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WOOLLEY & WaLLis SALISBURY

A siAn A rt i

W ednesdAy 13 th n ovember 2013

www.woolleyandwallis.co.uk

WOOLLEY & WaLLis SALISBURY SALEROOMS

威立士

asian art i

Wednesday 13th November 2013


Specialist Departments Please dial +44 (0)1722 followed by the number listed below

AsiAn Art John Axford MRICS ASFAV Sophie Lister Alexandra Doméracki Freya Yuan CloCks Richard Price English & EuropEAn CErAmiCs & glAss Clare Durham Alexandra Doméracki FurniturE Will Hobbs Mark Richards Jim Gale

424506 424591 424506 424506

07741 242421

424507 424507

339752 411854 339161

424504 424595

modErn British Art Michael Jeffery Victor Fauvelle

424505 424503

424503 424592

silvEr Rupert Slingsby Lucy Chalmers

424501 424594

20th CEntury dEsign Michael Jeffery

424505

triBAl Art Will Hobbs

339752

424590

ACCounts Janice Clift (Office Manager) Ruth Pike

424500 424599

gEnErAl oFFiCE Linda Garthwaite Pauline West Sharon Ringwood Nicola Young

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BoArd oF dirECtors Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart FRICS FRSA Managing Director CompAny sECrEtAry Jim Macarthur CA AssoCiAtE dirECtors Janice Clift Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

Catalogue £20.00 (£25.00 by post) (£30.00 by post outside Europe)

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

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424509

mArkEting Tamzin Corbett

sAlEroom mAnAgEr David Jordan

JEwEllEry Jonathan Edwards FGAA Marielle Whiting FGA

pAintings Victor Fauvelle Jo Butler

vAluAtions For insurAnCE & proBAtE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424599


Asian Art i

亞洲藝術品 I

Wednesday 13th November 2013 at 10.30am Viewing Times London Selected highlights for Asian Art in London at Brian Haughton, 15 Duke St, St James SW1Y 6DB John Axford

Sophie Lister Alexandra Doméracki

Freya Yuan

John Axford +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk

Sophie Lister +44 (0)1722 424591 sophielister@woolleyandwallis.co.uk

Freya Yuan +44 (0)1722 424506 freyayuan@woolleyandwallis.co.uk

Alexandra Doméracki +44 (0)1722 424506 alexdomeracki@woolleyandwallis.co.uk

Monday 4th November 10.00am – 4.30pm Tuesday 5th November 10.00am – 4.30pm Salisbury Saturday 9th November 10.00am – 1.00pm Monday 11th November 10.00am – 5.00pm Tuesday 12th November 10.00am – 7.00pm Wednesday 13th November 9.00am – 10.30am

Trains from London There are regular trains from London Waterloo to Salisbury Waterloo to Salisbury – at twenty past and at ten minutes to the hour Salisbury to Waterloo – at twenty past and fifteen minutes to the hour The journey takes approximately 90 minutes 每天有定時的火車來往于倫敦滑鐵盧和索爾茲伯里之間, 滑鐵盧 – 索爾茲伯里的出發時間:在每個小時的二十分和五十分發車。 索爾茲伯里 – 滑鐵盧的出發時間:在每個小時的二十分和四十五分發車。 倫敦與滑鐵盧的車程需要九十分鐘左右。 **注:本中文條款如有任何詮釋上的問題,一概以英語版本為準

新浪微博 @艾思福

Condition of lots Please note that the condition of lots is not stated in the catalogue descriptions. Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults.

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品相報告 競買人應於拍賣之前的預展中視察拍品。純為方便買家威立士可以在拍賣開始前 提供品相報告,但未記載的品相報告並不代表其品相完美,如果您有需要請聯繫 我們咨訊相關信息。

Please note that registration to bid will close at midday GMT on Tuesday 12th November

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Wednesday 13th november at 10.30am

Enid and Brodie Lodge - lots 1-16 Francis Brodie Lodge (1880-1967) was the son of the scientist Sir Oliver Lodge. One of twelve children, he and his brother Alec started the firm of Lodge Brothers, which later became the highly successful Lodge Plugs firm. Francis and his wife Enid married in 1929, and lived at Flore House, Northamptonshire. They were first inspired to build their extensive and varied collection of Chinese Art after viewing the 1935-6 Royal Academy Exhibition, which they visited some twenty-four times! Francis and Enid were clients of Sparks and Sydney Moss, and on the advice of the latter became members of the Oriental Ceramic Society. They soon included Sir Percival David, Sir Alan Barlow, George Eumorfopolous and many others as great friends. Their collection, which specialised in Longquan celadons, also included early bronzes, Tang and Song wares and Ming and Qing porcelains. Pieces were included in the Society’s exhibitions in the 1940s and 50s, and three pieces were even lent for the 50th anniversary exhibition, The Ceramic Art of China, in 1971. 伊妮得和布羅迪•羅傑 Enid and Brodie Lodge (拍品編號1-16) 弗朗西斯·布羅迪·羅傑(Francis Brodie Lodge 1880-1967)是科學家歐立夫·羅傑(Oliver Lodge)的十二個兒子之一。布羅迪·羅傑和 他的兄弟布萊克·羅傑(Blec Lodge)是羅傑兄弟公司的創始人,這家公司就是之後非常成功的羅傑加公司。 1929年,布羅迪·羅傑和他的妻 子伊妮得在北安普頓的芙羅拉莊園喜結連理。在參觀了24次皇家學院1935年的展覽之後,羅傑夫妻踏上了他們收藏中國藝術品的旅程。在對中 國藝術的強烈興趣促使下,他們加入了歐洲東方藝術協會(Oriental Ceramic Society)并成為了Sparks和Sydney Moss的座上賓。不久以後, 他們便和普瑟夫·大威德先生、艾倫·巴羅、喬治·艾莫福普洛斯、等其他古董商及收藏家成爲了密友。羅傑夫婦的收藏在歐洲東方藝術協會 1940年代和1950年代的展覽中展出,主要有龍泉青瓷,并囊括早期青銅器、唐宋及明清瓷器。值得一提的是,他們的收藏中有三件藝術品在 1971年中國瓷器藝術的50周年慶上展出。

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1. A rare Chinese pale celadon jade squirrel, 18th century, finely carved with its ears flattened against its body and a wide-eyed expression, its paws outstretched with a bushy tail curling around its body, the stone with russet markings, paper label for John Sparks Ltd, 6.3cm. £2,000-3,000 Provenance: from the collection of Brodie and Enid Lodge of Flore House, Northamptonshire, and thence by descent. Cf. Duke’s, Jades and hardstones from Melplash Court, Dorset, 23rd September 2010, lot 1042 for a similar example. 十八世紀 青白玉雕松鼠擺件 來源:伊妮得和布羅迪•羅傑收藏


2. A Chinese white jade carving of a kylin and her a cub, 18th century, recumbent and facing one another with their muzzles touching, the mother with a curled horn and finely defined mane across her back, the stone with russet striations, 5.4cm. £5,000-8,000 Provenance: from the collection of Brodie and Enid Lodge of Flore House, Northamptonshire, and thence by descent. 十八世紀 白玉雕少獅太獅擺件 來源:伊妮得和布羅迪•羅傑收藏

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3. A massive Chinese celadon glazed vase, 18th/19th century, the globular body painted to each side with a shaped panel in underglaze blue, depicting extensive mountainous landscapes with small figures, incised with a key fret ground and shou characters, a band of stiff leaves to the neck, the handles moulded as large curling leaves, paper collection label, a carved hardwood stand, 71.4cm. (2) £10,000-20,000 Provenance: from the collection of Brodie and Enid Lodge of Flore House, Northamptonshire, and thence by descent. Formerly the collection of Sir John Wormald, purchased from the Springs sale on the 22nd September 1933 for five guineas. 十八/十九世紀 青釉開光青花山水大瓶 來源:伊妮得和布羅迪•羅傑收藏


4. A Chinese blue and white ovoid jarlet and cover, Qianlong 1736-95, painted with an archaistic dragon design between bands of spearhead and stiff leaves, the cover with a flowerhead, paper collection label, 6.2cm. (2) £1,500-2,500

5. A Chinese blue and white bowl, c.1600, painted to the exterior with a continuous scroll of fruiting peach, lotus and chrysanthemum, the base with a six character Xuande mark, paper collection label, a hardwood stand, 13.4cm. (2) £2,000-3,000

Provenance: from the collection of Brodie and Enid Lodge of Flore House, Northamptonshire, and thence by descent. Formerly the collection of Field Marshal Earl Kitchener of Khartoum (1850-1916).

Provenance: from the collection of Brodie and Enid Lodge of Flore House, Northamptonshire, and thence by descent.

Purchased from Moss on the 9th December 1938 for £1 5s. 清康熙 青花螭龍紋小蓋罐 來源:伊妮得和布羅迪•羅傑收藏,1938年12月9日以£1從Moss購 得,由霍雷肖·赫爾伯特·基欽納(1850-1916)舊藏

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Purchased from Moss on the 1st October 1964 for £50. 1600年代 青花富貴連壽小碗 來源:伊妮得和布羅迪•羅傑收藏,1964年10月1日以£50從Moss購得


6. A rare Chinese blue and white stem bowl, Jiajing 1522-66, painted with scholars and attendants in gardens amidst pine, playing board games and conversing, the body raised on a high foot painted with rockwork and clouds, paper collection label, together with a fitted hardwood stand, 10.5cm. (2) £5,000-10,000 Provenance: from the collection of Brodie and Enid Lodge of Flore House, Northamptonshire, and thence by descent. Purchased from Bluett’s on the 10th November 1938 for £6. Cf. Christie’s Hong Kong, 30th November 2011, Lot 2923 for a related bowl with a floral design. 明嘉靖 青花人物故事紋高足碗 來源:伊妮得和布羅迪•羅傑收藏,1938年11月10日以£6從Bluett’s購得


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7. A Chinese pale celadon jade archer’s ring, 18th/19th century, carved with two chilong encircling the flared cylinder, 5.3cm. £500-1,000 Provenance: from the collection of Brodie and Enid Lodge of Flore House, Northamptonshire, and thence by descent. 十八/十九世紀 青玉雕螭龍環 來源:伊妮得和布羅迪•羅傑收藏

8. A small Chinese white jade circular plaque, 18th century, carved in shallow relief as a fish, with its mouth open and with swirling fins to the neck, 3cm. £500-1,000 Provenance: from the collection of Brodie and Enid Lodge of Flore House, Northamptonshire, and thence by descent. 十八世紀 青白玉雕筆筒 來源:伊妮得和布羅迪•羅傑收藏

9. A Chinese celadon jade bitong, 18th century, carved to the exterior in shallow relief with small plants emerging from rocky mountainous outcrops, the cylindrical body raised on three short ruyi-shaped feet, a hardwood stand, 8.3cm. (2) £500-1,000 Provenance: from the collection of Brodie and Enid Lodge of Flore House, Northamptonshire, and thence by descent.

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十八世紀 白玉雕魚化龍佩 來源:伊妮得和布羅迪•羅傑收藏


10. A rare Chinese celadon jade archaistic small bell, 18th/19th century, carved to the exterior in shallow relief with taotie masks and scrolls and with a pierced surmount, 5.3cm. £1,000-2,000 Provenance: from the collection of Brodie and Enid Lodge of Flore House, Northamptonshire, and thence by descent. Cf. Littleton & Hennessy, Jade Handling Pieces, 2011, no.4 for another small jade archaistic bell. 十八/十九世紀 青白玉雕仿古饕餮編鐘 來源:伊妮得和布羅迪•羅傑收藏


11 11. A Chinese blue and white cylindrical jar, 17th century, painted with a panel to each side, one depicting a scholar reading beneath a gnarled branch, the other a gentleman with attendants, one with a canopy, another a teapot, all on a cracked-ice ground with large peony blossoms, 27cm. £2,000-3,000 Provenance: from the collection of Brodie and Enid Lodge of Flore House, Northamptonshire, and thence by descent. 十七世紀 青花開光人物花卉紋罐 來源:伊妮得和布羅迪•羅傑收藏

12 12. A Chinese blue and white bottle vase, Kangxi 1662-1722, the globular body painted with vases and double gourds suspended from ribbons, the tapering neck with flowering foliate scrolls between bands of ruyi-heads, paper collection label, 30.1cm. £1,500-2,500 Provenance: from the collection of Brodie and Enid Lodge of Flore House, Northamptonshire, and thence by descent. Cf. C J A Jörg, Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam, The Ming and Qing Dynasties, p.108 no.103 for a similar bottle. 清康熙 青花博古圖花卉紋膽瓶 來源:伊妮得和布羅迪•羅傑收藏

13. A Chinese blue and white ovoid jar, Kangxi 1662-1722, painted with a continuous design depicting dense grape vines, bamboo issuing from rockwork and with many squirrels clambering upon the vines and fruit, paper collection label, a hardwood cover carved with prunus and a hardwood stand, 21.4cm. (3) £1,000-2,000 Provenance: from the collection of Brodie and Enid Lodge of Flore House, Northamptonshire, and thence by descent. Formerly the collection of Sir John Wormald. Cf. The World’s Great Collections, Oriental Ceramics, Vol.7, Musee Guimet, Paris, no.108 for a Kangxi bowl of this design. The vine and squirrel, songshu putao, when seen together represent the wish for ceaseless generations of male descendants.

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清康熙 青花松鼠葡萄蓋罐 來源:伊妮得和布羅迪•羅傑收藏,由約翰·沃夢德舊藏


14. A rare Chinese blue and white square bowl, six character Jiajing mark and of the period 1522-66, painted with figures in a rocky garden beneath pine, playing musical instruments and games, the interior with a rectangular panel containing two figures, paper collection label, 9.6cm across. £3,000-5,000 Provenance: from the collection of Brodie and Enid Lodge of Flore House, Northamptonshire, and thence by descent. Purchased from Bluett’s on the 7th June 1961 for £95. 明嘉靖 青花雜耍圖方碗 《大明嘉靖年制》青花楷書款 來源:伊妮得和布羅迪•羅傑收藏,1961年6月7日以£95從Bluett’s購得


15. A rare Chinese miniature ding yao model of a boy, Southern Song dynasty, lying on his stomach and resting on his left forearm, his legs crossed behind, paper collection label, 5.5cm. £300-500 Provenance: from the collection of Brodie and Enid Lodge of Flore House, Northamptonshire, and thence by descent. Purchased from Moss on the 21st June 1949. 南宋 定窯童子擺件 來源:伊妮得和布羅迪•羅傑收藏

16. A Chinese bronze tripod incense burner and stand, 18th century, the compressed circular body with loop handles, the base with a Xuande mark, the stand cast with a wave design and with ruyi-shaped feet, the surface with a red-brown patina, 15.5cm dia. (2) £2,000-3,000 Provenance: from the collection of Brodie and Enid Lodge of Flore House, Northamptonshire, and thence by descent. 十八世紀 銅沖天耳三足爐及如意底座 《大明宣德年制》楷書款 來源:伊妮得和布羅迪•羅傑收藏

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17. † A Chinese hardwood four-fold screen, 19th century, inset with sixteen blue and white porcelain panels, decorated with figures in watery landscapes, each mounted in a reticulated panel decorated with fruiting vine leaves, 184.5cm x 180cm. (4) £6,000-8,000 十九世紀

硬木嵌青花山水人物四扇屏

18. A Chinese hardwood reticulated screen frame and stand, 19th/20th century, elaborately carved with bamboo, chrysanthemum and other foliate scrolls, the top with swathes and prunus flowers, the stand similarly decorated with flowers and fruit, 109cm x 71cm. (2) £6,000-8,000 十九/二十世紀

硬木雕富貴長壽插屏

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19. Ω A Chinese gilt bronze figure of Amitayus Buddha, 18th century, seated in vajrasana, wearing an elaborate headdress and with hair secured in a high chignon, adorned with beaded necklaces and turquoise, holding a vase of longevity, all raised on a double lotus base, 20.9cm. £5,000-8,000 十八世紀

銅鎏金無量壽佛坐像

20. A Tibeto-Chinese gilt bronze figure of White Tara, 18th century, elaborately cast with beaded jewellery and a five-jeweled headdress, her hair in a high chignon, the palms and soles incised with eyes, seated on a double lotus base in dhyanasana, her left hand in vitarkamudra, her right in varadamudra, with large lotus sprays at her shoulders, her face with a central third eye and a serene expression, 17cm. £6,000-8,000 十八世紀

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銅鎏金白度母坐像


21. A rare Chinese gilt bronze figure of Vajrasattva, 15th century, seated in a lotus position, wearing an elaborate headdress upon a high chignon and adorned with jewellery and ribbons, holding a silver vajra in one hand and a bell in the other, raised on a high double lotus base, 13.6cm. £10,000-20,000 Cf. The Complete Collection of Treasures in The Palace Museum, Buddhist Statues of Tibet, p.175 for a similar figure in gilt copper also dated to the 15th century. 十五世紀

銅鎏金金剛勇識菩薩坐像

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22. A Chinese gilt bronze model of a seated figure, 18th/19th century, wearing long flowing robes decorated with dragon roundels and a tall hat with a ruyi-head to the front, holding a gourd-shaped vase in his left hand, a fitted wood stand, 35cm. (2) £500-1,000 十八/十九世紀

銅鎏金道教人物坐像

23. A Chinese gilt bronze figure of Guanyin, 17th century, seated wearing an elaborate headdress and circular earrings, her right hand raised, her left holding a small flask, the surface with traces of cold painted lacquer and gilding, 21.5cm. £1,000-2,000 十七世紀

銅鎏金觀音坐像

24. A Chinese lacquered and gilt bronze figure of Shoulao, Ming dynasty, sitting in a formal pose on the back of a deer, the hexagonal plinth with two leaf-shaped apertures, an inscription to the reverse which reads kai huang shi liu nian er yue shi wu, Wang Jia Yao da fu jing zao fo yi qu jia, which translates as ‘made in the 16th year, kai huang, on the 15th February, by Yang Jia Yao’ corresponding to 596 AD, 35.5cm. £2,000-3,000 明 銅鎏金彩漆壽老坐像 銘文:開皇十六年二月十五王賈夭大夫敬造佛一區佳

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25. A Chinese gilt bronze figure, late Ming dynasty, seated on a high plinth, wearing flowing robes with her right hand resting on her knee, a vase above her right shoulder, a bird of prey above her left, the surface with cold painted enamels, 39cm. £1,500-2,500 明晚期

銅鎏金觀音坐像

26. A large Chinese bronze figure of Xi Wang Mu, the Mother of the West, Ming dynasty, seated on a throne with an elaborate phoenix headdress, down-cast eyes and holding a hu tablet in both hands before her chest, the elaborate flowing robes cast with scrolling foliage to the borders, traces of gilding and cold painting, 42.5cm. £8,000-10,000 明

銅西王母坐像

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27. A Chinese bronze incense burner, probably late Ming dynasty, with two loop handles cast as sinuous dragons, the compressed circular body raised on three feet formed as elephants, a six character Xuande mark to the base, 24.2cm. £1,000-2,000 明晚期(可能) 銅龍耳象足爐 《大明宣德年制》楷書仿款

28. A Chinese bronze tripod incense burner, 18th century, heavily cast in shallow relief with three panels of Arabic script, the base with a four character Zhengde mark, 17cm. £1,000-2,000 Cf. S Jenyns and W Watson, Chinese Art, Vol. II, p.93, pl.59 for a related vessel in the British Museum. 十八世紀 銅梵文三足爐 《正德年制》篆書款

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29. A Chinese parcel-gilt bronze water dropper, 17th century, in the form of a recumbent water buffalo with a small boy clambering on his back, the hardwood stand reticulated and carved with lingzhi, 11.5cm. (2) £1,500-2,500

30. A Chinese bronze incense burner and cover, 18th/19th century, formed as a large recumbent Buddhist lion dog, the cover a figure seated on its back with a tall headdress, holding a ruyi sceptre in one hand, 26.5cm. (2) £800-1,200

十七世紀

十八/十九世紀

銅鎏金牧童水盂

銅鎏金文殊菩薩像香熏

31. A massive Chinese bronze incense burner, 19th century, cast in relief with figures surrounding a hare making the longevity potion in a fenced garden, with pagodas amidst rocky outcrops and leafy trees, the compressed circular body with ring handles, the base with two five-clawed dragons contesting a flaming pearl, encircling a six character mark which reads da tang zhen ding nian zhi, a hexagonal hardwood stand, 45cm. (2) £2,000-3,000 十九世紀 銅玉兔搗藥大香爐 《大唐真定年制》仿款

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32. A Chinese gilt bronze belt buckle and three gilt bronze belthooks, 19th century, all with dragon head terminals, 11.8cm max. (5) £500-800 Provenance: from the collection of Luís Esteves Fernandes (1897-1988). 十九世紀 銅鎏金螭龍紋帶扣、帶鉤 一組四件 來源:路易斯•艾斯塔凡•法納得收藏(1897-1988) 33. A Chinese gilt bronze belt buckle, 19th century, each oval plaque with a reticulated articulated Buddhist lion dog, clutching a brocade ball, 10.5cm. (2) £500-1,000 Provenance: from the collection of Luís Esteves Fernandes (1897-1988). 十九世紀 銅鎏金獅戲球帶扣 《天成》款 來源:路易斯•艾斯塔凡•法納得收藏(1897-1988) 34. Two Chinese gilt bronze belt buckles, 19th century, one with reticulated oval panels, the other cast with scrolling dragons, and another part-buckle, 10.2cm. (5) £300-500 Provenance: from the collection of Luís Esteves Fernandes (1897-1988). 十九世紀 銅鎏金螭龍紋帶扣 一組三件 來源:路易斯•艾斯塔凡•法納得收藏(1897-1988)

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36. A Sawasa ware gilt metal tobacco box, 17th/18th century, of oval form with a hinged cover, cast in relief to each side with a shaped panel containing flowering prunus and pine, pagodas and birds in flight, with three similar narrow panels to the sides, the interior gilt, a fitted leather box, 10cm. (2) £1,500-2,500 35. A large Chinese gilt bronze stand, Ming dynasty, cast as eight layers of overlapping lotus petals, the flared foot cast with a single band of lappets, 23.5cm. £1,500-2,500 明

銅鎏金蓮花座

Provenance: brought to the UK c.1850, by repute. Cf. Sawasa, Japanese Export Art in Black and Gold, Rijksmuseum, Amsterdam, pp.57-9 where comparable boxes are illustrated. 十七/十八世紀 鎏金銅花鳥鼻煙盒 來源:1850年代購得幷帶回英國

37. A Chinese paktong basin, 19th century, engraved and with enamelled details with scenes of many children at play and before pagodas, within borders of shou characters, bats and flowerheads, the flattened rim with vases of flowers and lingzhi, swords, lotus pods and other auspicious things, the rim marked Dian Nan Tian Bao Zhai, Hao Zhi, (the studio and family name of the commissioner), 43.5cm. £1,500-2,500 十九世紀 白銅福壽嬰戲圖大盆 《滇南天寶齋郝製》

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The Art of Tiehua Lots 38-42 Chinese iron pictures, or tiehua, were developed in the 17th century in the city of Wuhu, in the Anhui province, not far from modern Shanghai. Tiehua translates literally as ‘iron flowers’ and the technique started life as hammered iron candle holders in the shape of flowers, made for Buddhist temples. From here, the technique was developed, primarily by Wuhu blacksmith Tang Peng (also known as Tang Tienchi), as an emulation of the Chinese brush paintings by great masters. Tang Peng was aware of the superior talent of his neighbour, the famous painter Xiao Yuncong, and turned to his skills with forged iron to produce artworks of his own. The stark contrast of black forged iron against a pure white ground provided stunning images to rival their two-dimensional equivalents. In the 18th century, the art of tiehua spread to Beijing where the pictures drew the attention of the city’s scholars and dignitaries, who wrote poems and essays to document their beauty and the talent of the blacksmiths that produced them. In the late 19th century, travellers to the Far East brought examples of tiehua back to Europe and in the first half of the 20th century examples began to be preserved in museums and galleries, with notable examples remaining on display today in the British Museum. 鐵畫藝術 中國鐵畫起源於十七世紀的安徽蕪湖,為湯鵬所創。蕪湖地理位置靠近中國佛教四大名山之一的九華山,眾多香客及遊客皆喜購買蕪湖產 出的鐵花枝及鐵花燈,作為上山敬佛之用。源於此得天獨厚的天時地利優勢,當時蕪湖鐵業十分興盛,擁有來自五湖四海的技藝精湛的鑄鐵工 匠。鐵畫,又稱鐵花,主要是借鑒國畫的水墨章法,並吸取了剪紙和木雕的長處,是用鐵片和鐵絲焊接製作而成的藝術品,有山水人物,花鳥 魚虫等題材,通常涂成黑色或棕紅色。湯鵬(1644-1722),字天池,少時為鐵工,與畫家肖雲從(1596-1673)為鄰,湯鵬被其精妙的國畫 技能所吸引創作出鐵畫,一經問世便在當地廣受好評。十八世紀中期,湯鵬製作的鐵畫流傳到了北京,清代的陆以湉在《冷庐杂识·铁画》寫 道:“ 芜湖铁工汤鹏,能揉铁作画,花竹虫鸟,曲尽生致。又能作山水屏障,好事者以木范之,悬於壁。或合四面成一灯。锤铸之巧,前此未 有。” 由此可見,湯鵬的鐵畫不僅為普通老百姓所喜愛,更受文人及達官貴人的追捧。十九世紀末,鐵花藝術被傳教士發現並帶回歐洲,由此 鐵畫掛屏便被展示在各種博物館和畫廊中供人欣賞,其中比較著名的幾幅如今被大英博物館珍藏。

38. Ω A large and rare pair of dated Chinese iron pictures, tiehua, early 18th century, one depicting two small boats before distant mountains and with a single figure on a bridge between tree-lined islands, the other with a fisherman beneath trees, a small boat and further mountainous scenes, the former inscribed in ink qiu jiang yue du (autumn river beneath the moon), the latter feng yu gui zhou (the wind brings the boats back), and both with a three-column inscription including the artist Tang Peng and the date Kangxi yi you, which corresponds to 1705, each in a hardwood frame, 82cm x 113cm. (2) £5,000-8,000 Provenance: a private American collection, purchased from the descendants of John Reilly Jr., who acquired them in China c.1925-30. Exhibited: The Metropolitan Museum of Art, New York, October 1941, ‘Chinese Pictures in Iron - XVIII and XIX Centuries’. Cf. C Li, J C Y Watt, The Chinese Scholar’s Studio: Artistic Life in the late Ming Period, an Exhibition from the Shanghai Museum; Jenyns and Watson, Chinese Art: The Minor Arts; B March, “Iron Pictures: A Chinese Craft,” in Chinese Economic Monthly, vol. iii.; B March, “Iron In Art” in The Romance of Chinese Art; and “Iron in Art” in The Encyclopaedia Britannica, 14th Edition. See also The Complete Collection of Treasures of The Palace Museum, Furniture of the Ming and Qing Dynasties (II), p.204, no.177. John Reilly, Jr., was an American engineer with a passion for coin collecting that led him to amass the largest collection of Far Eastern coins in the world. After training as an engineer in Princeton (New Jersey), Reilly became an active member of the American Numismatic Society, acting as council member, treasurer and later, governor. In 1925, Reilly left his position at the Society and moved to China with his wife Alice, where it is possible he acquired the iron pictures. John Reilly, Jr. is still considered as one of the most influential members of the American Numismatic Society, which now owns and displays his large collection of coins. 十八世紀初 鐵花山水人物掛屏 一對 題識:秋江月渡,風雨歸舟 歲在康熙己酉清和月以應,蕪湖湯鵬製。 鈐印:(鈐印漫渙不清) 來源:1920-30年代由約翰·瑞利購自中國,之後由美國私人收藏 展覽:1941年十月于美國大都會博物館展出

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39. Ω Three small Chinese iron pictures, tiehua, early 18th century, two depicting large lotus flowers and leaves extending upwards, the third a small boat in an extensive river landscape beneath mountains and scrolling clouds, each within a hardwood frame, 90cm x 24.8cm max. (3) £1,500-2,500 Provenance: a private American collection, purchased from the descendants of John Reilly Jr., who acquired them in China c.1925-30. Exhibited: The Metropolitan Museum of Art, New York, October 1941, ‘Chinese Pictures in Iron - XVIII and XIX Centuries’. Cf. For reference refer to lot 38. 十八世紀初 鐵花山水及荷花掛屏 一組三件 來源:1920-30年代由約翰·瑞利購自中國,之後由美國私人收藏 展覽:1941年十月于美國大都會博物館展出

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40. Ω Three rare Chinese iron pictures, tiehua, early 18th century, each depicting flowering prunus issuing from a gnarled branch, each within a hardwood frame, 114.5cm x 37cm. (3) £1,500-2,500 Provenance: a private American collection, purchased from the descendants of John Reilly Jr., who acquired them in China c.1925-30. Exhibited: The Metropolitan Museum of Art, New York, October 1941, ‘Chinese Pictures in Iron - XVIII and XIX Centuries’. Cf. For reference refer to lot 38. 十八世紀初 鐵花臘梅掛屏 一組三件 來源:1920-30年代由約翰·瑞利購自中國,之後由美國私人收藏 展覽:1941年十月于美國大都會博物館展出


41. Ω Four rare Chinese iron pictures, tiehua, early 18th century, representing the Four Gentleman among Flowers with orchid, bamboo, chrysanthemum and prunus issuing from the base and extending upwards, each within a hardwood frame, 131cm x 37cm. (4) £3,000-5,000

42. Ω Four rare Chinese iron pictures, tiehua, early 18th century, each divided into three panels, one depicting a landscape scene with small figures and huts, the other panels with peony, lotus, bamboo and other plants, each within a hardwood frame, 122.2cm x 29.2cm. (4) £2,000-3,000

Provenance: a private American collection, purchased from the descendants of John Reilly Jr., who acquired them in China c.1925-30.

Provenance: a private American collection, purchased from the descendants of John Reilly Jr., who acquired them in China c.1925-30.

Exhibited: The Metropolitan Museum of Art, New York, October 1941, ‘Chinese Pictures in Iron - XVIII and XIX Centuries’.

Exhibited: The Metropolitan Museum of Art, New York, October 1941, ‘Chinese Pictures in Iron - XVIII and XIX Centuries’.

Cf. For reference refer to lot 38.

Cf. For reference refer to lot 38.

十八世紀初 鐵花四君子掛屏 一組四件 來源:1920-30年代由約翰·瑞利購自中國,之後由美國私人收藏 展覽:1941年十月于美國大都會博物館展出

十八世紀初 鐵花山水掛屏 一組四件 來源:1920-30年代由約翰·瑞利購自中國,之後由美國私人收藏 展覽:1941年十月于美國大都會博物館展出

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43. A Chinese rank badge, bu zi, mid-19th century, woven in Peking knot with a fly catcher standing on blue rocks above waves and auspicious things beneath the moon, bats and cloud scrolls, 32cm. £1,000-2,000 Provenance: purchased from Linda Wrigglesworth. 十九世紀 石青色緞繡九品文官補子 來源:從琳達•瑞格斯沃思購得

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44. An unusual Chinese rank badge, bu zi, mid-19th century, embroidered with a bear perched upon rocks above breaking waves beneath five bats, flanked by lingzhi and flowers, 29cm. £2,000-3,000 Provenance: purchased from Linda Wrigglesworth. 十九世紀中期 石青色緞繡五品武官補子 來源:從琳達•瑞格斯沃思購得

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45. A Chinese rank badge, bu zi, mid-19th century, woven with a white egret standing on rockwork above breaking waves with five bats and cloud scrolls, all beneath the moon, 31.5cm. £1,000-2,000 Provenance: purchased from Linda Wrigglesworth. 十九世紀中期 石青色緞繡六品文官補子 來源:從琳達•瑞格斯沃思購得

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46. A Chinese blue ground dragon robe, jifu, 19th century, decorated in gold with scaly five-clawed dragons and flaming pearls of wisdom amidst cloud scrolls, shou characters and bats above crashing waves, with bands containing smaller dragons bordered by key fret, 198cm across. £2,500-3,500 十九世紀

藍地江綢細繡福壽趕珠龍紋吉服

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47. A Chinese red ground dragon robe, 19th century, decorated in gold with five-clawed scaly dragons with flaming pearls of wisdom amidst cloud scrolls, auspicious objects, bats and ruyi, all above crashing waves, rockwork and chrysanthemum, 145cm across. £1,000-1,500 十九世紀

絳紅色緞彩綉八寶雲龍紋襯衣

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48. A Chinese gauze formal dragon robe, jifu, 19th century, decorated with a large confronting five-clawed dragon with a flaming pearl of wisdom, with smaller dragons, shou characters, bats and auspicious objects above crashing waves and rocks, all reserved on a maroon ground, with borders of key fret, 183cm across. £1,500-2,500 十九世紀

絳色緞彩綉趕珠龍紋福壽吉服

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49. λ A rare Chinese rhinoceros horn libation cup, 17th/18th century, carved as a large curling veined lotus leaf with flowers and buds encircling it, with peony, prunus and an insect in flight to one side, a crouching praying mantis to the other, a small crab clambering on the interior, the plants’ tangled roots forming a short foot, 8cm across, 9cm high, 171g. £30,000-50,000 Sold with a CITES pre-sale authorisation letter. A copy is available upon request. 十七/十八世紀

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犀角雕八方和諧杯


50. λ A large Chinese full tip rhinoceros horn carving, 1st half 19th century, elaborately carved and reticulated with a single large lotus leaf forming the cup, raised on a succession of terraces with figures, trees and other leaves rising up the shaft, the wood stand carved with figures on rockwork amidst pine trees, 65cm, 77cm overall, 1,467.5g. (2) £30,000-50,000 Sold with a CITES pre-sale authorisation letter. A copy is available upon request. 十九世紀

犀角透雕人物山水杯

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51. A rare Chinese red cinnabar lacquer fan-shaped box, cover and stand, 18th century, the flattened top carved in relief with figures beside a pagoda in a rocky bamboo grove, two examining a scroll, another small group playing chess, all within borders of key fret and with floral cell designs to the sides, the stand with four reticulated feet, the interior lacquered black, 38.9cm. (3) £10,000-15,000 Cf. D Clifford, Chinese Carved Lacquer, p.135, pl.108, where a similar box of the same size is illustrated. 十八世紀

剔紅人物故事扇形蓋盒

52. A large pair of Chinese red cinnabar lacquer quatre-foil vases, 19th/early 20th century, each moulded in high relief with panels of birds, flowers, foliage and rockwork, on an elaborate leaf and flower scroll ground, the borders with key fret bands, each with a six character Qianlong mark, 44.5cm. (2) £3,000-5,000 十九/二十世紀 剔紅花鳥紋瓶 一對 《大清乾隆年制》仿款

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53. A good Chinese bamboo bitong, 17th/18th century, carved in relief with figures in a rocky mountainous woodland, one crouched beside a river, another seated beneath pine, a pair walking between bamboo, the wood with a rich warm patina, 12.8cm. £3,000-5,000 十七/十八世紀

竹雕高士圖筆筒

54. A rare Chinese bamboo reticulated bitong, 17th/18th century, carved in relief to one side with a small group of scholars examining a scroll beneath dense pine, the reticulation suggesting a rocky landscape beyond, the wood with a deep patina, 15.3cm. £8,000-12,000 Cf. I Yee & L C S Tam, Chinese Bamboo Carving, Part II, p.199, no.9, for a related bamboo bitong, and also Poly Auctions, lot 7201, 5th June 2011. 十七/十八世紀

竹透雕松下論道筆筒

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55. A Chinese red cinnabar lacquer box and cover, 18th century, carved in shallow relief with a scholar leaning against a vase, with two attendant boys amidst rockwork and beneath pine, all on a geometric ground, the sides carved with swastikas, 9.9cm. (2) £2,000-3,000 十八世紀

剔紅人物故事方盒

56. A Chinese red cinnabar lacquer oval box and cover, 18th century, carved in relief to one side with the Immortal Han Zhong Li and an attendant boy floating on a large lotus leaf amidst waves, with a fish and a dog, a couple floating on plantain with a small bat flying above to the reverse, paper label for Spink & Son Ltd., 13.6cm. (2) £4,000-6,000 十八世紀 剔紅漢鍾離圓盒 Spink & Son Ltd 標籤

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57. A rare Chinese red cinnabar lacquer circular box and cover, Qianlong 1736-95, the cover carved in relief with five scaly five-clawed dragons with flaming pearls of wisdom on a dense cloud scroll, the body raised on a straight foot, 35cm. (2) £20,000-25,000 Cf. Spink & Son Ltd., The Minor Arts of China IV, p.13, no.3, and Bonhams, November 2012, lot 28 for a related box and cover; also The T T Tsui Galleries of Chinese Art, Royal Ontario Museum, 1996, no.126 for another related example. Two large cinnabar lacquer ‘nine dragon’ vases in The National Palace Museum with a similar decoration are illustrated in Compendium of Chinese Art, Hong Kong, p.199, no.124. See also Sotheby’s New York, Fine Chinese Ceramics and Works of Art, 21st September 2006, lot 66, for a related box and cover. 清乾隆

剔紅趕珠龍紋蓋盒

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57A. A Chinese red cinnabar lacquer dish, probably late 16th century, carved in relief with four boys playing blind man’s buff attended by three figures on a terrace before a pagoda with distant mountains flanked by pine, willow and maple trees, the border with ruyi-heads, the reverse with peony flowers and leaves, together with a hardwood stand, 31.5cm. (2) £1,500-2,500 Provenance: purchased in the late 1960s from Bearnes Auctioneers. Cf. Christie’s Hong Kong, Important Chinese Lacquer from the Lee Family, Part II, Tuesday 1st December 2009, lot 1812 for a related box and cover. 十六世紀晚期(可能) 剔紅人物故事如意紋盤 來源:1960年代晚期購自Bearnes拍賣行

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58. λ A Chinese ivory figure group, 1st half 20th century, with a scholar sleeping at his desk, an ink stone, water pot and writing implements at his side, behind him an attendant standing holding up a blanket beneath a lantern, the hardwood stand inlaid with silver wire, 19cm. (2) £1,500-2,500 二十世紀初

象牙雕梁祝人物故事擺件

59. λ A Chinese ivory carving of a scholar, 1st half 20th century, seated wearing flowing robes on a gnarled tree stump, holding a fan and an open book, the hardwood stand inlaid with silver wire, 18cm. (2) £1,500-2,500 二十世紀初

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象牙雕書生擺件


60. λ A Chinese stained ivory circular hand mirror, 18th/19th century, delicately carved to the reverse with a panel depicting scholars and attendants in a garden before a pagoda with pine and rockwork, the border with scrolling foliage and auspicious objects, the handle’s mount formed as a large bat, the terminal with scrolling designs and smaller bats, a silk tassel with endless knots, 28.3cm. £2,000-3,000 十八/十九世紀

象牙添彩雕賀壽圖執鏡

61. A Chinese yellow amber carving, 19th century, depicting two frogs crouched on a huge lotus leaf, with other leaves and flowers emerging from the water beneath, together with a hardwood stand carved as a lotus leaf, 12.1cm. (2) £600-1,000 十九世紀

琥珀雕青蛙蓮花擺件

62. Chinese literature: Ten Bamboo Studio (Shizhu Zhai Jian Pu), a collection of woodblock prints, ink and colour on paper, four volumes, in a clothbound slipcase, Beijing, Rongbaozhai, 1952. £1,500-2,500 北京榮寶齋《十竹齋箋譜》

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63. A fine Chinese cloisonné rectangular table screen, 17th century, decorated with a panel containing an official, wearing billowing cobalt-blue robes and carrying a sword amidst cloud scrolls, all reserved on a green ground, a wide band to the rim containing trigrams and yin-yang symbols, mounted in a carved hardwood stand, 33.3cm. (2) £15,000-20,000 Provenance: Christie’s, Paris, 14th June 2006, lot 100. 十七世紀 銅胎掐絲琺瑯關公像插屏 來源:巴黎佳士得2006年6月14日·編號100

64. A small Chinese cloisonné square-section vase, 18th century, each face with a stylized scrolling dragon in cobalt-blue between bands of ruyi-heads and key fret, all on a turquoise ground, raised in a tall flared foot, 9.5cm. £3,500-4,500 十八世紀

銅胎掐絲琺瑯螭龍紋方瓶

65. A Chinese cloisonné gu beaker vase, 18th century, the flared body with a scrolling lotus flowerhead design on a turquoise ground, cast with key-fret flanges, the base with a six character Jingtai mark, 21cm. £600-800 十八世紀 銅胎掐絲琺瑯纏枝蓮紋花觚 《大明景泰年制》楷書仿款

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66. A set of four Chinese Canton enamel small dishes, 18th century, each painted with a luohan, one with the Budai He Shang, before pine and rockwork and waves, the rim with a wide geometric band with panels containing dragons, the reverse with flowers and fruit, 11.8cm. (4) £1,500-2,500 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset. 十八世紀 銅胎畫珐琅羅漢及布袋和尚碟 一組四件 來源:多塞特郡的科瑞切爾莊園收藏


67. A fine and rare pair of large Chinese caparisoned cloisonné elephants, Jiaqing 1796-1820, each standing four-square, its head turned slightly with a curling trunk, the wrinkled skin depicted with linear cloisons on a white ground, each pachyderm supporting a wide, elaborate saddle carpet on its back, decorated with cranes and pavilions amidst cloud scrolls above crashing waves, upon which a large beribboned gourd-shaped vase rests, the saddle and vase with a scrolling foliate lotus design bordered by cobalt-blue key fret, all reserved on a turquoise ground, 31cm high. (2) £80,000-120,000 Provenance: Sir James Haldane Stewart Lockhart KCMG (1858-1937), and thence by descent. Collected in China c.1900. Cf. S Airlie, Thistle and Bamboo, The Life and Times of Sir James Stewart Lockhart. And also M Holdsworth and C Munn, Dictionary of Hong Kong Biography for further information about Sir James Haldane Stewart Lockhart. Sir James Haldane Stewart Lockhart KCMG (1858-1937) was born at Ardsheal, Argyllshire, Scotland and entered the Colonial Service as a Hong Kong Cadet in 1878. He steadily rose through the ranks, serving on the Legislative Council, becoming Registrar General and Colonial Secretary. He was appointed, in 1902, Commissioner in Weihaiwei (now Weihai) where he remained until 1921. During his years in Hong Kong and Weihaiwei he was an avid collector of Chinese paintings (the collection is now held at the National Museum of Scotland, Edinburgh), and Chinese coins. On returning to London, he was an honorary lecturer at SOAS and on the organising committee of the 1935 Chinese Art Exhibition in London. 清 銅胎掐絲珐琅太平有象 一對 來源: 詹姆斯·哈德納·斯圖爾特·羅卡特(1858-1937)家族收藏,1900年代從中國獲得。 詹姆斯·哈德納·斯圖爾特·羅卡特(1858-1937)出生於英國蘇格蘭,1878年開始成為香港殖民地的候補 軍官成員之一。經過多年的努力,在1902年他晉升為英國駐威海衛(今山東威海市)專員,在香港及威海衛的工 作期間他對中國藝術品產生了濃厚的興趣,他收藏的部分書畫和錢幣如今在蘇格蘭國家博物館展出。他退役回到 倫敦之後被倫敦大學亞非學院聘請為榮譽講師,并參與策劃了1950年代的倫敦中國藝術品展。

Sir James Haldane Stewart Lockhart KCMG

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68. Two Chinese celadon jade carvings, 18th/19th century, one carved as a Buddhist lion dog and her puppy, the other with Liu Hai and his toad, the reverse with a flowering lotus, 6.8cm. (2) £1,000-2,000 十八/十九世紀

青白玉雕少獅太獅擺件及劉海戲蟾佩 一組兩件

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69. Three Chinese pale celadon jade carvings, 19th/20th century, one a plain rectangular plaque surmounted by scrolling openwork foliage, another oval, carved in shallow relief with a crane and lotus to one side, a mark to the other which reads yi lu lian ke, the third a ruyi-shaped ink box and cover carved with a bat and a boy beating a drum, 6.4cm. (4) £1,000-1,500 十九/二十世紀

70. A Chinese pale celadon jade hat finial, 18th/19th century, carved in high relief with two dragons climbing amidst lingzhi sprays, 4.5cm across. £2,000-3,000 Provenance: formerly the collection of Roger Ferri. 十八/十九世紀 青灰玉雕靈芝螭龍爐頂 來源:羅傑·費利收藏

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灰白玉雕臘梅佩、一路連科佩及福壽蓋盒 一組三件

71. A Chinese white jade carving of mushrooms, 18th/19th century, with three large fungi issuing from a curling stem, an insect climbing on the reverse and a small lingzhi to one side, 6cm. £2,000-2,500 Cf. Duke’s, Jades and hardstones from Melplash Court, Dorset, 23rd September 2010, lot 1093 for a related carving. 十八/十九世紀

白玉雕如意長壽佩


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71

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72. Ω A Chinese white jade articulated archer’s ring, 18th/19th century, carved with a key fret design, the two halves interlocking, 3.2cm. £1,000-2,000 十八/十九世紀

白玉鏤雕工紋扳指

73. A Chinese agate carving of two cats, 19th/20th century, recumbent with a lingzhi fungus clasped in their jaws between them, one with a flowerhead and a butterfly on its back highlighted in brown-black stone, 5cm. £1,500-2,000 十九/二十世紀

瑪瑙巧雕如意雙歡擺件

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75 74. A Chinese pale celadon jade belthook, 18th/19th century, the terminal carved as a dragon’s head, the shaft with a scrolling sinuous dragon, 9cm. £1,000-2,000 Provenance: formerly the collection of Roger Ferri. 十八/十九世紀 青白玉雕螭龍帶鈎 來源:羅傑·費利收藏

75. A Chinese celadon jade belthook, 18th/19th century, the terminal carved as a dragon’s head, the shaft with a scrolling sinuous dragon, 9cm. £1,000-2,000 Provenance: formerly the collection of Roger Ferri. 十八/十九世紀 青白玉雕螭龍帶鈎 來源:羅傑·費利收藏

76. A good Chinese pale celadon jade belthook, 18th/19th century, the terminal carved as a dragon’s head, the shaft with a smaller sinuous dragon with lingzhi and leaf scrolls, the stone with a few small pale russet markings, 12cm. £2,000-3,000 Provenance: formerly the collection of Roger Ferri. 十八/十九世紀 青白玉雕螭龍帶鈎 來源:羅傑·費利收藏

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76


77. A fine Chinese pale celadon jade brush washer, Qianlong 1736-95, of oval form, carved to opposing corners with a sinuous chilong with a bifid tail, each with its claws gripping the rim, a flaming pearl of wisdom between them, 14cm. £40,000-50,000 Provenance: formerly from the deceased estate of a New York collector. 清乾隆 灰白玉雕螭龍筆洗 來源:紐約私人收藏


78. A pair of Chinese oval celadon jade plaques, Yuan dynasty, each reticulated and delicately carved with flowering lotus, one with a goose amongst the stems, the other an egret, 9.3cm. (2) £10,000-15,000 元

青白玉雕一路連科佩 一對

78

79

79. Three Chinese celadon jade oval plaques, early Ming dynasty, each reticulated, one with a long-tailed bird perched on a flowering branch, the other two with a bird in flight amongst lotus, 9.5cm. (3) £5,000-6,000 Cf. J Rawson, Chinese Jades from the Neolithic to the Qing, p.337 no.25:13 for a related plaque from the British Museum. 明早期

青白玉透雕春水佩 一組三件

80. Four large jade and hardstone belthooks, 19th century, all carved with dragon head terminals, a confronting smaller chilong upon the shaft, 12.5cm. (4) £800-1,200 Provenance: from the collection of Luís Esteves Fernandes (1897-1988). 十九世紀 白玉及壽山石雕螭龍紋帶鈎 一組四件 來源:路易斯•艾斯塔凡•法納得收藏(1897-1988)

80

48


81. A fine Chinese pale celadon jade two-handled cup, 18th/19th century, the U-shaped body carved in shallow relief to one side with a pair of quails perched upon rockwork amidst lotus and orchid, to the other with exotic long-tailed birds above peony and aster, the openwork foliate handles with loose rings, raised on a short foot, with an intricately carved reticulated hardwood five-legged stand, 12.5cm. (2) £30,000-50,000 Cf. American Art Galleries, Illustrated Catalogue of The Remarkable Collection of The Imperial Prince Kung of China, no.122 for another example of a marriage bowl. 十八/十九世紀

82. A large Chinese celadon jade box and cover, Qianlong 1736-95, carved as a peach issuing from a gnarled branch, the leafy tendrils extending over the surface, a bat clambering to one side, another carved to the interior, the two halves joined by a single loose ring, the stone with russet inclusions, together with a fitted hardwood stand raised on four ruyi-shaped feet, 15cm. (2) £15,000-20,000 清乾隆

青白玉雕福壽如意擺件

青白玉雕錦上添花銜環杯

49


83. A Chinese spinach-green jade vase, 18th century, formed as two hollow bamboo sections, each with a peach to the body, a phoenix to one side perched on rockwork with a lingzhi fungus in its beak, 10.6cm. £4,000-5,000

84. A Chinese celadon jade carving of lotus, 17th/18th century, finely carved as a posy with a flower bud and a large veined leaf, tied with a foliate ribbon, a delicately carved five-legged hardwood stand, 14cm. (2) £8,000-12,000

Cf. M Knight, H Li & T T Bartholomeow, Later Chinese Jades, Ming Dynsaty to Early Twentieth Century from the Asian Art Museum of San Francisco, p.268 no.292 for a related vessel.

十七/十八世紀

十八世紀

50

翠玉雕青竹鳳凰擺件

青白玉雕一束蓮擺件


85. A large Chinese celadon jade dish, four character Qianlong mark and of the period 1736-95, carved in shallow relief with a scrolling foliate lotus design encircling a central flowerhead motif, the flared body raised on a short straight foot, the stone with a single grey striation, 26.6cm. £2,000-3,000 清乾隆 青白玉雕纏枝蓮紋盤 《乾隆年制》款

86. A pair of Chinese spinach-green jade bowls, 19th century, each with a gently flared rim, the body raised on a short straight foot, a four character Chongzhen nian zao mark to the base, each with a hardwood stand, 19.5cm dia. (4) £2,000-3,000 Provenance: the property of a Gentleman. 十九世紀 碧玉薄胎素碗 一對 《崇禎年制》仿款 來源:紳士收藏

51


87. A fine Chinese pale celadon carving of a recumbent horse, 17th or 18th century, with its head turned over its back and its legs tucked neatly beneath the body, a small monkey clambering on its back, the animal’s features finely defined, the stone with mottled white and russet variations, 8.3cm. £20,000-30,000 Provenance: formerly an English private collection. Cf. Y Ip, Chinese Jade Carving, no.152, pp.164-5, and also M Zhang, Chinese Jade: Power and Delicacy in a Majestic Art, p.21 for similar carvings. 十七/十八世紀 青白玉雕馬上封侯擺件 來源:英國私人收藏家

52

88. A Chinese white jade carving of two cats, 18th/19th century, recumbent and facing one another, holding a lingzhi fungus between them, the stone with russet markings, a fitted hardwood stand, 4.5cm. (2) £2,500-3,500 十八/十九世紀

白玉雕歡天喜地擺件


89. A fine Chinese pale celdaon jade carving of an egret, 18th century, seated on a large lotus leaf, with a flowering lotus spray and an arrowhead in its pointed beak, its feathers, features and long crest finely defined, a fitted hardwood stand, 6.3cm. (2) £10,000-15,000

90. A Chinese celadon jade carving of two peaches, 18th century, the fruits issuing from a leafy gnarled openwork branch, with three bats clambering upon the fruit with outspread wings, the stone with pale celadon and russet striations, 10.2cm. £20,000-30,000

Cf. S Fung and C Yeung, Exquisite Jade Carving, no.121, p.145, and also In Pursuit of Antiquities: 40th Anniversary Exhibition of the Min Chiu Society, no.101, p.208 for related examples.

Cf. Y Ip, Chinese Jade Carving, no.195, pp.216-17, and also A Forsyth and B McElney, Jades From China, no.328, p.398.

十八世紀

十八世紀

青白玉雕福壽擺件

青白玉雕鴛鴦銜蓮擺件

53


91. A fine Chinese pale celadon jade boulder carving, Qianlong 1736-95, illustrating the story of Shi Shi Cang Shu, each side carved in high relief with figures carrying books over bridges into a mountain chamber, the boulder with pine and maple trees, the stone with russet inclusions, 15.5cm high x 17.5cm wide. £8,000-12,000 Provenance: purchased c.1957 in Looe, Cornwall. Cf. The Refined Taste of the Emperor: Special Exhibition of Archaic and Pictorial Jades of the Ch’ing Court, National Palace Museum, pp.172-173, no.55 for a spinach-green jade bitong illustrating the same story. According to the Records of the Grand Historian, Si Ma Qian, the first emperor Qin Shi Huangdi unified China in 221 BC. His chancellor Li Si suggested suppressing the intellectual discourse to unify political opinions by burning all books except those written by the Qin historians. The scene carved on this jade boulder, of the Shi Shi Cang Shu, illustrates the dissidents’ attempt to hide forbidden books from the government by storing them in mountain caves. 清乾隆 青白玉雕石室藏書擺件 來源:1957年代從looe康沃爾購得

54


55


92. λ A Chinese agate snuff bottle, four character Qianlong mark and of the period 1736-95, of oval form, the stone with white, grey and red-brown striations, the gilt metal stopper with a red coral bead, 5cm. £1,500-2,500 清乾隆 纏絲瑪瑙素身鼻煙壺 《乾隆年制》篆書刻款

56

93. A Chinese Beijing glass snuff bottle, 18th/19th century, carved in relief with flowering lotus and peony with insects to one side, and with a Buddhist lion dog and a bird to the other, with a bat to each shoulder, the glass in red, blue, yellow, green, pink and black, the stopper rose quartz, 7.2cm. £800-1,200 十八/十九世紀

雪霏地套料富貴福壽鼻煙壺


94. λ A very fine Chinese white jade snuff bottle, 18th century, the plain flattened rectangular body with a gently rounded shoulder, raised on a neat oval foot, the stone an even translucent tone, the domed stopper probably tourmaline, the spoon ivory, 7.8cm. £8,000-12,000 Cf. The National Palace Museum, Lifting the Spirit and Body: The Art and Culture of Snuff Bottles, pp.230-231, where a closely related example is illustrated. 十八世紀

白玉素身鼻煙壺

95. A Chinese Beijing blue glass ovoid vase, 18th century, overlaid in yellow and green glass with sprigs of flowering prunus and chrysanthemum and butterflies in flight, the cobalt-blue body with irregular lighter striations and a gently flared rim, a fitted hardwood stand, 11.5cm dia. (2) £800-1,200 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset. Cf. R Soame Jenyns, Chinese Art, p.105, no.63 where this vase is illustrated. 十八世紀 藍地三色套料捷報蝶傳小瓶 來源:多塞特郡的科瑞切爾莊園收藏

57


96. A large Chinese Imperial celadon jade seal, 19th century or earlier, the face carved with the characters zhi huang hou bao in relief in both Chinese and Manchu zhuanshu scripts, the impressive seal with a large single dragon crouching and facing forwards with its horns touching its scaly back, the polished stone with greyish and white striations and inclusions, a yellow silk tassel, 14.5cm high x 13.5cm wide. £30,000-40,000 Provenance: Sir George Sheppard Murray (d.1928), acquired c.1900, and thence by descent. Cf. Imperial Seals of The Ming and Qing Dynasties, Classics of the Forbidden City, nos.80 and 81 for two seals of similar colour stone and design, both dated to the Kangxi period. This seal appears to be made in honour of the wife of the Shunzhi Emperor’s great, great Grandfather, Ai Xin Jue Luo Fu Man. She was awarded the Shi Hao title, Zhi Huang Hou. Such seals were traditionally placed in the family temple after death. 十九世紀或更早 青玉雕直皇后之寶 來源:喬治·偰帕德·蒙瑞(逝于1928年)于1900年購得。 注:愛新覺羅福滿爲清太祖努爾哈赤的曾祖父,後被順治皇帝追尊爲興祖直皇帝,此印爲其原配皇妃直皇后之寶。

58


97. A fine Chinese agate pendant, 18th/19th century, carved with two cats climbing around a large ring, through which a scrolling tendril extends, the stone varying from black to a translucent pale grey, 5cm. £6,000-8,000 Provenance: formerly the collection of Roy Dorrington, who served in the Diplomatic Service in Australia from 1920-38. 十八/十九世紀 瑪瑙巧雕雙歡佩 來源:由英國駐澳大利亞外交官羅伊·多林頓收藏

60

98. A Chinese famille rose abstinence plaque, Jiaqing 1796-1820, one side marked zhai jie in Chinese, the other with Manchu characters bolgomi karga, each panel within scrolling foliate lotus designs, a polychrome silk tassel for suspension with two beads, 5.6cm. £3,000-5,000 清嘉慶

粉彩纏枝蓮紋齋戒牌


99. A Chinese apple-green jadeite reticulated oval pendant, 18th century, carved with three gourds issuing from a leafy, gnarled stem, with large leaves encircling the fruits and with a single bat clambering amongst them, 5cm. £2,000-3,000 Provenance: an English private collection. Accompanied by gemmological report number 08129 dated 9th July 2013 from The Gem and Pearl Laboratory, which states ‘no evidence of treatment was observed’.

100. A Chinese agate pendant, 18th/19th century, carved as a flattened gourd with a single leaf to one side and a scrolling tendril to the reverse, 5.7cm. £2,000-3,000 Provenance: formerly the collection of Roy Dorrington, who served in the Diplomatic Service in Australia from 1920-38. 十八/十九世紀 瑪瑙雕福祿佩 來源:由外交官羅伊·多林頓收藏

十八世紀 翠雕瓜瓞延綿佩 來源:英國私人收藏

61


101. A Chinese spinach-green jade circular table screen, 19th/20th century, one side carved in relief with figures on mountain paths and riding on the back of an elephant beneath a pine tree, one figure holding a banner inscribed wan guo lai chao, the reverse with an Imperial poem, raised on an elaborately carved hardwood stand, reticulated with scrolling foliage and carved with bats, the screen 22.7cm, 47cm overall. (2) £6,000-8,000 十九/二十世紀

碧玉雕萬國來朝插屏及底座

102. A Chinese celadon jade carving of two peaches, 17th/18th century, the large fruits issuing from a gnarled, leafy branch, a single bat clambering on one side, the stone with brown-black striations, a fitted hardwood reticulated stand carved with foliage and key fret, 11.8cm. (2) £8,000-10,000 十七/十八世紀

青玉雕福壽擺件

102A. A Chinese celadon jade carving of a Buddhist lion dog and her puppy, 18th/19th century, the bitch clutching a large brocade ball, the tall hardwood reticulated stand carved with cloud scrolls and chilong, 8cm across. (2) £800-1,200 十八/十九世紀

青白玉雕少獅太獅擺件

101

102

62

102A


103. A small fine Chinese white jade belthook, 18th century, the terminal carved as a dragon’s head, the shaft carved in low relief with a sinuous dragon with a bifurcated tail, 6.6cm. £3,000-5,000 Provenance: formerly the collection of Roger Ferri. 十八世紀 白玉雕卷草龍紋帶鈎 來源:羅傑·費利收藏

103

104

104. A Chinese pale celadon jade plaque, probably 18th century, carved in shallow relief with two boys playing with a kitten beneath pine to one side, the reverse with an inscription which reads tian di nai bie ping zhong xian sheng, 5.7cm. £3,000-5,000 十八世紀(可能)

灰白玉雕嬰戲圖牌

105. A Chinese white jade carving of a gourd, 18th/19th century, the large fruit issuing from a gnarled leafy stem with another smaller fruit to one side, an insect climbing beneath delicate tendrils, 6.2cm. £1,000-1,500 十八/十九世紀

白玉雕福祿綿綿佩

105

63


106

107

106. A Chinese celadon jade carving of a horse with a monkey, 18th/19th century, the horse recumbent with its feet tucked beneath its body, its head turned over its back, the small monkey with a curling tail, 5.7cm. £2,000-3,000 十八/十九世紀

青白玉雕馬上封侯擺件

107. A small Chinese pale celadon jade carving of a recumbent cat, 18th century, with its head turned to one side and its ears flattened across its body, its paws tucked neatly in front, the stone with russet striations to the haunches, 4cm. £2,000-3,000 Cf. A Forsyth & B McElney, Jades from China, The Museum of East Asian Art, Bath, p.401 no.333 for a related example. 十八世紀

青白玉獾擺件

108. A Chinese celadon jade small brush washer, 18th/19th century, formed as a peach issuing from a delicately carved gnarled leafy branch, with a smaller fruit growing to one side, the stone with grey-white flecks, 7cm. £2,500-3,500 十八/十九世紀

64

108

青白玉雕桃形水洗


109. λ A Chinese white jade carving of Liu Hai, 18th century, holding a large lingzhi fungus in his hands and with his toad at his side, the stone with russet markings to the toad and lingzhi, a silk suspension cord with endless knots and a coral bead, 4.1cm. £2,500-3,500 十八世紀

白玉雕劉海佩

110. A rare Chinese pale celadon jade snuff box and cover, Qianlong 1736-95, formed as a peach and finely carved to each side with a leafy branch issuing from the stem, and with two bats clambering upon the fruit with outstretched wings, a fitted hardwood stand, 5.4cm. (3) £10,000-15,000 Cf. The National Palace Museum, Lifting the Spirit and Body: The Art and Culture of Snuff Bottles, pp.230-231, where a closely related example is illustrated. 清乾隆

青白玉雕雙福捧壽鼻烟盒

65


111. † A Chinese ruby red Beijing glass bowl, four character Qianlong mark and of the period 1736-95, carved in relief to the exterior with scrolling hibiscus flowers and foliage, the body raised on a short circular foot, the glass a deep rich tone, 17.5cm. £3,000-5,000 Cf. Christie’s Hong Kong, 30th November 2011, lot 3163 for a related bowl and cover. 清乾隆 絳紅料花卉碗 《乾隆年制》楷書刻款

112. Two Iznik pottery tiles, 2nd half 16th century, painted with bands of scrolling continuous designs of flowerheads and foliage in bright blue, turquoise and orange enamels, 24.8cm. (2) £2,000-3,000

113. A rare Iranian Gombroon ware bowl, 17th/18th century, with an everted rim and decorated with a border design of pierced lozenges, all beneath a white unctuous glaze, 21.3cm. £2,000-3,000

十六世紀後期

十七/十八世紀

66

花卉紋瓷磚 一組兩件

伊朗白釉碗


114. A pair of large Chinese famille rose hexagonal jardinières, 18th century, brightly painted with panels of landscapes with pagodas and rocks divided by chrysanthemum, peony and prunus, all on an iron-red gilded cell-diaper ground, 47cm across. (2) £8,000-12,000 十八世紀

粉彩錦地開光山水花卉六棱花盆 一對


115

116

115. A Chinese blanc de Chine model of a lady, 19th century, standing wearing flowing robes adorned with ribbons and jeweled pendant necklaces, holding a ruyi sceptre in her right arm, a small attendant boy standing at her side, all raised on rockwork, impressed seal mark, 24.7cm. £1,000-1,500 Provenance: formerly a private European collection. Cf. P J Donnelly, Blanc de Chine, pl.83C for a related figure. 十九世紀 德化人物造像 來源:歐洲私人收藏 116. A Chinese blanc de Chine model of Guanyin, 17th century, seated on a high rocky outcrop wearing long flowing robes, holding a scroll in her right hand and with her left hand raised, 25.5cm. £1,000-1,500 Provenance: formerly a private European collection. 十七世紀 德化觀音坐像 來源:歐洲私人收藏 117. A Chinese blanc de Chine model of Guanyin, Kangxi 1662-1722, seated on a rocky plinth wearing long flowing robes, her face with a serene expression, holding a small child in her arms, 17.4cm. £1,000-1,500 清康熙

68

117

德化送子觀音坐像


118

119

118. A Chinese blanc de Chine model of Puxian, 19th century, seated on the back of a recumbent elephant wearing a jeweled necklace with a serene expression on her face, her long pigtails flowing over each shoulder, holding a fly whisk in her left hand, the reverse with an impressed seal mark, 13.2cm. £1,000-1,500 Provenance: formerly a private European collection. 十九世紀 德化普賢菩薩 來源:歐洲私人收藏 119. A Chinese blanc de Chine model of Guanyin, 18th century, seated wearing long flowing robes and a jeweled necklace, her hair in a high chignon covered by a cowl, her right hand resting on her knee, a serene expression on her face, the reverse with a potter’s mark which reads He Chao Zong Yin, 23.5cm. £3,000-5,000 Provenance: formerly a private European collection. 十八世紀 德化觀音坐像 《德化》《何朝宗印》 來源:歐洲私人收藏

69


120. † A Chinese blanc de Chine model of the Hehe Erxian, 19th century, the smiling twins standing on a large lotus leaf, one holding a banana leaf with his arm around the other who carries a box with a creature emerging, all above scrolling waves, an impressed mark to the reverse, 23.5cm. £1,500-2,000 十九世纪 德化海水和合二仙立像 《德化》《何朝宗款》

121. A Chinese blanc de Chine model of Tudi, 17th century, the bearded figure seated wearing long flowing robes, his hands hidden in long sleeves and with a tall straight hat, 17.5cm. £1,000-1,500 Provenance: formerly a private European collection. Cf. R Kerr and J Ayers, Blanc de Chine Porcelain from Dehua, no.48. 十七世紀 德化土地爺坐像 來源:歐洲私人收藏

122. A pair of Chinese blanc de Chine flared cylindrical vases, 18th century, decorated with central bands of the eight trigrams, the eight Daoist Immortals, and prunus sprays, 25cm. (2) £2,000-3,000

120

121

70

十八世紀

德化八仙八卦紋花觚 一對

122


123. A pair of Chinese celadon glazed jardinières, Kangxi/Yongzheng, each incised and moulded with large lotus leaves and flowers, the blooms glazed in iron-red, the body itself a large lotus leaf with curled edges, 24cm dia. (2) £1,000-2,000 Provenance: William Cleverley Alexander (1840-1916). Cf. J Ayers, Far Eastern Ceramics in The Victoria and Albert Museum, p.61, where a similar jardinière is illustrated. 清康熙/雍正 綠地紅釉浮雕荷花盆 一對 來源:威廉·克萊爾利·亞歷山大(1840-1916)收藏 附:亞歷山大先生的素描

Reproduced from William Alexander’s note book.


124. A Chinese Yixing San Xiang hu teapot and cover, 19th century, the pewter body incised with calligraphy, the handle, spout and knop mounted in hardstone, 16.8cm. (2) £500-1,000 十九世紀 紫砂三鑲錫包壺 銘文:金壺新煉孔,玉鼎乍煎香。 王洽

125. A Chinese Yixing teapot and cover, with a reticulated knop, one side inscribed with calligraphy, the base with a two character mark, 18cm. (2) £400-600 紫砂詩文茶壺

126. A rare Chinese Yixing Chairman Mao teapot and cover, 20th century, believed to be by Gu Jingzhou (1915-1996), one side moulded with a profile portrait of Chairman Mao against a radiating sun, inscribed ‘Don’t forget the class struggle’ in Chinese script and dated 1973, Gu Jingzhou seal mark to the base, Jingzhou mark to the cover, 16cm. (2) £1,500-2,000 In 1988 Gu Jingzhou was appointed a National Art Master of China; the highest honour for a Zisha master, and the first to receive this honour. Provenance: from the collection of Peter and Susan Wain. 二十世紀 紫砂毛主席茶壺 《顧景舟》款 銘文:千萬不要忘記階級鬥爭,毛澤東 一九七三年 來源:皮特和蘇珊·萬收藏

72


127. A rare Chinese blue-splashed cup, Tang dynasty, the body with a flared rim and foot, decorated to the interior with an irregular blue glaze draining from the rim, a single handle to one side, 9.4cm wide. £4,000-6,000 Provenance: formerly Marchant and Son. 唐 白釉籃彩杯 來源:Marchant and Son

128. A Chinese sancai glazed dish, Tang dynasty, formed as a lobed octagonal flowerhead, decorated with blue and yellow glazes, 10.2cm. £2,000-3,000 唐

三彩花瓣口小碗

129. A Chinese ding yao ovoid jarlet, Song dynasty, the circular body decorated with a cream-white glaze, incised with lotus flowers and foliage, 7.2cm. £2,500-3,500 宋

定窯蓮花紋小罐

73


130. A large and rare pair of Chinese Yixing flared beaker vases, 18th century, moulded in relief with prunus, pine and lotus beneath a band of auspicious things, the flared feet with bands of ruyi-heads, 31.5cm. (2) £3,000-5,000 十八世紀

紫砂撇口瓶 一對

131. A Chinese marble Northern Wei style sculpture of Buddha, standing wearing flowing robes with a serene expression, his head before a circular mandala, the reverse with a small flaming pearl behind his feet, together with a modern fitted stand, 51cm. (2) £1,000-1,500 Provenance: formerly an English private collection. 漢白玉雕釋迦摩尼立像 來源:英國私人收藏

74


132. † A massive Chinese phoenix vase, 19th century, brightly enamelled with many pheasants, egrets, cormorants, exotic and wild birds, a phoenix to each side, its long tail plumage of many colours, amidst insects, scrolling flowering chrysanthemum, peony and fruiting peach, the neck and shoulder with bands of key fret and foliate designs, all reserved on a pale blue ground, the handles modelled as stylized phoenix, 77.6cm. £15,000-20,000 Phoenix surrounded by the hundred birds, Bainiao chaofeng, shows the bird kingdom paying homage to the king of all birds. With the courtship of the birds, all the flowers blossom. 十九世紀

133. A massive Chinese sgraffito ground five dragon vase, Guangxu 1875-1908, boldly painted with sinuous scaly five-clawed dragons, flaming pearls of wisdom and cloud scrolls on a blue ground decorated with flower heads, the border with pink lotus bands, the interior and base turquoise-glazed with a six character apocryphal Daoguang mark, 80cm. £5,000-8,000 清光緒 藍地粉彩軋道雲龍紋瓶 《大清道光年制》礬紅篆書仿款

粉彩百鳥朝鳳大瓶

75


134. A Chinese meiping vase, 20th century, painted with small dwellings and figures engaged in various pursuits in an extensive snowy winter mountain landscape, with calligraphy to the reverse, a four character mark to the base, 23.7cm. £800-1,200 二十世紀

135. A Chinese famille rose millefleurs vase, early 20th century, the ovoid body painted with panels of mountainous landscapes, geese, and a pine tree, the shoulders with blue animal head and ring handles, the base with a six character Qianlong seal mark, the interior glazed turquoise, 33.5cm. £1,000-2,000 二十世紀初 粉彩開光山水獸耳銜環瓶 《大清乾隆年制》礬紅篆書仿款

76

粉彩雪景圖梅瓶


136. † A pair of Chinese famille rose U-shaped chicken bowls, c.1900, each painted with a young boy and a chicken beside peony issuing from rockwork, the reverse with smaller birds and columns of calligraphy, a six character Qianlong mark to each base, 8.5cm dia. (2) £2,500-3,500 十九世紀 粉彩詩文雞缸杯 《大清乾隆年制》青花篆書仿款

137. A Chinese famille rose basin, 19th century, painted with a central panel of five boys playing in a garden, and with three floral panels on a turquoise ground decorated with scrolling tendrils, flowerheads and bats, 39cm. £1,500-2,000 十九世紀

粉彩開光嬰戲圖折沿盤

77


138. A Chinese famille rose quatre-lobed small bitong, four character Qianlong mark and of the period 1736-95, painted with two landscape panels on a turquoise chicken skin ground, the rims and details gilded, 7.5cm. £800-1,200 清乾隆 粉彩開光山水海棠口筆筒 《乾隆年制》礬紅篆書款

78

139. A Chinese famille rose quatre-lobed small bitong, four character Jiaqing mark and of the period 1796-1820, painted to each side with a rectangular panel, one with scholars and attendants holding lanterns, the other with chrysanthemum, raised on four short feet, 7.8cm. £1,500-2,500 清嘉慶 粉彩人物故事海棠口筆筒 《嘉慶年制》礬紅篆書款


140. A Chinese famille rose lobed dish, six character Daoguang mark and of the period 1821-50, brightly painted with shou characters, bats and scrolling lotus designs, all on a vibrant green ground, the body raised on four short feet, 16cm. £2,000-3,000 清道光 綠地粉彩福壽花口盤 《大清道光年制》礬紅篆書款

79


141. A good pair of Chinese doucai bowls, six character Daoguang marks and of the period 1821-50, each with a formal design of stylized flowers and leaves divided by scroll work, the border with a yellow and blue ruyi-head design, each with a hardwood stand, 15.2cm. (4) £25,000-35,000 Provenance: Ada Lum Ltd., purchased in Hong Kong on the 5th August 1971 for 1,100 HKD, sold together with the original invoice and a Certificate of Authenticity from the Far East Antiques and Curios Collectors Association, Hong Kong and Kowloon. Cf. Shanghai Tianwuguan Art and Cultural Fund, 2011, nos.260-261, for another pair. 清道光 鬥彩叢菊紋碗 一對 《大清道光年制》青花篆書款 來源:1971年8月5日以1100港幣從遠東古玩文物收藏家研究會購得幷附證書

80


142. A pair of Chinese dragon wine cups, six character Guangxu marks and of the period 1875-1908, each finely painted in iron-red with two five-clawed scaly dragons contesting flaming pearls of wisdom above crashing waves, 6cm dia. (2) £1,500-2,500 Cf. Imperial Porcelain of Late Qing, pl.87, where a similar pair from the Xianfeng period is illustrated. 清光緒 礬紅趕珠龍紋小杯 一對 《大清光緒年制》青花楷書款

82

143. A pair of small Chinese yellow ground bowls, six character Guangxu marks and of the period 1875-1908, each finely incised with two scaly five-clawed dragons contesting flaming pearls of wisdom above crashing waves, the interiors plain, each gently flared body with an ochre-yellow glaze, fitted hardwood stands, 10.3cm. (4) £600-1,000 清光緒 黃釉趕珠龍紋小碗 一對 《大清光緒年制》青花楷書款


144. † A small Chinese famille rose semi-eggshell wine cup, six character Yongzheng mark and of the period 1723-35, the conical body painted to the exterior with two sages seated beside a waterfall in an extensive mountainous landscape, 7.2cm. £6,000-8,000 清雍正 粉彩山水人物小酒杯 《大清雍正年制》青花楷書款


145. A Chinese blue and white baluster vase and cover, Kangxi 1662-1722, painted with a scene of many boys at play in a garden, the neck with bands of bamboo and chevron, the base with a six character Chenghua mark, 27.5cm. (2) £4,000-6,000 清康熙

青花狀元及第將軍罐

146. A near pair of Chinese blue and white baluster vases and covers, Kangxi 1662-1722, each painted with phoenix in flight amidst peony blooms and scrolls, the necks with ruyi-head borders, unmarked, 42cm. (4) £6,000-8,000 清康熙

青花鳳喜牡丹將軍罐

147. A Chinese blue and white baluster vase and cover, Kangxi 1662-1722, painted with small boys at play with maidens in a fenced garden with plantain, rockwork and cloud scrolls, the neck with auspicious objects above a band of chevron, the base with an artemesia leaf mark, a hardwood stand, 39.5cm. (3) £3,000-5,000 This story is derived from the Shang dynasty story of Jiang Ziya, the senior military councillor who famously appointed eighteen good generals. 清康熙

84

青花四妃十八子將軍罐


148. A good pair of Chinese blue and white ovoid vases, Kangxi 1662-1722, painted with flowering gnarled prunus branches on a cracked-ice ground, each with a reticulated hardwood cover, one carved with a swastika, the other a shou character, 21.6cm. (4) £3,000-5,000 Provenance: purchased from H R Hancock & Sons, 37 Bury St., St James, c.1968-73. Cf. D MacIntosh, Chinese Blue and White Porcelain, p.109 no.74 for a related vase. 清康熙 青花冰梅蓋罐 一對 來源:1968-73購于HR Hancock & sons

149. λ A Chinese blue and white ovoid phoenix vase, Kangxi 1662-1722, painted with three phoenix in flight amidst an elaborate chrysanthemum foliate scroll, together with a carved hardwood stand and a reticulated hardwood cover inset with ivory prunus flowers, 20.5cm. (3) £2,000-3,000 Provenance: purchased from H R Hancock & Sons, 37 Bury St., St James, c.1968-73. 清康熙 青花鳳戲牡丹蓋罐 來源:1968-73購于HR Hancock & sons

85


150

151

150. A Chinese blue and white bottle vase, Kangxi 1662-1722, painted with scrolling interlocking foliate designs, the globular body raised on a high flared foot, 18.5cm. £1,500-2,000 清康熙

青花花卉紋玉壺春瓶

151. A massive Chinese blue and white square-section tea jar, c.1800, painted with small figures in an extensive mountainous lakeside landscape, a later tin cover and metal mount to the rim, 49cm. (2) £2,000-3,000 1800年代

青花山水茶葉方罐

152. A Chinese blue and white ovoid vase, Kangxi 1662-1722, painted with four cartouches enclosing fans, vases and other auspicious things, divided by peony and lotus, the shoulder and foot with bands of stylized chrysanthemum and ruyi-heads, the base with an artemesia leaf, a pierced hardwood cover, paper label for Hancock, 27cm. (2) £2,000-3,000 Provenance: purchased from H R Hancock & Sons, 37 Bury St., St James, c.1968-73. Cf. C J A Jörg, Famille Verte Chinese Porcelain in Green Enamels, p.38, no.26 for a vase with similar design in famille verte enamels. 清康熙 青花開光人物故事花卉蓋罐 來源:1968-73購于HR Hancock & sons

86

152


153. A Chinese blue and white gu beaker vase, Kangxi 1662-1722, decorated with young women dancing and engaged in pleasurable pursuits, boys playing and dignitaries within fenced gardens and with cloud scrolls, 46cm. £3,000-5,000 Cf. R L Hobson, Catalogue of the Leonard Gow Collection of Porcelain, pl.XI for a similar example. 清康熙

青花人物故事花觚

154. A Chinese blue and white yen yen vase, Kangxi 1662-1722, painted with figures in small fishing boats and on bridges in an extensive mountainous river landscape, with pagodas and tall trees, 43.4cm. £3,000-5,000 清康熙

青花山水人物紋鳳尾尊

155. A Chinese blue and white two-handled vase and cover, Kangxi 1662-1722, painted with panels containing figures in fenced gardens, pagodas and auspicious objects, with lotus and prunus blossoms, the handles moulded with animal masks, 29.3cm. (2) £250-350 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset. Cf. C J A Jörg, Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam, The Ming and Qing Dynasties, p.262, no.302 for a similar example. 清康熙 青花博古圖開光人物故事紋瓶 來源:多塞特郡的科瑞切爾莊園收藏

153

154

155

87


156. A pair of Chinese blue and white vases, Kangxi 1662-1722, brightly painted with chrysanthemum, lotus, peony and prunus above stylized scrollwork, unmarked, one with paper label for Hancock, 21.5cm. (2) £1,000-2,000

157. A pair of Chinese blue and white ovoid vases, Kangxi 1662-1722, brightly painted with lotus and peony between bands of lappets, paper labels for Hancock, modern turned wood covers, 21.5cm. (4) £1,500-2,500

Provenance: purchased from H R Hancock & Sons, 37 Bury St., St James, 9th September 1968. A copy of the original invoice is available.

Provenance: Sir Alfred Chester Beatty, 1948, and then H R Hancock & Sons, 37 Bury St., St James, c.1973.

清康熙 青花花卉紋瓶 一對 來源:1968-73購于HR Hancock & sons 附:HR Hancock & sons的發票

88

清康熙 青花花卉紋瓶 一對 來源:1968-73購于HR Hancock & sons 附:HR Hancock & sons的發票


158. † A fine Chinese blue and white pilgrim flask, bianhu, 18th century, painted in the early Ming style with a circular panel to each side containing a taiji symbol from which eight petals radiate, the neck with two strap handles painted with a foliate design, 25.8cm. £20,000-25,000

159. † A Chinese blue and white stem bowl, Wanli 1573-1619, painted with fourteen boys at play and engaged in various pursuits in a rocky fenced garden beneath willow trees, the foot with a band of stiff leaves, the interior painted with a roundel containing rocks emerging from waves, 13.3cm dia. £5,000-7,000

Provenance: formerly in a private Japanese collection.

Cf. Christie’s Hong Kong, 30th November 2011, lot 2923 for a related bowl with a floral design.

十八世紀 青花輪花綬帶抱月瓶 來源:日本私人收藏

明萬曆

青花嬰戲圖高足碗

89


160. A Chinese blue and white flared bowl, Kangxi 1662-1722, painted with a continual design of chrysanthemum heads, scrolling foliage and shou characters, the interior with a wide scrolling foliate band to the rim, a six character Chenghua mark to the base, 22.4cm. £700-900 清康熙 青花纏枝蓮紋壽字撇口碗 《大明成化年制》青花楷書款

161. A Chinese doucai dish, Kangxi 1662-1722, painted with a central roundel containing two Mandarin ducks with a large lotus plant, the exterior with a similar design, the rim with a band of Sanskrit characters, 16.1cm. £500-800 清康熙

鬥彩蓮池鴛鴦紋盤

162. † A Chinese blue and white marriage bowl, six character Daoguang mark and of the period 1821-50, painted to the exterior with a scrolling foliate design, with fruiting peach, bats and xi characters, 21.2cm. £6,000-8,000 清道光 青花纏枝蓮喜字大婚碗 《大清道光年制》青花篆書款

90


163. A Chinese blue and white rouleau vase, Kangxi 1662-1722, painted with mythical beasts and a bird in flight amidst cloud scrolls, all above crashing waves and rockwork, the neck with bands of key fret and other geometric designs, 47cm. £5,000-8,000 清康熙

青花海水麒麟貔貅棒槌瓶


164. Three Chinese blue and white vases, Kangxi 1662-1722, each painted with panels containing maidens in fenced gardens and floral sprays, one with a yu mark to the base, another with a paper label for Hancock, 13cm. (3) £1,000-2,000 Provenance: purchased from H R Hancock & Sons, 37 Bury St., St James, c.1968-73. 清康熙 青花侍女圖小瓶 三件 來源:1968-73購于HR Hancock & sons

165. A Chinese blue and white small dish, Kangxi 1662-1722, painted to the well with a panel within a double ring depicting a single seated figure and small huts beside a lake, with mountains and birds in flight in the distance, a mark to the base which reads Qi shi bao ding zhi zhen, 15.3cm. £500-1,000 Cf. M Wilson, Rare Marks on Chinese Ceramics, pp.156-157 for a closely related dish. 清康熙 青花山水人物紋盤 《奇石寶鼎之珍》青花楷書款

166. A Chinese blue and white dragon bowl, six character Yongzheng mark and of the period 1723-35, painted with three scaly five-clawed dragons amidst cloud scrolls, 12.2cm. £1,500-2,500 清雍正 青花雲龍紋碗 《大清雍正年制》青花楷書款

92


167. A Chinese blue and white ovoid vase, c.1640, painted with elaborate flower sprays of prunus, peach, chrysanthemum, peony and lotus, all beneath stiff leaves and concentric rings, the base with a six character Jiajing mark, 20cm. £2,500-3,000 1640年代 青花花卉蓮子罐 《大明嘉靖年制》青花楷書仿款

168. A fine Chinese blue and white bottle vase, c.1640, delicately painted with prunus, lotus and bamboo issuing from rockwork, with insects in flight above, four concentric bands encircling a scrolling foliate design to the shoulder, the neck with a gently flaring rim and further bands, 35.8cm. £6,000-8,000 1640年代

青花捷報富貴長頸瓶

93


169. A large and imposing pair of Chinese blue and white Ming style altar candlesticks, Qianlong 1736-95, constructed in sections and decorated with bands of differing formal designs including plantain leaves, ruyi-heads, leaf scrolls and lappets, the stepped foot with a band containing the Eight Buddhist Emblems between a formal lotus scroll, acanthus leaves and narrow scroll borders, the drip pans with metal pricket mounts, unmarked, 58cm (excluding the mounts). (2) £80,000-120,000 Provenance: an English private collection. Cf. R Kerr, Chinese Ceramics, Porcelain of the Qing Dynasty 1644-1911, p.69, no.45 for a closely related pair, but with an inscription dated 1741. See also, Beijing Hanhai, 11th May 2008, lot 2080 for a single related candlestick. These candlesticks formed part of the sacrificial set of five vessels, wu gong, made for the principal altar of the temple. The set comprised a pair of flower vases, two candlesticks and a tripod incense burner. The examples in the Victoria & Albert Museum, donated from the Bushell Collection, included long inscriptions mentioning the great Tang Ying, controller of the Imperial kiln during the early Qianlong period. There is another signed pair, dated to 1740 and dedicated to a temple in Beijing in the Hildesheim Museum, Germany. 清乾隆 青花八吉祥纏枝蓮紋燭臺 一對 來源:英國私人收藏


95


170. A large Chinese famille verte baluster jar and cover, Kangxi 1662-1722, the octagonal body painted with bold panels containing plants issuing from rockwork with insects and birds, mythical creatures and figures in mountainous rocky landscapes, the neck and cover with further panels containing auspicious objects, 52.8cm. (2) £5,000-8,000 Provenance: formerly the estate of the 2nd Viscount Camrose, of Hackwood Park, Basingstoke. 清康熙 五彩花卉博古紋八棱蓋瓶 來源:Basingstoke哈克伍德莊園公爵的財産

171. A large Chinese famille verte baluster jar, Kangxi 1662-1722, the octagonal body painted with bold panels containing plants issuing from rockwork with insects and birds, and animals and other mythical creatures in mountainous rocky landscapes, the neck with further panels containing auspicious objects, 42cm. £2,000-3,000 Provenance: formerly the estate of the 2nd Viscount Camrose, of Hackwood Park, Basingstoke. 清康熙 五彩花卉瑞獸紋八棱瓶 來源:Basingstoke哈克伍德莊園公爵的財産

96


172. A large pair of Chinese famille rose baluster vases and covers, mid-18th century, brightly enamelled with leaf-shaped panels, vases of flowers, fruits and auspicious things, on a green and black ground of scrolling tendrils, colourful flowerheads and with elaborate lappets to the shoulders, 60cm. (4) £8,000-10,000 十八世紀中期

粉彩花卉開光博古圖如意肩將軍罐 一對

173. A pair of Chinese famille rose ovoid vases, 18th century, brightly painted with panels of flowers and colourful roundels on an iridescent café au lait ground, with modern wood covers and stands, 20.5cm. (6) £1,000-2,000 Provenance: purchased from H R Hancock & Sons, 37 Bury St., St James, c.1968-73. 十八世紀 醬釉開光粉彩花卉紋蓋罐 一對 來源:1968-73購于HR Hancock & sons

97


174. A pair of Chinese wucai quatrefoil dishes, Chongzhen 1630-1645, each painted with a small boat containing a ferryman transporting two seated scholars, beside a rocky shoreline issuing willow, painted in yellow, aubergine and green enamels, all within a wide iron-red band, each with a mark to the base which reads tian guang (heavenly brilliance), 18.5cm. (2) £2,000-3,000 Cf. Sir M Butler, Chinese Porcelain, The Transitional Period 1620-1683, p.37, no.31, where a similar dish is illustrated. 明崇禎 五彩高士泛舟花口碟 一對 《天光》青花款

175. A Chinese wucai square dish, 17th century, made for the Japanese market, painted in yellow, green, aubergine and iron-red with a seated figure on an irregular geometric ground, the reverse with a shop mark, 13.9cm. £500-800 十七世紀

五彩誦經羅漢方碟

176. A Chinese famille verte dish, late Kangxi, painted with two ladies, each holding a flower and one with a fan, in a fenced garden beside a pagoda with lotus plants beyond, 34.7cm. £2,500-3,500 清康熙晚期

98

五彩人物故事碟


177. A Chinese famille verte ewer and cover, Kangxi 1662-1722, painted with a gnarled flowering prunus tree issuing from rockwork to each side, the neck, spout, handle and cover with flower sprays and mounted with silver, 20.8cm. (2) £1,000-1,500 Provenance: purchased from J Sparks Ltd. on the 19th April 1988 for £650. A copy of the receipt available. Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset. 清康熙 五彩花卉紋鑲銀執壺 來源:多塞特郡的科瑞切爾莊園收藏。1988年4月19日購自J Sparks Ltd,附發票

178. A Chinese blue and white ko-sometsuke sweetmeat dish, Tianqi 1621-27, modelled as a fish, the body painted with horizontal stripes, raised on four short feet, 20.3cm. £2,000-3,000 Cf. M Kawahara, Ko-Sometsuke, p.193, no.738 for a set of similar dishes. 明天啟

青花魚形碟

179. A pair of Chinese famille verte hexagonal vases, Kangxi 1662-1722, each face painted alternately with ladies in fenced gardens, plants issuing from rockwork and vases of flowers and auspicious objects, each with a cylindrical hardwood cover, 27.5cm. (4) £3,500-4,500 清康熙

五彩游園圖六棱罐 一對

99


180. A massive Chinese Canton famille rose punch bowl, c.1830, brightly enamelled with panels of court scenes with numerous figures in interiors and amidst rockwork, between wide bands containing foliate sprays and butterflies, auspicious objects and bats, 50cm. £15,000-18,000 1830年代

100

廣彩三堂會審大碗


101


181. A large Chinese baluster vase, 18th century, moulded in relief with stylized lotus flowers, pomegranates and other blooms amidst leafy stems and tendrils beneath a pale celadon glaze, the shoulder with a floral ruyi-head band, the rim with a key fret border, the foot with elongated lappets, the base with an apochryphal four character Xuande mark, 55.5cm. £5,000-8,000 Cf. Christie’s New York, lot 371, 20th September 2005, for a related vase with similar decoration. 十八世紀 青釉纏枝蓮紋如意肩瓶 《宣德年制》

102

182. A Chinese celadon glazed archaistic vase, 18th/19th century, the body carved in relief with a band of flowers and foliage beneath five bats amidst cloud scrolls to the shoulder, the neck with handles modelled as pierced scrolls, 35.3cm. £2,000-3,000 十八/十九世紀

粉青花卉紋瓶


183. A large Chinese monochrome bottle vase, six character Qianlong mark and of the period 1736-95, the globular body with a rich midnight-blue glaze stopping short of the footrim, 45.3cm. £10,000-15,000 Cf. Christie’s London, 7th June 2004, lot 154 for a related coral glazed bottle vase. 清乾隆 霽藍釉天球瓶 《大清乾隆年制》青花篆書款


184. A Chinese blue glazed bowl, six character Qianlong mark and of the period 1736-95, the ovoid body decorated with a rich, even cobalt-blue glaze, the interior glazed white, 22cm dia. £4,000-6,000 清乾隆 籃釉素碗 《大清乾隆年制》青花篆書款

185. A Chinese sang de boeuf glazed stem bowl, six character Yongzheng seal mark and of the period 1723-35, decorated with an even glaze draining from the rim, the body raised on a high ridged foot, 18.9cm dia. £1,500-2,000 清雍正 郎窯紅竹節高足碗 《大清雍正年制》青花篆書款

186. A pair of Chinese turquoise glazed moonflasks, bianhu, Kangxi 1662-1722, each with a vibrant glaze draining from the rim, the flattened ovoid body with a bulbous neck moulded with ruyi handles, 22.8cm. (2) £3,000-5,000 清康熙

104

孔雀藍釉如意耳抱月壺 一對


187. A large Chinese powder-blue ground cylindrical bitong, probably Kangxi, the exterior decorated with poems, the interior glazed white, 20cm dia. £4,000-6,000 Cf. The Complete Collection of Treasures of The Palace Museum, Small Refined Articles of Study, p.94, no.64 for a related bitong. 清康熙(可能)

籃釉詩文筆筒

188. A Chinese guan-type brush washer, six character Qianlong mark and probably of the period 1736-95, the body with an even celadon-blue crackle glaze, with steep, irregular sides rising to a fluted rim, 11.3cm. £500-1,000 清乾隆(可能)

仿官窑海棠口筆洗

《大清乾隆年制》篆書款

105


189. A large Chinese celadon jar, guan, early Ming dynasty, moulded in relief with panels containing gnarled fruiting branches of peach, pomegranate and lychee above a band of stiff leaves, a hardwood stand, 27cm. (2) £4,000-6,000 Cf. M Tsai, Green-Longquan Celadon of the Ming Dynasty, p.150, no.76, where a vase of similar decoration is illustrated. 明早期

青釉多子多福大罐

190. A Chinese blue and white dish, six character Kangxi mark and of the period 1662-1722, painted with five-clawed scaly dragons and flaming pearls of wisdom on a dense flame ground, the reverse with a similar design above a band of lappets, 36.6cm. £10,000-15,000 清康熙 青花雙龍戲珠大盤 《大清康熙年制》青花楷書款

191. A Chinese white glazed flared bowl, six character Qianlong seal mark and of the period 1736-95, delicately moulded in relief with peony and prunus issuing from rockwork, with a lingzhi fungus and a butterfly in flight, 12cm dia. £500-700 清乾隆 白釉捷報富貴碗 《大清乾隆年制》青花篆書款

106


192. † A small fine Chinese wucai bowl, six character Wanli mark and of the period 1573-1619, painted to the exterior with a deer and a kylin amongst clouds and floral blooms, divided by two boys holding precious objects, the interior with a roundel containing a winged dragon, 10.5cm dia. £15,000-20,000 Cf. The Fame of Flame, Imperial Wares of the Jiajing and Wanli Periods, p.278, no.110 for a related bowl. 明萬曆 五彩麒麟送子小碗 《大明萬曆年制》青花楷書款


193

194

193. † λ A Chinese yellow jade snuff bottle, 18th/19th century, in the form of a melon growing from a leafy stem, the stopper formed from coral, 5.1cm. £2,500-3,000

194. A Chinese white jade carving of a duck, 18th/19th century, its head turned back over its body and holding a lotus stem in its beak, the leaf forming the base, 4.2cm. £2,000-3,000

Cf. Virtuous Treasures, Chinese Jades for the Scholar’s Table, p.189, no.113 for a white jade carving with a similar subject from the Tuyet Nguyet Collection.

Cf. M Knight, H Li & T T Bartholomeow, Later Chinese Jades, Ming Dynsaty to Early Twentieth Century from the Asian Art Museum of San Francisco, p.262, no.278 for another Mandarin drake.

十八/十九世紀

Mandarin ducks, yuanyang, are a symbol for a happy marriage as they mate for life. The male is usually represented looking backwards towards the female duck. Together with a lotus spray, they form the rebus yuanyuang xihe, meaning ‘may you be paired for life’. It can also be read as yuanyuang guizi, ‘may you have a harmonious marriage and may you give birth to illustrious sons’.

黃玉雕多子多福鼻烟壺

十八/十九世紀

白玉雕鴛鴦銜蓮擺件

195. A Chinese pale celadon jade carving of a pair of Mandarin ducks, 18th century, each with its head turned and holding a single stem in their bills, paper label for John Sparks Ltd., 6.7cm. £4,000-6,000

196. † A Chinese yellow jade pendant, 18th century, carved as a bird with its head facing forwards, the wings and tail with stylized feathers, 6.2cm. £2,000-3,000

十八世紀 青白玉雕鴛鴦戲水擺件 John Sparks Ltd.標籤

十八世紀

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黃玉雕鳥型佩


195

196

197

198

197. † A Chinese white jade openwork plaque, 18th/19th century, in the form of a dragon boat, with oarsmen and a figure holding a halberd inscribed with two characters which read shang hui (victory party), and a boy with a flag, 9.4cm. £2,000-3,000 Cf. Z Wei, Jades of the Qianlong, Shanghai Museum, p.47 for a similar example. 十八/十九世紀

白玉雕賽龍舟佩

198. A Chinese celadon jade carving of a Buddhist lion dog with her puppy, 18th century, the mother with a brocade ball between her paws and a ribbon in her mouth, her feet neatly tucked beneath her body, the puppy clambering upon her back, the stone with grey-russet variations, a fitted hardwood stand, 7.5cm. (2) £5,000-8,000 Provenance: the collection of the late June, Lady Horlick. 十八世紀 青白玉雕少獅太獅擺件 來源:霍立科女士的Late June收藏

109


199. A fine Chinese pale celadon jade carving of two boys, 18th century, crouching one in front of the other, one holding a large persimmon, the other a lingzhi fungus and a ruyi sceptre, a fitted hardwood stand carved with lingzhi, 5.5cm. (2) £10,000-15,000 Provenance: the collection of the late June, Lady Horlick. 十八世紀 青白玉雕如意多子多福擺件 來源:霍立科女士的Late June收藏

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200

201 200. † A small Chinese junyao petal shaped dish, Yuan dynasty, decorated with a lavender glaze with a red splash to one side, the glaze falling short of the foot revealing the buff stoneware body, 11.6cm. £3,000-4,000 Provenance: formerly in a private European collection. 元 鈞窯花口碟 來源:歐洲私人收藏 201. A pair of Chinese ko-sometsuke wucai dishes, mid-17th century, each painted with a hare sitting beside rockwork beneath a bird in flight and the moon, each with a six character Chenghua mark, 14.7cm. (2) £3,000-4,000 Exhibited: Marchant, London, Transition Wares for the Japanese and Domestic Markets, 1989, pp.56-7, no.100. The hare and the moon are closely related. One story suggests the hare inhabits the moon; another that the hare conceives whilst gazing at the moon. For further details see C A S Williams, Outlines of Chinese Symbolism and Art Motifs. 十七世紀中期

青花五彩玉兔花卉紋碟 一對

202. † A Chinese famille rose flared cup, four character Yongzheng mark and of the period 1723-35, painted with three large peonies and scrolling foliage on a pink ground, 8cm dia. £3,000-4,000 清雍正 粉地粉彩小杯 《雍正年制》青花楷書款

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202


203. † A pair of Chinese famille rose blue sgraffito ground bowls, six character Qianlong seal marks and of the period 1736-95, with everted rim and with flowerhead medallions, each with a paper label for the Fonthill Heirlooms, 19.3cm. (2) £3,000-4,000 Provenance: Alfred Morrison collection, Fonthill Heirlooms, no.444. 清乾隆 藍地粉彩軋道花卉紋碗 一對 《大清乾隆年制》青花楷書款 來源:阿爾福瑞德·莫瑞森收藏,放山居舊藏·編號444 底部貼有放山居收藏標籤


204. A fine pair of Chinese famille verte dishes, Kangxi 1662-1722, each painted with scenes from Shuihu Zhuan (Water Margin), with warriors and soldiers, one with a fisherman, all identified with a mark suspended from their robes, 25cm. (2) £15,000-20,000 Provenance: a private European collection. Purchased from Peter Hoogendijk, Naarden, The Netherlands. Cf. M Wilson, Rare Marks on Chinese Porcelain, p.89, where a plate of similar design is illustrated, and also S Jenyns, Later Chinese Porcelain, The Ch’ing Dynasty (1622-1912); and The World’s Great Collections Oriental Ceramics, Vol.7, Musee Guimet, Paris, no.121. Water Margin, attributed to Shi Naian, is considered one of the four great classical novels of Chinese literature. Loosely based upon the historical bandit Song Jiang and his thirty-six companions, the novel details the trials and tribulations of one hundred and eight outlaws during the 12th century. 清康熙 五彩水滸傳人物盤 一對 來源:歐洲私人收藏,購于荷蘭Peter Hoogendijk, Naarden


205. A set of four Chinese famille verte dishes, Kangxi 1662-1722, each painted with a different floral bloom, including orchid, tree peony, and prunus, and each with rows of calligraphy, 16.6cm. (4) £3,000-4,000 Provenance: a private European collection, purchased c.2000. 清康熙 粉彩花卉題詩碟 一組四件 來源:歐洲私人收藏,購于2000年


206. A rare Chinese famille verte moulded dish, Kangxi 1662-1772, painted with Shoulao seated on a deer with two attendants carrying a staff and a bowl of peaches, the border with nine Chinese characters which read fu lu shou, the reverse with nine pomegranates, a two character hui jin mark, 22.6cm. £5,000-7,000

207. A fine Chinese doucai bowl, Kangxi 1662-1722, painted with the eight Daoist Immortals with their attributes, and with Shoulao with a crane and holding a ruyi sceptre to the centre, all within underglaze blue double rings, the base with a six character Chenghua mark, 18.8cm. £5,000-7,000

Provenance: a private European collection. John Sparks Ltd., c.1950, The Dreesmann Collection, and Vanderven, c.2000.

Provenance: a private European collection. Purchased from Michot, Bruges, Belgium, c.2000.

清康熙 青花五彩福祿壽盤 《彙錦》款 來源:歐洲私人收藏,購于John Sparks Ltd. 1950年代由安得斯曼舊 藏;2000年轉由帆德文收藏

Cf. Christie’s New York, Fine Chinese Ceramics and Works of Art Part II, 25th March 2011, lot 1705 for a similar example with a fushou shuangquan mark.

116

清康熙 五彩八仙人物碗 《大明成化年制》青花楷書仿款 來源:歐洲私人收藏,購于比利時布魯基的米俢


208. A rare Chinese wucai bitong, Shunzhi 1644-1661, painted with a young man standing on iron-red clouds, dreaming of the moon goddess Chang Er holding an osmanthus sprig beside three attendants and a pagoda, paper exhibition label for Marchant, 14.3cm. £10,000-15,000 Provenance: a private European collection. Purchased from Marchant, London, 1989. Exhibited: Marchant, London, Transitional Wares for the Japanese and Domestic Markets, 1989, no.115. 清順治 五彩人物故事紋筆筒 來源:歐洲私人收藏,1989年購于倫敦Marchant


209. A Chinese famille verte large saucer dish, Kangxi 1662-1722, painted with two phoenix between an iron-red openwork fence above chickens and with further flowers and butterflies, 38.8cm. £3,000-5,000 Provenance: a private European collection. Purchased from Michot, Bruges, Belgium. 清康熙 五彩花卉鳳求凰盤 來源:歐洲私人收藏,購于比利時布魯基的米俢

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210. A very rare Chinese famille verte cylindrical vase and cover, Kangxi 1662-1722, painted with mallow, chrysanthemum, pomegranate, prunus and lotus amongst rockwork, the domed cover with pheasants upon rockwork with magnolia, lotus and peony, 20.6cm. (2) £10,000-15,000 Provenance: a private European collection. Purchased from Vanderven, The Netherlands, 1995. 清康熙 五彩花卉紋蓋罐 來源:歐洲私人收藏,1995年購于荷蘭帆德文


211. A fine Chinese famille verte dish, Kangxi 1662-1722, painted to the well with a roundel containing a kylin and a phoenix in flight amongst peony, lingzhi and pine, encircled with a band containing a Buddhist lion and an eagle, a deer and a crane, a leopard and a magpie, and a horse and a phoenix, all amongst floral blooms, the rim with butterfly panels on a flowerhead ground, the base with an artemesia leaf mark, 37cm. £5,000-7,000 Provenance: a private European collection. Purchased from Michot, Bruges, Belgium. Cf. C J A Jörg, Famille Verte Chinese Porcelain in Green Enamels, p.46 for a Delft faïence example.

212. A fine Chinese famille verte dish, Kangxi 1662-1722, painted to the centre with a fat pheasant perched on rockwork, with other birds amidst magnolia and peony, the rim with panels containing morning glory, chrysanthemum, peony, butterflies and birds perched on rockwork, the base with an artemesia leaf mark, 28.3cm. £2,000-3,000 Provenance: a private European collection. Purchased in Ghent, Belgium, c.1965. 清康熙 五彩花卉紋盤 來源:歐洲私人收藏,1965年購于比利時根特

清康熙 五彩鳳凰麒麟盤 來源:歐洲私人收藏,購于比利時布魯基的米俢

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213. A Chinese famille verte cylindrical vase, Kangxi 1662-1772, painted with standing ladies between jardinières of rockwork and chrysanthemum, 21cm. £700-900 Provenance: a private European collection. 清康熙 五彩仕女圖瓶 來源:歐洲私人收藏

214. A Chinese famille verte bottle vase, Kangxi 1662-1722, the fluted body painted with phoenix, flowers and foliage, 26cm. £300-500 Provenance: a private European collection, formerly a North European Castle, 1987. 清康熙 五彩鳳戲牡丹瓶 來源:歐洲私人收藏,1987年由北歐古堡收藏

215. A Chinese famille verte water jug, Kangxi 1662-1722, decorated with birds, flowering peony and insects on a prunus branch, the cover perhaps associated, 24.5cm. (2) £1,500-2,000 Provenance: a private European collection. Vanderven, The Netherlands, 1987. 清康熙 五彩花鳥紋蓋壺 來源:歐洲私人收藏,1997年購於荷蘭帆德文

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216. A pair of Chinese famille verte plates, six character Kangxi marks and of the period 1662-1722, painted with phoenix, rockwork, chrysanthemum and peony, the borders with further birds and flowers, 33cm and 32cm. (2) £10,000-15,000 Provenance: a private European collection. Purchased from Michot, Bruges, Belgium. Cf. C J A Jörg, Famille Verte Chinese Porcelain in Green Enamels, p.58 no.58 for a similar plate in the Groninger Museum, Groningen. 清康熙 五彩鳳戲牡丹紋盤 一對 《大清康熙年制》青花楷書款 來源:歐洲私人收藏,購于比利時布魯基的米俢


217. A fine and rare Chinese famille verte square bowl, Kangxi 1662-1722, painted with scenes from The Romance of The Western Chamber, with a man climbing over a wall to watch a young woman and a boy, the base with a ding vessel mark, 20.2cm. £7,000-9,000 Provenance: a private European collection. Purchased from Michot, Bruges, Belgium, c.2000. 清康熙 五彩西厢記方碗 來源:歐洲私人收藏,購于比利時布魯基的米俢

alternate views

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218. A Chinese famille verte rose water bottle, Kangxi 1662-1722, painted with vases and hanging brocade balls, 16.5cm. £800-1,200 Provenance: a private European collection, formerly a titled European family. 清康熙 五彩如意福祿膽瓶 來源:歐洲私人收藏,歐洲伯爵家族舊藏

219. A Chinese famille verte teapot and cover, Kangxi 1662-1722, painted with panels of hydrangia, prunus and chrysanthemum, 17cm. (2) £700-900 Provenance: a private European collection. Purchased from Vanderven, The Netherlands, 1997. 清康熙 五彩喜上眉梢執壺 來源:歐洲私人收藏,1997年購於荷蘭帆德文

220. A Chinese famille verte plate, Kangxi 1662-1722, painted with a central vase of flowers within borders of auspicious things and flowerheads, 23cm. £700-900 Provenance: a private European collection. Cf. C J A Jörg, Chinese Ceramics in the Collection of the Rijksmuseum, Amsterdam, The Ming and Qing Dynasties, p.154 no.166 for a similar plate. 清康熙 五彩開光花卉盤 來源:歐洲私人收藏

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221. A fine pair of Chinese famille verte openwork dishes, Kangxi 1662-1722, each painted with two ladies and a boy beside wuti, fencing and rockwork, encircled by a cash border, 21.4cm. (2) £3,000-5,000 Provenance: a private European collection, purchased in Europe in 1985. Cf. C J A Jörg, Famille Verte Chinese Porcelain in Green Enamels, p.48 no.40 for a similar example. 清康熙 五彩人物故事紋盤 一對 來源:歐洲私人收藏,1985年購于歐洲

222. A pair of Chinese famille verte plates, Kangxi 1662-1722, each painted with a vase of flowering chrysanthemum, books, scrolls, ribbons and tied qin, the petal-shaped rim with a band containing ruyi sceptres, books and other precious objects, the base with a square mark, 26cm. (2) £2,000-3,000 Provenance: a private European collection. Purchased in Ghent, Belgium, c.1965. 清康熙 五彩博古圖碟 一對 來源:歐洲私人收藏,1965年購于比利時根特

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223. A fine pair of Chinese famille verte saucer dishes, Kangxi 1662-1722, one depicting the Story of the Western Chamber, painted with a gentleman on a balcony playing qin, the other with an equestrian rider crossing a bridge with his attendant who carries a sword, a box and a wrapped qin, 20.3cm. (2) £4,000-6,000 Provenance: a private European collection. Purchased from Michot, Bruges, Belgium, c.2000. 清康熙 五彩張生操琴、西廂記人物故事碟 一對 來源:歐洲私人收藏,2000年購于比利時根特

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224. A fine Chinese famille verte saucer dish, Kangxi 1662-1722, finely painted and brightly enamelled with two ladies and two boys in a fenced garden, the borders with panels of butterflies and complex brocade diaper, 16.8cm. £1,500-2,500 Provenance: a private European collection. Purchased from Bruges, Belgium, c.2000. Cf. R L Hobson, Catalogue of the Leonard Gow Collection of Porcelain, pl.XLIII for a similar example. 清康熙 五彩人物故事碟 來源:歐洲私人收藏,2000年購于比利時根特


225. A pair of unusual Chinese famille verte octagonal dishes, Kangxi 1662-1722, each painted with a lady and a gentleman beside a table and chair, the border with flowerheads on a diaper ground and panels containing auspicious objects, 19.3cm. £3,000-5,000 Provenance: a private European collection. Purchased from Michot, Bruges, Belgium, c.1983. 清康熙 五彩人物故事紋方碟 一對 來源:歐洲私人收藏,1983年購于比利時布魯基的米俢

226. A rare Chinese famille verte cylindrical vase, Kangxi 1662-1722, the shape after an Italian albarello, and decorated with the three Star Gods, Shoulao holding a peach, Fuxing with a scroll and Luxing with a child, another child holding a lotus to the reverse with a deer, a crane and five bats, 19.1cm. £4,000-6,000 Provenance: a private European collection. Purchased from Allegria, Portugal, c.2005. 清康熙 五彩福祿壽瓶 來源:歐洲私人收藏,2005年購于葡萄牙Allegria

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227. A fine and large Chinese famille verte basin, Kangxi 1662-1722, with an everted rim, painted in the centre with the Emperor in a court scene, with a kneeling lady who has spilt a bowl, and is asking for forgiveness, and with further figures, plantain and a gilt moon and stars above, the border with geometric diaper and reserves of precious objects, 41.3cm. £15,000-20,000 Provenance: a private European collection. Purchased from Michot, Bruges, Belgium, c.1980. 清康熙 五彩人物故事紋盤 來源:歐洲私人收藏,1980年代購于比利時布魯基的米俢

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228. A Chinese famille verte sancai pyramid, Kangxi 1662-1722, modelled as pomegranates, peaches and finger citron, decorated in yellow, green and aubergine, 16.6cm. £2,000-3,000

229. A pair of Chinese famille verte Buddhist lion dogs, Kangxi 1662-1722, decorated in yellow, green and aubergine, 11.5cm. (2) £800-1,200

Provenance: a private European collection. Chait Galleries, New York, c.1970.

Provenance: a private European collection.

清康熙 素三彩三多擺件 來源:歐洲私人收藏,1970年代紐約查特畫廊舊藏

清康熙 素三彩獅子擺件 來源:歐洲私人收藏

一對

230. A pair of Chinese famille verte models of parrots, Kangxi or later, decorated with green, yellow and aubergine glazes, 8.8cm. (2) £300-500 Provenance: a private European collection. Cf. C J A Jörg, Famille Verte Chinese Porcelain in Green Enamels, p.125 no.114 for a related pair of parrots in the Rijksmuseum, Amsterdam. 清康熙(可能) 素三彩鸚鵡擺件 來源:歐洲私人收藏

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一對


231. A rare Chinese famille verte figure of Li Tie Guai, Kangxi 1662-1722, with one leg raised on his iron crutch and holding a gourd, wearing lustrous aubergine coloured robes, 7.8cm. £800-1,200

232. A Chinese famille verte water pot, Kangxi 1662-1722, modelled as the drunken poet Li Tai Bai wearing green robes and leaning on a wine jar, decorated in green, aubergine, yellow and black, 16.5cm. £3,000-4,000

Provenance: a private European collection. Purchased in Ghent, Belgium, c.1970.

Provenance: a private European collection. Purchased from Vanderven, The Netherlands, 1987.

Cf. R L Hobson, Catalogue of the Leonard Gow Collection of Porcelain, pl.LXX no.363 for a similar example.

清康熙 素三彩李太白醉酒水盂 來源:歐洲私人收藏,1987年購於荷蘭帆德文

清康熙

素三彩鐵拐李像

來源:歐洲私人收藏,1970年代從比利時根特購得

233. A Chinese sancai tilework figure, 16th/17th century, modelled as a man wearing flowing robes and holding a staff, with a hardwood stand, and a smaller green glazed figure, 43cm. (3) £1,000-1,500 Provenance: a private European collection. 十六/十七世紀 素三彩人物造像 來源:歐洲私人收藏

一組二件

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234. Two Chinese famille verte water pots, Kangxi and later, one modelled as a crab, the other as a green speckled frog, 8cm. (2) £800-1,200 Provenance: a private European collection. 清康熙 素三彩青蛙及螃蟹水盂 來源:歐洲私人收藏

一組二件

235. A pair of Chinese famille verte models of green parrots, Kangxi 1662-1722, perched on yellow rockwork, 10.2cm. (2) £1,000-1,500 Provenance: a private European collection. Purchased in Europe c.1980. 清康熙 素三彩鸚鵡擺件 一對 來源:歐洲私人收藏,1980年代購于歐洲

236. A pair of Chinese turquoise glazed incense holders, Kangxi 1662-1722, modelled as xue, and moulded with stylized flowers, 9.7cm. (2) £1,000-1,500 Provenance: a private European collection. Purchased in Lille, France, c.1970. 清康熙 孔雀藍靴形香插 來源:歐洲私人收藏,1970年代購於法國裏爾

237. A good pair of Chinese famille verte water droppers, Kangxi 1662-1722, in the form of pleasure boats, decorated in green, yellow and aubergine enamels, 9cm. (2) £1,000-1,500 Provenance: a private European collection. 清康熙 素三彩船型擺件 來源:歐洲私人收藏

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一對


238. A Chinese famille verte water pot, Kangxi 1662-1722, modelled as a duck beside a large lotus leaf, decorated with green, yellow and aubergine enamels, 8.5cm. £400-600 Provenance: a private European collection. Purchased from Vanderven, The Netherlands, 1986. 清康熙 素三彩荷葉水鴨筆洗 來源:歐洲私人收藏,1986年購於荷蘭帆德文

239. A Chinese famille verte water pot, Kangxi 1662-1722, in the form of the lotus pod, the leaf as the pourer, decorated in green, aubergine and yellow, 11.1cm. £800-1,200 Provenance: a private European collection. Purchased from Vanderven, The Netherlands, 1984. 清康熙 素三彩多子多福水盂 來源:歐洲私人收藏,1984年購於荷蘭帆德文

240. A Chinese famille verte water pot, Kangxi 1662-1722, in the form of the lotus pod, the leaf as the pourer, decorated in green and aubergine, 12.7cm. £1,000-1,500 Provenance: a private European collection. Purchased from Vanderven, The Netherlands, 1984. 清康熙 素三彩多子多福水盂 來源:歐洲私人收藏,1984年購於荷蘭帆德文

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241. A Chinese famille rose moulded teapot and cover, mid-18th century, formed as a chrysanthemum, the spout and handle as leafy branches, with further flower sprays painted to the body, the finial a gilt bud, 15.5cm. (2) £800-1,200

242. A pair of Chinese famille rose plates, 1st half 18th century, painted with scenes from The Romance of The Western Chamber, each with a figure climbing over a wall beside two ladies in a garden, 12.7cm. (2) £500-700

Provenance: a private European collection, purchased c.1980.

Provenance: a private European collection, purchased c.1965.

十八世紀中期 粉彩纏枝菊花茶壺 來源:歐洲私人收藏,1980年購得

十八世紀初期 五彩西厢記故事碟 一對 來源:歐洲私人收藏,1965年購得

243. A Chinese famille verte plate, Kangxi 1662-1722, painted with two Mandarin ducks swimming amongst lotus, the rim with a wide band depicting the eight Daoist Immortals riding animals and fish amidst rockwork, 22cm. £500-700

244. A Chinese blue and white bowl, 16th century, painted to the exterior with deer in a rocky garden with lotus and clouds, the base with a four character mark which reads wan fu you tong, 14.6cm. £200-300

Provenance: a private European collection.

Provenance: a private European collection.

清康熙 五彩鴛鴦蓮池紋盤 來源:歐洲私人收藏

十六世紀 青花如意福壽碗 《萬福攸同》青花楷書款 來源:歐洲私人收藏

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245. A rare Chinese famille jaune hexagonal Three Friends of Winter teapot and cover, Kangxi 1662-1722, decorated with openwork panels of bamboo, pine and prunus, with an aubergine coloured fish-form handle and an animal mask to the spout, 16.5cm. (2) £7,000-9,000 Provenance: a private European collection. Purchased from Michot, Bruges, Belgium, 1988. 清康熙 素三彩歲寒三友執壺 來源:歐洲私人收藏,1988年購于比利時布魯基的米俢


246. A Chinese junyao pottery two-handled jar, Yuan dynasty, decorated in a purple-splashed glaze, 10.8cm. £500-700 Provenance: a private European collection. 元 鈞窯雙系罐 來源:歐洲私人收藏

247. A pair of Chinese celadon glazed Cadogan wine pots, c.1900, each modelled as a peach with leaves issuing from the spout, decorated in underglaze copper-red and blue, 15.8cm. (2) £600-800 Provenance: a private European collection. Purchased from Morand, Ghent, Belgium, 1975. 1900年代 青地釉裡紅酒壺 一對 來源:歐洲私人收藏,1975年購于比利時布魯基的米俢

248. A Chinese sancai circular jarlet and cover, Tang dynasty, 8.9cm. (2) £300-500 Provenance: a private European collection. 唐 三彩小罐 來源:歐洲私人收藏

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249. A good pair of Chinese celadon ground two handled vases, late 18th century, each painted in underglaze blue and copper-red with lotus and chrysanthemum flowerheads, 28.5cm. (2) £2,000-3,000 Provenance: a private European collection. Purchased from L Michon, Paris, c.1975. 十八世紀晚期 青地青花釉裡紅雙耳瓶 一對 來源:歐洲私人收藏,1975年購於巴黎L Michon

250. A pair of Chinese celadon glazed bottle vases, 19th century, with melon-moulded bodies, openwork dragon handles and gilt ormolu mounts, 35.5cm. (2) £800-1,200 Provenance: a private European collection. Purchased from Michot, Bruges, Belgium, 1993. 十九世紀 鑲銅豆青瓜棱瓶 一對 來源:歐洲私人收藏,1993年購于比利時布魯基的米俢

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Auction Information OPENING HOURS Monday to Friday 9am to 5.30pm and 10am to 1pm on Saturdays. VIEwING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIddING IN tHE ROOM to bid at auction you will need a paddle number. this can be obtained from the office either during the view or on the day of the sale. we now provide permanent paddle numbers which can be used for any future sale, once registered. REGIStERING wItH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. to register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk. You will be asked to show your documents, or fax or email copies.

lIVE ONlINE BIddING live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. to bid online you need to register at www.the-saleroom.com In completing the bidder registration on www.thesaleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise woolley and wallis Salisbury Salerooms ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom. com, and 2. confirm that you are authorised to provide these credit card details to woolley and wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that woolley and wallis Salisbury Salerooms ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONdItION REPORtS the relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. the colours printed in the catalogue are not necessarily true.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

SAlE RESUltS these will be posted on our website shortly after the sale.

COMMISSION BIddING If you are unable to attend the sale you can leave a commission bid. this will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAt on the first £500,000 of the hammer price and 12% + VAT thereafter.

tElEPHONE BIddING It is usually possible to bid on the telephone by prior arrangement with the office.


PAYMENt ANd ClEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

ARtISt’S RESAlE RIGHt / dROIt dE SUItE droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. we are no longer able to accept card payments of over £1,000 where the cardholder is not present.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. the royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Wire transfers should be sent to: lloyds tSB, Blue Boar Row, Salisbury SP1 1dB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20lOYd30974100957707 BIC code lOYdGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAt Debit cards: delta, Switch, Connect

droit de Suite, which is not subject to VAt, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. this will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAt Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAt at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales tax % column indicates the rate of VAt on hammer price. CItES REGUlAtIONS Please note that lots marked λ may be subject to CItES Regulations when exported. the CItES Regulations may be found at www.ukcites.gov.uk

Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 PACkING ANd SHIPPING woolley & wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk APS 0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk


拍賣須知 營業時間: 週一至週五9:00-17:30,週六10:00-13:00 拍賣前預展: 本公司所有拍賣預展都會在正式拍賣的前兩天舉 行,詳細資訊請查閱相關拍賣圖錄。 登記競投: 競買人應在拍賣日前於公司前臺接待處申領競投號 牌。本公司現提供永久競投號牌,競買人登記後可 在未來的拍賣中使用。 登記時,您需要出示身份證、護照(如果有)和地 址證明(有注明住址的水電煤帳單或駕駛證), 或者將以上資料以郵件的形式發送至enquiries@ woolleyandwallis.co.uk 注:the-saleroom.com(網絡實況轉播競投)註冊 也需要以郵件的形式發送以上資料至本公司。 委託競投: 不能出席拍賣的競買人可通過書面形式委託本公司 代為競投,工作人員將參考底價,盡力以最低價進 行競投。 電話競投: 委託人可在拍賣會進行時通過電話競投,該項服務 須在拍賣會開始前與本公司前臺接待處預約。 網絡實況轉播競投: 本公司大部份拍賣都可以通過網絡實況轉播競投, 該項服務可以滿足競買人在世界各地進行競投的 需求。網上競投需在www.the-saleroom.com上登 記。同時您務必掃描并以電子郵件的形式將身份 證、護照(如果有)和地址證明(有注明住址的水 電煤帳單或駕駛證)發給我們。 除已經和威立士索爾茲伯裏拍賣有限公司達成協議 的買家外,網絡登記時競買人務必提供銀行信用卡 資訊: 1.

2.

授權威立士索爾茲伯裏拍賣有限公司,在成功 由the-saleroom.com競投到拍品後,本公司可 以從信用卡收取部份或全部的成交金額(包括 其他所有費用)。 確認競買人是信用卡授權的使用人,並確認威 立士索爾茲伯裏拍賣有限公司有權向持卡人在 拍賣登記表上提供的地址運輸貨物。

拍品情況報告: 本公司會提供有關拍品的品相報告,所有拍品的尺 寸或重量可以在相關圖錄裏瞭解。 注:所有測量數據視為近似值,因印刷或攝影造成 圖錄作品的色調、顏色等與原物有誤差者,以原物 為准。 成交價: 所有拍品的成交價會在拍賣會結束後在本公司網站 上公佈。 付款: 競買成功後,所有拍品的購買款項應以英鎊支付, 本公司收到款項後方可領取拍品。第一次在威立士 拍賣行交易的買家需提供姓名、地址和銀行資訊。 付款可以通過以下方式: 銀行匯票、現金匯票、個人支票、旅遊支票、信 用卡、銀行借記卡和不超過相當於€15,000的英鎊 現金。 如果持卡人不在現場,本公司將不能收取超過 £1,000的引用卡付款。 本公司電匯資訊: lloyds tSB, Blue Boar Row, Salisbury SP1 1dB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20lOYd30974100957707 BIC code lOYdGB21063 信用卡:VISA或者MAStERCARd會有2%的手續費 和增值稅(VAt) 借記卡:delta, Switch, Connect 付款和取貨都可以在拍賣現場進行。 傢具和鐘錶類的拍品通常會在拍賣結束後留在拍賣 現場三個工作日,然後轉移至倉庫。請買家取貨時 請務必提前和本公司預約。 拍賣結束三十天后開始徵收存放費用,費用包括: 保管費:每件拍品£20(+增值稅VAt) 存放費:每天每件拍品£2 (+增值稅 VAt) 以上所有費用全部結清才能取貨。 增值稅VAT: 帶有星號(†)的拍品需要在落錘價上徵收增值 稅。帶有希臘字母(Ω)的拍品表示從歐洲以外的 國家進口,並且在落錘和買家支付之傭金上收取5% 的增值稅。在本公司網上圖錄‘the Sales tax %ÿ 一欄顯示的是在落錘價上徵收的增值稅比例。


瀕危野生動植物種國際貿易公約 (CITES) 標註λ的拍品在從英國出口之前需要查詢其進口 地的進出口條例,詳細信息請登錄網站查詢www. ukcites.gov.uk 藝術家的追續權: 追續權是付給藝術家的專利稅。如果藝術家還在世 或者去世以後的70年內,那麼每次出售和轉售都要 付給該藝術家或者其繼承人專利稅。追續權不是增 收稅,會加在競買人購買價格之上,然後轉給相關 仲介機構。 專利稅是在落錘價錢(不包括買家支付之傭金)上 以百分率的方式徵收。€1,000以下的拍品不收取專 利稅,每個拍品的專利稅最高可以收取€12,500. 請詢問拍賣當天的英鎊匯率。 追續權的專利稅百分比率請參照下表: 4% 3% 1% 0.5% 0.25%

€50,000以下 €50,000.01 – 200,000 €200,000.01 – 350,000 €350,000.01 – 500,000 €500,000以上

最高的專利稅可以收取€12,500. 帶有‡符號的拍品需要在成交價上收取專利稅。

包裝和運送: 威立士拍賣行不提供包裝和運送的服務。以下是在 本公司周邊的運送公司及其聯繫方式: Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk APS 0800 118 5868 sale@apservices.info 07736 544 362 www.apservices.info Mailboxes 01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover Pack & Send 0845 465 0564 sales@packsend.co.uk www.packsend.co.uk **注:本須知如有任何詮釋上的問題,一概以英文 版本爲準。


Valuations PROBAtE VAlUAtIONS we offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or director. Accuracy, speed and above all confidentiality are paramount. INSURANCE VAlUAtIONS written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

we also carry out valuations for Family division, Capital Gains tax, and Private treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCtION VAlUAtIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

woolley and wallis valuations are accepted by all leading insurance companies.

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woolley & wallis Salisbury Salerooms ltd. 51-61 Castle Street, Salisbury, wiltshire SP1 3SU Registered in England No.2998482 VAT No: 631 9832 29 in association with woolley & wallis, Chartered Surveyors design & Production by atgmedia


Woolley & Wallis Absentee Bid Form Asian Art

PLEASE PRINT CLEARLY IN BLOCK LETTERS lot Number in numerical order

13th & 14th November 2013 Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/ or reserves if any, and subject to the Conditions of Sale printed in the Catalogue.

Billing Name (please print) ���������������������������� ���������������������������������������������������� Address �������������������������������������������� ���������������������������������������������������� ���������������������������������������������������� ������������������������� Postcode ����������������� daytime telephone ���������������������������������� Signature ������������������������������������������� to be sure that bids will be accepted and delivery of lots not delayed, bidders not yet known to woolley & wallis should supply a bank reference, as well as supplying the information requested below. Name of Bank ��������������������������������������� Address of Bank ������������������������������������� ���������������������������������������������������� ���������������������������������������������������� Account Number ������������������������������������ Bank telephone Number �����������������������������

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief description of lot

Price excluding buyer’s premium & VAt


Woolley & Wallis 書面競投表格 中國藝術品 敬請以本公司的名義為競買人進行競投,以 下所填的價錢上限不包括拍品所需的任何 買家保險價和任何VAt增值稅。這些拍品 會以圖錄上說明的底價以上的拍賣價成交。

拍品編號(按 數字順序)

競買人資料 (請用英語大寫字母書寫) 姓: 名:

地址:

郵編: 聯繫電話:

簽名:

敬請注意書面競投必須在拍品進行拍賣之前提交和 確認。沒有在威立士拍賣行註冊的競買人請務必提 供銀行資料證明之類的文件和一下銀行資料。(請 用英語大寫字母填寫) 銀行名字: 銀行地址:

帳號(Account Number)

銀行聯繫電話:

敬請用英文大寫字母書寫

Salisbury Salerooms (威立士拍賣行), 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

簡要的拍品描述

競拍價格(請除去VAt 增值稅和買家保險價)


藝術品拍賣和股價協會(SOFAA)、英國皇家註冊測量師協會(RICS)

拍賣規則

競買人須知 1.

簡介:本規則適用於本公司的買家,特別是對 於新加入拍賣的競買人。所有拍賣品的資訊和 估價都可以在相關拍賣圖錄中翻閱。如果您有 任何疑問,本公司的工作人員將非常樂意為您 服務。本中文條款如有任何詮釋上的問題,一 概以英語版本爲準。

2.

仲介:作為拍賣行,本公司通常以代理買方的 身份簽署合同。爲了保護客戶隱私權,本公司 不會公開競買人的資訊。

3.

估價:估價是爲了提供競買人一個大概的價格 浮動範圍。所有提供的拍賣品均設有賣家所定 的保密的最低價,拍品不會以低於此價出售。 圖錄上較低的估價價格即可能是該拍賣品的底 價。估價不包括競買人支付的傭金和VAt增值 稅。估價會在拍賣之前提供給競買人。

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7.

8.

買入價格:競買人需要付成交價和傭金(每 件拍品的成交價低於£500,000 取22%,超過 £500,000 上部份 取12%)+ VAt增值稅 VAt增值稅:買家須以有關法律所規定的稅率 及時間繳付增值稅。增值稅會在成交價和傭金 之上收取。帶有星號(*)的拍品是從歐盟國 家進口的,將徵收20%進口VAt增值稅。帶有 雙星符號(**)的拍品是從歐盟以外的國家進 口的,當下的VAt增值稅為5%。如果沒有以上 敘述的兩種符號,該拍品就不需要徵收VAt增 值稅。 威立士拍賣行:本公司是賣家的仲介,所有拍 品的資訊均源自於賣家,同時也會檢查拍品的 情況。本公司在關於拍品的目錄、品相報告和 另外口頭與書面的所有陳述,均只屬於意見的 表述,而不應依據為事實的陳述。目錄和品相 報告中所提及的有關瑕疵和未經修復的敘述只 作為對該拍品的參考,不應被依據為拍品的真 實狀況。所以競買人在拍賣前仔細檢查拍品情 況是一個明智的選擇。但如果發現拍品存在‘ 蓄意偽造’的情況,在三個星期內可能可以被 退還。(蓄意偽造的詳細解釋可以在本公司的 拍賣條款裏查閱) 電器拍品:所有電器拍品都以古董的形式進行 拍賣,如果是用於日常使用請在拍賣之前與專 業電器公司確認其安全性。 出口拍品:買家如果想要出口競拍所得物品需 要查明:a)是否需要出口許可證。b)要攜帶 入境的國家是否對該類拍品有禁令。比如說, 可能會禁止攜帶象牙。如有需要請詢問本公司 前臺服務。但上述的兩種情況都不作為取消交 易和推遲付款的原因。

9.

競投:競買人需要在拍賣前進行註冊,登記時 需要提供姓名,位址。新客戶需要向本公司提 供身份證明。如需要電話競投服務,請儘早與 本公司進行登記。

10. 競投委託:該項服務是以書面的形式委託威立 士在不超過其指定金額下競投拍賣品。工作人 員將參考底價,盡力以最低價進行競投,如果 威立士收到兩個或以上相同價格的書面競投, 則以最先與本公司簽訂委託競投協定者為成功 競投者。 11. 付款方式:按照規定,成交拍品需要付清所有 遺留款項以後才能取貨。關於付款方式請提前 與本公司前臺聯系。 12. 取貨和存儲:請查閱本公司拍賣條款裏關於取 貨和儲存的有關信息。所有推遲提取的拍品都 會徵收相應的存儲費用。 賣家委託條件 1.

解釋:下文中用到‘您’代表賣家或仲介機 構,同樣‘我們’代表拍賣行。

2.

傭金:拍品成交價在£999 內收取15%的傭金 +VAt增值稅,超過£1,000 拍品需要徵收10% 的傭金+VAt。

3.

運輸費:所有拍品務必要在截止日期前送達我 們拍賣行,且所有費用將由您來承擔。我們可 以在運送過程中幫助您但是本公司不承擔運輸 中發生任何狀況的責任。

4.

丟失和損傷保險:我們沒有為客戶準備FSA的 保險,但本公司用拍品的最低估價作為保護承 擔責任賠償。我們會收取成交價的1.5%作為 責任賠償的保險費用,如果您的拍品沒有成交 那麼我們會以估價的中間值為標準收取費用。 如果您不需要這項服務,那麼您將承擔丟失和 損傷的風險,直到買家取走該拍品。

5.

插圖:插圖的費用由您來承擔。若我們覺得拍 品需要插圖會尋求您的允許,我們會事先通知 您。但所有圖像和文字說明的版權都屬本公司 所有。

6.

底價和我們的判斷:在拍賣會開始之前我們會 和您關於拍品的預訂價達成共識。

7.

我們可以賣出低於拍品預訂價,但我們會支付 您該拍品的保留價。但如果您給予本公司‘裁 決’的權利,我們會同意以低於預訂價10%的 價格出售。


拍賣條例

保留價: (a)

敬請您務必在拍賣前提供給我們您需要的 保留價。保留價必須是我們認為合理的成 交價格,本公司有權利下降不合理的高保 留價。

(b)

保留價確定之後不能被改動。

(c)

保留價被確定以後,您不能自己進行競 投。

8.

電器拍品:這些拍品需要詳細的安全證明和防 火安全證明。若發現拍品有安全隱患,該拍品 將不被進行競投,我們有權要求您取走該拍 品。

9.

室內裝飾品:室內裝飾品如果發現有防火 安全隱患,根據Provisions of the torts (Interference with Goods) Act 1997, Schedule 1 條例,我們有權要求您取走該拍 品。

10. 拍品描述:請告知我們正確的拍品資訊,包括 拍品來源等等。對於拍品的描述的正確性有嚴 格的責任賠償,且在很多情況下您將承擔該責 任。如果您沒有反對我們對您的拍品描述,我 們將假定您同意您已認可。若競買人發現拍品 描述和實際拍品不符我們將退還買家所付金 額。我們必須引提醒您,即使您確實不知道拍 品描述和實際不相符也必須遵循該條例。 11. 未成交的物品:如果拍品沒有成交,可以在您 的允許下在下一次拍賣中再次進行競投。如果 我們認為該拍品無法賣出,請您務必儘快從本 公司提貨,因為我們有權向您徵收倉庫儲存 費。 12. 撤拍和買入的物品:撤拍或自行買入的拍品若 已列入圖錄或已經開始印刷,則應支付保留價 或者圖錄中最低估價的10%的傭金加上VAt增 值稅。 13. 拍賣條例:您所有同意的物品將根據拍賣條例 進行出售,您或者仲介有權出售該物品。如違 反該條例您將承擔我們、買家和第三方的所有 損失和賠償。

威立士索爾茲伯裏拍賣有限公司是與競買人、賣家 和在拍賣現場的人進行業務運作。拍賣條例可以從 這裡參考查閱。 1. a)

‘拍賣官’代表威立士索爾茲伯裏拍賣公司 或他授權的拍賣官。

b)

‘蓄意偽造’是指一件仿品試圖偽造原創作 者、時期、年紀、年代、文化或來源於圖錄 中描述的不同,而在拍賣當天拍出了與該仿 品的本身價值不符的價格。

c)

‘成交(落錘)價’是指競拍價格超過了保 留價,而拍賣師落錘成交的價格。

d)

‘委託條款’是指威立士拍賣行規定的賣家 或仲介的條約和傭金的百分比率。

e)

‘總額’是指成交價、買家傭金,VAt增值稅 和其他費用加起來買家付款的總和。

f)

‘銷售收益’指賣家的淨收益,成交價減去 賣家傭金、VAt增值稅和其他費用的餘額。

g)

‘你,你們’等等指買家請參考條例第二 條。

2.

您可以授權要求我們取消傭金和所有相關 費用,但是我們有權利保留買家所支付的 傭金和相關費用所產生的利息。

(b)

您可以授權我們在拍賣結束印業當天進行 私下協議出售沒有成交的拍品,但我們可 以收取和拍賣成交時同樣的傭金和費用。

15. 存儲:我們對任何不能馬上上拍的物品不負 責,且我們有權收取每天£2 儲存費。如果三 個星期以後還是沒有前來領取,我們有權利出 售該物品並收取相關費用。 16. 結算:通常拍賣結束以後28天內可以完成款項 結算,除非買家未付款。

拍賣過程和買家:

a)

競買人在競投之前,必須填妥及簽注登記表 格才能參加本公司拍賣。

b)

在拍賣官的決定下,競買人出價最高且被拍 賣官接受的競買人才能成為該物品的買家。 下錘則表示賣家和買家之間的拍賣合約已經 達成。

c)

競買人會被我們視作委託人。我們有權利為 賣家競投到其設定的保留價,且有權利拒絕 任何競投。

3.

加價:拍賣官有權自行決定加價幅度

4.

買入價格:競買人需要付成交價和傭金(每件 拍品的成交價首£500,000 取22%,另外超過 £500,000 上部份收取12%)+ VAt增值稅

5.

增值稅:根據法律規定,買家所有成交的拍品 的成交價上要支付VAt增值稅。(具體信息請 查閱買家須知的增值稅部份)

6.

付款:拍下拍品以後:

14. 扣除賣家傭金和費用以及保留買家傭金和利息 的權利: (a)

定義 :

i)

如果需要請提供我們您的身份證明

ii)

以英鎊為貨幣形式付款

b) 買家需要付清我們計算出的應付金額,包括以 您或您仲介名義下的所有款項。 7. a)

所有權和領取已購買物品: 物品的所有權只有在您付清全部應付金額之 後才能被轉移。


b)

您需要在拍賣結束後三個工作日付清金額, 且取走物品以後所發生的所有責任都由您來 擔當。

c)

在付款之前,任何物品不能被提取。

8.

如果有買家沒有全部付清應付金額,根據條 例我們作為賣家仲介和拍賣行可以執行以下 權利和提醒:

i)

對您的違約進行法律訴訟程式。

ii)

撤回您從本公司競投的所有成交拍品

iii)

如果重新賣出拍品(通過拍賣或私人交涉成 交),您就要承擔所有重新拍賣所造成的任 何高於您的成交價的部份歸賣家所有。

v) vi) vii)

您拍品的運送、存放和投保的費用都由您承 擔,至於存放地點可以在我們的儲藏室或者 其他地方。 如果沒有在拍賣結束後三個工作日內付款, 我們將以每個月1.5%的比率收取利息。 直到您付清所有的應付金額,我們才能取消 利息的收取。 在今後的任何拍賣中,不接受您做出的競 投,或在接受任競投之前加一些必要條件。

viii) 申請出售任何其他拍品的收益,或在將來您 在結算的時候,可以行使留置權。 1b) 我們作為賣家的仲介和拍賣行,我們執行以上 的權利和提醒是爲了做出合理的補償。 9.

第三方責任:所有現場的公眾人員都必須注意 現場的安排和安全隱患。拍賣官、我們的員工 和都不對任何的死亡和人員傷亡負責(除法律 認定是我們的疏忽外)。

10. 委託拍賣:雖然我們建議買家參加拍賣現場對 所有競投負責,但如果需要我們可以為買家進 行競投。工作人員將參考底價,盡力以最低價 進行競投。如果威立士收到兩個或以上相同價 格的書面競投,則以最先與本公司簽訂委託競 投協定者為成功競投者。 11. 所有權保證和有效性:賣家向拍賣行和您保 證,物品的所有權和出處是該買家,且物品不 受任何第三方索賠。 12. 仲介:拍賣行通常作為仲介不履行任何買家和 賣家的義務。 13. 銷售條例:買家將在委託拍賣之時起承認履行 所有委託條款。 14. 描述和條例: a)

b)

在這些條件下的成交的私人財產轉讓根據消費 者權益法視為交易。

不付款或未領取已購買拍品的提醒:

a)

iv)

拍品充分查看和調查的機會。競買人將會對我 們的描述有不同的見解。我們承諾,任何此類 意見會被相當誠實合理的接受。

在我們尋找對拍品正確的描述的時候,可能不 能對每個拍品都做到最詳盡的調查。在拍賣開 始之前競買人和他們的鑒定師會被給予對每件

15. 偽造者:儘管有之前的條件,但任何拍品被證 明是蓄意偽造,或可以在拍賣結束後21 以內 原封不動的與相關證明材料一起歸還於我們。 如果我們認可您提供的資料證據可以證明該拍 品存在蓄意偽造的事實,我們將退還您所付的 傭金和成交價。但是如果1 從成交日起,眾學 者和鑒定專家都認可圖錄中的描述。或者2 您 個人無法提供一個更好的解釋給我們,那麼根 據條例您就沒有權利要求我們退還拍品。 常規信息 16. 我們有絕對權利拒絕任何人士進入拍賣場地進 行拍賣。 17. (a) 所有損壞賠償責任和毀約所帶來的費用都 應該酌情賠償給賣家和拍賣行。 (b) 這種權利可以由拍賣行和其員工或賣家強 制執行。 18. 任何對買家、賣家、競買人和觀展人的通知都 會都以第一類郵件的方式在48 時內寄到其提 供給我們的地址。 19. 圖錄描述中出現的特殊名詞都會在術語表中做 詳細解釋。 20. 任何沒有節制的拖延或延長競投時間的買主或 賣主我們會合情做出一定的讓步。 21. 英國法律可以用於解釋這些條例。 圖畫、素描、平板印刷、雕刻品和印刷 任何關於作者、歸屬,出處,時期,年份, 來源和情況的敘述都是一件的聲明。不能把 他當做事實敘述。公司有權利敘述意見用來 提供相對可靠的顧問資訊。 書籍 如果發現書籍收藏中的描述和插圖中被證明 有一些缺陷,請您以書面的形式解釋該收藏 的問題,并在14天內退回該收藏。在圖錄 中已經提及或在拍賣該物品之前指出的缺陷 都不予接受。另外包括書中空白處、半個標 題、廣告、書籍裝訂損壞、水漬和污漬。


SOCIEtY OF FINE ARt AUCtIONEERS ANd VAlUERS and the ROYAl INStItUtION OF CHARtEREd SURVEYORS CONDITIONS OF BUSINESS received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

INFORMATION FOR BUYERS 1.

Introduction. the following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2.

Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3.

Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. the lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. they are in no sense definitive.

Ω

4.

The purchase price. the Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAt at the appropriate rate.

5.

VAT. (†) indicates that VAt at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. this imposition of VAt is likely to be because the seller is registered for VAt within the European Union and is not operating the dealers Margin Scheme or because VAt is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). lots which appear without either of the above symbols indicate that no VAt is payable on the hammer price. this is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAt included within the Premium is not recoverable as input tax.

6.

we are, primarily, agents for the seller. we are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7.

Electrical goods. these are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8.

Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. the denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9.

Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. they will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash). 12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges. TERMS OF CONSIGNMENT FOR SELLERS 1.

Interpretation. In these terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2.

Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3.

Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. we may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4.

Loss and damage waiver. we are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. to justify accepting liability, we make a charge of 1.5% of the hammer price plus VAt or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5.

Illustrations. the cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6.

Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7.

we may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8.

Electrical items. these are subject to detailed statutory safety controls. where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9.

Soft furnishings. the sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. we reserve the right to dispose of unsafe goods as refuse, at your expense. the rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. there is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. we will assume that you have approved the catalogue description of your lots unless informed to the contrary.


where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. the liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

(f)

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. we reserve the right to charge for storage in these circumstances at a reasonable daily rate.

2.

12. Withdrawn and bought in items. these are liable to incur a charge of up to 10% plus VAt of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) the singular includes the plural and vice versa as appropriate.

3.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. we disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale. CONDITIONS OF SALE woolley & wallis Salisbury Salerooms ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1.

DEFINITIONS

In these Conditions: (a) ‘auctioneer’ means woolley & wallis Salisbury Salerooms ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which woolley & wallis Salisbury Salerooms ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the lot during the course of the auction or otherwise. the auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

THE PURCHASE PRICE the Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5.

VALUE ADDED TAX Value Added tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6.

PAYMENT

(a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7.

TITLE AND COLLECTION OF PURCHASES

(a) the ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for. 8.

REMEDIES FOR PURCHASES

NON-PAYMENT

OR

FAILURE

TO

COLLECT

(a) If any lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b we shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions


9.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions. PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

11. WARRANTY OF TITLE AND AVAILABILITY the seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY

Glossary

(a)

the auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE the seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. we undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. this Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. the right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. we shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

(b) (c) (d) (e) (f) (g) (h) (i) (j) (k)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. the Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable. Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category. Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. After Edward Lear: In our opinion a copy of a known work of the artist. the term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. the term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. dimensions are given height before width. Pictures are framed unless otherwise stated.

ARTIST’S RESALE RIGHT / DROIT DE SUITE droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. the royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500. droit de Suite, which is not subject to VAt, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

13-09


Asian Art in London 31 October - 9 November 2013 Leading international Asian art dealers and the major auction houses present a series of gallery selling exhibitions and auctions l l l l l

Late night openings & receptions Over 50 galleries & auction houses Museums & institutions: events & exhibitions Lectures, talks and conferences Gala party at the Victoria and Albert Museum

info@asianartinlondon.com +44 (0)20 7499 2215

www.asianartinlondon.com

13-09-23-ATG.indd 1

23/09/2013 14:53


Asian Art Wednesday 21st & Thursday 22nd May 2014

Fine Chinese Imperial white jades from the Qianlong period 1736-95. Provenance: from an English country house, purchased at J Sparks Ltd in the 1920s. Sold for £488,000

ENQUIRIES:

John Axford Tel: +44 (0) 1722 424506 johnaxford@woolleyandwallis.co.uk

新浪微博 @艾思福

http://weibo.com/johnaxford


Modern British Art Tuesday 26th November 2013 Sir George Clausen R.A. (1852-1944) Summer Night, St John’s Wood Signed, oil on canvas, 39 x 46cm Estimate: £15,000-20,000

ENQUIRIES

Michael Jeffery Tel: +44 (0) 1722 424505 michaeljeffery@woolleyandwallis.co.uk Victor Fauvelle Tel: +44 (0) 1722 424503 victorfauvelle@woolleyandwallis.co.uk


Fine Old Masters & 19th Century Paintings Wednesday 4th December 2013

François Hubert Drouais (French 1727-1775) Portrait of Lady Amelia Darcy née Osborne (1754-1784) Inscribed peint a paris par Drouais en avril 1764 Oil on canvas, 71 x 58.5cm Estimate: £100,000-£150,000

ENQUIRIES

Victor Fauvelle Tel: +44 (0) 1722 424503 victorfauvelle@woolleyandwallis.co.uk


British Art Pottery Wednesday 11th December 2013 Three Lucie Rie bowls. Estimates from £500 to £1,500

ENQUIRES

Michael Jeffery Tel: +44 (0) 1722 424505 michaeljeffery@woolleyandwallis.co.uk


Furniture Tuesday 7th January 2014 A fine pair of George III mahogany serpentine commodes. Sold for ÂŁ24,000

ENQUIRIES

Will Hobbs Tel: +44 (0) 1722 339752 willhobbs@woolleyandwallis.co.uk


Silver Tuesday 21st & Wednesday 22nd January 2014 A late 18th century French two-coloured gold mounted blonde tortoiseshell snuff box. Estimate: ÂŁ700-900

ENQUIRIES Rupert Slingsby Tel: +44 (0) 1722 424501 rupertslingsby@woolleyandwallis.co.uk


Tribal Art Tuesday 11th February 2013 A Papua New Guinea gope board. Sold for ÂŁ9,000

ENQUIRIES

Will Hobbs Tel: +44 (0) 1722 339752 willhobbs@woolleyandwallis.co.uk


Auction Calendar AsiAn Art 13th & 14th November John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk Modern British Art 26th November Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk PAintings 4th december Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk 20th Century design 11th december – British Art Pottery, including Studio Pottery Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk Furniture, Works oF Art 7th January 2014 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk silver 21st & 22nd January 2014 Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JeWellery 23rd January 2014 Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk triBAl Art 11th February 2014 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk CloCks, WAtChes & sCientiFiC instruMents 19th February 2014 Richard Price +44 (0) 1722 242421 • richardprice@woolleyandwallis.co.uk Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk english & euroPeAn CerAMiCs & glAss 25th February 2014 Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk • Entries can usually be accepted up to eight weeks prior to the auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk


WOOLLEY & WaLLis SALISBURY

A siAn A rt i

W ednesdAy 13 th n ovember 2013

www.woolleyandwallis.co.uk

WOOLLEY & WaLLis SALISBURY SALEROOMS

威立士

asian art i

Wednesday 13th November 2013

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Woolley & Wallis Asian Art 13 November  

Woolley & Wallis - Asian Art - Day One - 13 November

Woolley & Wallis Asian Art 13 November  

Woolley & Wallis - Asian Art - Day One - 13 November

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