrait miniature of an officer, head and shoulders, wearing uniform Signed Oval, in the original gold frame with a hair back 65 x 51mm Painted c.1788 £2,000-3,000


14 55. λ Charles Jagger (1770-1827) Portrait miniature of a lady with gold curls, head and shoulders, wearing a white lace dress and blue cloak Rectangular, in an ormolu frame 85 x 65mm £1,200-1,800 56. λ Andrew Plimer (1763-1837) Portrait miniature of a young boy, head and shoulders, with long brown hair, a navy jacket and white frilled shirt Oval, in a chased foliate gold frame with a blue glass back 63 x 51mm Painted c.1790 £1,200-1,800 55

56

57. λ English School c.1810 Portrait miniature of an Irish Officer, head and shoulders, wearing uniform Oval, in the original gold frame with a hair back 77 x 63mm £800-1,200 58. λ Follower of Richard Cosway Portrait miniature of a lady, head and shoulders in white Oval, gilt frame 33 x 28mm £400-600

57

58

59. λ Abraham Daniel (c.1760-1806) Portrait miniature of a lady, bust length, in a white dress with frilled collar Oval, in the original gold frame with blue and white enamel 40 x 32mm £800-1,200 60. Mathieu Deroche (French fl.1866-1904) Portrait miniature of a gentleman Enamel on metal Oval, in a gilt metal and malachite standing frame 127 x 100mm Painted c.1875 £1,200-1,800

59

60


15 61. λ George Engleheart (1752-1829) Portrait miniature of a gentleman, head and shoulders, in a navy coat and white stock and cravat Signed with an initial E Oval, in the original gold frame with a blue glass back 80 x 64mm Painted c.1795 £3,000-5,000 62. λ John Smart (1741-1811) Portrait miniature of Baron Crewe, head and shoulders, wearing a green coat and waistcoat Signed with initials and dated 1781 Oval, in later gold and gilt metal frame 47 x 34mm Provenance: The Crewe Family, Scotland By the time this portrait of John Crewe, 1st Baron Crewe was painted in 1781 Crewe, who was born in 1742, was a seasoned politician and MP for Cheshire, a position he held for 34 years. He was best known for Crewe’s Act, passed in 1782 which prevented customs officers and post office officials from voting in an effort to prevent corruption. Crewe was painted by Pompeo Batoni whilst on his Grand Tour and later in life he sat for Thomas Lawrence. £3,000-5,000 63. λ George Engleheart (1752-1829) Portrait miniature of a naval officer, head and shoulders, wearing uniform Oval, in a gold and enamel frame with a blue glass and hair back 52 x 44mm £1,500-2,500

61

62

63

64

64. λ John Russell R.A. (1745-1806) Portrait miniature of a lady, head and shoulders, wearing a blue dress and a hat with a blue ribbon Oval, in the original gold frame with a hair back with blue and white enamel and seed pearls 80 x 65mm Painted c.1790 John Russell was portrait painter to George III and the Prince of Wales £2,500-3,500


16 65. λ English School late 18th Century Portrait miniature of a lady, thought to be Miss Banks Oval, in a gilt frame 28 x 23mm With a further Italian miniature of a priest praying (2) £150-250 66. λ Attributed to Peter Adolf Hall (Swedish 1739-1793) Portrait miniature of the actress Madame Dugazon, head and shoulders dressed as Artemis Oval, in a gilt frame 45 x 34mm £200-300 66

65

67. λ English School 19th Century Portrait miniature of Captain James Birch R.E., head and shoulders, standing in a landscape, a castle beyond Circular, 70mm diameter £100-150 68. λ English School c.1810 Portrait miniature of a gentleman thought to be Baron Jacob Van Heerdt, Dutch representative to Liverpool in the late 19th century, head and shoulders in a blue coat Oval, gilt frame, hair back with blue glass surround 70 x 55mm £120-180

67

68

69. λ Jean Baptiste Désiré Troivaux (French 1788-1860) Portrait miniature of a lady, half length, wearing white with a blue sash and blue ribbon-trimmed bonnet Signed and dated 1826 Oval, in a gilt and rectangular wood frame 87 x 70mm £500-800 70. λ English School early 19th Century Portrait miniature of a gentleman, half length wearing a brown coat In a gilt frame 85 x 70mm £80-120

69

70


17 71. λ Abraham Daniel (c.1760-1806) Portrait miniature of a lady with curly hair, bust length, wearing white with a blue trim Oval, in a gilt frame with a blue glass back 51 x 43mm £1,000-1,500 72. λ Irish School c.1790 Portrait miniature of a gentleman, bust length, wearing a dark coat with a blue waistcoat Oval, in a diamond set frame with a blue glass back 45 x 37mm The diamonds approx. 5 carats in total £2,000-3,000 73. λ Pierre Rouvier (French 1742-c.1815) Portrait miniature of La Comtesse de Bloud neé Comtesse de Launay, head and shoulders, wearing purple with a pearl band in her hair Inscribed with the names of the sitter and dated 1776 on a paper verso Circular, in a gold frame 62mm diameter £800-1,200 74. λ Jeanne-Philiberte Ledoux (French 1767-1840) Portrait miniature of a young lady, head and shoulders, wearing a white dress with red shawl Signed and dated 1808 Circular, in the original gold frame 60mm diameter Ledoux was a pupil of Jean-Baptiste Greuze £2,000-3,000

71

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18 75. λ Richard Cosway R.A. (1742-1821) Portrait miniature of The Earl of Burlington, head and shoulders, wearing a blue coat and white cravat Oval, in a double sided locket with hair and seed pearl on left side, the outside engraved Ricordanza 48 x 40mm Painted c.1790 £3,000-5,000

75

76

76. λ Andrew Robertson (1771-1845) Portrait miniature of a gentleman, head and shoulders, wearing a brown coat, black stock and white silk Signed with initials and dated 1826 Oval, in a gold frame with blue glass and hair back 84 x 65mm £1,500-2,500 77. λ George Place (Irish c.1755-c1805) Portrait miniature of a gentleman, head and shoulders, in a brown coat, white stock and jabot Oval, in a gold frame with hair back 75 x 62mm Exhibited: The Victoria & Albert Museum Painted c.1800 £1,000-1,500

77

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78. λ William Wood (1768-1809) Portrait miniature of the Reverend William Whiteside, head and shoulders, wearing black with a white stock and cravat Oval, in a gold frame 80 x 62mm £3,000-5,000 79. λ Samuel Shelley (1750-1808) Portrait miniature of a gentleman, head and shoulders, wearing a blue-green jacket with a white stock, cravat and red trimmed waistcoat Oval, in a gold frame with a hair back 66 x 53mm £800-1,200 80. λ William Wood (1768-1809) Portrait miniature of a lady, head and shoulders in a gold dress and blue turban Oval, in a gold frame 75 x 63mm Painted c.1810 £1,200-1,800

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81

81. λ Christiaen van Pol (Dutch 1752-1813) Miniature still life of flowers in a basket on a ledge Signed with initials Circular, in a gilt frame 90mm diameter £3,500-4,500

82. λ Dutch School c.1730 Miniature painting of a winter skating scene Circular, in a gilt metal frame 61mm diameter £1,800-2,200

83

82

83. λ Dutch School c.1780 Still life of hollyhocks, roses, flowers and a dove in a landscape Watercolour on paper Circular, in a gilt frame 81mm diameter £500-800

84. Italian School 18th Century Vue des environs de Rome faites sur le tour Gilded and painted guilloche metal Circular, in a gilt frame 73mm diameter £500-700

84


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85

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88 85. λ English School c.1900 Portrait miniature of a gentleman and five ladies Over printed bases, in ivory frames Various sizes (6) £100-150 86. λ Continental School Portrait miniature of a lady in a lace bonnet Circular 60mm diameter With another by signed Gerard (2) £150-200

87

90

87. λ English School 19th Century Portrait miniature of a young lady with plaited hair and a fur wrap 75 x 57mm With a further miniature of a young lady in décolleté and one of a lady in a floral hat (3) £120-180

89. λ Attributed to Franz Kruger (German 1797-1857) Portrait miniature of a lady in a top hat Oval, in an ebonized frame 75 x 57mm £200-300

88. λ M. Kraftmeier (Continental c.1900) Portrait miniature of a child, in blue Signed Oval, in a gilt frame and leather case 55 x 43mm £150-200

90. λ Chinese School c.1900 Portrait miniature of a dog Oval, in an elaborately carved hardwood frame 80 x 60mm £150-200 91. Indian School 19th/20th Century Indian Temples A set of 12 buttons with painted scenes Each 10mm diameter (12) £200-300

91


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92

92. Louis-Nicolas Van Blarenberghe (French 1716-1794) The Battle of Lawfeld, 2nd July 1747 Signed and dated 1777 Gouache 15 x 22cm; 6 x 8¾in In a red leather case The Battle of Lawfeld (or Lauffeld) took place during the French invasion of the Netherlands during the War of Austrian Succession. Marshal Saxe led the French forces against the Pragmatic army - a combined force of British and Hanovarians, resulting in a French victory £5,000-8,000 93. λ Austrian School c.1815 Miniature painting of a young lady in a garden, wearing white with a paisley shawl, writing on a tree The tree inscribed La vie est le rève d’une ombre In an ormolu frame 212 x 147mm £5,000-8,000

93


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ARTIST’S EASELS

94 94. Walnut salon easel with pierced and carved leaf decoration and adjustable shelf 198cm (h), 68cm (w), 63cm (d) £700-1,000

97 97. Faded mahogany salon easel with carved swan head decoration and adjustable shelf 181cm (h), 80cm (w) £300-500

95 95. Salon easel with carved, pierced, foliate decoration and adjustable shelf 180cm (h), 57cm (w) £300-500

98 98. Small salon easel with adjustable shelf 145 (h), 65cm (w) £200-300

96 96. Mahogany artist’s easel with square base, turned bun feet and adjustable shelf 198cm (h), 68cm (w), 61cm (d) £300-500

99 99. A full size Victorian/Edwardian folding, travelling artist’s easel £150-250


23

PRINTS 100. Francesco Bartolozzi, R.A. (Italian 1727-1815) After Guercino Cupid burning his bow and arrow; Five Bacchanalian putti Two, both sepia etchings 21.5 x 29cm; 8½ x 11in (2) £120-180 101. Richard Earlom (1743-1822) After Franz Snyders A game market; A fish market A pair, both mezzotints, published John Boydell, 1782 and 1783 42 x 58cm; 16½ x 23in (plate size) (2) £300-500

100

101

102 102. After Sir Joshua Reynolds P.R.A. James Paine architect and James Paine Junior Mezzotint, engraved by James Watson, sold by Ryland & Bryer 45.5 x 33cm; 18 x 13in With a mezzotint after Sartorius of two Pointers (2) £200-300

103 103. Valentine Green A.R.A. (1739-1813) After Sir Joshua Reynolds The Duke of Bedford with his Brothers Lord John Russell, Lord William Russell and Miss Vernon Mezzotint, published 1778 51 x 44cm; 20 x 17¼in Together with three further mezzotints and two engravings (6) £100-200


24

104

105

104. Thomas Daniell R.A. (1749-1840) and William Daniell (1769-1837) A Minar at Gour Aquatint 60 x 42.5cm; 23½ x 16¾in £200-300

105. After Sir Thomas Lawrence P.R.A. Mary Countess of Leitrim and her daughter Signed by engraver Mezzotint engraved by H. Scott Bridgwater, published 1905 50.5 x 38.5cm; 20 x 15in £100-150

107

106

106. William Hart (1830-1908) after Joseph Wolf (1820-1899) Milus Migrans, Black Kite Lithograph 48.5 x 33cm; 19 x 13in £120-180

107. After Peter Paillou Ornithological subjects Six, all etchings with later hand colouring, all unframed Each 38 x 55cm; 15 x 21½in (sheet size) (6) £150-250 108. After Joseph Mallord William Turner R.A. Views of Rome and London A pair, both chromolithographs Each 14.5 x 20cm; 5¾ x 8in (2) £100-150

108

109. After Augustus Pugin and Thomas Rowlandson Christie’s Auction Room Aquatint, engraved by John Bluck, published 1808 at R. Ackermann’s Repository 20 x 26cm £200-300 110. John Baptist Jackson of Battersea (1701-c.1780) A Northeast perspective view of the (Belfry) Cathedral Church and Close of Sarum, 1759 An engraving by John Fougeron 37 x 57cm; 14½ x 22½in £100-150

109

110


25 111. After David Roberts R.A. Cairo from the Nile Coloured lithograph by Louis Haghe 24 x 34cm; 9½ x 13½in £100-150 112. After William Powell Frith R.A. Scenes from The Road to Ruin Five, all etchings by L. Flameng Each 34 x 44cm; 13¼ x 17¼in £200-300

111

112

113. After John Claude Nattes Marlborough Street, Bath; Pump Room, Bath Aquatints, published 1804 and 1805 26 x 36cm; 10 x 14in (2) Provenance: Lantern Gallery, Bath £150-250

114 114. After Hilton Lark Pratt Fighting cocks, trimmed and spurred - Streaky breasted red dunn; Blackbreasted dark red A pair, both etching with aquatint Each 42 x 33cm; 16½ x 13in (2) £150-200

113

115 115. John Corbet Anderson (1827-1907) Edgar Willsher Lithograph published by F. Lillywhite & Wisden, London, 1857, unframed 41.5 x 29.5cm; 16¼ x 11½in (sheet size) Edgar ‘Ned’ Willsher was an English cricketer who is credited with changing the style of British bowling from roundarm to overarm. Willsher played cricket for Kent between 1850 and 1875 and took over 1300 first-class wickets, despite only having one lung. £100-150

116 116. André Artigue (1879-1956) A lady trying on shoes Signed, stamped and numbered 23/100 Etching 50 x 33cm; 19¾ x 13in £100-150


26

117

118

119

117. After Lionel Edwards The hunt in a landscape Signed Reproduction 32.5 x 49cm; 12¾ x 9¼in £80-120 118. After Charles Johnson Payne (Snaffles) Gentlemen Unafraid Signed, blind-stamped and with remarques to backing paper Reproduction 28.5 x 50.5cm; 11¼ x 20in £200-300

120

119. After Charles Johnson Payne (Snaffles) The Worst view in Europe; The Finest view in Europe A pair, both signed, blind-stamped and with remarque to backing paper Each 25 x 56cm; 10 x 22in (2) £150-250 120. William Lionel Wyllie R.A. (1851-1931) Beating home Signed Lithograph, published by F. Hanfstaengl, c.1913 38 x 38cm; 15 x 15in £150-200


27

Lots 121 to 175 - The Collection of a Gentleman 121. John Varley O.W.S. (1778-1842) Dolgellau, Gwynedd, Wales Watercolour 44 x 69cm; 17¼ x 27in Provenance: Michael Bryan, London Exhibited: Old Watercolour Society, probably No. 178 in 1812 £4,000-6,000 122. John Varley O.W.S. (1778-1842) Walton Church Titled on a label verso Watercolour 15.5 x 21.25cm; 6 x 8½in £800-1,200 123. John Varley O.W.S. (1778-1842) Evening, with fishermen by a lake Signed, also signed and inscribed Composition verso Watercolour with gum arabic 12 x 18cm; 4¾ x 7in £200-400

121

124. John Varley O.W.S. (1778-1842) Figures by a lake, Portugal Signed Watercolour 24 x 52cm; 9½ x 20½in £400-600

122

123

124


28

Lots 121 to 175 - The Collection of a Gentleman

125

126

127

128

129 125. Anthony Devis (1729-1817) A fisherman in a river landscape Signed Pen and grey ink with watercolour 24.25 x 37cm; 9½ x 14½in Provenance: John Spink, London £200-400 126. Anthony Devis (1729-1817) A Continental view of figures by a shrine Signed with initials Pencil and watercolour 30.5 x 43cm; 12 x 17in £50-100

130 127. Anthony Devis (1729-1817) Landscape with distant view of Lincoln Cathedral Pen, ink with grisaille and cream watercolour 30.5 x 43cm; 12 x 17in £300-500

129. Daniel Orme (c.1766-1832) After George Morland Morning or the Higlers Preparing for Market Engraving 44 x 57cm; 17¼ x 22½in £70-100

128. Anthony Devis (1729-1817) Goodrich Castle on the Wye Signed with a monogram Watercolour over sepia ink 31.5 x 47cm; 12½ x 18½in £150-250

130. Daniel Orme (c.1766-1832) A farmyard in Cheshire Signed and dated 1821 Watercolour on buff paper 19.5 x 36cm; 14 x 7½in £400-600


Lots 121 to 175 - The Collection of a Gentleman 131. George Barret (c.1767-1842) A view of Carthage Signed and dated May 1831 Watercolour 41 x 58cm; 16 x 23in £1,000-1,500 132. George Barret (c.1767-1842) Cattle and sheep at sunset Watercolour with scratching out 14 x 21.5cm; 5½ x 8½in £200-400

131

132

133

133. John Glover (1767-1849) South Wingfield Manor, Derbyshire Signed and titled verso Watercolour 25 x 36cm; 10 x 14in £600-800 134. John Glover (1767-1849) Valle Crucis Abbey Grisaille watercolour 25 x 36cm; 10 x 14in £800-1,000

134

29


30

Lots 121 to 175 - The Collection of a Gentleman

136

135 135. Joseph Powell (1780-1834) Figure by a thatched barn and church Signed Watercolour 44 x 59cm; 17½ x 23¼in Provenance: Abbott & Holder, London £200-400

136. Joseph Powell (1780-1834) Study of a rock in the Lake District Inscribed Near Ambleside Watercolour 14.5 x 19.75cm; 5½ x 7¾in £200-400

137

138 137. Joseph Powell (1780-1834) Near Esher, Surrey Signed and dated 1822 Watercolour 13 x 19.5cm; 5 x 7¾in Provenance: Abbott & Holder, London £150-200

139 138. Joseph Powell (1780-1834) Rydal water, Cumbria Inscribed At Rydal Watercolour 20 x 27cm; 8 x 10½in Provenance: A. W. Payne Thomas Agnew & Sons Ltd., London, No. 37035 £50-80

139. Joseph Powell (1780-1834) Bishop’s Palace, Wells Signed Watercolour 31 x 46cm; 12 x 18in Provenance: Sanders, 1969, lot 19 £50-100


Lots 121 to 175 - The Collection of a Gentleman

140

141

140. Robert Hills (1769-1844) Cattle watering by a farmstead and hay barn Watercolour 39 x 49cm; 15¼ x 19¼in £600-900 141. Robert Hills (1769-1844) Deer in a clearing by a river Watercolour 38 x 49cm; 15 x 19¼in £500-800 142. Robert Hills (1769-1844) Twilight, Turnip Field Titled verso Watercolour 10.5 x 16cm; 4 x 6¼in Provenance: John Garle Abbott & Holder, London Exhibited: Thomas Agnews Ltd. A larger version of this subject can be found in the Oldham City Art Gallery, 1819 £100-200 143. Robert Hills (1769-1844) The path through the wood Watercolour 11.5 x 8.25cm; 4½ x 3¼in Provenance: Thomas Agnew & Sons, Ltd., London, No. 23570 £100-150

142

143

144. Robert Hills (1769-1844) Sketches of street life in Ghent and Amsterdam Both inscribed possibly by a different hand Both pencil and watercolour 14.5 x 24cm; 5¾ x 9½in and similar (2) Provenance: Sir Bruce Ingram Collection Thomas Agnew & Sons, London, No. 31937 & 31939 Nicholas Bowlby, Tunbridge Wells These studies were used for plates 20 and 36 of Sketches in Flanders and Holland £400-600

144

31


32

Lots 121 to 175 - The Collection of a Gentleman 145. David Cox Snr. O.W.S. (1783-1859) Cader Idris and Mynydd Moel with figures harvesting in a meadow on the Mawwdach near Dolgellan, c.1840 Pencil and watercolour 25.5 x 37cm; 10 x 14½in Provenance: Abbott & Holder, London £2,000-3,000 146. David Cox Snr. O.W.S. (1783-1859) Figures by a cottage on a moor Signed Watercolour 25 x 35cm; 10 x 13¾in £1,200-1,500

145

147. David Cox Snr. O.W.S. (1783-1859) Figures by a lock gate Watercolour with conte 17 x 23.5cm; 6¾ x 9¼in £400-600 148. David Cox Snr. O.W.S. (1783-1859) Cattle in an unfinished river landscape Sepia watercolour over pencil 18 x 26cm; 7 x 10¼in £400-600 149. David Cox Snr. O.W.S. (1783-1859) Outskirts of the forest, said to be a study for The Frightened Flock in Birmingham City Art Gallery Watercolour 9 x 14cm; 3½ x 5½in Provenance: Holbrook Gaskell Collection The Fine Art Society Ltd., London, April 1957 £200-400

146

147

148


Lots 121 to 175 - The Collection of a Gentleman

149

150. David Cox Snr. O.W.S. (1783-1859) Figures in a hilly landscape Signed indistinctly with initials Watercolour 25 x 35cm; 10 x 13¾in £500-800

150

151

152

153

154

151. David Cox Snr. O.W.S. (1783-1859) Figure on a path by a windmill Signed and dated 1850 Watercolour over pencil 20 x 27.25cm; 8 x 10¾in £300-500

152. David Cox Snr. O.W.S. (1783-1859) Figures in a landscape with a bridge and buildings beyond Signed indistinctly Sepia watercolour 18.5 x 27.5cm; 7¼ x 10¾in £200-400

153. David Cox Snr. O.W.S. (1783-1859) A family fishing Signed and dated 1847 Watercolour 15 x 21cm; 6 x 8¼in £200-400

154. David Cox Snr. O.W.S. (1783-1859) Tal y bont Inscribed with artist’s directions Pencil 18 x 26.5cm; 7 x 10½in £100-200

33


34

Lots 121 to 175 - The Collection of a Gentleman

155

156

157

158

159 155. Myles Birket Foster R.W.S. (1825-1899) Sleeping shepherd and sheep in a landscape Studio stamped Watercolour over pencil heightened with white 15 x 20.5cm; 6 x 8in Provenance: Laurence Oxley, Alresford £600-800

156. James Bourne (1773-1854) A ramshackle house by a ruined Abbey, c.1820 Watercolour 44 x 61cm; 17½ x 21in Provenance: Abbott & Holder, London £300-500 157. Job Bulman (1745-1818) Figures by a castle Watercolour 23 x 33.5cm; 9 x 13in £100-200

160 158. William Woollett (1735-1785) A country church Watercolour 14.5 x 19cm; 5¾ x 7½in £150-200 159. Francis Nicholson (1753-1844) Figure by a cascade in Yorkshire Watercolour 54 x 89cm; 21¼ x 35in £300-500

160. Mark Fisher R.A. (1841-1923) Cattle in a tree-lined meadow Signed with initials Watercolour 27.5 x 43.5cm; 10¾ x 17in Provenance: The Fine Art Society Possibly a view near Stockbridge, Hampshire where the artist lived £200-300


Lots 121 to 175 - The Collection of a Gentleman

161

162

163 161. Peter de Wint O.W.S. (1784-1849) Still life of pots in a basket Watercolour 21 x 25cm; 8¼ x 9¾in Provenance: Appleby Brothers Ltd., London, Spring Exhiition 1961, Ref. 1749.86.RI £500-800 162. Peter de Wint O.W.S. (1784-1849) Penryn Castle, near Bangor Watercolour 36 x 56cm; 14 x 22in £600-800

163. Nicholas Pocock (1740-1821) Tintern Abbey from across the river Wye; North Wales between Llangollen and Corwen Two, the latter inscribed verso by the artist Both watercolour 40.5 x 57cm; 16 x 22½in and similar (2) Provenance: Abbott & Holder Ltd., London £800-1,200 164. Nicholas Pocock (1740-1821) Fishermen by a waterfall Watercolour 38 x 57cm; 15 x 22½in £150-200

164

35


36

Lots 121 to 175 - The Collection of a Gentleman

165 165. Thomas Hearne (1744-1817) The Dimity House in Regent’s Park, London, c.1795 Pencil on blue/ grey paper 20.25 x 15cm; 8 x 6in £150-200

166

166. Atributed to Joseph Mallord William Turner R.A. (1775-1851) Castle in the Tyrol, Schloss Haderburg Watercolour 26 x 20cm; 10¼ x 8in Provenance: Label verso Lot 17 Castle in the Tyrol by J.M.W. Turner bought at Messrs Forsters’ Sale on March 31/58 by J. Wykeham Archer Letter verso from John Burnet to J. Armstrong of Newcastle attributing the painting to Turner dated April 27th 1858 £400-600

167

168

167. After Sir Anthony Van Dyck Portrait of Inigo Jones (1573-1652) Pen, ink and wash 14.5 x 12cm; 5¾ x 4¾in With watermark PBL HAYNIA £50-80

169

168. Manner of Hans Vredeman de Vries Architectural capriccio Grisaille watercolour on grey paper 38.5 x 24.5cm; 15 x 9½in £50-80 169. Moses Harris (1731-c.1785) A study of butterflies and caterpillars Watercolour over pencil 28 x 21cm; 11 x 8¼in £150-250


Lots 121 to 175 - The Collection of a Gentleman

170

171

170. Thomas Sunderland (1744-1828) Windsor Castle, North Terrace Signed and inscribed Pen, ink and watercolour 14.5 x 19.75cm; 5¾ x 7¾in £200-300

172. Henry Gilder (1743-1808) Elegant figures and a gamekeeper by a country house Watercolour 22.5 x 43cm; 9 x 17in £200-400

171. Joshua Cristall (1767-1847) Children gathering firewood in a landscape Watercolour 33.5 x 44.5cm; 12 x 17½in £100-130

173. John Warwick Smith (1749-1831) Fishermen on the bend of a river, a castle beyond Watercolour 10 x 19.5cm; 4 x 7¾in £100-200

172

174

37

174. Dutch School 17th Century Battle ships at sea Pencil and watercolour heightened with white 12.25 x 21cm; 5 x 8¼in £40-60 175. The Master of the Wire Line c.1800 A view of a farmstead Pen, ink and watercolour 15 x 28cm; 6 x 11in Provenance: Michael Bullivant, Winchester Dudley Snelgrove (British Museum & Paul Mellon Foundation) £100-150

173

175


38

WATERCOLOURS

176

177

176. Cherubino Alberti (Italian 1553-1615) Studies of St John the Baptist carrying a crook and other studies Pen and brown ink 26 x 19cm; 10¼ x 7½in Provenance: Christie’s South Kensington 10th December 2004 lot 308, from the Property of the late Peter Lerwill £200-300

178. Follower of Michel Corneille II The Ascension Pen and ink and brown washes, unframed 25 x 60.5cm; 10 x 23¼in Provenance: Sotheby’s Mentmore Sale, Dalmany House 1977 £300-500

177. Dutch School 18th Century Study of a man and a sleeping dog Sanguine on paper 15.5 x 9cm; 6 x 3½in £150-250

179. French School 18th Century Two putti with a globe and telescopes Inscribed L’Astronomie Red chalk 18 x 24cm; 7 x 9½in £200-300 180. Thomas Rowlandson (1756-1827) Fisherfolk on the shore in Cornwall Pen, ink and wash 14 x 22.5cm; 5½ x 9in £400-600

178

179

180


39

181

182

181. James Ward R.A. (1769-1859) Portrait of the Cossack Tamorfait Carnborlof Signed, dated July 1814 and inscribed Cossack/Tamorfait Carnborlof/King Street Barracks also inscribed It was stated that this man killed 14 Frenchmen one morn. 9 before breakfast Pencil, inscribed in ink 28.5 x 22cm; 11¼ x 8½in Provenance: A study for a figure in an oil painting commissioned by the Duke of Northumberland titled Portraits of Prince Platoff’s favourite charger and of Four of his Cossacks exhibited R.A. 1815 (no.148). Ward depicted this soldier on at least two other occasions. There is a drawing of him in the Fitzwilliam Museum, Cambridge and another in the collection of the Duke of Wellington £3,000-5,000 182. French School 19th Century Portrait of Napoleon Bonaparte Pencil on buff paper 10.75 x 8.5cm; 4 x 3¼in £400-600 183. English School 18th Century Portrait of a lady, a Bath Beauty Pastel, in a carved William Kent style frame 60 x 44cm; 23½ x 17¾in £600-1,000

183


40

184 184. William Payne R.W.S. (1760-1830) Figure studies of fishermen, labourers and others Grisaille watercolour 26 x 46cm; 10¼ x 18in £200-300 185. Antonio Senape (Italian 1788-1850) Veduta di Pozzuoli Titled verso Pen and ink 16.25 x 27cm; 6½ x 10½in £150-250

185 186. Follower of Isaac Cruikshank Boxing, sparring partners Signed with initials verso also inscribed Sketch at Westminster Baths, Ben Caunt the English Champion 6’2”, 16 stone versus Charles Freeman the American 6’10”, 19 stone and dated 1842 verso Watercolour over pencil 15.5 x 22cm With two cutout watercolours of boxing matches by J.D. Nicholson, c.1860 (3) £200-300

186

187

188

189

187. Reverend Thomas Kerrich (1748-1828) The Deposition Chalk and grey wash 40.5 x 47.5cm; 16 x 18¾in Provenance: Abbott & Holder Ltd., London Sotheby’s, 21.3.89, lot 136 £300-400 188. William James Muller (1812-1845) A Turkish peasant tent in Lycia Watercolour 31.5 x 47cm; 12½ x 18in Provenance: H. J. Johnson’s collection stamp Albany Gallery, London £300-400 189. Thomas Daniell R.A. (1749-1840) An Indian river craft Pencil with grisaille wash 11.5 x 14cm; 4½ x 5½in Provenance: Sabin Galleries, London £100-150


41 190. School of Sir Thomas Lawrence P.R.A. Portrait of Sir Thomas Moore Watercolour over pencil 28.5 x 20.25cm; 11 x 8in This drawing relates to Lawrence’s unfinished oil of Sir Thomas Moore, which was commissioned by the publisher John Murray and exhibited at the Royal Academy in 1830, No. 136 (see Kenneth Garlick, Sir Thomas Lawrence, 1989, p.240, no.575). £2,000-3,000

190

192 191. Attributed to Ozias Humphry (1742-1810) Portrait of Ozias Thurston Linley (1765-1831) Black and white chalk on blue paper 25 x 19cm; 9¾ x 7½in For a similar image, see the pastel of the same sitter at Dulwich Picture Gallery attributed to Sir Thomas Lawrence. £700-900

191

193 192. David Roberts R.A. (1796-1864) The gates to the Cloisters, Aberbrothock - Arbroath Abbey Signed, titled and dated Sept. 19th, 1848 Pencil and wash 34.5 x 25cm; 13½ x 10in £200-300

194 193. Follower of Jacob Bogdani Exotic birds in a picturesque park Gouache 15.75 x 12.5cm; 6 x 5in With another similar of chickens in a landscape possibly over a print, framed as a pair (2) £250-350

194. George Morland (1763-1804) A farm hand with pigs Charcoal on paper 45 x 34cm; 17¾ x 13½in £250-350


42

195

197

196 195. English School 19th Century A busy beach scene by white cliffs Watercolour 15 x 22.5cm; 6 x 9in £100-150

198. Henry Barlow Carter (1803-1867) Scarborough Signed and titled Watercolour with scratching out 31 x 46cm; 12 x 18in £300-500

196. Peter de Wint O.W.S. (1784-1849) A bridge in a landscape by a windmill Watercolour 22 x 31.25cm; 8¾ x 12½in £400-600

199. Mary S. Hagarty (fl.1882-1938) A town in Provence Signed and dated 89 Watercolour 29 x 39cm; 11½ x 15¼in £150-250

197. Charles L. Saunders (?-1915) Highland lake scene Signed Watercolour 71 x 118cm; 28 x 46½in £150-250

198

199

200

200. English School 19th Century A mother and daughter by a stream and mill Watercolour 32 x 42cm; 12¼ x 16½in £150-250


43 201. Francis Grose (c.1731-1791) Figures by the city wall, Canterbury Part label verso Pen, ink and watercolour on paper laid on linen, unframed 33 x 33cm; 13 x 13in £100-150 202. Edward Dayes (1763-1804) A view of Priory Church, Tynemouth Titled and dated 1849 verso Watercolour 39 x 27cm; 15¼ x 10½in Exhibited: The Picturesque tour in Northumberland & Durham 1720-1830, Laing Art Gallery, Newcastle, 3.5.82 Literature: Country Life, May 6, 1982, p.124 £250-350 203. Follower of Rosalba Carriera A young woman winding thread Inscribed on a label verso Ancestor of Pat Hutton (née Nadin) first wife of Guy Edward Scrase-Dickins, Father of Jane Lemon 63 x 52.5cm; 25 x 20½in £300-500

201

202

204. Samuel Prout (1783-1852) Fishermen by a river, ruins beyond Signed Watercolour 28 x 36cm; 11 x 14in £100-150 205. George Robertson (1748-1788) Bulwell Park, Nottingham Watercolour 17 x 21cm; 6¾ x 8¼in £100-150

203

204

205


44

206

207

206. Richard Simkin (1840-1926) Studies of Officers in uniform including the Queen’s Own Hussars; Imperial Yeomanry; Bengal Horse Artillery; Royal Bucks Hussars 9, one signed All watercolour and bodycolour, 3 unframed 14 x 10cm; 5½ x 4in and similar (9) £350-450

207. Clara Maria Pope (c.1750-1838) Still life of flowers with a bird’s nest Watercolour 45 x 48.5cm; 17¾ x 19in £200-400

208 208. Charles Hayle (19th Century) Brown nun pigeon; Common Heron Two, both signed and titled Both watercolour 18 x 22.5cm; 7 x 9in and similar (2) £200-300 209. Anton Zampis (Austrian 1820-1883) The coach ride Signed Watercolour 24.5 x 48cm; 9½ x 11in £150-250 210. Julius Godet (act.1844-1884) Quarr Abbey and Near Binstead, both Isle of Wight A pair, both watercolour Each 16.5 x 24cm; 6½ x 9½in (2) £150-200

209

210

211. Bristol School 19th Century Bristol docks with St. Mary’s Redcliffe in the distance Watercolour over pencil 33.5 x 51cm; 13 x 20in £200-300

211


45 212. Nicholas Pocock (1740-1821) Shipping off the coast with figures landing on the shore Signed and dated 1787 Watercolour 43 x 66cm; 17 x 26in £700-1,000 213. Francis Nicholson O.W.S. (1753-1844) Tintern Abbey, Monmouthshire Watercolour 24.5 x 39cm; 9¾ x 15¼in Provenance: Thomas Agnew & Sons, London Abbott & Holder, London, Nov. 2005 £300-500 214. Lewis B. Shepherd (Exh.1844-1975) Pine tree with a group of deer Signed Watercolour 59 x 47cm; 23¼ x 18½in £200-300

212

215. David Cox Snr. O.W.S. (1783-1859) Figures on a moor Signed Watercolour 15.5 x 25cm; 6 x 10in Provenance: Frost & Reed, Bristol, No. 522 and No. 634 £300-500 216. David Cox Snr. O.W.S. (1809-1885) Solitary artist painting in a landscape Signed Watercolour over black chalk and pencil 32.5 x 50cm; 13 x 19¾in Provenance: Anthony Lester, Wallingford, Dec. 1968 £200-300

215

213

214

216


46

217

218

219 219. Harry Bright (1846-1895) Study of a pink cockatoo; Study of a black cockatoo A pair, both signed and dated 1868 Both watercolour with bodycolour and gum arabic on brown paper Each 23.5 x 16cm; 9¼ x 6¼in (2) £200-300

217. Charles Landseer R.A. (1799-1879) Maria of Moulines Signed indistinctly Watercolour 46.5 x 33cm; 18¼ x 13¼in £300-500 218. Emily Barnard (fl.1885-1905) Phyllis; Emma A pair, both signed and titled Both pencil, oval Each 12.5 x 8cm; 5 x 3in (2) £150-200

220. Lucy Bentley Smith (b.1834, Exh.1881-1914) The bunch of daffodils Signed Pencil and watercolour on grey paper 27 x 14.25cm; 10½ x 5¾in £120-180

220

221

221. William Clarkson Stanfield R.A. (1793-1867) St Michael’s Mount; Fishing boats at low tide A pair, both signed Both Watercolour Each 28 x 40cm; 11½ x 15¾in (2) £500-800


47

222

223

222. Edward Lear (1812-1888) A cottage by a stream Signed and dated May 16th 1839 Pencil, unframed 25.25 x 36.75cm; 10 x 14½in Provenance: Captain (later Admiral) R.A Oliver, served in New Zealand, and the south seas, in the late 1840s and early 1850s, charting the waters, particularly that of Queen Charlotte’s Sound in the north of the South Island. By descent. Edward Lear went to Italy in July of 1837 for 10 years, soon after these sketches were drawn. £500-700 223. Edward Lear (1812-1888) Study of Ash Signed, titled and dated 1837 Pencil, unframed 25.25 x 36.75cm; 10 x 14½in Provenance: See lot 222 £600-800 224. James Johnson (1803-1834) Lower Berkeley Place from Bellevue, Clifton, Bristol Signed and titled verso Pencil and watercolour 32.75 x 28cm; 12¾ x 11in Provenance: Andrew Wyld, London, Spring Exhibition 1982 David Nisinson Fine Art, New York £1,200-1,800

224


48 228. David Cox Snr. O.W.S. (1783-1859) Calais Harbour and sands Watercolour 15.5 x 23.75cm; 6 x 9¼in Provenance: Spink & Sons Ltd., London, K3/2;604 Maurice Edward Dear, Southampton £500-800 225

226

227 225. Paul Constant Soyer (French, 1823-1903) Looking after baby Signed Watercolour on pale buff paper 17.5 x 14.5cm; 7 x 5¾in £100-150

228

226. Ewan Geddes (Scottish, 1866-1935) Winter in Blairgowrie, Scotland Signed Watercolour 35 x 29.5cm; 13 x 11½in £200-300 227. Charles Edouard Frère (French, 1837-1894) Tying off the stitch Signed and dated ‘74 Watercolour over pencil, on buff paper 17.5 x 14.5cm; 7 x 5¾in £100-150

230. William Boase-Smith (1842-1896) An album of small views of Cornwall Album signed, images all titled All monochrome watercolour 26.5 x 22.5cm; 10½ x 9in (album size) (approx. 39 views) This artist painted mainly in the Falmouth area and there are works by him in the Falmouth Art Gallery £100-200 231. William Cannon (1840-?) Shipping in the Channel; Shipping off an English port, both c.1900 A pair, both signed Both watercolour 17 x 37cm; 6¾ x 14½in (2) Provenance: Selective Eye Gallery, Jersey, Channel Islands, March 1986 £250-400

229

230

229. Martin Snape (1852-1930) Gosport from Portsmouth Harbour with HMS Victory afloat Signed and dated 1910 Watercolour 27 x 47cm; 10½ x 18½in Provenance: Richard Martin Gallery, Gosport £300-500

231


49

232

233

234

235

232. English School late 19th Century Fishing boats by a jetty and lighthouse in a swell Watercolour 54 x 83cm; 21¼ x 32¾in £300-500 233. William Collingwood Smith (1815-1887) Bridge near Watersmeet Devon Signed, titled and inscribed on the reverse Watercolour 33 x 49cm; 13 x 19¼in With a further watercolour by the same hand of Snowdonia, 16 x 50cm (2) £300-500 234. David Green R.I. (1854-1917/18) A tidal pool on the coast Signed Watercolour 44 x 56cm; 17 x 22in £200-300

236 235. William Gershom Collingwood (1854-1932) Coniston Old Man from top of Lave Crags, mist clearing Signed and dated 24.2.15, also signed, titled and dated verso Watercolour heightened with white 34 x 48.5cm; 13¼ x 19in £300-500

236. Attributed to Henry Thomas Alken (1785-1851) Over fence and ditch; Breaking cover A pair, both pencil and watercolour Each 24.5 x 41cm; 9½ x 16in (2) Provenance: Arthur Ackermann & Son Ltd., London £150-250


50

237

238 237. Basil Bradley (1842-1904) Retrievers at work; A pony and foal on the coast A pair, both signed and dated 1872 Both watercolour £600-800

238. James Whaite (act.1850-1916) A glacier in the Selkirk’s, British Colombia Signed Watercolour 44.5 x 62cm; 17½ x 24¼in £200-300

240

239 239. Wilmot Pilsbury R.W.S. (1840-1908) Path through the wood Signed and dated 1902, also titled on a label verso Watercolour 26 x 37cm; 10¼ x 14½in £200-300

240. Martin Snape (1852-1930) Sheep in a meadow by a river, a town beyond Signed Watercolour 30.5 x 45cm; 15 x 17¾in £200-300

241

241. Alma Claude Burton Cull (1880-1931) Sea views Two, both signed Both watercolour, unframed 13 x 19cm; 5 x 7½in and similar £80-120


51

242 242. Louis Block (1879-1909) Trompe l’oeil still life of antiquarian books with a globe and spectacles; Trompe l’oeil still life of antiquarian books on a table A pair, both signed Both watercolour heightened with gum arabic Each 31 x 50cm; 12¼ x 19¾in (2) £3,000-5,000


52

243

244

245

246

247

248

243. Godfrey Rivers (Australian 1859-1925) A wagon train; Italian scene Two, both watercolour 10 x 18cm; 4 x 7in and similar (2) £120-180 244. Charles Rowbotham (1856-1921) Old Cottage at end, Aldeburgh, Suffolk Signed and inscribed Watercolour 19.5 x 44cm; 7¾ x 17¾in £300-500

245. William Callow R.W.S. (1812-1908) Near Petersfield Signed with initials, titled and dated July 20th 1851 Watercolour 21.25 x 32.75cm; 8¼ x 12¾in £150-200 246. Thomas Leeson Rowbotham (1782-1853) Fishermen on a lake, a town beyond Signed with initials and dated Jun 1846 Conte heightened with watercolour 19.5 x 29.5cm; 7¾ x 11¾in £100-150

247. Charles Edward Brittan (1837-1888) East Dart Valley, Dartmoor Signed, also titled and dated 3.2.66 Watercolour 35.5 x 53cm; 14 x 21in £250-350 248. Continental School 19th Century Travellers with cattle on a river bridge, a castle beyond Watercolour 45 x 68cm; 17½ x 27in £300-500


53 249. Edward Henry Corbould (1815-1905) The ring Signed and dated 1841 Watercolour 29.5 x 21cm; 11½ x 8¼in This is the original artwork used to illustrate ‘The Ring’ published within the 1842 edition of ‘The Keepsake’ and depicts Sir Robert Carey asleep in an inn as a young Scottish girl steals the ring that he was to present to James I as evidence that Queen Elizabeth had died £300-500 250. Walter John Knewstub (1831-1906) Portrait of the Artist’s wife, Emily Renshaw Signed with a monogram Pencil 28 x 24cm; 11 x 9½in £200-300 251. Luigi Cicercia (Italian 1885-1943) The Cardinal’s portrait Signed and inscribed Roma Watercolour 55 x 37cm; 21½ x 14½in Provenance: Private Collection, Somerset £250-350

249

250

251

252. Robert Edward Morrison (1852-1925) A young Greek Signed and dated 1890 Watercolour 49.5 x 34cm; 19 x 13in £1,000-1,500 253. Thomas Faed R.A., H.R.S.A. (Scottish 1826-1900) The young hopeful Signed and dated 1864 Grisaille watercolour 25 x 26cm; 10 x 14in £150-250 254. A. Fussell after Edward Matthew Ward Alice Lisle Being Arrested by Colonel Penruddock Signed and inscribed Watercolour 33 x 42cm; 13 x 16½in £250-350 252

253

254


54 259. Alfred William Parsons R.A. (1847-1920) Swallows over the Thames Signed and stamped Grisaille watercolour with bodycolour 23 x 15.5cm; 9 x 6in £250-350

255

256

255. Edward Killingworth Johnson (1825-1896) Portrait of a lady, possibly Hannah, the artist’s wife Signed with initials and dated 1869 Watercolour with bodycolour 26.5 x 19cm; 10½ x 7½in £200-300

257

256. Mary Elizabeth Duffield (1819-1914) Still lifes of flowers in vases A pair, both watercolour with gum arabic Each 12.5 x 9cm; 5 x 3½in (2) Provenance: Artist’s family Fine-Lines Fine Art, Warwickshire £150-250

257. Attributed to William Henry Hunt (1790-1864) Studying hard Watercolour 33 x 22cm; 13 x 8¾in £300-500 258. Louisa Marchioness of Waterford (1818-1891) ‘As you like it’ act II, scene VII Orlando bearing Adam Watercolour 23 x 44cm; 9 x 17½in Provenance: The Countess of Pembroke 1907 Exhibited: West Ham Free Picture Exhibitions Easter 1897, no. 14 £200-300

260. Joseph Bell & Son Studio (1840-1996) Christ preaching and healing the sick, a design for a stained glass window in Bath Abbey, 1865 Pen, ink and watercolour 44 x 32.5cm; 17¼ x 12¾in Provenance: Moss Galleries Bell Studio Exhibited: The Maas Gallery, 1998, No. 2 £250-450 261. Nelson E. Dawson (1859-1941) A girl in a bluebell wood Signed with a monogram and dated 1893 Watercolour 22.5 x 18.5cm; 9 x 7¼in £150-200

258

259

260

261


55

262 262. Nico Jungman (Dutch 1872-1935) Dutch ladies knitting in traditional dress Signed Watercolour and bodycolour 56 x 84cm; 22 x 33in £2,000-3,000

263. Léon Augustin L’Hermitte (French 1844-1925) Haymaking, Messy, Seine-et-Marne, France Signed with initials Pastel on buff paper 23.5 x 30.5cm; 9¼ x 12in Provenance: Thomas Agnew & Sons, London, No. 31300 £500-800

263

264. Sir George Clausen R.A. (1852-1944) Cottages on the hill above the artist’s house Signed Watercolour 24 x 30cm; 9½ x 11¾in Provenance: Exhibited Royal Academy, 1943, No. 542 £200-300

264


56

265 265. William Lionel Wyllie R.A. (1851-1931) The Isle of Arran from the Isle of Bute, Firth of Clyde, Scotland Signed and dated 1913 Watercolour 22.5 x 42.5cm; 9 x 16¾in Provenance: Richard Martin, Gallery, Gosport £600-800

266. William Lionel Wyllie R.A. (1851-1931) An archive of documents related to the artist and seven small sketches of boats, a harbour scene and a crane All pencil 20 x 14cm; 8 x 5½in and smaller With one of Sladhius, Haarlem by Harold Wyllie (8 + folders) £400-600

266 267. Jacob Maris (Dutch 1837-1899) Boats in a harbour Signed Watercolour 10.25 x 14cm; 4¼ x 5½in Exhibited: Amsterdam September 1942 Thomas Agnews and Sons No 28377 £150-250 268. E. H. Morton (19/20th Century) A coastal view Signed Watercolour 26 x 36cm; 10 x 14in £80-120

269. Frederick Joseph Butler Lines (c.1847-1921) Thunderstorm passing over the Black Country - Sunset Signed and titled on original mount, inscribed verso A thunderstorm, passing over the black country very faint sheet lightening was seen and distant thunder heard June 26, 1878 at sunset/very hot weather 20 years since it was so hot in June refer to Daily Post Pencil with watercolour 27 x 37.5cm; 10½ x 14¾in £100-150 270. James Hughes-Clayton (fl.1891-1929) South West Gale, Colwyn Bay Signed Watercolour 29 x 45cm; 11½ x 17¾in £120-180

267

269

268

270


57

271

271. James Baker Pyne (1800-1870) Hauling in the nets Signed and numbered 393 6/ Watercolour heightened with bodycolour 36.5 x 68cm; 14½ x 26¾in £700-1,000 272. Clarkson Stanfield R.A. (1793-1867) Towards St. Pietro de Castello, Venice Signed with initials and dated 1846 Watercolour with gum arabic 17 x 23.5cm; 6¾ x 9¼in £400-600 273. Luigi Maria Galea (1847-1917) Sailing boat, Valetta, Malta Signed Gouache 27 x 18cm; 10½ x 7in £300-500

272

274. Rose Emily Stanton (1838-1908) Pink fungi on a log; Sundew plants on a forest floor Two, both signed and dated 189* Both watercolour 18 x 24cm; 7 x 9½in and 13.5 x 21cm; 5¼ x 8¼in (2) £100-150 275. Elizabeth Adela Stanhope Forbes (1859-1912) Study of the Cornish Coast Signed with a monogram Watercolour 19.5 x 30.5cm; 7¾ x 12in Provanence: Chomé Fine Art, Sherborne £400-600

273

274

275


58

276

277

278

276. Frank Richards (1863-1935) Country cottage steps Signed Watercolour 31.5 x 26cm; 12½ x 10¼in £150-250 277. Florence E. Sherrard (exh. 1884-1895) Study of a head for Saint Sebastian Signed and titled on artist’s label verso Pastel 40 x 30cm; 16 x 12in £300-500

279

278. Edouard Charles de Beaumont (French 1812-1888) Un pierrot qui cherche a faire son nid Signed with initials and titled Pencil and wash heightened with white 25.5 x 18.5cm; 10 x 7¼in With a print titled Triomphe de la Fantasie by the same hand (2) £150-250 279. ‡ Kate Greenaway R.I. (1846-1901) Children with a goat and cart; Teasing crabs A pair, both signed with initials Pen, ink and watercolour on buff paper Each 5.5 x 7.5cm; 2¼ x 3in approx. (2) £700-1,000 280. ‡ Edward Julius Detmold (1883-1957) Still life of roses with a Chinese jade, tasselled pendant Signed with a monogram, also inscribed Roses and dated 92 verso Gouache, unframed 33 x 50cm; 13 x 19¾in £300-400

280


59 281. Anton Mauve (Dutch 1838-1888) Bringing the sheep into the fold at dusk Signed Watercolour 70 x 40cm; 27½ x 15¾in £600-800 282. Herbert James Draper (1864-1920) Study for Tristram and Yseult, c.1901 Black and white chalks on buff paper 53.5 x 29.5cm; 21 x 11½in Provenance: Hartnoll, London Maas Gallery, London £1,000-1,500

281

283 283. Attributed to James Abbott McNeill Whistler (American 1834-1903) Fishing Village No. 14 (landscape with ruin) Inscribed with a device Pastel 11 x 18cm; 4¼ x 7in Provenance: Nordness Madison Gallery, New York £150-200

282

284 284. Attributed to James Abbott McNeill Whistler (American 1834-1903) Landscape Nocturne 5 Inscribed with a device Pastel 11 x 14cm; 4¼ x 5½in Provenance: Nordness Madison Gallery, New York £150-200


60 285. Charles Napier Hemy R.A. (1891-1917) The Old Warship H.M.S. Ganges Signed with initials and dated 1841, also signed and titled on a label verso Watercolour 41.5 x 53.5cm; 6¼ x 21in H.M.S. Ganges was an accommodation vessel for the Royal Navy and was moored off Falmouth when this was painted. In 1899 she was refitted in Devonport and moved to Harwich and in 1904 she was moved to Shotley off the Suffolk coast. £2,000-3,000

285 286. James Thomas Watts R.C.A., R.B.S.A. (1853-1930) A quiet grey day Signed Watercolour 32.5 X 58cm; 12¾ x 23in £1,000-1,500

286


61

287 287. James Thomas Watts, R.C.A., R.B.S.A. (1853-1930) Birch trees by a pool Signed Watercolour 31.5 x 38cm; 12½ x 15in £200-300

288 288. Archibald Thorburn (1860-1935) Study of a weasel Signed with initials and dated 1884 Watercolour on buff paper, unframed 30 x 17.75cm; 11¾ x 7in £3,000-5,000

289. Archibald Thorburn (1860-1935) A Grey Partridge in a landscape Signed Watercolour on buff paper 33 x 33cm; 13 x 13in £1,000-1,500

289


62

290

291

290. Thomas Collier (1840-1891) Bolton Castle, Yorkshire with Wensleydale beyond Signed Watercolour 60 x 90cm; 23½ x 35½in Provenance: Bonham’s, London, 25 June 2002, Lot 102 £400-600 291. ‡ Wycliffe Egginton (1875-1951) Cottage on a loch, a mountain beyond Signed Watercolour 26 x 35.5cm; 10½ x 14in £200-300

292. Thomas Bunting (Scottish 1851-1928) Scottish views Set of three, all signed All watercolour 21.5 x 34cm; 8½ x 13¼in (3) £200-300 293. Albert Goodwin R.W.S. (1845-1932) A beach Watercolour over pencil on buff paper 17 x 24.5cm; 6½ x 9¾in Provenance: Lyndon Goodwin Harris Collection Sarah Colegrave, London £200-300

294. Louis Van Staaten (Dutch 1836-1909) River scenes with windmills Two, both signed Both watercolour 60 x 40cm; 23½ x 15¾in and similar (2) £300-400 295. Henri Joseph Harpignies (French 1819-1916) River landscape Watercolour 18 x 25cm; 7 x 10in £300-500

292

293

294

295


63

Lots 296 to 321 - The Private Collection of a Lady 296. Lester Sutcliffe (1848-1933) Pink peonies in a blue vase Signed Watercolour 22.5 x 27.25cm; 9 x 10¾in £100-150 297. ‡ Margaret Kemp-Welch (1874-1968) A cottage garden Signed Watercolour 26 x 35.5cm; 10 x 14in £150-250

296

297

298

299

298. William Kay Blacklock (1872-1924) Chambéry de Lac, near Grenoble, France Signed Watercolour 36 x 50.5cm; 14 x 20in £200-300

299. John Callow (1822-1878) Running before the wind Signed and dated 1845 Watercolour 41 x 63.5cm; 16 x 25in Provenance: The Leger Galleries, London, November 1966 £300-500

300

300. Lady Caroline Lucy Scott (1784-1857) Ham Lane, Richmond on Thames; Strathendry House, Leslie, Fife Two, both signed and titled Both watercolour 19 x 25cm; 7½ x 10in and smaller (2) £200-300

301. Lammert van der Tonge (1871-1937) The sewing lesson Signed Watercolour 30 x 40cm; 12 x 16in Provenance: Robertson & Bruce Ltd., Dundee £200-300

301


64

Lots 296 to 321 - The Private Collection of a Lady

302

303

304 302. ‡ George Belcher R.A. (1875-1947) Viewing the artist’s work, c.1920 Signed Pencil and watercolour 35.5 x 25cm; 14 x 10in £100-150 303. Alfred Parsons R.A. (1847-1920) Trees overhanging a lily pond Signed Watercolour 48 x 32cm; 19 x 12½in £300-500

305

304. Ethel Slade Gascoyne (c.1900) Portrait of Miss Dakin Signed and titled on a label verso Watercolour 89 x 66cm; 35 x 26in £250-350 305. Claude Hayes (1852-1922) On the edge of the New Forest Signed Watercolour 16.5 x 25cm; 6½ x 10in Provenance: The Horner Galleries, Sheffield, No. 10168 £150-250

306

306. Edmund Morison Wimperis (1835-1900) Peat gatherers with a horse and cart in a fenland landscape Signed with initials and dated 95 Watercolour 53 x 86cm; 21 x 33¾in £200-300


Lots 296 to 321 - The Private Collection of a Lady

307

308

307. Frederick William Scarborough (1860-1939) On the Thames at Blackwall Signed and inscribed Blackwall, London Watercolour 25 x 35cm; 10 x 13¾in £500-700 308. Circle of William Simpson Principal street in Varna, arrival of the staff Watercolour 21.75 x 31.25cm; 8½ x 12¼in An etching and description of this subject can be found in the Illustrated London News July 8th, 1854, p.9 The British went to Varna before going to the Crimea (in order to support the Turks in the Danube theatre). £400-600

309

309. ‡ Wladyslaw T. Chmielinski (Polish 1911-1979) Figures on snowy steps in Warsaw Signed Watercolour on buff paper 16 x 23½cm; 6¼ x 9¼in £80-120

310

310. Charles Edmund Rowbotham (1826-1921) River landscape with figures, possibly near Streatley on Thames Signed and dated 1899 Watercolour 12.5 x 19cm; 5 x 7½in £200-300

311

311. Frederick John Lees (act.1870-1900) Windsor from the Thames; Eton from the Thames A pair, one signed Both watercolour Each 11 x 16.75cm; 4½ x 6½in (2) £100-150

65


66

Lots 296 to 321 - The Private Collection of a Lady 312. Thomas Sewell Robbins (1810-1880) Fishing boats at low tide by a coastal town Signed Watercolour over pencil 32 x 48cm; 12½ x 19in £300-500 313. George Sidney Shepherd N.W.S. (1784-1862) Still life of holly and mistletoe with a vase Signed and dated 1853 Watercolour with bodycolour and gum arabic on buff paper 19 x 25.5cm; 7½ x 10in Provenance: Martyn Gregory, London £150-250 312

314. Francis R. Stock (act.1875-1884) A girl with a birdcage Signed Watercolour with bodycolour 35 x 24.5cm; 13¾ x 9½in £200-300 315. ‡ Samuel John Lamorna Birch R.A. (1869-1955) Institute de France, Paris Signed, titled and dated 1890 Watercolour 16 x 11.5cm; 6¼ x 4½in £120-180 316. ‡ Alexander MacDonald (20th Century) Chrysanthemums in a Wedgwood jug Signed Watercolour 28 x 21cm; 11 x 8¼in £150-250

313

314

315

316


Lots 296 to 321 - The Private Collection of a Lady

317

318

319

317. John Henry Mole (1814-1886) Figures resting by a river Signed and dated 1897 Watercolour 23 x 17cm; 9 x 6¾in £150-250 318. ‡ Francis Edgar Dodd R.A., N.E.A.C. (1874-1949) A view of Victoria, London Signed and dated 1906 Watercolour over pencil 22 x 23.5cm; 8½ x 9¼in Provenance: Marling Fine Arts, Woburn Abbey and Northwood £100-150

320

319. J.V.R. Parsons (act.1891-1914) A mother and child enjoying a spring day Signed Watercolour 29 x 24cm; 11½ x 9½in £100-150 320. Charles Edmund Rowbotham (1826-1921) Lake Orta Signed Watercolour with bodycolour 15 x 29cm; 6 x 11¼in £100-150 321. ‡ Alfred Fontville de Breanski (1877-1957) Ullswater, the Lake District Signed Watercolour 22 x 34.5cm; 8½ x 13½in Provenance: George Hughes, Newcastle, No. 434B £300-500

321

67


68

OIL PAINTINGS 322. After Rembrandt Harmensz van Rijn Young lady with a fan by a window Oil on canvas 106 x 84cm; 42 x 33in £400-600 323. English School 16th Century Portrait of a gentleman, head and shoulders wearing a high ruff Oil on panel, with a wax seal verso 30 x 23.5cm; 12 x 9¼in £500-800

322

324 324. English School 17th/18th Century Portrait of a gentleman, head and shoulders, wearing a wide ruff Oil on canvas, unframed 55 x 45cm; 21½ x 17¾in £150-250

323

325 325. Northern European School c.1700 Portrait of a lady, head and shoulders, wearing brown, with a lamb emblem on a red ribbon, in a painted oval Oil on canvas, unframed 79 x 67cm; 31 x 26¼in £200-300

326 326. Attributed to John Astley (1724-1787) Portrait of a gentleman wearing armour Oil on canvas 36 x 30cm; 14 x 12in £300-500


69

327. ‡ Italian School 18th Century Views of a fortified town by a lake A pair, both oil on canvas, oval in ornate foliate carved wood frames Each 27 x 36cm; 10½ x 14in (2) £4,000-6,000

327


70 328. English School 17th Century Portrait of Charles II; Portrait of a Gentleman Two, both oval, in carved wood frames Each 77 x 63cm; 30 x 25in (2) £1,000-1,500

328 329. Manner of Boneventura Peeters Shipwrecks on the coast A pair, both oil on board laid on panel, circular 18cm; 7in diameter (2) £150-250

329 330. Armand Lejeune (French 1865-?) Portraits of Marie Celestine and Jean Georges Fehleisen of Reutlingen Oil on canvas, oval Each 72 x 60cm; 28¼ x 23½in (2) Inscribed on stretcher with the names of the sitters and artist and that these are copies of the originals belonging to Docteur Ludewig £500-700

330


71

331

332

331. English School late 17th Century Portrait of a lady, seated, wearing pearls and holding a basket of flowers Oil on canvas in a carved wood frame 90 x 70cm; 35½ x 27½in £1,500-2,500 332. English School 18th Century Portrait of a young man wearing a decorative waistcoat and cravat, half length, in a landscape Oil on canvas in a fine carved wood frame 76 x 63cm; 30 x 24¾in £2,000-3,000 333. John Theodor Heins (1732-1771) Portrait of Rev Johnstone Oil on canvas 76 x 63cm; 30 x 25in £700-1,000

333


72 336. British School 18th Century A village skirmish Oil on canvas, in a carved wood frame 35.5 x 43cm; 14 x 17in £400-600

334

337. French School c.1800 Prize bulls with their owner and farmer in a landscape Oil on panel 46 x 61cm; 18 x 24in £500-800

335

334. Manner of Marmaduke Cradock A 19th Century painting of a peacock, chickens and ducks in a landscape Oil on canvas 64 x 74cm; 25 x 29in £400-600

338. Follower of Philipp Peter Roos, called Rosa de Tivoli Cattle and Sheep in a mountain landscape Oil on canvas 71 x 96cm; 28 x 38in Provenance: Frost and Reed 22nd January 1966 Ref: 13452 Collection of Lt. Colonel F. Norman Jeans £400-600

335. Circle of Pierre-Antoine Demachy The Louvre from the entrance to the Palais Royal Oil on panel 39.5 x 52cm; 15½ x 20½in £400-600

339. Follower of Bartolomeo Arbotori Still life of a basket of figs, a plucked bird and a plate of salami Oil on canvas 57 x 74cm; 22½ x 29in £500-800 336

337

338

339


73

340

341

340. Attributed to Catherine Read (1723-1778) Portrait of a girl, half length, standing leaning on a pillar wearing a blue dress, an embroidered robe and a lace bonnet Oil on canvas 71 x 59cm; 28 x 23in £1,500-2,500 341. Circle of Philippe Mercier Portrait of a lady with a boy playing a lute and a girl playing the triangle, an allegory of sound Oil on canvas 127 x 104cm; 50 x 41in £4,000-6,000 342. Benjamin Wilson (1721-1788) Portrait of a gentleman, half length, wearing a red coat in a painted oval Oil on canvas, in a carved wood frame 76 x 65cm; 30 x 25½in £1,000-2,000

342


74

343 343. After Fra Angelico, 19th Century Angels holding trumpets, details from the Linaiuoli triptych A pair, both tempera on panel in ornate carved giltwood tabernacle style frames 42.5 x 15.75cm; 16¾ x 6in (panels), 63 x 26cm; 25 x 10½in (frames) (2) £800-1,200

344 344. Continental School 18th Century Still lifes of flowers in a vase A pair, both oil on canvas laid on board, oval in carved wood frames Each 44 x 36cm; 17¼ x 14in (2) £400-600

345

345. Flemish School 18/19th Century Illustrations of the Flemish Proverbs in a lake landscape and an interior A pair, each depicting numerous proverbs Both oil on board with raised piecrust borders Each 28 x 46cm; 11 x 18in (2) £200-300


75 346. Hugh Barron (1745-1791) Group portrait of the Perry family in a wooded park Signed and dated 1778 Oil on canvas 95 x 124cm; 37¼ x 49in £2,000-3,000 347. Sir John Hoppner R.A. (1758-1810) Portrait of Elizabeth Gibbs, Mrs Young Oil on canvas 76 x 63.5cm; 30 x 25in £700-1,000 348. English School 17th Century Portrait of Robert Mellish of Ragnall (1509-1662) Inscribed Robert Mellish Esq., of Ragnall, 2nd son of Edward, H. Shf of Notts. 16 Mh 1662, aet. 63 Oil on canvas, in a period, carved pine frame 77 x 64cm; 30¼ x 25in Robert Mellish was made High Sheriff of Nottingham in 1634. £500-700

347

346

348


76

349 349. English School c.1725-30 Portrait of Dr Cudworth Johnstone Oil on canvas 76 x 63.5cm; 30 x 25in £600-1,000 350. Circle of Sir Joshua Reynolds P.R.A. Portrait of a lady wearing a blue dress Oil on canvas, oval in a gilded frame 76 x 64cm; 30 x 25in £700-1,000

351

351. English School 19th Century Peter Gunning Regius Professor of Divinity (1661-1674), Bishop of Ely (1675-1684) Oil on canvas, unframed 124 x 102cm; 49 x 40in A copy of the original in Clare College, Cambridge £300-500

352

350 352. After Sir Godfrey Kneller Portrait of Dr. John Tillotson (1630-1694), Archbishop of Canterbury Oil on canvas, unframed 127 x 102cm; 50 x 40in A copy of the original in Lambeth Palace £300-500 353. English School 18th Century Portrait of a gentleman, half length, wearing brown Oil on canvas, unframed 74 x 62cm; 29 x 24½in £200-300

353


77 354. Pierre Alexandre Wille (French 1748-1821) A kitchen interior with two figures Oil on canvas, 49 x 57cm; 19¼ x 22½in £2,000-3,000

354

355. Follower of George Chinnery An Eastern figure with a stick Oil on canvas, unframed 53 x 43cm; 21 x 17in £300-500

355

356. Manner of Sir Joshua Reynolds Portrait of a gentleman scholar, seated with books Oil on canvas in a period frame 76 x 63cm; 30 x 25in £300-500

356

357. George Henry Harlow (1787-1819) Portrait of a lady holding a portrait miniature Oil on canvas 77 x 63.5cm; 30¼ x 25in £400-600

357


78

358 358. Attributed to Hendrik Frans de Cort (Dutch 1742-1810) A peaceful village scene Oil on canvas 33 x 41cm; 13 x 16in £1,000-1,500

359

359. Italian School 17th Century Portrait of St. Lucy Oil on canvas 35.5 x 30cm £600-800

360. Circle of Pierre Paul Prud’hon (French 1758-1823) Study for Venus and Adonis Oil on canvas 61 x 51cm; 24 x 20in A sketch of a very similar composition by Prud’hon is mentioned in the Wallace Collection catalogue, Sommariva and Eudoxe Marcille collections £400-600

360

361. After Gerrit Dou The Cook Oil on canvas 38.5 x 28cm; 15 x 11in £300-500

361


79

362. Circle of Jean-Baptiste Leprince A family fishing by a tower in a landscape Oil on canvas 130 x 91cm; 51 x 36in Provenance: Purchased in 1905 by Fred Konig By descent ÂŁ1,500-2,500 363. Frans Swagers (Dutch 1756-1836) Summer and Autumn A pair, both oil on canvas 55.5 x 46cm; 22 x 18in (2) ÂŁ1,000-1,500

362

363


80

364

365

366 364. Dutch School early 19th Century Shipping off the coast Oil on canvas 25 x 36.5cm; 10 x 14¼in £250-350

365. Daniel Alexander Williamson (1823-1903) River landscape with boat and figures Oil on canvas 30 x 41cm; 12 x 16in £300-500

367 366. English School 18th Century Gentlemen practising archery in a landscape Oil on canvas 38 x 53.5cm;15 x 21in £400-600

367. Charles Brooking (1723-1759) Warships in a calm sea Oil on panel 28 x 38.5cm; 11 x 15in £150-250 368. Follower of George Lambert A shepherd and his dog resting in a landscape Oil on canvas 43 x 53cm; 17 x 21in £300-500 369. Dutch School 17/18th Century Figures resting in a river landscape Oil on copper, oval 13.75 x 16.75cm; 5½ x 6½in £150-250

368

369


81

370

371

370. Dutch School 18/19th Century The Wayside Fortune Teller Oil on canvas 34.5 x 31cm; 13½ x 12in Provenance: The collection of Victor Needham (d.1976) £600-800 371. Circle of Sir Peter Lely Classical scene with two figures, putto and a dog in a landscape Oil on panel 23.5 x 19.5cm; 9¼ x 7¾in £500-800 372. Attributed to Alessandro Tiarini (Italian 1577-1688) Holy family Oil on copper 26 x 21.5cm; 10¼ x 8½in £600-800

372


82 373. Follower of Jean Baptiste Monnoyer Still life of flowers in a vase Oil on canvas 115 x 95cm; 45¼ x 37½in This work was previously thought to have been signed lower left £1,500-2,500 374. French School 19th Century Still life of flowers in a vase on a marble ledge Oil on canvas 45 x 32cm; 17¾ x 12½in £300-500 375. After Sir Joshua Reynolds P.R.A. Self Portrait Inscribed on label verso J H Ritchie … Oil on panel 35 x 30cm; 13¾ x 11¾in A copy of the original in the Royal Collection Trust £400-600 376. Follower of Jan Wynants A farmer and livestock in a landscape Oil on canvas 48 x 38cm; 19 x 15in £300-500

373

374

375

376


83 377. After George Romney (1734-1802) Portrait of Miss Charlotte Bettesworth (c.1755-1841), later Mrs John Sargent Oil on canvas 127 x 101cm; 50 x 40in A copy of the original in Sudley House, Liverpool, painted 1778. £2,000-3,000 378. Attributed to John Hoppner R.A. (1758-1810) Portrait of Charles Warren (1762-1823), head and shoulders, wearing a blue coat and white stock Oil on canvas, in a period frame 76.5 x 63cm; 30 x 25in Provenance: By descent in the family of the sitter Private Welsh Collection 2006 Private English Collection Charles Warren was a famous London born engraver who enjoyed a wonderful reputation for his engravings of small book illustrations. He was President of The Artist’s Fund Society and became a member of The Society of Arts in 1804. He is best known for his development of steel plates for engraving and received a Gold medal in 1823 by the Society of Arts for this work £1,000-1,500 379. Attributed to Sir Henry Raeburn R.A. (Scottish, 1756-1823) Portrait of a gentleman, head and shoulders, wearing a black coat and white stock Oil on canvas in a period frame 75.5 x 63cm; 30 x 25in £1,000-2,000

378

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84

380 380. Sir Thomas Lawrence P.R.A. (1769-1830) Portrait of a gentleman, believed to be William Wellesley-Pole, 3rd Earl of Mornington (1763-1845) Oil on canvas in a period Carlo Maratta frame 76 x 63.5cm; 30 x 25in Painted c.1810-1815, The stretcher is incised Brown, High Holborn Provenance: Entered Christie’s London for appraisal 8th March 1921 (541 DH) by Eva Charlotte Yorke Long, Clairville, Wray Common Road, Reigate. Her great grandfather was Edward Bligh (1797-1872) who was the brother-in-law of Helena Paterson/Bligh who became the second wife of the sitter’s son, William Pole-Tylney-Long-Wellesley, 4th Earl of Mornington (1788-1857) Private English Collection Private St. Louis Collection, USA who donated in 1970s to: The H. Leslie Perry Library, Henderson, North Carolina Private English Collection William Wellesley-Pole was the brother of Arthur Wellesley, 1st Duke of Wellington and Richard Colley Wellesley, 1st Marquess Wellesley. He was an Anglo-Irish politician and in 1821 was created 1st Baron Maryborough. He held various offices including Master of the Mint and Postmaster-General, he was also Clerk of the Ordnance around the time of the Battle of Trafalgar. On his death in 1845 his son William inherited his titles. Both Wellesley-Pole’s brothers had portraits painted by Lawrence. £10,000-20,000


85

381 381. Studio of Jacobus Storck A view of Nieuwersluis on the River Vecht, with the Church of Loenen aan de vecht in the distance Oil on canvas 61 x 101cm; 24 x 40in £4,000-6,000

382

382. After Guido Reni St. Joseph and the Christ Child Oil on canvas 79 x 62cm; 31 x 24½in A 17/18th Century copy of the original in The Museum of Fine Arts, Houston, Texas, USA £300-400

383. Attributed to Marcel Briguiboul (French, 1837-1892) Study of a female nude Signed and inscribed indistinctly Oil on canvas 70 x 48cm; 27½ x 19in £400-600

383

384. Circle of Joos van Craesbeeck A rustic, standing, wearing an apron and holding a pipe Oil on canvas, unframed 30 x 20cm; 12 x 8in £200-300

384


86 385. Margaret Sarah Carpenter (1793-1872) Portrait of a young girl, believed to be the artist’s daughter Henrietta Signed and dated Nov’r 18 1834 Oil on Canvas 56 x 46cm; 22 x 18in Provenance: Private Collection U.S.A. Private English Collection Margaret Sarah Carpenter was born in Salisbury in 1793, she went to London in 1814 and soon established herself as a leading and fashionable portrait painter. Her pictures were greatly influenced by the works of Sir Thomas Lawrence suggesting she may have been one of his pupils. The inscribed date may have been Henrietta’s birthday. £2,000-3,000

385 386. Allan Ramsay (Scottish 1713-1784) Portrait of James Bateman (d.1758), three quarter length standing, wearing a bright blue waistcoat and grey coat, his arm resting on a marble ledge Signed and dated 1756 Oil on canvas 127 x 101cm; 50 x 40in Provenance: Wauchope family of Niddry Doig, Wilson & Wheatley, Edinburgh, 1952 Ian MacNicol, Glasgow, 1956 2nd Viscount Weir (d.1975) 3rd Viscount Weir Christie’s, Montgreenan sale, 8 December 1980, lot 372 Exhibited: Talbot Rice Art Centre, University of Edinburgh, 1990-91 National Gallery of Scotland, Edinburgh, 1995-2016 Literature: Scottish Art Review, v. no. 3 (Summer, 1955), frontispiece Allan Ramsay, Catalogue raisonné, Alastair Smart, published for the Paul Mellon Centre for Studies in British Art by Yale University Press, New Haven and London, 1999, p.79

James Bateman was the second son of Sir James Bateman (c.1660-1718). Sir James was one of the founding directors of the Bank of England and Sub-Governor of the South Sea Company in 1711. He was also a Trustee of the sale of the South Sea Stock between 1714 and 1716, when he became Lord Mayor of London. He left a fortune, reputedly worth £400,000, (with RPI this amounts to some £56,000,000 today) with his two younger sons James and Richard inheriting estates in Tooting, Kent and Essex. James married Anne Chaplin in 1721, daughter of Sir Francis Chaplin who had been expelled from Parliament in 1721 after the collapse of the South Sea Company. Allan Ramsay was in Italy for his second visit between 1754 and 1757, visiting Rome, Florence, Naples and Tivoli. Whilst in Rome he painted the portraits of several Grand Tourists including the present portrait of James who was in Rome with his wife. £15,000-20,000


87

386


88

388 388. Jan Hendrik Verheijen (Dutch 1778-1846) Workmen by a country church Signed Oil on panel 21 x 21cm; 8¼ x 8¼in Provenance: Private Collection, Somerset £700-1,000

387 387. Attributed to Franz Xavier Petter (Austrian, 1791-1866) Still life of roses, narcissi, convolvulus and hollyhocks in a basket in an alcove Oil on canvas 56 x 42cm; 22 x 16½in £1,500-2,500

389

389. Frederick Calvert (c.1785-c.1844) Fishing boats in a rough sea, possibly the Solent Signed with a monogram on the sail Oil on canvas 25.5 x 35.5cm; 10 x 14in £600-800 390. Circle of Philips Wouwerman Unloading the carts at the docks Bears monogram Oil on panel 27 x 36.5cm; 10½ x 14½in £500-800

390


89 391. Sir Thomas Lawrence P.R.A. (1769-1830) and Studio Portrait of a gentleman, possibly Beau Brummell (1778-1840) Oil on canvas 77 x 64cm; 30 x 25in Provenance: An English Private Collection Beau Brummell, the famous Regency Dandy and once great friend of the Prince Regent, was known for his classically influenced ‘Titus’, wind-blown haircuts and elaborately tied stock with dark-coloured, stylish, woollen tailcoats which helped change forever the way an Englishman dressed. It has long been a puzzle to art historians why Sir Thomas Lawrence, who painted almost everyone of note in the extended Regency Period, had apparently not painted a portrait of Beau Brummell, when this iconic man of fashion, celebrated for his looks and style, enjoyed unprecedented fame during this period. This recently rediscovered portrait of a gentleman by Lawrence and Studio would appear to show an extraordinary similarity to one of the handful of very different known images attributed as Brummell £5,000-10,000

391 392. Follower of William Beechey Portrait of a boy with his spaniel Oil on canvas 41 x 30.5cm; 14 x 12in £400-600 393. Continental School 19th Century Interior with a woman plucking a turkey Oil on canvas 76 x 63cm; 30 x 25in £300-500

392

393


90

394

395

396 394. Henry John Boddington (1811-1865) View of Windsor Castle; View of St. Alban’s Cathedral A pair, both oil on panel Each 30 x 40cm; 12 x 15¾in (2) Provenance: Leger Galleries, London, March 1976 £700-1,000

395. William Pitt (act.1853-1890) Saint Sampsons on the River Fowey; Near Fowey on the River Fowey A pair, both signed, titled and dated 1857 verso Both oil on canvas Each 25.5 x 41.5cm; 10 x 16in (2) £400-600

396. Attributed to Johann Friedrich Steinkopf (1737-1825) Rustic with livestock by a ruin and in a landscape A pair, both oil on canvas Each 16.75 x 22.5cm; 6½ x 8¾in (2) £600-800


91

397 397. William Collingwood-Smith (1815-1887) A panoramic view of Scarborough Oil on canvas 84 x 123cm; 33 x 48½in Painted circa 1840 Provenance: Henry Ruth Fine Arts, Kansas City £1,000-1,500

398

398. Sebastian Pether (1790-1844) A moonlit cove Signed Oil on canvas 30.5 x 41cm; 12 x 16in £800-1,200

399. Edward Williams (1782-1855) Figures crossing a stream Oil on panel 46 x 61cm; 18 x 24in £400-600

399


92 401. Attributed to Edward John Niemann (1813-1876) Rider with a dog in a highland landscape Oil on canvas, oval 30.5 x 40.5cm; 12 x 16in £300-500 402. West Indies School c.1890 South American landscape Signed indistinctly and dated Sep 1890 Oil on canvas 51 x 91.5cm; 20 x 36in £150-250

400 400. North American School late 19th Century A steam train pulling out of a tunnel in a mountainous landscape Oil on canvas 77 x 93cm; 30¼ x 36½in £600-800

401

403. Anglo Chinese School 19th Century Coastal scenes with junks off the Chinese mainland A pair, both oil on canvas laid down on board Each 20 x 28cm; 8 x 11in With a pair of small gouaches of similar subjects, unframed, 10.5 x 16cm (4) £100-200 404. Manner of Hendrick Avercamp Figures on the ice in a winter river scene Oil on panel 22.5 x 30.5cm; 9 x 12in £200-300

402

403

404


93 405. Follower of John Linnell Harvest scene with a woman on a bridge, harvesters resting beyond Signed indistinctly and dated 185? Oil on canvas 67 x 87cm; 26½ x 34¼in £600-800 406. A. Clarke (19th Century) Work horses in a stable Signed Oil on canvas 20.5 x 25.5cm; 8 x 10in £200-300

408. Alfred Moginie Bryant (19/20th Century) A hunter and a dog in a stableyard Signed and dated 06 Oil on canvas 41 x 58cm; 16 x 23in £300-500 409. Circle of John Berney Crome Cattle on the coast in the moonlight Oil on canvas 41 x 61cm; 16 x 24in £300-500

407. George Morland (1763-1804) A donkey with goats in a stable Oil on canvas 43 x 53cm; 17 x 21in £300-500

406

408

405

407

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94

410

411

412

413

414

415

410. Circle of Carl Borromeaus Andreas Ruthart Leopard and bear fighting in a cave Oil on canvas 47 x 58cm; 18½ x 23in £400-600

412. Edmund Bristow (1787-1876) Caught in the snow Signed and inscribed Windsor Oil on canvas laid on panel 18 x 23cm; 7 x 9in £300-500

414. Edmund Bristow (1787-1876) Fighting over the spoils Signed Oil on panel 18 x 25.5cm; 7 x 10in £120-180

411. Follower of George Morland Rustics in a farmyard Oil on canvas 46 x 64cm; 18 x 25in £300-500

413. John Alfred Wheeler (1821-1903) Study of a fox by its den Oil on canvas 16 x 24cm; 6¼ x 9½in With a small oil of a horse by R. B. Davis and one of a dog and hare (3) £400-600

415. Circle of Thomas Weaver The interior of a stable with a groom tending horses Oil on panel 50 x 64cm; 19½ x 25in £300-500


95 416. ‡ Alfred Fontville de Breanski (1877-1957) Evening - The borders of a highland loch Signed, also signed and titled verso Oil on canvas 51 x 76cm; 20 x 30in £1,200-1,800 417. John Henry Martin (1835-1908) Italianate landscapes A pair, both signed Both oil on canvas Each 35 x 90cm; 14 x 35½in (2) £400-600 418. Edmund Bristow (1787-1876) Top o’ the morning; Waiting his turn A pair, one signed Both oil on panel Each 15 x 12.5cm; 6 x 5in (2) £400-600

416 419. Circle of Lionel Constable Figure on horseback fording a stream by a cottage Oil on paper/thin board laid on canvas 24 x 23cm; 9½ x 9in £200-300

417

418

419


96

421

420

420. Continental School 19th Century Young lady in a long blue dress on the shore of a lake Signed indistinctly Oil on canvas, in an earlier painted and gilded tabernacle frame 57 x 29cm; 22½ x 11½in (frame 83 x 50cm) £400-600

422

421. Konstantin Stoitzner (Austrian 1863-1934) A man filleting fish; A man drinking in a tavern A pair, both signed Both oil on panel Each 30 x 17cm; 12 x 6½in (2) £150-250 422. Continental School c.1900 Still life of flowers in an urn and fruit on a ledge Signed indistinctly Oil on panel 36 x 30cm; 14 x 12in £200-300

423

423. English School 19th Century Portrait of Eliza Atkinson, seated Oil on canvas in an ornate frame 76 x 63cm; 30 x 25in £150-250 424. F. Holles (20th Century) Still life of roses, iris and convolvulus in a glass vase Signed Oil on copper, unframed 25.5 x 20.5cm; 10 x 8in £100-150

424


97

425 425. Vilhelm Melbye (Danish 1824-1882) Kynance Cove, Cornwall Signed Oil on canvas 101 x 166cm; 40 x 65¼in £2,000-3,000

426. Aster R.C. Corbould (c.1812-1877) Cattle in a pasture at dusk Signed and dated 1858 Oil on canvas 63.5 x 127cm; 25 x 50in £1,500-2,500

426


98

427

428 427. Continental School early 19th Century Interior with monks and nuns near a fire Oil on canvas 61 x 84cm; 24 x 33in £600-800

429 428. English School 19th Century A street circus detained by an officer, a cricketer and other children behind Signed and dated indistinctly Oil on canvas 62 x 92cm; 24½ x 36¼in £300-500 429. John Scarlett Davis (1804-1845) Studies of peasant women at prayer, rest and reading Three, all oil on canvas, framed together Each 24 x 20cm; 9½ x 8in Provenance: From the collection of John Newall Esq. Sotheby’s, 25.2.98, Lot 229 £300-500 430. John Scarlett Davis (1804-1845) A church interior Oil on canvas 90 x 72cm; 35½ x 28½in Provenance: From the collection of John Newall Esq. £700-1,000

430


99

431 431. Hopkins Horsley Hobday Horsley (1807-1890) Ventimiglia, Coast of Genoa, Italy Signed with initials and dated 1843 Oil on canvas 43 x 76cm; 17 x 30in £1,500-2,500 432. Thomas Barker of Bath (1769-1847) Landscape with a shepherd and sheep by a pool Oil on canvas 61 x 91cm; 24 x 36in £800-1,200 433. David Payne (c.1843-1891) Farmyard by the river Signed, also signed verso Oil on canvas 28 x 38cm; 11 x 15in £400-600

432

433


100

434

435

436

437

438

434. Circle of William Shayer Senior Fishing scenes on the shore A pair, both oil on canvas Each 45.5 x 61cm; 18 x 21in (2) £1,500-2,500

436. Dutch School c.1700 Coming into harbour Oil on panel 26 x 36cm; 10 x 14in £200-300

435. Louis Charles Verboeckhoven (Belgian, 1802-1889) Boats on calm waters off the coast Signed Oil on panel 33 x 47cm; 13 x 18½in £600-800

437. Edward Henry Holder (1847-1922) Lakeland landscapes A pair, both signed Both oil on canvas, unframed Each 28 x 43cm; 11 x 17in (2) £150-250

438. English School 19th Century Fishing boats on the coast Two, one signed with a monogram One oil on canvas, one on board Each 18 x 25.5cm; 7 x 10in (2) £300-500


101

439 439. Edmund Morison Wimperis (1835-1900) Woodham Mortimer Signed Oil on canvas 76 x 130cm; 30 x 51in £1,200-1,800

440

440. Edmund Morison Wimperis (1835-1900) The Watering Place Signed with initials and dated 91 Oil on canvas 77 x 61cm; 30½ x 24in Provenance: M. Newman Ltd, Duke Street, London £500-800

441. Edmund Morison Wimperis (1835-1900) Fittleworth Common Oil on canvas 30 x 51cm; 12 x 20in £300-500

441


102 442. William Callcott Knell (1830-1880) The Dutch fishing boat Calais at sea Signed and dated 1862 Oil on canvas 51 x 61cm; 20 x 24in £800-1,200 443. Oliver Stockman (19/20th Century) A lady in an interior with her child and puppies Signed Oil on canvas 51.5 x 76.5cm; 20¼ x 30in £200-300 444. Follower of Camille Jean-Baptiste Corot A hazy river landscape Bears signature Oil on canvas, unframed 22 x 33cm; 8½ x 13in £200-300 442

443

445 445. Follower of Carl Spitzweg A gentleman scientist studying Oil on panel 40.5 x 31cm; 16 x 12in £200-300

444

446 446. Wiliam Bromley (c.1818-c.1888) Baiting the hook Oil on canvas 35 x 30.5cm; 13¾ x 12in £300-500

447 447. William Jones of Bath (act c.1764-c.1799) Still life of strawberries in a basket and fruit on a ledge Oil on canvas 44.5 x 34cm; 17½ x 13¼in £200-300


103

448 448. James Baker Pyne (1800-1870) Marina Grande, Sorrento Signed, dated 1858 and numbered 300 Oil on canvas 43 x 61cm; 17 x 24in ÂŁ2,000-3,000 449. Pieter Lodewidjk Kluyver (Dutch 1816-1900) Woodland scene with a woodman and his daughter Signed Oil on canvas 78 x 65cm; 31 x 27in Provenance: Private Collection, Somerset ÂŁ2,000-3,000

449


104

450 450. ‡ Fortunino Matania R.I. (Italian, 1881-1963) Head studies of goats Signed and dated 1896 Oil on board 22 x 43cm; 13 x 17in £250-350

451 451. Henri-Arthur Bonnefoy (French 1839-1917) Sheep in a flower meadow Signed Oil on canvas, unframed 50 x 61cm; 19¾ x 24in Provenance: Private Collection, Somerset £300-500 452. Thomas Woodward (1802-1852) A country girl with a donkey and foal and her dog Signed indistinctly Oil on board 18.5 x 22cm; 7¼ x 8¾in £200-300

453. Thomas Henry Gibb (1833-c.1893) Rain over a river landscape Signed and dated 99? Oil on canvas 40.5 x 61cm; 16 x 24in £200-300 454. Clarence Henry Roe (1850-1909) Highland Rovers Signed Oil on canvas 51 x 68.5cm; 20 x 27in £200-300

452

453

454


105 455. Margaret Isabel Dicksee (1858-1903) The village blacksmith Oil on canvas 79 x 120cm; 31 x 47in £1,000-1,500 456. Frank Hobden (1879-1930) Difficult to please Signed with a monogram Oil on canvas 30.5 x 40.5cm; 12 x 16in £1,000-1,500 457. John Clayton Adams (1840-1906) Corn stooks in a river landscape Signed and dated indistinctly Oil on canvas 76 x 51cm; 30 x 20in £300-500

455

458. Alfred Dixon (1842-1919) Miles from home Signed Oil on canvas 62 x 101cm; 24½ x 39¾in £1,500-2,500

456

457

458


106 459. Keeley Halswelle A.R.S.A., R.I. (1832-1891) From Purfleet looking up the river towards the furnaces of Silvertown Signed, dated 1882 and inscribed Purfleet Oil on canvas 36.5 x 62cm; 14¼ x 24¼in £800-1,200 460. Keeley Halswelle A.R.S.A., R.I. (1832-1891) The Thames, near Pangbourne Signed Oil on canvas 28 x 47cm; 11 x 18½in £600-800 459

461. Léon Emile Caille (French 1836-1907) Interior scene Signed Oil on canvas 53 x 63cm; 21 x 25in £1,000-1,500 462. Léon Emile Caille (French 1836-1907) The huntsman’s trophy Signed and dated 1900 Oil on canvas 66 x 81cm; 26 x 32in £1,000-1,500

460

461

462


107

463. John Myles (act.1860-1873) In the Artist’s Studio Oil on canvas 40 x 30cm; 15¾ x 11¾in £600-800

463

464

465

466

464. Lilian Cheviot (fl.1894-1930) Waiting his turn Signed Oil on canvas 61 x 51cm; 24 x 20in £1,500-2,500

465. David Adolphe Constant Artz (Dutch 1837-1890) Preparing for school Signed and dated 1874 Oil on canvas 29 x 20cm; 11½ x 8in Provenance: Private Collection, Somerset £800-1,200

466. English School 19th Century The love letter Signed indistinctly L. Caldi (?) Oil on canvas 77 x 58cm; 30¼ x 23in £500-800


108

467

468

469 467. Italian School c.1850 Worshippers at a shrine amongst Roman ruins, possibly the Catacombs, Rome Both the canvas and the frame with the wax seal of Pope Pius IX Oil on canvas 109 x 86cm; 43 x 34in Provenance: From Stoodley Knowle School, Torquay. A gift to the Congregation of Les Filles de la Croix at Stoodley Knowle School by Pope Pius IX £1,000-1,500

470 468. Henry Baines (1823-1894) A young lady reading by the sea Signed Oil on board, circular in a square frame 20cm; 8in diameter £400-600 469. Emile Eisman-Semenowsky (French/Polish 1857-1911) Portrait of a girl in gypsy costume Signed and inscribed Paris Oil on panel, oval 27.5 x 22cm; 10¾ x 8½in £1,000-1,500

470. George Richmond R.A. (1809-1896) The artist’s youngest son, John in 1861 Oil on canvas 87 x 71cm; 34¼ x 28in £1,500-2,500


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471

471. Richard Karlovich Zommer (Russian 1866-1939) The Ferry, Lake Van Signed Oil on canvas 43 x 77cm; 17 x 30½in Provenance: Captain Henry Herbert Douglas-Withers, purchased from artist in Tbilisi in 1915/16 By family descent to the present owner Captain Douglas-Withers fought in the Gallipoli Campaign in 1915/16 with the Prince of Wales Volunteers (South Lancashire Regiment) and was awarded the Military Cross for exemplary gallantry. After the campaign he was part of a small British force that was sent stabilise Tbilisi, as many White Russians were there, fleeing the Red Army. Richard Zommer was teaching in Tbilisi and sold his paintings locally. Captain Douglas-Withers purchased a number of his pictures including these three lots and stored them in Army Map containers for transport home. Born in Munich, Zommer went to St Petersburg in 1884 and studied at the Academy of Fine Arts, winning several awards for his work. In the 1890s he travelled extensively in Asia and developed his style, renowned for being true to life and for his vibrant depiction of light. In the early 1900s he moved to Georgia and worked in the Caucasus Mountains providing an invaluable record of life in this remote territory at this time. He taught many Georgian painters but the artist Lado Gudiashvili was perhaps the one who he influenced the most. Between 1916 and 1920 he exhibited in Tbilisi and it was at this time that these three works were purchased. In 1939 the Stalin regime forced him to leave Georgia and no record of him has been found after this. It is likely that he was interned in Siberia as this was the fate that befell ethnic Germans at this time. £20,000-30,000


110

472


111

473

472. Richard Karlovich Zommer (Russian 1866-1939) Figures by a mosque Signed Oil on canvas 71 x 47cm; 28 x 18½in Provenance: See lot 471 £18,000-22,000

473. Richard Karlovich Zommer (Russian 1866-1939) At the door to the mosque Signed Oil on canvas 58 x 86cm; 23 x 34in Provenance: See lot 471 £15,000-20,000


112 474. Sir Frank Dicksee P.R.A., R.I. (1853-1928) On the North Devon coast Oil on board 31 x 42cm; 12 x 16¼in £400-600 475. Attributed to Eugène Verboeckhoven (1798-1881) The egg seller With strengthened signature Oil on panel 20 x 26cm; 8 x 10¼in £200-300

476. F. Ferraro (Italian 19/20th Century) Venetian sailing boats on the canals A pair, both signed Both oil on card, unframed Each 15 x 22.5cm; 6 x 9in (2) £150-250

474

475 477. Follower of Antoinetta Brandeis At Lucca, Italy Oil on paper stuck down on panel, unframed 33.5 x 28cm; 13 x 11in £100-200

477

476 478. Edward Wilkins Waite (1854-1924) Old House, Clovelly, Devon Signed and dated 1887 Oil on canvas unframed 45.5 x 30.5cm; 18 x 12in £200-300

478

479. Ann Fischer (Danish 19th Century) Naestved, Denmark Signed, titled and dated Jun 88 Oil on canvas 45.5 x 35cm; 18 x 13¾in £150-250

479


113

480

481

480. Edward Hughes (1832-1908) Portrait of a young lady with a parasol and flowers Signed and dated 1859 Oil on canvas 25.5 x 20.5cm; 10 x 8in £600-800 481. Charles Sillem Lidderdale R.B.A. (1831-1895) A young beauty Signed with a monogram Oil on canvas 53 x 43cm; 21 x 17in £1,000-1,500 482. James Smetham (1821-1889) Portrait of a young lady holding a stem of ivy Signed and dated 1856 Oil on board 23 x 17.75cm; 9 x 7in £500-700

482


114 483. Frederick William Meyer (1869-1922) Coastal scene with a man and a dog Signed and dated 1886 Oil on canvas 46 x 76cm; 18 x 30in £700-1,000

484. Alexis de Leeuw (Belgian 1848-1883) A hay wain in a landscape Signed Oil on canvas 76 x 127cm; 30 x 50in £500-700

483

485. John James Wilson (1818-1875) Coastal scenes with boats at sea and fishermen on the shore A pair, both signed Both oil on canvas Each 25 x 45.5cm; 10 x 18in (2) £400-600

484

485


115 486. William Playfair Dickson (1859-c.1934) As twilight fades beneath the moon away Signed Oil on canvas 61 x 92cm; 24 x 36¼in Exhibited: Pictures of the Ilfracombe and Lynmouth Districts, F Newcombe Gallery, Bristol, 1894 £1,500-2,500 487. John Morgan R.B.A. (1823-1886) A letter from Edwin Signed Oil on canvas 35.5 x 45.5cm; 14 x 18in £700-1,000 488. After Childe Hassam Grand Prix Day Signed with initials WMB Oil on canvas 51 x 61cm; 20 x 24in After the original in The Museum of Fine Arts Boston £700-900

486

489. Jan Hermanus Melcher-Tilmes (1874-1920) after Henriette Ronner-Knip Dogs and cats and kittens playing Signed and inscribed Oil on canvas 59 x 76cm; 23 x 30in Provenance: Private Collection, Somerset £300-500

487

488

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116

490 490. Samuel Fulton (1855-1941) A terrier in an interior Signed Oil on canvas 32 x 22cm; 12½ x 8½in Provenance: Private Collection, Somerset £400-600

491 491. Charles Jean Renaud (French 1891-1958) Seated hounds Signed Oil on canvas laid down on board, oval 38 x 28cm; 15 x 11in Provenance: Private Collection, Somerset £300-500

492 492. P. Robinson (20th Century) Toy dogs with a parrot on a perch Signed Oil on canvas 61 x 51cm; 24 x 20in £300-500 493. English School 19th Century Girls playing with dolls in a classical setting Oil on panel 27 x 21cm; 10½ x 8½in £200-300 494. English School 19th Century After the hunt Oil on canvas, circular 50cm; 19½in diameter £200-300

493

494 495. Teddy c.1911 Portrait of the ship Ville D’Arras, outward bound from Dunkirk Signed and dated 1911 Oil on canvas 60 x 91.5cm; 23½ x 36in The Ville D’Arras was built in 1894 by John Readhead & Sons at South Shields for the Cie. des Bateaux a Vap du Nord of Dunkirk (and operated out of that port). Registered at 1,654 tons gross, she was 260 feet in length with a 34 foot beam, and was fitted with engines also provided by her builders. £300-400

495


117 496. Davidson Knowles (act.1878-1909) Coastal fishing scene Signed Oil on board 59.5 x 44cm; 23½ x 17¼in £1,500-2,500 497. Andrew McCallum R.A. (1821-1902) Self portrait of the artist in a rocky landscape Signed Oil on canvas 75 x 56cm; 29½ x 22in Provenance: Label verso inscribed by Andrew McCallum, husband of Cousin Susan Tetlow, my Grandfather John Heginbotham’s 1st Cousin JRAS £500-800

496

497

498. William Teulon Blandford Fletcher (1858-1936) The Deanery, Winchester Cathedral Close Signed and dated 1898, also inscribed on stretcher Swithins Glory verso Oil on canvas 61 x 51cm; 24 x 20in £1,000-1,500 499. ‡ Edith Hayllar (1860-1948) Making blackberry pie Signed and dated 1886 Oil on board 41.5 x 31.5cm; 16¼ x 12in £2,500-3,500

498

499


118

500 500. Dorothy Stanley née Tennant (1855-1926) Portrait of Henry Morton Stanley Signed and dated 1880 Oil on canvas 44 x 32cm; 17¼ x 12½in Provenance: Dorothy Tennant was married to Henry Morton Stanley, known for saying Dr. Livingstone, I presume? when at last he found the lost Scottish missionary by the shores of Lake Tanganyika. He became a famous adventurer but a disastrous trip tracing the Congo marred his reputation. £1,000-1,500

502

501 501. Maurice William Greiffenhagen R.A., N.E.A.C., R.P. (1862-1931) Lydia Oil on canvas 76 x 64cm £800-1,200 502. James Coutts Michie (Scottish 1861-1919) Portrait of Amy Marchioness of Huntly, wife of Charles, 11th Marquis of Huntly, Christmas eve 1888 Signed with a monogram and dated 1888 Oil on canvas 38 x 27.5cm; 15 x 10¾in £250-350

503

503. George Elgar Hicks R.B.A. (1824-1914) Self portrait Signed and dated 1862 Oil on board 24 x 21cm; 9½ x 8¼in Provenance: The Maas Gallery, London £400-600 504. William Huggins (1820-1884) Portrait of a girl, head and shoulders Signed Oil on panel 30.5 x 25.5cm; 12 x 10in £200-300

504


119 505. ‡ Jean Lefort (French b.1948) A St Bernard, a pug and a Dachshund seated by a fire Signed Oil on canvas, unframed 65 x 120cm; 25½ x 47¼in Provenance: Private Collection, Somerset £500-800 506. Philip Eustace Stretton (c.1863-c.1930) Deerhounds by a fire Signed Oil on canvas board 41 x 58cm; 16 x 23in Provenance: Private Collection, Somerset £1,500-2,500

505

507. Charles Bilger Spalding (1810-1871) Three horses by a stable Signed Oil on canvas, unframed 60.5 x 86.5cm; 24 x 34in £400-600 508. Charles Bilger Spalding (1810-1871) A hunter in a paddock Oil on canvas, unframed 45.5 x 61cm; 18 x 24in £300-500

506

507

508


120 509. William James Laidlay N.E.A.C. (1846-1912) River Scene Signed indistinctly Oil on canvas 38 x 53cm; 15 x 21in £300-500

511. English School 19th Century A hunt at full cry Signed Oil on canvas 65 x 84cm; 25½ x 33in £250-450

510. After William Henry Hopkins Threshing the harvest Oil on canvas 71 x 111cm; 28 x 43¾in A copy of the print £200-300 509

510

512 512. E.S. England (fl.1890-1910) Chickens in a farmyard A pair, both signed Both oil on canvas Each 38 x 51cm; 15 x 20in (2) Provenance: Private Collection, Somerset £200-300

511

513 513. John Patrick Downie (1871-1945) Ducks and chicks on a riverbank Signed Oil on board 22.5 x 30cm; 9 x 12in £200-300


121

515

516 514 514. Charles Napier Hemy R.A. (1841-1917) Fisherman returning to port Signed with initials and dated 1913 Oil on canvas 75 x 49.5cm; 29½ x 19½in £1,500-2,000 515. William Lionel Wyllie R.A. (1851-1931) Figures and boats on the coast Signed Oil on card 7.5 x 14.5cm; 3 x 6in Provenance: The Maas Gallery, London £400-600 516. Follower of William Lionel Wyllie R.A. Shipping in Southampton Water Bears signature Oil on canvas 61 x 92cm; 24 x 36in £800-1,200

517 517. Alexander Kips (German, 1858-1910) Campagna Romana and the Via Appia, Rome Signed with initials, titled and dated 11 Oct. 94 all verso Oil on panel 19 x 31cm; 7¼ x 12¼in £200-300


122

518 518. Ernest Parton (1845-1933) A farmstead by a pond Signed Oil on canvas 30 x 43cm; 12 x 17in £200-300

519 520. Attributed to Alfred Pollentine (1836-1890) View of an English coastal town, possibly Cromer Signed Oil on canvas 41 x 61cm; 16 x 24in £300-400

519. Attributed to Anton Mauve (Dutch 1838-1888) Cattle in a river landscape Oil on canvas 33 x 43cm; 13 x 17in £200-300

521. Joseph Thors (fl.1863-1900) A woman on a road by a wood Signed with initials Oil on panel 24 x 31cm; 9½ x 12¼in £300-500

520

522

522. ‡ Gudrun Sibbons (b.1925) Fishing boats on the shore, a windmill beyond Signed Oil on board 30.5 x 40.5cm; 12 x 16in £200-300 523. English School 19th Century Fishing boats on the shore Bears signature Oil on canvas 51 x 76cm; 20 x 30in £150-250

521

523


123

524

525

526 524. Attributed to Henriette Ronner-Knip (Dutch 1821-1909) A cat and a kitten resting Signed with initials Oil on panel 17 x 34cm; 6½ x 13½in Provenance: Private Collection, Somerset £200-300 525. Charles Collins (1851-1921) The Uninvited Guest Signed and dated 1900 Oil on canvas 30 x 46cm; 12 x 18in £400-600

527 527. Henry Charles Bryant (1812-1890) A pair of guinea fowl Signed Oil on board 27.5 x 30.5cm; 10½ x 12in £300-500 528. Follower of John Frederick Herring Ducks and ducklings by a river Oil on canvas, circular 37cm; 14½in diameter £200-300

526. Henry Charles Bryant (1812-1890) A muscovy duck, cockerel and hens Signed Oil on board 25.5 x 27.5cm; 10 x 11in £300-500 528


124 529. Frederick Golden Short (1863-1936) Cornish coast possibly Kynance Cove Signed and dated 1908 Oil on canvas 41 x 53cm; 16 x 21in £300-500 530. Athanasei Scheloumoff (Russian 1912-1976) Hunting scene Signed 61 x 80cm; 24 x 31½in Provenance: Private Collection, Somerset £300-500

531. Angelo Jank (German 1868-1940) A horse race Signed Oil on canvas 36 x 55cm; 14 x 21½in Provenance: Private Collection, Somerset £300-500

529

530

532 532. William White Warren (1832-1915) St. Paul’s from the North East Dated twice May 27/67 Oil on paper 17.5 x 31.25cm; 7 x 12¼in £150-250

531

533 533. Samuel Bateman (19/20th Century) A passing storm near Shiplake on the Thames Signed and dated 1894 Oil on canvas 60.5 x 108cm; 24 x 42½in £300-500


125

534

535

534. Belgian School 19/20th Century Figures by a country house in winter Signed indistinctly Joseph F********** Oil on canvas 45.5 x 60cm; 18 x 23½in £300-500 535. Thomas Guggenberger (German (1815-1882) Sparchen Mühle, Kufstein Signed and inscribed Munchen Oil on canvas 60.5 x 80.5cm; 24 x 31¾in £200-300

536

537

536. English School 19th Century Studies of greyhounds A pair, both oil on canvas, unframed Each 25 x 35.5cm; 10 x 14in (2) £100-150

538 537. Attributed to Horatio Henry Couldery (1832-1893) The lurcher Bran Signed with a monogram, inscribed Bran on collar Oil on canvas 41 x 51cm; 16 x 20in £250-350

538. ‡ Hermanus Antonius Van Daalhoff (Dutch 1867-1953) A Dutch family by a cottage Signed Oil on panel 20.5 x 25.5cm; 8 x 10in Provenance: Private Collection, Somerset £150-250

539 539. ‡ Hugh Melvill Crowther (1914-2003) A Jack Russell in a landscape Signed and dated 1968 Oil on board 46 x 36cm; 18 x 14in Provenance: Private Collection, Somerset £200-300


126

INDEX OF ARTISTS A

Adams, John C Alberti, Cherubino Alken, Attrib. to Henry Anderson, John Corbet Angelico, After Fra Anglo Chinese School Arbotori, Foll. Of B Artigue, Andre Artz, David A C Astley, Attrib. to J Austrian School Avercamp, Manner of H

457 176 236 115 343 403 339 116 465 326 93 404

B

Baines, Henry 468 432 Barker of Bath, Thomas Barnard, Emily 218 131, 132 Barrett, George Barron, Hugh 346 100 Bartolozzi, Francesco 7 Bate, William Bateman, Samuel 533 Beaumont, Edouard C de 278 Beechey, Foll. Of William 392 302 Belcher, George 534 Belgian School Bell, Joseph & Son 260 315 Birch, Samuel J L Blacklock, William K 298 Blarenberghe, L-N van 92 242 Block, Louis Boase-Smith, William 230 Boddington, Henry J 394 193 Bogdani, Foll. Of Jacob Bonnefoy, Henri-A 451 156 Bourne, James Bradley, Basil 237 Brandeis, Foll. Of A 477 Breanski, Alfred F de 321, 416 Bright, Harry 219 Briguiboul, Marcel 383 Bristol School 211 Bristow, Edmund 412, 414, 418 336 British School  Brittan, Charles E 247 Bromley, William 446 Brooking, Charles 367 Bryant, Alfred M 408 Bryant, Henry C 526, 527 157 Bulman, Job Bunting, Thomas 292

C

Caille, Leon E 461, 462 Callow, John 299 245 Callow, William Calvert, Frederick 389 Cannon, William 231 385 Carpenter, Margaret S Carriera, Foll. Of Rosalba 203 Carter, Henry Barlow 198 Cheviot, Lilian 464 Chinese School 90 Chinnery, Foll of G 355 Chinnery, George 34 Chmielinski, Wladyslaw 309 Cicercia, Luigi 251 Clarke, A.  406 Clausen, Sir George 264 Collier, Thomas 290 Collingwood Smith, Wm 233, 397 Collingwood, William G 235 Collins, Charles 525 Constable, Circle of L 419 Continental School 11, 19, 31, 41, 86, 248, 344, 393, 420, 422, 427 Corbould, Aster R C 426 Corbould, Edward H 249 Cornielle, Foll of Michel 178 Corot, Foll. Of C J-B 444 Cort, Attrib. to Hendrik F de 358 Cosway, Foll. Of R 58 Cosway, Richard 51, 75 Couldery, Attrib. to H H 537 Courtois, Nicholas A 40

Cox, David 145, 146, 147, 148, 149, 150, 151, 152, 153, 154, 215, 216, 228 334 Cradock, Manner of M Craesbeeck, Joos van 384 Cristall, Joshua 171 409 Crome, John B Crowther, Hugh M 539 Cruikshank, Foll. Of Isaac 186 241 Cull, Alma Claude B

D

Daalhoff, Hermanus A 538 Daniel, Abraham 59, 71 Daniell, Thomas 104, 189 429, 430 Davis, John S Dawson, Nelson 261 Dayes, Edward 202 335 Demachy, Circle of P-A Deroche, Mathieu 60 Detmold, Edward J 280 Devis, Anthony 125, 126, 127, 128 Dicksee, Margaret I 455 Dicksee, Sir Frank 474 486 Dickson, William P Dixon, Alfred 458 318 Dodd, Francis E Dou, After Gerrit 361 513 Downie, John P Draper, Herbert J 282 256 Duffield, Mary E Dutch School 82, 83, 174, 177, 364, 369, 370, 436 Dyck, After Sir A van 167

E

Earlom, Richard 101 Easels 94, 95, 96, 97, 98, 99 117 Edwards, After Lionel Egginton, Wycliffe 291 Eisman-Semenowsky, E 469 England, E S 512 Engleheart, Circle of G 24 Engleheart, George 42, 45, 61, 63 English School 1, 2, 3, 4, 5, 9, 10, 14, 17, 22, 25, 26, 28, 37, 39, 44, 46, 47, 48, 49, 50, 57, 65, 67, 68, 70, 85, 87, 183, 195, 200, 232, 323, 324, 328, 331, 332, 340, 348, 349, 351, 353, 366, 392, 423, 428, 438, 466, 493, 494, 523, 236

F

Faed, Thomas 253 Ferraro, F 476 Fischer, Ann 479 Fisher, Mark 160 Flemish School 16, 345 Fletcher, William T B 498 Foster, Myles Birket 155 French School 21, 36, 179, 182, 337, 374 Frere, Charles Edouard 227 Frith, After William P 112 Fulton, Samuel 490 Fussell, A. 254

G

Galea, Luigi M 273 Gascoyne, Ethel Slade 303 Gaslin, P. 15 Geddes, Ewan 226 German School 27 Gibb, Thomas H 453 Gilder, Henry 172 Glover, John 133, 134 Godet, Julius 210 Goodwin, Albert 293 Green, David 234 Green, Valentine 103 Greenaway, Kate 279 Greiffenhagen, M W 501 Grose, Francis 201 Guggenberger, Thomas 535

H

Hagarty, Mary S Haines, William

199 20

Hall, Attrib. to Peter A 66 Halswelle, Keeley 459, 460 Hargreaves, Francis 23 357 Harlow, George H Harpignies, Henri J 295 Harris, Moses 169 106 Hart, William Hassam, After Childe 488 Hayes, Claude 304 208 Hayle, Charles Hayllar, Edith 499 Hearne, Thomas 165 Heins, John T 333 285, 514 Hemy, Charles N Herring, Foll. Of John 528 Hicks, George E 503 Hills, Robert 140, 141, 142, 144 Hobday, William A. 13 Hobden, Frank 456 437 Holder, Edward H 424 Holles, F Hopkins, After Wm H 510 Hoppner, Attrib. to J 378 347 Hoppner, John Horsley, Hopkins H H 431 504 Huggins, William Hughes, Edward 480 270 Hughes-Clayton, James Humphry, Attrib. to Ozias 191 38 Humphry, Ozias Hunt, Atttib. To Wm H 257

I

Indian School 91 Irish School  72 Italian School 84, 327, 359, 467

J

Jackson, J B of Batt’sea 110 12, 55 Jagger, Charles Jank, Angelo 531 Johnson, Edward K 255 Johnson, James 224 Jones of Bath, William 447 Jungman, Nico 262

K

Kemp-Welch, Margaret Kerrich, Rev. Thomas Kips, Alexander Kluyver, Pieter L Knell, William C Kneller, After Sir Godfrey Knewstub, Walter J Knowles, Davidson Kraftmeier, M. Kruger, Attrib to Franz

297 187 517 449 442 352 250 496 88 89

L

Laidlay, William J 509 Landseer, Charles 217 105 Lawrence, After Sir T Lawrence, School of Sir T 190 Lawrence, Sir Thomas 380, 391 Lear, Edward 222, 223 Ledoux, Jeanne-Ph. 74 Lees, Frederick J 311 Leeuw, Alexis de 484 Lefort, Jean 505 Lejeune, Armand 330 Lely, Circle of Sir Peter 371 Leprince, Circle of J-B 362 L’Hermitte, Leon A 263 Lidderdale, Charles S 481 Lines, Frederick J B 269 Linnell, Foll. Of John 405

M

MacDonald, Alexander Maris, Jacob M Martin, John H Master of Wire Line Matania, Fortunino Mauve, Anton Mauve, Attrib. to Anton McCallum, Andrew Melbye, Vilhelm Melcher-Tilmes, Jan H Mercier, Circle of Phillippe Meyer, Frederick W

316 267 417 175 450 281 519 497 425 489 341 483

Michie, James C 502 Mole, John H 317 Monnoyer, Foll. Of J P 373 487 Morgan, John Morland, Foll. Of G 411 Morland, George 194, 407 252 Morrison, Robert E Morton, E H 2687 Muller, William James 188 463 Myles, John

N

Nattes, After John C 113 Nicholson, Francis 159, 213 Niemann, Attrib. to Ed J 401 8 Nixon, Attrib. to J. North American School 400 Northern European Sch 325 Orme, Daniel

O

192, 130

P

Paillou, After Peter 107 Parsons, Alfred W  259, 303 320 Parsons, J V R Parton, Ernest 518 Payne, After Charles J 118, 119 Payne, David 433 Payne, William 184 329 Peeters, Manner of B Pether, Sebastian 398 Petter, Attrib. to F X 387 239 Pilsbury, Wilmot Pitt, William 395 Place, George 77 Plimer, Andrew 56 Plimer, Foll. Of Nathaniel 18 Pocock, Nicholas 163, 164, 212 Pol, Christiaen van 81 Pollentine, Attrib. to A 520 Pope, Clara Maria 207 Powell, Joseph 135, 136, 137, 138, 139 204 Prout, Samuel Prud’hon, Circle of Pierre P 360 Pugin, After Augustus 109 Pyne, James Baker 271, 448

R

Raeburn, Attrib. to Sir H 379 Ramsay, Allan 386 Rembrandt van Rijn, After 322 Renaud, Charles J 491 Reni, After Guido 382 Reynolds, After Sir J 33, 102, 103, 350, 375 Reynolds, Manner of Sir J 356 Richards, Frank 276 Richmond, George 470 Rivers, Godfrey 243 Robbins, Thomas S 312 Roberts, After David 111 Roberts, David 192 Robertson, Andrew 52, 76 Robertson, George 205 Robinson, P 492 Roch, Sampson T 54 Roe, Clarence H 454 Romney, After George 377 489 Ronner-Knip, After H Ronner-Knip, Attrib. to H 524 Roos, Foll. Of Philipp 338 Rouvier, Pierre 73 Rowbotham, Charles 244, 310, 320 Rowbotham, Thomas L 246 Rowlandson, Thomas 180 Russell, John 64 Ruthart, Carl B A  410

S

Saunders, Charles L Scarborough, Fred’k W Scheloumoff, A Scott, Lady Caroline L Scouler, James Senape, Antonio Shayer, Circle of Wm  Shelley, Samuel

197 307 530 300 29 185 434 30, 79

Shepherd, George S 313 Shepherd, Lewis B 214 Sherrard, Florence E 277 Shirreff, Charles 53 529 Short, Frederick G Sibbons, Gudrun 522 Simkin, Richard 206 308 Simpson, Circle of Wm Slater, Isaac Ware 35 Smart, John 62 Smetham, James 482 Smith, John Warwick 173 Smith, Lucy Bentley 220 Snape, Martin 229, 240 Soyer, Paul Constant 225 Spalding, Charles B 507, 508 Spencer, Circle of G. 6 445 Spitzweg, Foll. Of Carl Staaten, Louis van 294 Stanfield, Clarkson 272 Stanfield, William C 221 275 Stanhope Forbes, E A  Stanley, Dorothy 500 Stanton, Rose E 274 396 Steinkopf, Johann F Stock, Francis R 314 Stockman, Oliver 443 421 Stoitzner, Konstantin Storck, Studio of Jacobus 381 506 Stretton, Philip E Sunderland, Thomas 170 Sutcliffe, Lester 296 Swagers, Frans 363

T Teddy495 Thorburn, Archibald 288, 289 Thors, Joseph 521 Tiarini, Attrib. to A 372 301 Tonge, Louis van der Troivaux, Jean B D 69 Turner, After J M W 108 Turner, Attrib. to J M W 166

U Unger, Christian W J

43

V Varley, John 121, 122, 123, 124 Verboeckhoven, Attb. to L 475 Verboeckhoven, Louis C 435 Verheijen, Jan H 388

W Waite, Edward W 478 Ward, Edward M 254 Ward, James 181 Warren, William W 532 Waterford, Louisa M of 258 Watts, James T 286, 287 Weaver, Circle of T 415 West Indies School 402 Whaite, James 238 Wheeler, John A 413 Whistler, Attrib. to JAM 283, 284 Wille, Pierre A 354 Williams, Edward 399 Williamson, Daniel A 365 Wilson, Benjamin 342 485 Wilson, John J Wimperis, Edmund M 305, 439, 440, 441 Wint, Peter de 161, 162, 196 Wood, William 78, 80 Woodward, Thomas 452 Woollett, William 158 Wouwerman, Circle of P 390 Wyllie, Attrib. to W L 516 Wyllie, William Lionel 120, 265, 266, 515 Wynants, Foll. Of Jan 376

Z Zampis, Anton Zommer, Richard K

209 471, 472, 473


Clarice Cliff, Art Deco & Design Wednesday 29th March 2017

Dodo Burgner (1907-1998) Fashion Study Estimate: ÂŁ600-1,000

Enquiries: Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk


Asian Art Tuesday 16th & Wednesday 17th May 2017

A rare Chinese blue and white ovoid vase, Kangxi 1662-1722, 45cm Estimate: £15,000-20,000

Enquiries: John Axford | Tel:+44 (0)1722 424506 | jea@woolleyandwallis.co.uk


Modern British & 20th Century Art Wednesday 7th June 2017 Entries are being accepted for this sale

Mary Fedden RA (1915-2012) Still life of lilies and fruit, signed and dated 1997, oil on board, 40 x 50cm Provenance: Bought directly from the artist, January 18th, 1998 Estimate: ÂŁ6,000-8,000 Enquiries: Victor Fauvelle | Tel:+44 (0)1722 424503 | vf@woolleyandwallis.co.uk Jo Butler | Tel:+44 (0)1722 424592 | jb@woolleyandwallis.co.uk


Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom. com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. a  uthorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. c  onfirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk 01264 360 333 Mailboxes info@mbeandover.co.uk www.mbe.co.uk/andover 0845 465 0564 Pack & Send sales@packsend.co.uk www.packsend.co.uk Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.


PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Debit cards: Delta, Switch, Connect

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 €50,000.01 - 200,000 3% 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

FIREARMS Lots marked ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.


Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley and Wallis valuations are accepted by all leading insurance companies.

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TESCO Due to the one-way system of Salisbury please follow the red route when driving from Salt Lane to Castle Street. Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street

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AUCTION TECHNOLOGY GROUP


Woolley & Wallis Absentee Bid Form Old Masters, British & European Paintings with Portrait Miniatures Wednesday 15th March 2017 PW150317

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in this Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)���������������������������� ��������������������������������������������������� Address�������������������������������������������� ��������������������������������������������������� ��������������������������������������������������� _________________________ Postcode ����������������� Daytime Telephone���������������������������������� Signature������������������������������������������� There is no surcharge for debit card payments, but for credit cards there will be a 2% + VAT surcharge. ID is required for all first time bidders.

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief Description

Price excluding buyer’s premium & VAT


SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.


Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque five weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate. 2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR PURCHASES

NON-PAYMENT

OR

FAILURE

TO

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions


9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

Glossary

(a)

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

(b) (c) (d)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. Dimensions are given height before width. Pictures are framed unless otherwise stated.

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(g) (h)

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

(e) (f)

(i) (j) (k)

ARTIST’S RESALE RIGHT / DROIT DE SUITE

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500


Specialist Departments

Auction Calendar

Please dial +44 (0)1722 followed by the number listed below

Asian Art John Axford MRICS ASFAV Alex Aguilar Doméracki  Freya Yuan Marta Olszewska English & European Ceramics & Glass Clare Durham

424506 424583 424589 424591

424507

Furniture, Works of Art & Clocks Mark Richards  Jim Gale Suzy Becsy

411854 339161 411859

Jewellery Jonathan Edwards FGAA  Marielle Whiting FGA

424504 424595

Paintings Victor Fauvelle Jo Butler

424503 424592

Silver Rupert Slingsby Lucy Chalmers 

424501 424594

20th Century Design Michael Jeffery Zoe Smith

424505 329477

Tribal Art & Antiquities Will Hobbs Gemma Bush

339752 339752

Arms & Armour, Coins & Medals Ned Cowell Gemma Bush

341469 341469

Arms & Armour, Medals & Coins and Militaria 28th March 2017 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk

Valuations for Insurance & Probate Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA 

424509 424598

Marketing Tamzin Corbett

424590

Accounts Janice Clift (Office Manager)

424500

General Office Pauline Jones Sharon Ringwood Nicola Young Kirstie Tapper Saleroom Manager David Jordan

Silver 25th & 26th April 2017 – Fine Silver & Objects of Vertu Including The Arthur Holder Collection Part III Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk

424500

Jewellery 27th April 2017 – Fine Jewellery Jonathan Edwards +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Asian Art 16th & 17th May 2017 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk

John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart FRICS FRSA Managing Director

Associate Directors Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

Furniture, Works of Art & Clocks 12th April 2017 Mark Richards +44 (0) 1722 411854 • mr@woolleyandwallis.co.uk

424500

Board of Directors Paul Viney ASFAV Chairman

Company Secretary James Macarthur CA

20th Century Design 29th March 2017 – Clarice Cliff, Art Deco & Design 21st June 2017 – Arts & Crafts 22nd June 2017 – A Private Collection of Burmantofts Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk

424599

English & European Ceramics & Glass 23rd May – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk Paintings 7th June 2017 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk 20th Century Design 21st June 2017 – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk


WOOLLEY & WALLIS

WOOLLEY & Wallis SALISBURY SALEROOMS

Old Masters, British & European Paintings with Portrait Miniatures Wednesday 15th March 2017

P aintings W ednesday 15 th M arch 2017

www.woolleyandwallis.co.uk

Woolley & Wallis Old Masters, British & European Paintings with Portrait Miniatures  

Wednesday 15th March 2017

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